lmms-1.0.0+bzr2569/.gitattributes0000644000000000000000000000006612064226444014626 0ustar 00000000000000.gitattributes export-ignore .gitignore export-ignore lmms-1.0.0+bzr2569/.gitignore0000644000000000000000000000005612304135474013721 0ustar 00000000000000/build /target .*.sw? *~ /CMakeLists.txt.user lmms-1.0.0+bzr2569/.mailmap0000644000000000000000000000113512271074310013343 0ustar 00000000000000Tobias Doerffel Paul Giblock Paul Giblock Andrew Kelley Andrew Kelley Janne Sinisalo Raine M. Ekman Raine M. Ekman Lukas W Vesa Jonathan Aquilina lmms-1.0.0+bzr2569/.svnignore0000644000000000000000000000007410767406056013754 0ustar 00000000000000Makefile.in *.moc .libs embedded_resources.h .deps Makefile lmms-1.0.0+bzr2569/.travis.yml0000644000000000000000000000062712301156423014040 0ustar 00000000000000language: cpp compiler: gcc before_install: sudo apt-get update install: sudo apt-get install libqt4-dev libsndfile-dev fftw3-dev libvorbis-dev libogg-dev libasound2-dev libjack-dev libsdl-dev libsamplerate0-dev libstk0-dev libfluidsynth-dev portaudio19-dev wine-dev g++-multilib libfltk1.3-dev before_script: mkdir build && cd build script: cmake -DCMAKE_BUILD_TYPE=RelWithDebInfo .. && make -j8 VERBOSE=1 lmms-1.0.0+bzr2569/AUTHORS0000644000000000000000000000271012273451723013003 0ustar 00000000000000Tobias Doerffel Development Manager Jonathan Aquilina Project Manager Paul Giblock Development Danny McRae Development Javier Serrano Polo Development Lukas Wohlschläger Development Andrew Kelley Development Wong Cho Ching Development Andreas Brandmaier BitInvader plugin Juan Fabián Simón Version 0.4 plugin artwork Sebastian Tilsch Recording of many samples Gabriel Additional artwork Vesa Kivimäki UI Lead developer Gurjot Singh Developer Hannu Haahti Developer Uroš Maravić UI Developer Tobiasz Karoń (unfa) UI Developer Johannes Lorenz Developer Rubén Ibarra Pastor Developer LocoMatt 3osc skin developer Chrissy McManus UI developer Oskar Wallgren Development lmms-1.0.0+bzr2569/CMakeLists.txt0000644000000000000000000005354212313663131014475 0ustar 00000000000000CMAKE_MINIMUM_REQUIRED(VERSION 2.4.5) PROJECT(lmms) SET(CMAKE_MODULE_PATH "${CMAKE_SOURCE_DIR}/cmake/modules" ${CMAKE_MODULE_PATH}) IF(COMMAND CMAKE_POLICY) CMAKE_POLICY(SET CMP0005 NEW) CMAKE_POLICY(SET CMP0003 NEW) ENDIF(COMMAND CMAKE_POLICY) INCLUDE(AddFileDependencies) INCLUDE(CheckIncludeFiles) INCLUDE(FindPkgConfig) SET(VERSION_MAJOR "1") SET(VERSION_MINOR "0") SET(VERSION_PATCH "0") #SET(VERSION_SUFFIX "") SET(VERSION "${VERSION_MAJOR}.${VERSION_MINOR}.${VERSION_PATCH}") IF(VERSION_SUFFIX) SET(VERSION "${VERSION}-${VERSION_SUFFIX}") ENDIF(VERSION_SUFFIX) INCLUDE(DetectMachine) OPTION(WANT_ALSA "Include ALSA (Advanced Linux Sound Architecture) support" ON) OPTION(WANT_CALF "Include CALF LADSPA plugins" ON) OPTION(WANT_CAPS "Include C* Audio Plugin Suite (LADSPA plugins)" ON) OPTION(WANT_CMT "Include Computer Music Toolkit LADSPA plugins" ON) OPTION(WANT_JACK "Include JACK (Jack Audio Connection Kit) support" ON) OPTION(WANT_OGGVORBIS "Include OGG/Vorbis support" ON) OPTION(WANT_PULSEAUDIO "Include PulseAudio support" ON) OPTION(WANT_PORTAUDIO "Include PortAudio support" ON) OPTION(WANT_SDL "Include SDL (Simple DirectMedia Layer) support" ON) OPTION(WANT_SF2 "Include SoundFont2 player plugin" ON) OPTION(WANT_STK "Include Stk (Synthesis Toolkit) support" ON) OPTION(WANT_SWH "Include Steve Harris's LADSPA plugins" ON) OPTION(WANT_TAP "Include Tom's Audio Processing LADSPA plugins" ON) OPTION(WANT_VST "Include VST support" ON) OPTION(WANT_VST_NOWINE "Include partial VST support (without wine)" OFF) OPTION(WANT_WINMM "Include WinMM MIDI support" OFF) IF(LMMS_BUILD_WIN32) SET(WANT_ALSA OFF) SET(WANT_JACK OFF) SET(WANT_PULSEAUDIO OFF) SET(WANT_SYSTEM_SR OFF) SET(WANT_WINMM ON) SET(LMMS_HAVE_WINMM TRUE) SET(STATUS_ALSA "") SET(STATUS_JACK "") SET(STATUS_PULSEAUDIO "") SET(STATUS_WINMM "OK") ELSE(LMMS_BUILD_WIN32) SET(STATUS_WINMM "") ENDIF(LMMS_BUILD_WIN32) CHECK_INCLUDE_FILES(stdint.h LMMS_HAVE_STDINT_H) CHECK_INCLUDE_FILES(stdlib.h LMMS_HAVE_STDLIB_H) CHECK_INCLUDE_FILES(pthread.h LMMS_HAVE_PTHREAD_H) CHECK_INCLUDE_FILES(semaphore.h LMMS_HAVE_SEMAPHORE_H) CHECK_INCLUDE_FILES(unistd.h LMMS_HAVE_UNISTD_H) CHECK_INCLUDE_FILES(sys/types.h LMMS_HAVE_SYS_TYPES_H) CHECK_INCLUDE_FILES(sys/ipc.h LMMS_HAVE_SYS_IPC_H) CHECK_INCLUDE_FILES(sys/shm.h LMMS_HAVE_SYS_SHM_H) CHECK_INCLUDE_FILES(sys/time.h LMMS_HAVE_SYS_TIME_H) CHECK_INCLUDE_FILES(sys/wait.h LMMS_HAVE_SYS_WAIT_H) CHECK_INCLUDE_FILES(sys/select.h LMMS_HAVE_SYS_SELECT_H) CHECK_INCLUDE_FILES(stdarg.h LMMS_HAVE_STDARG_H) CHECK_INCLUDE_FILES(signal.h LMMS_HAVE_SIGNAL_H) CHECK_INCLUDE_FILES(sched.h LMMS_HAVE_SCHED_H) CHECK_INCLUDE_FILES(sys/soundcard.h LMMS_HAVE_SYS_SOUNDCARD_H) CHECK_INCLUDE_FILES(soundcard.h LMMS_HAVE_SOUNDCARD_H) CHECK_INCLUDE_FILES(fcntl.h LMMS_HAVE_FCNTL_H) CHECK_INCLUDE_FILES(sys/ioctl.h LMMS_HAVE_SYS_IOCTL_H) CHECK_INCLUDE_FILES(ctype.h LMMS_HAVE_CTYPE_H) CHECK_INCLUDE_FILES(string.h LMMS_HAVE_STRING_H) CHECK_INCLUDE_FILES(process.h LMMS_HAVE_PROCESS_H) CHECK_INCLUDE_FILES(locale.h LMMS_HAVE_LOCALE_H) LIST(APPEND CMAKE_PREFIX_PATH "${CMAKE_INSTALL_PREFIX}") # check for Qt4 SET(QT_MIN_VERSION "4.3.0" COMPONENTS QtCore QtGui QtXml) FIND_PACKAGE(Qt4 REQUIRED) SET(QT_USE_QTXML 1) EXEC_PROGRAM(${QT_QMAKE_EXECUTABLE} ARGS "-query QT_INSTALL_TRANSLATIONS" OUTPUT_VARIABLE QT_TRANSLATIONS_DIR) IF(WIN32) SET(QT_TRANSLATIONS_DIR "${MINGW_PREFIX}/share/qt4/translations/") ENDIF(WIN32) IF(EXISTS "${QT_TRANSLATIONS_DIR}") MESSAGE("-- Found Qt translations in ${QT_TRANSLATIONS_DIR}") ADD_DEFINITIONS(-D'QT_TRANSLATIONS_DIR="${QT_TRANSLATIONS_DIR}"') ENDIF(EXISTS "${QT_TRANSLATIONS_DIR}") IF(NOT WIN32) STRING(REPLACE "-DQT_DLL" "" QT_DEFINITIONS "${QT_DEFINITIONS}") ENDIF(NOT WIN32) INCLUDE("${QT_USE_FILE}") # check for libsndfile PKG_CHECK_MODULES(SNDFILE REQUIRED sndfile>=1.0.11) IF(NOT SNDFILE_FOUND) MESSAGE(FATAL_ERROR "LMMS requires libsndfile1 and libsndfile1-dev >= 1.0.11 - please install, remove CMakeCache.txt and try again!") ENDIF(NOT SNDFILE_FOUND) IF(WANT_CALF) SET(LMMS_HAVE_CALF TRUE) SET(STATUS_CALF "OK") ELSE(WANT_CALF) SET(STATUS_CALF "not built as requested") ENDIF(WANT_CALF) IF(WANT_CAPS) SET(LMMS_HAVE_CAPS TRUE) SET(STATUS_CAPS "OK") ELSE(WANT_CAPS) SET(STATUS_CAPS "not built as requested") ENDIF(WANT_CAPS) IF(WANT_CMT) SET(LMMS_HAVE_CMT TRUE) SET(STATUS_CMT "OK") ELSE(WANT_CMT) SET(STATUS_CMT "not built as requested") ENDIF(WANT_CMT) IF(WANT_SWH) SET(LMMS_HAVE_SWH TRUE) SET(STATUS_SWH "OK") ELSE(WANT_SWH) SET(STATUS_SWH "not built as requested") ENDIF(WANT_SWH) IF(WANT_TAP) SET(LMMS_HAVE_TAP TRUE) SET(STATUS_TAP "OK") ELSE(WANT_TAP) SET(STATUS_TAP "not built as requested") ENDIF(WANT_TAP) # check for SDL IF(WANT_SDL) SET(SDL_BUILDING_LIBRARY TRUE) FIND_PACKAGE(SDL) IF(SDL_FOUND) SET(LMMS_HAVE_SDL TRUE) SET(STATUS_SDL "OK") ELSE(SDL_FOUND) SET(STATUS_SDL "not found, please install libsdl1.2-dev (or similiar) " "if you require SDL support") ENDIF(SDL_FOUND) ENDIF(WANT_SDL) IF(NOT LMMS_HAVE_SDL) SET(SDL_INCLUDE_DIR "") ELSE(NOT LMMS_HAVE_SDL) IF(NOT SDL_INCLUDE_DIR) SET(SDL_INCLUDE_DIR "${CMAKE_FIND_ROOT_PATH}/include") ENDIF(NOT SDL_INCLUDE_DIR) ENDIF(NOT LMMS_HAVE_SDL) # check for Stk IF(WANT_STK) FIND_PACKAGE(STK) IF(STK_FOUND) SET(LMMS_HAVE_STK TRUE) SET(STATUS_STK "OK") ELSE(STK_FOUND) SET(STK_INCLUDE_DIR "") SET(STATUS_STK "not found, please install libstk0-dev (or similiar) " "if you require the Mallets instrument") ENDIF(STK_FOUND) ENDIF(WANT_STK) # check for PortAudio IF(WANT_PORTAUDIO) FIND_PACKAGE(Portaudio) IF(PORTAUDIO_FOUND) SET(LMMS_HAVE_PORTAUDIO TRUE) SET(STATUS_PORTAUDIO "OK") ELSE(PORTAUDIO_FOUND) SET(STATUS_PORTAUDIO "not found, please install portaudio19-dev (or similiar, version >= 1.9) " "if you require PortAudio support") ENDIF(PORTAUDIO_FOUND) ENDIF(WANT_PORTAUDIO) # check for PulseAudio IF(WANT_PULSEAUDIO) FIND_PACKAGE(PulseAudio) IF(PULSEAUDIO_FOUND) SET(LMMS_HAVE_PULSEAUDIO TRUE) SET(STATUS_PULSEAUDIO "OK") ELSE(PULSEAUDIO_FOUND) SET(STATUS_PULSEAUDIO "not found, please install libpulse-dev (or similiar) " "if you require PulseAudio support") ENDIF(PULSEAUDIO_FOUND) ENDIF(WANT_PULSEAUDIO) IF(NOT LMMS_HAVE_PULSEAUDIO) SET(PULSEAUDIO_INCLUDE_DIR "") SET(PULSEAUDIO_LIBRARIES "") ENDIF(NOT LMMS_HAVE_PULSEAUDIO) # check for OGG/Vorbis-libraries IF(WANT_OGGVORBIS) FIND_PACKAGE(OggVorbis) IF(OGGVORBIS_FOUND) SET(LMMS_HAVE_OGGVORBIS TRUE) SET(STATUS_OGGVORBIS "OK") ELSE(OGGVORBIS_FOUND) SET(STATUS_OGGVORBIS "not found, libogg-dev and libvorbis-dev (or similiar) " "is highly recommended") ENDIF(OGGVORBIS_FOUND) ENDIF(WANT_OGGVORBIS) # check whether to enable OSS-support IF(LMMS_HAVE_SOUNDCARD_H OR LMMS_HAVE_SYS_SOUNDCARD_H) SET(LMMS_HAVE_OSS TRUE) SET(STATUS_OSS "OK") ELSE(LMMS_HAVE_SOUNDCARD_H OR LMMS_HAVE_SYS_SOUNDCARD_H) SET(STATUS_OSS "") ENDIF(LMMS_HAVE_SOUNDCARD_H OR LMMS_HAVE_SYS_SOUNDCARD_H) # check for ALSA IF(WANT_ALSA) FIND_PACKAGE(Alsa) IF(ALSA_FOUND) SET(LMMS_HAVE_ALSA TRUE) SET(STATUS_ALSA "OK") ELSE(ALSA_FOUND) SET(STATUS_ALSA "not found, please install libasound2-dev (or similiar) " "if you require ALSA support") ENDIF(ALSA_FOUND) ENDIF(WANT_ALSA) IF(NOT LMMS_HAVE_ALSA) SET(ASOUND_LIBRARY "") ENDIF(NOT LMMS_HAVE_ALSA) # check for JACK IF(WANT_JACK) PKG_CHECK_MODULES(JACK jack>=0.77) IF(JACK_FOUND) SET(LMMS_HAVE_JACK TRUE) SET(STATUS_JACK "OK") ELSE(JACK_FOUND) SET(STATUS_JACK "not found, please install libjack0.100.0-dev (or similiar) " "if you require JACK support") ENDIF(JACK_FOUND) ENDIF(WANT_JACK) # check for FFTW3F-library PKG_CHECK_MODULES(FFTW3F REQUIRED fftw3f>=3.0.0) # check for Fluidsynth IF(WANT_SF2) PKG_CHECK_MODULES(FLUIDSYNTH fluidsynth>=1.0.7) IF(FLUIDSYNTH_FOUND) SET(LMMS_HAVE_FLUIDSYNTH TRUE) SET(STATUS_FLUIDSYNTH "OK") ELSE(FLUIDSYNTH_FOUND) SET(STATUS_FLUIDSYNTH "not found, libfluidsynth-dev (or similiar)" "is highly recommended") ENDIF(FLUIDSYNTH_FOUND) ENDIF(WANT_SF2) # check for pthreads IF(LMMS_BUILD_LINUX OR LMMS_BUILD_APPLE) FIND_PACKAGE(Threads) ENDIF(LMMS_BUILD_LINUX OR LMMS_BUILD_APPLE) # check for WINE IF(WANT_VST) FIND_PACKAGE(Wine) IF(WINE_FOUND) SET(LMMS_SUPPORT_VST TRUE) SET(STATUS_VST "OK") ELSE(WINE_FOUND) SET(STATUS_VST "not found, please install (lib)wine-dev (or similiar) - 64 bit systems additionally need gcc-multilib and g++-multilib") ENDIF(WINE_FOUND) ENDIF(WANT_VST) IF(LMMS_BUILD_WIN32) SET(LMMS_SUPPORT_VST TRUE) SET(STATUS_VST "OK") ENDIF(LMMS_BUILD_WIN32) # check for libsamplerate PKG_CHECK_MODULES(SAMPLERATE REQUIRED samplerate>=0.1.8) CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/lmmsconfig.h.in" "${CMAKE_BINARY_DIR}/lmmsconfig.h") CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/lmmsversion.h.in" "${CMAKE_BINARY_DIR}/lmmsversion.h") CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/lmms.rc.in" "${CMAKE_BINARY_DIR}/lmms.rc") CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/plugins/zynaddsubfx/zynaddsubfx.rc.in" "${CMAKE_BINARY_DIR}/plugins/zynaddsubfx/zynaddsubfx.rc") # set compiler flags SET(WERROR_FLAGS "-Wall -Werror -Werror=unused-function -Wno-sign-compare -Wno-strict-overflow") SET(CMAKE_C_FLAGS "-O2 -g ${WERROR_FLAGS} ${CMAKE_C_FLAGS}") SET(CMAKE_CXX_FLAGS "-O2 -g -fno-exceptions ${WERROR_FLAGS} ${CMAKE_CXX_FLAGS}") set(CMAKE_C_FLAGS_DEBUG "-DLMMS_DEBUG") # people simply updating git will still have this and mess up build with it FILE(REMOVE include/lmmsconfig.h) FILE(GLOB lmms_INCLUDES "${CMAKE_SOURCE_DIR}/include/*.h") FILE(GLOB lmms_UI "${CMAKE_SOURCE_DIR}/src/gui/dialogs/*.ui" "${CMAKE_SOURCE_DIR}/src/gui/Forms/*.ui") FILE(GLOB_RECURSE lmms_SOURCES "${CMAKE_SOURCE_DIR}/src/*.cpp") SET(lmms_MOC ${lmms_INCLUDES}) # Get list of all committers from git history, ordered by number of commits FIND_PACKAGE(Git) IF(GIT_FOUND) SET(CONTRIBUTORS "${CMAKE_BINARY_DIR}/CONTRIBUTORS") EXECUTE_PROCESS( COMMAND "${GIT_EXECUTABLE}" shortlog -sne COMMAND cut -c8- OUTPUT_FILE "${CONTRIBUTORS}" WORKING_DIRECTORY "${CMAKE_SOURCE_DIR}" TIMEOUT 1) ENDIF(GIT_FOUND) SET(lmms_EMBEDDED_RESOURCES "${CMAKE_SOURCE_DIR}/AUTHORS" "${CMAKE_SOURCE_DIR}/COPYING" "${CONTRIBUTORS}") QT4_WRAP_CPP(lmms_MOC_out ${lmms_MOC} OPTIONS -nw) QT4_WRAP_UI(lmms_UI_out ${lmms_UI}) # embedded resources stuff IF(WIN32 OR WIN64) # compile buildtools native SET(BIN2RES_CPP "${CMAKE_SOURCE_DIR}/buildtools/bin2res.cpp") SET(BIN2RES "${CMAKE_BINARY_DIR}/bin2res") ADD_CUSTOM_COMMAND(OUTPUT "${BIN2RES}" COMMAND g++ ARGS "\"${BIN2RES_CPP}\"" -o "\"${BIN2RES}\"" DEPENDS "${BIN2RES_CPP}") ELSE(WIN32 OR WIN64) ADD_EXECUTABLE(bin2res buildtools/bin2res.cpp) GET_TARGET_PROPERTY(BIN2RES bin2res LOCATION) ENDIF(WIN32 OR WIN64) SET(LMMS_ER_H "${CMAKE_CURRENT_BINARY_DIR}/embedded_resources.h") # we somehow have to make LMMS-binary depend on MOC-files ADD_FILE_DEPENDENCIES("${CMAKE_BINARY_DIR}/lmmsconfig.h" ${lmms_MOC_out}) ADD_CUSTOM_COMMAND(OUTPUT "${LMMS_ER_H}" COMMAND "${BIN2RES}" ARGS ${lmms_EMBEDDED_RESOURCES} > "\"${LMMS_ER_H}\"" DEPENDS "${BIN2RES}") IF(WIN32) SET(WINRC "${CMAKE_BINARY_DIR}/lmmsrc.obj") ADD_CUSTOM_COMMAND(OUTPUT "${WINRC}" COMMAND "${WINDRES}" "-I\"${CMAKE_SOURCE_DIR}\"" "-o\"${CMAKE_BINARY_DIR}/lmmsrc.obj\"" "-i\"${CMAKE_BINARY_DIR}/lmms.rc\"" DEPENDS "${CMAKE_BINARY_DIR}/lmms.rc") SET(CMAKE_CXX_FLAGS "${CMAKE_CXX_FLAGS} -Wno-attributes") ELSE(WIN32) SET(CMAKE_CXX_FLAGS "${CMAKE_CXX_FLAGS} -fPIC -DPIC") ENDIF(WIN32) # make sub-directories ADD_SUBDIRECTORY(plugins) ADD_SUBDIRECTORY(data) ADD_SUBDIRECTORY(doc) # # build LMMS-binary # IF(LMMS_BUILD_WIN32) SET(EXTRA_LIBRARIES "-lwinmm") ENDIF() # Paths relative to lmms executable FILE(RELATIVE_PATH LIB_DIR_RELATIVE "/${BIN_DIR}" "/${LIB_DIR}") FILE(RELATIVE_PATH PLUGIN_DIR_RELATIVE "/${BIN_DIR}" "/${PLUGIN_DIR}") ADD_DEFINITIONS(-D'LIB_DIR="${LIB_DIR_RELATIVE}/"' -D'PLUGIN_DIR="${PLUGIN_DIR_RELATIVE}/"' ${PULSEAUDIO_DEFINITIONS} ${PORTAUDIO_DEFINITIONS}) INCLUDE_DIRECTORIES("${CMAKE_BINARY_DIR}" "${CMAKE_BINARY_DIR}/include" "${CMAKE_SOURCE_DIR}" "${CMAKE_SOURCE_DIR}/include" ${JACK_INCLUDE_DIRS} ${SAMPLERATE_INCLUDE_DIRS} ${SNDFILE_INCLUDE_DIRS}) IF(NOT ("${SDL_INCLUDE_DIR}" STREQUAL "")) INCLUDE_DIRECTORIES("${SDL_INCLUDE_DIR}") ENDIF() IF(NOT ("${PORTAUDIO_INCLUDE_DIR}" STREQUAL "")) INCLUDE_DIRECTORIES("${PORTAUDIO_INCLUDE_DIR}") ENDIF() IF(NOT ("${PULSEAUDIO_INCLUDE_DIR}" STREQUAL "")) INCLUDE_DIRECTORIES("${PULSEAUDIO_INCLUDE_DIR}") ENDIF() IF(NOT ("${OGGVORBIS_INCLUDE_DIR}" STREQUAL "")) INCLUDE_DIRECTORIES("${OGGVORBIS_INCLUDE_DIR}") ENDIF() ADD_CUSTOM_COMMAND(OUTPUT "${CMAKE_BINARY_DIR}/lmms.1.gz" COMMAND gzip -c "\"${CMAKE_SOURCE_DIR}/lmms.1\"" > "\"${CMAKE_BINARY_DIR}/lmms.1.gz\"" DEPENDS "${CMAKE_SOURCE_DIR}/lmms.1" COMMENT "Generating lmms.1.gz") ADD_EXECUTABLE(lmms ${lmms_SOURCES} ${lmms_INCLUDES} "${LMMS_ER_H}" ${lmms_UI_out} lmmsconfig.h lmmsversion.h "${WINRC}" "${CMAKE_BINARY_DIR}/lmms.1.gz") TARGET_LINK_LIBRARIES(lmms ${CMAKE_THREAD_LIBS_INIT} ${QT_LIBRARIES} ${ASOUND_LIBRARY} ${SDL_LIBRARY} ${PORTAUDIO_LIBRARIES} ${PULSEAUDIO_LIBRARIES} ${JACK_LIBRARIES} ${OGGVORBIS_LIBRARIES} ${SAMPLERATE_LIBRARIES} ${SNDFILE_LIBRARIES} ${EXTRA_LIBRARIES}) IF(LMMS_BUILD_WIN32) SET_TARGET_PROPERTIES(lmms PROPERTIES LINK_FLAGS "${LINK_FLAGS} -mwindows") ADD_CUSTOM_COMMAND(TARGET lmms POST_BUILD COMMAND "${STRIP}" "\"${CMAKE_BINARY_DIR}/lmms.exe\"") INSTALL(TARGETS lmms RUNTIME DESTINATION "${BIN_DIR}") INSTALL(FILES "${MINGW_PREFIX}/bin/QtCore4.dll" "${MINGW_PREFIX}/bin/QtGui4.dll" "${MINGW_PREFIX}/bin/QtXml4.dll" "${MINGW_PREFIX}/bin/libsamplerate-0.dll" "${MINGW_PREFIX}/bin/libsndfile-1.dll" "${MINGW_PREFIX}/bin/libvorbis-0.dll" "${MINGW_PREFIX}/bin/libvorbisenc-2.dll" "${MINGW_PREFIX}/bin/libvorbisfile-3.dll" "${MINGW_PREFIX}/bin/libogg-0.dll" "${MINGW_PREFIX}/bin/libfluidsynth.dll" "${MINGW_PREFIX}/bin/libfftw3f-3.dll" "${MINGW_PREFIX}/bin/libFLAC-8.dll" "${MINGW_PREFIX}/bin/libportaudio-2.dll" "${MINGW_PREFIX}/bin/libpng16-16.dll" "${MINGW_PREFIX}/bin/SDL.dll" "${MINGW_PREFIX}/bin/libglib-2.0-0.dll" "${MINGW_PREFIX}/bin/libgthread-2.0-0.dll" "${MINGW_PREFIX}/bin/zlib1.dll" DESTINATION .) ELSE(LMMS_BUILD_WIN32) IF(NOT LMMS_BUILD_APPLE) SET_TARGET_PROPERTIES(lmms PROPERTIES LINK_FLAGS "${LINK_FLAGS} -Wl,-E") ENDIF(NOT LMMS_BUILD_APPLE) INSTALL(TARGETS lmms RUNTIME DESTINATION "${BIN_DIR}") INSTALL(FILES "${CMAKE_BINARY_DIR}/lmms.1.gz" DESTINATION "${CMAKE_INSTALL_PREFIX}/share/man/man1/" PERMISSIONS OWNER_READ GROUP_READ WORLD_READ) ENDIF(LMMS_BUILD_WIN32) # # rules for building localizations # FILE(GLOB lmms_LOCALES data/locale/*.ts) SET(ts_targets "") SET(qm_targets "") FOREACH(_ts_file ${lmms_LOCALES}) STRING(REPLACE "${CMAKE_SOURCE_DIR}/data/locale/" "" _ts_target "${_ts_file}") STRING(REPLACE ".ts" ".qm" _qm_file "${_ts_file}") STRING(REPLACE ".ts" ".qm" _qm_target "${_ts_target}") ADD_CUSTOM_TARGET(${_ts_target} COMMAND "${QT_LUPDATE_EXECUTABLE}" -locations none -no-obsolete ${lmms_SOURCES} ${lmms_UI} `find "\"${CMAKE_SOURCE_DIR}/plugins/\"" -type f -name '*.cpp'` -ts "\"${_ts_file}\"") ADD_CUSTOM_TARGET(${_qm_target} COMMAND "${QT_LRELEASE_EXECUTABLE}" "\"${_ts_file}\"" -qm "\"${_qm_file}\"") LIST(APPEND ts_targets "${_ts_target}") LIST(APPEND qm_targets "${_qm_target}") ENDFOREACH(_ts_file ${lmms_LOCALES}) ADD_CUSTOM_TARGET(update-locales) FOREACH(_item ${ts_targets}) ADD_DEPENDENCIES(update-locales "${_item}") ENDFOREACH(_item ${ts_targets}) ADD_CUSTOM_TARGET(finalize-locales) FOREACH(_item ${qm_targets}) ADD_DEPENDENCIES(finalize-locales "${_item}") ENDFOREACH(_item ${qm_targets}) # install headers IF(LMMS_BUILD_LINUX) INSTALL(FILES ${lmms_INCLUDES} "${CMAKE_BINARY_DIR}/lmmsconfig.h" "${CMAKE_BINARY_DIR}/lmmsversion.h" "${CMAKE_SOURCE_DIR}/src/gui/embed.cpp" DESTINATION "${CMAKE_INSTALL_PREFIX}/include/lmms/") ENDIF(LMMS_BUILD_LINUX) # package ZynAddSubFX into win32 build IF(LMMS_BUILD_WIN32) IF(EXISTS "${CMAKE_SOURCE_DIR}/extras") ADD_SUBDIRECTORY("${CMAKE_SOURCE_DIR}/extras/data/presets") FILE(GLOB ZASF_BINARIES "${CMAKE_SOURCE_DIR}/extras/plugins/zynaddsubfx/zynaddsubfx.dll" "${CMAKE_SOURCE_DIR}/extras/plugins/zynaddsubfx/remote_zynaddsubfx.exe") INSTALL(FILES "${ZASF_BINARIES}" DESTINATION "${PLUGIN_DIR}") ENDIF(EXISTS "${CMAKE_SOURCE_DIR}/extras") ENDIF(LMMS_BUILD_WIN32) # # add distclean-target # ADD_CUSTOM_TARGET(distclean COMMAND make clean COMMAND rm -rf `find -name cmake_install.cmake` `find -name Makefile` `find -type d -name CMakeFiles` CMakeCache.txt lmmsconfig.h lmms.1.gz) # # add tarball-target # SET(TMP "lmms-${VERSION}") ADD_CUSTOM_TARGET(dist COMMAND make clean COMMAND rm -rf "${TMP}" COMMAND mkdir -p "${TMP}" COMMAND cp AUTHORS build_mingw32 build_mingw64 CMakeLists.txt configure COPYING INSTALL lmms.1 lmms.rc.in lmms.spec.in lmmsconfig.h.in lmmsversion.h.in README TODO "${TMP}" COMMAND cp -r buildtools cmake data doc include plugins src "${TMP}" COMMAND rm -rf `find "${TMP}" -name cmake_install.cmake` `find "${TMP}" -name Makefile` `find "${TMP}" -type d -name CMakeFiles` "${TMP}/CMakeCache.txt" COMMAND tar cjf lmms-${VERSION}-src.tar.bz2 "${TMP}" COMMAND rm -rf "${TMP}") SET_DIRECTORY_PROPERTIES(PROPERTIES ADDITIONAL_MAKE_CLEAN_FILES "${LMMS_ER_H} ${lmms_MOC_out} ${lmms_UI_out} lmmsconfig.h lmms.1.gz") # # display configuration information # MESSAGE("\n" "Installation Summary\n" "--------------------\n" "* Install Directory : ${CMAKE_INSTALL_PREFIX}\n" ) MESSAGE( "Supported audio interfaces\n" "--------------------------\n" "* ALSA : ${STATUS_ALSA}\n" "* JACK : ${STATUS_JACK}\n" "* OSS : ${STATUS_OSS}\n" "* PortAudio : ${STATUS_PORTAUDIO}\n" "* PulseAudio : ${STATUS_PULSEAUDIO}\n" "* SDL : ${STATUS_SDL}\n" ) MESSAGE( "Supported MIDI interfaces\n" "-------------------------\n" "* ALSA : ${STATUS_ALSA}\n" "* OSS : ${STATUS_OSS}\n" "* WinMM : ${STATUS_WINMM}\n" ) MESSAGE( "Supported file formats for project export\n" "-----------------------------------------\n" "* WAVE : OK\n" "* OGG/VORBIS : ${STATUS_OGGVORBIS}\n" ) MESSAGE( "Optional plugins\n" "----------------\n" "* SoundFont2 player : ${STATUS_FLUIDSYNTH}\n" "* Stk Mallets : ${STATUS_STK}\n" "* VST-instrument hoster : ${STATUS_VST}\n" "* VST-effect hoster : ${STATUS_VST}\n" "* CALF LADSPA plugins : ${STATUS_CALF}\n" "* CAPS LADSPA plugins : ${STATUS_CAPS}\n" "* CMT LADSPA plugins : ${STATUS_CMT}\n" "* TAP LADSPA plugins : ${STATUS_TAP}\n" "* SWH LADSPA plugins : ${STATUS_SWH}\n" ) MESSAGE( "\n" "-----------------------------------------------------------------\n" "IMPORTANT:\n" "after installing missing packages, remove CMakeCache.txt before\n" "running cmake again!\n" "-----------------------------------------------------------------\n" "\n\n") INCLUDE(InstallRequiredSystemLibraries) SET(CPACK_PACKAGE_DESCRIPTION_SUMMARY "LMMS - easy music production for everyone!") SET(CPACK_PACKAGE_VENDOR "LMMS Developers") IF(LMMS_BUILD_APPLE) CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/README" "${CMAKE_BINARY_DIR}/README.txt" COPYONLY) CONFIGURE_FILE("${CMAKE_SOURCE_DIR}/COPYING" "${CMAKE_BINARY_DIR}/COPYING.txt" COPYONLY) SET(CPACK_PACKAGE_DESCRIPTION_FILE "${CMAKE_BINARY_DIR}/README.txt") SET(CPACK_RESOURCE_FILE_LICENSE "${CMAKE_BINARY_DIR}/COPYING.txt") ELSE(LMMS_BUILD_APPLE) SET(CPACK_PACKAGE_DESCRIPTION_FILE "${CMAKE_SOURCE_DIR}/README") SET(CPACK_RESOURCE_FILE_LICENSE "${CMAKE_SOURCE_DIR}/COPYING") ENDIF(LMMS_BUILD_APPLE) SET(CPACK_PACKAGE_VERSION_MAJOR "${VERSION_MAJOR}") SET(CPACK_PACKAGE_VERSION_MINOR "${VERSION_MINOR}") SET(CPACK_PACKAGE_VERSION_PATCH "${VERSION_PATCH}") IF(VERSION_SUFFIX) SET(CPACK_PACKAGE_VERSION_PATCH "${VERSION_PATCH}-${VERSION_SUFFIX}") ENDIF(VERSION_SUFFIX) SET(CPACK_PACKAGE_INSTALL_DIRECTORY "LMMS") IF(WIN32) SET(CPACK_PACKAGE_ICON "${CMAKE_SOURCE_DIR}/data/nsis_branding.bmp") SET(CPACK_NSIS_MUI_ICON "${CMAKE_SOURCE_DIR}/data/lmms.ico") SET(CPACK_NSIS_INSTALLED_ICON_NAME "lmms.exe") SET(CPACK_NSIS_DISPLAY_NAME "LMMS ${VERSION}") SET(CPACK_NSIS_HELP_LINK "http:\\\\\\\\lmms.sourceforge.net") SET(CPACK_NSIS_URL_INFO_ABOUT "http:\\\\\\\\lmms.sourceforge.net") SET(CPACK_NSIS_CONTACT "lmms-devel@lists.sourceforge.net") SET(CPACK_PACKAGE_EXECUTABLES "lmms.exe;LMMS") SET(CPACK_NSIS_MENU_LINKS "lmms.exe;LMMS") SET(CPACK_NSIS_DEFINES "!include ${CMAKE_SOURCE_DIR}/cmake/nsis/FileAssociation.nsh") SET(CPACK_PACKAGE_FILE_NAME "lmms-${VERSION}-win32") SET(CPACK_NSIS_EXTRA_INSTALL_COMMANDS " \\\${registerExtension} \\\"$INSTDIR\\\\lmms.exe\\\" \\\".mmp\\\" \\\"LMMS Project\\\" \\\${registerExtension} \\\"$INSTDIR\\\\lmms.exe\\\" \\\".mmpz\\\" \\\"LMMS Project (compressed)\\\" ") SET(CPACK_NSIS_EXTRA_UNINSTALL_COMMANDS " \\\${unregisterExtension} \\\".mmp\\\" \\\"LMMS Project\\\" \\\${unregisterExtension} \\\".mmpz\\\" \\\"LMMS Project (compressed)\\\" ") ELSE(WIN32) SET(CPACK_STRIP_FILES "bin/lmms;${PLUGIN_DIR}/*.so") SET(CPACK_PACKAGE_EXECUTABLES "lmms" "LMMS binary") ENDIF(WIN32) IF(WIN64) SET(CPACK_PACKAGE_FILE_NAME "lmms-${VERSION}-win64") SET(CPACK_NSIS_DEFINES "${CPACK_NSIS_DEFINES} InstallDir \\\"\\\$PROGRAMFILES64\\\\${CPACK_PACKAGE_INSTALL_DIRECTORY}\\\"") ENDIF(WIN64) SET(MACOSX_BUNDLE_ICON_FILE "${CMAKE_SOURCE_DIR}/data/themes/default/icon.png") SET(MACOSX_BUNDLE_GUI_IDENTIFIER "LMMS") SET(MACOSX_BUNDLE_LONG_VERSION_STRING "${VERSION}") SET(MACOSX_BUNDLE_BUNDLE_NAME "LMMS") SET(MACOSX_BUNDLE_SHORT_VERSION_STRING "${VERSION}") SET(MACOSX_BUNDLE_BUNDLE_VERSION "${VERSION}") SET(MACOSX_BUNDLE_COPYRIGHT "Tobias Doerffel, 2008-2010") SET(CPACK_SOURCE_GENERATOR "TBZ2") SET(CPACK_SOURCE_PACKAGE_FILE_NAME "lmms-${VERSION}") INCLUDE(CPack) lmms-1.0.0+bzr2569/COPYING0000644000000000000000000004310310474423143012763 0ustar 00000000000000 GNU GENERAL PUBLIC LICENSE Version 2, June 1991 Copyright (C) 1989, 1991 Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Lesser General Public License instead.) You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things. To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it. For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights. We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software. Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations. Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all. The precise terms and conditions for copying, distribution and modification follow. GNU GENERAL PUBLIC LICENSE TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION 0. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term "modification".) Each licensee is addressed as "you". Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does. 1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program. You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee. 2. You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions: a) You must cause the modified files to carry prominent notices stating that you changed the files and the date of any change. b) You must cause any work that you distribute or publish, that in whole or in part contains or is derived from the Program or any part thereof, to be licensed as a whole at no charge to all third parties under the terms of this License. c) If the modified program normally reads commands interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.) These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it. Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program. In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this License. 3. You may copy and distribute the Program (or a work based on it, under Section 2) in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following: a) Accompany it with the complete corresponding machine-readable source code, which must be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or, b) Accompany it with a written offer, valid for at least three years, to give any third party, for a charge no more than your cost of physically performing source distribution, a complete machine-readable copy of the corresponding source code, to be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or, c) Accompany it with the information you received as to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.) The source code for a work means the preferred form of the work for making modifications to it. For an executable work, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the executable. However, as a special exception, the source code distributed need not include anything that is normally distributed (in either source or binary form) with the major components (compiler, kernel, and so on) of the operating system on which the executable runs, unless that component itself accompanies the executable. If distribution of executable or object code is made by offering access to copy from a designated place, then offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code. 4. You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance. 5. You are not required to accept this License, since you have not signed it. However, nothing else grants you permission to modify or distribute the Program or its derivative works. These actions are prohibited by law if you do not accept this License. Therefore, by modifying or distributing the Program (or any work based on the Program), you indicate your acceptance of this License to do so, and all its terms and conditions for copying, distributing or modifying the Program or works based on it. 6. Each time you redistribute the Program (or any work based on the Program), the recipient automatically receives a license from the original licensor to copy, distribute or modify the Program subject to these terms and conditions. You may not impose any further restrictions on the recipients' exercise of the rights granted herein. You are not responsible for enforcing compliance by third parties to this License. 7. If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not limited to patent issues), conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not distribute the Program at all. For example, if a patent license would not permit royalty-free redistribution of the Program by all those who receive copies directly or indirectly through you, then the only way you could satisfy both it and this License would be to refrain entirely from distribution of the Program. If any portion of this section is held invalid or unenforceable under any particular circumstance, the balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances. It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution system, which is implemented by public license practices. Many people have made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software through any other system and a licensee cannot impose that choice. This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License. 8. If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Program under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License. 9. The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies a version number of this License which applies to it and "any later version", you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of this License, you may choose any version ever published by the Free Software Foundation. 10. If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally. NO WARRANTY 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively convey the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. Copyright (C) This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA. Also add information on how to contact you by electronic and paper mail. If the program is interactive, make it output a short notice like this when it starts in an interactive mode: Gnomovision version 69, Copyright (C) year name of author Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, the commands you use may be called something other than `show w' and `show c'; they could even be mouse-clicks or menu items--whatever suits your program. You should also get your employer (if you work as a programmer) or your school, if any, to sign a "copyright disclaimer" for the program, if necessary. Here is a sample; alter the names: Yoyodyne, Inc., hereby disclaims all copyright interest in the program `Gnomovision' (which makes passes at compilers) written by James Hacker. , 1 April 1989 Ty Coon, President of Vice This General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. lmms-1.0.0+bzr2569/INSTALL0000644000000000000000000000224611602151055012756 0ustar 00000000000000Building LMMS got quite simple since 0.4.0 as everything is managed by cmake now. Therefore make sure you have CMake (>= 2.6.0 recommended) and then run mkdir build cd build cmake ../ make sudo make install If your system does not have "sudo", become root with your preferred mechanism and run the "make install" command. With the above commands an out-of-tree build is performed. You can also run "cmake ." directly in the root of source tree although this is not recommended. When performing an out-of-tree build after there's already an in-tree build, make sure to run "make distclean" before running cmake inside build-directory. If you want to use custom compiler flags simply set the environment variables CFLAGS and CXXFLAGS. After running cmake (the 3rd command above) you can see a summary of things that are going to be built into LMMS or built as plugins. Install the according libraries and development files if a certain feature is not enabled. Then remove CMakeCache.txt and run cmake again. If you want to supply an install prefix to cmake, add the flag: -DCMAKE_INSTALL_PREFIX= Where can be /usr, /usr/local, /opt, etc. The default is /usr/local. lmms-1.0.0+bzr2569/README0000644000000000000000000000703112313663131012605 0ustar 00000000000000LMMS 1.0.0 =========== Copyright (c) 2004-2014 by LMMS developers This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA. What is LMMS? -------------- LMMS is a free cross-platform alternative to commercial programs like FL Studio (R), which allow you to produce music with your computer. This includes the creation of melodies and beats, the synthesis and mixing of sounds, and arranging of samples. You can have fun with your MIDI-keyboard and much more; all in a user-friendly and modern interface. Features --------- * Song-Editor for composing songs * A Beat+Bassline-Editor for creating beats and basslines * An easy-to-use Piano-Roll for editing patterns and melodies * An FX mixer with 64 FX channels and arbitrary number of effects allow unlimited mixing possibilities * Many powerful instrument and effect-plugins out of the box * Full user-defined track-based automation and computer-controlled automation sources * Compatible with many standards such as SoundFont2, VST(i), LADSPA, GUS Patches, and full MIDI support * Import of MIDI and FLP (Fruityloops(R) Project) files Requirements ------------ The most important requirement is for sure a fast computer, so don't try to get LMMS working on a pentium I with 60 MHz... ;-) Therefore you should have at least 500 MHz, but for really enjoying LMMS less than 1 GHz makes no sense... Required libraries: - Qt >= 4.3.0 with devel-files (4.4.x recommended) Optional, but strongly recommended: - JACK with devel-files - libvorbis & libogg with devel-files - libalsa with devel-files - SDL with devel-files - libsamplerate >= 0.1.7 with devel-files - libsndfile with devel-files - WINE + WINE-devel-files - stk, libstk + libstk-dev - libfluidsynth with devel files - fftw3 with devel-files - libfltk1.3 with devel-files (needed by ZynAddSubFx) For compiling you should have an up to date GCC with g++. If you have problems with compiling or running LMMS, find any bug or have suggestions and so on, please feel free to e-mail me (for mail-address see below)! Building --------- See INSTALL for information on how to build LMMS. Join LMMS-development ---------------------- If you are interested in LMMS, it's programming, artwork, testing, writing demo-songs, (and improving this README...) or something like that, you're welcome to participate on the development of LMMS! The project-homepage of LMMS, mailingslists and a list of things you can do can be found at http://lmms.sourceforge.net Details on development can be found at http://lmms.sourceforge.net/development.php or in the Wiki: http://lmms.sourceforge.net/wiki/ Before coding a new big feature, please ALWAYS post your idea and suggestions about your feature and about the intended implementation to the LMMS-devel-mailinglist (lmms-devel@lists.sourceforge.net) and wait for replies! Maybe there're different ideas, improvements, hints or maybe your feature is not welcome/needed at the moment. lmms-1.0.0+bzr2569/README.md0000644000000000000000000000373312267773715013233 0ustar 00000000000000Linux MultiMedia Studio ======================= [![Build Status](https://travis-ci.org/LMMS/lmms.png)](https://travis-ci.org/LMMS/lmms) What is LMMS? -------------- LMMS is a free cross-platform alternative to commercial programs like FL Studio (R), which allow you to produce music with your computer. This includes the creation of melodies and beats, the synthesis and mixing of sounds, and arranging of samples. You can have fun with your MIDI-keyboard and much more; all in a user-friendly and modern interface. Features --------- * Song-Editor for composing songs * A Beat+Bassline-Editor for creating beats and basslines * An easy-to-use Piano-Roll for editing patterns and melodies * An FX mixer with 64 FX channels and arbitrary number of effects allow unlimited mixing possibilities * Many powerful instrument and effect-plugins out of the box * Full user-defined track-based automation and computer-controlled automation sources * Compatible with many standards such as SoundFont2, VST(i), LADSPA, GUS Patches, and full MIDI support * Import of MIDI and FLP (Fruityloops(R) Project) files Building --------- See [Compiling LMMS](https://github.com/LMMS/lmms/wiki/Compiling-lmms) on our wiki for information on how to build LMMS. Join LMMS-development ---------------------- If you are interested in LMMS, it's programming, artwork, testing, writing demo-songs, (and improving this readme…) or something like that, you're welcome to participate on the development of LMMS! Information about what you can do and how can be found in the [wiki](https://github.com/LMMS/lmms/wiki). Before coding a new big feature, please _always_ [file an issue](https://github.com/LMMS/lmms/issues/new) for your idea and suggestions about your feature and about the intended implementation on GitHub or post to the LMMS-devel-mailinglist (lmms-devel@lists.sourceforge.net) and wait for replies! Maybe there're different ideas, improvements, hints or maybe your feature is not welcome/needed at the moment. lmms-1.0.0+bzr2569/TODO0000644000000000000000000000270311240264311012411 0ustar 00000000000000Version 0.4.x ============= - save tco-settings in trackContentWidget::saveSettings() etc. instead of track::... - resample sample-track-tcos when exporting at different samplerate - message to user when importing unsupported MIDI-file (track-count = 0) - piano roll: mouse cursor isn't updated correctly in selection mode (from resizing note edit area) - when you add vestige, have it automatically pop the find VST plugin dialog - try to make vestige-plugin-dlls relative - select all MIDI devices by default when you bring up the "connect to controller" window and wait for first event - then uncheck all other MIDI devices that no events were detected from - load asdlol.mmpz. if you render it without playing it, or if you play it the first time, you hear unwanted artifacts. (solution: apply automation before playing) - autosave every 30s (configurable!) and offer recovery at startup after crash - speed up painting of sampleTCO - do not process effects when playing frozen patterns - copy-pasted automation patterns have to be manually linked back to their knob for some reason - improve TrackLabelButton: split 80%-20% (80%=name, 20%=button showing a popup menu with track operations, make the midi input a top-level menu item) - when you click and drag a mixer bar, it doesn't click and drag, it sets absolutely. this is annoying See TODO file in master branch and/or the TODO list in the Wiki for details regarding the development series. lmms-1.0.0+bzr2569/build_mingw320000755000000000000000000000055212056741562014332 0ustar 00000000000000MINGW=/opt/mingw32 export PATH=$PATH:$MINGW/bin #export CFLAGS="-march=pentium3 -mtune=generic -mpreferred-stack-boundary=5 -fno-tree-vectorize" export CFLAGS="-march=pentium3 -mtune=generic -mpreferred-stack-boundary=5" export CXXFLAGS="$CFLAGS" cmake .. -DCMAKE_TOOLCHAIN_FILE=../cmake/modules/Win32Toolchain.cmake -DCMAKE_MODULE_PATH=`pwd`/../cmake/modules/ lmms-1.0.0+bzr2569/build_mingw640000755000000000000000000000034212056741562014334 0ustar 00000000000000MINGW=/opt/mingw64 export PATH=$PATH:$MINGW/bin #export CFLAGS="-fno-tree-vectorize" export CXXFLAGS="$CFLAGS" cmake .. -DCMAKE_TOOLCHAIN_FILE=../cmake/modules/Win64Toolchain.cmake -DCMAKE_MODULE_PATH=`pwd`/../cmake/modules/ lmms-1.0.0+bzr2569/buildtools/0000755000000000000000000000000010314533200014074 5ustar 00000000000000lmms-1.0.0+bzr2569/cmake/0000755000000000000000000000000011041343122012774 5ustar 00000000000000lmms-1.0.0+bzr2569/configure0000755000000000000000000000026011041345577013641 0ustar 00000000000000#!/bin/sh echo "" echo "Usage of configure & Co is deprecated! Please use" echo "" echo " cmake . -DCMAKE_INSTALL_PREFIX=/usr" echo "" echo "or similiar instead." echo "" lmms-1.0.0+bzr2569/data/0000755000000000000000000000000010401051475012633 5ustar 00000000000000lmms-1.0.0+bzr2569/doc/0000755000000000000000000000000012276772167012513 5ustar 00000000000000lmms-1.0.0+bzr2569/include/0000755000000000000000000000000010314533200013337 5ustar 00000000000000lmms-1.0.0+bzr2569/lmms.10000644000000000000000000000553411426644735013002 0ustar 00000000000000.\" Hey, EMACS: -*- nroff -*- .\" First parameter, NAME, should be all caps .\" Second parameter, SECTION, should be 1-8, maybe w/ subsection .\" other parameters are allowed: see man(7), man(1) .TH LMMS 1 "September 28, 2006" .\" Please adjust this date whenever revising the manpage. .\" .\" Some roff macros, for reference: .\" .nh disable hyphenation .\" .hy enable hyphenation .\" .ad l left justify .\" .ad b justify to both left and right margins .\" .nf disable filling .\" .fi enable filling .\" .br insert line break .\" .sp insert n+1 empty lines .\" for manpage-specific macros, see man(7) .SH NAME lmms \- software for easy music production .SH SYNOPSIS .B lmms .RB "[ \--\fBrender\fP \fIfile\fP ] [options]" .br .B lmms .RB "[ \--\fBupgrade\fP \fIin\fP \fIout\fP ]" .br .B lmms .RB "[ \--\fBdump\fP \fIin\fP ]" .br .B lmms .RI "[ file ]" .SH DESCRIPTION .PP .\" TeX users may be more comfortable with the \fB\fP and .\" \fI\fP escape sequences to invode bold face and italics, .\" respectively. .B LMMS LMMS is a free cross-platform alternative to commercial programs like FL Studio®, which allow you to produce music with your computer. This includes the creation of melodies and beats, the synthesis and mixing of sounds, and arranging of samples. You can have fun with your MIDI-keyboard and much more; all in a user-friendly and modern interface. LMMS features components such as a Song Editor, a Beat+Bassline Editor, a Piano Roll, an FX Mixer as well as many powerful instruments and effects. .SH OPTIONS .IP "\fB\-r, --render\fP \fIproject-file\fP Render given file to either a wav\- or ogg\-file. See \fB\-f\fP for details .IP "\fB\-o, --output\fP \fIfile\fP render into \fIfile\fP .IP "\fB\-f, --output-format\fP \fIformat\fP Specify format of render-output where \fIformat\fP is either 'wav' or 'ogg' .IP "\fB\-s, --samplerate\fP \fIsamplerate\fP Specify output samplerate in Hz - range is 44100 (default) to 192000 .IP "\fB\-b, --bitrate\fP \fIbitrate\fP Specify output bitrate in kHz (for OGG encoding only), default is 160 .IP "\fB\-i, --interpolation\fP \fImethod\fP Specify interpolation method - possible values are \fIlinear\fP, \fIsincfastest\fP (default), \fIsincmedium\fP, \fIsincbest\fP .IP "\fB\-x, --oversampling\fP \fIvalue\fP Specify oversampling, possible values: 1, 2 (default), 4, 8 .IP "\fB\-u, --upgrade\fP \fIin\fP \fIout\fP Upgrade file \fIin\fP and save as \fIout\fP .IP "\fB\-d, --dump\fP \fIin\fP Dump XML of compressed file \fIin\fP (i.e. MMPZ-file) .IP "\fB\-v, --version Show version information and exit. .IP "\fB\-h, --help Show usage information and exit. .SH SEE ALSO .BR http://lmms.sf.net/ .BR http://lmms.sf.net/wiki/ .SH AUTHORS .BR Tobias Doerffel , Paul Giblock and others. See AUTHORS for details. lmms-1.0.0+bzr2569/lmms.rc.in0000644000000000000000000000134212313663131013627 0ustar 00000000000000lmmsicon ICON data/lmms.ico #include VS_VERSION_INFO VERSIONINFO FILEVERSION 1,0,0,0 FILEFLAGSMASK VS_FFI_FILEFLAGSMASK FILEOS VOS_NT_WINDOWS32 FILETYPE VFT_APP FILESUBTYPE VFT2_UNKNOWN BEGIN BLOCK "StringFileInfo" BEGIN BLOCK "040904E4" //language ID = U.S. English, charset = Windows, Multilingual BEGIN VALUE "Comments", "http://lmms.sf.net\0" VALUE "CompanyName", "LMMS Developers\0" VALUE "FileDescription", "LMMS\0" VALUE "FileVersion", "@VERSION@\0" VALUE "LegalCopyright", "Copyright (c) 2004-2014 LMMS Developers\0" VALUE "OriginalFilename", "lmms.exe\0" VALUE "ProductName", "LMMS\0" VALUE "ProductVersion", "@VERSION@\0" END END END lmms-1.0.0+bzr2569/lmms.spec.in0000644000000000000000000001352710662302473014171 0ustar 00000000000000# Configuration variables %define name lmms %define version 0.3.0 %define rel 1 %define release %{rel}%{?disttag}%{?repotag} # Define what you can/want to build: %define with_sdl 0%{nil} %define with_jack 1%{nil} %define with_vorbis 1%{nil} %define with_flac 1%{nil} %define with_sr 1%{nil} %define with_sf 1%{nil} # Build by setting these defines on the command line, for example: # rpmbuild --define 'disttag .EL' --define 'repotag .fc6' %{!?desktop_vendor: %{expand: %%define desktop_vendor rpmfarm}} # This can be changed at build time: # rpmbuild --define 'desktop_vendor RPMfarm' #-------------------------------------------------------------------- Name: %{name} Version: %{version} Release: %{release} Summary: powerful sequencer-, synthesizer- and sample-studio for Linux Summary(de): Leistungsfaehiges Sequenzer-, Synthesizer- und Sample-Studio fuer Linux License: GPL URL: http://lmms.sourceforge.net/ Group: Applications/Multimedia Provides: lmms = %{version}-%{release} BuildRequires: gcc gcc-c++ libstdc++-devel autoconf automake libtool make BuildRequires: alsa-lib-devel BuildRequires: qt-devel > 3.0 # ------------- BuildRequires: %if %{with_vorbis} BuildRequires: libvorbis libvorbis-devel %endif %if %{with_sdl} BuildRequires: SDL SDL-devel SDL_sound %endif %if %{with_sr} BuildRequires: libsamplerate libsamplerate-devel %endif %if %{with_sf} BuildRequires: libsndfile libsndfile-devel %endif %if %{with_jack} BuildRequires: jack-audio-connection-kit-devel %endif %if %{with_flac} BuildRequires: flac-devel %endif # ------------- Requires: Requires: qt >= 3.0 alsa-lib %if %{with_sr} Requires: libsamplerate %endif %if %{with_sf} Requires: libsndfile %endif %if %{with_jack} Requires: jack-audio-connection-kit %endif %if %{with_vorbis} Requires: libvorbis %endif %if %{with_flac} Requires: flac %endif %if %{with_sdl} Requires: SDL_sound %endif Requires: lmms-data Source: %{name}-%{version}.tar.bz2 Patch1: %{name}-%{version}-patch BuildRoot: %{_tmppath}/%{name}-%{version}-buildroot Prefix: %{_prefix} %description LMMS aims to be a free alternative to popular (but commercial and closed- source) programs like FruityLoops, Cubase and Logic giving you the ability of producing music with your computer by creating/synthesizing sounds, arranging samples, playing live with keyboard and much more... LMMS combines the features of a tracker-/sequencer-program (pattern-/channel-/ sample-/song-/effect-management) and those of powerful synthesizers and samplers in a modern, user-friendly and easy to use graphical user-interface. LMMS is still in heavy development, so with this version please don't expect a complete, ready and bugfree program!! %description -l de LMMS ist eine freie Alternative zu bekannten (aber kommerziellen und Closed-Source-) Programmen wie FruityLoops, Cubase und Logic, die Ihnen die Moeglichkeit geben, mit Ihrem Computer Musik zu produzieren, indem Sie Klaenge kreieren/synthetisieren, Samples anordnen, mit dem Keyboard live spielen usw.... LMMS kombiniert die Funktionen eines Tracker-/Sequenzer-Programms (Pattern-/ Kanal-/Sample-/Song-/Effekt-Management) und die von leistungsfaehigen Synthesizern und Samplern in einer modernen, benutzerfreundlichen und einfach zu benutzenden grafischen Oberflaeche. Derzeit befindet sich LMMS komplett in Entwicklung. Also erwarten Sie bitte mit dieser Version nicht ein vollstaendiges, fertiges und fehlerfreies Programm!! %package data Summary: samples, presets, demo-projects and localization-files for LMMS Summary(de): Samples, Presets, Demo-Projekte und Lokalisierungsdateien fuer LMMS Group: Applications/Multimedia Provides: lmms-data = %{version}-%{release} %description data This package contains platform-independent data and resources for Linux MultiMedia Studio (LMMS), e.g. samples, presets and demo-projects. %description data -l de Dieses Paket beinhaltet plattform-unabhaengige Daten und Resourcen fuer Linux MultiMedia Studio (LMMS), wie z.B. Samples, Presets und Demo-Projekte. %prep %setup -n %{name}-%{version} %patch1 -p1 -b .EL %build %configure \ %if !%{with_jack} --without-jack \ %endif %if !%{with_sdl} --without-sdl \ --without-sdlsound \ %endif %if !%{with_vorbis} --without-vorbis \ %endif %if !%{with_flac} --without-flac \ %endif %if !%{with_sr} --without-libsrc \ %endif %if !%{with_sf} --without-libsf \ %endif %{__make} %{?_smp_mflags} # Create a desktop menu entry %{__cat} > %{name}.desktop << EOF [Desktop Entry] Name=Linux MultiMedia Studio Comment=Powerful sequencer-, synthesizer- and sample-studio for Linux Exec=lmms Icon=%{_datadir}/%{name}/themes/default/icon.png Terminal=false Type=Application Categories=Application;AudioVideo;X-Fedora;X-RPMfarm; Encoding=UTF-8 EOF %install %{__rm} -rf %{buildroot} make DESTDIR=$RPM_BUILD_ROOT install # Install menu entry %{__mkdir_p} %{buildroot}%{_datadir}/applications desktop-file-install \ --vendor %{desktop_vendor} \ --dir %{buildroot}%{_datadir}/applications \ %{name}.desktop || : %clean %{__rm} -rf %{buildroot} %files %defattr(-, root, root, 0755) %doc AUTHORS ChangeLog COPYING README TODO %{_bindir}/lmms %dir %{_libdir}/lmms %{_libdir}/lmms/* %{_mandir}/man*/lmms.* %{_datadir}/applications/%{desktop_vendor}-%{name}.desktop %files data %defattr(-,root,root) %dir %{_datadir}/lmms %{_datadir}/lmms/* %changelog * Fri Apr 13 2007 Eric Lassauge - 0.2.1-1 - build for FC6 - added dependencies and build configuration - added .desktop file * Tue Sep 20 2005 Tobias Doerffel - added JACK-dependencies * Fri Jul 22 2005 Tobias Doerffel - added more dependencies for builds under SuSE * Sat Jun 25 2005 Tobias Doerffel - splitted package into lmms and lmms-data - additional requirements - updated project-homepage and email-address of packager * Thu May 12 2005 Tobias Doerffel - created lmms.spec.in lmms-1.0.0+bzr2569/lmmsconfig.h.in0000644000000000000000000000327312050015654014644 0ustar 00000000000000#cmakedefine LMMS_BUILD_LINUX #cmakedefine LMMS_BUILD_WIN32 #cmakedefine LMMS_BUILD_WIN64 #cmakedefine LMMS_BUILD_APPLE #cmakedefine LMMS_HOST_X86 #cmakedefine LMMS_HOST_X86_64 #cmakedefine LMMS_HAVE_ALSA #cmakedefine LMMS_HAVE_FLUIDSYNTH #cmakedefine LMMS_HAVE_JACK #cmakedefine LMMS_HAVE_OGGVORBIS #cmakedefine LMMS_HAVE_OSS #cmakedefine LMMS_HAVE_PORTAUDIO #cmakedefine LMMS_HAVE_PULSEAUDIO #cmakedefine LMMS_HAVE_SDL #cmakedefine LMMS_HAVE_STK #cmakedefine LMMS_HAVE_VST #cmakedefine LMMS_HAVE_STDINT_H #cmakedefine LMMS_HAVE_STDLIB_H #cmakedefine LMMS_HAVE_PTHREAD_H #cmakedefine LMMS_HAVE_UNISTD_H #cmakedefine LMMS_HAVE_SYS_TYPES_H #cmakedefine LMMS_HAVE_SYS_IPC_H #cmakedefine LMMS_HAVE_SEMAPHORE_H #cmakedefine LMMS_HAVE_SYS_SHM_H #cmakedefine LMMS_HAVE_SYS_TIME_H #cmakedefine LMMS_HAVE_SYS_WAIT_H #cmakedefine LMMS_HAVE_SYS_SELECT_H #cmakedefine LMMS_HAVE_STDARG_H #cmakedefine LMMS_HAVE_SIGNAL_H #cmakedefine LMMS_HAVE_SCHED_H #cmakedefine LMMS_HAVE_SYS_SOUNDCARD_H #cmakedefine LMMS_HAVE_SOUNDCARD_H #cmakedefine LMMS_HAVE_FCNTL_H #cmakedefine LMMS_HAVE_SYS_IOCTL_H #cmakedefine LMMS_HAVE_CTYPE_H #cmakedefine LMMS_HAVE_STRING_H #cmakedefine LMMS_HAVE_PROCESS_H #cmakedefine LMMS_HAVE_LOCALE_H /* defines for libsamplerate */ /* Target processor clips on negative float to int conversion. */ #cmakedefine CPU_CLIPS_NEGATIVE 1 #ifndef CPU_CLIPS_NEGATIVE #define CPU_CLIPS_NEGATIVE 0 #endif /* Target processor clips on positive float to int conversion. */ #cmakedefine CPU_CLIPS_POSITIVE 1 #ifndef CPU_CLIPS_POSITIVE #define CPU_CLIPS_POSITIVE 0 #endif /* Define if you have C99's lrint function. */ #cmakedefine HAVE_LRINT 1 /* Define if you have C99's lrintf function. */ #cmakedefine HAVE_LRINTF 1 lmms-1.0.0+bzr2569/lmmsversion.h.in0000644000000000000000000000032211423065542015060 0ustar 00000000000000#define LMMS_VERSION_MAJOR @VERSION_MAJOR@ #define LMMS_VERSION_MINOR @VERSION_MINOR@ #define LMMS_VERSION_PATCH @VERSION_PATCH@ #define LMMS_VERSION_SUFFIX "@VERSION_SUFFIX@" #define LMMS_VERSION "@VERSION@" lmms-1.0.0+bzr2569/plugins/0000755000000000000000000000000010325712542013407 5ustar 00000000000000lmms-1.0.0+bzr2569/src/0000755000000000000000000000000010314533200012503 5ustar 00000000000000lmms-1.0.0+bzr2569/tests/0000755000000000000000000000000011075213742013071 5ustar 00000000000000lmms-1.0.0+bzr2569/buildtools/bin2res.cpp0000644000000000000000000001244311071132453016156 0ustar 00000000000000/* * bin2res.cpp - generate embedded resources from binary data (based on qembed) * * Copyright (c) 2005-2008 Tobias Doerffel * * This program is free software; you can redistribute it and/or * modify it under the terms of the GNU General Public * License as published by the Free Software Foundation; either * version 2 of the License, or (at your option) any later version. * * This program is distributed in the hope that it will be useful, * but WITHOUT ANY WARRANTY; without even the implied warranty of * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU * General Public License for more details. * * You should have received a copy of the GNU General Public * License along with this program (see COPYING); if not, write to the * Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, * Boston, MA 02110-1301 USA. * */ #include #include #include #include static void embedData( const char * _input, int _size, std::ostream & _output ); static std::string convertFileNameToCIdentifier( const std::string & _s ); struct embed { unsigned int size; std::string name; std::string cname; } ; typedef std::vector stringlist; const int MAX_FILE_SIZE = 256*256*256; // = 16 MB int main( int argc, char * * argv ) { if( argc < 2 ) { std::cerr << "Usage:" << std::endl << "\t" << argv[0] << " files" << std::endl; return( 1 ); } std::cout << "// Generated by bin2res" << std::endl; std::vector embedded_data; std::cout << "#ifndef _EMBEDDED_RESOURCES_H" << std::endl; std::cout << "#define _EMBEDDED_RESOURCES_H" << std::endl; stringlist files; for( int i = 1; i < argc; ++i ) { files.push_back( std::string( argv[i] ) ); } for( stringlist::iterator it = files.begin(); it != files.end(); ++it ) { std::ifstream f( it->c_str(), std::ios::binary ); if( f.fail() ) { std::cerr << "Cannot open file " << *it << ", ignoring it" << std::endl; continue; } f.seekg( 0, std::ios::end ); int fsize = f.tellg(); f.seekg( 0 ); if( fsize == 0 || fsize > MAX_FILE_SIZE ) { std::cerr << "File " << *it << " has zero size or is " "too large to be processed with bin2res." << std::endl; } char * data = new char[fsize]; f.read( data, fsize ); embed * e = new embed; e->size = fsize; if( it->rfind( '/' ) != std::string::npos ) { e->name = std::string( it->c_str() + it->rfind( '/' ) + 1 ); } else { e->name = *it; } e->cname = convertFileNameToCIdentifier( e->name ); embedded_data.push_back( e ); std::string s; std::cout << "static const unsigned char " << e->cname << "_data[] = {"; embedData( data, fsize, std::cout ); std::cout << std::endl << "};" << std::endl << std::endl; delete[] data; } if( embedded_data.size() > 0 ) { std::cout << "static const unsigned char dummy_data[] =" "{ 0x00 };" << std::endl << std::endl; embed * dummy = new embed; dummy->size = 1; dummy->name = "dummy"; dummy->cname = convertFileNameToCIdentifier( std::string( "dummy" ) ); embedded_data.push_back( dummy ); std::cout << "#include " << std::endl << std::endl; std::cout << "#include \"embed.h\"" << std::endl << std::endl; std::cout << "static embed::descriptor embed_vec[] = {" << std::endl; /* << "{" << std::endl << " int size;" << std::endl << " const unsigned char * data;" << std::endl << " const char * name;" << std::endl << "} embed_vec[] = {" << std::endl;*/ while( embedded_data.size() > 0 ) { embed * e = embedded_data[0]; std::cout << " { " << e->size << ", " << e->cname << "_data, " << "\"" << e->name << "\" }," << std::endl; delete e; embedded_data.erase( embedded_data.begin() ); } std::cout << " { 0, 0, 0 }" << std::endl << "};" << std::endl << std::endl << "static const embed::descriptor & " "findEmbeddedData( const char * _name )" << std::endl << "{" << std::endl << " for( int i = 0; embed_vec[i].data; " "i++ )" << std::endl << " {" << std::endl << " if( strcmp( embed_vec[i].name, " "_name ) == 0 )" << std::endl << " {" << std::endl << " return( " "embed_vec[i] );" << std::endl << " }" << std::endl << " }" << std::endl /* << " printf( \"warning: embedded resource " "%s not found!\\n\", _name );" << std::endl*/ << " return( findEmbeddedData( " "\"dummy\" ) );" << std::endl << "}" << std::endl << std::endl; } std::cout << "#endif" << std::endl; return( 0 ); } std::string convertFileNameToCIdentifier( const std::string & _s ) { std::string r = _s; int len = r.length(); if ( len > 0 && !isalpha( (char)r[0] ) ) { r[0] = '_'; } for ( int i = 1; i < len; i++ ) { if ( !isalnum( (char)r[i] ) ) { r[i] = '_'; } } return( r ); } void embedData( const char * _input, int _nbytes, std::ostream & _output ) { static const char hexdigits[] = "0123456789abcdef"; std::string s; for( int i = 0; i < _nbytes; i++ ) { if( ( i%14 ) == 0 ) { s += "\n "; _output << s; s = ""; } unsigned int v = _input[i]; s += "0x"; s += hexdigits[(v >> 4) & 15]; s += hexdigits[v & 15]; if( i < _nbytes-1 ) { s += ','; } } if ( s.length() ) { _output << s; } } lmms-1.0.0+bzr2569/cmake/modules/0000755000000000000000000000000011041343122014444 5ustar 00000000000000lmms-1.0.0+bzr2569/cmake/nsis/0000755000000000000000000000000011426645542013772 5ustar 00000000000000lmms-1.0.0+bzr2569/cmake/modules/BuildPlugin.cmake0000644000000000000000000000621212266562230017702 0ustar 00000000000000# BuildPlugin.cmake - Copyright (c) 2008 Tobias Doerffel # # description: build LMMS-plugin # usage: BUILD_PLUGIN( MOCFILES EMBEDDED_RESOURCES UICFILES ) MACRO(CAR var) SET(${var} ${ARGV1}) ENDMACRO(CAR) MACRO(CDR var junk) SET(${var} ${ARGN}) ENDMACRO(CDR) MACRO(LIST_CONTAINS var value) SET(${var}) FOREACH (value2 ${ARGN}) IF (${value} STREQUAL ${value2}) SET(${var} TRUE) ENDIF (${value} STREQUAL ${value2}) ENDFOREACH (value2) ENDMACRO(LIST_CONTAINS) MACRO(PARSE_ARGUMENTS prefix arg_names option_names) SET(DEFAULT_ARGS) FOREACH(arg_name ${arg_names}) SET(${prefix}_${arg_name}) ENDFOREACH(arg_name) FOREACH(option ${option_names}) SET(${prefix}_${option} FALSE) ENDFOREACH(option) SET(current_arg_name DEFAULT_ARGS) SET(current_arg_list) FOREACH(arg ${ARGN}) LIST_CONTAINS(is_arg_name ${arg} ${arg_names}) IF (is_arg_name) SET(${prefix}_${current_arg_name} ${current_arg_list}) SET(current_arg_name ${arg}) SET(current_arg_list) ELSE (is_arg_name) LIST_CONTAINS(is_option ${arg} ${option_names}) IF (is_option) SET(${prefix}_${arg} TRUE) ELSE (is_option) SET(current_arg_list ${current_arg_list} ${arg}) ENDIF (is_option) ENDIF (is_arg_name) ENDFOREACH(arg) SET(${prefix}_${current_arg_name} ${current_arg_list}) ENDMACRO(PARSE_ARGUMENTS) MACRO(BUILD_PLUGIN) PARSE_ARGUMENTS(PLUGIN "MOCFILES;EMBEDDED_RESOURCES;UICFILES" "" ${ARGN} ) CAR(PLUGIN_NAME ${PLUGIN_DEFAULT_ARGS}) CDR(PLUGIN_SOURCES ${PLUGIN_DEFAULT_ARGS}) INCLUDE_DIRECTORIES(${CMAKE_CURRENT_BINARY_DIR} ${CMAKE_BINARY_DIR} ${CMAKE_SOURCE_DIR}/include ${CMAKE_SOURCE_DIR}/src/gui) ADD_DEFINITIONS(-DPLUGIN_NAME=${PLUGIN_NAME}) LIST(LENGTH PLUGIN_EMBEDDED_RESOURCES ER_LEN) IF(ER_LEN) SET(ER_H ${CMAKE_CURRENT_BINARY_DIR}/embedded_resources.h) ADD_CUSTOM_COMMAND(OUTPUT ${ER_H} COMMAND ${BIN2RES} ARGS ${PLUGIN_EMBEDDED_RESOURCES} > ${ER_H} DEPENDS ${BIN2RES}) ENDIF(ER_LEN) QT4_WRAP_CPP(plugin_MOC_out ${PLUGIN_MOCFILES}) QT4_WRAP_UI(plugin_UIC_out ${PLUGIN_UICFILES}) FOREACH(f ${PLUGIN_SOURCES}) ADD_FILE_DEPENDENCIES(${f} ${ER_H} ${plugin_MOC_out} ${plugin_UIC_out}) ENDFOREACH(f) IF(LMMS_BUILD_APPLE) LINK_DIRECTORIES(${CMAKE_BINARY_DIR}) LINK_LIBRARIES(${QT_LIBRARIES}) ENDIF(LMMS_BUILD_APPLE) IF(LMMS_BUILD_WIN32) LINK_DIRECTORIES(${CMAKE_BINARY_DIR} ${CMAKE_SOURCE_DIR}) LINK_LIBRARIES(-llmms ${QT_LIBRARIES}) ENDIF(LMMS_BUILD_WIN32) ADD_LIBRARY(${PLUGIN_NAME} MODULE ${PLUGIN_SOURCES}) INSTALL(TARGETS ${PLUGIN_NAME} LIBRARY DESTINATION "${PLUGIN_DIR}") IF(LMMS_BUILD_APPLE) SET_TARGET_PROPERTIES(${PLUGIN_NAME} PROPERTIES LINK_FLAGS "-bundle_loader ${CMAKE_BINARY_DIR}/lmms") ENDIF(LMMS_BUILD_APPLE) IF(LMMS_BUILD_WIN32) SET_TARGET_PROPERTIES(${PLUGIN_NAME} PROPERTIES PREFIX "") ADD_CUSTOM_COMMAND(TARGET ${PLUGIN_NAME} POST_BUILD COMMAND ${STRIP} ${CMAKE_CURRENT_BINARY_DIR}/${PLUGIN_NAME}.dll) ENDIF(LMMS_BUILD_WIN32) SET_DIRECTORY_PROPERTIES(PROPERTIES ADDITIONAL_MAKE_CLEAN_FILES "${ER_H} ${plugin_MOC_out}") ENDMACRO(BUILD_PLUGIN) lmms-1.0.0+bzr2569/cmake/modules/DetectMachine.cmake0000644000000000000000000000236112266562230020162 0ustar 00000000000000IF(WIN32) SET(LMMS_BUILD_WIN32 1) ELSE(WIN32) IF(APPLE) SET(LMMS_BUILD_APPLE 1) ELSE(APPLE) SET(LMMS_BUILD_LINUX 1) ENDIF(APPLE) ENDIF(WIN32) MESSAGE("PROCESSOR: ${CMAKE_SYSTEM_PROCESSOR}") SET(LMMS_HOST_X86 FALSE) SET(LMMS_HOST_X86_64 FALSE) IF(WIN32) IF(WIN64) SET(IS_X86_64 TRUE) SET(LMMS_BUILD_WIN64 TRUE) ELSE(WIN64) SET(IS_X86 TRUE) ENDIF(WIN64) ELSE(WIN32) EXEC_PROGRAM( ${CMAKE_C_COMPILER} ARGS "-dumpmachine" OUTPUT_VARIABLE Machine ) MESSAGE("Machine: ${Machine}") STRING(REGEX MATCH "i.86" IS_X86 "${Machine}") STRING(REGEX MATCH "86_64" IS_X86_64 "${Machine}") ENDIF(WIN32) IF(IS_X86) MESSAGE("-- Target host is 32 bit") SET(LMMS_HOST_X86 TRUE) ELSEIF(IS_X86_64) MESSAGE("-- Target host is 64 bit") SET(LMMS_HOST_X86_64 TRUE) ELSE(IS_X86) MESSAGE("Can't identify target host. Assuming 32 bit platform.") ENDIF(IS_X86) IF(CMAKE_INSTALL_LIBDIR) SET(LIB_DIR "${CMAKE_INSTALL_LIBDIR}") ELSE(CMAKE_INSTALL_LIBDIR) SET(LIB_DIR lib) ENDIF(CMAKE_INSTALL_LIBDIR) IF(LMMS_BUILD_WIN32) SET(BIN_DIR .) SET(PLUGIN_DIR plugins) SET(DATA_DIR data) SET(LMMS_DATA_DIR data) ELSE(LMMS_BUILD_WIN32) SET(BIN_DIR bin) SET(PLUGIN_DIR ${LIB_DIR}/lmms) SET(DATA_DIR share) SET(LMMS_DATA_DIR ${DATA_DIR}/lmms) ENDIF(LMMS_BUILD_WIN32) lmms-1.0.0+bzr2569/cmake/modules/FindAlsa.cmake0000644000000000000000000000527311076377232017157 0ustar 00000000000000# Alsa check, based on libkmid/configure.in.in. # Only the support for Alsa >= 0.9.x was included; 0.5.x was dropped (but feel free to re-add it if you need it) # It defines ... # It offers the following macros: # ALSA_CONFIGURE_FILE(config_header) - generate a config.h, typical usage: # ALSA_CONFIGURE_FILE(${CMAKE_BINARY_DIR}/config-alsa.h) # ALSA_VERSION_STRING(version_string) looks for alsa/version.h and reads the version string into # the first argument passed to the macro # Copyright (c) 2006, David Faure, # Copyright (c) 2007, Matthias Kretz # # Redistribution and use is allowed according to the terms of the BSD license. # For details see the accompanying COPYING-CMAKE-SCRIPTS file. include(CheckIncludeFiles) include(CheckIncludeFileCXX) include(CheckLibraryExists) # Already done by toplevel find_library(ASOUND_LIBRARY asound) set(ASOUND_LIBRARY_DIR "") if(ASOUND_LIBRARY) get_filename_component(ASOUND_LIBRARY_DIR ${ASOUND_LIBRARY} PATH) endif(ASOUND_LIBRARY) check_library_exists(asound snd_seq_create_simple_port "${ASOUND_LIBRARY_DIR}" HAVE_LIBASOUND2) if(HAVE_LIBASOUND2) message(STATUS "Found ALSA: ${ASOUND_LIBRARY}") else(HAVE_LIBASOUND2) message(STATUS "ALSA not found") endif(HAVE_LIBASOUND2) set(ALSA_FOUND ${HAVE_LIBASOUND2}) find_path(ALSA_INCLUDES alsa/version.h) macro(ALSA_VERSION_STRING _result) # check for version in alsa/version.h if(ALSA_INCLUDES) file(READ "${ALSA_INCLUDES}/alsa/version.h" _ALSA_VERSION_CONTENT) string(REGEX REPLACE ".*SND_LIB_VERSION_STR.*\"(.*)\".*" "\\1" ${_result} ${_ALSA_VERSION_CONTENT}) else(ALSA_INCLUDES) message(STATUS "ALSA version not known. ALSA output will probably not work correctly.") endif(ALSA_INCLUDES) endmacro(ALSA_VERSION_STRING _result) check_include_files(sys/soundcard.h LMMS_HAVE_SYS_SOUNDCARD_H) check_include_files(machine/soundcard.h LMMS_HAVE_MACHINE_SOUNDCARD_H) check_include_files(linux/awe_voice.h LMMS_HAVE_LINUX_AWE_VOICE_H) check_include_files(awe_voice.h LMMS_HAVE_AWE_VOICE_H) check_include_files(/usr/src/sys/i386/isa/sound/awe_voice.h LMMS_HAVE__USR_SRC_SYS_I386_ISA_SOUND_AWE_VOICE_H) check_include_files(/usr/src/sys/gnu/i386/isa/sound/awe_voice.h LMMS_HAVE__USR_SRC_SYS_GNU_I386_ISA_SOUND_AWE_VOICE_H) check_include_file_cxx(sys/asoundlib.h LMMS_HAVE_SYS_ASOUNDLIB_H) check_include_file_cxx(alsa/asoundlib.h LMMS_HAVE_ALSA_ASOUNDLIB_H) check_library_exists(asound snd_pcm_resume "${ASOUND_LIBRARY_DIR}" ASOUND_HAS_SND_PCM_RESUME) if(ASOUND_HAS_SND_PCM_RESUME) set(HAVE_SND_PCM_RESUME 1) endif(ASOUND_HAS_SND_PCM_RESUME) mark_as_advanced(ALSA_INCLUDES ASOUND_LIBRARY) lmms-1.0.0+bzr2569/cmake/modules/FindOggVorbis.cmake0000644000000000000000000000657511041343122020165 0ustar 00000000000000# - Try to find the OggVorbis libraries # Once done this will define # # OGGVORBIS_FOUND - system has OggVorbis # OGGVORBIS_VERSION - set either to 1 or 2 # OGGVORBIS_INCLUDE_DIR - the OggVorbis include directory # OGGVORBIS_LIBRARIES - The libraries needed to use OggVorbis # OGG_LIBRARY - The Ogg library # VORBIS_LIBRARY - The Vorbis library # VORBISFILE_LIBRARY - The VorbisFile library # VORBISENC_LIBRARY - The VorbisEnc library # Copyright (c) 2006, Richard Laerkaeng, # # Redistribution and use is allowed according to the terms of the BSD license. # For details see the accompanying COPYING-CMAKE-SCRIPTS file. include (CheckLibraryExists) find_path(VORBIS_INCLUDE_DIR vorbis/vorbisfile.h) find_path(OGG_INCLUDE_DIR ogg/ogg.h) find_library(OGG_LIBRARY NAMES ogg) find_library(VORBIS_LIBRARY NAMES vorbis) find_library(VORBISFILE_LIBRARY NAMES vorbisfile) find_library(VORBISENC_LIBRARY NAMES vorbisenc) if (VORBIS_INCLUDE_DIR AND VORBIS_LIBRARY AND VORBISFILE_LIBRARY AND VORBISENC_LIBRARY) set(OGGVORBIS_FOUND TRUE) set(OGGVORBIS_LIBRARIES ${OGG_LIBRARY} ${VORBIS_LIBRARY} ${VORBISFILE_LIBRARY} ${VORBISENC_LIBRARY}) set(_CMAKE_REQUIRED_LIBRARIES_TMP ${CMAKE_REQUIRED_LIBRARIES}) set(CMAKE_REQUIRED_LIBRARIES ${CMAKE_REQUIRED_LIBRARIES} ${OGGVORBIS_LIBRARIES}) check_library_exists(vorbis vorbis_bitrate_addblock "" HAVE_LIBVORBISENC2) set(CMAKE_REQUIRED_LIBRARIES ${_CMAKE_REQUIRED_LIBRARIES_TMP}) if (HAVE_LIBVORBISENC2) set (OGGVORBIS_VERSION 2) else (HAVE_LIBVORBISENC2) set (OGGVORBIS_VERSION 1) endif (HAVE_LIBVORBISENC2) else (VORBIS_INCLUDE_DIR AND VORBIS_LIBRARY AND VORBISFILE_LIBRARY AND VORBISENC_LIBRARY) set (OGGVORBIS_VERSION) set(OGGVORBIS_FOUND FALSE) endif (VORBIS_INCLUDE_DIR AND VORBIS_LIBRARY AND VORBISFILE_LIBRARY AND VORBISENC_LIBRARY) if (OGGVORBIS_FOUND) if (NOT OggVorbis_FIND_QUIETLY) message(STATUS "Found OggVorbis: ${OGGVORBIS_LIBRARIES}") endif (NOT OggVorbis_FIND_QUIETLY) else (OGGVORBIS_FOUND) if (OggVorbis_FIND_REQUIRED) message(FATAL_ERROR "Could NOT find OggVorbis libraries") endif (OggVorbis_FIND_REQUIRED) if (NOT OggVorbis_FIND_QUITELY) message(STATUS "Could NOT find OggVorbis libraries") endif (NOT OggVorbis_FIND_QUITELY) endif (OGGVORBIS_FOUND) #check_include_files(vorbis/vorbisfile.h HAVE_VORBISFILE_H) #check_library_exists(ogg ogg_page_version "" HAVE_LIBOGG) #check_library_exists(vorbis vorbis_info_init "" HAVE_LIBVORBIS) #check_library_exists(vorbisfile ov_open "" HAVE_LIBVORBISFILE) #check_library_exists(vorbisenc vorbis_info_clear "" HAVE_LIBVORBISENC) #check_library_exists(vorbis vorbis_bitrate_addblock "" HAVE_LIBVORBISENC2) #if (HAVE_LIBOGG AND HAVE_VORBISFILE_H AND HAVE_LIBVORBIS AND HAVE_LIBVORBISFILE AND HAVE_LIBVORBISENC) # message(STATUS "Ogg/Vorbis found") # set (VORBIS_LIBS "-lvorbis -logg") # set (VORBISFILE_LIBS "-lvorbisfile") # set (VORBISENC_LIBS "-lvorbisenc") # set (OGGVORBIS_FOUND TRUE) # if (HAVE_LIBVORBISENC2) # set (HAVE_VORBIS 2) # else (HAVE_LIBVORBISENC2) # set (HAVE_VORBIS 1) # endif (HAVE_LIBVORBISENC2) #else (HAVE_LIBOGG AND HAVE_VORBISFILE_H AND HAVE_LIBVORBIS AND HAVE_LIBVORBISFILE AND HAVE_LIBVORBISENC) # message(STATUS "Ogg/Vorbis not found") #endif (HAVE_LIBOGG AND HAVE_VORBISFILE_H AND HAVE_LIBVORBIS AND HAVE_LIBVORBISFILE AND HAVE_LIBVORBISENC) lmms-1.0.0+bzr2569/cmake/modules/FindPortaudio.cmake0000644000000000000000000000240011507737303020230 0ustar 00000000000000# - Try to find Portaudio # Once done this will define # # PORTAUDIO_FOUND - system has Portaudio # PORTAUDIO_INCLUDE_DIRS - the Portaudio include directory # PORTAUDIO_LIBRARIES - Link these to use Portaudio # PORTAUDIO_DEFINITIONS - Compiler switches required for using Portaudio # # Copyright (c) 2006 Andreas Schneider # # Redistribution and use is allowed according to the terms of the New BSD license. # For details see the accompanying COPYING-CMAKE-SCRIPTS file. # if (PORTAUDIO_LIBRARIES AND PORTAUDIO_INCLUDE_DIRS) # in cache already set(PORTAUDIO_FOUND TRUE) else (PORTAUDIO_LIBRARIES AND PORTAUDIO_INCLUDE_DIRS) include(FindPkgConfig) pkg_check_modules(PORTAUDIO portaudio-2.0) if (PORTAUDIO_FOUND) if (NOT Portaudio_FIND_QUIETLY) message(STATUS "Found Portaudio: ${PORTAUDIO_LIBRARIES}") endif (NOT Portaudio_FIND_QUIETLY) else (PORTAUDIO_FOUND) if (Portaudio_FIND_REQUIRED) message(FATAL_ERROR "Could not find Portaudio") endif (Portaudio_FIND_REQUIRED) endif (PORTAUDIO_FOUND) # show the PORTAUDIO_INCLUDE_DIRS and PORTAUDIO_LIBRARIES variables only in the advanced view mark_as_advanced(PORTAUDIO_INCLUDE_DIRS PORTAUDIO_LIBRARIES) endif (PORTAUDIO_LIBRARIES AND PORTAUDIO_INCLUDE_DIRS) lmms-1.0.0+bzr2569/cmake/modules/FindPulseAudio.cmake0000644000000000000000000000334611041343122020327 0ustar 00000000000000# - Try to find PulseAudioSimple # Once done this will define # # PULSEAUDIO_FOUND - system has PulseAudioSimple # PULSEAUDIO_INCLUDE_DIR - the PulseAudioSimple include directory # PULSEAUDIO_LIBRARIES - the libraries needed to use PulseAudioSimple # PULSEAUDIO_DEFINITIONS - Compiler switches required for using PulseAudioSimple # IF(NO_PULSE) message(status "") ELSE(NO_PULSE) IF (PULSEAUDIO_INCLUDE_DIR AND PULSEAUDIO_LIBRARIES) # in cache already SET(PULSEAUDIO_FIND_QUIETLY TRUE) ENDIF (PULSEAUDIO_INCLUDE_DIR AND PULSEAUDIO_LIBRARIES) IF (NOT WIN32) # use pkg-config to get the directories and then use these values # in the FIND_PATH() and FIND_LIBRARY() calls INCLUDE(FindPkgConfig) pkg_check_modules(PA libpulse) set(_PASIncDir ${PA_INCLUDE_DIRS}) set(_PASLinkDir ${PA_LIBRARY_DIRS}) set(_PASLinkFlags ${PA_LDFLAGS}) set(_PASCflags ${PA_CFLAGS}) SET(PULSEAUDIO_DEFINITIONS ${_PASCflags}) ENDIF (NOT WIN32) FIND_PATH(PULSEAUDIO_INCLUDE_DIR pulse/pulseaudio.h PATHS ${_PASIncDir} PATH_SUFFIXES pulse ) FIND_LIBRARY(PULSEAUDIO_LIBRARIES NAMES pulse libpulse PATHS ${_PASLinkDir} ) IF (PULSEAUDIO_INCLUDE_DIR AND PULSEAUDIO_LIBRARIES) SET(PULSEAUDIO_FOUND TRUE) ELSE (PULSEAUDIO_INCLUDE_DIR AND PULSEAUDIO_LIBRARIES) SET(PULSEAUDIO_FOUND FALSE) ENDIF (PULSEAUDIO_INCLUDE_DIR AND PULSEAUDIO_LIBRARIES) IF (PULSEAUDIO_FOUND) IF (NOT PULSEAUDIO_FIND_QUIETLY) MESSAGE(STATUS "Found PulseAudio Simple: ${PULSEAUDIO_LIBRARIES}") ENDIF (NOT PULSEAUDIO_FIND_QUIETLY) SET(USE_PULSE_ 1) ELSE (PULSEAUDIO_FOUND) MESSAGE(STATUS "Could NOT find LibXml2") ENDIF (PULSEAUDIO_FOUND) MARK_AS_ADVANCED(PULSEAUDIO_INCLUDE_DIR PULSEAUDIO_LIBRARIES) ENDIf(NO_PULSE) lmms-1.0.0+bzr2569/cmake/modules/FindSTK.cmake0000644000000000000000000000122011150570452016714 0ustar 00000000000000FIND_PATH(STK_INCLUDE_DIR Stk.h /usr/include/stk /usr/local/include/stk ${CMAKE_INSTALL_PREFIX}/include/stk ${CMAKE_FIND_ROOT_PATH}/include/stk) FIND_LIBRARY(STK_LIBRARY NAMES stk PATH /usr/lib /usr/local/lib ${CMAKE_INSTALL_PREFIX}/lib ${CMAKE_FIND_ROOT_PATH}/lib) IF (STK_INCLUDE_DIR AND STK_LIBRARY) SET(STK_FOUND TRUE) ENDIF (STK_INCLUDE_DIR AND STK_LIBRARY) IF (STK_FOUND) IF (NOT STK_FIND_QUIETLY) MESSAGE(STATUS "Found STK: ${STK_LIBRARY}") SET(HAVE_STK TRUE) ENDIF (NOT STK_FIND_QUIETLY) ELSE (STK_FOUND) IF (STK_FIND_REQUIRED) MESSAGE(FATAL_ERROR "Could not find STK") ENDIF (STK_FIND_REQUIRED) ENDIF (STK_FOUND) lmms-1.0.0+bzr2569/cmake/modules/FindWine.cmake0000644000000000000000000000116512265532231017166 0ustar 00000000000000# - Try to find the wine libraries # Once done this will define # # WINE_FOUND - System has wine # WINE_INCLUDE_DIRS - The wine include directories # WINE_LIBRARIES - The libraries needed to use wine # WINE_DEFINITIONS - Compiler switches required for using wine # FIND_PATH(WINE_INCLUDE_DIR windows/windows.h PATH_SUFFIXES wine) FIND_LIBRARY(WINE_LIBRARY NAMES wine) set(WINE_INCLUDE_DIRS ${WINE_INCLUDE_DIR} ) set(WINE_LIBRARIES ${WINE_LIBRARY} ) include(FindPackageHandleStandardArgs) find_package_handle_standard_args(Wine DEFAULT_MSG WINE_LIBRARIES WINE_INCLUDE_DIRS) mark_as_advanced(WINE_INCLUDE_DIR WINE_LIBRARY) lmms-1.0.0+bzr2569/cmake/modules/InstallHelpers.cmake0000644000000000000000000000222311041463134020404 0ustar 00000000000000# # install all files matching certain wildcards below ${LMMS_DATA_DIR}/ # # example: # # INSTALL_DATA_SUBDIRS("samples" "*.ogg;*.wav;*.flac") # # Copyright (c) 2008 Tobias Doerffel # # helper-macro MACRO(LIST_CONTAINS var value) SET(${var}) FOREACH (value2 ${ARGN}) IF (${value} STREQUAL ${value2}) SET(${var} TRUE) ENDIF (${value} STREQUAL ${value2}) ENDFOREACH (value2) ENDMACRO(LIST_CONTAINS) MACRO(INSTALL_DATA_SUBDIRS _subdir _wildcards) FOREACH(_wildcard ${_wildcards}) FILE(GLOB_RECURSE files ${_wildcard}) SET(SUBDIRS) FOREACH(_item ${files}) GET_FILENAME_COMPONENT(_file "${_item}" PATH) STRING(REPLACE "${CMAKE_CURRENT_SOURCE_DIR}/" "" _file "${_file}") LIST_CONTAINS(contains _file ${SUBDIRS}) IF(NOT contains) LIST(APPEND SUBDIRS "${_file}") ENDIF(NOT contains) ENDFOREACH(_item ${files}) FOREACH(_item ${SUBDIRS}) FILE(GLOB files "${_item}/${_wildcard}") FOREACH(_file ${files}) INSTALL(FILES "${_file}" DESTINATION "${LMMS_DATA_DIR}/${_subdir}/${_item}/") ENDFOREACH(_file ${files}) ENDFOREACH(_item ${SUBDIRS}) ENDFOREACH(_wildcard ${_wildcards}) ENDMACRO(INSTALL_DATA_SUBDIRS) lmms-1.0.0+bzr2569/cmake/modules/MinGWCrossCompile.cmake0000644000000000000000000000252511650607006020770 0ustar 00000000000000# this one is important SET(CMAKE_SYSTEM_NAME Windows) #this one not so much SET(CMAKE_SYSTEM_VERSION 1) # where is the target environment SET(CMAKE_FIND_ROOT_PATH ${MINGW_PREFIX}) SET(CMAKE_INSTALL_PREFIX ${MINGW_PREFIX}) SET(MINGW_TOOL_PREFIX ${MINGW_PREFIX}/bin/${CMAKE_SYSTEM_PROCESSOR}-w64-mingw32-) # specify the cross compiler SET(CMAKE_C_COMPILER ${MINGW_TOOL_PREFIX}gcc) SET(CMAKE_CXX_COMPILER ${MINGW_TOOL_PREFIX}g++) SET(CMAKE_RC_COMPILER ${MINGW_TOOL_PREFIX}gcc) IF(WIN64) # specify the cross compiler SET(MINGW_TOOL_PREFIX32 ${MINGW_PREFIX32}/bin/${CMAKE_SYSTEM_PROCESSOR32}-w64-mingw32-) SET(CMAKE_C_COMPILER32 ${MINGW_TOOL_PREFIX32}gcc) SET(CMAKE_CXX_COMPILER32 ${MINGW_TOOL_PREFIX32}g++) ENDIF() # specify location of some tools SET(STRIP ${MINGW_TOOL_PREFIX}strip) SET(WINDRES ${MINGW_TOOL_PREFIX}windres) SET(PKG_CONFIG_EXECUTABLE ${MINGW_TOOL_PREFIX}pkg-config) SET(PKG_CONFIG_FOUND TRUE) SET(QT_BINARY_DIR ${MINGW_PREFIX}/bin) SET(QT_QMAKE_EXECUTABLE ${QT_BINARY_DIR}/qmake) # search for programs in the build host directories SET(CMAKE_FIND_ROOT_PATH_MODE_PROGRAM NEVER) # for libraries and headers in the target directories SET(CMAKE_FIND_ROOT_PATH_MODE_LIBRARY ONLY) SET(CMAKE_FIND_ROOT_PATH_MODE_INCLUDE ONLY) INCLUDE_DIRECTORIES(${MINGW_PREFIX}/include) LINK_DIRECTORIES(${MINGW_PREFIX}/lib ${MINGW_PREFIX}/bin) lmms-1.0.0+bzr2569/cmake/modules/Win32Toolchain.cmake0000644000000000000000000000013611423071324020217 0ustar 00000000000000SET(MINGW_PREFIX /opt/mingw32) SET(CMAKE_SYSTEM_PROCESSOR i686) INCLUDE(MinGWCrossCompile) lmms-1.0.0+bzr2569/cmake/modules/Win64Toolchain.cmake0000644000000000000000000000026611505614062020233 0ustar 00000000000000SET(MINGW_PREFIX /opt/mingw64) SET(MINGW_PREFIX32 /opt/mingw32) SET(CMAKE_SYSTEM_PROCESSOR x86_64) SET(CMAKE_SYSTEM_PROCESSOR32 i686) SET(WIN64 TRUE) INCLUDE(MinGWCrossCompile) lmms-1.0.0+bzr2569/cmake/modules/config-alsa.h.cmake0000644000000000000000000000237511041343122020066 0ustar 00000000000000/* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_LINUX_AWE_VOICE_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_SYS_AWE_VOICE_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE__USR_SRC_SYS_GNU_I386_ISA_SOUND_AWE_VOICE_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE__USR_SRC_SYS_I386_ISA_SOUND_AWE_VOICE_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_AWE_VOICE_H 1 /* Define if you have libasound.so.2 (required for ALSA 0.9.x support) */ #cmakedefine LMMS_HAVE_LIBASOUND2 1 /* Define if libasound has snd_pcm_resume() */ #cmakedefine LMMS_HAVE_SND_PCM_RESUME 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_ALSA_ASOUNDLIB_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_SYS_ASOUNDLIB_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_SYS_SOUNDCARD_H 1 /* Define to 1 if you have the header file. */ #cmakedefine LMMS_HAVE_MACHINE_SOUNDCARD_H 1 lmms-1.0.0+bzr2569/cmake/nsis/FileAssociation.nsh0000644000000000000000000001070612301162507017550 0ustar 00000000000000/* _____________________________________________________________________________ File Association _____________________________________________________________________________ Based on code taken from http://nsis.sourceforge.net/File_Association Usage in script: 1. !include "FileAssociation.nsh" 2. [Section|Function] ${FileAssociationFunction} "Param1" "Param2" "..." $var [SectionEnd|FunctionEnd] FileAssociationFunction=[RegisterExtension|UnRegisterExtension] _____________________________________________________________________________ ${RegisterExtension} "[executable]" "[extension]" "[description]" "[executable]" ; executable which opens the file format ; "[extension]" ; extension, which represents the file format to open ; "[description]" ; description for the extension. This will be display in Windows Explorer. ; ${UnRegisterExtension} "[extension]" "[description]" "[extension]" ; extension, which represents the file format to open ; "[description]" ; description for the extension. This will be display in Windows Explorer. ; _____________________________________________________________________________ Macros _____________________________________________________________________________ Change log window verbosity (default: 3=no script) Example: !include "FileAssociation.nsh" !insertmacro RegisterExtension ${FileAssociation_VERBOSE} 4 # all verbosity !insertmacro UnRegisterExtension ${FileAssociation_VERBOSE} 3 # no script */ !ifndef FileAssociation_INCLUDED !define FileAssociation_INCLUDED !include Util.nsh !verbose push !verbose 3 !ifndef _FileAssociation_VERBOSE !define _FileAssociation_VERBOSE 3 !endif !verbose ${_FileAssociation_VERBOSE} !define FileAssociation_VERBOSE `!insertmacro FileAssociation_VERBOSE` !verbose pop !macro FileAssociation_VERBOSE _VERBOSE !verbose push !verbose 3 !undef _FileAssociation_VERBOSE !define _FileAssociation_VERBOSE ${_VERBOSE} !verbose pop !macroend !macro RegisterExtensionCall _EXECUTABLE _EXTENSION _DESCRIPTION !verbose push !verbose ${_FileAssociation_VERBOSE} Push `${_DESCRIPTION}` Push `${_EXTENSION}` Push `${_EXECUTABLE}` ${CallArtificialFunction} RegisterExtension_ !verbose pop !macroend !macro UnRegisterExtensionCall _EXTENSION _DESCRIPTION !verbose push !verbose ${_FileAssociation_VERBOSE} Push `${_EXTENSION}` Push `${_DESCRIPTION}` ${CallArtificialFunction} UnRegisterExtension_ !verbose pop !macroend !define RegisterExtension `!insertmacro RegisterExtensionCall` !define un.RegisterExtension `!insertmacro RegisterExtensionCall` !macro RegisterExtension !macroend !macro un.RegisterExtension !macroend !macro RegisterExtension_ !verbose push !verbose ${_FileAssociation_VERBOSE} Exch $R2 ;exe Exch Exch $R1 ;ext Exch Exch 2 Exch $R0 ;desc Exch 2 Push $0 Push $1 ReadRegStr $1 HKCR $R1 "" ; read current file association StrCmp "$1" "" NoBackup ; is it empty StrCmp "$1" "$R0" NoBackup ; is it our own WriteRegStr HKCR $R1 "backup_val" "$1" ; backup current value NoBackup: WriteRegStr HKCR $R1 "" "$R0" ; set our file association ReadRegStr $0 HKCR $R0 "" StrCmp $0 "" 0 Skip WriteRegStr HKCR "$R0" "" "$R0" WriteRegStr HKCR "$R0\shell" "" "open" Skip: WriteRegStr HKCR "$R0\shell\open\command" "" '"$R2" "%1"' WriteRegStr HKCR "$R0\shell\edit" "" "Edit $R0" WriteRegStr HKCR "$R0\shell\edit\command" "" '"$R2" "%1"' Pop $1 Pop $0 Pop $R2 Pop $R1 Pop $R0 !verbose pop !macroend !define UnRegisterExtension `!insertmacro UnRegisterExtensionCall` !define un.UnRegisterExtension `!insertmacro UnRegisterExtensionCall` !macro UnRegisterExtension !macroend !macro un.UnRegisterExtension !macroend !macro UnRegisterExtension_ !verbose push !verbose ${_FileAssociation_VERBOSE} Exch $R1 ;desc Exch Exch $R0 ;ext Exch Push $0 Push $1 ReadRegStr $1 HKCR $R0 "" StrCmp $1 $R1 0 NoOwn ; only do this if we own it ReadRegStr $1 HKCR $R0 "backup_val" StrCmp $1 "" 0 Restore ; if backup="" then delete the whole key DeleteRegKey HKCR $R0 Goto NoOwn Restore: WriteRegStr HKCR $R0 "" $1 DeleteRegValue HKCR $R0 "backup_val" DeleteRegKey HKCR $R1 ;Delete key with association name settings NoOwn: Pop $1 Pop $0 Pop $R1 Pop $R0 !verbose pop !macroend !endif # !FileAssociation_INCLUDED lmms-1.0.0+bzr2569/data/CMakeLists.txt0000644000000000000000000000124612273201253015376 0ustar 00000000000000ADD_SUBDIRECTORY(backgrounds) ADD_SUBDIRECTORY(locale) ADD_SUBDIRECTORY(presets) ADD_SUBDIRECTORY(projects) ADD_SUBDIRECTORY(samples) ADD_SUBDIRECTORY(themes) IF(LMMS_BUILD_LINUX) INSTALL(FILES themes/default/icon.png DESTINATION "${DATA_DIR}/pixmaps" RENAME lmms.png) INSTALL(FILES lmms DESTINATION "${DATA_DIR}/menu") INSTALL(FILES lmms.desktop DESTINATION "${DATA_DIR}/applications") INSTALL(FILES lmms.xml DESTINATION "${DATA_DIR}/mime/packages") ENDIF(LMMS_BUILD_LINUX) IF(LMMS_BUILD_WIN32) FILE(GLOB RAWWAVES "${CMAKE_INSTALL_PREFIX}/share/stk/rawwaves/*.raw") INSTALL(FILES ${RAWWAVES} DESTINATION "${DATA_DIR}/stk/rawwaves") ENDIF(LMMS_BUILD_WIN32) lmms-1.0.0+bzr2569/data/application-x-lmms-project.svg0000644000000000000000000020341612274330634020553 0ustar 00000000000000 image/svg+xml mmpz mmpz mmpz lmms-1.0.0+bzr2569/data/backgrounds/0000755000000000000000000000000011065530735015145 5ustar 00000000000000lmms-1.0.0+bzr2569/data/lmms0000644000000000000000000000024312312171114013521 0ustar 00000000000000?package(lmms):needs="X11" section="Apps/Sound" \ title="LMMS" hints="Audio" command="/usr/bin/lmms" \ longtitle="LMMS" \ icon="/usr/share/pixmaps/lmms.png" lmms-1.0.0+bzr2569/data/lmms.desktop0000644000000000000000000000063412312577323015211 0ustar 00000000000000[Desktop Entry] Name=LMMS GenericName=music production suite GenericName[ca]=Programari de producció musical GenericName[de]=Software zur Musik-Produktion Comment=easy music production for everyone! Comment[ca]=Producció fàcil de música per a tothom! 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Ƶ88X ^ 4Ɨ ӗ` غ Y:B Y:x Y: ~Si i! b `h xY ʓ1 "Q $&y?N + C + / + a\ -#a - LSY]Fsad^cgdy;.Opstv<α `9`9^Ș3WYzYWNaL s |["[-)3l7WCgq$D> D I'U&Z '[x*t[tX^ E#8` m4> yr" ]*"*  GLD~Ƴ#iQuant aAbout AboutDialog"Direcci d'arpegiArpeggio direction ArpeggiatorPorta d'arpegi Arpeggio gate ArpeggiatorMode d'arpegi Arpeggio mode ArpeggiatorRang d'arpegiArpeggio range ArpeggiatorTemps d'arpegi Arpeggio time ArpeggiatorTipus d'arpegi Arpeggio type Arpeggiator LliureFree Arpeggiator OrdenaSort ArpeggiatorSincSync Arpeggiator%%ArpeggiatorView ARPEGIARPEGGIOArpeggiatorViewPorta d'arpegi:Arpeggio gate:ArpeggiatorViewRang d'arpegi:Arpeggio range:ArpeggiatorViewTemps d'arpegi:Arpeggio time:ArpeggiatorViewDirecci: Direction:ArpeggiatorView PORTAGATEArpeggiatorView Mode:Mode:ArpeggiatorViewRANGRANGEArpeggiatorView TEMPSTIMEArpeggiatorViewUsa aquesta roda per a ajustar el temps d'arpegi en millisegons. El temps d'arpegi especifica la durada de cada nota de l'arpegi.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoctava(es) octave(s)ArpeggiatorView CANALSCHANNELSAudioAlsa::setupWidgetDISPOSITIUDEVICEAudioAlsa::setupWidgetAmplificar:Amplify:AudioFileProcessorViewPunt final: Endpoint:AudioFileProcessorViewSi actives aquest bot, la mostra sencera ser invertida. Aix s til per a efectes interessants, p.e. un xoc invertit.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewBBucle entre punts inicial i final#Loop sample at start- and end-pointAudioFileProcessorView"Obre altra mostraOpen other sampleAudioFileProcessorView Inverteix mostraReverse sampleAudioFileProcessorViewPunt inicial: Startpoint:AudioFileProcessorView CANALSCHANNELSAudioJack::setupWidgetNOM-CLIENT CLIENT-NAMEAudioJack::setupWidget CANALSCHANNELSAudioOss::setupWidgetDISPOSITIUDEVICEAudioOss::setupWidgetDISPOSITIUDEVICEAudioPortAudio::setupWidget CANALSCHANNELSAudioPulseAudio::setupWidgetDISPOSITIUDEVICEAudioPulseAudio::setupWidgetDISPOSITIUDEVICEAudioSdl::setupWidget&&Copia valor (%1%2)&Copy value (%1%2)AutomatableModel*&Enganxa valor (%1%2)&Paste value (%1%2)AutomatableModel &Restaura (%1%2) &Reset (%1%2)AutomatableModel2Connecta a controlador...Connect to controller...AutomatableModelConnectat a %1Connected to %1AutomatableModel.Connectat a controladorConnected to controllerAutomatableModel"Edita connexi...Edit connection...AutomatableModel6Edita automatitzaci globalEdit song-global automationAutomatableModel Elimina connexiRemove connectionAutomatableModelrTots els valors seleccionats s'han copiat al portapapers.1All selected values were copied to the clipboard.AutomationEditor8Editor d'Automatitzaci - %1Automation Editor - %1AutomationEditorJEditor d'Automatitzaci - sense patrAutomation Editor - no patternAutomationEditorLCopia els valors seleccionats (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorLTalla els valors seleccionats (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor*Mode dibuixar (Maj+D)Draw mode (Shift+D)AutomationEditor*Mode esborrar (Maj+E)Erase mode (Shift+E)AutomationEditorvSi piques aqu, el mode moure ser activat. En aquest mode pots moure els valors que has seleccionat en el mode seleccionar. Tamb pots pitjar 'Maj+M' al teclat per a activar aquest mode.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditor6Mode moure selecci (Maj+M)Move selection mode (Shift+M)AutomationEditorVEnganxa valors des del portapapers (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorPReprodueix/pausa el patr actual (Espai)"Play/pause current pattern (Space)AutomationEditorPer favor, obre un patr d'automatitzaci amb el men contextual d'un control!EPlease open an automation pattern with the context menu of a control!AutomationEditor0Mode seleccionar (Maj+S)Select mode (Shift+S)AutomationEditorZAtura la reproducci del patr actual (Espai)'Stop playing of current pattern (Space)AutomationEditorValors copiats Values copiedAutomationEditorCanvia nom Change nameAutomationPatternView BuidaClearAutomationPatternView Desconnecta "%1"Disconnect "%1"AutomationPatternView@Obre a l'Editor d'automatitzaciOpen in Automation editorAutomationPatternViewRestaura nom Reset nameAutomationPatternViewpica dos cops per a obrir aquest patr a l'editor d'automatitzaci6double-click to open this pattern in automation editorAutomationPatternView1111 ChordCreator11&m911b9 ChordCreator1313 ChordCreator13&o913#9 ChordCreator 13&m5&m913b5b9 ChordCreator13&m913b9 ChordCreator66 ChordCreator 6add96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7&o117#11 ChordCreator7&o57#5 ChordCreator 7&o5&o97#5#9 ChordCreator 7&o5&m97#5b9 ChordCreator7&o97#9 ChordCreator 7ms117add11 ChordCreator 7ms137add13 ChordCreator7&m57b5 ChordCreator 7&m5&m97b5b9 ChordCreator7&m97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9&o119#11 ChordCreator9&o59#5 ChordCreator9&m139b13 ChordCreator9&m59b5 ChordCreator 9sus49sus4 ChordCreatorEoliAeolian ChordCreator ArbicArabic ChordCreator BluesBlues ChordCreatorRang d'acord Chord range ChordCreatorTipus d'acord Chord type ChordCreatorDisminut Diminished ChordCreatorBebop dominantDominant bebop ChordCreator DricDorian ChordCreatorEnigmtic Enigmatic ChordCreatorHarmnic menorHarmonic minor ChordCreatorHongars menorHungarian minor ChordCreatorJap in sen Jap in sen ChordCreator LocriLocrian ChordCreatorLidiLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7&o11Maj7#11 ChordCreator Maj7&o5Maj7#5 ChordCreatorMaj7ms13 Maj7add13 ChordCreator Maj7&m5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9&o11Maj9#11 ChordCreator Maj9&o5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreatorMajor&m5Majb5 ChordCreator MajorMajor ChordCreatorBebop major Major bebop ChordCreator Pentatnic majorMajor pentatonic ChordCreatorMeldic menor Melodic minor ChordCreator Pentatnic menorMinor pentatonic ChordCreatorMixolidi Mixolydian ChordCreatorNeopolit Neopolitan ChordCreatorNeopolit menorNeopolitan minor ChordCreatorFrigolidi Phrygolydian ChordCreatorTo sencer Whole tone ChordCreatorms9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7ms11 m-Maj7add11 ChordCreatorm-Maj7ms13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6ms9m6add9 ChordCreatorm7m7 ChordCreatorm7ms11m7add11 ChordCreatorm7ms13m7add13 ChordCreatorm7&m5m7b5 ChordCreatorm7&m9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9&m5m9b5 ChordCreator mms9madd9 ChordCreatormenor&m5minb5 ChordCreator menorminor ChordCreator octavaoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreator ACORDSCHORDSChordCreatorViewRang d'acord: Chord range:ChordCreatorViewRANGRANGEChordCreatorViewoctava(es) octave(s)ChordCreatorViewControlador %1 Controller %1 Controller,Detecta automticament Auto DetectControllerConnectionDialog CANALCHANNELControllerConnectionDialogCONTROLADOR CONTROLLERControllerConnectionDialogCancellaCancelControllerConnectionDialog0Configuraci de ConnexiConnection SettingsControllerConnectionDialogCanal d'entrada Input channelControllerConnectionDialog*Controlador d'entradaInput controllerControllerConnectionDialog"FUNCI DE MAPATGEMAPPING FUNCTIONControllerConnectionDialog CONTROLADOR MIDIMIDI CONTROLLERControllerConnectionDialogdDispositius MIDI des d'on rebre esdeveniments MIDI(MIDI-devices to receive MIDI-events fromControllerConnectionDialogD'acordOKControllerConnectionDialog(CONTROLADOR D'USUARIUSER CONTROLLERControllerConnectionDialogAfegeixAddControllerRackView2Prestatge de ControladorsController RackControllerRackView &Ajuda&HelpControllerView,&Treu aquest connector&Remove this pluginControllerViewControlsControlsControllerView\Introdueix el nou nom per a aquest controlador&Enter the new name for this controllerControllerView:Canvia el nom del controladorRename controllerControllerViewDecamentDecayEffect Efecte habilitatEffect enabledEffect PortaGateEffectMescla Moll/Sec Wet/Dry mixEffect CADENA D'EFECTES EFFECTS CHAINEffectRackView &Ajuda&Help EffectView,&Treu aquest connector&Remove this plugin EffectViewControlsControls EffectViewDECAMENTDECAY EffectView PORTAGATE EffectView Porta:Gate: EffectViewMou a&vall Move &down EffectViewMou a&muntMove &up EffectViewEncs/ApagatOn/Off EffectViewLa roda Porta controla el nivell de senyal que s considerat 'silenci' mentre es decideix quan aturar de processar senyals.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectView Temps:Time: EffectView.Encn o apaga l'efecte.Toggles the effect on or off. EffectViewM/SW/D EffectViewNivell de Moll: Wet Level: EffectViewDecamentDecayEnvelopeAndLfoParametersFreq x 100 Freq x 100EnvelopeAndLfoParametersModula AmplitudModulate Env-AmountEnvelopeAndLfoParametersQUAAMTEnvelopeAndLfoViewATACATTEnvelopeAndLfoView Atac:Attack:EnvelopeAndLfoViewfPica aqu per a que aquest OBF controli l'amplitud.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewRETDELEnvelopeAndLfoViewDecament:Decay:EnvelopeAndLfoViewArrossega una mostra d'on sigui i amolla-la en aquesta finestra.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoViewMANTHOLDEnvelopeAndLfoViewConsellHintEnvelopeAndLfoViewManteniment:Hold:EnvelopeAndLfoViewMODULA AMPLITUDMODULATE ENV-AMOUNTEnvelopeAndLfoView.Quantitat de modulaci:Modulation amount:EnvelopeAndLfoViewPreretard: Predelay:EnvelopeAndLfoViewALLRELEnvelopeAndLfoViewAlliberament:Release:EnvelopeAndLfoViewVELSPDEnvelopeAndLfoViewSOSTSUSTEnvelopeAndLfoViewSosteniment:Sustain:EnvelopeAndLfoView@Usa aquesta roda per a ajustar el temps d'atac de l'OBF actual. Quan ms gran aquest valor, ms temps necessita l'OBF per a augmentar la seva amplitud al mxim.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewUsa aquesta roda per a ajustar el temps d'atac de l'envoltant actual. Quan ms gran aquest valor, ms temps necessita l'envoltant per a augmentar cap al nivell d'atac. Escull un valor petit per a instruments com el piano i un valor gran per a corda.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewUsa aquesta roda per a ajustar el temps de decament de l'envoltant actual. Quan ms gran aquest valor, ms temps necessita l'envoltant per a reduir des del nivell d'atac fins al de sosteniment. Escull un valor petit per a instruments com el piano.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewUsa aquesta roda per a ajustar el temps de manteniment de l'envoltant actual. Quan ms gran aquest valor, ms temps mant l'envoltant el nivell d'atac abans de comenar a reduir cap al nivell de sosteniment.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewhUsa aquesta roda per a ajustar la quantitat de modulaci de l'OBF actual. Quan ms gran aquest valor, ms influir l'OBF la magnitud seleccionada (p.e. volum o freqncia de tall).Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewUsa aquesta roda per a ajustar la quantitat de modulaci de l'envoltant actual. Quan ms gran aquest valor, ms influir l'envoltant la magnitud corresponent (p.e. volum o freqncia de tall).Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView$Usa aquesta roda per a ajustar el preretard de l'envoltant actual. Quan ms gran aquest valor, major el temps abans de comenar l'envoltant en s.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView*Usa aquesta roda per a ajustar el temps de preretard de l'OBF actual. Quan ms gran aquest valor, major el temps abans que l'OBF comenci a oscillar.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewUsa aquesta roda per a ajustar el temps d'alliberament de l'envoltant actual. Quan ms gran aquest valor, ms temps necessita l'envoltant per a disminuir des del nivell de sosteniment a zero. Escull un valor gran per a instruments suaus com els de corda.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewUsa aquesta roda per a ajustar la velocitat de l'OBF actual. Quan ms gran aquest valor, ms rpid oscilla l'OBF i ms rpid ser l'efecte.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoViewTUsa aquesta roda per a ajustar el nivell de sosteniment de l'envoltant actual. Quan ms gran aquest valor, a major nivell roman l'envoltant abans de disminuir cap a zero.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoViewDamplitud controlada per aquest OBF#control envelope-amount by this LFOEnvelopeAndLfoViewms/OBF:ms/LFO:EnvelopeAndLfoViewCancellaCancelExportProjectDialogSortidaOutputExportProjectDialog FX %1FX %1FxMixer MestreMasterFxMixerVIntrodueix el nou nom per a aquest canal FX&Enter the new name for this FX channel FxMixerViewMesclador FXFX-Mixer FxMixerView ApagaMute FxMixerView4Canvia el nom del canal FXRename FX channel FxMixerView CANALCHANNELInstrumentMidiIOView2x Passa-Baixa 2x LowPassInstrumentSoundShapingPassa-TotAllpassInstrumentSoundShapingPassa-Banda csg BandPass csgInstrumentSoundShaping Passa-Banda czpg BandPass czpgInstrumentSoundShapingFREQ TALLCUTOFFInstrumentSoundShapingTipus de filtre Filter typeInstrumentSoundShapingPassa-AltaHiPassInstrumentSoundShapingPassa-BaixaLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShapingOscaNotchInstrumentSoundShapingQ/Ressonncia Q/ResonanceInstrumentSoundShaping VOLUMVOLUMEInstrumentSoundShaping VolumVolumeInstrumentSoundShapingFREQ TALLCUTOFFInstrumentSoundShapingView FILTREFILTERInstrumentSoundShapingViewHAqu pots seleccionar el filtre integrat que vols usar per a aquesta pista d'instrument. Els filtres sn molt importants per a canviar les caracterstiques d'un so.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRessonncia: Resonance:InstrumentSoundShapingViewOBJECTIUTARGETInstrumentSoundShapingView&freqncia de tall:cutoff-frequency:InstrumentSoundShapingViewNota base Base noteInstrumentTrackCanal FX FX channelInstrumentTrackPanoramaPanningInstrumentTrackToPitchInstrumentTrack VolumVolumeInstrumentTracknAmb aquesta roda pots ajustar el volum del canal obert. + clic del mig)#Mute/unmute ( + middle click) sampleTCOViewEnganxaPaste sampleTCOViewRpica dos cops per a seleccionar la mostradouble-click to select sample sampleTCOViewPista de mostra Sample track sampleTrack VolumVolume sampleTrackVolum de canal:Channel volume:sampleTrackViewVolum de pista Track volumesampleTrackViewVOLVOLsampleTrackView$INTERFCIE D'UDIOAUDIO INTERFACE setupDialog8Directori de material grficArtwork directory setupDialog(Configuraci d'udioAudio settings setupDialog4MIDA DE MEMRIA INTERMDIA BUFFER SIZE setupDialogCancellaCancel setupDialog^Escull el directori d'installaci de FL Studio'Choose FL Studio installation directory setupDialogPEscull un directori de connectors LADSPAChoose LADSPA plugin directory setupDialogLEscull el directori de treball de LMMSChoose LMMS working directory setupDialogHEscull el directori d'ones crues STKChoose STK rawwave directory setupDialogLEscull el directori de material grficChoose artwork-theme directory setupDialogREscull el teu directori de connectors VST Choose your VST-plugin directory setupDialog\Comprimeix per defecte els fitxers de projecte"Compress project files per default setupDialogZDesactiva els indicadors d'activitat de canal#Disable channel activity indicators setupDialog,Mostra el volum en dBVDisplay volume as dBV  setupDialog0Activa els avisos d'einaEnable tooltips setupDialogJDirectori d'installaci de FL Studio FL Studio installation directory setupDialog2Marcs: %1 Latncia: %2 msFrames: %1 Latency: %2 ms setupDialog(Configuraci generalGeneral settings setupDialogXMode AQ per al dispositiu de sortida d'udioHQ-mode for output audio-device setupDialogAqu pots seleccionar la teva interfcie MIDI preferida. Depenent de la configuraci del teu sistema durant el temps de compilaci, pots escollir entre ALSA, OSS i ms. Abaix pots veure una caixa amb controls per a configurar la interfcie MIDI seleccionada.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialog"Aqu pots seleccionar la teva interfcie d'udio preferida. Depenent de la configuraci del teu sistema durant el temps de compilaci, pots escollir entre ALSA, JACK, OSS i altres. Abaix pots veure una caixa amb controls per a configurar la interfcie d'udio seleccionada.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogAqu pots configurar la mida de la memria intermdia interna usada per LMMS. Els valors ms petits donen menor latncia per tamb poden causar so inservible o baix rendiment, especialment a ordinadors antics o sistemes amb un nucli sense temps real.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog8Directori de treball de LMMSLMMS working directory setupDialogINTERFCIE MIDIMIDI INTERFACE setupDialog"Configuraci MIDI MIDI settings setupDialogMISCMISC setupDialogD'acordOK setupDialoghPitja les tecles del piano de canal noms manualment)Only press keys on channel-piano manually setupDialog2Configuraci de rendimentPerformance settings setupDialogPer favor, tingues en compte que la majoria de canvis no s'aplicaran fins que reinicis LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog:Restaura al valor per defecteReset to default-value setupDialogReinicia LMMS Restart LMMS setupDialog4Directori d'ones crues STKSTK rawwave directory setupDialog(Configuraci de LMMS Setup LMMS setupDialogvMostra l'avs de reinici desprs de canviar la configuraci,Show restart warning after changing settings setupDialog0Efectes UI vs. rendimentUI effects vs. performance setupDialog6Directori de connectors VSTVST-plugin directory setupDialogBancBank sf2InstrumentCorChorus sf2Instrument$Profunditat de Cor Chorus Depth sf2InstrumentNivell de Cor Chorus Level sf2InstrumentLnies de Cor Chorus Lines sf2Instrument Velocitat de Cor Chorus Speed sf2Instrument GuanyGain sf2Instrument PedaPatch sf2InstrumentReverberaciReverb sf2Instrument8Esmortement de ReverberaciReverb Damping sf2Instrument,Nivell de Reverberaci Reverb Level sf2Instrument,Cambra de ReverberaciReverb Roomsize sf2Instrument.Amplada de Reverberaci Reverb Width sf2Instrument:Aplica cor (si est suportat)Apply chorus (if supported)sf2InstrumentViewLAplica reverberaci (si est suportat)Apply reverb (if supported)sf2InstrumentViewEscull el pedaChoose the patchsf2InstrumentView&Profunditat de Cor: Chorus Depth:sf2InstrumentViewNivell de Cor: Chorus Level:sf2InstrumentViewLnies de Cor: Chorus Lines:sf2InstrumentView"Velocitat de Cor: Chorus Speed:sf2InstrumentViewRPica aqu per a obrir un altre fitxer SF2#Click here to open another SF2 filesf2InstrumentView GuanyGainsf2InstrumentView*Obre fitxer SoundFontOpen SoundFont filesf2InstrumentView6Obre altre fitxer SoundFontOpen other SoundFont filesf2InstrumentView:Esmortement de Reverberaci:Reverb Damping:sf2InstrumentView.Nivell de Reverberaci: Reverb Level:sf2InstrumentView.Cambra de Reverberaci:Reverb Roomsize:sf2InstrumentView0Amplada de Reverberaci: Reverb Width:sf2InstrumentViewAquest bot habilita l'efecte de cor. Aix aconsegueix efectes d'eco genials, per noms funciona amb fitxers que ho suportin.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewAquest bot habilita l'efecte de reverberaci. Aix aconsegueix efectes genials, per noms funciona amb fitxers que ho suportin.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewTipus de filtre Filter type sidInstrument VolumVolume sidInstrument Atac:Attack:sidInstrumentViewDecament:Decay:sidInstrumentViewAlliberament:Release:sidInstrumentViewRessonncia: Resonance:sidInstrumentViewSosteniment:Sustain:sidInstrumentViewSincSyncsidInstrumentView Volum:Volume:sidInstrumentViewImporta fitxer Import filesongTo mestre Master pitchsongVolum mestre Master volumesong$Projecte NO desat.Project NOT saved.songProjecte desat Project savedsongXSelecciona fitxer per a exportar projecte...!Select file for project-export...song TempoTemposong4El projecte %1 est desat.The project %1 is now saved.song:El projecte %1 no est desat!The project %1 was not saved!songsense ttoluntitledsong<Afegeix pista d'automatitzaciAdd automation-track songEditor$Afegeix ritme baseAdd beat/bassline songEditor.Afegeix pista de mostraAdd sample-track songEditor.Pica aqu si vols reproduir la can sencera. La reproducci comenar al marcador de posici de can (verd). Tamb pots moure'l mentre es reprodueix.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorPica aqu si vols aturar la reproducci de la can. El marcador de posici de can ser collocat a l'inici de la can.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor2No es pot obrir el fitxerCould not open file songEditor8No es pot escriure el fitxerCould not write file songEditorlNo es pot escriure el fitxer %1. Probablement no tens perms per a escriure aquest fitxer. Per favor, assegura't que tens perms d'escriptura per a aquest fitxer i torna-ho a provar.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorMode dibuixar Draw mode songEditor<Mode editar (selecciona i mou)Edit mode (select and move) songEditor$Mode alta qualitatHigh quality mode songEditorTo mestre Master pitch songEditorVolum mestre Master volume songEditor0Reprodueix can (Espai)Play song (Space) songEditorEditor de Can Song-Editor songEditor&Atura can (Espai)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditor$Valor: %1 semitonsValue: %1 semitones songEditorValor: %1% Value: %1% songEditorto mestre master pitch songEditorvolum mestre master volume songEditortempo de can tempo of song songEditorEix Y lineal Linear Y axisspectrumAnalyzerControlDialogEspectre linealLinear spectrumspectrumAnalyzerControlDialogMode del canal Channel modespectrumAnalyzerControlsEix Y lineal Linear Y-axisspectrumAnalyzerControlsEspectre linealLinear spectrumspectrumAnalyzerControls AMPLEWIDEstereoEnhancerControlDialogAmplada:Width:stereoEnhancerControlDialogAmpladaWidthstereoEnhancerControls4Volum Esquerra a Esquerra:Left to Left Vol:stereoMatrixControlDialog.Volum Esquerra a Dreta:Left to Right Vol:stereoMatrixControlDialog.Volum Dreta a Esquerra:Right to Left Vol:stereoMatrixControlDialog(Volum Dreta a Dreta:Right to Right Vol:stereoMatrixControlDialog&Esquerra a Esquerra Left to LeftstereoMatrixControls Esquerra a Dreta Left to RightstereoMatrixControls Dreta a Esquerra Right to LeftstereoMatrixControlsDreta a DretaRight to RightstereoMatrixControlsJDesprs d'aturar torna al comenamentAfter stopping go back to begintimeLineDesprs d'aturar torna a la posici on va comenar la reproducci?After stopping go back to position at which playing was startedtimeLineBDesprs d'aturar mant la posiciAfter stopping keep positiontimeLineBActiva/desactiva autodesplaamentEnable/disable auto-scrollingtimeLine>Activa/desactiva punts de bucleEnable/disable loop-pointstimeLineConsellHinttimeLinenPitja <Ctrl> per a desactivar punts de bucle magntics.-Press to disable magnetic loop-points.timeLineSoloSolotrackCancellaCanceltrackContainer*No es pot trobar un filtre per a importar el fitxer %1. Hauries de convertir aquest fitxer a un format suportat per LMMS utilitzant altre programari.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer8No es pot importar el fitxerCouldn't import filetrackContainer2No es pot obrir el fitxerCouldn't open filetrackContainerNo es pot llegir el fitxer %1. Per favor, assegura't que tens perms de lectura per al fitxer i el directori que el cont i torna-ho a provar!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer.Important fitxer FLP...Importing FLP-file...trackContainer0Important fitxer MIDI...Importing MIDI-file...trackContainer*Carregant projecte...Loading project...trackContainer(Per favor, espera...Please wait...trackContainer*%1:%2 (%3:%4 a %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView CopiaCopytrackContentObjectViewLongitud actualCurrent lengthtrackContentObjectViewPosici actualCurrent positiontrackContentObjectView TallaCuttrackContentObjectViewBEsborra (bot del mig del ratol)Delete (middle mousebutton)trackContentObjectViewConsellHinttrackContentObjectViewFApaga/encn (<Ctrl> + clic del mig)#Mute/unmute ( + middle click)trackContentObjectViewEnganxaPastetrackContentObjectViewZPitja <Ctrl> i arrossega per a fer una cpia.%Press and drag to make a copy.trackContentObjectViewXPitja <Ctrl> per a redimensionar lliurement.Press for free resizing.trackContentObjectView6Accions per a aquesta pistaActions for this tracktrackOperationsWidget&Clona aquesta pistaClone this tracktrackOperationsWidget ApagaMutetrackOperationsWidget&Apaga aquesta pistaMute this tracktrackOperationsWidgetPitja <Ctrl> quan piquis el control de moviment per a iniciar una nova acci d'arrossegar i amollar.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget*Elimina aquesta pistaRemove this tracktrackOperationsWidgetSoloSolotrackOperationsWidgetLHa fallat la crrega del connector VSTFailed loading VST-pluginvestigeInstrument&Carregant connectorLoading pluginvestigeInstrumentnPer favor, espera mentre es carrega el connector VST...'Please wait while loading VST-plugin...vestigeInstrument:El connector VST %1 no s'ha pogut carregar per alguna ra. Si funciona amb altre programari VST sota Linux, per favor contacta amb un desenvolupador de LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentDesafinament %1 Detune %1vibedArrissada %1 Fuzziness %1 vibedImpuls %1 Impulse %1vibedLongitud %1 Length %1vibedOctava %1 Octave %1vibedPanorama %1Pan %1vibed,Posici per a tocar %1Pick %1 positionvibed2Posici per a recollir %1Pickup %1 positionvibed(Rigidesa de corda %1String %1 stiffnessvibed"Volum de corda %1String %1 volumevibed &Ajuda&Help vibedViewdPica aqu per a activar/desactivar la forma d'ona.&Click here to enable/disable waveform. vibedViewVPica aqu per a normalitzar la forma d'ona.!Click here to normalize waveform. vibedViewRPica aqu per a suavitzar la forma d'ona.Click here to smooth waveform. vibedViewDesafinament:Detune: vibedView(Habilita forma d'onaEnable waveform vibedViewArrissada: Fuzziness: vibedViewEditor d'ImpulsImpulse Editor vibedView,Impuls o estat inicialImpulse or initial state vibedViewLongitud:Length: vibedViewNormalitza Normalize vibedView OctavaOctave vibedViewPanorama:Pan: vibedView(Posici per a tocar:Pick position: vibedView.Posici per a recollir:Pickup position: vibedViewOna de serraSaw wave vibedViewOna sinusodal Sine wave vibedViewSuavitzaSmooth vibedViewOna quadrada Square wave vibedView CordaString vibedView$Rigidesa de corda:String stiffness: vibedView,El selector 'Imp' determina si la forma d'ona del grfic s'ha de tractar com un impuls impartit a la corda quan es toca o l'estat inicial de la corda.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewLa roda 'P' ajusta la posici on ser tocada la corda seleccionada. Quan ms baix el valor, es toca ms a prop del pont.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewFLa roda 'PU' ajusta la posici on les vibracions seran monitoritzades per a la corda seleccionada. Quan ms baix aquest valor, la recollida s ms a prop del pont.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewVLa roda 'S' ajusta la rigidesa de la corda seleccionada. La rigidesa de la corda afecta el temps que la corda ressonar. Quan ms baix el valor, ms temps sonar la corda.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewjLa roda 'V' ajusta el volum de la corda seleccionada.4The 'V' knob sets the volume of the selected string. vibedView`La roda Detune modifica el to de la corda seleccionada. Valors menors que zero faran que la corda soni amb bemoll. Valors majors que zero faran que la corda soni amb sostingut.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedView\La roda Length ajusta la longitud de la corda seleccionada. Les cordes ms llargues sonaran a la vegada ms temps i ms brillants, emper tamb es menjaran ms cicles de CPU.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewTEl selector Octava s'usa per a escollir a quin harmnic de la nota la corda sonar. Per exemple, '-2' significa que la corda sonar dues octaves per sota de la fonamental, 'F' significa que la corda sonar a la fonamental, i '6' significa que la corda sonar sis octaves per sobre de la fonamental.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewLa roda Pan determina la localitzaci de la corda seleccionada al camp estreo.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewTLa roda Slap afegeix una mica d'arrissada a la corda seleccionada que s ms notable durant l'atac, encara que tamb pot usar-se per a que la corda soni ms 'metllica'.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewEl selector String s'usa per a escollir quina corda estan editant els controls. Un instrument Vibed pot tenir fins a nou cordes vibrants independents. El LED a la cantonada dreta baixa de l'editor de forma d'ona indica si la corda seleccionada est activa.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedView^L'editor de forma d'ona dna control sobre l'estat inicial o impuls que s'utilitza per a iniciar la corda vibrant. Els botons de la dreta del grfic inicialitzaran la forma d'ona al tipus seleccionat. El bot '?' carregar la forma d'ona des d'un fitxer; noms es carregaran les primeres 128 mostres. La forma d'ona tamb pot dibuixar-se al grfic. El bot 'S' suavitzar la forma d'ona. El bot 'N' normalitzar la forma d'ona.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedViewOna triangular Triangle wave vibedViewOna arbitrriaUser defined wave vibedViewpVibed modela fins a nou cordes vibrants independents. El selector 'String' et permet escollir quina corda s'est editant. El selector 'Imp' escull si el grfic representa un impuls o l'estat inicial de la corda. El selector 'Octave' escull a quin harmnic la corda ha de vibrar. El grfic et permet controlar l'estat inicial o impuls usat per a posar la corda en marxa. La roda 'V' controla el volum. La roda 'S' controla la rigidesa de la corda. La roda 'P' controla la posici per a tocar. La roda 'PU' controla la posici per a recollir. Probablement no cal explicar 'Pan' i 'Detune'. La roda 'Slap' afegeix una mica d'arrissada al so de la corda. La roda 'Length' controla la longitud de la corda. El LED a la cantonada dreta baixa de l'editor de forma d'ona determina si la corda est activa a l'instrument actual.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedView Volum:Volume: vibedView&Ona de soroll blancWhite noise wave vibedViewpica per a activar/desactivar la visualitzaci de la sortida mestra6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/ca.ts0000644000000000000000000074436112307165142015050 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About Quant a LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE DISPOSITIU CHANNELS CANALS AudioFileProcessorView Open other sample Obre altra mostra Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample Inverteix mostra If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Si actives aquest botó, la mostra sencera serà invertida. Això és útil per a efectes interessants, p.e. un xoc invertit. Loop sample at start- and end-point Bucle entre punts inicial i final Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Amplificar: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Punt inicial: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: Punt final: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME NOM-CLIENT CHANNELS CANALS AudioOss::setupWidget DEVICE DISPOSITIU CHANNELS CANALS AudioPortAudio::setupWidget BACKEND DEVICE DISPOSITIU AudioPulseAudio::setupWidget DEVICE DISPOSITIU CHANNELS CANALS AudioSdl::setupWidget DEVICE DISPOSITIU AutomatableModel &Reset (%1%2) &Restaura (%1%2) &Copy value (%1%2) &Copia valor (%1%2) &Paste value (%1%2) &Enganxa valor (%1%2) Edit song-global automation Edita automatització global Connected to %1 Connectat a %1 Connected to controller Connectat a controlador Edit connection... Edita connexió... Remove connection Elimina connexió Connect to controller... Connecta a controlador... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Reprodueix/pausa el patró actual (Espai) Stop playing of current pattern (Space) Atura la reproducció del patró actual (Espai) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Mode dibuixar (Maj+D) Erase mode (Shift+E) Mode esborrar (Maj+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Talla els valors seleccionats (Ctrl+X) Copy selected values (Ctrl+C) Copia els valors seleccionats (Ctrl+C) Paste values from clipboard (Ctrl+V) Enganxa valors des del portapapers (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Editor d'Automatització - sense patró Automation Editor - %1 Editor d'Automatització - %1 Please open an automation pattern with the context menu of a control! Per favor, obre un patró d'automatització amb el menú contextual d'un control! Values copied Valors copiats All selected values were copied to the clipboard. Tots els valors seleccionats s'han copiat al portapapers. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor pica dos cops per a obrir aquest patró a l'editor d'automatització Open in Automation editor Obre a l'Editor d'automatització Clear Buida Reset name Restaura nom Change name Canvia nom %1 Connections Disconnect "%1" Desconnecta "%1" AutomationTrack Automation track Controller Controller %1 Controlador %1 ControllerConnectionDialog Connection Settings Configuració de Connexió MIDI CONTROLLER CONTROLADOR MIDI Input channel Canal d'entrada CHANNEL CANAL Input controller Controlador d'entrada CONTROLLER CONTROLADOR Auto Detect Detecta automàticament MIDI-devices to receive MIDI-events from Dispositius MIDI des d'on rebre esdeveniments MIDI USER CONTROLLER CONTROLADOR D'USUARI MAPPING FUNCTION FUNCIÓ DE MAPATGE OK D'acord Cancel Cancel·la LMMS Cycle Detected. ControllerRackView Controller Rack Prestatge de Controladors Add Afegeix Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Canvia el nom del controlador Enter the new name for this controller Introdueix el nou nom per a aquest controlador &Remove this plugin &Treu aquest connector &Help &Ajuda Effect Effect enabled Efecte habilitat Wet/Dry mix Mescla Moll/Sec Gate Porta Decay Decaïment EffectChain Effects enabled EffectRackView EFFECTS CHAIN CADENA D'EFECTES Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. Encén o apaga l'efecte. On/Off Encès/Apagat W/D M/S Wet Level: Nivell de Moll: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY DECAÏMENT Time: Temps: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE PORTA Gate: Porta: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. La roda Porta controla el nivell de senyal que és considerat 'silenci' mentre es decideix quan aturar de processar senyals. Controls Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Mou a&munt Move &down Mou a&vall &Remove this plugin &Treu aquest connector &Help &Ajuda EnvelopeAndLfoParameters Predelay Attack Hold Decay Decaïment Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Freq x 100 Modulate Env-Amount Modula Amplitud EnvelopeAndLfoView DEL RET Predelay: Preretard: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Usa aquesta roda per a ajustar el preretard de l'envoltant actual. Quan més gran aquest valor, major el temps abans de començar l'envoltant en sí. ATT ATAC Attack: Atac: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Usa aquesta roda per a ajustar el temps d'atac de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a augmentar cap al nivell d'atac. Escull un valor petit per a instruments com el piano i un valor gran per a corda. HOLD MANT Hold: Manteniment: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Usa aquesta roda per a ajustar el temps de manteniment de l'envoltant actual. Quan més gran aquest valor, més temps manté l'envoltant el nivell d'atac abans de començar a reduir cap al nivell de sosteniment. DEC DEC Decay: Decaïment: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Usa aquesta roda per a ajustar el temps de decaïment de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a reduir des del nivell d'atac fins al de sosteniment. Escull un valor petit per a instruments com el piano. SUST SOST Sustain: Sosteniment: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Usa aquesta roda per a ajustar el nivell de sosteniment de l'envoltant actual. Quan més gran aquest valor, a major nivell roman l'envoltant abans de disminuir cap a zero. REL ALL Release: Alliberament: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Usa aquesta roda per a ajustar el temps d'alliberament de l'envoltant actual. Quan més gran aquest valor, més temps necessita l'envoltant per a disminuir des del nivell de sosteniment a zero. Escull un valor gran per a instruments suaus com els de corda. AMT QUA Modulation amount: Quantitat de modulació: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Usa aquesta roda per a ajustar la quantitat de modulació de l'envoltant actual. Quan més gran aquest valor, més influirà l'envoltant la magnitud corresponent (p.e. volum o freqüència de tall). LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Usa aquesta roda per a ajustar el temps de preretard de l'OBF actual. Quan més gran aquest valor, major el temps abans que l'OBF comenci a oscil·lar. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Usa aquesta roda per a ajustar el temps d'atac de l'OBF actual. Quan més gran aquest valor, més temps necessita l'OBF per a augmentar la seva amplitud al màxim. SPD VEL LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Usa aquesta roda per a ajustar la velocitat de l'OBF actual. Quan més gran aquest valor, més ràpid oscil·la l'OBF i més ràpid serà l'efecte. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Usa aquesta roda per a ajustar la quantitat de modulació de l'OBF actual. Quan més gran aquest valor, més influirà l'OBF la magnitud seleccionada (p.e. volum o freqüència de tall). Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT MODULA AMPLITUD Click here to make the envelope-amount controlled by this LFO. Pica aquí per a que aquest OBF controli l'amplitud. control envelope-amount by this LFO amplitud controlada per aquest OBF ms/LFO: ms/OBF: Hint Consell Drag a sample from somewhere and drop it in this window. Arrossega una mostra d'on sigui i amolla-la en aquesta finestra. ExportProjectDialog Export project Output Sortida File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Cancel·la Export as loop (remove end silence) FxMixer Master Mestre FX %1 FX %1 FxMixerView Rename FX channel Canvia el nom del canal FX Enter the new name for this FX channel Introdueix el nou nom per a aquest canal FX FX-Mixer Mesclador FX FX Fader %1 Mute Apaga Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Tipus d'arpegi Arpeggio range Rang d'arpegi Arpeggio time Temps d'arpegi Arpeggio gate Porta d'arpegi Arpeggio direction Direcció d'arpegi Arpeggio mode Mode d'arpegi Up Down Up and down Random Free Lliure Sort Ordena Sync Sinc InstrumentFunctionArpeggioView ARPEGGIO ARPEGI An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE RANG Arpeggio range: Rang d'arpegi: octave(s) octava(es) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME TEMPS Arpeggio time: Temps d'arpegi: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Usa aquesta roda per a ajustar el temps d'arpegi en mil·lisegons. El temps d'arpegi especifica la durada de cada nota de l'arpegi. GATE PORTA Arpeggio gate: Porta d'arpegi: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Direcció: Mode: Mode: InstrumentFunctionNoteStacking octave octava Major Major Majb5 Major♭5 minor menor minb5 menor♭5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 6add9 m6 m6 m6add9 m6més9 7 7 7sus4 7sus4 7#5 7♯5 7b5 7♭5 7#9 7♯9 7b9 7♭9 7#5#9 7♯5♯9 7#5b9 7♯5♭9 7b5b9 7♭5♭9 7add11 7més11 7add13 7més13 7#11 7♯11 Maj7 Maj7 Maj7b5 Maj7♭5 Maj7#5 Maj7♯5 Maj7#11 Maj7♯11 Maj7add13 Maj7més13 m7 m7 m7b5 m7♭5 m7b9 m7♭9 m7add11 m7més11 m7add13 m7més13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7més11 m-Maj7add13 m-Maj7més13 9 9 9sus4 9sus4 add9 més9 9#5 9♯5 9b5 9♭5 9#11 9♯11 9b13 9♭13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9♯5 Maj9#11 Maj9♯11 m9 m9 madd9 mmés9 m9b5 m9♭5 m9-Maj7 m9-Maj7 11 11 11b9 11♭9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13♯9 13b9 13♭9 13b5b9 13♭5♭9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Harmònic menor Melodic minor Melòdic menor Whole tone To sencer Diminished Disminuït Major pentatonic Pentatònic major Minor pentatonic Pentatònic menor Jap in sen Jap in sen Major bebop Bebop major Dominant bebop Bebop dominant Blues Blues Arabic Aràbic Enigmatic Enigmàtic Neopolitan Neopolità Neopolitan minor Neopolità menor Hungarian minor Hongarès menor Dorian Dòric Phrygolydian Frigolidi Lydian Lidi Mixolydian Mixolidi Aeolian Eoli Locrian Locri Chords Chord type Tipus d'acord Chord range Rang d'acord Minor InstrumentFunctionNoteStackingView RANGE RANG Chord range: Rang d'acord: octave(s) octava(es) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL CANAL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME VOLUM Volume Volum CUTOFF FREQ TALL Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Tipus de filtre Q/Resonance Q/Ressonància LowPass Passa-Baixa HiPass Passa-Alta BandPass csg Passa-Banda csg BandPass czpg Passa-Banda czpg Notch Osca Allpass Passa-Tot Moog Moog 2x LowPass 2x Passa-Baixa RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET OBJECTIU These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER FILTRE Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Aquí pots seleccionar el filtre integrat que vols usar per a aquesta pista d'instrument. Els filtres són molt importants per a canviar les característiques d'un so. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Ressonància: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ FREQ cutoff frequency: InstrumentTrack unnamed_track pista_sense_nom Volume Volum Panning Panorama Pitch To FX channel Canal FX Default preset With this knob you can set the volume of the opened channel. Amb aquesta roda pots ajustar el volum del canal obert. Base note Nota base Pitch range InstrumentTrackView Volume Volum Volume: Volum: VOL VOL Panning Panorama Panning: Panorama: PAN PAN MIDI MIDI Input Entrada Output Sortida InstrumentTrackWindow GENERAL SETTINGS CONFIGURACIÓ GENERAL Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Pica aquí si vols desar la configuració del canal actual en una plantilla. Més tard podràs carregar aquesta plantilla picant-la dos cops al navegador de plantilles. Instrument volume Volum d'instrument Volume: Volum: VOL VOL Panning Panorama Panning: Panorama: PAN PAN Pitch To Pitch: To: cents cents PITCH TO FX channel Canal FX ENV/LFO ENV/OBF FUNC FUNC FX FX MIDI MIDI Save preset XML preset file (*.xpf) PLUGIN CONN Save current channel settings in a preset-file Pitch range (semitones) RANGE RANG LadspaControl Link channels Enllaça canals LadspaControlDialog Link Channels Enllaça Canals Channel Canal LadspaControlView Link channels Enllaça canals Value: Valor: Sorry, no help available. Ajuda no disponible. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Controlador OBF Base value Valor base Oscillator speed Velocitat d'oscil·lador Oscillator amount Amplitud d'oscil·lador Oscillator phase Fase d'oscil·lador Oscillator waveform Forma d'ona d'oscil·lador Frequency Multiplier Multiplicador de Freqüència LfoControllerDialog LFO OBF LFO Controller Controlador OBF BASE BASE Base amount: Amplitud base: todo todo SPD VEL LFO-speed: Velocitat OBF: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Usa aquesta roda per a ajustar la velocitat de l'OBF. Quan més gran aquest valor, més ràpid oscil·la l'OBF i més ràpid serà l'efecte. AMT QUA Modulation amount: Quantitat de modulació: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS FAS Phase offset: Desfasament: degrees graus With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file No s'ha pogut desar el fitxer de configuració Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. No s'ha pogut desar el fitxer de configuració %1. Per favor, comprova que tens permís d'escriptura per a aquest fitxer i torna-ho a provar. &Project &Projecte &New &Nou &Open... &Obre... Recently opened projects Projectes oberts recentment &Save &Desa Save &As... &Anomena i desa... Import... Importa... E&xport... E&xporta... &Quit &Surt &Edit &Edita Settings Configuració &Tools E&ines &Help &Ajuda Online help Ajuda en línia Help Ajuda What's this? Què és això? About Quant a Create new project Crea nou projecte Create new project from template Crea nou projecte des de plantilla Open existing project Obre projecte existent Recently opened project Projecte obert recentment Save current project Desa projecte actual Export current project Exporta projecte actual Show/hide Song-Editor Mostra/amaga Editor de Cançó By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor Mostra/amaga Editor de Ritme Base By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Mostra/amaga Rotlle de Piano Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Mostra/amaga Editor d'Automatització Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Mostra/amaga Mesclador FX Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Mostra/amaga les notes del projecte Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled Sense títol LMMS %1 LMMS %1 Project not saved Projecte no desat The current project was modified since last saving. Do you want to save it now? El projecte actual ha estat modificat des del darrer desament. Vols desar-lo ara? Open project Obre projecte Save project Desa projecte Help not available Ajuda no disponible Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Actualment no hi ha ajuda disponible a LMMS. Per favor, visita http://lmms.sf.net/wiki per a documentació sobre LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Numerador de Mesurador Meter Denominator Denominador de Mesurador TIME SIG COMPÀS MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE DISPOSITIU MidiAlsaSeq::setupWidget DEVICE DISPOSITIU MidiController MIDI Controller unnamed_midi_controller controlador_midi_sense_nom MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE DISPOSITIU MidiPort Input channel Canal d'entrada Output channel Canal de sortida Input controller Controlador d'entrada Output controller Controlador de sortida Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Rep esdeveniments MIDI Send MIDI-events Envia esdeveniments MIDI Fixed output note OscillatorObject Osc %1 volume Volum d'osc %1 Osc %1 panning Panorama d'osc %1 Osc %1 coarse detuning Desafinament gruixut d'osc %1 Osc %1 fine detuning left Desafinament fi esquerre d'osc %1 Osc %1 fine detuning right Desafinament fi dret d'osc %1 Osc %1 phase-offset Desfasament d'osc %1 Osc %1 stereo phase-detuning Desfasament estèreo d'osc %1 Osc %1 wave shape Forma d'ona d'osc %1 Modulation type %1 Tipus de modulació %1 Osc %1 waveform Forma d'ona d'osc %1 PatmanView Open other patch Obre altre pedaç Click here to open another patch-file. Loop and Tune settings are not reset. Pica aquí per a obrir un altre fitxer pedaç. La configuració de Bucle i Afina no es reinicia. Loop Bucle Loop mode Mode Bucle Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Aquí pots canviar el mode Bucle. Si és actiu, PatMan farà servir la informació de bucle disponible al fitxer. Tune Afina Tune mode Mode Afina Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Aquí pots canviar el mode Afina. Si és actiu, PatMan afinarà la mostra a la freqüència de la nota. No file selected Cap fitxer seleccionat Open patch file Obre fitxer pedaç Patch-Files (*.pat) Fitxers Pedaç (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK PIC LFO Controller Controlador OBF PeakControllerEffectControlDialog BASE BASE Base amount: Amplitud base: Modulation amount: Quantitat de modulació: Attack: Atac: Release: Alliberament: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Valor base Modulation amount Quantitat de modulació Mute output Apaga la sortida Attack Release Abs Value Amount Multiplicator PianoView Base note Nota base Plugin Plugin not found Connector no trobat The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Error en carregar el connector Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Fitxer WAV (*.wav) Compressed OGG-File (*.ogg) Fitxer OGG Comprimit (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Nom: Maker: Fabricant: Copyright: Copyright: Requires Real Time: Requereix Temps Real: Yes Sí No No Real Time Capable: Capaç de Temps Real: In Place Broken: Trencat En Lloc: Channels In: Canals d'Entrada: Channels Out: Canals de Sortida: File: Fitxer: SampleBuffer Open audio file Obre fitxer d'àudio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Tots els Fitxers d'Àudio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Fitxers WAV (*.wav) OGG-Files (*.ogg) Fitxers OGG (*.ogg) DrumSynth-Files (*.ds) Fitxers DrumSynth (*.ds) FLAC-Files (*.flac) Fitxers FLAC (*.flac) SPEEX-Files (*.spx) Fitxers SPEEX (*.spx) MP3-Files (*.mp3) Fitxers MP3 (*.mp3) VOC-Files (*.voc) Fitxers VOC (*.voc) AIFF-Files (*.aif *.aiff) Fitxers AIFF (*.aif *.aiff) AU-Files (*.au) Fitxers AU (*.au) RAW-Files (*.raw) Fitxers RAW (*.raw) SampleTCOView double-click to select sample pica dos cops per a seleccionar la mostra Delete (middle mousebutton) Esborra (botó del mig del ratolí) Cut Talla Copy Copia Paste Enganxa Mute/unmute (<Ctrl> + middle click) Apaga/encén (<Ctrl> + clic del mig) Set/clear record SampleTrack Sample track Pista de mostra Volume Volum SampleTrackView Track volume Volum de pista Channel volume: Volum de canal: VOL VOL TempoSyncKnob Tempo Sync Sinc Tempo No Sync Sense Sinc Eight beats Vuit batecs Whole note Nota sencera Half note Mitja nota Quarter note Quart de nota 8th note 8è de nota 16th note 16è de nota 32nd note 32è de nota Custom... Personalitzat... &Help &Ajuda Custom Personalitzat Synced to Eight Beats Sincronitzat a Vuit Batecs Synced to Whole Note Sincronitzat a Nota Sencera Synced to Half Note Sincronitzat a Mitja Nota Synced to Quarter Note Sincronitzat a Quart de Nota Synced to 8th Note Sincronitzat a 8è de Nota Synced to 16th Note Sincronitzat a 16è de Nota Synced to 32nd Note Sincronitzat a 32è de Nota TimeDisplayWidget click to change time units TrackContainer Couldn't import file No es pot importar el fitxer Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. No es pot trobar un filtre per a importar el fitxer %1. Hauries de convertir aquest fitxer a un format suportat per LMMS utilitzant altre programari. Couldn't open file No es pot obrir el fitxer Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! No es pot llegir el fitxer %1. Per favor, assegura't que tens permís de lectura per al fitxer i el directori que el conté i torna-ho a provar! Loading project... Carregant projecte... Cancel Cancel·la Please wait... Per favor, espera... Importing MIDI-file... Important fitxer MIDI... Importing FLP-file... Important fitxer FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Volum d'osc %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Amb aquesta roda pots ajustar el volum de l'oscil·lador %1. Quan poses un valor de 0 l'oscil·lador s'apaga. Altrament, pots sentir l'oscil·lador tan alt com l'ajustis aquí. Osc %1 panning: Panorama d'osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Amb aquesta roda pots ajustar el panorama de l'oscil·lador %1. Un valor de -100 significa 100% a l'esquerra i un valor de 100 mou la sortida de l'oscil·lador a la dreta. Osc %1 coarse detuning: Desafinament gruixut d'osc %1: semitones semitons With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Amb aquesta roda pots ajustar el desafinament gruixut de l'oscil·lador %1. Pots desafinar l'oscil·lador 12 semitons (1 octava) cap a dalt i a baix. Això és útil per a crear sons amb un acord. Osc %1 fine detuning left: Desafinament fi esquerre d'osc %1: cents cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Amb aquesta roda pots ajustar el desafinament fi de l'oscil·lador %1 per al canal esquerre. El desafinament fi està graduat entre -100 cents i +100 cents. Això és útil per a crear sons "gruixuts". Osc %1 fine detuning right: Desafinament fi dret d'osc %1: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Amb aquesta roda pots ajustar el desafinament fi de l'oscil·lador %1 per al canal dret. El desafinament fi està graduat entre -100 cents i +100 cents. Això és útil per a crear sons "gruixuts". Osc %1 phase-offset: Desfasament d'osc %1: degrees graus With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Amb aquesta roda pots ajustar el desfasament de l'oscil·lador %1. Això significa que pots moure el punt d'una oscil·lació on l'oscil·lador comença a oscil·lar. Per exemple, si tens una ona sinusoïdal amb un desfasament de 180 graus, l'ona anirà primer cap a baix. És el mateix amb una ona quadrada. Osc %1 stereo phase-detuning: Desfasament estèreo d'osc %1: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Obre altre connector VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Pica aquí si vols obrir un altre connector VST. Després de picar aquest botó, apareix un diàleg d'obrir fitxers i pots seleccionar el teu fitxer. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Pica aquí per a mostrar o amagar la interfície gràfica d'usuari (GUI) del connector VST. Turn off all notes Apaga totes les notes Open VST-plugin Obre connector VST DLL-files (*.dll) Fitxers DLL (*.dll) EXE-files (*.exe) Fitxers EXE (*.exe) No VST-plugin loaded Cap connector VST carregat Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Carregant connector Please wait while loading VST-plugin... Per favor, espera mentre es carrega el connector VST... Failed loading VST-plugin Ha fallat la càrrega del connector VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! El connector VST %1 no s'ha pogut carregar per alguna raó. Si funciona amb altre programari VST sota Linux, per favor contacta amb un desenvolupador de LMMS! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ FREQ Filter Resonance: RES RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Amplificar Start of sample Inici de la mostra End of sample Fi de la mostra Reverse sample Inverteix mostra Loop Bucle Stutter bassBoosterControlDialog FREQ FREQ Frequency: Freqüència: GAIN GUANY Gain: Guany: RATIO PROPORCIÓ Ratio: Proporció: bassBoosterControls Frequency Freqüència Gain Guany Ratio Proporció bbEditor Play/pause current beat/bassline (Space) Reprodueix/pausa el ritme base actual (Espai) Beat+Bassline Editor Editor de Ritme Base Add beat/bassline Afegeix ritme de base Add automation-track Afegeix pista d'automatització Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Elimina passos Add steps Afegeix passos bbTCOView Open in Beat+Bassline-Editor Obre a l'Editor de Ritme Base Reset name Restaura nom Change name Canvia nom Change color Canvia color bbTrack Beat/Bassline %1 Ritme base %1 Clone of %1 bitInvader Samplelength Longitud de mostra bitInvaderView Sample Length Longitud de la Mostra Sine wave Ona sinusoïdal Triangle wave Ona triangular Saw wave Ona de serra Square wave Ona quadrada White noise wave Ona de soroll blanc User defined wave Ona arbitrària Smooth Suavitza Click here to smooth waveform. Pica aquí per a suavitzar la forma d'ona. Interpolation Interpolació Normalize Normalitza Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file No es pot obrir el fitxer Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! No es pot obrir el fitxer %1 per a escriure. Per favor, assegura't que tens permís d'escriptura per al fitxer i el directori que el conté i torna-ho a provar! Error Error Error while determining file-encoder device. Please try to choose a different output format. Error determinant el dispositiu de codificació de fitxer. Per favor, prova amb un format de sortida diferent. Rendering: %1% Representant: %1% Export project to %1 Exporta projecte a %1 fader Please enter a new value between %1 and %2: Per favor, introdueix un nou valor entre %1 i %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency Freqüència inicial End frequency Freqüència final Decay Decaïment Distortion Distorsió Gain Guany kickerInstrumentView Start frequency: Freqüència inicial: End frequency: Freqüència final: Decay: Decaïment: Distortion: Distorsió: Gain: Guany: knob &Help &Ajuda Please enter a new value between %1 and %2: Per favor, introdueix un nou valor entre %1 i %2: Please enter a new value between -96.0 dBV and 6.0 dBV: Per favor, introdueix un nou valor entre -96,0 dBV i 6,0 dBV: ladspaBrowserView Available Effects Efectes Disponibles Unavailable Effects Efectes No Disponibles Instruments Instruments Analysis Tools Eines d'Anàlisi Don't know Desconeguts This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Aquest diàleg mostra informació de tots els connectors LADSPA que LMMS ha pogut trobar. Els connectors estan dividits en cinc categories basades en la interpretació dels tipus i noms dels ports. Efectes Disponibles són aquells que LMMS pot usar. Per a que LMMS pugui usar un efecte, primerament, ha de ser un efecte, és a dir, ha de tenir canals d'entrada i de sortida. LMMS identifica un canal d'entrada com a un port d'àudio que conté 'in' al nom. Els canals de sortida són identificats amb les lletres 'out'. A més, l'efecte ha de tenir el mateix nombre d'entrades que de sortides i ser capaç de temps real. Efectes No Disponibles són aquells que han estat identificats com a efectes, però no tenen el mateix nombre d'entrades que de sortides o no són capaços de temps real. Instruments són connectors on només s'han identificat canals de sortida. Eines d'Anàlisi són connectors on només s'han identificat canals d'entrada. Desconeguts són connectors on no s'han identificat canals d'entrada o sortida. Fent doble clic a qualsevol connector mostrarà informació sobre els ports. Type: Tipus: ladspaDescription Plugins Connectors Description Descripció ladspaPortDialog Name Nom Rate Taxa Direction Direcció Type Tipus Min < Default < Max Mín < Defecte < Màx Logarithmic Logarítmic SR Dependent Depenent SR Audio Àudio Control Control Input Entrada Output Sortida Toggled Commutat Integer Enter Float Flotant Yes Sí Ports Ports lb302Synth VCF Cutoff Frequency Freqüència de Tall VCF VCF Resonance Ressonància VCF VCF Envelope Mod Mod Envoltant VCF VCF Envelope Decay Decaïment Envoltant VCF Slide Lliscament Accent Accent Dead Mort Slide Decay Decaïment de Lliscament Distortion Distorsió Waveform Forma d'ona 24dB/oct Filter Filtre 24dB/oct lb302SynthView Cutoff Freq: Freq Tall: Resonance: Ressonància: Env Mod: Mod Env: Decay: Decaïment: 303-es-que, 24dB/octave, 3 pole filter 303-es-que, 24dB/octava, filtre 3 pols Slide Decay: Decaïment de Lliscament: DIST: DIST: Saw wave Ona de serra Click here for a saw-wave. Triangle wave Ona triangular Click here for a triangle-wave. Square wave Ona quadrada Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Ona sinusoïdal Click for a sine-wave. White noise wave Ona de soroll blanc Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency Freqüència de Tall VCF VCF Resonance Ressonància VCF VCF Envelope Mod Mod Envoltant VCF VCF Envelope Decay Decaïment Envoltant VCF Distortion Distorsió Waveform Forma d'ona Slide Decay Decaïment de Lliscament Slide Lliscament Accent Accent Dead Mort 24dB/oct Filter Filtre 24dB/oct lb303SynthView Cutoff Freq: Freq Tall: CUT TALL Resonance: Ressonància: RES RES Env Mod: Mod Env: ENV MOD MOD ENV Decay: Decaïment: DEC DEC 303-es-que, 24dB/octave, 3 pole filter 303-es-que, 24dB/octava, filtre 3 pols Slide Decay: Decaïment de Lliscament: SLIDE LLISCA DIST: DIST: DIST DIST WAVE: ONA: WAVE ONA malletsInstrument Hardness Duresa Position Posició Vibrato Gain Guany de Vibrat Vibrato Freq Freq de Vibrat Stick Mix Mescla de Pals Modulator Modulador Crossfade Entremescla LFO Speed Velocitat OBF LFO Depth Profunditat OBF ADSR ADSR Pressure Pressió Motion Moviment Speed Velocitat Bowed Doblegat Spread Dispersió Marimba Marimba Vibraphone Vibràfon Agogo Agogo Wood1 Fusta1 Reso Reso Wood2 Fusta2 Beats Batecs Two Fixed Fixat a Dos Clump Grup Tubular Bells Campanes Tubulars Uniform Bar Barra Uniforme Tuned Bar Barra Afinada Glass Cristall Tibetan Bowl Bol Tibetà Missing files Fitxers absents Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! La instal·lació de Stk sembla estar incompleta. Assegura't de que el paquet complet Stk està instal·lat! malletsInstrumentView Instrument Instrument Spread Dispersió Spread: Dispersió: Hardness Duresa Hardness: Duresa: Position Posició Position: Posició: Vib Gain Guany Vib Vib Gain: Guany Vib: Vib Freq Freq Vib Vib Freq: Freq Vib: Stick Mix Mescla de Pals Stick Mix: Mescla de Pals: Modulator Modulador Modulator: Modulador: Crossfade Entremescla Crossfade: Entremescla: LFO Speed Velocitat OBF LFO Speed: Velocitat OBF: LFO Depth Profunditat OBF LFO Depth: Profunditat OBF: ADSR ADSR ADSR: ADSR: Bowed Doblegat Pressure Pressió Pressure: Pressió: Motion Moviment Motion: Moviment: Speed Velocitat Speed: Velocitat: Vibrato Vibrat Vibrato: Vibrat: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Ajuda opl2instrument Patch Pedaç Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Distorsió Volume Volum organicInstrumentView Distortion: Distorsió: Volume: Volum: Randomise Aleatoritza Osc %1 waveform: Forma d'ona d'osc %1: Osc %1 volume: Volum d'osc %1: Osc %1 panning: Panorama d'osc %1: Osc %1 fine detuning left: Desafinament fi esquerre d'osc %1: cents cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern No es pot congelar el patró The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! El patró no es pot congelar ara mateix perquè estàs en mode de reproducció. Per favor, atura i torna-ho a provar! patternFreezeStatusDialog Freezing pattern... Congelant patró... Cancel Cancel·la patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step pica dos cops per a obrir aquest patró al rotlle de piano usa la roda del ratolí per a ajustar el volum d'un pas Open in piano-roll Obre al rotlle de piano Clear all notes Esborra totes les notes Reset name Restaura nom Change name Canvia nom Refreeze Recongela Freeze Congela Unfreeze Descongela Add steps Afegeix passos Remove steps Elimina passos PianoRoll Cut selected notes (Ctrl+X) Talla les notes seleccionades (Ctrl+X) Copy selected notes (Ctrl+C) Copia les notes seleccionades (Ctrl+C) Paste notes from clipboard (Ctrl+V) Enganxa notes des del portapapers (Ctrl+V) Play/pause current pattern (Space) Reprodueix/pausa el patró actual (Espai) Stop playing of current pattern (Space) Atura la reproducció del patró actual (Espai) Piano-Roll - no pattern Rotlle de Piano - sense patró Please open a pattern by double-clicking on it! Per favor, obre un patró picant-lo dos cops! Piano-Roll - %1 Rotlle de Piano - %1 Record notes from MIDI-device/channel-piano Enregistra notes des d'un dispositiu MIDI o piano de canal Last note Darrera nota Draw mode (Shift+D) Mode dibuixar (Maj+D) Erase mode (Shift+E) Mode esborrar (Maj+E) Select mode (Shift+S) Mode seleccionar (Maj+S) Record notes from MIDI-device/channel-piano while playing song or BB track Enregistra notes des d'un dispositiu MIDI o piano de canal mentre es reprodueix la cançó o pista RB Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description sense descripció Instrument plugins Connectors d'instrument Vibrating string modeler Modelador de corda vibrant Filter for importing MIDI-files into LMMS Filtre per a importar fitxers MIDI a LMMS three powerful oscillators you can modulate in several ways tres potents oscil·ladors que pots modular de vàries maneres VST-host for using VST(i)-plugins within LMMS servidor VST per a usar connectors VST(i) amb LMMS Filter for importing FL Studio projects into LMMS Filtre per a importar projectes FL Studio a LMMS Additive Synthesizer for organ-like sounds Sintetitzador Additiu per a sons com d'orgue simple sampler with various settings for using samples (e.g. drums) in an instrument-track mostrejador simple amb diferents paràmetres per a usar mostres (p.e. bateria) en una pista d'instrument Tuneful things to bang on Coses melòdiques per a fer soroll plugin for using arbitrary LADSPA-effects inside LMMS. connector per a usar efectes LADSPA arbitraris a LMMS. plugin for using arbitrary VST-effects inside LMMS. connector per a usar efectes VST arbitraris a LMMS. versatile kick- & bassdrum-synthesizer sintetitzador versàtil de guitza & bombo GUS-compatible patch instrument Instrument de pedaç compatible GUS Plugin for enhancing stereo separation of a stereo input file Connector per a millorar la separació estèreo List installed LADSPA plugins Llista connectors LADSPA instal·lats Incomplete monophonic imitation tb303 Imitació monofònica incompleta tb303 Plugin for freely manipulating stereo output Connector per a manipular lliurement la sortida estèreo plugin for boosting bass connector per a augmentar el baix Plugin for controlling knobs with sound peaks Connector per a controlar rodes amb pics de so Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. Escriu aquí les teves notes del projecte. Project notes Notes del projecte Edit Actions Accions d'Editar &Undo &Desfés Ctrl+Z Ctrl+Z &Redo &Refés Ctrl+Y Ctrl+Y &Copy &Copia Ctrl+C Ctrl+C Cu&t &Talla Ctrl+X Ctrl+X &Paste &Enganxa Ctrl+V Ctrl+V Format Actions Accions de Format &Bold &Negreta Ctrl+B Ctrl+B &Italic Curs&iva Ctrl+I Ctrl+I &Underline &Subratllat Ctrl+U Ctrl+U &Left &Esquerra Ctrl+L Ctrl+L C&enter Cen&tre Ctrl+E Ctrl+E &Right &Dreta Ctrl+R Ctrl+R &Justify &Justifica Ctrl+J Ctrl+J &Color... &Color... renameDialog Rename... Canvia el nom... setupDialog Setup LMMS Configuració de LMMS General settings Configuració general BUFFER SIZE MIDA DE MEMÒRIA INTERMÈDIA Reset to default-value Restaura al valor per defecte MISC MISC Display volume as dBV Mostra el volum en dBV LMMS working directory Directori de treball de LMMS VST-plugin directory Directori de connectors VST Artwork directory Directori de material gràfic FL Studio installation directory Directori d'instal·lació de FL Studio Performance settings Configuració de rendiment UI effects vs. performance Efectes UI vs. rendiment Audio settings Configuració d'àudio AUDIO INTERFACE INTERFÍCIE D'ÀUDIO MIDI settings Configuració MIDI MIDI INTERFACE INTERFÍCIE MIDI OK D'acord Cancel Cancel·la Restart LMMS Reinicia LMMS Please note that most changes won't take effect until you restart LMMS! Per favor, tingues en compte que la majoria de canvis no s'aplicaran fins que reiniciïs LMMS! Frames: %1 Latency: %2 ms Marcs: %1 Latència: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Aquí pots configurar la mida de la memòria intermèdia interna usada per LMMS. Els valors més petits donen menor latència però també poden causar so inservible o baix rendiment, especialment a ordinadors antics o sistemes amb un nucli sense temps real. Choose LMMS working directory Escull el directori de treball de LMMS Choose your VST-plugin directory Escull el teu directori de connectors VST Choose artwork-theme directory Escull el directori de material gràfic Choose FL Studio installation directory Escull el directori d'instal·lació de FL Studio Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Aquí pots seleccionar la teva interfície d'àudio preferida. Depenent de la configuració del teu sistema durant el temps de compilació, pots escollir entre ALSA, JACK, OSS i altres. Abaix pots veure una caixa amb controls per a configurar la interfície d'àudio seleccionada. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Aquí pots seleccionar la teva interfície MIDI preferida. Depenent de la configuració del teu sistema durant el temps de compilació, pots escollir entre ALSA, OSS i més. Abaix pots veure una caixa amb controls per a configurar la interfície MIDI seleccionada. STK rawwave directory Directori d'ones crues STK Choose LADSPA plugin directory Escull un directori de connectors LADSPA Choose STK rawwave directory Escull el directori d'ones crues STK Enable tooltips Activa els avisos d'eina Show restart warning after changing settings Mostra l'avís de reinici després de canviar la configuració Compress project files per default Comprimeix per defecte els fitxers de projecte HQ-mode for output audio-device Mode AQ per al dispositiu de sortida d'àudio Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Banc Patch Pedaç Gain Guany Reverb Reverberació Reverb Roomsize Cambra de Reverberació Reverb Damping Esmorteïment de Reverberació Reverb Width Amplada de Reverberació Reverb Level Nivell de Reverberació Chorus Cor Chorus Lines Línies de Cor Chorus Level Nivell de Cor Chorus Speed Velocitat de Cor Chorus Depth Profunditat de Cor sf2InstrumentView Open other SoundFont file Obre altre fitxer SoundFont Click here to open another SF2 file Pica aquí per a obrir un altre fitxer SF2 Choose the patch Escull el pedaç Gain Guany Apply reverb (if supported) Aplica reverberació (si està suportat) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Aquest botó habilita l'efecte de reverberació. Això aconsegueix efectes genials, però només funciona amb fitxers que ho suportin. Reverb Roomsize: Cambra de Reverberació: Reverb Damping: Esmorteïment de Reverberació: Reverb Width: Amplada de Reverberació: Reverb Level: Nivell de Reverberació: Apply chorus (if supported) Aplica cor (si està suportat) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Aquest botó habilita l'efecte de cor. Això aconsegueix efectes d'eco genials, però només funciona amb fitxers que ho suportin. Chorus Lines: Línies de Cor: Chorus Level: Nivell de Cor: Chorus Speed: Velocitat de Cor: Chorus Depth: Profunditat de Cor: Open SoundFont file Obre fitxer SoundFont SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Tipus de filtre Voice 3 off Volume Volum Chip model sidInstrumentView Volume: Volum: Resonance: Ressonància: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Atac: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decaïment: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Sosteniment: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: Alliberament: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sinc Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Project saved Projecte desat The project %1 is now saved. El projecte %1 està desat. Project NOT saved. Projecte NO desat. The project %1 was not saved! El projecte %1 no està desat! Import file Importa fitxer untitled sense títol Select file for project-export... Selecciona fitxer per a exportar projecte... Tempo Tempo Master volume Volum mestre Master pitch To mestre Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Pica aquí si vols aturar la reproducció de la cançó. El marcador de posició de cançó serà col·locat a l'inici de la cançó. Could not open file No es pot obrir el fitxer Could not write file No es pot escriure el fitxer Song-Editor Editor de Cançó Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Pica aquí si vols reproduir la cançó sencera. La reproducció començarà al marcador de posició de cançó (verd). També pots moure'l mentre es reprodueix. Play song (Space) Reprodueix cançó (Espai) Stop song (Space) Atura cançó (Espai) Add beat/bassline Afegeix ritme base Add sample-track Afegeix pista de mostra Draw mode Mode dibuixar Edit mode (select and move) Mode editar (selecciona i mou) Add automation-track Afegeix pista d'automatització Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo de cançó The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Mode alta qualitat Master volume Volum mestre master volume volum mestre Master pitch To mestre master pitch to mestre Value: %1% Valor: %1% Value: %1 semitones Valor: %1 semitons Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Espectre lineal Linear Y axis Eix Y lineal spectrumAnalyzerControls Linear spectrum Espectre lineal Linear Y-axis Eix Y lineal Channel mode Mode del canal stereoEnhancerControlDialog WIDE AMPLE Width: Amplada: stereoEnhancerControls Width Amplada stereoMatrixControlDialog Left to Left Vol: Volum Esquerra a Esquerra: Left to Right Vol: Volum Esquerra a Dreta: Right to Left Vol: Volum Dreta a Esquerra: Right to Right Vol: Volum Dreta a Dreta: stereoMatrixControls Left to Left Esquerra a Esquerra Left to Right Esquerra a Dreta Right to Left Dreta a Esquerra Right to Right Dreta a Dreta timeLine Enable/disable auto-scrolling Activa/desactiva autodesplaçament Enable/disable loop-points Activa/desactiva punts de bucle After stopping go back to begin Després d'aturar torna al començament After stopping go back to position at which playing was started Després d'aturar torna a la posició on va començar la reproducció After stopping keep position Després d'aturar manté la posició Hint Consell Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo Solo trackContentObject Muted trackContentObjectView Current position Posició actual Hint Consell Press <Ctrl> and drag to make a copy. Pitja <Ctrl> i arrossega per a fer una còpia. Current length Longitud actual Press <Ctrl> for free resizing. Pitja <Ctrl> per a redimensionar lliurement. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 a %5:%6) Delete (middle mousebutton) Esborra (botó del mig del ratolí) Cut Talla Copy Copia Paste Enganxa Mute/unmute (<Ctrl> + middle click) Apaga/encén (<Ctrl> + clic del mig) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Pitja <Ctrl> quan piquis el control de moviment per a iniciar una nova acció d'arrossegar i amollar. Clone this track Clona aquesta pista Remove this track Elimina aquesta pista Actions for this track Accions per a aquesta pista Mute Apaga Mute this track Apaga aquesta pista Solo Solo vestigeInstrument Loading plugin Carregant connector Please wait while loading VST-plugin... Per favor, espera mentre es carrega el connector VST... Failed loading VST-plugin Ha fallat la càrrega del connector VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! El connector VST %1 no s'ha pogut carregar per alguna raó. Si funciona amb altre programari VST sota Linux, per favor contacta amb un desenvolupador de LMMS! vibed String %1 volume Volum de corda %1 String %1 stiffness Rigidesa de corda %1 Pick %1 position Posició per a tocar %1 Pickup %1 position Posició per a recollir %1 Pan %1 Panorama %1 Detune %1 Desafinament %1 Fuzziness %1 Arrissada %1 Length %1 Longitud %1 Impulse %1 Impuls %1 Octave %1 Octava %1 vibedView Volume: Volum: The 'V' knob sets the volume of the selected string. La roda 'V' ajusta el volum de la corda seleccionada. String stiffness: Rigidesa de corda: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. La roda 'S' ajusta la rigidesa de la corda seleccionada. La rigidesa de la corda afecta el temps que la corda ressonarà. Quan més baix el valor, més temps sonarà la corda. Pick position: Posició per a tocar: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. La roda 'P' ajusta la posició on serà tocada la corda seleccionada. Quan més baix el valor, es toca més a prop del pont. Pickup position: Posició per a recollir: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. La roda 'PU' ajusta la posició on les vibracions seran monitoritzades per a la corda seleccionada. Quan més baix aquest valor, la recollida és més a prop del pont. Pan: Panorama: The Pan knob determines the location of the selected string in the stereo field. La roda Pan determina la localització de la corda seleccionada al camp estèreo. Detune: Desafinament: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. La roda Detune modifica el to de la corda seleccionada. Valors menors que zero faran que la corda soni amb bemoll. Valors majors que zero faran que la corda soni amb sostingut. Fuzziness: Arrissada: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. La roda Slap afegeix una mica d'arrissada a la corda seleccionada que és més notable durant l'atac, encara que també pot usar-se per a que la corda soni més 'metàl·lica'. Length: Longitud: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. La roda Length ajusta la longitud de la corda seleccionada. Les cordes més llargues sonaran a la vegada més temps i més brillants, emperò també es menjaran més cicles de CPU. Impulse or initial state Impuls o estat inicial The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. El selector 'Imp' determina si la forma d'ona del gràfic s'ha de tractar com un impuls impartit a la corda quan es toca o l'estat inicial de la corda. Octave Octava The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. El selector Octava s'usa per a escollir a quin harmònic de la nota la corda sonarà. Per exemple, '-2' significa que la corda sonarà dues octaves per sota de la fonamental, 'F' significa que la corda sonarà a la fonamental, i '6' significa que la corda sonarà sis octaves per sobre de la fonamental. Impulse Editor Editor d'Impuls The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. L'editor de forma d'ona dóna control sobre l'estat inicial o impuls que s'utilitza per a iniciar la corda vibrant. Els botons de la dreta del gràfic inicialitzaran la forma d'ona al tipus seleccionat. El botó '?' carregarà la forma d'ona des d'un fitxer; només es carregaran les primeres 128 mostres. La forma d'ona també pot dibuixar-se al gràfic. El botó 'S' suavitzarà la forma d'ona. El botó 'N' normalitzarà la forma d'ona. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modela fins a nou cordes vibrants independents. El selector 'String' et permet escollir quina corda s'està editant. El selector 'Imp' escull si el gràfic representa un impuls o l'estat inicial de la corda. El selector 'Octave' escull a quin harmònic la corda ha de vibrar. El gràfic et permet controlar l'estat inicial o impuls usat per a posar la corda en marxa. La roda 'V' controla el volum. La roda 'S' controla la rigidesa de la corda. La roda 'P' controla la posició per a tocar. La roda 'PU' controla la posició per a recollir. Probablement no cal explicar 'Pan' i 'Detune'. La roda 'Slap' afegeix una mica d'arrissada al so de la corda. La roda 'Length' controla la longitud de la corda. El LED a la cantonada dreta baixa de l'editor de forma d'ona determina si la corda està activa a l'instrument actual. Enable waveform Habilita forma d'ona Click here to enable/disable waveform. Pica aquí per a activar/desactivar la forma d'ona. String Corda The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. El selector String s'usa per a escollir quina corda estan editant els controls. Un instrument Vibed pot tenir fins a nou cordes vibrants independents. El LED a la cantonada dreta baixa de l'editor de forma d'ona indica si la corda seleccionada està activa. Sine wave Ona sinusoïdal Triangle wave Ona triangular Saw wave Ona de serra Square wave Ona quadrada White noise wave Ona de soroll blanc User defined wave Ona arbitrària Smooth Suavitza Click here to smooth waveform. Pica aquí per a suavitzar la forma d'ona. Normalize Normalitza Click here to normalize waveform. Pica aquí per a normalitzar la forma d'ona. &Help &Ajuda Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. 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DK  *Fq I9) ".r $ rM )x +' N%d Om STn STn_ \m \ ] ` m m ϶ m i m  s TO1 u:z MK $nP \ ! ? }lWx N@k ND V g hY 2 2D 4= ӗ` Ӱ8 غ e$y SY i O 7 P' .I .`B . .Ѡ ʓ<> "4 $&y#} -߉ ==^ VQ c.c c.c c.c c.co ct c[k d̥3 d̥ d̥ tE |`M )m x# {Lh {7  S !A s| $ ^ |  6 Ɉ7 0 e ޖ 96 9 鼣4I ]D-  H +4 .˙6X @u2 @u @u ao@ bS#1y cW cY c c8_ csL fbؾ l8> Zl [B Z z r t 0^^ ɶ. % Չ90 Չ9F +$r6i' ^kL Lf;n~?iJn`"y{&ʮJ2;}<)B}>HGXUP-ad^Zcg:ndyOpZ<`9%`9=  |[^@$edf(t)37WCgND>D:I U&Z d^ E~` W7KA _¥I1X~aT~'ܹit O LMMSAbout AboutDialogArpeggioArpeggio ArpeggiatorArpeggio smrArpeggio direction ArpeggiatorBrna arpeggia Arpeggio gate ArpeggiatorRe~im arpeggia Arpeggio mode ArpeggiatorRozsah arpeggiaArpeggio range Arpeggiator as arpeggia Arpeggio time ArpeggiatorTyp arpeggia Arpeggio type ArpeggiatorDoluDown Arpeggiator VolnFree ArpeggiatorNhodnRandom ArpeggiatorTYdnSort ArpeggiatorSynchronizovanSync Arpeggiator NahoruUp ArpeggiatorNahoru a dolo Up and down Arpeggiator%%ArpeggiatorViewARPEGGIOARPEGGIOArpeggiatorViewArpeggio je zposob hran (zejmna na drnkac nstroje), kter  in hudbu mnohem ~ivja. Struny tchto nstrojo (napY. harfy) jsou rozechvny jako v akordech. Jedinm rozdlem je, ~e se tak stane sekven n, tak~e tny nejsou zahrny ve stejnou dobu. Typickm arpeggiem jsou durov a mollov trojzvuky, ale mo~nch dalach akordo, kter si mo~ete vybrat, je spousta.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorViewBrna arpeggia:Arpeggio gate:ArpeggiatorView Rozsah arpeggia:Arpeggio range:ArpeggiatorView as arpeggia:Arpeggio time:ArpeggiatorView Smr: Direction:ArpeggiatorView BRNAGATEArpeggiatorView Re~im:Mode:ArpeggiatorView ROZSAHRANGEArpeggiatorView ASTIMEArpeggiatorViewvTento ovlada u~vejte pro nastaven brny arpeggia. Brna arpeggia ur uje procento celho arpeggio-tnu, kter m bt zahrn. Pomoc brny arpeggia mo~ete udlat bezva arpeggio staccato.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewTento ovlada u~vejte pro nastaven rozsahu arpeggia v oktvch. Vybran arpeggio bude zahrno ve zvolenm po tu oktv.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewmsmsArpeggiatorViewoktva(y) octave(s)ArpeggiatorView KANLYCHANNELSAudioAlsa::setupWidgetZAXZENDEVICEAudioAlsa::setupWidgetZeslen:Amplify:AudioFileProcessorViewKoncov bod: Endpoint:AudioFileProcessorViewZapnete-li toto tla tko, cel sampl bude pYehrvn pozptku. Tato volba je u~ite n pro zajmav efekty napY. pozptku pYehran sr~ka.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewNSmy ka od po te nho ke koncovmu bodu#Loop sample at start- and end-pointAudioFileProcessorView$OtevYt jin samplOpen other sampleAudioFileProcessorView$PYehrvat pozptkuReverse sampleAudioFileProcessorViewPo te n bod: Startpoint:AudioFileProcessorView KANLYCHANNELSAudioJack::setupWidgetJMNO-KLIENTA CLIENT-NAMEAudioJack::setupWidget KANLYCHANNELSAudioOss::setupWidgetZAXZENDEVICEAudioOss::setupWidgetZAXZENDEVICEAudioPortAudio::setupWidget KANLYCHANNELSAudioPulseAudio::setupWidgetZAXZENDEVICEAudioPulseAudio::setupWidgetZAXZENDEVICEAudioSdl::setupWidget2&Koprovat hodnoty (%1%2)&Copy value (%1%2)AutomatableModel,&Vlo~it hodnoty (%1%2)&Paste value (%1%2)AutomatableModel"&Resetovat (%1%2) &Reset (%1%2)AutomatableModel2PYipojit ke kontrolru...Connect to controller...AutomatableModelPYipojeno k %1Connected to %1AutomatableModel.PYipojeno ke kontrolruConnected to controllerAutomatableModel*Editovat pYipojen...Edit connection...AutomatableModelFEditovat automatizaci pro cel songEdit song-global automationAutomatableModel"Odebrat pYipojenRemove connectionAutomatableModellVaechny ozna en hodnoty byly zkoprovny do schrnky.1All selected values were copied to the clipboard.AutomationEditor2Automatiza n editor - %1Automation Editor - %1AutomationEditorHAutomatiza n editor - ~dn patternAutomation Editor - no patternAutomationEditorKliknte zde, pokud chcete aktivovat re~im kreslen. V tomto vchozm a nej astji u~vanm re~imu lze pYidvat a pYesunovat jednotliv hodnoty. Pro aktivaci mo~ete vyu~t t~ klvesov zkratky Shift+D.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditor2Kliknte zde, pokud chcete aktivovat re~im mazn. V tomto re~imu lze mazat jednotliv hodnoty. Pro aktivaci mo~ete vyu~t t~ klvesov zkratky Shift+E.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorKliknte zde, pokud chcete aktivovat re~im vbru. Tento re~imu umo~Huje hodnoty vybrat a je nezbytn jestli~e hodnoty chcete vyjmout, koprovat, vlo~it, smazat nebo pYesunout. Pro aktivaci mo~ete vyu~t t~ klvesov zkratky Shift+S.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor Kliknte zde, pokud chcete ozna en hodnoty zkoprovat do schrnky. Vlo~it je pak mo~ete kdekoliv v libovolnho patternu pomoc tla tka Vlo~it.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor*Kliknte zde, pokud chcete ozna en hodnoty vyjmout a ulo~it do schrnky. Vlo~it je pak mo~ete kdekoliv v libovolnm patternu pomoc tla tka Vlo~it.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorKliknete-li zde, budou hodnoty ze schrnky vlo~eny do prvnho viditelnho taktu.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditorKliknte zde, pokud chcete pYehrt aktuln pattern. To je aikovn pYi editaci neboe pattern je automaticky pYehrvn ve smy ce.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorKliknte zde, pokud chcete zastavit pYehrvn aktulnho patternu.>Click here if you want to stop playing of the current pattern.AutomationEditorFKoprovat ozna en hodnoty (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorBVyjmout ozna en hodnoty (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor0Re~im kreslen (Shift+D)Draw mode (Shift+D)AutomationEditor,Re~im mazn (Shift+E)Erase mode (Shift+E)AutomationEditorKliknte zde pokud chcete aktivovat re~im pYesunu vbro. V tomto re~imu lze pYesouvat hodnoty, kter byly ozna eny v re~imu vbru. Pro aktivaci mo~ete vyu~t t~ klvesov zkratky 'Shift+M'.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditor<Re~im pYesunu vbro (Shift+M)Move selection mode (Shift+M)AutomationEditorFVlo~it hodnoty ze schrnky (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorPYehrt nebo pozastavit pYehrvn aktulnho patternu (mezernk)"Play/pause current pattern (Space)AutomationEditorOtevYete prosm automatiza n pattern pomoc kontextovho menu ovldn!EPlease open an automation pattern with the context menu of a control!AutomationEditor,Re~im vbru (Shift+S)Select mode (Shift+S)AutomationEditordZastavit pYehrvn aktulnho patternu (mezernk)'Stop playing of current pattern (Space)AutomationEditor&Hodnoty zkoprovny Values copiedAutomationEditorFOvlada thni pYi stisknutm <CTRL>$Drag a control while pressing AutomationPattern%1 PYipojen%1 ConnectionsAutomationPatternViewZmnit jmno Change nameAutomationPatternViewVy istitClearAutomationPatternViewOdpojit "%1"Disconnect "%1"AutomationPatternView@OtevYt v automatiza nm editoruOpen in Automation editorAutomationPatternViewResetovat jmno Reset nameAutomationPatternViewrdvojklikem otevYt tento pattern v automatiza nm editoru6double-click to open this pattern in automation editorAutomationPatternView&Automatiza n stopaAutomation trackAutomationTrack BluesBlues ChordCreatorRozsah akordu Chord range ChordCreatorTyp akordu Chord type ChordCreatorSn~en Diminished ChordCreatorHarmonick mollHarmonic minor ChordCreatorDurov bebop Major bebop ChordCreator$Durov pentatonikaMajor pentatonic ChordCreatorMelodick moll Melodic minor ChordCreator&Mollov pentatonikaMinor pentatonic ChordCreatorCel nota Whole tone ChordCreator oktvaoctave ChordCreator AKORDYCHORDSChordCreatorViewRozsah akordu: Chord range:ChordCreatorView ROZSAHRANGEChordCreatorViewTento ovlada u~vejte pro nastaven rozsahu akordo v oktvch. Vybran akord bude zahrn ve zvolenm po tu oktv.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewoktva(y) octave(s)ChordCreatorViewKontrolr %1 Controller %1 ControllerAutodetekce Auto DetectControllerConnectionDialog KANLCHANNELControllerConnectionDialogKONTROLR CONTROLLERControllerConnectionDialog ZruaitCancelControllerConnectionDialog&Nastaven pYipojenConnection SettingsControllerConnectionDialog"Detekovn cyklus.Cycle Detected.ControllerConnectionDialogVstupn kanl Input channelControllerConnectionDialog"Vstupn kontrolrInput controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialogMAPOVAC FUNKCEMAPPING FUNCTIONControllerConnectionDialogMIDI KONTROLRMIDI CONTROLLERControllerConnectionDialogHMIDI-zaYzen k pYijmu MIDI-udlosti(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog*U}IVATELSK KONTROLRUSER CONTROLLERControllerConnectionDialog PYidatAddControllerRackViewKontrolryController RackControllerRackView.&Odstranit tento plugin&Remove this pluginControllerViewKontrolry jsou schopny automatizovat nastaven ovlada o, aouptek a dalach Ydicch prvko.QControllers are able to automate the value of a knob, slider, and other controls.ControllerViewOvlada eControlsControllerViewJVlo~te nov jmno pro tento kontrolr&Enter the new name for this controllerControllerView*PYejmenovat kontrolrRename controllerControllerViewEfekt aktivovnEffect enabledEffect BrnaGateEffect"Efekty aktivovnyEffects enabled EffectChainPYidat efekt Add effectEffectRackViewXETZ EFEKTn EFFECTS CHAINEffectRackViewPYidat efekt Add effectEffectSelectDialog.&Odstranit tento plugin&Remove this plugin EffectViewOvlada eControls EffectView BRNAGATE EffectView Brna:Gate: EffectViewPosunout &dolu Move &down EffectView Posunout &nahoruMove &up EffectViewZap/VypOn/Off EffectViewTla tko Brna ur uje slu signlu kter je pova~ovn za ticho pYi rozhodovn kdy skon it se zpracovnm signlo.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectView as:Time: EffectView8Zapnout nebo vypnout efekty.Toggles the effect on or off. EffectViewFrek x 100 Freq x 100EnvelopeAndLfoParameters@Kliknte zde pro pilovitou vlnu.&Click here for a saw-wave for current.EnvelopeAndLfoView@Kliknte zde pro sinusovou vlnu.Click here for a sine-wave.EnvelopeAndLfoViewBKliknte zde pro pravohlou vlnu.Click here for a square-wave.EnvelopeAndLfoViewDKliknte zde pro trianglovou vlnu.Click here for a triangle-wave.EnvelopeAndLfoViewfSampl odnkud pYethnte a pusete jej v tomto okn.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREK x 100 FREQ x 100EnvelopeAndLfoViewRadaHintEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoViewSustain:Sustain:EnvelopeAndLfoView ZruaitCancelExportProjectDialog VstupOutputExportProjectDialog FX %1FX %1FxMixerHVlo~te nov jmno pro tento FX kanl&Enter the new name for this FX channel FxMixerViewFX-MixerFX-Mixer FxMixerViewZtlumitMute FxMixerView,Ztlumit tento FX kanlMute this FX channel FxMixerView(PYejmenovat FX kanlRename FX channel FxMixerView KANLCHANNELInstrumentMidiIOView$POVOLIT MIDI VSTUPENABLE MIDI INPUTInstrumentMidiIOView&POVOLIT MIDI VSTUPENABLE MIDI OUTPUTInstrumentMidiIOViewTyp filtru Filter typeInstrumentSoundShapingHLASITOSTVOLUMEInstrumentSoundShapingHlasitostVolumeInstrumentSoundShaping FILTRFILTERInstrumentSoundShapingView&Zde si mo~ete vybrat z vestavnch filtro, kter chcete pou~t pro tuto stopu nstroje. Filtry jsou velmi dole~it pro zmnu charakteristiky zvuku.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRezonance: Resonance:InstrumentSoundShapingViewCLTARGETInstrumentSoundShapingViewZkladn nota Base noteInstrumentTrack"Vchoz nastavenDefault presetInstrumentTrackFX kanl FX channelInstrumentTrackHlasitostVolumeInstrumentTrackxTmto ovlada em mo~ete nastavit hlasitost otevYenho kanlu. Nastaven.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowAktuln projekt byl od poslednho ulo~en zmnn. Chcete jej nyn ulo~it?OThe current project was modified since last saving. Do you want to save it now? MainWindowZptUndo MainWindowNepojmenovanUntitled MainWindowCo je to? What's this? MainWindow Pracovn adresYWorking directory MainWindowZAXZENDEVICEMidiAlsaRaw::setupWidgetZAXZENDEVICEMidiAlsaSeq::setupWidgetMIDI kontrolrMIDI ControllerMidiController8nepojmenovan_midi_kontrolrunnamed_midi_controllerMidiControllerZAXZENDEVICEMidiOss::setupWidget,Pevn vstupn rychlostFixed input velocityMidiPort.Pevn vstupn rychlostFixed output velocityMidiPortVstupn kanl Input channelMidiPort"Vstupn kontrolrInput controllerMidiPort*Vstupn MIDI programOutput MIDI programMidiPortVstupn kanlOutput channelMidiPort$Vstupn kontrolrOutput controllerMidiPort,PYijmat MIDI-udlostiReceive MIDI-eventsMidiPort*Poslat MIDI-udlostiSend MIDI-eventsMidiPort8Osc %1 jemn rozladn vlevoOsc %1 fine detuning leftOscillatorObjectOsc %1 panoramaOsc %1 panningOscillatorObject Osc %1 hlasitost Osc %1 volumeOscillatorObject"Osc %1 forma vlnyOsc %1 wave shapeOscillatorObjectOsc %1 vlnaOsc %1 waveformOscillatorObjectKliknte zde, pokud chcete otevYt dala patch-soubor. Nastaven smy ky a re~imu ladn budou zachovna.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanViewZde mo~ete zapnout re~im smy ky, Jestli~e je re~im aktivn PatMan pou~ije dostupn informace o smy cem ze souboru.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewZde mo~ete zapnout re~im smy ky, Jestli~e je re~im aktivn PatMan nalad sampl tak, aby frekvence odpovdala tnu.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanView Smy kaLoop PatmanViewRe~im smy ky Loop mode PatmanView0}dn soubor nen vybrnNo file selected PatmanView$OtevYt jin patchOpen other patch PatmanView(OtevYt patch souborOpen patch file PatmanView*Patch-Soubory (*.pat)Patch-Files (*.pat) PatmanView LaditTune PatmanViewRe~im ladn Tune mode PatmanViewZkladn mra: Base amount:!PeakControllerEffectControlDialog Zkladn hodnota Base valuePeakControllerEffectControls0StupeH (amount) modulaceModulation amountPeakControllerEffectControlsZkladn nota Base note PianoViewDPYi na tn pluginu doalo k chybError while loading pluginPlugin:Na ten pluginu "%1" selhalo!Failed to load plugin "%1"!Plugin Plugin nenalezenPlugin not foundPluginzPlugin "%1" nebyl nalezen nebo nemo~e bt na ten! Dovod: "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin>Komprimovan soubor OGG (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer$WAV soubor (*.wav)WAV-File (*.wav)ProjectRendererKanly vstup: Channels In: QWidgetKanly vstup:Channels Out: QWidgetCopyright: Copyright: QWidgetSoubor:File: QWidgetTvorce:Maker: QWidget Nzev:Name: QWidgetNeNoQWidget(Real time schopnost:Real Time Capable: QWidget(Vy~adovn Real Time:Requires Real Time: QWidgetAnoYesQWidget$`estnctinov nota 16th note TempoSyncKnob(DvaatYicetinov nota 32nd note TempoSyncKnobOsminov nota8th note TempoSyncKnobVlastnCustom  TempoSyncKnobVlastn... Custom... TempoSyncKnobOsm beato Eight beats TempoSyncKnobPolov nota Half note TempoSyncKnob"NesynchronizovanNo Sync TempoSyncKnob tvreov nota Quarter note TempoSyncKnob8Synchro k aestnctinov notSynced to 16th Note TempoSyncKnob<Synchro k dvaatYicetinov notSynced to 32nd Note TempoSyncKnob.Synchro k osminov notSynced to 8th Note TempoSyncKnob*Synchro k osmi beatomSynced to Eight Beats TempoSyncKnob*Synchro k polov notSynced to Half Note TempoSyncKnob0Synchro ke  tvreov notSynced to Quarter Note TempoSyncKnob&Synchro k cel notSynced to Whole Note TempoSyncKnob&Synchronizace tempa Tempo Sync TempoSyncKnobCel nota Whole note TempoSyncKnob:Osc %1 jemn rozladn vlevo:Osc %1 fine detuning left:TripleOscillatorView Osc %1 panorama:Osc %1 panning:TripleOscillatorView"Osc %1 hlasitost:Osc %1 volume:TripleOscillatorView stupndegreesTripleOscillatorViewKliknte zde pro zobrazen nebo skryt grafickho rozhran (GUI) pro vaae VST pluginy.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentViewKliknte zde, pokud chcete otevYt ostatn VST pluginy. Po kliknut na toto tla tko se objev okno ve kterm mo~ete soubor vybrat.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView&DLL soubory (*.dll)DLL-files (*.dll)VestigeInstrumentView&EXE soubory (*.exe)EXE-files (*.exe)VestigeInstrumentView:}dn VST plugin nebyl na tenNo VST-plugin loadedVestigeInstrumentView$OtevYt VST pluginOpen VST-pluginVestigeInstrumentView6OtevYt ostatn VST pluginyOpen other VST-pluginVestigeInstrumentView4Chyba na tn VST pluginuFailed loading VST-plugin VstPluginNa tm pluginLoading plugin VstPluginZProsm  ekejte dokud se nena te VST plugin...'Please wait while loading VST-plugin... VstPlugin"VST plugin %1 nemohl bt z ur itch dovodo na ten. Jestli~e tento plugin funguje v Linuxu v jinm VST softwaru, kontaktujte prosm LMMS vvojYe!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginZeslenAmplifyaudioFileProcessorKonec samplu End of sampleaudioFileProcessor Smy kaLoopaudioFileProcessor$PYehrvat pozptkuReverse sampleaudioFileProcessorZa tek sampluStart of sampleaudioFileProcessorFrekvence: Frequency:bassBoosterControlDialog Zisk:Gain:bassBoosterControlDialog POMRRATIObassBoosterControlDialog Pomr:Ratio:bassBoosterControlDialogFrekvence FrequencybassBoosterControlsZiskGainbassBoosterControls PomrRatiobassBoosterControls4PYidat automatiza n stopuAdd automation-trackbbEditor2PYidat beat/basovou linkuAdd beat/basslinebbEditor(Beat+Baseline EditorBeat+Bassline EditorbbEditorKliknte zde, pokud chcete pYehrt aktuln beat/baseline. Beat/baseline je automaticky pYehrvn ve smy ce.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorKliknte zde, pokud chcete zastavit pYehrvn aktuln beat/bassline.4Click here to stop playing of current beat/bassline.bbEditorZPYehrt nebo pozastavit pYehrvn (mezernk)(Play/pause current beat/bassline (Space)bbEditorjZastavit pYehrvn aktuln beat/bassline (mezernk).Stop playback of current beat/bassline (Space)bbEditorZmnit barvu Change color bbTCOViewZmnit jmno Change name bbTCOView@OtevYt v Beat+Bassline editoruOpen in Beat+Bassline-Editor bbTCOViewResetovat jmno Reset name bbTCOView Beat/Bassline %1Beat/Bassline %1bbTrackDlka samplu Samplelength bitInvader@Kliknte zde pro pilovitou vlnu.Click here for a saw-wave.bitInvaderViewBKliknte zde pro pravohlou vlnu.Click here for a square-wave.bitInvaderViewDKliknte zde pro trianglovou vlnu.Click here for a triangle-wave.bitInvaderViewXKliknte zde pro u~ivatelem definovan tvar.$Click here for a user-defined shape.bitInvaderView>Pro uhlazen vlny kliknte zde.Click here to smooth waveform.bitInvaderViewInterpolovat InterpolationbitInvaderViewNormalizovat NormalizebitInvaderViewDlka samplu Sample LengthbitInvaderViewPilovit vlnaSaw wavebitInvaderViewSinusov vlna Sine wavebitInvaderViewUhladitSmoothbitInvaderView.Pravohl (square) vlna Square wavebitInvaderViewTrianglov vlna Triangle wavebitInvaderView4Vlna definovan u~ivatelemUser defined wavebitInvaderViewBl aumWhite noise wavebitInvaderView*Nemohu otevYt souborCould not open fileexportProjectDialogNemohu ulo~it soubor %1 pro zpis. PYesvd te se prosm, ~e mte prvo zpisu do tohoto souboru a pYsluanho adresYe a zkuste to znovu!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog ChybaErrorexportProjectDialogChyba pYi ur en souboru zaYzen enkodru. Zkuste prosm vybrat jin vstupn formt.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog0Exportovat projekt do %1Export project to %1exportProjectDialogRenderuji: %1%Rendering: %1%exportProjectDialogGrafGraph graphModelZkreslen DistortionkickerInstrument"Kone n frekvence End frequencykickerInstrumentZiskGainkickerInstrument&Po te n frekvenceStart frequencykickerInstrumentZkreslen: Distortion:kickerInstrumentView$Kone n frekvence:End frequency:kickerInstrumentView Zisk:Gain:kickerInstrumentView(Po te n frekvence:Start frequency:kickerInstrumentViewNpovd&a&HelpknobRVlo~te prosm novou hodnotu mezi %1 a %2:+Please enter a new value between %1 and %2:knobjVlo~te prosm novou hodnotu mezi -96.0 dBV a 6.0 dBV:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob&Analyza n nstrojeAnalysis ToolsladspaBrowserViewDostupn efektyAvailable EffectsladspaBrowserViewNeznm Don't knowladspaBrowserViewNstroje InstrumentsladspaBrowserViewbToto dialogov okno zobrazuje informace o vaech LADSPA pluginech, kter bylo LMMS schopno nalzt. Zsuvn moduly jsou rozdleny do pti kategori podle porto a nzvo. (new line) (new line) K dispozici jsou ty efekty, kter mohou bt pou~ity v LMMS. Aby v LMMS bylo mo~n u~t efektu, mus se o efekt skute n jednat, to znamen, ~e mus mt oba vstupn a vstupn kanly. LMMS identifikuje vstupn kanl jako audio podle 'in' v nzvu. Vstupn kanly jsou identifikovny pole ozna en psmeny 'out'. Krom toho efekt mus mt stejn po et vstupo a vstupo a bt real time kompatibiln. Nedostupn efekty jsou ty, kter byly identifikovny jako efekty, ale bu nemaj stejn po et vstupnch a vstupnch kanlo nebo nejsou real time kompatibiln. Nstroje jsou pluginy u kterch byly identifikovny pouze vstupn kanly. Analyza n nstroje jsou pluginy u kterch byly identifikovny pouze vstupn kanly. Neznm jsou pluginy, pro kter nebyly identifikovny ~dn vstupn nebo vstupn kanly. Dvojitm kliknutm na kterkoli z modulo se zobraz informace o portech.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserViewTyp:Type:ladspaBrowserView"Nedostupn efektyUnavailable EffectsladspaBrowserView Popis DescriptionladspaDescriptionPluginyPluginsladspaDescription AudioAudioladspaPortDialogOvldnControlladspaPortDialogSmr DirectionladspaPortDialog VstupInputladspaPortDialogLogaritmick LogarithmicladspaPortDialog&Min < Vchoz < MaxMin < Default < MaxladspaPortDialog NzevNameladspaPortDialog VstupOutputladspaPortDialog PortyPortsladspaPortDialogRychlostRateladspaPortDialogZapnutoToggledladspaPortDialogTypTypeladspaPortDialogAnoYesladspaPortDialog DorazAccent lb302SynthZkreslen Distortion lb302SynthKlouznSlide lb302Synth*VCF frekvence vypnutVCF Cutoff Frequency lb302SynthVCF rezonance VCF Resonance lb302SynthVlnaWaveform lb302SynthCUTCUTlb302SynthView@Kliknte zde pro pilovitou vlnu.Click here for a saw-wave.lb302SynthViewBKliknte zde pro pravohlou vlnu.Click here for a square-wave.lb302SynthViewDKliknte zde pro trianglovou vlnu.Click here for a triangle-wave.lb302SynthViewHKliknte zde pro exponenciln vlnu.#Click here for an exponential wave.lb302SynthViewFrek. vypnut: Cutoff Freq:lb302SynthViewRezonance: Resonance:lb302SynthViewPilovit vlnaSaw wavelb302SynthViewSinusov vlna Sine wavelb302SynthView.Pravohl (square) vlna Square wavelb302SynthViewTrianglov vlna Triangle wavelb302SynthViewBl aumWhite noise wavelb302SynthView DorazAccent lb303SynthZkreslen Distortion lb303SynthKlouznSlide lb303Synth*VCF frekvence vypnutVCF Cutoff Frequency lb303SynthVCF rezonance VCF Resonance lb303SynthVlnaWaveform lb303SynthCUTCUTlb303SynthViewFrek. vypnut: Cutoff Freq:lb303SynthViewRezonance: Resonance:lb303SynthView*Prolnn (crossfade) CrossfademalletsInstrumentTvrdostHardnessmalletsInstrumentLFO Hloubka LFO DepthmalletsInstrumentLFO Rychlost LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrument"Chybjc soubory Missing filesmalletsInstrumentModultor ModulatormalletsInstrument PohybMotionmalletsInstrument PozicePositionmalletsInstrumentTlakPressuremalletsInstrumentRychlostSpeedmalletsInstrument RozsahSpreadmalletsInstrumentVibrafon VibraphonemalletsInstrument"Frekvence vibrta Vibrato FreqmalletsInstrumentZisk vibrta Vibrato GainmalletsInstrumentZda se, ~e Vaae Stk instalace nen kompletn. PYesvd te se, ze STK bal ek je pln nainstalovn!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrument*Prolnn (crossfade) CrossfademalletsInstrumentView,Prolnn (crossfade): Crossfade:malletsInstrumentViewTvrdostHardnessmalletsInstrumentViewTvrdost: Hardness:malletsInstrumentViewNstroj InstrumentmalletsInstrumentViewLFO Hloubka LFO DepthmalletsInstrumentViewLFO Hloubka: LFO Depth:malletsInstrumentViewLFO Rychlost LFO SpeedmalletsInstrumentViewLFO Rychlost: LFO Speed:malletsInstrumentViewModultor ModulatormalletsInstrumentViewModultor: Modulator:malletsInstrumentView PohybMotionmalletsInstrumentView Pohyb:Motion:malletsInstrumentView PozicePositionmalletsInstrumentViewPozice: Position:malletsInstrumentViewTlakPressuremalletsInstrumentView Tlak: Pressure:malletsInstrumentViewRychlostSpeedmalletsInstrumentViewRychlost:Speed:malletsInstrumentView RozsahSpreadmalletsInstrumentViewRozsah:Spread:malletsInstrumentViewVib frekVib FreqmalletsInstrumentViewVib frek: Vib Freq:malletsInstrumentViewVib ziskVib GainmalletsInstrumentViewVib zisk: Vib Gain:malletsInstrumentViewVibrtoVibratomalletsInstrumentViewVibrto:Vibrato:malletsInstrumentView&Npovda&HelpnineButtonSelectorZkreslen DistortionorganicInstrumentHlasitostVolumeorganicInstrumentZkreslen: Distortion:organicInstrumentView:Osc %1 jemn rozladn vlevo:Osc %1 fine detuning left:organicInstrumentView Osc %1 panorama:Osc %1 panning:organicInstrumentView"Osc %1 hlasitost:Osc %1 volume:organicInstrumentViewOsc %1 vlna:Osc %1 waveform:organicInstrumentView Nastavit nhodn RandomiseorganicInstrumentViewHlasitost:Volume:organicInstrumentView,Nemohu zmrazit patternCannot freeze patternpatternPattern nemo~e bt nyn zmrazen, neboe jste v re~imu pYehrvn. Zastavte pYehrvn a zkuste to znovu!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!pattern ZruaitCancelpatternFreezeStatusDialog&Zmrazuji pattern...Freezing pattern...patternFreezeStatusDialog%1 kroky/o%1 steps patternView 1 krok1 step patternViewPYidat kroky Add steps patternViewZmnit jmno Change name patternView*Vy istit vaechny notyClear all notes patternViewZmrazitFreeze patternView(OtevYt v piano-rollOpen in piano-roll patternViewZnovu zmrazitRefreeze patternViewOdstranit kroky Remove steps patternViewResetovat jmno Reset name patternViewRozmrazitUnfreeze patternViewdvojitm kliknutm otevYete tento pattern v piano-roll k nastaven zeslen kroku pou~ijte kole ko myaiWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewKliknete-li zde, budou noty ze schrnky vlo~eny do prvnho viditelnho taktu.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRollKliknte zde pokud chcete ozna en noty zkoprovat do schrnky. Vlo~it je pak mo~ete kdekoliv v libovolnho patternu pomoc tla tka Vlo~it.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll"Kliknte zde pokud chcete ozna en noty vyjmout a ulo~it do schrnky. Vlo~it je pak mo~ete kdekoliv v libovolnm patternu pomoc tla tka Vlo~it.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRollKliknte zde, pokud chcete pYehrt aktuln pattern. To je aikovn pYi editaci. Pattern je automaticky pYehrvn ve smy ce.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollKliknte zde pokud chcete nahrvat z MIDI zaYzen nebo virtulnho testovacho pina pYsluanho kanlovho okna do aktulnho patternu. PYi nahrvn zaznamente vaechny zahran noty do tohoto patternu, nsledn si je mo~ete pYehrt nebo upravit.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRollKliknte zde pokud chcete nahrvat z MIDI zaYzen nebo virtulnho testovacho pina pYsluanho kanlovho okna do aktulnho patternu. PYi nahrvn zaznamente vaechny zahran noty do tohoto patternu a na pozad uslyate skladbu nebo BB stopu.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRollKliknte zde, pokud chcete zastavit pYehrvn aktulnho patternu./Click here to stop playback of current pattern. pianoRoll@Koprovat ozna en noty (Ctrl+C)Copy selected notes (Ctrl+C) pianoRoll<Vyjmout ozna en noty (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll0Re~im kreslen (Shift+D)Draw mode (Shift+D) pianoRoll,Re~im mazn (Shift+E)Erase mode (Shift+E) pianoRollTrvn noty Last note pianoRollZmek noty Note lock pianoRoll@Vlo~it noty ze schrnky (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRollPiano-Roll - %1Piano-Roll - %1 pianoRoll4Piano-Roll - ~dn patternPiano-Roll - no pattern pianoRollPYehrt nebo pozastavit pYehrvn aktulnho patternu (mezernk)"Play/pause current pattern (Space) pianoRollbOtevYete prosm pattern jeho dvojitm poklepnm!/Please open a pattern by double-clicking on it! pianoRollTNahrvat noty z MIDI-zaYzen/piano kanlu+Record notes from MIDI-device/channel-piano pianoRollNahrvat tny z MIDI zaYzen / kanlu pina pYi pYehrvn skladby nebo BB stopyJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll,Re~im vbru (Shift+S)Select mode (Shift+S) pianoRolldZastavit pYehrvn aktulnho patternu (mezernk)'Stop playing of current pattern (Space) pianoRoll\Aditivn synteztor pro zvuky podobn varhanm*Additive Synthesizer for organ-like sounds pluginBrowserNstroj pYethnte bu do Editoru skladby, Beat+Bassline Editoru nebo do existujc nstrojov stopy.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowserdFiltr ur en k import projekto z FL Studia do LMMS1Filter for importing FL Studio projects into LMMS pluginBrowserJFiltr pro import MIDI souboro do LMMS)Filter for importing MIDI-files into LMMS pluginBrowserBGUS kompatibiln patch instrumentGUS-compatible patch instrument pluginBrowserFNekompletn monofonn imitace tb303%Incomplete monophonic imitation tb303 pluginBrowser$Prohl~e nstrojoInstrument browser pluginBrowser Pluginy nstrojoInstrument plugins pluginBrowserFSeznam instalovanch LADSPA pluginoList installed LADSPA plugins pluginBrowservPlugin pro zvaen stereo separace vstupnch stereo souboro=Plugin for enhancing stereo separation of a stereo input file pluginBrowser&Libozvu n kleptkaTuneful things to bang on pluginBrowserPVST host pro u~it VST(i) plugino v LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser0Vibra n modeltor strunVibrating string modeler pluginBrowserbez popisuno description pluginBrowsernplugin pro u~it libovolnch LADSPA efekto uvnitY LMMS.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowserhplugin pro u~it libovolnch VST efekto uvnitY LMMS.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowserjednoduch sampler s rozmanitm nastavenm pro pou~it samplo (napY. bicch) v nstrojov stopZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowsertYi vkonn osciltory kter mo~ete modulovat rozli nmi zposoby;three powerful oscillators you can modulate in several ways pluginBrowserNmnohostrann kick & bassdrum synteztor&versatile kick- & bassdrum-synthesizer pluginBrowser &Tu n&Bold projectNotes&Barva... &Color... projectNotes&Koprovat&Copy projectNotes&Kurzva&Italic projectNotes$Zarovnat &do bloku&Justify projectNotesZarovnat &vlevo&Left projectNotesV&lo~it&Paste projectNotes &Znovu&Redo projectNotes Zarovnat v&pravo&Right projectNotes&Podtr~en &Underline projectNotes &Zpt&Undo projectNotes$Zarovnat &na stYedC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+RCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+ZCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotes&VyjmoutCu&t projectNotesEditace Edit Actions projectNotesFormtovnFormat Actions projectNotes&Poznmky k projektu Project notes projectNotesnDo tohoto okna mo~ete vkldat Vaae poznmky k projektu.!Put down your project notes here. projectNotesPYejmenovat... Rename... renameDialog6AIFF soubory (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer"AU soubory (*.au)AU-Files (*.au) sampleBufferVaechny audio soubory (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer0DrumSynth soubory (*.ds)DrumSynth-Files (*.ds) sampleBuffer*FLAC soubory (*.flac)FLAC-Files (*.flac) sampleBuffer&MP3 soubory (*.mp3)MP3-Files (*.mp3) sampleBuffer&OGG soubory (*.ogg)OGG-Files (*.ogg) sampleBuffer(OtevYt audio souborOpen audio file sampleBuffer&RAW soubory (*.raw)RAW-Files (*.raw) sampleBuffer*SPEEX soubory (*.spx)SPEEX-Files (*.spx) sampleBuffer&VOC soubory (*.voc)VOC-Files (*.voc) sampleBuffer&Wav soubory (*.wav)Wave-Files (*.wav) sampleBufferKoprovatCopy sampleTCOViewVyjmoutCut sampleTCOViewBSmazat (prostYedn tla tko myai)Delete (middle mousebutton) sampleTCOViewXZtlumit/neztlumit (<Ctrl> + prostYedn klik)#Mute/unmute ( + middle click) sampleTCOView Vlo~itPaste sampleTCOView*Nastav/vy isti zznamSet/clear record sampleTCOView@dvojitm kliknutm vyberte sampldouble-click to select sample sampleTCOViewStopa samplo Sample track sampleTrackHlasitostVolume sampleTrack"Hlasitost kanlu:Channel volume:sampleTrackViewHlasitost stopy Track volumesampleTrackViewVOLVOLsampleTrackViewAUDIO ROZHRANAUDIO INTERFACE setupDialog$AdresY pro tmataArtwork directory setupDialogAudio nastavenAudio settings setupDialog(VELIKOST VYR. PAMTI BUFFER SIZE setupDialog"Obrzek na pozadBackground artwork setupDialog ZruaitCancel setupDialogHVyberte instala n adresY FL Studia'Choose FL Studio installation directory setupDialogDVyberte adresY pro LADSPA pluginyChoose LADSPA plugin directory setupDialogBVyberte pro LMMS pracovn adresYChoose LMMS working directory setupDialog>Vyberte adresY pro STK rawwaveChoose STK rawwave directory setupDialog0Vyberte adresY s tmatyChoose artwork-theme directory setupDialog2Vyberte obrzek na pozadChoose background artwork setupDialog2Vyberte vchoz SoundFontChoose default SoundFont setupDialog>Vyberte adresY pro VST pluginy Choose your VST-plugin directory setupDialog<Komprimovat soubory s projekty"Compress project files per default setupDialog0Vchoz Soundfont souborDefault Soundfont File setupDialogBVypnout indiktor aktivity kanlu#Disable channel activity indicators setupDialog:Zobrazovat hlasitost jako dBVDisplay volume as dBV  setupDialog2Aktivovat nstrojov tipyEnable tooltips setupDialog8Instala n adresY FL Studia FL Studio installation directory setupDialog0Rmce: %1 Zpo~dn %2 msFrames: %1 Latency: %2 ms setupDialog Hlavn nastavenGeneral settings setupDialogDHQ re~im pro vstup audio zaYzenHQ-mode for output audio-device setupDialogZde vyberte preferovan MIDI rozhran. V zvislosti na konfiguraci Vaaeho systmu pYi kompilaci mo~ete volit mezi ALSA OSS a dalami. N~e vidte pol ko, kter nabz mo~nost nastaven vybranho MIDI rozhran.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogZde vyberte preferovan audio rozhran. V zvislosti na konfiguraci Vaaeho systmu pYi kompilaci mo~ete volit mezi ALSA, JACK, OSS a dalami. N~e vidte pol ko, kter nabz mo~nost nastaven vybranho audio rozhran.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogZde mo~ete nastavit intern velikost vyrovnvac pamti, kter je u~vna LMMS. Nzk hodnoty vedou k menamu zpo~dn, ale tak zposobuj nepou~iteln zvuk nebo apatn vkon, zejmna na starch po ta ch  i systmech s jdrem nepodporujcm real time.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog.Cesty k LADSPA pluginomLADSPA plugin paths setupDialog2Pracovn adresY pro LMMSLMMS working directory setupDialogMIDI ROZHRANMIDI INTERFACE setupDialogMIDI nastaven MIDI settings setupDialogOKOK setupDialog^Knoflky v kanlu pina tisknout pouze manuln)Only press keys on channel-piano manually setupDialog CestyPaths setupDialog Nastaven vkonuPerformance settings setupDialogjMnoh zmny nastaven se projev a~ po restartu LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog0Nastavit vchoz hodnotyReset to default-value setupDialog Restartovat LMMS Restart LMMS setupDialog.AdresY pro STK rawwaveSTK rawwave directory setupDialogNastavit LMMS Setup LMMS setupDialogHVyzvat k restartu po zmn nastaven,Show restart warning after changing settings setupDialogNEfekty u~ivatelskho rozhran vs. vkonUI effects vs. performance setupDialog.AdresY pro VST pluginyVST-plugin directory setupDialogZiskGain sf2InstrumentZiskGainsf2InstrumentViewTyp filtru Filter type sidInstrumentHlasitostVolume sidInstrumentRezonance: Resonance:sidInstrumentViewSustain:Sustain:sidInstrumentViewSynchronizovanSyncsidInstrumentViewHlasitost:Volume:sidInstrumentViewPrzdn projekt Empty projectsong"FL Studio projektFL Studio projectssong"Importovat soubor Import filesongMIDI sekvenceMIDI sequencessong*Hlavn ladn (pitch) Master pitchsong Hlavn hlasitost Master volumesong(Projekt NEN ulo~en.Project NOT saved.songProjekt ulo~en Project savedsongHZvolte soubor pro export projektu...!Select file for project-export...song TempoTemposong4Projekt %1 je nyn ulo~en.The project %1 is now saved.song0Projekt %1 nebyl ulo~en!The project %1 was not saved!songTento projekt je przdn, jeho exportovn nem smysl. NejdYve prosm vlo~te njak polo~ky do Editoru skladby!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songnepojmenovanuntitledsong4PYidat automatiza n stopuAdd automation-track songEditor(PYidat beat/basslineAdd beat/bassline songEditor&PYidat stopu samploAdd sample-track songEditor8Kliknte zde, pokud chcete pYehrt celou skladbu. PYehrvn za ne v mst kde se nalz zelen ozna ova pozice se kterm lze t~ pYi pYehrvn pohybovat.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorKliknte zde, pokud chcete zastavit pYehrvn skladby. Ozna ova pozice bude odesln na za tek skladby.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor*Nemohu otevYt souborCould not open file songEditor(Nemohu zapsat souborCould not write file songEditorHNemohu ulo~it soubor %1. Pravdpodobn nejste oprvnn do tohoto souboru zapisovat. PYesvd te se prosm, ~e mte prvo zpisu do tohoto souboru a zkuste to znovu.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorRe~im kreslen Draw mode songEditorFRe~im editace (ozna it a pYesunout)Edit mode (select and move) songEditor(Re~im vysok kvalityHigh quality mode songEditor*Hlavn ladn (pitch) Master pitch songEditor Hlavn hlasitost Master volume songEditor4PYehrt skladbu (mezernk)Play song (Space) songEditor<Nahrt samply z audio zaYzen Record samples from Audio-device songEditorNahrt samply z audio zaYzen pYi pYehrvn skladby nebo BB stopy?Record samples from Audio-device while playing song or BB track songEditorEditor skladby Song-Editor songEditorLZastavit pYehrvn skladby (mezernk)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorTempo skladby je uvedeno v derech za minutu (BPS). Chcete-li zmnit tempo skladby, zmHte tuto hodnotu. Ka~d takt m  tyYi beaty, tak~e tempo v BPS specifikuje kolik takto / 4 bude za minutu pYehrno (nebo kolik takto bude pYehrno ve  tyYech minutch).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor&Hodnota: %1 poltnoValue: %1 semitones songEditorHodnota: %1% Value: %1% songEditorhlavn ladn master pitch songEditor hlavn hlasitost master volume songEditortempo skladby tempo of song songEditor `Yka:Width:stereoEnhancerControlDialog `YkaWidthstereoEnhancerControls>Po skon en jdi zpt na za tekAfter stopping go back to begintimeLinerPo skon en jdi zpt na pozici ze kter pYehrvn za alo?After stopping go back to position at which playing was startedtimeLine2Po skon en udr~uj poziciAfter stopping keep positiontimeLineBPovolit/zakzat automatick posunEnable/disable auto-scrollingtimeLineZPovolit/zakzat body pro pYehrvn ve smy ceEnable/disable loop-pointstimeLineRadaHinttimeLineStisknte <Ctrl> k vypnut magnetickch bodo pro pYehrvn ve smy ce.-Press to disable magnetic loop-points.timeLineZtlumenMutedtrackSloSolotrack ZruaitCanceltrackContainerNemohu najt filtr pro import souboru %1. Mli byste tento soubor zkonvertovat do formtu podporovanho LMMS pomoc jinho software.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer0Nemohu importovat souborCouldn't import filetrackContainer*Nemohu otevYt souborCouldn't open filetrackContainerNemohu otevYt soubor %1 pro  ten. PYesvd te se prosm, ~e mte prvo ke  ten tohoto souboru a pYsluanho adresYe a zkuste to znovu!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer.Importuji FLP soubor...Importing FLP-file...trackContainer0Importuji MIDI soubor...Importing MIDI-file...trackContainer$Na tm projekt...Loading project...trackContainer"Prosm  ekejte...Please wait...trackContainerZtlumenMutedtrackContentObject,%1:%2 (%3:%4 do %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectViewKoprovatCopytrackContentObjectViewAktuln dlkaCurrent lengthtrackContentObjectViewAktuln poziceCurrent positiontrackContentObjectViewVyjmoutCuttrackContentObjectViewBSmazat (prostYedn tla tko myai)Delete (middle mousebutton)trackContentObjectViewRadaHinttrackContentObjectViewXZtlumit/neztlumit (<Ctrl> + prostYedn klik)#Mute/unmute ( + middle click)trackContentObjectView Vlo~itPastetrackContentObjectViewdK vytvoYen kopie stisknte <Ctrl> a thnte mya.%Press and drag to make a copy.trackContentObjectViewXStisknte <Ctrl> pro voln mnn velikosti.Press for free resizing.trackContentObjectView&Akce pro tuto stopuActions for this tracktrackOperationsWidget&Klonovat tuto stopuClone this tracktrackOperationsWidgetZtlumitMutetrackOperationsWidget$Ztlumit tuto stopuMute this tracktrackOperationsWidget(Odstranit tuto stopuRemove this tracktrackOperationsWidgetSloSolotrackOperationsWidget4Chyba na tn VST pluginuFailed loading VST-pluginvestigeInstrumentNa tm pluginLoading pluginvestigeInstrumentZProsm  ekejte dokud se nena te VST plugin...'Please wait while loading VST-plugin...vestigeInstrument"VST plugin %1 nemohl bt z ur itch dovodo na ten. Jestli~e tento plugin funguje v Linuxu v jinm VST softwaru, kontaktujte prosm LMMS vvojYe!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentLPro zapnut/vypnut vlny kliknte zde.&Click here to enable/disable waveform. vibedViewDPro normalizaci vlny kliknte zde.!Click here to normalize waveform. vibedView>Pro uhlazen vlny kliknte zde.Click here to smooth waveform. vibedViewRozladit:Detune: vibedViewZapnout vlnuEnable waveform vibedView Dlka:Length: vibedViewNormalizovat Normalize vibedView OktvaOctave vibedViewPan:Pan: vibedView Pozice drnknut:Pick position: vibedViewPozice snma e:Pickup position: vibedViewPilovit vlnaSaw wave vibedViewSinusov vlna Sine wave vibedViewUhladitSmooth vibedView.Pravohl (square) vlna Square wave vibedView StrunaString vibedViewOvlada 'P' nastavuje pozici na kter bude na vybranou strunu drnknuto. Ni~a nastaven znamen hoz bl~e ke kobylce.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewOvlada 'PU' nastavuje pozici snma e pro vybranou strunu. Ni~a nastaven znamen snma bl~e u kobylky.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedView^Ovlada 'V' nastavuje hlasitost vybran struny.4The 'V' knob sets the volume of the selected string. vibedViewOvlada Rozladn mn ladn vybran struny. Hodnoty ni~a ne~ nula zposob ploch zvuk, hodnoty vyaa ne~ nula zposob ostYeja zvuk.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewOvlada Dlka nastavuje dlku vybran struny. Dela struny budou znt dle a jasnji, tak vaak spoYdaj vce CPU cyklo.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewzPan ovlada ur uje pozici vybran struny ve stereo prostoru. PThe Pan knob determines the location of the selected string in the stereo field. vibedViewVoli strun se u~v k vbru struny, kter bude upravovna. Nstroj Vibed mo~e obsahovat maximln devt nezvisle vibrujcch strun. LED v pravm dolnm rohu editoru tvaru vlny indikuje zda je vybran struna aktivn.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewTrianglov vlna Triangle wave vibedView4Vlna definovan u~ivatelemUser defined wave vibedViewHlasitost:Volume: vibedViewBl aumWhite noise wave vibedViewfKliknut zapn/vypn vizualizaci hlavnho vstupu6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/cs.ts0000644000000000000000000074012512307165142015064 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About O LMMS LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE ZAŘÍZENÍ CHANNELS KANÁLY AudioFileProcessorView Open other sample Otevřít jiný sampl Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample Přehrávat pozpátku If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Zapnete-li toto tlačítko, celý sampl bude přehráván pozpátku. Tato volba je užitečná pro zajímavé efekty např. pozpátku přehraná srážka. Loop sample at start- and end-point Smyčka od počátečního ke koncovému bodu Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Zesílení: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Počáteční bod: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: Koncový bod: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME JMÉNO-KLIENTA CHANNELS KANÁLY AudioOss::setupWidget DEVICE ZAŘÍZENÍ CHANNELS KANÁLY AudioPortAudio::setupWidget BACKEND DEVICE ZAŘÍZENÍ AudioPulseAudio::setupWidget DEVICE ZAŘÍZENÍ CHANNELS KANÁLY AudioSdl::setupWidget DEVICE ZAŘÍZENÍ AutomatableModel &Reset (%1%2) &Resetovat (%1%2) &Copy value (%1%2) &Kopírovat hodnoty (%1%2) &Paste value (%1%2) &Vložit hodnoty (%1%2) Edit song-global automation Editovat automatizaci pro celý song Connected to %1 Připojeno k %1 Connected to controller Připojeno ke kontroléru Edit connection... Editovat připojení... Remove connection Odebrat připojení Connect to controller... Připojit ke kontroléru... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) Stop playing of current pattern (Space) Zastavit přehrávání aktuálního patternu (mezerník) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Klikněte zde, pokud chcete přehrát aktuální pattern. To je šikovné při editaci neboť pattern je automaticky přehráván ve smyčce. Click here if you want to stop playing of the current pattern. Klikněte zde, pokud chcete zastavit přehrávání aktuálního patternu. Draw mode (Shift+D) Režim kreslení (Shift+D) Erase mode (Shift+E) Režim mazání (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Klikněte zde, pokud chcete aktivovat režim kreslení. V tomto výchozím a nejčastěji užívaném režimu lze přidávat a přesunovat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+D. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Klikněte zde, pokud chcete aktivovat režim mazání. V tomto režimu lze mazat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+E. Cut selected values (Ctrl+X) Vyjmout označené hodnoty (Ctrl+X) Copy selected values (Ctrl+C) Kopírovat označené hodnoty (Ctrl+C) Paste values from clipboard (Ctrl+V) Vložit hodnoty ze schránky (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klikněte zde, pokud chcete označené hodnoty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klikněte zde, pokud chcete označené hodnoty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. Click here and the values from the clipboard will be pasted at the first visible measure. Kliknete-li zde, budou hodnoty ze schránky vloženy do prvního viditelného taktu. Automation Editor - no pattern Automatizační editor - žádný pattern Automation Editor - %1 Automatizační editor - %1 Please open an automation pattern with the context menu of a control! Otevřete prosím automatizační pattern pomocí kontextového menu ovládání! Values copied Hodnoty zkopírovány All selected values were copied to the clipboard. Všechny označené hodnoty byly zkopírovány do schránky. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> Ovladač táhni při stisknutém <CTRL> AutomationPatternView double-click to open this pattern in automation editor dvojklikem otevřít tento pattern v automatizačním editoru Open in Automation editor Otevřít v automatizačním editoru Clear Vyčistit Reset name Resetovat jméno Change name Změnit jméno %1 Connections %1 Připojení Disconnect "%1" Odpojit "%1" AutomationTrack Automation track Automatizační stopa Controller Controller %1 Kontrolér %1 ControllerConnectionDialog Connection Settings Nastavení připojení MIDI CONTROLLER MIDI KONTROLÉR Input channel Vstupní kanál CHANNEL KANÁL Input controller Vstupní kontrolér CONTROLLER KONTROLÉR Auto Detect Autodetekce MIDI-devices to receive MIDI-events from MIDI-zařízení k přijmu MIDI-události USER CONTROLLER UŽIVATELSKÝ KONTROLÉR MAPPING FUNCTION MAPOVACÍ FUNKCE OK OK Cancel Zrušit LMMS LMMS Cycle Detected. Detekován cyklus. ControllerRackView Controller Rack Kontroléry Add Přidat Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Ovladače Controllers are able to automate the value of a knob, slider, and other controls. Kontroléry jsou schopny automatizovat nastavení ovladačů, šoupátek a dalších řídicích prvků. Rename controller Přejmenovat kontrolér Enter the new name for this controller Vložte nové jméno pro tento kontrolér &Remove this plugin &Odstranit tento plugin &Help Effect Effect enabled Efekt aktivován Wet/Dry mix Gate Brána Decay EffectChain Effects enabled Efekty aktivovány EffectRackView EFFECTS CHAIN ŘETĚZ EFEKTŮ Add effect Přidat efekt EffectSelectDialog Add effect Přidat efekt Plugin description EffectView Toggles the effect on or off. Zapnout nebo vypnout efekty. On/Off Zap/Vyp W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: Čas: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE BRÁNA Gate: Brána: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Tlačítko Brána určuje sílu signálu který je považován za ticho při rozhodování kdy skončit se zpracováním signálů. Controls Ovladače Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Posunout &nahoru Move &down Posunout &dolu &Remove this plugin &Odstranit tento plugin &Help EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Frek x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. ATT Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. HOLD Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. DEC Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. SUST SUST Sustain: Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. REL Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. AMT Modulation amount: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Click here for a sine-wave. Klikněte zde pro sinusovou vlnu. Click here for a triangle-wave. Klikněte zde pro trianglovou vlnu. Click here for a saw-wave for current. Klikněte zde pro pilovitou vlnu. Click here for a square-wave. Klikněte zde pro pravoúhlou vlnu. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 FREK x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. control envelope-amount by this LFO ms/LFO: Hint Rada Drag a sample from somewhere and drop it in this window. Sampl odněkud přetáhněte a pusťte jej v tomto okně. ExportProjectDialog Export project Output Výstup File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Zrušit Export as loop (remove end silence) FxMixer Master FX %1 FX %1 FxMixerView Rename FX channel Přejmenovat FX kanál Enter the new name for this FX channel Vložte nové jméno pro tento FX kanál FX-Mixer FX-Mixer FX Fader %1 Mute Ztlumit Mute this FX channel Ztlumit tento FX kanál InstrumentFunctionArpeggio Arpeggio Arpeggio Arpeggio type Typ arpeggia Arpeggio range Rozsah arpeggia Arpeggio time Čas arpeggia Arpeggio gate Brána arpeggia Arpeggio direction Arpeggio směr Arpeggio mode Režim arpeggia Up Nahoru Down Dolu Up and down Nahoru a dolů Random Náhodně Free Volný Sort Tříděný Sync Synchronizovaný InstrumentFunctionArpeggioView ARPEGGIO ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Arpeggio je způsob hraní (zejména na drnkací nástroje), které činí hudbu mnohem živější. Struny těchto nástrojů (např. harfy) jsou rozechvěny jako v akordech. Jediným rozdílem je, že se tak stane sekvenčně, takže tóny nejsou zahrány ve stejnou dobu. Typickým arpeggiem jsou durové a mollové trojzvuky, ale možných dalších akordů, které si můžete vybrat, je spousta. RANGE ROZSAH Arpeggio range: Rozsah arpeggia: octave(s) oktáva(y) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Tento ovladač užívejte pro nastavení rozsahu arpeggia v oktávách. Vybrané arpeggio bude zahráno ve zvoleném počtu oktáv. TIME ČAS Arpeggio time: Čas arpeggia: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. GATE BRÁNA Arpeggio gate: Brána arpeggia: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Tento ovladač užívejte pro nastavení brány arpeggia. Brána arpeggia určuje procento celého arpeggio-tónu, který má být zahrán. Pomocí brány arpeggia můžete udělat bezva arpeggio staccato. Chord: Direction: Směr: Mode: Režim: InstrumentFunctionNoteStacking octave oktáva Major Majb5 minor minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Harmonický moll Melodic minor Melodický moll Whole tone Celá nota Diminished Snížený Major pentatonic Durová pentatonika Minor pentatonic Mollová pentatonika Jap in sen Major bebop Durový bebop Dominant bebop Blues Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Typ akordu Chord range Rozsah akordu Minor InstrumentFunctionNoteStackingView RANGE ROZSAH Chord range: Rozsah akordu: octave(s) oktáva(y) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Tento ovladač užívejte pro nastavení rozsahu akordů v oktávách. Vybraný akord bude zahrán ve zvoleném počtu oktáv. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT POVOLIT MIDI VSTUP CHANNEL KANÁL VELOCITY ENABLE MIDI OUTPUT POVOLIT MIDI VÝSTUP PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME HLASITOST Volume Hlasitost CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Typ filtru Q/Resonance LowPass HiPass BandPass csg BandPass czpg Notch Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET CÍL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER FILTR Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Zde si můžete vybrat z vestavěných filtrů, které chcete použít pro tuto stopu nástroje. Filtry jsou velmi důležité pro změnu charakteristiky zvuku. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Rezonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track nepojmenovaná_stopa Volume Hlasitost Panning Pitch FX channel FX kanál Default preset Výchozí nastavení With this knob you can set the volume of the opened channel. Tímto ovladačem můžete nastavit hlasitost otevřeného kanálu. Base note Základní nota Pitch range InstrumentTrackView Volume Hlasitost Volume: Hlasitost: VOL VOL Panning Panning: PAN MIDI MIDI Input Vstup Output Výstup InstrumentTrackWindow GENERAL SETTINGS HLAVNÍ NASTAVENÍ Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Instrument volume Hlasitost nástroje Volume: Hlasitost: VOL VOL Panning Panning: PAN Pitch Pitch: cents PITCH FX channel FX kanál ENV/LFO FUNC FX FX MIDI MIDI Save preset Uložit předvolbu XML preset file (*.xpf) XML soubor předvoleb (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE ROZSAH LadspaControl Link channels Spojit kanály LadspaControlDialog Link Channels Spojit s kanály Channel Kanál LadspaControlView Link channels Spojit kanály Value: Hodnota: Sorry, no help available. Promiňte, nápověda není k dispozici. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Základní hodnota Oscillator speed Rychlost oscilátoru Oscillator amount Míra oscilátoru Oscillator phase Fáze oscilátoru Oscillator waveform Vlna oscilátoru Frequency Multiplier Frekvenční multiplikátor LfoControllerDialog LFO LFO Controller BASE Base amount: Základní míra: todo SPD LFO-speed: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees stupně With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Klikněte zde pro sinusovou vlnu. Click here for a triangle-wave. Klikněte zde pro trianglovou vlnu. Click here for a saw-wave. Klikněte zde pro pilovitou vlnu. Click here for a square-wave. Klikněte zde pro pravoúhlou vlnu. Click here for a a moog saw-wave. Klikněte zde pro pilovitou vlnu typu Moog. Click here for an exponential wave. Klikněte zde pro exponenciální vlnu. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Pracovní adresář The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Pracovní adresář LMMS %1 neexistuje. Chcete jej nyní vytvořit? Tento adresář můžete změnit později přes Upravit > Nastavení. Could not save config-file Nemohu uložit konfigurační soubor Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Nemohu uložit konfigurační soubor %1. Pravděpodobně nemáte právo k zápisu do tohoto souboru. Ujistěte se prosím, že máte k souboru právo zápisu a zkuste to znovu. &Project &Projekt &New &Nový &Open... &Otevřít... Recently opened projects Nedávno otevřené projekty &Save &Uložit Save &As... Uložit &jako... Import... Importovat... E&xport... E&xportovat... &Quit &Ukončit &Edit Úp&ravy Settings Nastavení &Tools Nás&troje &Help Online help Nápověda online Help Nápověda What's this? Co je to? About O LMMS Create new project Vytvořit nový projekt Create new project from template Vytvořit nový projekt ze šablony Open existing project Otevřít existující projekt Recently opened project Naposledy otevřené projekty Save current project Uložit aktuální projekt Export current project Exportovat aktuální projekt Show/hide Song-Editor Ukaž/schovej Editor skladby By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Zmačknutím tohoto knoflíku zobrazíte nebo schováte Editor skladby. S jeho pomocí můžete editovat playlist skladby a specifikovat, kdy a která stopa má být přehrána. Můžete také vložit a přesunovat samply (např. rapové) přímo do playlistu. Show/hide Beat+Bassline Editor Ukaž/schovej Beat+Bassline editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Zmačknutím tohoto knoflíku zobrazíte nebo schováte Beat+Bassline editor. Beat+Bassline editor je nezbytný pro tvorbu beatů a pro otevírání, přidávání a odebírání kanálů. Dále pro vyjmutí, kopírování a vložení beatů, Beat+Bassline patternů a dalších podobných věcí. Show/hide Piano-Roll Ukaž/schovej Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Klikněte zde, pokud chcete ukázat nebo schovat Piano-Roll. S pomocí Piano-Roll můžete jednoduchým způsobem editovat melodie. Show/hide Automation Editor Ukaž/schovej Automatizační editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Klikněte zde, pokud chcete ukázat nebo schovat Automatizační editor. S pomocí Automatizačního editoru můžete jednoduchým způsobem editovat dynamické hodnoty. Show/hide FX Mixer Ukaž/schovej FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Klikněte zde, pokud chcete ukázat nebo schovat FX Mixer. FX Mixer je velmi mocný nástroj pro správu efektů ve vaší skladbě. Efekty můžete vkládat do různých efektových kanálů. Show/hide project notes Ukaž/schovej poznámky k projektu Click here to show or hide the project notes window. In this window you can put down your project notes. Klikněte zde, pokud chcete ukázat nebo schovat okno pro poznámky. V tomto okně lze vkládat vaše poznámky k projektu. Show/hide controller rack Ukaž/schovej kontrolér rack Untitled Nepojmenovaný LMMS %1 LMMS %1 Project not saved Projekt není uložen The current project was modified since last saving. Do you want to save it now? Aktuální projekt byl od posledního uložení změněn. Chcete jej nyní uložit? Open project Otevřít projekt Save project Uložit projekt Help not available Nápověda není dostupná Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. V současnosti není v LMMS nápověda dostupná. Navštivte prosím stránku s dokumentací k LMMS na adrese http://lmms.sf.net/wiki. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE ZAŘÍZENÍ MidiAlsaSeq::setupWidget DEVICE ZAŘÍZENÍ MidiController MIDI Controller MIDI kontrolér unnamed_midi_controller nepojmenovaný_midi_kontrolér MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE ZAŘÍZENÍ MidiPort Input channel Vstupní kanál Output channel Výstupní kanál Input controller Vstupní kontrolér Output controller Výstupní kontrolér Fixed input velocity Pevná vstupní rychlost Fixed output velocity Pevná výstupní rychlost Output MIDI program Výstupní MIDI program Receive MIDI-events Přijímat MIDI-události Send MIDI-events Posílat MIDI-události Fixed output note OscillatorObject Osc %1 volume Osc %1 hlasitost Osc %1 panning Osc %1 panorama Osc %1 coarse detuning Osc %1 fine detuning left Osc %1 jemné rozladění vlevo Osc %1 fine detuning right Osc %1 phase-offset Osc %1 stereo phase-detuning Osc %1 wave shape Osc %1 forma vlny Modulation type %1 Osc %1 waveform Osc %1 vlna PatmanView Open other patch Otevřít jiný patch Click here to open another patch-file. Loop and Tune settings are not reset. Klikněte zde, pokud chcete otevřít další patch-soubor. Nastavení smyčky a režimu ladění budou zachována. Loop Smyčka Loop mode Režim smyčky Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Zde můžete zapnout režim smyčky, Jestliže je režim aktivní PatMan použije dostupné informace o smyčcem ze souboru. Tune Ladit Tune mode Režim ladění Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Zde můžete zapnout režim smyčky, Jestliže je režim aktivní PatMan naladí sampl tak, aby frekvence odpovídala tónu. No file selected Žádný soubor není vybrán Open patch file Otevřít patch soubor Patch-Files (*.pat) Patch-Soubory (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Základní míra: Modulation amount: Attack: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Základní hodnota Modulation amount Stupeň (amount) modulace Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Základní nota Plugin Plugin not found Plugin nenalezen The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Plugin "%1" nebyl nalezen nebo nemůže být načten! Důvod: "%2" Error while loading plugin Při načítání pluginu došlo k chybě Failed to load plugin "%1"! Načtení pluginu "%1" selhalo! ProjectRenderer WAV-File (*.wav) WAV soubor (*.wav) Compressed OGG-File (*.ogg) Komprimovaný soubor OGG (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Název: File: Soubor: Maker: Tvůrce: Copyright: Copyright: Requires Real Time: Vyžadován Real Time: Yes Ano No Ne Real Time Capable: Real time schopnost: Channels In: Kanály vstup: Channels Out: Kanály výstup: In Place Broken: SampleBuffer Open audio file Otevřít audio soubor All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Všechny audio soubory (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wav soubory (*.wav) OGG-Files (*.ogg) OGG soubory (*.ogg) DrumSynth-Files (*.ds) DrumSynth soubory (*.ds) FLAC-Files (*.flac) FLAC soubory (*.flac) SPEEX-Files (*.spx) SPEEX soubory (*.spx) MP3-Files (*.mp3) MP3 soubory (*.mp3) VOC-Files (*.voc) VOC soubory (*.voc) AIFF-Files (*.aif *.aiff) AIFF soubory (*.aif *.aiff) AU-Files (*.au) AU soubory (*.au) RAW-Files (*.raw) RAW soubory (*.raw) SampleTCOView double-click to select sample dvojitým kliknutím vyberte sampl Delete (middle mousebutton) Smazat (prostřední tlačítko myši) Cut Vyjmout Copy Kopírovat Paste Vložit Mute/unmute (<Ctrl> + middle click) Ztlumit/neztlumit (<Ctrl> + prostřední klik) Set/clear record Nastav/vyčisti záznam SampleTrack Sample track Stopa samplů Volume Hlasitost SampleTrackView Track volume Hlasitost stopy Channel volume: Hlasitost kanálu: VOL VOL TempoSyncKnob Tempo Sync Synchronizace tempa No Sync Nesynchronizovaný Eight beats Osm beatů Whole note Celá nota Half note Půlová nota Quarter note Čtvrťová nota 8th note Osminová nota 16th note Šestnáctinová nota 32nd note Dvaatřicetinová nota Custom... Vlastní... &Help Custom Vlastní Synced to Eight Beats Synchro k osmi beatům Synced to Whole Note Synchro k celé notě Synced to Half Note Synchro k půlové notě Synced to Quarter Note Synchro ke čtvrťové notě Synced to 8th Note Synchro k osminové notě Synced to 16th Note Synchro k šestnáctinové notě Synced to 32nd Note Synchro k dvaatřicetinové notě TimeDisplayWidget click to change time units TrackContainer Couldn't import file Nemohu importovat soubor Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Nemohu najít filtr pro import souboru %1. Měli byste tento soubor zkonvertovat do formátu podporovaného LMMS pomocí jiného software. Couldn't open file Nemohu otevřít soubor Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Nemohu otevřít soubor %1 pro čtení. Přesvědčte se prosím, že máte právo ke čtení tohoto souboru a příslušného adresáře a zkuste to znovu! Loading project... Načítám projekt... Cancel Zrušit Please wait... Prosím čekejte... Importing MIDI-file... Importuji MIDI soubor... Importing FLP-file... Importuji FLP soubor... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Osc %1 hlasitost: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Osc %1 panning: Osc %1 panorama: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Osc %1 coarse detuning: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Osc %1 fine detuning left: Osc %1 jemné rozladění vlevo: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 fine detuning right: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 phase-offset: degrees stupně With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Otevřít ostatní VST pluginy Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Klikněte zde, pokud chcete otevřít ostatní VST pluginy. Po kliknutí na toto tlačítko se objeví okno ve kterém můžete soubor vybrat. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Klikněte zde pro zobrazení nebo skrytí grafického rozhraní (GUI) pro vaše VST pluginy. Turn off all notes Open VST-plugin Otevřít VST plugin DLL-files (*.dll) DLL soubory (*.dll) EXE-files (*.exe) EXE soubory (*.exe) No VST-plugin loaded Žádný VST plugin nebyl načten Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Uložit předvolbu Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Uložit předvolbu Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Načítám plugin Please wait while loading VST-plugin... Prosím čekejte dokud se nenačte VST plugin... Failed loading VST-plugin Chyba načítání VST pluginu The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VST plugin %1 nemohl být z určitých důvodů načten. Jestliže tento plugin funguje v Linuxu v jiném VST softwaru, kontaktujte prosím LMMS vývojáře! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Reverse sample Přehrávat pozpátku Loop Smyčka Amplify Zesílení Start of sample Začátek samplu End of sample Konec samplu Stutter bassBoosterControlDialog Frequency: Frekvence: Gain: Zisk: RATIO POMĚR Ratio: Poměr: FREQ GAIN bassBoosterControls Frequency Frekvence Gain Zisk Ratio Poměr bbEditor Play/pause current beat/bassline (Space) Přehrát nebo pozastavit přehrávání (mezerník) Add beat/bassline Přidat beat/basovou linku Beat+Bassline Editor Beat+Baseline Editor Add automation-track Přidat automatizační stopu Stop playback of current beat/bassline (Space) Zastavit přehrávání aktuální beat/bassline (mezerník) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Klikněte zde, pokud chcete přehrát aktuální beat/baseline. Beat/baseline je automaticky přehráván ve smyčce. Click here to stop playing of current beat/bassline. Klikněte zde, pokud chcete zastavit přehrávání aktuální beat/bassline. Remove steps Odstranit kroky Add steps Přidat kroky bbTCOView Open in Beat+Bassline-Editor Otevřít v Beat+Bassline editoru Reset name Resetovat jméno Change name Změnit jméno Change color Změnit barvu bbTrack Beat/Bassline %1 Beat/Bassline %1 Clone of %1 bitInvader Samplelength Délka samplu bitInvaderView Sample Length Délka samplu Sine wave Sinusová vlna Triangle wave Trianglová vlna Saw wave Pilovitá vlna Square wave Pravoúhlá (square) vlna White noise wave Bílý šum User defined wave Vlna definovaná uživatelem Smooth Uhladit Click here to smooth waveform. Pro uhlazení vlny klikněte zde. Interpolation Interpolovat Normalize Normalizovat Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Klikněte zde pro trianglovou vlnu. Click here for a saw-wave. Klikněte zde pro pilovitou vlnu. Click here for a square-wave. Klikněte zde pro pravoúhlou vlnu. Click here for white-noise. Click here for a user-defined shape. Klikněte zde pro uživatelem definovaný tvar. exportProjectDialog Could not open file Nemohu otevřít soubor Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Nemohu uložit soubor %1 pro zápis. Přesvědčte se prosím, že máte právo zápisu do tohoto souboru a příslušného adresáře a zkuste to znovu! Error Chyba Error while determining file-encoder device. Please try to choose a different output format. Chyba při určení souboru zařízení enkodéru. Zkuste prosím vybrat jiný výstupní formát. Rendering: %1% Renderuji: %1% Export project to %1 Exportovat projekt do %1 fader Please enter a new value between %1 and %2: Vložte prosím novou hodnotu mezi %1 a %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph Graf kickerInstrument Start frequency Počáteční frekvence End frequency Konečná frekvence Distortion Zkreslení Gain Zisk Decay kickerInstrumentView Start frequency: Počáteční frekvence: End frequency: Konečná frekvence: Distortion: Zkreslení: Gain: Zisk: Decay: knob &Help Nápověd&a Please enter a new value between %1 and %2: Vložte prosím novou hodnotu mezi %1 a %2: Please enter a new value between -96.0 dBV and 6.0 dBV: Vložte prosím novou hodnotu mezi -96.0 dBV a 6.0 dBV: ladspaBrowserView Available Effects Dostupné efekty Unavailable Effects Nedostupné efekty Instruments Nástroje Analysis Tools Analyzační nástroje Don't know Neznámé This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Toto dialogové okno zobrazuje informace o všech LADSPA pluginech, které bylo LMMS schopno nalézt. Zásuvné moduly jsou rozděleny do pěti kategorií podle portů a názvů. (new line) (new line) K dispozici jsou ty efekty, které mohou být použity v LMMS. Aby v LMMS bylo možné užít efektu, musí se o efekt skutečně jednat, to znamená, že musí mít oba vstupní a výstupní kanály. LMMS identifikuje vstupní kanál jako audio podle 'in' v názvu. Výstupní kanály jsou identifikovány pole označení písmeny 'out'. Kromě toho efekt musí mít stejný počet vstupů a výstupů a být real time kompatibilní. Nedostupné efekty jsou ty, které byly identifikovány jako efekty, ale buď nemají stejný počet vstupních a výstupních kanálů nebo nejsou real time kompatibilní. Nástroje jsou pluginy u kterých byly identifikovány pouze výstupní kanály. Analyzační nástroje jsou pluginy u kterých byly identifikovány pouze vstupní kanály. Neznámé jsou pluginy, pro které nebyly identifikovány žádné vstupní nebo výstupní kanály. Dvojitým kliknutím na kterýkoli z modulů se zobrazí informace o portech. Type: Typ: ladspaDescription Plugins Pluginy Description Popis ladspaPortDialog Ports Porty Name Název Rate Rychlost Direction Směr Type Typ Min < Default < Max Min < Výchozí < Max Logarithmic Logaritmický Audio Audio Control Ovládání Input Vstup Output Výstup Toggled Zapnuto Yes Ano SR Dependent Integer Float lb302Synth VCF Cutoff Frequency VCF frekvence vypnutí VCF Resonance VCF rezonance Slide Klouzání Accent Důraz Distortion Zkreslení Waveform Vlna VCF Envelope Mod VCF Envelope Decay Slide Decay Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Frek. vypnutí: Resonance: Rezonance: Env Mod: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Pilovitá vlna Click here for a saw-wave. Klikněte zde pro pilovitou vlnu. Triangle wave Trianglová vlna Click here for a triangle-wave. Klikněte zde pro trianglovou vlnu. Square wave Pravoúhlá (square) vlna Click here for a square-wave. Klikněte zde pro pravoúhlou vlnu. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Sinusová vlna Click for a sine-wave. White noise wave Bílý šum Click here for an exponential wave. Klikněte zde pro exponenciální vlnu. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF frekvence vypnutí VCF Resonance VCF rezonance Distortion Zkreslení Waveform Vlna Slide Klouzání Accent Důraz VCF Envelope Mod VCF Envelope Decay Slide Decay Dead 24dB/oct Filter lb303SynthView Cutoff Freq: Frek. vypnutí: CUT CUT Resonance: Rezonance: RES Env Mod: ENV MOD Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Tvrdost Position Pozice Vibrato Gain Zisk vibráta Vibrato Freq Frekvence vibráta Modulator Modulátor Crossfade Prolínání (crossfade) LFO Speed LFO Rychlost LFO Depth LFO Hloubka Pressure Tlak Motion Pohyb Speed Rychlost Spread Rozsah Marimba Marimba Vibraphone Vibrafon Missing files Chybějící soubory Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Zda se, že Vaše Stk instalace není kompletní. Přesvědčte se, ze STK balíček je plně nainstalován! Stick Mix ADSR Bowed Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl malletsInstrumentView Instrument Nástroj Spread Rozsah Spread: Rozsah: Hardness Tvrdost Hardness: Tvrdost: Position Pozice Position: Pozice: Vib Gain Vib zisk Vib Gain: Vib zisk: Vib Freq Vib frek Vib Freq: Vib frek: Modulator Modulátor Modulator: Modulátor: Crossfade Prolínání (crossfade) Crossfade: Prolínání (crossfade): LFO Speed LFO Rychlost LFO Speed: LFO Rychlost: LFO Depth LFO Hloubka LFO Depth: LFO Hloubka: Pressure Tlak Pressure: Tlak: Motion Pohyb Motion: Pohyb: Speed Rychlost Speed: Rychlost: Vibrato Vibráto Vibrato: Vibráto: Stick Mix Stick Mix: ADSR ADSR: Bowed manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Nápověda opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Zkreslení Volume Hlasitost organicInstrumentView Distortion: Zkreslení: Volume: Hlasitost: Randomise Nastavit náhodně Osc %1 waveform: Osc %1 vlna: Osc %1 volume: Osc %1 hlasitost: Osc %1 panning: Osc %1 panorama: Osc %1 fine detuning left: Osc %1 jemné rozladění vlevo: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Shift Register width Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass papuInstrumentView Sweep Time: Sweep Time The amount of increase or decrease in frequency Sweep RtShift amount: Sweep RtShift amount The rate at which increase or decrease in frequency occurs Wave pattern duty: Wave Pattern Duty The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume: Square Channel 1 Volume Length of each step in sweep: Length of each step in sweep The delay between step change Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern Draw the wave here pattern Cannot freeze pattern Nemohu zmrazit pattern The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Pattern nemůže být nyní zmrazen, neboť jste v režimu přehrávání. Zastavte přehrávání a zkuste to znovu! patternFreezeStatusDialog Freezing pattern... Zmrazuji pattern... Cancel Zrušit patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step dvojitým kliknutím otevřete tento pattern v piano-roll k nastavení zesílení kroku použijte kolečko myši Open in piano-roll Otevřít v piano-roll Clear all notes Vyčistit všechny noty Reset name Resetovat jméno Change name Změnit jméno Refreeze Znovu zmrazit Freeze Zmrazit Unfreeze Rozmrazit Add steps Přidat kroky Remove steps Odstranit kroky PianoRoll Play/pause current pattern (Space) Přehrát nebo pozastavit přehrávání aktuálního patternu (mezerník) Record notes from MIDI-device/channel-piano Nahrávat noty z MIDI-zařízení/piano kanálu Stop playing of current pattern (Space) Zastavit přehrávání aktuálního patternu (mezerník) Draw mode (Shift+D) Režim kreslení (Shift+D) Erase mode (Shift+E) Režim mazání (Shift+E) Select mode (Shift+S) Režim výběru (Shift+S) Cut selected notes (Ctrl+X) Vyjmout označené noty (Ctrl+X) Copy selected notes (Ctrl+C) Kopírovat označené noty (Ctrl+C) Paste notes from clipboard (Ctrl+V) Vložit noty ze schránky (Ctrl+V) Last note Trvání noty Piano-Roll - no pattern Piano-Roll - žádný pattern Piano-Roll - %1 Piano-Roll - %1 Please open a pattern by double-clicking on it! Otevřete prosím pattern jeho dvojitým poklepáním! Record notes from MIDI-device/channel-piano while playing song or BB track Nahrávat tóny z MIDI zařízení / kanálu piána při přehrávání skladby nebo BB stopy Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Klikněte zde, pokud chcete přehrát aktuální pattern. To je šikovné při editaci. Pattern je automaticky přehráván ve smyčce. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Klikněte zde pokud chcete nahrávat z MIDI zařízení nebo virtuálního testovacího piána příslušného kanálového okna do aktuálního patternu. Při nahrávání zaznamenáte všechny zahrané noty do tohoto patternu, následně si je můžete přehrát nebo upravit. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Klikněte zde pokud chcete nahrávat z MIDI zařízení nebo virtuálního testovacího piána příslušného kanálového okna do aktuálního patternu. Při nahrávání zaznamenáte všechny zahrané noty do tohoto patternu a na pozadí uslyšíte skladbu nebo BB stopu. Click here to stop playback of current pattern. Klikněte zde, pokud chcete zastavit přehrávání aktuálního patternu. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klikněte zde pokud chcete označené noty vyjmout a uložit do schránky. Vložit je pak můžete kdekoliv v libovolném patternu pomocí tlačítka Vložit. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klikněte zde pokud chcete označené noty zkopírovat do schránky. Vložit je pak můžete kdekoliv v libovolného patternu pomocí tlačítka Vložit. Click here and the notes from the clipboard will be pasted at the first visible measure. Kliknete-li zde, budou noty ze schránky vloženy do prvního viditelného taktu. Note lock Zámek noty Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description bez popisu Instrument plugins Pluginy nástrojů plugin for using arbitrary VST-effects inside LMMS. plugin pro užití libovolných VST efektů uvnitř LMMS. Filter for importing MIDI-files into LMMS Filtr pro import MIDI souborů do LMMS three powerful oscillators you can modulate in several ways tři výkonné oscilátory které můžete modulovat rozličnými způsoby GUS-compatible patch instrument GUS kompatibilní patch instrument simple sampler with various settings for using samples (e.g. drums) in an instrument-track jednoduchý sampler s rozmanitým nastavením pro použití samplů (např. bicích) v nástrojové stopě Additive Synthesizer for organ-like sounds Aditivní syntezátor pro zvuky podobné varhanám Plugin for enhancing stereo separation of a stereo input file Plugin pro zvýšení stereo separace vstupních stereo souborů versatile kick- & bassdrum-synthesizer mnohostranný kick & bassdrum syntezátor Vibrating string modeler Vibrační modelátor strun List installed LADSPA plugins Seznam instalovaných LADSPA pluginů plugin for using arbitrary LADSPA-effects inside LMMS. plugin pro užití libovolných LADSPA efektů uvnitř LMMS. VST-host for using VST(i)-plugins within LMMS VST host pro užití VST(i) pluginů v LMMS Incomplete monophonic imitation tb303 Nekompletní monofonní imitace tb303 Filter for importing FL Studio projects into LMMS Filtr určený k import projektů z FL Studia do LMMS Tuneful things to bang on Libozvučná klepátka Instrument browser Prohlížeč nástrojů Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Nástroj přetáhněte buď do Editoru skladby, Beat+Bassline Editoru nebo do existující nástrojové stopy. Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Customizable wavetable synthesizer Player for SoundFont files plugin for boosting bass Emulation of GameBoy (TM) APU Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Poznámky k projektu Put down your project notes here. Do tohoto okna můžete vkládat Vaše poznámky k projektu. Edit Actions Editace &Undo &Zpět Ctrl+Z Ctrl+Z &Redo &Znovu Ctrl+Y Ctrl+Z &Copy &Kopírovat Ctrl+C Ctrl+C Cu&t &Vyjmout Ctrl+X Ctrl+X &Paste V&ložit Ctrl+V Ctrl+V Format Actions Formátování &Bold &Tučné Ctrl+B Ctrl+B &Italic &Kurzíva Ctrl+I Ctrl+I &Underline &Podtržené Ctrl+U Ctrl+U &Left Zarovnat &vlevo Ctrl+L Ctrl+L C&enter Zarovnat &na střed Ctrl+E Ctrl+E &Right Zarovnat v&pravo Ctrl+R Ctrl+R &Justify Zarovnat &do bloku Ctrl+J Ctrl+R &Color... &Barva... renameDialog Rename... Přejmenovat... setupDialog Setup LMMS Nastavit LMMS General settings Hlavní nastavení BUFFER SIZE VELIKOST VYR. PAMĚTI Reset to default-value Nastavit výchozí hodnoty MISC Enable tooltips Aktivovat nástrojové tipy Show restart warning after changing settings Vyzvat k restartu po změně nastavení Display volume as dBV Zobrazovat hlasitost jako dBV Compress project files per default Komprimovat soubory s projekty LMMS working directory Pracovní adresář pro LMMS VST-plugin directory Adresář pro VST pluginy Artwork directory Adresář pro témata FL Studio installation directory Instalační adresář FL Studia STK rawwave directory Adresář pro STK rawwave Performance settings Nastavení výkonu UI effects vs. performance Efekty uživatelského rozhraní vs. výkon Audio settings Audio nastavení AUDIO INTERFACE AUDIO ROZHRANÍ MIDI settings MIDI nastavení MIDI INTERFACE MIDI ROZHRANÍ OK OK Cancel Zrušit Restart LMMS Restartovat LMMS Please note that most changes won't take effect until you restart LMMS! Mnohé změny nastavení se projeví až po restartu LMMS! Frames: %1 Latency: %2 ms Rámce: %1 Zpoždění %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Zde můžete nastavit interní velikost vyrovnávací paměti, která je užívána LMMS. Nízké hodnoty vedou k menšímu zpoždění, ale také způsobují nepoužitelný zvuk nebo špatný výkon, zejména na starých počítačích či systémech s jádrem nepodporujícím real time. Choose LMMS working directory Vyberte pro LMMS pracovní adresář Choose your VST-plugin directory Vyberte adresář pro VST pluginy Choose artwork-theme directory Vyberte adresář s tématy Choose FL Studio installation directory Vyberte instalační adresář FL Studia Choose LADSPA plugin directory Vyberte adresář pro LADSPA pluginy Choose STK rawwave directory Vyberte adresář pro STK rawwave Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Zde vyberte preferované audio rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA, JACK, OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného audio rozhraní. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Zde vyberte preferované MIDI rozhraní. V závislosti na konfiguraci Vašeho systému při kompilaci můžete volit mezi ALSA OSS a dalšími. Níže vidíte políčko, které nabízí možnost nastavení vybraného MIDI rozhraní. HQ-mode for output audio-device HQ režim pro výstup audio zařízení Paths Cesty Background artwork Obrázek na pozadí LADSPA plugin paths Cesty k LADSPA pluginům Default Soundfont File Výchozí Soundfont soubor Choose default SoundFont Vyberte výchozí SoundFont Choose background artwork Vyberte obrázek na pozadí One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Gain Zisk Bank Patch Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Gain Zisk Open other SoundFont file Click here to open another SF2 file Choose the patch Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Filter type Typ filtru Volume Hlasitost Cutoff Resonance Voice 3 off Chip model sidInstrumentView Volume: Hlasitost: Resonance: Rezonance: Sustain: Sustain: Sync Synchronizovaný Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Tempo Master volume Hlavní hlasitost Master pitch Hlavní ladění (pitch) Project saved Projekt uložen The project %1 is now saved. Projekt %1 je nyní uložen. Project NOT saved. Projekt NENÍ uložen. The project %1 was not saved! Projekt %1 nebyl uložen! Import file Importovat soubor untitled nepojmenovaný Select file for project-export... Zvolte soubor pro export projektu... MIDI sequences MIDI sekvence FL Studio projects FL Studio projekt Empty project Prázdný projekt This project is empty so exporting makes no sense. Please put some items into Song Editor first! Tento projekt je prázdný, jeho exportování nemá smysl. Nejdříve prosím vložte nějaké položky do Editoru skladby! All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Editor skladby Play song (Space) Přehrát skladbu (mezerník) Stop song (Space) Zastavit přehrávání skladby (mezerník) Add beat/bassline Přidat beat/bassline Add sample-track Přidat stopu samplů Draw mode Režim kreslení Edit mode (select and move) Režim editace (označit a přesunout) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Klikněte zde, pokud chcete přehrát celou skladbu. Přehrávání začne v místě kde se nalézá zelený označovač pozice se kterým lze též při přehrávání pohybovat. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Klikněte zde, pokud chcete zastavit přehrávání skladby. Označovač pozice bude odeslán na začátek skladby. Could not open file Nemohu otevřít soubor Could not write file Nemohu zapsat soubor Add automation-track Přidat automatizační stopu Record samples from Audio-device Nahrát samply z audio zařízení Record samples from Audio-device while playing song or BB track Nahrát samply z audio zařízení při přehrávání skladby nebo BB stopy Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo skladby The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Tempo skladby je uvedeno v úderech za minutu (BPS). Chcete-li změnit tempo skladby, změňte tuto hodnotu. Každý takt má čtyři beaty, takže tempo v BPS specifikuje kolik taktů / 4 bude za minutu přehráno (nebo kolik taktů bude přehráno ve čtyřech minutách). High quality mode Režim vysoké kvality Master volume Hlavní hlasitost master volume hlavní hlasitost Master pitch Hlavní ladění (pitch) master pitch hlavní ladění Value: %1% Hodnota: %1% Value: %1 semitones Hodnota: %1 půltónů Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog Width: Šířka: WIDE stereoEnhancerControls Width Šířka stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Povolit/zakázat automatický posun Enable/disable loop-points Povolit/zakázat body pro přehrávání ve smyčce After stopping go back to begin Po skončení jdi zpět na začátek After stopping go back to position at which playing was started Po skončení jdi zpět na pozici ze které přehrávání začalo After stopping keep position Po skončení udržuj pozici Hint Rada Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Ztlumený Solo Sólo trackContentObject Muted Ztlumený trackContentObjectView Current position Aktuální pozice Hint Rada Press <Ctrl> and drag to make a copy. K vytvoření kopie stiskněte <Ctrl> a táhněte myší. Current length Aktuální délka Press <Ctrl> for free resizing. Stiskněte <Ctrl> pro volné měnění velikosti. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 do %5:%6) Delete (middle mousebutton) Smazat (prostřední tlačítko myši) Cut Vyjmout Copy Kopírovat Paste Vložit Mute/unmute (<Ctrl> + middle click) Ztlumit/neztlumit (<Ctrl> + prostřední klik) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Akce pro tuto stopu Mute Ztlumit Clone this track Klonovat tuto stopu Remove this track Odstranit tuto stopu Mute this track Ztlumit tuto stopu Solo Sólo vestigeInstrument Loading plugin Načítám plugin Please wait while loading VST-plugin... Prosím čekejte dokud se nenačte VST plugin... Failed loading VST-plugin Chyba načítání VST pluginu The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VST plugin %1 nemohl být z určitých důvodů načten. Jestliže tento plugin funguje v Linuxu v jiném VST softwaru, kontaktujte prosím LMMS vývojáře! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: Hlasitost: The 'V' knob sets the volume of the selected string. Ovladač 'V' nastavuje hlasitost vybrané struny. Pick position: Pozice drnknutí: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Ovladač 'P' nastavuje pozici na které bude na vybranou strunu drnknuto. Nižší nastavení znamená úhoz blíže ke kobylce. Pickup position: Pozice snímače: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Ovladač 'PU' nastavuje pozici snímače pro vybranou strunu. Nižší nastavení znamená snímač blíže u kobylky. Pan: Pan: The Pan knob determines the location of the selected string in the stereo field. Pan ovladač určuje pozici vybrané struny ve stereo prostoru. Detune: Rozladit: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Ovladač Rozladění mění ladění vybrané struny. Hodnoty nižší než nula způsobí plochý zvuk, hodnoty vyšší než nula způsobí ostřejší zvuk. Length: Délka: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Ovladač Délka nastavuje délku vybrané struny. Delší struny budou znít déle a jasněji, také však spořádají více CPU cyklů. Octave Oktáva Enable waveform Zapnout vlnu Click here to enable/disable waveform. Pro zapnutí/vypnutí vlny klikněte zde. String Struna The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Volič strun se užívá k výběru struny, které bude upravována. Nástroj Vibed může obsahovat maximálně devět nezávisle vibrujících strun. LED v pravém dolním rohu editoru tvaru vlny indikuje zda je vybraná struna aktivní. Sine wave Sinusová vlna Triangle wave Trianglová vlna Saw wave Pilovitá vlna Square wave Pravoúhlá (square) vlna White noise wave Bílý šum User defined wave Vlna definovaná uživatelem Smooth Uhladit Click here to smooth waveform. Pro uhlazení vlny klikněte zde. Normalize Normalizovat Click here to normalize waveform. Pro normalizaci vlny klikněte zde. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. &Help visualizationWidget click to enable/disable visualization of master-output Kliknutí zapíná/vypíná vizualizaci hlavního výstupu Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/de.qm0000644000000000000000000056633112074554501015045 0ustar 00000000000000[CإtPص 0TTu(T'$r#mUds6i6`76`Y7]7^FWkH54I[:'LLhTthjFjɈÁ}/v@/kCCO?E9 nVeį zyb Ue YeUfTbgDdgqjQu rXD|4D#}1c9#}3co([*$*y)*U*0p*0vK*0*0D*0(*0ݾ*0+++?+\++į/NK4ʩ.5f6.6u9giWR9kYW93*:dLdX@dY@TpE GEZF|y GGG GHiwHi;HH,HzHzAHI;ZeImJImJ'NJ+RJ<@ʉJsJJeK LbM5MMMw[N(Nh7ObzPWPWS}A]S}C]SU_Sb_SKMT.[OTZTKTʴvTʴ|TxUQ5^U`MUj¢VbFVbhPVh4V>V[VV7W bW WiWWW2X X ȼX Z/Z/eZkͳZkZ}ZPZoSZof[~s[jp\ ]6 8]n^eq^erc^cNLh  iųViųpių szyftUftbfv=/Y|}L|}}UI~#8;%*;w_Nϙ)&^l9Nv!9C-uce 9N]7f)97iyIy)ק1e1ק3eg@Q-OnwEW3J  bm b [k %/N+U+Vun|+"RI/V27"7o9}Bf9U;n*; =6@۴CuQFziFzJjJԨMUTcOXRJOXbP0b.VZ;˫Z;5aU1JimWp> w80yuz;;~Ju9t>Ʉyʭi7(?ՙծh=s8݊^M~<?4lߺWoe oA;CBnAA |=DS2/hBlma3 (^w(^v,´..: Roe_/ r%bmtK xżH~z69#)%F8n7C B.w.??ő}f3p#9>ѻGcҩBÁһB&En|t>{\qgtHg~y ssVsCE@DSP%huI@"ݎq"ݎ~% :2Q3W4K7.8Jo:)/?'H@CB#vHH>@I[YUOXkP~RP~XWa:1Z.]]]YglAlh)ou)z|ZN|ZS}"6}^}_~N~'ŐCĩ5bR$%#S`#AyH0x0?|s e#8}dA~}O&~TWRĽ-H"P"ϯѫ(6J6~קAWקCXNքrܗjNqM6q왞>VgoB7 =qdչ3 YI ._ 0\(k5(Af)e10e19|:^;:`<<2<<A UwCYZFA>J qM$fMtMкPJPJPJQq.Qq.`H`k`%R`%bc=,Ud Zg5Eehi{:jzt kJַl 5rJw~e9@w w+w xYZKayT5yT{ ;%}Fg9u N xZ.ưuu0Hu0u1Lu1u"u#9u*={U#VIkIyIEI"XIvfh[i=?aZ e qq =p < o sKB7BzI7B"x~[eDˤo(mžՔ=tE\ͥ@22;(C غؽ=`jA1hv;@fnhD^K#BPC_dCV t1Xd u u[ @Z lGTΎ("!E$0)%)E)|-U5.15R 3:7e^F7e_K7U^84?~]NEzeF^F^wH8CPeQ,QQDZ\C.xdaEx3a*of1h93ll܉leps vA "x}}o.?,ADAkK]5*n̂>FCIwXs-cPRE8_jՎfLf]zIttؙGtVt!Þo^E|;9EUZ5<5k<5ڙ<5ݤ<5:<5<5J>sߺnD}/ljZC?N,^4 ZnEOE߸EG|bizxza#ECF'v7O+#&1UZ1^6{:gNr:aK2T`7luu(w7m>2~zRϤ2ޔrti">t/L7cq\rg !q zydJ))ē dYBa!E!E}!Ey&rz' )r' )0(*5)w*G_,D75n8}>+;Z.? ~#?C',ImUIN@UIZg[t\X. aFczMrhFahJVIiANxi$m.iwYy %8y %=rJ %Dj>j/>Y2kB2|],d1T_~A 잂.)$27m>,#3!S  P[: SUٚ$ϞS~-SE-SE¾-SE3h;rG/Gx!ypI QS6NU3UW~g+bsQvc?ZeEUe-evjD@)m4Dnq vvS{e5qO5;$dRD`S#PHC2HC0dsn5%a*UUU !|d!JByy:yJzJ^Psmc v¸¸>ʩIʩׁic8O0]v]4eH ࣓RJOLmc`kYt  "    $ 2 %m )8JE * .5nҙ 3': 6EQ 8e5 8e 9J 9 G ItY@ Ij Mg O TV YAN^ Ys hI.R hI. k l8 p,H{ pM w%^ w%> xk |bv >\h >X 9 3 4~  .I B1 B1u  1 `c ` 9I l + nG [ F& w Kn SLg XK* ]0f dq9 ӝ  al UUE uE& R U?x 1 F/ N} B7  q, ~bJ ·~2v *D ʧ ʵE ˔  J\% D^t NT$ ؋q ڮ, ڮm ہ? DK z a *{@ ] _G I9A ".  $ rQ 'm+ )x# +* - e 3'l 9y N(g Om S'J STn STn \ s \ ]J `W eEV m  m j m ( m  s T u:n C; ki $n6 2 $0 ?` }l Np Nv{ J& V h} R 2̎ 2 8A} Ɵm Ƶ8tw ^ 4 ӗ`B ӰQ4 غ 2K <R < e'z S Y: Y:J Y:#GPMQ>Y ]ad^~cgn@~dy!OpqN&)u?L<{)t)5`9`9Ș\mWA *xPJ^*LDNS!D-  |[ Lf21"C$e-(l)37W/?ICgl9D>$DٝE,I U&{mXҾZ /[x*p[o^ E` {eReRĒiI m4pڸymW*2*7K  ¥I*L6|~Ƴ\~~?ܹ+^iPberAbout AboutDialogber LMMS About LMMS AboutDialogAutorenAuthors AboutDialogPCopyright (c) 2004-2012, LMMS-Entwickler(Copyright (c) 2004-2012, LMMS developers AboutDialogRDeutsche bersetzung von Tobias Doerffel.Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! AboutDialog<LMMS (Linux MultiMedia Studio)LMMS (Linux MultiMedia Studio) AboutDialogHLMMS - Musikproduktion fr jedermann)LMMS - easy music production for everyone AboutDialog LizenzLicense AboutDialogbersetzung Translation AboutDialog:Version %1 (%2/%3, Qt %4, %5)Version %1 (%2/%3, Qt %4, %5) AboutDialog6http://lmms.sourceforge.nethttp://lmms.sourceforge.net AboutDialogArpeggioArpeggio Arpeggiator"Arpeggio-RichtungArpeggio direction ArpeggiatorArpeggio-Gate Arpeggio gate ArpeggiatorArpeggio-Modus Arpeggio mode Arpeggiator Arpeggio-BereichArpeggio range ArpeggiatorArpeggio-Zeit Arpeggio time ArpeggiatorArpeggiotyp Arpeggio type Arpeggiator RunterDown ArpeggiatorFreiFree ArpeggiatorZuflligRandom ArpeggiatorSortiertSort ArpeggiatorSynchronSync ArpeggiatorHochUp ArpeggiatorHoch und runter Up and down Arpeggiator%%ArpeggiatorViewARPEGGIOARPEGGIOArpeggiatorView^Ein Arpeggio ist eine Art, (vorallem gezupfte) Instrumente zu spielen, die die Musik viel lebendiger macht. Die Seiten von solchen Instrumenten (z.B. Harfen) werden wie Akkorde gezupft, der einzige Unterschied besteht darin, dass dies nacheinander geschieht. Die Noten werden also nicht zur gleichen Zeit gespielt. Typische Arpeggios sind Dur- oder Moll-Dreiklnge, aber es gibt noch viele andere Akkorde, die Sie auswhlen knnen.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorViewArpeggio-Gate:Arpeggio gate:ArpeggiatorView"Arpeggio-Bereich:Arpeggio range:ArpeggiatorViewArpeggio-Zeit:Arpeggio time:ArpeggiatorViewRichtung: Direction:ArpeggiatorViewGATEGATEArpeggiatorView Modus:Mode:ArpeggiatorViewBEREICHRANGEArpeggiatorViewZEITTIMEArpeggiatorViewBenutzen Sie diesen Knopf, um das Arpeggio-Gate zu setzen. Das Arpeggio-Gate gibt an, wie viel Prozent eines ganzen Arpeggio-Tons gespielt werden sollen. Damit knnen Sie coole Staccato-Arpeggios erzeugen.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorView6Benutzen Sie diesen Knopf, um den Arpeggio-Bereich in Oktaven zu setzen. Das gewhle Arpeggio wird innerhalb der angegebenen Anzahl von Oktaven abgespielt.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewDBenutzen Sie diesen Knopf, um die Arpeggio-Zeit in Millisekunden zu setzen. Die Arpeggio-Zeit gibt an, wie lange jeder einzelne Arpeggio-Ton gespielt werden soll.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewOktave(n) octave(s)ArpeggiatorView KANLECHANNELSAudioAlsa::setupWidget GERTDEVICEAudioAlsa::setupWidgetVerstrkung:Amplify:AudioFileProcessorView<Klicken Sie hier, um eine andere Audio-Datei zu ffnen. Danach erscheint ein Dialog, in dem Sie Ihre Datei whlen knnen. Einstellungen wie Wiederhol-Modus, Start- und Endpunkt sowie Verstrkung werden nicht zurckgesetzt, weshalb die Datei mglicherweise nicht wie das Original klingt.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorViewEndpunkt: Endpoint:AudioFileProcessorViewHier knnen Sie festlegen, ob der Looping-Modus aktiviert sein soll. Wenn aktiviert, wiederholt AudioFileProcessor das Sample zwischen Start- und Endpunkt solange, bis die gesamte Note gespielt ist. Das ist vorallem fr String- und Chor-Samples ntzlich.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorViewWenn Sie diesen Button aktivieren, wird das gesamte Sample umgekehrt. Das kann ntzlich fr coole Effekte sein, wie z.B. eine umgekehrte Crash.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewRSample an Start- und Endpunkt wiederholen#Loop sample at start- and end-pointAudioFileProcessorView*Anderes Sample ffnenOpen other sampleAudioFileProcessorViewSample umkehrenReverse sampleAudioFileProcessorViewStartpunkt: Startpoint:AudioFileProcessorViewMit diesem Knopf knnen Sie die Verstrkungsrate festlegen. Wenn Sie einen Wert von 100% setzen, wird das Sample nicht gendert. Ansonsten wird es hoch oder runter verstrkt (Ihre Audio-Datei wird dabei nicht verndert!)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorViewMit diesem Knopf knnen Sie festlegen, wo AudioFileProcessor anfangen soll, Ihr Sample zu spielen. Wenn Sie den Looping-Modus aktivieren, ist das der Punkt, wohin AudioFileProcessor zurckkehrt, wenn eine Note lnger als das Sample zwischen Start- und Endpunkt ist.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView2Mit diesem Knopf knnen Sie festlegen, wo AudioFileProcessor aufhren soll, Ihr Sample zu spielen. Wenn Sie den Looping-Modus aktivieren, ist das der Punkt, an dem AudioFileProcessor zum Startpunkt zurckkehrt, wenn eine Note lnger als das Sample zwischen Start- und Endpunkt ist.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView0JACK-Client neugestartetJACK client restarted AudioJack8JACK-Server nicht erreichbarJACK server down AudioJackLLMMS wurde aus irgendeinem Grund von JACK verbannt. Aus diesem Grund wurde das JACK-Backend von LMMS neu gestartet. Sie mssen manuelle Verbindungen erneut vornehmen.LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. AudioJackDer JACK-Server scheint heruntergefahren worden zu sein und es war nicht mglich, eine neue Instanz zu starten. LMMS ist daher nicht in der Lage, fortzufahren. Sie sollten Ihr Projekt speichern und JACK und LMMS neustarten.The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack KANLECHANNELSAudioJack::setupWidgetCLIENT-NAME CLIENT-NAMEAudioJack::setupWidget KANLECHANNELSAudioOss::setupWidget GERTDEVICEAudioOss::setupWidgetBACKENDBACKENDAudioPortAudio::setupWidget GERTDEVICEAudioPortAudio::setupWidget KANLECHANNELSAudioPulseAudio::setupWidget GERTDEVICEAudioPulseAudio::setupWidget GERTDEVICEAudioSdl::setupWidget*Wert &kopieren (%1%2)&Copy value (%1%2)AutomatableModel*Wert &einfgen (%1%2)&Paste value (%1%2)AutomatableModel(&Zurcksetzen (%1%2) &Reset (%1%2)AutomatableModel6Mit Controller verbinden...Connect to controller...AutomatableModel Verbunden mit %1Connected to %1AutomatableModel0Verbunden mit ControllerConnected to controllerAutomatableModel0Verbindung bearbeiten...Edit connection...AutomatableModelBSong-globale Automation editierenEdit song-global automationAutomatableModel(Verbindung entfernenRemove connectionAutomatableModelzAlle ausgewhlten Werte wurden in die Zwischenablage kopiert.1All selected values were copied to the clipboard.AutomationEditor,Automation-Editor - %1Automation Editor - %1AutomationEditor@Automation-Editor - Kein PatternAutomation Editor - no patternAutomationEditorKlicken Sie hier, um den Zeichnen-Modus zu aktivieren. In diesem Modus knnen Sie einzelne Werte hinzufgen und verschieben. Das ist der Standard-Modus, der meistens benutzt wird. Sie knnen auch 'Umschalt+D' auf Ihrer Tastatur drcken, um in diesen Modus zu gelangen.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditor~Klicken Sie hier, um den Radier-Modus zu aktivieren. In diesem Modus knnen Sie einzelne Werte lschen. Sie knnen auch 'Umschalt+E' auf Ihrer Tastatur drcken, um diesen Modus zu aktivieren.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorHKlicken Sie hier, um den Auswahl-Modus zu aktivieren. In diesem Modus knnen Sie Werte markieren. Das ist ntig, wenn Sie (mehrere) Werte ausschneiden, kopieren, einfgen, lschen oder verschieben wollen. Sie knnen auch 'Umschalt+S' auf Ihrer Tastatur drcken, um diesen Modus zu aktivieren.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditorKlicken Sie hier, um die markierten Werte in die Zwischenablage zu kopieren. Sie knnen diese dann berall, auch in einem anderen Pattern, wieder einfgen, indem Sie auf den Einfgen-Button klicken.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorKlicken Sie hier, um die markierten Werte auszuschneiden und in die Zwischenablage zu kopieren. Sie knnen diese dann berall, auch in einem anderen Pattern, wieder einfgen, indem Sie auf den Einfgen-Button klicken.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorKlicken Sie hier, um die Werte in der Zwischenablage im ersten sichtbaren Takt einzufgen.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditorNKlicken Sie hier, wenn Sie den aktuellen Pattern spielen wollen. Das ist ntzlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn das Ende erreicht ist.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorKlicken Sie hier, wenn Sie das Abspielen des aktuellen Patterns stoppen wollen.>Click here if you want to stop playing of the current pattern.AutomationEditorFAusgewhlte Werte kopieren (Strg+C)Copy selected values (Ctrl+C)AutomationEditorNAusgewhlte Werte ausschneiden (Strg+X)Cut selected values (Ctrl+X)AutomationEditor6Zeichnen-Modus (Umschalt+D)Draw mode (Shift+D)AutomationEditor2Radier-Modus (Umschalt+E)Erase mode (Shift+E)AutomationEditorWenn Sie hier klicken, wird der Auswahl-Verschieben-Modus aktiviert. In diesem Modus knnen Sie die markierten Werte verschieben. Sie knnen auch 'Umschalt+M' auf Ihrer Tastatur drcken, um diesen Modus zu aktivieren.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorLAuswahl-Verschieben-Modus (Umschalt+M)Move selection mode (Shift+M)AutomationEditorTWerte aus Zwischenablage einfgen (Strg+V)$Paste values from clipboard (Ctrl+V)AutomationEditorbAktuellen Pattern abspielen/pausieren (Leertaste)"Play/pause current pattern (Space)AutomationEditorBitte ffnen Sie einen Automation-Pattern mit Hilfe des Kontextmens eines Steuerelements!EPlease open an automation pattern with the context menu of a control!AutomationEditor4Auswahl-Modus (Umschalt+S)Select mode (Shift+S)AutomationEditorhAbspielen des aktuellen Patterns stoppen (Leertaste)'Stop playing of current pattern (Space)AutomationEditorWerte kopiert Values copiedAutomationEditorXEin Steuerelement mit <Strg> hier her ziehen$Drag a control while pressing AutomationPattern%1 Verbindungen%1 ConnectionsAutomationPatternViewName ndern Change nameAutomationPatternViewZurcksetzenClearAutomationPatternView"%1" trennenDisconnect "%1"AutomationPatternView6Im Automation-Editor ffnenOpen in Automation editorAutomationPatternView"Name zurcksetzen Reset nameAutomationPatternViewzDoppelklick, um diesen Pattern im Automation-Editor zu ffnen6double-click to open this pattern in automation editorAutomationPatternViewAutomation-SpurAutomation trackAutomationTrack1111 ChordCreator11b911b9 ChordCreator1313 ChordCreator13#913#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator 6add96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#119#11 ChordCreator9#59#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreatorolischAeolian ChordCreatorArabischArabic ChordCreator BluesBlues ChordCreatorAkkord-Bereich Chord range ChordCreatorAkkordtyp Chord type ChordCreatorAkkordeChords ChordCreatorVermindert Diminished ChordCreator Dominanter BebopDominant bebop ChordCreatorDorischDorian ChordCreatorEnigmatisch Enigmatic ChordCreator"Harmonisches MollHarmonic minor ChordCreatorZigeunermollHungarian minor ChordCreator Jap in sen ChordCreatorLocrischLocrian ChordCreatorLydischLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9#11Maj9#11 ChordCreator Maj9#5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreator Durb5Majb5 ChordCreatorDurMajor ChordCreatorDur Bebop Major bebop ChordCreator$Pentatonisches DurMajor pentatonic ChordCreator Melodisches Moll Melodic minor ChordCreator&Pentatonisches MollMinor pentatonic ChordCreatorMixolydisch Mixolydian ChordCreatorNeopolitanisch Neopolitan ChordCreator*Neopolitanisches MollNeopolitan minor ChordCreatorPhrygisch Phrygolydian ChordCreatorGanze Tne Whole tone ChordCreatoradd9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9b5m9b5 ChordCreator madd9madd9 ChordCreator mollb5minb5 ChordCreatormollminor ChordCreator Oktaveoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreatorAKKORDECHORDSChordCreatorViewAkkord-Bereich: Chord range:ChordCreatorViewBEREICHRANGEChordCreatorView.Benutzen Sie diesen Knopf, um den Akkord-Bereich in Oktaven zu setzen. Der gewhle Akkord wird innerhalb der angegebenen Anzahl von Oktaven abgespielt.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewOktave(n) octave(s)ChordCreatorViewController %1 Controller %1 Controller,Automatische Erkennung Auto DetectControllerConnectionDialog KANALCHANNELControllerConnectionDialogCONTROLLER CONTROLLERControllerConnectionDialogAbbrechenCancelControllerConnectionDialog0VerbindungseinstellungenConnection SettingsControllerConnectionDialog"Schleife erkannt.Cycle Detected.ControllerConnectionDialogEingangskanal Input channelControllerConnectionDialog$EingangscontrollerInput controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialog&ABBILDUNGS-FUNKTIONMAPPING FUNCTIONControllerConnectionDialogMIDI CONTROLLERMIDI CONTROLLERControllerConnectionDialogtMIDI-Gerte, von denen MIDI-Events empfangen werden sollen(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog:BENUTZERDEFINIETER CONTROLLERUSER CONTROLLERControllerConnectionDialogHinzufgenAddControllerRackView$Controller-EinheitController RackControllerRackView &Hilfe&HelpControllerView"Plugin entfe&rnen&Remove this pluginControllerViewMit Controller knnen Sie den Wert eines Knopfes, Schiebereglers und anderer Steuerelemente automatisieren.QControllers are able to automate the value of a knob, slider, and other controls.ControllerView ReglerControlsControllerViewjGeben Sie einen neuen Namen fr diesen Controller ein&Enter the new name for this controllerControllerView*Controller umbenennenRename controllerControllerViewAbfallzeitDecayEffect(Effekt eingeschaltetEffect enabledEffectGateGateEffectWet/Dry-Mix Wet/Dry mixEffect"Effekte aktiviertEffects enabled EffectChain"Effekt hinzufgen Add effectEffectRackViewEFFEKT-KETTE EFFECTS CHAINEffectRackView"Effekt hinzufgen Add effectEffectSelectDialog$PluginbeschreibungPlugin descriptionEffectSelectDialog &Hilfe&Help EffectView"Plugin entfe&rnen&Remove this plugin EffectView ReglerControls EffectView DECAYDECAY EffectViewGATEGATE EffectView Gate:Gate: EffectView.Nach &unten verschieben Move &down EffectView,Nach &oben verschiebenMove &up EffectView An/ausOn/Off EffectViewDer Abfallzeit-Knopf legt fest, wie viele Puffer mit Stille durchgelaufen sein mssen, bis der Effekt mit der Verarbeitung stoppt. Kleinere Werte reduzieren die CPU-Last, knnen jedoch unter Umstnden das Ende von Delay-Effekten o.. abschneiden.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectView4Der Gate-Knopf legt die Strke des Signals fest, welches als Stille angesehen wird, um zu entscheiden, wann das Plugin mit der Verarbeitung aufhren kann.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewDer Wet/Dry-Knopf legt das Verhltnis zwischen Eingangssignal und vom Effekt bearbeiteten Signal im Ausgang fest.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView Zeit:Time: EffectView@Schaltet den Effekt an oder aus.Toggles the effect on or off. EffectViewW/DW/D EffectViewWet-Level: Wet Level: EffectView,Anschwellzeit (attack)AttackEnvelopeAndLfoParametersAbfallzeitDecayEnvelopeAndLfoParametersFreq x 100 Freq x 100EnvelopeAndLfoParameters Haltezeit (hold)HoldEnvelopeAndLfoParameters<LFO-Anschwellzeit (LFO-attack) LFO AttackEnvelopeAndLfoParametersLFO ModulationLFO ModulationEnvelopeAndLfoParametersLFO-Verzgerung LFO PredelayEnvelopeAndLfoParametersLFO-WellenformLFO Wave ShapeEnvelopeAndLfoParameters&LFO-Geschwindigkeit LFO speedEnvelopeAndLfoParameters(Hllkurve modulierenModulate Env-AmountEnvelopeAndLfoParametersModulation ModulationEnvelopeAndLfoParameters,Verzgerung (predelay)PredelayEnvelopeAndLfoParameters,Ausklingzeit (release)ReleaseEnvelopeAndLfoParameters(Haltepegel (sustain)SustainEnvelopeAndLfoParametersAMTAMTEnvelopeAndLfoViewATTATTEnvelopeAndLfoView.Anschwellzeit (attack):Attack:EnvelopeAndLfoView:Klick fr eine Sgezahnwelle.&Click here for a saw-wave for current.EnvelopeAndLfoView4Klick fr eine Sinuswelle.Click here for a sine-wave.EnvelopeAndLfoView<Klick fr eine Rechteckswelle.Click here for a square-wave.EnvelopeAndLfoView:Klick fr eine Dreieckswelle.Click here for a triangle-wave.EnvelopeAndLfoViewHier klicken fr eine benutzerdefinierte Wellenform. Danach eine entsprechende Sampledatei auf den LFO-Graphen ziehen.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewHier klicken, wenn die Frequenz des LFOs mit 100 multipliziert werden soll.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewKlicken Sie hier, um die Hllkurvenintensitt durch diesen LFO kontrollieren zu lassen.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewDELDELEnvelopeAndLfoView&Abfallzeit (decay):Decay:EnvelopeAndLfoViewZiehen Sie ein Sample von irgendwo und lassen es in diesem Fenster fallen.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoViewTippHintEnvelopeAndLfoView"Haltezeit (hold):Hold:EnvelopeAndLfoView LFO-Verzgerung: LFO predelay:EnvelopeAndLfoView(LFO-Geschwindigkeit: LFO speed:EnvelopeAndLfoView>LFO-Anschwellzeit (LFO-attack): LFO- attack:EnvelopeAndLfoView"HLLK. MODULIERENMODULATE ENV-AMOUNTEnvelopeAndLfoView,Modulationsintensitt:Modulation amount:EnvelopeAndLfoView.Verzgerung (predelay): Predelay:EnvelopeAndLfoViewRELRELEnvelopeAndLfoView.Ausklingzeit (release):Release:EnvelopeAndLfoViewSPDSPDEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoView*Dauerpegel (sustain):Sustain:EnvelopeAndLfoView|Benutzen Sie diesen Knopf, um die Anschwellzeit fr den aktuellen LFO einzustellen. Je grer dieser Wert, desto lnger dauert es, bis die Amplitude des LFOs bis zum Maximum angestiegen ist.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewrBenutzen Sie diesen Knopf, um die Anschwellzeit (attack) fr die aktuelle Hllkurve einzustellen. Je grer dieser Wert, desto lnger braucht die Hllkurve, um bis zum Anschwellpegel (attack-level) zu steigen. Whlen Sie einen kleinen Wert fr Instrumente wie Klavier und einen groen Wert fr Streichinstrumente.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewFBenutzen Sie diesen Knopf, um die Abfallzeit (decay) fr die aktuelle Hllkurve einzustellen. Je grer dieser Wert, desto lnger braucht die Hllkurve, um vom Anschwellpegel (attack-level) zum Dauerpegel (sustain-level) abzufallen. Whlen Sie einen kleinen Wert fr Instrumente wie Klavier.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewBenutzen Sie diesen Knopf, um die Haltezeit (hold) der aktuellen Hllkurve zu setzen. Je grer der Wert, desto lnger hlt die Hllkurve den Anschwellpegel, bevor sie zum Haltepegel (sustain-level) abfllt.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewBenutzen Sie diesen Knopf, um die Modulationsintensitt des aktuellen LFOs einzustellen. Je grer der Wert, desto mehr wird die gewhlte Gre (z.B. Lautstrke oder Cuttoff-Frequenz) von diesem LFO beeinflusst.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewBenutzen Sie diesen Knopf, um die Modulationsintensitt fr die aktuelle Hllkurve einzustellen. Je grer dieser Wert, desto mehr wird die gewhlte Gre (z.B. Lautstrke oder Cutoff-Frequenz) von der Hllkurve beeinflusst.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoViewpBenutzen Sie diesen Knopf, um die Verzgerung (predelay) fr die aktuelle Hllkurven einzustellen. Je grer dieser Wert, desto lnger dauert es, bis die eigentliche Hllkurve beginnt.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoViewLBenutzen Sie diesen Knopf, um die Verzgerungszeit fr den aktuellen LFO einzustellen. Je grer dieser Wert, desto lnger die Zeit, bis der LFO anfngt zu schwingen.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewBenutzen Sie diesen Knopf, um die Ausklingzeit der aktuellen Hllkurve einzustellen. Je grer der Wert, desto lnger braucht die Hllkurve um vom Dauerpegel (sustain-level) auf Null abzufallen. Whlen Sie einen groen Wert fr weiche Instrumente, wie z.B. Streicher.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewxBenutzen Sie diesen Knopf, um die Geschwindigkeit fr den aktuellen LFO einzustellen. Je grer der Wert, desto schneller schwingt der LFO und desto schneller ist der entsprechende Effekt.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoViewBenutzen Sie diesen Knopf, um den Dauerpegel (sustain-level) fr die aktuelle Hllkurve einzustellen. Je grer dieser Wert, desto hher der Pegel, den die Hllkurve hlt, bevor sie auf Null abfllt.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoViewfHllkurvenintensitt durch diesen LFO kontrollieren#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoViewFLFO-Frequenz mit 100 multiplizierenmultiply LFO-frequency by 100EnvelopeAndLfoView128 KBit/s 128 KBit/sExportProjectDialog"16 Bit Ganzzahlen16 Bit IntegerExportProjectDialog160 KBit/s 160 KBit/sExportProjectDialog192 KBit/s 192 KBit/sExportProjectDialog192000 Hz 192000 HzExportProjectDialog1x (keine) 1x (None)ExportProjectDialog256 KBit/s 256 KBit/sExportProjectDialog2x2xExportProjectDialog.32-Bit-Gleitkommazahlen 32 Bit FloatExportProjectDialog320 KBit/s 320 KBit/sExportProjectDialog44100 Hz44100 HzExportProjectDialog48000 Hz48000 HzExportProjectDialog4x4xExportProjectDialog64 KBit/s 64 KBit/sExportProjectDialog88200 Hz88200 HzExportProjectDialog8x8xExportProjectDialog96000 Hz96000 HzExportProjectDialog0Alias-freie OszillatorenAlias-free oscillatorsExportProjectDialogBitrate:Bitrate:ExportProjectDialogAbbrechenCancelExportProjectDialogGenauigkeit:Depth:ExportProjectDialog&Projekt exportierenExport projectExportProjectDialogDateiformat: File format:ExportProjectDialogInterpolation:Interpolation:ExportProjectDialogAusgabeOutputExportProjectDialoghberabtastung (oversampling) (mit Vorsicht nutzen!):Oversampling (use with care!):ExportProjectDialogBitte beachten Sie, dass nicht alle der obigen Parameter fr alle Dateiformate relevant sind.LPlease note that not all of the parameters above apply for all file formats.ExportProjectDialog,QualittseinstellungenQuality settingsExportProjectDialog0Sample-genaue ControllerSample-exact controllersExportProjectDialogAbtastrate: Samplerate:ExportProjectDialog@Sinc - am besten (sehr langsam!)Sinc Best (very slow!)ExportProjectDialog*Sinc - am schnellsten Sinc FastestExportProjectDialog2Sinc - Normal (empfohlen)Sinc Medium (recommended)ExportProjectDialog StartStartExportProjectDialogZero Order HoldZero Order HoldExportProjectDialog FX %1FX %1FxMixer MasterMasterFxMixerbBitte einen neuen Namen fr den FX-Kanal eingeben&Enter the new name for this FX channel FxMixerViewFX-Schieber %1 FX Fader %1 FxMixerViewFX-MixerFX-Mixer FxMixerView StummMute FxMixerView:Diesen FX-Kanal stummschaltenMute this FX channel FxMixerView&FX-Kanal umbenennenRename FX channel FxMixerView KANALCHANNELInstrumentMidiIOView.MIDI-EINGANG AKTIVIERENENABLE MIDI INPUTInstrumentMidiIOView.MIDI-AUSGANG AKTIVIERENENABLE MIDI OUTPUTInstrumentMidiIOViewtMIDI Gerte, von denen MIDI-Events empfangen werden sollen(MIDI devices to receive MIDI events fromInstrumentMidiIOViewlMIDI-Gerte, an die MIDI-Events gesendet werden sollen#MIDI devices to send MIDI events toInstrumentMidiIOViewPROGRAMMPROGRAMInstrumentMidiIOViewLAUTSTRKEVELOCITYInstrumentMidiIOView2x Tiefpass 2x LowPassInstrumentSoundShapingAllpassAllpassInstrumentSoundShapingBandpass csg BandPass csgInstrumentSoundShapingBandpass czpg BandPass czpgInstrumentSoundShapingKENNFREQCUTOFFInstrumentSoundShapingKennfrequenzCutoff frequencyInstrumentSoundShapingHllkurven/LFOsEnvelopes/LFOsInstrumentSoundShapingFiltertyp Filter typeInstrumentSoundShapingHochpassHiPassInstrumentSoundShapingTiefpassLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShaping NotchNotchInstrumentSoundShapingQ/Resonanz Q/ResonanceInstrumentSoundShaping RC-Bandpass 12dBRC BandPass 12dBInstrumentSoundShaping RC-Bandpass 24dBRC BandPass 24dBInstrumentSoundShaping RC-Hochpass 12dBRC HighPass 12dBInstrumentSoundShaping RC-Hochpass 24dBRC HighPass 24dBInstrumentSoundShaping RC-Tiefpass 12dBRC LowPass 12dBInstrumentSoundShaping RC-Tiefpass 24dBRC LowPass 24dBInstrumentSoundShapingRESORESOInstrumentSoundShapingResonanz ResonanceInstrumentSoundShapingLAUTSTRKEVOLUMEInstrumentSoundShaping&Vokalformant-FilterVocal Formant FilterInstrumentSoundShapingLautstrkeVolumeInstrumentSoundShapingKENNFREQCUTOFFInstrumentSoundShapingView FILTERFILTERInstrumentSoundShapingViewTHier knnen Sie den eingebauten Filter whlen, den Sie in dieser Instrument-Spur nutzen wollen. Filter sind sehr wichtig, um die Charakteristik eines Klangs zu verndern.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRESORESOInstrumentSoundShapingViewResonanz: Resonance:InstrumentSoundShapingViewZIELTARGETInstrumentSoundShapingViewDiese Tabs enthalten Hllkurven. Diese sind sehr wichtig, um einen Klang zu verndern, insbesondere bei der substraktiven Synthese. Wenn Sie zum Beispiel eine Lautstrke-Hllkurve haben, knnen Sie festlegen, wann der Klang welchen Lautstrke-Pegel haben soll. Vielleicht wollen Sie ein weiches Streichinstrument erstellen. Dann muss ihr Sound sehr sanft ein- und ausgeblendet werden. Das kann man ganz einfach erreichen, indem man eine groe Anschwell(attack)- und Ausklingzeit (release) einstellt. Mit anderen Hllkurven, wie Balance, Kennfrequenz des benutzten Filters usw., ist es genau das Gleiche. Probieren Sie einfach ein bisschen herum! Mit ein paar Hllkurven kann man aus einer Sgezahn-Welle wirklich coole Klnge machen...!_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingViewBenutzen Sie diesen Knopf, um Q/die Resonanz fr den gewhlten Filter einzustellen. Q/Resonanz teilt dem Filter mit, wie stark er die Frequenzen in der Nhe der Cutoff-Frequenz verstrken soll.Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingViewBenutzen Sie diesen Knopf, um die Kennfrequenz (cutoff-frequency) fr den gewhlten Filter einzustellen. Die Kennfrequenz wird vom Filter zum Beschneiden des Signals verwendet. Zum Beispiel filtert ein Tiefpass-Filter alle Frequenzen oberhalb der Kennfrequenz heraus. Ein Hochpass-Filter filtert alle Frequenzen unterhalb der Kennfrequenz heraus usw...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingViewKennfrequenz:cutoff-frequency:InstrumentSoundShapingViewGrundton Base noteInstrumentTrackStandard-PresetDefault presetInstrumentTrackFX-Kanal FX channelInstrumentTrackPanningPanningInstrumentTrackTonhhePitchInstrumentTrackLautstrkeVolumeInstrumentTrackMit diesem Knopf knnen Sie die Lautstrke des geffneten Kanals ndern.Zeige/verstecke Controller-RackShow/hide controller rack MainWindow>Zeige/verstecke Projekt-NotizenShow/hide project notes MainWindow2Das LMMS-Arbeitsverzeichnis %1 existiert nicht. Soll es jetzt erstellt werden? Sie knnen das Verzeichnis spter ber Bearbeiten -> Einstellungen ndern.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowDas aktuelle Projekt wurde seit dem letzten Speichern gendert. Wollen Sie es jetzt speichern?OThe current project was modified since last saving. Do you want to save it now? MainWindowRckgngigUndo MainWindowUnbenanntUntitled MainWindowWas ist das? What's this? MainWindow$ArbeitsverzeichnisWorking directory MainWindowTakt/NennerMeter Denominator MeterDialogTakt/ZhlerMeter Numerator MeterDialogTAKTARTTIME SIG MeterDialog Nenner Denominator MeterModel Zhler Numerator MeterModel GERTDEVICEMidiAlsaRaw::setupWidget GERTDEVICEMidiAlsaSeq::setupWidgetMIDI-ControllerMIDI ControllerMidiController6unbenannter_midi_controllerunnamed_midi_controllerMidiController4Unvollstndige EinrichtungSetup incomplete MidiImportSie haben LMMS ohne das SoundFont2-Player-Plugin gebaut. Dieses Plugin wird normalerweise benutzt, um Standardklnge bei importierten MIDI-Dateien einzurichten. Aus diesem Grund werden Sie nach dem Import der MIDI-Datei nichts hren.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiImporthSie haben keine Standard-Soundfont im Einstellungsdialog (Bearbeiten->Einstellungen) festgelegt. Aus diesem Grund werden Sie nach dem Import der MIDI-Datei whrend der Wiedergabe nichts hren. Sie sollten eine General-MIDI-Soundfont herunterladen, diese im Einstellungsdialog angeben und es erneut versuchen.You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. MidiImport GERTDEVICEMidiOss::setupWidget0Feste EingangslautstrkeFixed input velocityMidiPort0Feste AusgangslautstrkeFixed output velocityMidiPortEingangskanal Input channelMidiPort$EingangscontrollerInput controllerMidiPort,Ausgangs-MIDI-ProgrammOutput MIDI programMidiPortAusgangskanalOutput channelMidiPort$AusgangscontrollerOutput controllerMidiPort2MIDI-Ereignisse empfangenReceive MIDI-eventsMidiPort,MIDI-Ereignisse sendenSend MIDI-eventsMidiPort"Modulationsart %1Modulation type %1OscillatorObject<Oszillator %1 Grob-VerstimmungOsc %1 coarse detuningOscillatorObjectHOszillator %1 Fein-Verstimmung linksOsc %1 fine detuning leftOscillatorObjectJOszillator %1 Fein-Verstimmung rechtsOsc %1 fine detuning rightOscillatorObject*Oszillator %1 BalanceOsc %1 panningOscillatorObjectBOszillator %1 Phasen-VerschiebungOsc %1 phase-offsetOscillatorObjectPOszillator %1 Stereo Phasen-VerschiebungOsc %1 stereo phase-detuningOscillatorObject0Oszillator %1 Lautstrke Osc %1 volumeOscillatorObject0Oszillator %1 WellenformOsc %1 wave shapeOscillatorObject0Oszillator %1 WellenformOsc %1 waveformOscillatorObjectKlicken Sie hier, um eine andere Patch-Datei zu laden. Wiederholungs- und Stimmungseinstellungen werden nicht zurckgesetzt.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanView&Hier knnen Sie den Wiederholen-Modus (de-)aktivieren. Wenn aktiviert, verwendet PatMan die in der Datei verfgbaren Informationen zum Wiederholen.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewHier knnen Sie den Stimmungs-Modus (de-)aktivieren. Wenn aktiviert, wird der Klang automatisch an die Frequenz der Note angepasst.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanViewWiederholenLoop PatmanView,Modus beim Wiederholen Loop mode PatmanView,Keine Datei ausgewhltNo file selected PatmanView2Andere Patch-Datei ffnenOpen other patch PatmanView$Patch-Datei ffnenOpen patch file PatmanView*Patch-Dateien (*.pat)Patch-Files (*.pat) PatmanViewStimmungTune PatmanViewStimmungsmodus Tune mode PatmanViewPeak ControllerPeak ControllerPeakControllerLFO-ControllerLFO ControllerPeakControllerDialogPEAKPEAKPeakControllerDialogAMTAMT!PeakControllerEffectControlDialog ATTACKATTACK!PeakControllerEffectControlDialog.Anschwellzeit (attack):Attack:!PeakControllerEffectControlDialogBASEBASE!PeakControllerEffectControlDialogGrundstrke: Base amount:!PeakControllerEffectControlDialog DECAYDECAY!PeakControllerEffectControlDialog,Modulationsintensitt:Modulation amount:!PeakControllerEffectControlDialog.Ausklingzeit (release):Release:!PeakControllerEffectControlDialog,Anschwellzeit (attack)AttackPeakControllerEffectControlsGrundwert Base valuePeakControllerEffectControls*ModulationsintensittModulation amountPeakControllerEffectControls*Ausgang stummschalten Mute outputPeakControllerEffectControls,Ausklingzeit (release)ReleasePeakControllerEffectControlsGrundton Base note PianoView:Fehler beim Laden des PluginsError while loading pluginPluginXDas Plugin "%1" konnte nicht geladen werden!Failed to load plugin "%1"!Plugin*Plugin nicht gefundenPlugin not foundPluginDas Plugin "%1" konnte nicht gefunden oder geladen werden! Grund: "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin<Komprimierte OGG-Datei (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer"WAV-Datei (*.wav)WAV-File (*.wav)ProjectRenderer"Eingangs-Kanle:  Channels In: QWidget"Ausgangs-Kanle: Channels Out: QWidgetCopyright:  Copyright: QWidgetDatei: File: QWidget6Operationen nicht In-Place:In Place Broken: QWidgetHersteller: Maker: QWidget Name: Name: QWidgetNeinNoQWidgetEchtzeitfhig: Real Time Capable: QWidget&Bentigt Echtzeit: Requires Real Time: QWidgetJaYesQWidget &Hilfe&Help TempoSyncKnob16tel Note 16th note TempoSyncKnob32tel Note 32nd note TempoSyncKnobAchtelnote8th note TempoSyncKnob$ BenutzerdefiniertCustom  TempoSyncKnob(Benutzerdefiniert... Custom... TempoSyncKnobAcht Schlge Eight beats TempoSyncKnobHalbe Note Half note TempoSyncKnob*Keine SynchronisationNo Sync TempoSyncKnobViertelnote Quarter note TempoSyncKnob:Mit 16tel Note synchronisiertSynced to 16th Note TempoSyncKnob:Mit 32tel Note synchronisiertSynced to 32nd Note TempoSyncKnob:Mit Achtelnote synchronisiertSynced to 8th Note TempoSyncKnob@Mit acht Schlgen synchronisiertSynced to Eight Beats TempoSyncKnob<Mit halber Note synchronisiertSynced to Half Note TempoSyncKnob<Mit Viertelnote synchronisiertSynced to Quarter Note TempoSyncKnob<Mit ganzer Note synchronisiertSynced to Whole Note TempoSyncKnob*Tempo-Synchronisation Tempo Sync TempoSyncKnobGanze Note Whole note TempoSyncKnobFMische Ausgang von Oszillator 1 & 2Mix output of oscillator 1 & 2TripleOscillatorViewFMische Ausgang von Oszillator 2 & 3Mix output of oscillator 2 & 3TripleOscillatorView>Oszillator %1 Grob-Verstimmung:Osc %1 coarse detuning:TripleOscillatorViewJOszillator %1 Fein-Verstimmung links:Osc %1 fine detuning left:TripleOscillatorViewLOszillator %1 Fein-Verstimmung rechts:Osc %1 fine detuning right:TripleOscillatorView,Oszillator %1 Balance:Osc %1 panning:TripleOscillatorViewDOszillator %1 Phasen-Verschiebung:Osc %1 phase-offset:TripleOscillatorViewROszillator %1 Stereo Phasen-Verschiebung:Osc %1 stereo phase-detuning:TripleOscillatorView2Oszillator %1 Lautstrke:Osc %1 volume:TripleOscillatorViewXSynchronisiere Oszillator 1 mit Oszillator 2*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewXSynchronisiere Oszillator 2 mit Oszillator 3*Synchronize oscillator 2 with oscillator 3TripleOscillatorViewxMoog-hnliche Sgezahnwelle fr aktuellen Oszillator nutzen.0Use a moog-like saw-wave for current oscillator.TripleOscillatorView\Sgezahnwelle fr aktuellen Oszillator nutzen.&Use a saw-wave for current oscillator.TripleOscillatorViewVSinuswelle fr aktuellen Oszillator nutzen.'Use a sine-wave for current oscillator.TripleOscillatorView^Rechteckswelle fr aktuellen Oszillator nutzen.)Use a square-wave for current oscillator.TripleOscillatorView\Dreieckswelle fr aktuellen Oszillator nutzen.+Use a triangle-wave for current oscillator.TripleOscillatorView|Benutzerdefinierte Wellenform fr aktuellen Oszillator nutzen.3Use a user-defined waveform for current oscillator.TripleOscillatorViewAmplitudenmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulierenFUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewAmplitudenmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulierenFUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewbExponentialwelle fr aktuellen Oszillator nutzen./Use an exponential wave for current oscillator.TripleOscillatorViewFrequenzmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulierenFUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewFrequenzmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulierenFUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewPhasenmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulierenBUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewPhasenmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulierenBUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorView`Weies Rauschen fr aktuellen Oszillator nutzen.'Use white-noise for current oscillator.TripleOscillatorViewMit diesem Knopf knnen Sie die grobe Verstimmung von Oszillator %1 setzen. Sie knnen den Oszillator 12 Halbtne (1 Oktave) nach oben und unten verstimmen. Das ist ntzlich, wenn Sie einen Sound mit einem Akkord erstellen mchten.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewMit diesem Knopf knnen Sie die Fein-Verstimmung von Oszillator %1 fr den linken Kanal einstellen. Die Fein-Verstimmung liegt zwischen -100 Cent und +100 Cent. Das ist ntzlich, um "fette" Sounds zu erzeugen.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewMit diesem Knopf knnen Sie die Fein-Verstimmung von Oszillator %1 fr den rechten Kanal einstellen. Die Fein-Verstimmung liegt zwischen -100 Cent und +100 Cent. Das ist ntzlich, um "fette" Sounds zu erzeugen.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewPMit diesem Knopf knnen Sie die Balance von Oszillator %1 setzen. Ein Wert von -100 heit 100% links und ein Wert von 100 verschiebt den Oszillator-Ausgang nach rechts.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewMit diesem Knopf knnen Sie die Phasen-Verschiebung von Oszillator %1 setzen. Das heit, Sie knnen den Punkt innerhalb einer Schwingung verschieben, an dem der Oszillator anfangen soll zu schwingen. Wenn Sie zum Beispiel eine Sinus-Welle haben und eine Phasen-Verschiebung von 180 Grad einstellen, wird die Welle zu erst runter gehen. Das gleiche trifft auch bei einer Rechteck-Welle zu.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorView8Mit diesem Knopf knnen Sie die Stereo Phasen-Verschiebung von Oszillator %1 setzen. Die Stereo Phasen-Verschiebung gibt die Differenz zwischen den Phasen-Verschiebungen zwischen dem linken und rechten Kanal an. Dies eignet sich gut, um grorumig-klingende Stereo-Klnge zu erzeugen.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorViewMit diesem Knopf knnen Sie die Lautstrke von Oszillator %1 setzen. Wenn Sie einen Wert von 0 setzen, wird der Oszillator ausgeschaltet. Ansonsten knnen Sie ihn so laut hren, wie Sie es hier einstellen.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorViewCentcentsTripleOscillatorViewGraddegreesTripleOscillatorViewHalbtne semitonesTripleOscillatorView|Klicken Sie hier, um aktuell geladene VST-Presets auszuwhlen.>Click here to select presets that are currently loaded in VST.VestigeInstrumentViewKlicken Sie hier, um die grafische Oberflche (GUI) Ihres VST-Plugins anzuzeigen bzw. zu verstecken.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentView~Klicken Sie hier, um das VST-Plugin von LMMS aus fernzusteuern.8Click here, if you want to control VST-plugin from host.VestigeInstrumentViewKlicken Sie hier, um eine andere *.fxp, *.fxb-Preset-Datei fr das VST-Plugin zu laden.GClick here, if you want to open another *.fxp, *.fxb VST-plugin preset.VestigeInstrumentViewPKlicken Sie hier, um ein anderes VST-Plugin zu ffnen. Nachdem Sie auf diesen Button geklickt haben, erscheint ein Datei-ffnen-Dialog und Sie knnen Ihre Datei whlen.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentViewKlicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern.BClick here, if you want to save current VST-plugin preset program.VestigeInstrumentViewKlicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln.GClick here, if you want to switch to another VST-plugin preset program.VestigeInstrumentView>VST-Plugin von LMMS fernsteuern!Control VST-plugin from LMMS hostVestigeInstrumentView&DLL-Dateien (*.dll)DLL-files (*.dll)VestigeInstrumentView&EXE-Dateien (*.exe)EXE-files (*.exe)VestigeInstrumentViewNchstes (+)Next (+)VestigeInstrumentView.Kein VST-Plugin geladenNo VST-plugin loadedVestigeInstrumentView"VST-Plugin ffnenOpen VST-pluginVestigeInstrumentView0VST-Plugin-Preset ffnenOpen VST-plugin presetVestigeInstrumentView0Anderes VST-Plugin ladenOpen other VST-pluginVestigeInstrumentView PresetPresetVestigeInstrumentViewVorheriges (-) Previous (-)VestigeInstrumentView Preset speichern Save presetVestigeInstrumentView*GUI zeigen/verstecken Show/hide GUIVestigeInstrumentView,Alle Noten ausschaltenTurn off all notesVestigeInstrumentViewvonbyVestigeInstrumentView|Klicken Sie hier, um aktuell geladene VST-Presets auszuwhlen.>Click here to select presets that are currently loaded in VST.VstEffectControlDialog~Klicken Sie hier, um das VST-Plugin von LMMS aus fernzusteuern.8Click here, if you want to control VST-plugin from host.VstEffectControlDialogKlicken Sie hier, um eine andere *.fxp, *.fxb-Preset-Datei fr das VST-Plugin zu laden.GClick here, if you want to open another *.fxp, *.fxb VST-plugin preset.VstEffectControlDialogKlicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern.BClick here, if you want to save current VST-plugin preset program.VstEffectControlDialogKlicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln.GClick here, if you want to switch to another VST-plugin preset program.VstEffectControlDialog>VST-Plugin von LMMS fernsteuern!Control VST-plugin from LMMS hostVstEffectControlDialogNchstes (+)Next (+)VstEffectControlDialog0VST-Plugin-Preset ffnenOpen VST-plugin presetVstEffectControlDialogVorheriges (-) Previous (-)VstEffectControlDialog Preset speichern Save presetVstEffectControlDialogBVST-Effekt-GUI anzeigen/verbergenShow/hide VST FX GUIVstEffectControlDialog.FXB.FXB VstPlugin.FXP.FXP VstPlugin.fxb.fxb VstPlugin.fxp.fxp VstPluginHLaden des VST-Plugins fehlgeschlagenFailed loading VST-plugin VstPluginLade PluginLoading plugin VstPluginPreset ffnen Open Preset VstPluginhBitte warten, whrend das VST-Plugin geladen wird...'Please wait while loading VST-plugin... VstPlugin Preset speichern Save Preset VstPluginZDas VST-Plugin %1 konnte aus irgendeinem Grund nicht geladen werden. Wenn es mit anderer VST-Software unter Linux funktioniert, kontaktieren Sie bitte einen LMMS-Entwickler!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPlugin>VST-Plugin-Preset (*.fxp *.fxb)Vst Plugin Preset (*.fxp *.fxb) VstPluginBandbreite BandwidthZynAddSubFxInstrumentFilterfrequenzFilter FrequencyZynAddSubFxInstrumentFilterresonanzFilter ResonanceZynAddSubFxInstrumentVMIDI-Control-Change-Ereignisse weiterleiten"Forward MIDI Control Change EventsZynAddSubFxInstrumentPortamento PortamentoZynAddSubFxInstrument$ResonanzbandbreiteResonance BandwidthZynAddSubFxInstrument2Zentrale ResonanzfrequenzResonance Center FrequencyZynAddSubFxInstrumentBWBWZynAddSubFxViewBandbreite: Bandwidth:ZynAddSubFxViewKlicken Sie hier, um die grafische Oberflche von ZynAddSubFX anzuzeigen bzw. auszublenden.MClick here to show or hide the graphical user interface (GUI) of ZynAddSubFX.ZynAddSubFxViewFREQFREQZynAddSubFxViewFilterfrequenz:Filter Frequency:ZynAddSubFxViewFilterresonanz:Filter Resonance:ZynAddSubFxViewHMIDI-Control-nderungen weiterleitenForward MIDI Control ChangesZynAddSubFxViewPORTPORTZynAddSubFxViewPortamento: Portamento:ZynAddSubFxViewRESRESZynAddSubFxView&Resonanzbandbreite:Resonance bandwidth:ZynAddSubFxView4Zentrale Resonanzfrequenz:Resonance center frequency:ZynAddSubFxViewGUI anzeigenShow GUIZynAddSubFxViewVerstrkungAmplifyaudioFileProcessorSample-Ende End of sampleaudioFileProcessorWiederholenLoopaudioFileProcessorSample umkehrenReverse sampleaudioFileProcessorSample-AnfangStart of sampleaudioFileProcessorFREQFREQbassBoosterControlDialogFrequenz: Frequency:bassBoosterControlDialogGAINGAINbassBoosterControlDialog Gain:Gain:bassBoosterControlDialogRATERATIObassBoosterControlDialog Rate:Ratio:bassBoosterControlDialogFrequenz FrequencybassBoosterControlsGainGainbassBoosterControlsRateRatiobassBoosterControls4Automation-Spur hinzufgenAdd automation-trackbbEditor0Beat/Bassline hinzufgenAdd beat/basslinebbEditor(Beat+Bassline EditorBeat+Bassline EditorbbEditorKlicken Sie hier, um den aktuelle Beat/Bassline abzuspielen. Der Beat/Bassline wird am Ende automatisch wiederholt.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorKlicken Sie hier, um das Abspielen des aktuellen Beats/Bassline zu stoppen (Leertaste).4Click here to stop playing of current beat/bassline.bbEditornAktuellen Beat/Bassline abspielen/pausieren (Leertaste)(Play/pause current beat/bassline (Space)bbEditortAbspielen des aktuellen Beats/Bassline stoppen (Leertaste).Stop playback of current beat/bassline (Space)bbEditorFarbe ndern Change color bbTCOViewName ndern Change name bbTCOView<Im Beat+Bassline-Editor ffnenOpen in Beat+Bassline-Editor bbTCOView"Name zurcksetzen Reset name bbTCOView Beat/Bassline %1Beat/Bassline %1bbTrackKlon von %1 Clone of %1bbTrackSample-Lnge Samplelength bitInvader4Klick fr eine Sinuswelle.Click for a sine-wave.bitInvaderView:Klick fr eine Sgezahnwelle.Click here for a saw-wave.bitInvaderView<Klick fr eine Rechteckswelle.Click here for a square-wave.bitInvaderView:Klick fr eine Dreieckswelle.Click here for a triangle-wave.bitInvaderViewZKlick fr eine benutzerdefinierte Wellenform.$Click here for a user-defined shape.bitInvaderView4Klick fr weies Rauschen.Click here for white-noise.bitInvaderView^Klicken Sie hier, um die Wellenform zu gltten.Click here to smooth waveform.bitInvaderViewZeichnen Sie eigene Wellenformen, indem Sie die Maus ber den Graph ziehen.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderViewInterpolation InterpolationbitInvaderViewNormalisieren NormalizebitInvaderViewSample-Lnge Sample LengthbitInvaderViewSgezahn-WelleSaw wavebitInvaderViewSinus-Welle Sine wavebitInvaderViewGlttenSmoothbitInvaderViewRechtecks-Welle Square wavebitInvaderViewDreiecks-Welle Triangle wavebitInvaderView0Benutzerdefinierte WelleUser defined wavebitInvaderViewWeies RauschenWhite noise wavebitInvaderView2Konnte Datei nicht ffnenCould not open fileexportProjectDialogDie Datei %1 konnte nicht zum Schreiben geffnet werden. Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeichnis, das diese Datei enthlt, besitzen und versuchen es erneut!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog FehlerErrorexportProjectDialogFehler beim Bestimmen des Datei-Enkoder-Gerts. Bitte whlen Sie ein anderes Ausgabeformat.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog6Projekt nach %1 exportierenExport project to %1exportProjectDialogRendere: %1%Rendering: %1%exportProjectDialogBrowserBrowser fileBrowser:--- Mitgelieferte Dateien ------ Factory files ---fileBrowserTreeWidgetLade SampleLoading samplefileBrowserTreeWidgetXIn neuer Instrumentspur im B+B-Editor ffnen'Open in new instrument-track/B+B EditorfileBrowserTreeWidgetZIn neuer Instrumentspur im Song-Editor ffnen(Open in new instrument-track/Song-EditorfileBrowserTreeWidgetRBitte warten, lade Sample fr Vorschau...*Please wait, loading sample for preview...fileBrowserTreeWidget>An aktive Instrumentspur sendenSend to active instrument-trackfileBrowserTreeWidget GraphGraph graphModelAbfallzeitDecaykickerInstrumentVerzerrung DistortionkickerInstrumentEndfrequenz End frequencykickerInstrumentGainGainkickerInstrumentStartfrequenzStart frequencykickerInstrument&Abfallzeit (decay):Decay:kickerInstrumentViewVerzerrung: Distortion:kickerInstrumentViewEndfrequenz:End frequency:kickerInstrumentView Gain:Gain:kickerInstrumentViewStartfrequenz:Start frequency:kickerInstrumentView &Hilfe&HelpknobpBitte geben Sie einen neuen Wert zwischen %1 und %2 ein:+Please enter a new value between %1 and %2:knob|Bitte geben Sie einen Wert zwischen -96.0 dBV und 6.0 dBV ein:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob AnalysewerkzeugeAnalysis ToolsladspaBrowserView$Verfgbare EffekteAvailable EffectsladspaBrowserViewWei nicht Don't knowladspaBrowserViewInstrumente InstrumentsladspaBrowserViewTyp:Type:ladspaBrowserView0Nicht verfgbare EffekteUnavailable EffectsladspaBrowserViewBeschreibung DescriptionladspaDescriptionPluginsPluginsladspaDescription AudioAudioladspaPortDialogSteuerungControlladspaPortDialogRichtung DirectionladspaPortDialogKommazahlFloatladspaPortDialogEingangInputladspaPortDialogGanzahlIntegerladspaPortDialogLogarithmisch LogarithmicladspaPortDialog(Min < Standard < MaxMin < Default < MaxladspaPortDialogNameNameladspaPortDialogAusgangOutputladspaPortDialog PortsPortsladspaPortDialogRateRateladspaPortDialogSR-abhngig SR DependentladspaPortDialogUmgeschaltetToggledladspaPortDialogTypTypeladspaPortDialogJaYesladspaPortDialog24db/Okt Filter24dB/oct Filter lb302SynthBetonungAccent lb302SynthVerzerrung Distortion lb302Synth SlideSlide lb302Synth Slide-Abfallzeit Slide Decay lb302Synth VCF-KennfrequenzVCF Cutoff Frequency lb302Synth0VCF-HllkurvenabfallzeitVCF Envelope Decay lb302Synth0VCF-HllkurvenintensittVCF Envelope Mod lb302SynthVCF-Resonanz VCF Resonance lb302SynthWellenformWaveform lb302SynthFREQCUTlb302SynthView4Klick fr eine Sinuswelle.Click for a sine-wave.lb302SynthViewFKlick fr eine Moog-hnliche Welle. Click here for a moog-like wave.lb302SynthView:Klick fr eine Sgezahnwelle.Click here for a saw-wave.lb302SynthViewVKlick fr eine abgerundete Rechtecks-Welle.0Click here for a square-wave with a rounded end.lb302SynthView<Klick fr eine Rechteckswelle.Click here for a square-wave.lb302SynthView:Klick fr eine Dreieckswelle.Click here for a triangle-wave.lb302SynthViewBKlick fr eine Exponential-Welle.#Click here for an exponential wave.lb302SynthView4Klick fr weies Rauschen.Click here for white-noise.lb302SynthViewKennfrequenz: Cutoff Freq:lb302SynthViewDECDEClb302SynthViewDISTDISTlb302SynthView DIST:DIST:lb302SynthView&Abfallzeit (decay):Decay:lb302SynthViewENV-MODENV MODlb302SynthView,Hllkurven-Modulation:Env Mod:lb302SynthViewMoog-Welle Moog wavelb302SynthViewRESRESlb302SynthViewResonanz: Resonance:lb302SynthView6Abgerundete Rechtecks-WelleRounded square wavelb302SynthView SLIDESLIDElb302SynthViewSgezahn-WelleSaw wavelb302SynthViewSinus-Welle Sine wavelb302SynthView"Slide-Abfallzeit: Slide Decay:lb302SynthViewRechtecks-Welle Square wavelb302SynthViewDreiecks-Welle Triangle wavelb302SynthViewWeies RauschenWhite noise wavelb302SynthView24db/Okt Filter24dB/oct Filter lb303SynthBetonungAccent lb303SynthVerzerrung Distortion lb303Synth SlideSlide lb303Synth Slide-Abfallzeit Slide Decay lb303Synth VCF-KennfrequenzVCF Cutoff Frequency lb303Synth0VCF-HllkurvenabfallzeitVCF Envelope Decay lb303Synth0VCF-HllkurvenintensittVCF Envelope Mod lb303SynthVCF-Resonanz VCF Resonance lb303SynthWellenformWaveform lb303SynthFREQCUTlb303SynthViewKennfrequenz: Cutoff Freq:lb303SynthViewDECDEClb303SynthViewDISTDISTlb303SynthView DIST:DIST:lb303SynthView&Abfallzeit (decay):Decay:lb303SynthViewENV-MODENV MODlb303SynthView,Hllkurven-Modulation:Env Mod:lb303SynthViewRESRESlb303SynthViewResonanz: Resonance:lb303SynthView SLIDESLIDElb303SynthView"Slide-Abfallzeit: Slide Decay:lb303SynthView WELLEWAVElb303SynthViewWellenform:WAVE:lb303SynthViewADSRADSRmalletsInstrument AgogoAgogomalletsInstrument BeatsBeatsmalletsInstrumentGestrichenBowedmalletsInstrument ClumpClumpmalletsInstrumentCrossfade CrossfademalletsInstrumentGlasGlassmalletsInstrument HrteHardnessmalletsInstrumentLFO-Tiefe LFO DepthmalletsInstrument&LFO-Geschwindigkeit LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrument Fehlende Dateien Missing filesmalletsInstrumentModulator ModulatormalletsInstrumentBewegungMotionmalletsInstrumentPositionPositionmalletsInstrument DruckPressuremalletsInstrumentResoResomalletsInstrumentGeschwindigkeitSpeedmalletsInstrument WeiteSpreadmalletsInstrumentStick Mix Stick MixmalletsInstrument*Tibetanische Schssel Tibetan BowlmalletsInstrument Glocken in Rhre Tubular BellsmalletsInstrumentTuned Bar Tuned BarmalletsInstrumentTwo Fixed Two FixedmalletsInstrumentUniform Bar Uniform BarmalletsInstrumentVibraphon VibraphonemalletsInstrumentVibrato-Freq Vibrato FreqmalletsInstrumentVibrato Gain Vibrato GainmalletsInstrument Holz 1Wood1malletsInstrument Holz 2Wood2malletsInstrumentIhre Stk-Installation scheint unvollstndig zu sein. Bitte stellen Sie sicher, dass das volle Stk-Paket installiert ist!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRADSRmalletsInstrumentView ADSR:ADSR:malletsInstrumentViewGestrichenBowedmalletsInstrumentViewCrossfade CrossfademalletsInstrumentViewCrossfade: Crossfade:malletsInstrumentView HrteHardnessmalletsInstrumentView Hrte: Hardness:malletsInstrumentViewInstrument InstrumentmalletsInstrumentViewLFO-Tiefe LFO DepthmalletsInstrumentViewLFO-Tiefe: LFO Depth:malletsInstrumentView&LFO-Geschwindigkeit LFO SpeedmalletsInstrumentView(LFO-Geschwindigkeit: LFO Speed:malletsInstrumentViewModulator ModulatormalletsInstrumentViewModulator: Modulator:malletsInstrumentViewBewegungMotionmalletsInstrumentViewBewegung:Motion:malletsInstrumentViewPositionPositionmalletsInstrumentViewPosition: Position:malletsInstrumentView DruckPressuremalletsInstrumentView Druck: Pressure:malletsInstrumentViewGeschwindigkeitSpeedmalletsInstrumentView Geschwindigkeit:Speed:malletsInstrumentView WeiteSpreadmalletsInstrumentView Weite:Spread:malletsInstrumentViewStick Mix Stick MixmalletsInstrumentViewStick Mix: Stick Mix:malletsInstrumentViewVib-FreqVib FreqmalletsInstrumentViewVib-Freq: Vib Freq:malletsInstrumentViewVib GainVib GainmalletsInstrumentViewVib Gain: Vib Gain:malletsInstrumentViewVibratoVibratomalletsInstrumentViewVibrato:Vibrato:malletsInstrumentViewKlicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren.EClick here if you want to synchronize all parameters with VST plugin.manageVSTEffectViewVST-SyncVST SyncmanageVSTEffectViewKlicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren.EClick here if you want to synchronize all parameters with VST plugin.manageVestigeInstrumentViewVST-SyncVST SyncmanageVestigeInstrumentView &Hilfe&HelpnineButtonSelectorVerzerrung DistortionorganicInstrumentLautstrkeVolumeorganicInstrumentVerzerrung: Distortion:organicInstrumentViewJOszillator %1 Fein-Verstimmung links:Osc %1 fine detuning left:organicInstrumentView,Oszillator %1 Balance:Osc %1 panning:organicInstrumentView2Oszillator %1 Lautstrke:Osc %1 volume:organicInstrumentView2Oszillator %1 Wellenform:Osc %1 waveform:organicInstrumentViewZufallswerte RandomiseorganicInstrumentViewLautstrke:Volume:organicInstrumentViewCentcentsorganicInstrumentView:Kann Pattern nicht einfrierenCannot freeze patternpatternDer Pattern kann derzeit nicht eingefroren werden, da Sie sich im Abspiel-Modus befinden. Bitte stoppen Sie und versuchen es erneut!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternAbbrechenCancelpatternFreezeStatusDialog*Friere Pattern ein...Freezing pattern...patternFreezeStatusDialog%1 Steps%1 steps patternView 1 Step1 step patternView Steps hinzufgen Add steps patternViewName ndern Change name patternView$Alle Noten lschenClear all notes patternViewEinfrierenFreeze patternView(Im Piano-Roll ffnenOpen in piano-roll patternView"Erneut einfrierenRefreeze patternViewSteps entfernen Remove steps patternView"Name zurcksetzen Reset name patternViewAusfrierenUnfreeze patternViewDoppelklick, um diesen Pattern im Piano-Roll zu ffnen Lautstrke eines Steps kann mit Mausrad gendert werdenWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewKlicken Sie hier, um die Noten aus der Zwischenablage im ersten sichtbaren Takt einzufgen.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRollvKlicken Sie hier, um die markierten Noten in die Zwischenablage zu kopieren. Sie knnen sie berall in einem beliebigen Pattern wieder einfgen, indem Sie auf den Einfgen-Button klicken.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll|Klicken Sie hier, um die markierten Noten in die Zwischenablage auszuschneiden. Sie knnen sie berall in einem beliebigen Pattern wieder einfgen, indem Sie auf den Einfgen-Button klicken.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll>Klicken Sie hier, um den aktuellen Pattern abzuspielen. Das ist ntzlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn sein Ende erreicht ist.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRoll>Klicken Sie hier, um Noten von einem MIDI-Gert oder dem virtuellen Test-Klavier des zugehrigen Kanal-Fensters in den aktuellen Pattern aufzunehmen. Beim Aufnehmen werden alle Noten, die Sie spielen, in diesen Pattern geschrieben und hinterher knnen Sie diese abspielen und bearbeiten.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRollKlicken Sie hier, um die Wiedergabe des aktuellen Patterns zu stoppen./Click here to stop playback of current pattern. pianoRollFAusgewhlte Noten kopieren (Strg+C)Copy selected notes (Ctrl+C) pianoRollNAusgewhlte Noten ausschneiden (Strg+X)Cut selected notes (Ctrl+X) pianoRoll6Verstimmungsmodus (Shift+T)Detune mode (Shift+T) pianoRoll6Zeichnen-Modus (Umschalt+D)Draw mode (Shift+D) pianoRoll2Radier-Modus (Umschalt+E)Erase mode (Shift+E) pianoRollLetzte Note Last note pianoRoll4Aktuellen Akkord markierenMark current chord pianoRoll6Aktuelle Tonleite markierenMark current scale pianoRollNAktuellen Halbton markieren/demarkierenMark/unmark current semitone pianoRollKein AkkordNo chord pianoRollKeine TonleiterNo scale pianoRoll Noten-lautstrke Note Volume pianoRollTNoten aus Zwischenablage einfgen (Strg+V)#Paste notes from clipboard (Ctrl+V) pianoRollPiano-Roll - %1Piano-Roll - %1 pianoRoll2Piano-Roll - Kein PatternPiano-Roll - no pattern pianoRollbAktuellen Pattern abspielen/pausieren (Leertaste)"Play/pause current pattern (Space) pianoRollxBitte ffnen Sie einen Pattern, indem Sie ihn doppelklicken!/Please open a pattern by double-clicking on it! pianoRollXNoten von MIDI-Gert/Kanal-Klavier aufnehmen+Record notes from MIDI-device/channel-piano pianoRollNoten vom MIDI-Gert/Kanal-Klavier aufnehmen whrend der Song oder BB-Track abgespielt wirdJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll4Auswahl-Modus (Umschalt+S)Select mode (Shift+S) pianoRollhAbspielen des aktuellen Patterns stoppen (Leertaste)'Stop playing of current pattern (Space) pianoRoll8Alles Markierungen entfernen Unmark all pianoRoll\Additiver Synthesizer fr orgelhnliche Klnge*Additive Synthesizer for organ-like sounds pluginBrowser>Flexibler Wavetable-Synthesizer"Customizable wavetable synthesizer pluginBrowserZiehen Sie ein Instrument entweder in den Song-Editor, den Beat+Bassline-Editor oder in eine existierende Instrumentspur.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowser@Eingebettetes ZynAddSubFX-PluginEmbedded ZynAddSubFX pluginBrowser<Emulation des GameBoy (TM) APUEmulation of GameBoy (TM) APU pluginBrowserEmulation des MOS6581 und MOS8580 SID Chips. Dieser Chip wurde in Commodore 64 Computern genutzt.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserbFilter fr Import von FL Studio Projekten in LMMS1Filter for importing FL Studio projects into LMMS pluginBrowser\Filter, um MIDI-Dateien in LMMS zu importieren)Filter for importing MIDI-files into LMMS pluginBrowser@GUS-kompatibles Patch-InstrumentGUS-compatible patch instrument pluginBrowserRUnvollstndiger monophonischer TB303-Klon%Incomplete monophonic imitation tb303 pluginBrowser$Instrument-BrowserInstrument browser pluginBrowser$Instrument-PluginsInstrument plugins pluginBrowserJInstallierte LADSPA-Plugins auflistenList installed LADSPA plugins pluginBrowser@Wiedergabe von SoundFont-DateienPlayer for SoundFont files pluginBrowservPlugin zur Kontrolle von Knpfen mit Hilfe von Klangspitzen-Plugin for controlling knobs with sound peaks pluginBrowser`Plugin zur Erweiterung des Stereo-Klangeindrucks=Plugin for enhancing stereo separation of a stereo input file pluginBrowser`Plugin zur freien Manipulation der Stereoausgabe,Plugin for freely manipulating stereo output pluginBrowserzGegenstnde, die nach etwas klingen, wenn man drauf rumklopptTuneful things to bang on pluginBrowservVST-Host zum Benutzen von VST(i)-Plugins innerhalb von LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser@Modellierung schwingender SaitenVibrating string modeler pluginBrowser$keine Beschreibungno description pluginBrowser6Plugin zur Bass-Verstrkungplugin for boosting bass pluginBrowserzPlugin, um beliebige LADSPA-Effekte in LMMS nutzen zu knnen.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowserrPlugin um beliebige VST-Effekte in LMMS nutzen zu knnen.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowserEinfacher Sampler mit verschiedenen Einstellungen zur Nutzung von Samples (z.B. Drums) in einer Instrument-SpurZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserDrei leistungsfhige Oszillatoren, die Sie auf verschiedene Art und Weise modulieren knnen;three powerful oscillators you can modulate in several ways pluginBrowserRVielfltiger Kick- & Bassdrum-Synthesizer&versatile kick- & bassdrum-synthesizer pluginBrowser &Fett&Bold projectNotes&Farbe... &Color... projectNotes&Kopieren&Copy projectNotes&Kursiv&Italic projectNotes&Blocksatz&Justify projectNotes &Links&Left projectNotes&Einfgen&Paste projectNotesWiede&rholen&Redo projectNotes&Rechts&Right projectNotes&Unterstrichen &Underline projectNotes&Rckgngig&Undo projectNotesZ&entriertC&enter projectNotes Strg+FCtrl+B projectNotes Strg+CCtrl+C projectNotes Strg+ZCtrl+E projectNotes Strg+KCtrl+I projectNotes Strg+JCtrl+J projectNotes Strg+LCtrl+L projectNotes Strg+RCtrl+R projectNotes Strg+UCtrl+U projectNotes Strg+VCtrl+V projectNotes Strg+XCtrl+X projectNotes Strg+YCtrl+Y projectNotes Strg+ZCtrl+Z projectNotesA&usschneidenCu&t projectNotesBearbeiten Edit Actions projectNotesFormatierungFormat Actions projectNotesProjekt-Notizen Project notes projectNotesXSchreiben Sie hier Ihre Projekt-Notizen auf.!Put down your project notes here. projectNotesUmbenennen... Rename... renameDialog6AIFF-Dateien (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer"AU-Dateien (*.au)AU-Files (*.au) sampleBufferAlle Audio-Dateien (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer0DrumSynth-Dateien (*.ds)DrumSynth-Files (*.ds) sampleBuffer*FLAC-Dateien (*.flac)FLAC-Files (*.flac) sampleBuffer&MP3-Dateien (*.mp3)MP3-Files (*.mp3) sampleBuffer&OGG-Dateien (*.ogg)OGG-Files (*.ogg) sampleBuffer$Audio-Datei ffnenOpen audio file sampleBuffer&RAW-Dateien (*.raw)RAW-Files (*.raw) sampleBuffer*SPEEX-Dateien (*.spx)SPEEX-Files (*.spx) sampleBuffer&VOC-Dateien (*.voc)VOC-Files (*.voc) sampleBuffer(Wave-Dateien (*.wav)Wave-Files (*.wav) sampleBufferKopierenCopy sampleTCOViewAusschneidenCut sampleTCOView8Lschen (mittlere Maustaste)Delete (middle mousebutton) sampleTCOViewTStumm/Laut schalten (<Strg> + Mittelklick)#Mute/unmute ( + middle click) sampleTCOViewEinfgenPaste sampleTCOView.Aufnahme setzen/lschenSet/clear record sampleTCOView@Doppelklick, um Sample zu whlendouble-click to select sample sampleTCOViewSample-Spur Sample track sampleTrackLautstrkeVolume sampleTrack"Kanal Lautstrke:Channel volume:sampleTrackView&Lautstrke der Spur Track volumesampleTrackViewVOLVOLsampleTrackView&AUDIO-SCHNITTSTELLEAUDIO INTERFACE setupDialog&Artwork-VerzeichnisArtwork directory setupDialog&Audio-EinstellungenAudio settings setupDialogPUFFERGRSSE BUFFER SIZE setupDialogHintergrundbildBackground artwork setupDialogAbbrechenCancel setupDialogRFL Studio Installationsverzeichnis whlen'Choose FL Studio installation directory setupDialogPWhlen Sie Ihr LADSPA-Plugin-VerzeichnisChoose LADSPA plugin directory setupDialog<LMMS-Arbeitsverzeichnis whlenChoose LMMS working directory setupDialogLWhlen Sie Ihr STK-RawWave-VerzeichnisChoose STK rawwave directory setupDialog4Artwork-Verzeichnis whlenChoose artwork-theme directory setupDialog,Hintergrundbild whlenChoose background artwork setupDialog2Standard-Soundfont whlenChoose default SoundFont setupDialogLWhlen Sie Ihre VST-Plugin-Verzeichnis Choose your VST-plugin directory setupDialog,Kompakte Track-ButtonsCompact track buttons setupDialogRProjektdateien standardmig komprimieren"Compress project files per default setupDialog0Standard SoundFont-DateiDefault Soundfont File setupDialogDKanal-Aktivitts-LEDs deaktivieren#Disable channel activity indicators setupDialog4Lautstrke in dBV anzeigenDisplay volume as dBV  setupDialog&Tooltips aktivierenEnable tooltips setupDialogDFL Studio Installationsverzeichnis FL Studio installation directory setupDialog0Frames: %1 Latenz: %2 msFrames: %1 Latency: %2 ms setupDialog0Allgemeine EinstellungenGeneral settings setupDialog>HQ-Modus fr Ausgabe-AudiogertHQ-mode for output audio-device setupDialogFHier knnen Sie Ihre bevorzugte MIDI-Schnittstelle auswhlen. Abhngig von der Konfiguration Ihres Systems whrend der Compilierung knnen Sie zwischen ALSA, OSS und mehr whlen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewhlte MIDI-Schnittstelle einzurichten.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogVHier knnen Sie Ihre bevorzugte Audio-Schnittstelle auswhlen. Abhngig von der Konfiguration Ihres Systems whrend der Compilierung knnen Sie zwischen ALSA, JACK, OSS und mehr whlen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewhlte Audio-Schnittstelle einzurichten.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogTHier knnen Sie die interne Puffergre einstellen, die von LMMS genutzt wird. Kleinere Werte machen sich in einer geringeren Latenz bemerkbar, knnen aber auch zu unbrauchbarem Sound oder schlechter Performance fhren, vor allem auf lteren Computern oder Systemen mit einem Nicht-Echtzeit-Kernel.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog$LADSPA-PluginpfadeLADSPA plugin paths setupDialog.LMMS-ArbeitsverzeichnisLMMS working directory setupDialog$MIDI-SCHNITTSTELLEMIDI INTERFACE setupDialog$MIDI-Einstellungen MIDI settings setupDialogVERSCHIEDENESMISC setupDialogOKOK setupDialog@Instrumente im Ein-Fenster-Modus One instrument track window mode setupDialogRTasten in Kanal-Piano nur manuell drcken)Only press keys on channel-piano manually setupDialog PfadePaths setupDialog2Performance-EinstellungenPerformance settings setupDialogBitte beachten Sie, dass die meisten nderungen erst wirksam werden, nachdem Sie LMMS neugestartet haben!GPlease note that most changes won't take effect until you restart LMMS! setupDialog:Auf Standardwert zurcksetzenReset to default-value setupDialogLMMS neustarten Restart LMMS setupDialog.STK RawWave-VerzeichnisSTK rawwave directory setupDialog(Einrichtung von LMMS Setup LMMS setupDialogXMeldung nach Schlieen dieses Dialogs zeigen,Show restart warning after changing settings setupDialog>Weiches Scrollen im Song-EditorSmooth scroll in Song Editor setupDialog4UI-Effekte vs. PerformanceUI effects vs. performance setupDialog,VST-Plugin-VerzeichnisVST-plugin directory setupDialogBankBank sf2Instrument ChorusChorus sf2InstrumentChorus/Tiefe Chorus Depth sf2InstrumentChorus/Strke Chorus Level sf2Instrument,Chorus/Geschwindigkeit Chorus Speed sf2InstrumentGainGain sf2Instrument PatchPatch sf2InstrumentHallReverb sf2InstrumentHall/DmpfungReverb Damping sf2InstrumentHall/Strke Reverb Level sf2InstrumentHall/RaumgreReverb Roomsize sf2InstrumentHall/Weite Reverb Width sf2InstrumentRChorus-Effekt anwenden (wenn untersttzt)Apply chorus (if supported)sf2InstrumentView@Hall anwenden (wenn untersttzt)Apply reverb (if supported)sf2InstrumentViewPatch whlenChoose the patchsf2InstrumentViewChorus/Tiefe: Chorus Depth:sf2InstrumentViewChorus/Strke: Chorus Level:sf2InstrumentView.Chorus/Geschwindigkeit: Chorus Speed:sf2InstrumentViewhKlicken Sie hier, um eine andere SF2-Datei zu ffnen#Click here to open another SF2 filesf2InstrumentViewGainGainsf2InstrumentView,SoundFont-Datei ffnenOpen SoundFont filesf2InstrumentViewDEine andere SoundFont-Datei ffnenOpen other SoundFont filesf2InstrumentViewHall/Dmpfung:Reverb Damping:sf2InstrumentViewReverb/Strke: Reverb Level:sf2InstrumentViewHall/Raumgre:Reverb Roomsize:sf2InstrumentViewHall/Weite: Reverb Width:sf2InstrumentView4SoundFont2-Dateien (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentViewDieser knopf aktiviert den Chorus-Effekt. Das ist ntzlich fr Echo-Effekte, funktioniert jedoch nur mit Dateien, die dies untersttzen.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewDieser Knopf aktiviert den Hall-Effekt, welcher jedoch nur mit Dateien funktioniert, die dies untersttzen.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewChipmodell Chip model sidInstrumentKennfrequenzCutoff sidInstrumentFiltertyp Filter type sidInstrumentResonanz Resonance sidInstrument Stimme 3 lautlos Voice 3 off sidInstrumentLautstrkeVolume sidInstrument.Anschwellzeit (attack):Attack:sidInstrumentViewBandpass-FilterBand-Pass filter sidInstrumentView Grob:Coarse:sidInstrumentViewKennfrequenz:Cutoff frequency:sidInstrumentView&Abfallzeit (decay):Decay:sidInstrumentViewGefiltertFilteredsidInstrumentViewHochpass-FilterHigh-Pass filter sidInstrumentViewTiefpass-FilterLow-Pass filter sidInstrumentViewMOS6581 SID  MOS6581 SID sidInstrumentViewMOS8580 SID  MOS8580 SID sidInstrumentViewRauschenNoisesidInstrumentViewPuls-Signal Pulse WavesidInstrumentViewPulsweite: Pulse Width:sidInstrumentView.Ausklingzeit (release):Release:sidInstrumentViewResonanz: Resonance:sidInstrumentViewRingmodulationRing-ModsidInstrumentViewSgezahn-WelleSawToothsidInstrumentView*Dauerpegel (sustain):Sustain:sidInstrumentViewSynchronSyncsidInstrumentViewDreiecks-Welle Triangle WavesidInstrumentView Stimme 3 lautlos Voice3 Off sidInstrumentViewLautstrke:Volume:sidInstrumentViewAlle DateitypenAll file typessongLeeres Projekt Empty projectsong$FL Studio ProjekteFL Studio projectssong"Datei importieren Import filesongMIDI-DateienMIDI sequencessongMaster-Tonhhe Master pitchsong"Master-Lautstrke Master volumesong4Projekt NICHT gespeichert.Project NOT saved.song&Projekt gespeichert Project savedsongDDatei fr Projekt-Export whlen...!Select file for project-export...song TempoTemposongFDas Projekt %1 ist nun gespeichert.The project %1 is now saved.songNDas Projekt %1 wurde nicht gespeichert!The project %1 was not saved!songDIeses Projekt ist leer, weshalb das Exportieren keinen Sinn macht. Bitte erstellen Sie erst ein paar Eintrge im Song-Editor!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songunbenanntuntitledsong4Automation-Spur hinzufgenAdd automation-track songEditor0Beat/Bassline hinzufgenAdd beat/bassline songEditor,Sample-Spur hinzufgenAdd sample-track songEditornKlicken Sie hier, wenn Sie Ihren ganzen Song abspielen wollen. Das Abspielen wird am Song-Positions-Marker (grn) gestartet. Sie knnen diesen auch whrend des Abspielens verschieben.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditor Klicken Sie hier, wenn Sie das Abspielen des Songs stoppen wollen. Der Song-Positions-Marker wird automatisch auf den Song-Anfang zurckgesetzt.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor2Konnte Datei nicht ffnenCould not open file songEditorKonnte die Datei %1 nicht ffnen. Sie sind wahrscheinlich nicht berechtigt, diese Datei zu lesen. Bitte stellen Sie sicher, dass Sie wenigstens Leserechte auf diese Datei besitzen und versuchen es erneut.Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. songEditor8Konnte Datei nicht schreibenCould not write file songEditorKonnte die Datei %1 nicht schreiben. Sie sind mglicherweise nicht berechtigt, in diese Datei zu schreiben. Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei besitzen und versuchen es erneut.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorZeichen-Modus Draw mode songEditorREditier-Modus (auswhlen und verschieben)Edit mode (select and move) songEditorFehler in Datei Error in file songEditor$High-Quality-ModusHigh quality mode songEditorMaster-Tonhhe Master pitch songEditor"Master-Lautstrke Master volume songEditor4Song abspielen (Leertaste)Play song (Space) songEditor@Samples vom Audiogert aufnehmen Record samples from Audio-device songEditorSamples vom Audiogert whrend der Wiedergabe des Songs oder BB-Tracks aufnehmen?Record samples from Audio-device while playing song or BB track songEditorSong-Editor Song-Editor songEditorNAbspielen des Songs stoppen (Leertaste)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorDie Datei %1 scheint fehlerhaft zu sein und kann daher nicht geladen werden.BThe file %1 seems to contain errors and therefore can't be loaded. songEditorDas Tempo eines Liedes wird in Beats pro Minute (BPM) angegeben. Wenn Sie das Tempo Ihres Songs ndern wollen, ndern Sie diesen Wert. Jeder Takt hat vier Schlge (Beats); das Tempo gibt also an, wie viele Takte / 4 innerhalb einer Minute gespielt werden sollen (bzw. wie viele Takte innerhalb von vier Minuten gespielt werden sollen).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor"Wert: %1 HalbtneValue: %1 semitones songEditorWert: %1% Value: %1% songEditorMaster-Tonhhe master pitch songEditor"Master-Lautstrke master volume songEditor2Geschwindigkeit des Songs tempo of song songEditorLineare Y-Achse Linear Y axisspectrumAnalyzerControlDialog"Lineares SpektrumLinear spectrumspectrumAnalyzerControlDialogKanalmodus Channel modespectrumAnalyzerControlsLineare Y-Axe Linear Y-axisspectrumAnalyzerControls"Lineares SpektrumLinear spectrumspectrumAnalyzerControls WEITEWIDEstereoEnhancerControlDialog Weite:Width:stereoEnhancerControlDialog WeiteWidthstereoEnhancerControls8Links-nach-links Lautstrke:Left to Left Vol:stereoMatrixControlDialog:Links-nach-rechts Lautstrke:Left to Right Vol:stereoMatrixControlDialog:Rechts-nach-links Lautstrke:Right to Left Vol:stereoMatrixControlDialog<Rechts-nach-rechts Lautstrke:Right to Right Vol:stereoMatrixControlDialog Links-nach-links Left to LeftstereoMatrixControls"Links-nach-rechts Left to RightstereoMatrixControls"Rechts-nach-links Right to LeftstereoMatrixControls$Rechts-nach-rechtsRight to RightstereoMatrixControlsBNach Stop zum Anfang zurckkehrenAfter stopping go back to begintimeLinenNach Stop zur Position zurckkehren, an der es los ging?After stopping go back to position at which playing was startedtimeLine<Nach Stop Position beibehaltenAfter stopping keep positiontimeLine\Automatisches Scrollen aktivieren/deaktivierenEnable/disable auto-scrollingtimeLineFLoop-Punkte aktivieren/deaktivierenEnable/disable loop-pointstimeLineTippHinttimeLine|Drcken Sie <Strg> um magnetische Loop-Punkte zu deaktivieren.-Press to disable magnetic loop-points.timeLine StummMutedtrackSoloSolotrackAbbrechenCanceltrackContainerPEs konnte kein Filter gefunden werden, um die Datei %1 zu importieren. Sie sollten diese Datei mit Hilfe anderer Software in ein von LMMS untersttzes Format umwandeln.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer<Konnte Datei nicht importierenCouldn't import filetrackContainer2Konnte Datei nicht ffnenCouldn't open filetrackContainer<Konnte Datei %1 nicht zum Lesen ffnen. Bitte stellen Sie sicher, dass Sie Lese-Rechte auf diese Datei sowie das Verzeichnis besitzen und probieren es erneut!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer.Importiere FLP-Datei...Importing FLP-file...trackContainer0Importiere MIDI-Datei...Importing MIDI-file...trackContainerLade Projekt...Loading project...trackContainerBitte warten...Please wait...trackContainer StummMutedtrackContentObject.%1:%2 (%3:%4 bis %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectViewKopierenCopytrackContentObjectViewAktuelle LngeCurrent lengthtrackContentObjectView"Aktuelle PositionCurrent positiontrackContentObjectViewAusschneidenCuttrackContentObjectView8Lschen (mittlere Maustaste)Delete (middle mousebutton)trackContentObjectViewTippHinttrackContentObjectViewTStumm/Laut schalten (<Strg> + Mittelklick)#Mute/unmute ( + middle click)trackContentObjectViewEinfgenPastetrackContentObjectViewl<Strg> drcken und ziehen, um eine Kopie zu erstellen.%Press and drag to make a copy.trackContentObjectViewXDrcken Sie <Strg> fr freie Grennderung.Press for free resizing.trackContentObjectView.Aktionen fr diese SpurActions for this tracktrackOperationsWidget"Diese Spur klonenClone this tracktrackOperationsWidget StummMutetrackOperationsWidget0Diese Spur stummschaltenMute this tracktrackOperationsWidgetDrcken Sie <Strg> whrend des Klicks auf den Verschiebe-Griff, um eine neue Drag'n'Drop-Aktion zu beginnen.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget(Diese Spur entfernenRemove this tracktrackOperationsWidgetSoloSolotrackOperationsWidgetHLaden des VST-Plugins fehlgeschlagenFailed loading VST-pluginvestigeInstrumentLade PluginLoading pluginvestigeInstrumenthBitte warten, whrend das VST-Plugin geladen wird...'Please wait while loading VST-plugin...vestigeInstrumentZDas VST-Plugin %1 konnte aus irgendeinem Grund nicht geladen werden. Wenn es mit anderer VST-software unter Linux funktioniert, kontaktieren Sie bitte einen LMMS-Entwickler!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentVerstimmung %1 Detune %1vibedUnschrfe %1 Fuzziness %1 vibedImpuls %1 Impulse %1vibedLnge %1 Length %1vibedOktave %1 Octave %1vibed Zupf-Position %1Pick %1 positionvibed(Abnehmer-Position %1Pickup %1 positionvibedSeite %1 HrteString %1 stiffnessvibed&Seite %1 LautstrkeString %1 volumevibed &Hilfe&Help vibedViewtHier klicken, um die Wellenform zu aktivieren/deaktiveren.&Click here to enable/disable waveform. vibedViewbHier klicken, um die Wellenform zu normalisieren.!Click here to normalize waveform. vibedView^Klicken Sie hier, um die Wellenform zu gltten.Click here to smooth waveform. vibedViewVerstimmung:Detune: vibedView*Wellenform aktivierenEnable waveform vibedViewUnschrfe: Fuzziness: vibedViewImpuls-EditorImpulse Editor vibedView2Impuls oder GrundstellungImpulse or initial state vibedView Lnge:Length: vibedViewNormalisieren Normalize vibedView OkatveOctave vibedViewBalance:Pan: vibedViewZupf-Position:Pick position: vibedView$Abnehmer-Position:Pickup position: vibedViewSgezahn-WelleSaw wave vibedViewSinus-Welle Sine wave vibedViewGlttenSmooth vibedViewRechtecks-Welle Square wave vibedView SaiteString vibedView Hrte der Saite:String stiffness: vibedViewBMit dem 'Imp'-Knopf legen Sie fest, ob die Wellenform in diesem Graph als Impuls zum Anzupfen der Saite oder als Grundstellung fr die Saite genutzt werden soll.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewDer 'P'-Knopf bestimmt die Position, an der die Saite angezupft wird. Je kleiner die Einstellung, desto nher wird am Steg gezupft.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewTDer 'PU'-Knopf bestimmt die Position, an der die Schwingungen an der gewhlten Saite abgenommen werden. Je kleiner die Einstellung, desto nher ist der Abnehmer am Steg.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewRDer 'S'-Knopf setzt die Hrte der gewhlten Saite. Die Hrte der Saite beeinflusst deren Ausklang-Dauer. Je kleiner die Einstellung, desto lnger klingt die Saite aus.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewnDer 'V'-Knopf setzt die Lautstrke der gewhlten Saite.4The 'V' knob sets the volume of the selected string. vibedViewtDer Verstimmungs-Knopf verndert die Tonhhe der gewhlten Saite. Einstellungen kleiner als 0 lassen die Saite flacher klingen, whrend Werte ber 0 zu einem eher scharfen Klang fhren.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewBDer Lnge-Knopf bestimmt die Lnge der gewhlten Saite. Lngere Saiten klingen lnger und klingen heller, wobei sie gleichzeitig auch mehr CPU-Leistung fressen.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedView Mit dem Oktaven-Whler kann der Oktavenversatz gegenber der Note verndert werden. So meint beispielsweise eine Einstellung von '-2', dass die Saite zwei Oktaven unterhalb des Grundtons ('F') schwingen wird und '6' dementsprechend 6 Oktaven ber dem Grundton.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewDer Balance-Knopf bestimmt den Ort der gewhlten Saite im Stereo-Raum.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewDer Unschrfe-Knopf fgt dem Klang der Saite etwas 'Fuzz' hinzu, welcher hauptschlich whrend des Anschlages zum Tragen kommt, wenngleich er auch genutzt werden kann, um den Klang etwas metallischer zu gestalten.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewDer Saiten-Whler bestimmt die derzeit bearbeitete Saite. Ein Vibed-Instrument kann aus bis zu neun voneinander unabhngig schwingenden Saiten bestehen. Die LED in der Ecke rechts unterhalb der Wellenform gibt an, ob die gewhlte Saite aktiv ist.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewDer Wellenform-Editor ermglicht die Kontrolle ber die Grundstellung oder den Impuls, der genutzt wird, um die Saite zum Schwingen zu bringen. Die Buttons rechts des Graphes initialisieren die Wellenform mit dem gewnschten Typ. Der '?'-Button lsst Sie eine Wellenform aus einer Datei laden - allerdings werden nur die ersten 128 Samples geladen. Die Wellenform kann ebenfalls in dem Graph gezeichnet werden. Der 'S'-Button glttet die Wellenform. Der 'N'-Button normalisiert die Wellenform.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedViewDreiecks-Welle Triangle wave vibedView\Sgezahnwelle fr aktuellen Oszillator nutzen.&Use a saw-wave for current oscillator. vibedViewVSinuswelle fr aktuellen Oszillator nutzen.'Use a sine-wave for current oscillator. vibedView^Rechteckswelle fr aktuellen Oszillator nutzen.)Use a square-wave for current oscillator. vibedView\Dreieckswelle fr aktuellen Oszillator nutzen.+Use a triangle-wave for current oscillator. vibedView|Benutzerdefinierte Wellenform fr aktuellen Oszillator nutzen.3Use a user-defined waveform for current oscillator. vibedView`Weies Rauschen fr aktuellen Oszillator nutzen.'Use white-noise for current oscillator. vibedView0Benutzerdefinierte WelleUser defined wave vibedView&Vibed modelliert bis zu 9 unabhngige schwingende Saiten. Der Saiten-Whler ermglicht die Wahl der gerade aktiven Saite. Der 'Imp'-Knopf bestimmt, ob der Graph einen Impuls oder die Grundstellung der Saite reprsentiert. Der Oktaven-Whler gibt den Oktavenversatz der Saite gegenber dem Grundton an. Der Graph ermglicht die Kontrolle ber die Grundstellung der Saite oder den Impuls, der zum Anzupfen der Saite genutzt wird. Der 'V'-Knopf bestimmt die Lautstrke. Mit dem 'S'-Knopf wird die Hrte der Saite eingestellt. Der 'P'-Knopf beeinflusst den Ort, an dem die Saite angezupft wird, whrend der 'PU'-Knopf die Position des Abnehmers bestimmt. 'Balance' und 'Verstimmung' bedrfen hoffentlich keiner Erklrung. Der Unschrfe-Knopf fgt dem Klang der Saite etwas 'Fuzz' hinzu. Der Lnge-Knopf bestimmt die Lnge der Saite. Die LED rechts unterhalb der Wellenform gibt an, ob die Saite aktiviert ist.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewLautstrke:Volume: vibedViewWeies RauschenWhite noise wave vibedView*Klick zur AktivierungClick to enablevisualizationWidget~klicken, um Visualisierung des Masterausgangs an-/auszuschalten6click to enable/disable visualization of master-outputvisualizationWidget.Stimme %1 AnschwellzeitVoice %1 attack voiceObject4Stimme %1 Grob-VerstimmungVoice %1 coarse detuning voiceObject(Stimme %1 AbfallzeitVoice %1 decay voiceObject&Stimme %1 gefiltertVoice %1 filtered voiceObject&Stimme %1 PulsweiteVoice %1 pulse width voiceObject"Stimme %1 ReleaseVoice %1 release voiceObject0Stimme %1 RingmodulationVoice %1 ring modulate voiceObject(Stimme %1 HaltepegelVoice %1 sustain voiceObjectStimme %1 Sync Voice %1 sync voiceObject(Stimme %1 WellenformVoice %1 wave shape voiceObjectlmms-1.0.0+bzr2569/data/locale/de.ts0000644000000000000000000075253412307165142015056 0ustar 00000000000000 AboutDialog About LMMS Über LMMS LMMS (Linux MultiMedia Studio) LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) Version %1 (%2/%3, Qt %4, %5) About Über LMMS - easy music production for everyone LMMS - Musikproduktion für jedermann Authors Autoren Translation Übersetzung Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! Deutsche Übersetzung von Tobias Doerffel. License Lizenz Copyright (c) 2004-2014, LMMS developers Copyright (c) 2004-2012, LMMS-Entwickler {2004-2014,?} <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE GERÄT CHANNELS KANÄLE AudioFileProcessorView Open other sample Anderes Sample öffnen Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Klicken Sie hier, um eine andere Audio-Datei zu öffnen. Danach erscheint ein Dialog, in dem Sie Ihre Datei wählen können. Einstellungen wie Wiederhol-Modus, Start- und Endpunkt sowie Verstärkung werden nicht zurückgesetzt, weshalb die Datei möglicherweise nicht wie das Original klingt. Reverse sample Sample umkehren If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Wenn Sie diesen Button aktivieren, wird das gesamte Sample umgekehrt. Das kann nützlich für coole Effekte sein, wie z.B. eine umgekehrte Crash. Loop sample at start- and end-point Sample an Start- und Endpunkt wiederholen Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Hier können Sie festlegen, ob der Looping-Modus aktiviert sein soll. Wenn aktiviert, wiederholt AudioFileProcessor das Sample zwischen Start- und Endpunkt solange, bis die gesamte Note gespielt ist. Das ist vorallem für String- und Chor-Samples nützlich. Amplify: Verstärkung: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Mit diesem Knopf können Sie die Verstärkungsrate festlegen. Wenn Sie einen Wert von 100% setzen, wird das Sample nicht geändert. Ansonsten wird es hoch oder runter verstärkt (Ihre Audio-Datei wird dabei nicht verändert!) Startpoint: Startpunkt: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Mit diesem Knopf können Sie festlegen, wo AudioFileProcessor anfangen soll, Ihr Sample zu spielen. Wenn Sie den Looping-Modus aktivieren, ist das der Punkt, wohin AudioFileProcessor zurückkehrt, wenn eine Note länger als das Sample zwischen Start- und Endpunkt ist. Endpoint: Endpunkt: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Mit diesem Knopf können Sie festlegen, wo AudioFileProcessor aufhören soll, Ihr Sample zu spielen. Wenn Sie den Looping-Modus aktivieren, ist das der Punkt, an dem AudioFileProcessor zum Startpunkt zurückkehrt, wenn eine Note länger als das Sample zwischen Start- und Endpunkt ist. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted JACK-Client neugestartet LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS wurde aus irgendeinem Grund von JACK verbannt. Aus diesem Grund wurde das JACK-Backend von LMMS neu gestartet. Sie müssen manuelle Verbindungen erneut vornehmen. JACK server down JACK-Server nicht erreichbar The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. Der JACK-Server scheint heruntergefahren worden zu sein und es war nicht möglich, eine neue Instanz zu starten. LMMS ist daher nicht in der Lage, fortzufahren. Sie sollten Ihr Projekt speichern und JACK und LMMS neustarten. AudioJack::setupWidget CLIENT-NAME CLIENT-NAME CHANNELS KANÄLE AudioOss::setupWidget DEVICE GERÄT CHANNELS KANÄLE AudioPortAudio::setupWidget BACKEND BACKEND DEVICE GERÄT AudioPulseAudio::setupWidget DEVICE GERÄT CHANNELS KANÄLE AudioSdl::setupWidget DEVICE GERÄT AutomatableModel &Reset (%1%2) &Zurücksetzen (%1%2) &Copy value (%1%2) Wert &kopieren (%1%2) &Paste value (%1%2) Wert &einfügen (%1%2) Edit song-global automation Song-globale Automation editieren Connected to %1 Verbunden mit %1 Connected to controller Verbunden mit Controller Edit connection... Verbindung bearbeiten... Remove connection Verbindung entfernen Connect to controller... Mit Controller verbinden... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Aktuellen Pattern abspielen/pausieren (Leertaste) Stop playing of current pattern (Space) Abspielen des aktuellen Patterns stoppen (Leertaste) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Klicken Sie hier, wenn Sie den aktuellen Pattern spielen wollen. Das ist nützlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn das Ende erreicht ist. Click here if you want to stop playing of the current pattern. Klicken Sie hier, wenn Sie das Abspielen des aktuellen Patterns stoppen wollen. Draw mode (Shift+D) Zeichnen-Modus (Umschalt+D) Erase mode (Shift+E) Radier-Modus (Umschalt+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Klicken Sie hier, um den Zeichnen-Modus zu aktivieren. In diesem Modus können Sie einzelne Werte hinzufügen und verschieben. Das ist der Standard-Modus, der meistens benutzt wird. Sie können auch 'Umschalt+D' auf Ihrer Tastatur drücken, um in diesen Modus zu gelangen. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Klicken Sie hier, um den Radier-Modus zu aktivieren. In diesem Modus können Sie einzelne Werte löschen. Sie können auch 'Umschalt+E' auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. Cut selected values (Ctrl+X) Ausgewählte Werte ausschneiden (Strg+X) Copy selected values (Ctrl+C) Ausgewählte Werte kopieren (Strg+C) Paste values from clipboard (Ctrl+V) Werte aus Zwischenablage einfügen (Strg+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klicken Sie hier, um die markierten Werte auszuschneiden und in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Button klicken. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klicken Sie hier, um die markierten Werte in die Zwischenablage zu kopieren. Sie können diese dann überall, auch in einem anderen Pattern, wieder einfügen, indem Sie auf den Einfügen-Button klicken. Click here and the values from the clipboard will be pasted at the first visible measure. Klicken Sie hier, um die Werte in der Zwischenablage im ersten sichtbaren Takt einzufügen. Automation Editor - no pattern Automation-Editor - Kein Pattern Automation Editor - %1 Automation-Editor - %1 Please open an automation pattern with the context menu of a control! Bitte öffnen Sie einen Automation-Pattern mit Hilfe des Kontextmenüs eines Steuerelements! Values copied Werte kopiert All selected values were copied to the clipboard. Alle ausgewählten Werte wurden in die Zwischenablage kopiert. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> Ein Steuerelement mit <Strg> hier her ziehen AutomationPatternView double-click to open this pattern in automation editor Doppelklick, um diesen Pattern im Automation-Editor zu öffnen Open in Automation editor Im Automation-Editor öffnen Clear Zurücksetzen Reset name Name zurücksetzen Change name Name ändern %1 Connections %1 Verbindungen Disconnect "%1" "%1" trennen AutomationTrack Automation track Automation-Spur Controller Controller %1 Controller %1 ControllerConnectionDialog Connection Settings Verbindungseinstellungen MIDI CONTROLLER MIDI CONTROLLER Input channel Eingangskanal CHANNEL KANAL Input controller Eingangscontroller CONTROLLER CONTROLLER Auto Detect Automatische Erkennung MIDI-devices to receive MIDI-events from MIDI-Geräte, von denen MIDI-Events empfangen werden sollen USER CONTROLLER BENUTZERDEFINIETER CONTROLLER MAPPING FUNCTION ABBILDUNGS-FUNKTION OK OK Cancel Abbrechen LMMS LMMS Cycle Detected. Schleife erkannt. ControllerRackView Controller Rack Controller-Einheit Add Hinzufügen Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Regler Controllers are able to automate the value of a knob, slider, and other controls. Mit Controller können Sie den Wert eines Knopfes, Schiebereglers und anderer Steuerelemente automatisieren. Rename controller Controller umbenennen Enter the new name for this controller Geben Sie einen neuen Namen für diesen Controller ein &Remove this plugin Plugin entfe&rnen &Help &Hilfe Effect Effect enabled Effekt eingeschaltet Wet/Dry mix Wet/Dry-Mix Gate Gate Decay Abfallzeit EffectChain Effects enabled Effekte aktiviert EffectRackView EFFECTS CHAIN EFFEKT-KETTE Add effect Effekt hinzufügen EffectSelectDialog Add effect Effekt hinzufügen Plugin description Pluginbeschreibung EffectView Toggles the effect on or off. Schaltet den Effekt an oder aus. On/Off An/aus W/D W/D Wet Level: Wet-Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Der Wet/Dry-Knopf legt das Verhältnis zwischen Eingangssignal und vom Effekt bearbeiteten Signal im Ausgang fest. DECAY DECAY Time: Zeit: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. Der Abfallzeit-Knopf legt fest, wie viele Puffer mit Stille durchgelaufen sein müssen, bis der Effekt mit der Verarbeitung stoppt. Kleinere Werte reduzieren die CPU-Last, können jedoch unter Umständen das Ende von Delay-Effekten o.ä. abschneiden. GATE GATE Gate: Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Der Gate-Knopf legt die Stärke des Signals fest, welches als Stille angesehen wird, um zu entscheiden, wann das Plugin mit der Verarbeitung aufhören kann. Controls Regler Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Nach &oben verschieben Move &down Nach &unten verschieben &Remove this plugin Plugin entfe&rnen &Help &Hilfe EnvelopeAndLfoParameters Predelay Verzögerung (predelay) Attack Anschwellzeit (attack) Hold Haltezeit (hold) Decay Abfallzeit Sustain Haltepegel (sustain) Release Ausklingzeit (release) Modulation Modulation LFO Predelay LFO-Verzögerung LFO Attack LFO-Anschwellzeit (LFO-attack) LFO speed LFO-Geschwindigkeit LFO Modulation LFO Modulation LFO Wave Shape LFO-Wellenform Freq x 100 Freq x 100 Modulate Env-Amount Hüllkurve modulieren EnvelopeAndLfoView DEL DEL Predelay: Verzögerung (predelay): Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Benutzen Sie diesen Knopf, um die Verzögerung (predelay) für die aktuelle Hüllkurven einzustellen. Je größer dieser Wert, desto länger dauert es, bis die eigentliche Hüllkurve beginnt. ATT ATT Attack: Anschwellzeit (attack): Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Benutzen Sie diesen Knopf, um die Anschwellzeit (attack) für die aktuelle Hüllkurve einzustellen. Je größer dieser Wert, desto länger braucht die Hüllkurve, um bis zum Anschwellpegel (attack-level) zu steigen. Wählen Sie einen kleinen Wert für Instrumente wie Klavier und einen großen Wert für Streichinstrumente. HOLD HOLD Hold: Haltezeit (hold): Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Benutzen Sie diesen Knopf, um die Haltezeit (hold) der aktuellen Hüllkurve zu setzen. Je größer der Wert, desto länger hält die Hüllkurve den Anschwellpegel, bevor sie zum Haltepegel (sustain-level) abfällt. DEC DEC Decay: Abfallzeit (decay): Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Benutzen Sie diesen Knopf, um die Abfallzeit (decay) für die aktuelle Hüllkurve einzustellen. Je größer dieser Wert, desto länger braucht die Hüllkurve, um vom Anschwellpegel (attack-level) zum Dauerpegel (sustain-level) abzufallen. Wählen Sie einen kleinen Wert für Instrumente wie Klavier. SUST SUST Sustain: Dauerpegel (sustain): Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Benutzen Sie diesen Knopf, um den Dauerpegel (sustain-level) für die aktuelle Hüllkurve einzustellen. Je größer dieser Wert, desto höher der Pegel, den die Hüllkurve hält, bevor sie auf Null abfällt. REL REL Release: Ausklingzeit (release): Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Benutzen Sie diesen Knopf, um die Ausklingzeit der aktuellen Hüllkurve einzustellen. Je größer der Wert, desto länger braucht die Hüllkurve um vom Dauerpegel (sustain-level) auf Null abzufallen. Wählen Sie einen großen Wert für weiche Instrumente, wie z.B. Streicher. AMT AMT Modulation amount: Modulationsintensität: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Benutzen Sie diesen Knopf, um die Modulationsintensität für die aktuelle Hüllkurve einzustellen. Je größer dieser Wert, desto mehr wird die gewählte Größe (z.B. Lautstärke oder Cutoff-Frequenz) von der Hüllkurve beeinflusst. LFO predelay: LFO-Verzögerung: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Benutzen Sie diesen Knopf, um die Verzögerungszeit für den aktuellen LFO einzustellen. Je größer dieser Wert, desto länger die Zeit, bis der LFO anfängt zu schwingen. LFO- attack: LFO-Anschwellzeit (LFO-attack): Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Benutzen Sie diesen Knopf, um die Anschwellzeit für den aktuellen LFO einzustellen. Je größer dieser Wert, desto länger dauert es, bis die Amplitude des LFOs bis zum Maximum angestiegen ist. SPD SPD LFO speed: LFO-Geschwindigkeit: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Benutzen Sie diesen Knopf, um die Geschwindigkeit für den aktuellen LFO einzustellen. Je größer der Wert, desto schneller schwingt der LFO und desto schneller ist der entsprechende Effekt. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Benutzen Sie diesen Knopf, um die Modulationsintensität des aktuellen LFOs einzustellen. Je größer der Wert, desto mehr wird die gewählte Größe (z.B. Lautstärke oder Cuttoff-Frequenz) von diesem LFO beeinflusst. Click here for a sine-wave. Klick für eine Sinuswelle. Click here for a triangle-wave. Klick für eine Dreieckswelle. Click here for a saw-wave for current. Klick für eine Sägezahnwelle. Click here for a square-wave. Klick für eine Rechteckswelle. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Hier klicken für eine benutzerdefinierte Wellenform. Danach eine entsprechende Sampledatei auf den LFO-Graphen ziehen. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. Hier klicken, wenn die Frequenz des LFOs mit 100 multipliziert werden soll. multiply LFO-frequency by 100 LFO-Frequenz mit 100 multiplizieren MODULATE ENV-AMOUNT HÜLLK. MODULIEREN Click here to make the envelope-amount controlled by this LFO. Klicken Sie hier, um die Hüllkurvenintensität durch diesen LFO kontrollieren zu lassen. control envelope-amount by this LFO Hüllkurvenintensität durch diesen LFO kontrollieren ms/LFO: ms/LFO: Hint Tipp Drag a sample from somewhere and drop it in this window. Ziehen Sie ein Sample von irgendwo und lassen es in diesem Fenster fallen. ExportProjectDialog Export project Projekt exportieren Output Ausgabe File format: Dateiformat: Samplerate: Abtastrate: 44100 Hz 44100 Hz 48000 Hz 48000 Hz 88200 Hz 88200 Hz 96000 Hz 96000 Hz 192000 Hz 192000 Hz Bitrate: Bitrate: 64 KBit/s 64 KBit/s 128 KBit/s 128 KBit/s 160 KBit/s 160 KBit/s 192 KBit/s 192 KBit/s 256 KBit/s 256 KBit/s 320 KBit/s 320 KBit/s Depth: Genauigkeit: 16 Bit Integer 16 Bit Ganzzahlen 32 Bit Float 32-Bit-Gleitkommazahlen Please note that not all of the parameters above apply for all file formats. Bitte beachten Sie, dass nicht alle der obigen Parameter für alle Dateiformate relevant sind. Quality settings Qualitätseinstellungen Interpolation: Interpolation: Zero Order Hold Zero Order Hold Sinc Fastest Sinc - am schnellsten Sinc Medium (recommended) Sinc - Normal (empfohlen) Sinc Best (very slow!) Sinc - am besten (sehr langsam!) Oversampling (use with care!): Überabtastung (oversampling) (mit Vorsicht nutzen!): 1x (None) 1x (keine) 2x 2x 4x 4x 8x 8x Sample-exact controllers Sample-genaue Controller Alias-free oscillators Alias-freie Oszillatoren Start Start Cancel Abbrechen Export as loop (remove end silence) FxMixer Master Master FX %1 FX %1 FxMixerView Rename FX channel FX-Kanal umbenennen Enter the new name for this FX channel Bitte einen neuen Namen für den FX-Kanal eingeben FX-Mixer FX-Mixer FX Fader %1 FX-Schieber %1 Mute Stumm Mute this FX channel Diesen FX-Kanal stummschalten InstrumentFunctionArpeggio Arpeggio Arpeggio Arpeggio type Arpeggiotyp Arpeggio range Arpeggio-Bereich Arpeggio time Arpeggio-Zeit Arpeggio gate Arpeggio-Gate Arpeggio direction Arpeggio-Richtung Arpeggio mode Arpeggio-Modus Up Hoch Down Runter Up and down Hoch und runter Random Zufällig Free Frei Sort Sortiert Sync Synchron InstrumentFunctionArpeggioView ARPEGGIO ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Ein Arpeggio ist eine Art, (vorallem gezupfte) Instrumente zu spielen, die die Musik viel lebendiger macht. Die Seiten von solchen Instrumenten (z.B. Harfen) werden wie Akkorde gezupft, der einzige Unterschied besteht darin, dass dies nacheinander geschieht. Die Noten werden also nicht zur gleichen Zeit gespielt. Typische Arpeggios sind Dur- oder Moll-Dreiklänge, aber es gibt noch viele andere Akkorde, die Sie auswählen können. RANGE BEREICH Arpeggio range: Arpeggio-Bereich: octave(s) Oktave(n) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Benutzen Sie diesen Knopf, um den Arpeggio-Bereich in Oktaven zu setzen. Das gewähle Arpeggio wird innerhalb der angegebenen Anzahl von Oktaven abgespielt. TIME ZEIT Arpeggio time: Arpeggio-Zeit: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Benutzen Sie diesen Knopf, um die Arpeggio-Zeit in Millisekunden zu setzen. Die Arpeggio-Zeit gibt an, wie lange jeder einzelne Arpeggio-Ton gespielt werden soll. GATE GATE Arpeggio gate: Arpeggio-Gate: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Benutzen Sie diesen Knopf, um das Arpeggio-Gate zu setzen. Das Arpeggio-Gate gibt an, wie viel Prozent eines ganzen Arpeggio-Tons gespielt werden sollen. Damit können Sie coole Staccato-Arpeggios erzeugen. Chord: Direction: Richtung: Mode: Modus: InstrumentFunctionNoteStacking octave Oktave Major Dur Majb5 Durb5 minor moll minb5 mollb5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 6add9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9#5 9b5 9b5 9#11 9#11 9b13 9b13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9#5 Maj9#11 Maj9#11 m9 m9 madd9 madd9 m9b5 m9b5 m9-Maj7 m9-Maj7 11 11 11b9 11b9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Harmonisches Moll Melodic minor Melodisches Moll Whole tone Ganze Töne Diminished Vermindert Major pentatonic Pentatonisches Dur Minor pentatonic Pentatonisches Moll Jap in sen Major bebop Dur Bebop Dominant bebop Dominanter Bebop Blues Blues Arabic Arabisch Enigmatic Enigmatisch Neopolitan Neopolitanisch Neopolitan minor Neopolitanisches Moll Hungarian minor Zigeunermoll Dorian Dorisch Phrygolydian Phrygisch Lydian Lydisch Mixolydian Mixolydisch Aeolian Äolisch Locrian Locrisch Chords Akkorde Chord type Akkordtyp Chord range Akkord-Bereich Minor InstrumentFunctionNoteStackingView RANGE BEREICH Chord range: Akkord-Bereich: octave(s) Oktave(n) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Benutzen Sie diesen Knopf, um den Akkord-Bereich in Oktaven zu setzen. Der gewähle Akkord wird innerhalb der angegebenen Anzahl von Oktaven abgespielt. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT MIDI-EINGANG AKTIVIEREN CHANNEL KANAL VELOCITY LAUTSTÄRKE ENABLE MIDI OUTPUT MIDI-AUSGANG AKTIVIEREN PROGRAM PROGRAMM MIDI devices to receive MIDI events from MIDI Geräte, von denen MIDI-Events empfangen werden sollen MIDI devices to send MIDI events to MIDI-Geräte, an die MIDI-Events gesendet werden sollen NOTE InstrumentSoundShaping VOLUME LAUTSTÄRKE Volume Lautstärke CUTOFF KENNFREQ Cutoff frequency Kennfrequenz RESO RESO Resonance Resonanz Envelopes/LFOs Hüllkurven/LFOs Filter type Filtertyp Q/Resonance Q/Resonanz LowPass Tiefpass HiPass Hochpass BandPass csg Bandpass csg BandPass czpg Bandpass czpg Notch Notch Allpass Allpass Moog Moog 2x LowPass 2x Tiefpass RC LowPass 12dB RC-Tiefpass 12dB RC BandPass 12dB RC-Bandpass 12dB RC HighPass 12dB RC-Hochpass 12dB RC LowPass 24dB RC-Tiefpass 24dB RC BandPass 24dB RC-Bandpass 24dB RC HighPass 24dB RC-Hochpass 24dB Vocal Formant Filter Vokalformant-Filter InstrumentSoundShapingView TARGET ZIEL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Diese Tabs enthalten Hüllkurven. Diese sind sehr wichtig, um einen Klang zu verändern, insbesondere bei der substraktiven Synthese. Wenn Sie zum Beispiel eine Lautstärke-Hüllkurve haben, können Sie festlegen, wann der Klang welchen Lautstärke-Pegel haben soll. Vielleicht wollen Sie ein weiches Streichinstrument erstellen. Dann muss ihr Sound sehr sanft ein- und ausgeblendet werden. Das kann man ganz einfach erreichen, indem man eine große Anschwell(attack)- und Ausklingzeit (release) einstellt. Mit anderen Hüllkurven, wie Balance, Kennfrequenz des benutzten Filters usw., ist es genau das Gleiche. Probieren Sie einfach ein bisschen herum! Mit ein paar Hüllkurven kann man aus einer Sägezahn-Welle wirklich coole Klänge machen...! FILTER FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hier können Sie den eingebauten Filter wählen, den Sie in dieser Instrument-Spur nutzen wollen. Filter sind sehr wichtig, um die Charakteristik eines Klangs zu verändern. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Benutzen Sie diesen Knopf, um die Kennfrequenz (cutoff-frequency) für den gewählten Filter einzustellen. Die Kennfrequenz wird vom Filter zum Beschneiden des Signals verwendet. Zum Beispiel filtert ein Tiefpass-Filter alle Frequenzen oberhalb der Kennfrequenz heraus. Ein Hochpass-Filter filtert alle Frequenzen unterhalb der Kennfrequenz heraus usw... RESO RESO Resonance: Resonanz: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Benutzen Sie diesen Knopf, um Q/die Resonanz für den gewählten Filter einzustellen. Q/Resonanz teilt dem Filter mit, wie stark er die Frequenzen in der Nähe der Cutoff-Frequenz verstärken soll. FREQ FREQ cutoff frequency: InstrumentTrack unnamed_track Unbenannter_Kanal Volume Lautstärke Panning Panning Pitch Tonhöhe FX channel FX-Kanal Default preset Standard-Preset With this knob you can set the volume of the opened channel. Mit diesem Knopf können Sie die Lautstärke des geöffneten Kanals ändern. Base note Grundton Pitch range InstrumentTrackView Volume Lautstärke Volume: Lautstärke: VOL VOL Panning Panning Panning: Panning: PAN PAN MIDI MIDI Input Eingang Output Ausgang InstrumentTrackWindow GENERAL SETTINGS GRUNDLEGENDE EINSTELLUNGEN Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Klicken Sie hier, wenn Sie die aktuellen Kanal-Einstellungen in einer Preset-Datei speichern wollen. Spätern können Sie dieses Preset laden, indem Sie es im Preset-Browser doppelt anklicken. Instrument volume Instrument-Lautstärke Volume: Lautstärke: VOL VOL Panning Panning Panning: Panning: PAN PAN Pitch Tonhöhe Pitch: Tonhöhe: cents Cent PITCH PITCH FX channel FX-Kanal ENV/LFO ENV/LFO FUNC FUNC FX FX MIDI MIDI Save preset Preset speichern XML preset file (*.xpf) XML Preset Datei (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Aktuelle Instrumenteinstellungen in einer Presetdatei speichern Pitch range (semitones) RANGE BEREICH LadspaControl Link channels Kanäle verbinden LadspaControlDialog Link Channels Kanäle verbinden Channel Kanal LadspaControlView Link channels Kanäle verbinden Value: Wert: Sorry, no help available. Sorry, keine Hilfe verfügbar. LadspaEffect Effect Effekt Unknown LADSPA plugin %1 requested. Unbekanntes LADSPA-Plugin %1 angefordert. LfoController LFO Controller LFO-Controller Base value Grundwert Oscillator speed Oszillator-Geschwindigkeit Oscillator amount Oszillator-Stärke Oscillator phase Oszillator-Phase Oscillator waveform Oszillator-Wellenform Frequency Multiplier Frequenzmultiplikator LfoControllerDialog LFO LFO LFO Controller LFO-Controller BASE BASE Base amount: Grundstärke: todo SPD SPD LFO-speed: LFO-Geschwindigkeit: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Benutzen Sie diesen Knopf, um die Geschwindigkeit des LFOs einzustellen. Je größer der Wert, desto schneller schwingt der LFO und desto schneller ist der entsprechende Effekt. AMT AMT Modulation amount: Modulationsintensität: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Benutzen Sie diesen Knopf, um die Modulationsintensität des LFOs einzustellen. Je größer der Wert, desto mehr wird die gewählte Größe (z.B. Lautstärke oder Cuttoff-Frequenz) von diesem LFO beeinflusst. PHS PHS Phase offset: Phasenverschiebung: degrees Grad With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Mit diesem Knopf können Sie die Phasen-Verschiebung des LFOs einstellen. Das heißt, Sie können den Punkt innerhalb einer Schwingung verschieben, an dem der Oszillator anfangen soll zu schwingen. Wenn Sie zum Beispiel eine Sinus-Welle haben und eine Phasen-Verschiebung von 180 Grad einstellen, wird die Welle zu erst runter gehen. Das gleiche trifft auch bei einer Rechteck-Welle zu. Click here for a sine-wave. Klick für eine Sinuswelle. Click here for a triangle-wave. Klick für eine Dreieckswelle. Click here for a saw-wave. Klick für eine Sägezahnwelle. Click here for a square-wave. Klick für eine Rechteckswelle. Click here for a a moog saw-wave. Klick für eine Moog-ähnliche Welle. Click here for an exponential wave. Klick für eine Exponential-Welle. Click here for white-noise. Klick für weißes Rauschen. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Arbeitsverzeichnis The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Das LMMS-Arbeitsverzeichnis %1 existiert nicht. Soll es jetzt erstellt werden? Sie können das Verzeichnis später über Bearbeiten -> Einstellungen ändern. Could not save config-file Konnte Konfigurationsdatei nicht speichern Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Konnte die Konfigurationsdatei %1 nicht speichern. Sie haben möglicherweise keine Schreibrechte auf diese Datei. Bitte überprüfen Sie Ihre Rechte und versuchen es erneut. &Project &Projekt &New &Neu &Open... Ö&ffnen... Recently opened projects Zuletzt geöffnete Projekte &Save &Speichern Save &As... Speichern &als... Import... Importieren... E&xport... E&xportieren... &Quit &Beenden &Edit &Bearbeiten Settings Einstellungen &Tools &Werkzeuge &Help &Hilfe Online help Online-Hilfe Help Hilfe What's this? Was ist das? About Über Create new project Neues Projekt erstellen Create new project from template Neues Projekt aus Vorlage erstellen Open existing project Existierendes Projekt öffnen Recently opened project Zuletzt geöffnete Projekte Save current project Aktuelles Projekt speichern Export current project Aktuelles Projekt exportieren Show/hide Song-Editor Zeige/verstecke Song-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Mit diesem Knopf können Sie den Song-Editor zeigen oder verstecken. Mit Hilfe des Song-Editors können Sie die Song-Playliste bearbeiten und angeben, wann welche Spur abgespielt werden soll. Außerdem können Sie Samples (z.B. Rap samples) direkt in die Playliste einfügen und verschieben. Show/hide Beat+Bassline Editor Zeige/verstecke Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Mit diesem Knopf können Sie den Beat+Bassline-Editor zeigen oder verstecken. Mit dem Beat+Bassline-Editor kann man Beats erstellen, Bassline-Patterns bearbeiten uvm. Show/hide Piano-Roll Zeige/verstecke Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Hier klicken, um das Piano-Roll zu zeigen oder verstecken. Mit Hilfe des Piano-Rolls können Sie Melodien auf einfache Art und Weise bearbeiten. Show/hide Automation Editor Zeige/Verstecke Automation-Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Hier klicken, um den Automation-Editor zu zeigen oder verstecken. Mit Hilfe des Automation-Editors können Sie Automation-Patterns auf einfache Art und Weise bearbeiten. Show/hide FX Mixer Zeige/verstecke FX-Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Hier klicken, um den FX-Mixer zu zeigen oder verstecken. Der FX-Mixer ist ein leistungsfähiges Werkzeug, um Effekte für Ihren Song zu verwalten. Sie können verschiedene Effekte in unterschiedliche Effekt-Kanäle einfügen. Show/hide project notes Zeige/verstecke Projekt-Notizen Click here to show or hide the project notes window. In this window you can put down your project notes. Hier klicken, um die Projektnotizen zu zeigen oder verstecken. Show/hide controller rack Zeige/verstecke Controller-Rack Untitled Unbenannt LMMS %1 LMMS %1 Project not saved Projekt nicht gespeichert The current project was modified since last saving. Do you want to save it now? Das aktuelle Projekt wurde seit dem letzten Speichern geändert. Wollen Sie es jetzt speichern? Open project Projekt öffnen Save project Projekt speichern Help not available Hilfe nicht verfügbar Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Derzeit ist in LMMS keine Hilfe verfügbar. Bitte besuchen Sie http://lmms.sf.net/wiki für Dokumentationen über LMMS. My projects Meine Projekte My samples Meine Samples My presets Meine Presets My home Persönlicher Ordner My computer Mein Computer Root directory Wurzelverzeichnis Project recovery Projektwiederherstellung It looks like the last session did not end properly. Do you want to recover the project of this session? Es sieht so aus, als ob die letzte Sitzung nicht ordentlich beendet wurde. Möchten Sie das Projekt dieser Sitzung wiederherstellen? Configuration file Konfigurationsdatei Error while parsing configuration file at line %1:%2: %3 Fehler beim Parsen der Konfigurationsdatei in Zeile %1:%2: %3 Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 MeterDialog Meter Numerator Takt/Zähler Meter Denominator Takt/Nenner TIME SIG TAKTART MeterModel Numerator Zähler Denominator Nenner MidiAlsaRaw::setupWidget DEVICE GERÄT MidiAlsaSeq::setupWidget DEVICE GERÄT MidiController MIDI Controller MIDI-Controller unnamed_midi_controller unbenannter_midi_controller MidiImport Setup incomplete Unvollständige Einrichtung You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. Sie haben keine Standard-Soundfont im Einstellungsdialog (Bearbeiten->Einstellungen) festgelegt. Aus diesem Grund werden Sie nach dem Import der MIDI-Datei während der Wiedergabe nichts hören. Sie sollten eine General-MIDI-Soundfont herunterladen, diese im Einstellungsdialog angeben und es erneut versuchen. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Sie haben LMMS ohne das SoundFont2-Player-Plugin gebaut. Dieses Plugin wird normalerweise benutzt, um Standardklänge bei importierten MIDI-Dateien einzurichten. Aus diesem Grund werden Sie nach dem Import der MIDI-Datei nichts hören. MidiOss::setupWidget DEVICE GERÄT MidiPort Input channel Eingangskanal Output channel Ausgangskanal Input controller Eingangscontroller Output controller Ausgangscontroller Fixed input velocity Feste Eingangslautstärke Fixed output velocity Feste Ausgangslautstärke Output MIDI program Ausgangs-MIDI-Programm Receive MIDI-events MIDI-Ereignisse empfangen Send MIDI-events MIDI-Ereignisse senden Fixed output note OscillatorObject Osc %1 volume Oszillator %1 Lautstärke Osc %1 panning Oszillator %1 Balance Osc %1 coarse detuning Oszillator %1 Grob-Verstimmung Osc %1 fine detuning left Oszillator %1 Fein-Verstimmung links Osc %1 fine detuning right Oszillator %1 Fein-Verstimmung rechts Osc %1 phase-offset Oszillator %1 Phasen-Verschiebung Osc %1 stereo phase-detuning Oszillator %1 Stereo Phasen-Verschiebung Osc %1 wave shape Oszillator %1 Wellenform Modulation type %1 Modulationsart %1 Osc %1 waveform Oszillator %1 Wellenform PatmanView Open other patch Andere Patch-Datei öffnen Click here to open another patch-file. Loop and Tune settings are not reset. Klicken Sie hier, um eine andere Patch-Datei zu laden. Wiederholungs- und Stimmungseinstellungen werden nicht zurückgesetzt. Loop Wiederholen Loop mode Modus beim Wiederholen Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Hier können Sie den Wiederholen-Modus (de-)aktivieren. Wenn aktiviert, verwendet PatMan die in der Datei verfügbaren Informationen zum Wiederholen. Tune Stimmung Tune mode Stimmungsmodus Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Hier können Sie den Stimmungs-Modus (de-)aktivieren. Wenn aktiviert, wird der Klang automatisch an die Frequenz der Note angepasst. No file selected Keine Datei ausgewählt Open patch file Patch-Datei öffnen Patch-Files (*.pat) Patch-Dateien (*.pat) PeakController Peak Controller Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK PEAK LFO Controller LFO-Controller PeakControllerEffectControlDialog BASE BASE Base amount: Grundstärke: Modulation amount: Modulationsintensität: Attack: Anschwellzeit (attack): Release: Ausklingzeit (release): AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Grundwert Modulation amount Modulationsintensität Mute output Ausgang stummschalten Attack Anschwellzeit (attack) Release Ausklingzeit (release) Abs Value Amount Multiplicator PianoView Base note Grundton Plugin Plugin not found Plugin nicht gefunden The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Das Plugin "%1" konnte nicht gefunden oder geladen werden! Grund: "%2" Error while loading plugin Fehler beim Laden des Plugins Failed to load plugin "%1"! Das Plugin "%1" konnte nicht geladen werden! ProjectRenderer WAV-File (*.wav) WAV-Datei (*.wav) Compressed OGG-File (*.ogg) Komprimierte OGG-Datei (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Name: Maker: Hersteller: Copyright: Copyright: Requires Real Time: Benötigt Echtzeit: Yes Ja No Nein Real Time Capable: Echtzeitfähig: In Place Broken: Operationen nicht In-Place: Channels In: Eingangs-Kanäle: Channels Out: Ausgangs-Kanäle: File: Datei: SampleBuffer Open audio file Audio-Datei öffnen All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Alle Audio-Dateien (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wave-Dateien (*.wav) OGG-Files (*.ogg) OGG-Dateien (*.ogg) DrumSynth-Files (*.ds) DrumSynth-Dateien (*.ds) FLAC-Files (*.flac) FLAC-Dateien (*.flac) SPEEX-Files (*.spx) SPEEX-Dateien (*.spx) MP3-Files (*.mp3) MP3-Dateien (*.mp3) VOC-Files (*.voc) VOC-Dateien (*.voc) AIFF-Files (*.aif *.aiff) AIFF-Dateien (*.aif *.aiff) AU-Files (*.au) AU-Dateien (*.au) RAW-Files (*.raw) RAW-Dateien (*.raw) SampleTCOView double-click to select sample Doppelklick, um Sample zu wählen Delete (middle mousebutton) Löschen (mittlere Maustaste) Cut Ausschneiden Copy Kopieren Paste Einfügen Mute/unmute (<Ctrl> + middle click) Stumm/Laut schalten (<Strg> + Mittelklick) Set/clear record Aufnahme setzen/löschen SampleTrack Sample track Sample-Spur Volume Lautstärke SampleTrackView Track volume Lautstärke der Spur Channel volume: Kanal Lautstärke: VOL VOL TempoSyncKnob Tempo Sync Tempo-Synchronisation No Sync Keine Synchronisation Eight beats Acht Schläge Whole note Ganze Note Half note Halbe Note Quarter note Viertelnote 8th note Achtelnote 16th note 16tel Note 32nd note 32tel Note Custom... Benutzerdefiniert... &Help &Hilfe Custom Benutzerdefiniert Synced to Eight Beats Mit acht Schlägen synchronisiert Synced to Whole Note Mit ganzer Note synchronisiert Synced to Half Note Mit halber Note synchronisiert Synced to Quarter Note Mit Viertelnote synchronisiert Synced to 8th Note Mit Achtelnote synchronisiert Synced to 16th Note Mit 16tel Note synchronisiert Synced to 32nd Note Mit 32tel Note synchronisiert TimeDisplayWidget click to change time units TrackContainer Couldn't import file Konnte Datei nicht importieren Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Es konnte kein Filter gefunden werden, um die Datei %1 zu importieren. Sie sollten diese Datei mit Hilfe anderer Software in ein von LMMS unterstützes Format umwandeln. Couldn't open file Konnte Datei nicht öffnen Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Konnte Datei %1 nicht zum Lesen öffnen. Bitte stellen Sie sicher, dass Sie Lese-Rechte auf diese Datei sowie das Verzeichnis besitzen und probieren es erneut! Loading project... Lade Projekt... Cancel Abbrechen Please wait... Bitte warten... Importing MIDI-file... Importiere MIDI-Datei... Importing FLP-file... Importiere FLP-Datei... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Phasenmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulieren Use amplitude modulation for modulating oscillator 2 with oscillator 1 Amplitudenmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulieren Mix output of oscillator 1 & 2 Mische Ausgang von Oszillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Synchronisiere Oszillator 1 mit Oszillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Frequenzmodulation benutzen, um Oszillator 2 mit Oszillator 1 zu modulieren Use phase modulation for modulating oscillator 3 with oscillator 2 Phasenmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulieren Use amplitude modulation for modulating oscillator 3 with oscillator 2 Amplitudenmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulieren Mix output of oscillator 2 & 3 Mische Ausgang von Oszillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Synchronisiere Oszillator 2 mit Oszillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Frequenzmodulation benutzen, um Oszillator 3 mit Oszillator 2 zu modulieren Osc %1 volume: Oszillator %1 Lautstärke: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Mit diesem Knopf können Sie die Lautstärke von Oszillator %1 setzen. Wenn Sie einen Wert von 0 setzen, wird der Oszillator ausgeschaltet. Ansonsten können Sie ihn so laut hören, wie Sie es hier einstellen. Osc %1 panning: Oszillator %1 Balance: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Mit diesem Knopf können Sie die Balance von Oszillator %1 setzen. Ein Wert von -100 heißt 100% links und ein Wert von 100 verschiebt den Oszillator-Ausgang nach rechts. Osc %1 coarse detuning: Oszillator %1 Grob-Verstimmung: semitones Halbtöne With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Mit diesem Knopf können Sie die grobe Verstimmung von Oszillator %1 setzen. Sie können den Oszillator 12 Halbtöne (1 Oktave) nach oben und unten verstimmen. Das ist nützlich, wenn Sie einen Sound mit einem Akkord erstellen möchten. Osc %1 fine detuning left: Oszillator %1 Fein-Verstimmung links: cents Cent With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Mit diesem Knopf können Sie die Fein-Verstimmung von Oszillator %1 für den linken Kanal einstellen. Die Fein-Verstimmung liegt zwischen -100 Cent und +100 Cent. Das ist nützlich, um "fette" Sounds zu erzeugen. Osc %1 fine detuning right: Oszillator %1 Fein-Verstimmung rechts: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Mit diesem Knopf können Sie die Fein-Verstimmung von Oszillator %1 für den rechten Kanal einstellen. Die Fein-Verstimmung liegt zwischen -100 Cent und +100 Cent. Das ist nützlich, um "fette" Sounds zu erzeugen. Osc %1 phase-offset: Oszillator %1 Phasen-Verschiebung: degrees Grad With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Mit diesem Knopf können Sie die Phasen-Verschiebung von Oszillator %1 setzen. Das heißt, Sie können den Punkt innerhalb einer Schwingung verschieben, an dem der Oszillator anfangen soll zu schwingen. Wenn Sie zum Beispiel eine Sinus-Welle haben und eine Phasen-Verschiebung von 180 Grad einstellen, wird die Welle zu erst runter gehen. Das gleiche trifft auch bei einer Rechteck-Welle zu. Osc %1 stereo phase-detuning: Oszillator %1 Stereo Phasen-Verschiebung: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Mit diesem Knopf können Sie die Stereo Phasen-Verschiebung von Oszillator %1 setzen. Die Stereo Phasen-Verschiebung gibt die Differenz zwischen den Phasen-Verschiebungen zwischen dem linken und rechten Kanal an. Dies eignet sich gut, um großräumig-klingende Stereo-Klänge zu erzeugen. Use a sine-wave for current oscillator. Sinuswelle für aktuellen Oszillator nutzen. Use a triangle-wave for current oscillator. Dreieckswelle für aktuellen Oszillator nutzen. Use a saw-wave for current oscillator. Sägezahnwelle für aktuellen Oszillator nutzen. Use a square-wave for current oscillator. Rechteckswelle für aktuellen Oszillator nutzen. Use a moog-like saw-wave for current oscillator. Moog-ähnliche Sägezahnwelle für aktuellen Oszillator nutzen. Use an exponential wave for current oscillator. Exponentialwelle für aktuellen Oszillator nutzen. Use white-noise for current oscillator. Weißes Rauschen für aktuellen Oszillator nutzen. Use a user-defined waveform for current oscillator. Benutzerdefinierte Wellenform für aktuellen Oszillator nutzen. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Anderes VST-Plugin laden Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Klicken Sie hier, um ein anderes VST-Plugin zu öffnen. Nachdem Sie auf diesen Button geklickt haben, erscheint ein Datei-öffnen-Dialog und Sie können Ihre Datei wählen. Show/hide GUI GUI zeigen/verstecken Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Klicken Sie hier, um die grafische Oberfläche (GUI) Ihres VST-Plugins anzuzeigen bzw. zu verstecken. Turn off all notes Alle Noten ausschalten Open VST-plugin VST-Plugin öffnen DLL-files (*.dll) DLL-Dateien (*.dll) EXE-files (*.exe) EXE-Dateien (*.exe) No VST-plugin loaded Kein VST-Plugin geladen Control VST-plugin from LMMS host VST-Plugin von LMMS fernsteuern Click here, if you want to control VST-plugin from host. Klicken Sie hier, um das VST-Plugin von LMMS aus fernzusteuern. Open VST-plugin preset VST-Plugin-Preset öffnen Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Klicken Sie hier, um eine andere *.fxp, *.fxb-Preset-Datei für das VST-Plugin zu laden. Previous (-) Vorheriges (-) Save preset Preset speichern Next (+) Nächstes (+) Click here to select presets that are currently loaded in VST. Klicken Sie hier, um aktuell geladene VST-Presets auszuwählen. Preset Preset Click here, if you want to switch to another VST-plugin preset program. Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. Click here, if you want to save current VST-plugin preset program. Klicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern. by - VST plugin control VstEffectControlDialog Control VST-plugin from LMMS host VST-Plugin von LMMS fernsteuern Click here, if you want to control VST-plugin from host. Klicken Sie hier, um das VST-Plugin von LMMS aus fernzusteuern. Open VST-plugin preset VST-Plugin-Preset öffnen Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Klicken Sie hier, um eine andere *.fxp, *.fxb-Preset-Datei für das VST-Plugin zu laden. Previous (-) Vorheriges (-) Next (+) Nächstes (+) Click here to select presets that are currently loaded in VST. Klicken Sie hier, um aktuell geladene VST-Presets auszuwählen. Save preset Preset speichern Click here, if you want to switch to another VST-plugin preset program. Klicken Sie hier, um zu einem anderen VST-Plugin-Presetprogramm zu wechseln. Click here, if you want to save current VST-plugin preset program. Klicken Sie hier, um das aktuelle VST-Plugin-Presetprogramm zu speichern. Show/hide Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Lade Plugin Please wait while loading VST-plugin... Bitte warten, während das VST-Plugin geladen wird... Failed loading VST-plugin Laden des VST-Plugins fehlgeschlagen The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Das VST-Plugin %1 konnte aus irgendeinem Grund nicht geladen werden. Wenn es mit anderer VST-Software unter Linux funktioniert, kontaktieren Sie bitte einen LMMS-Entwickler! Open Preset Preset öffnen Vst Plugin Preset (*.fxp *.fxb) VST-Plugin-Preset (*.fxp *.fxb) : default " ' Save Preset Preset speichern .fxp .fxp .FXP .FXP .FXB .FXB .fxb .fxb ZynAddSubFxInstrument Portamento Portamento Filter Frequency Filterfrequenz Filter Resonance Filterresonanz Bandwidth Bandbreite FM Gain Resonance Center Frequency Zentrale Resonanzfrequenz Resonance Bandwidth Resonanzbandbreite Forward MIDI Control Change Events MIDI-Control-Change-Ereignisse weiterleiten ZynAddSubFxView Show GUI GUI anzeigen Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Klicken Sie hier, um die grafische Oberfläche von ZynAddSubFX anzuzeigen bzw. auszublenden. Portamento: Portamento: PORT PORT Filter Frequency: Filterfrequenz: FREQ FREQ Filter Resonance: Filterresonanz: RES RES Bandwidth: Bandbreite: BW BW FM Gain: FM GAIN Resonance center frequency: Zentrale Resonanzfrequenz: RES CF Resonance bandwidth: Resonanzbandbreite: RES BW Forward MIDI Control Changes MIDI-Control-Änderungen weiterleiten audioFileProcessor Amplify Verstärkung Start of sample Sample-Anfang End of sample Sample-Ende Reverse sample Sample umkehren Loop Wiederholen Stutter bassBoosterControlDialog FREQ FREQ Frequency: Frequenz: GAIN GAIN Gain: Gain: RATIO RATE Ratio: Rate: bassBoosterControls Frequency Frequenz Gain Gain Ratio Rate bbEditor Play/pause current beat/bassline (Space) Aktuellen Beat/Bassline abspielen/pausieren (Leertaste) Beat+Bassline Editor Beat+Bassline Editor Add beat/bassline Beat/Bassline hinzufügen Add automation-track Automation-Spur hinzufügen Stop playback of current beat/bassline (Space) Abspielen des aktuellen Beats/Bassline stoppen (Leertaste) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Klicken Sie hier, um den aktuelle Beat/Bassline abzuspielen. Der Beat/Bassline wird am Ende automatisch wiederholt. Click here to stop playing of current beat/bassline. Klicken Sie hier, um das Abspielen des aktuellen Beats/Bassline zu stoppen (Leertaste). Remove steps Steps entfernen Add steps Steps hinzufügen bbTCOView Open in Beat+Bassline-Editor Im Beat+Bassline-Editor öffnen Reset name Name zurücksetzen Change name Name ändern Change color Farbe ändern bbTrack Beat/Bassline %1 Beat/Bassline %1 Clone of %1 Klon von %1 bitInvader Samplelength Sample-Länge bitInvaderView Sample Length Sample-Länge Sine wave Sinus-Welle Triangle wave Dreiecks-Welle Saw wave Sägezahn-Welle Square wave Rechtecks-Welle White noise wave Weißes Rauschen User defined wave Benutzerdefinierte Welle Smooth Glätten Click here to smooth waveform. Klicken Sie hier, um die Wellenform zu glätten. Interpolation Interpolation Normalize Normalisieren Draw your own waveform here by dragging your mouse on this graph. Zeichnen Sie eigene Wellenformen, indem Sie die Maus über den Graph ziehen. Click for a sine-wave. Klick für eine Sinuswelle. Click here for a triangle-wave. Klick für eine Dreieckswelle. Click here for a saw-wave. Klick für eine Sägezahnwelle. Click here for a square-wave. Klick für eine Rechteckswelle. Click here for white-noise. Klick für weißes Rauschen. Click here for a user-defined shape. Klick für eine benutzerdefinierte Wellenform. exportProjectDialog Could not open file Konnte Datei nicht öffnen Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Die Datei %1 konnte nicht zum Schreiben geöffnet werden. Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeichnis, das diese Datei enthält, besitzen und versuchen es erneut! Error Fehler Error while determining file-encoder device. Please try to choose a different output format. Fehler beim Bestimmen des Datei-Enkoder-Geräts. Bitte wählen Sie ein anderes Ausgabeformat. Rendering: %1% Rendere: %1% Export project to %1 Projekt nach %1 exportieren fader Please enter a new value between %1 and %2: Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: fileBrowser Browser Browser fileBrowserTreeWidget Send to active instrument-track An aktive Instrumentspur senden Open in new instrument-track/Song-Editor In neuer Instrumentspur im Song-Editor öffnen Open in new instrument-track/B+B Editor In neuer Instrumentspur im B+B-Editor öffnen Loading sample Lade Sample Please wait, loading sample for preview... Bitte warten, lade Sample für Vorschau... --- Factory files --- --- Mitgelieferte Dateien --- graphModel Graph Graph kickerInstrument Start frequency Startfrequenz End frequency Endfrequenz Decay Abfallzeit Distortion Verzerrung Gain Gain kickerInstrumentView Start frequency: Startfrequenz: End frequency: Endfrequenz: Decay: Abfallzeit (decay): Distortion: Verzerrung: Gain: Gain: knob &Help &Hilfe Please enter a new value between %1 and %2: Bitte geben Sie einen neuen Wert zwischen %1 und %2 ein: Please enter a new value between -96.0 dBV and 6.0 dBV: Bitte geben Sie einen Wert zwischen -96.0 dBV und 6.0 dBV ein: ladspaBrowserView Available Effects Verfügbare Effekte Unavailable Effects Nicht verfügbare Effekte Instruments Instrumente Analysis Tools Analysewerkzeuge Don't know Weiß nicht This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: Typ: ladspaDescription Plugins Plugins Description Beschreibung ladspaPortDialog Name Name Rate Rate Direction Richtung Type Typ Min < Default < Max Min < Standard < Max Logarithmic Logarithmisch SR Dependent SR-abhängig Audio Audio Control Steuerung Input Eingang Output Ausgang Toggled Umgeschaltet Integer Ganzahl Float Kommazahl Yes Ja Ports Ports lb302Synth VCF Cutoff Frequency VCF-Kennfrequenz VCF Resonance VCF-Resonanz VCF Envelope Mod VCF-Hüllkurvenintensität VCF Envelope Decay VCF-Hüllkurvenabfallzeit Slide Slide Accent Betonung Dead Slide Decay Slide-Abfallzeit Distortion Verzerrung Waveform Wellenform 24dB/oct Filter 24db/Okt Filter lb302SynthView Cutoff Freq: Kennfrequenz: Resonance: Resonanz: Env Mod: Hüllkurven-Modulation: Decay: Abfallzeit (decay): 303-es-que, 24dB/octave, 3 pole filter Slide Decay: Slide-Abfallzeit: DIST: DIST: Saw wave Sägezahn-Welle Click here for a saw-wave. Klick für eine Sägezahnwelle. Triangle wave Dreiecks-Welle Click here for a triangle-wave. Klick für eine Dreieckswelle. Square wave Rechtecks-Welle Click here for a square-wave. Klick für eine Rechteckswelle. Rounded square wave Abgerundete Rechtecks-Welle Click here for a square-wave with a rounded end. Klick für eine abgerundete Rechtecks-Welle. Moog wave Moog-Welle Click here for a moog-like wave. Klick für eine Moog-ähnliche Welle. Sine wave Sinus-Welle Click for a sine-wave. Klick für eine Sinuswelle. White noise wave Weißes Rauschen Click here for an exponential wave. Klick für eine Exponential-Welle. Click here for white-noise. Klick für weißes Rauschen. lb303Synth VCF Cutoff Frequency VCF-Kennfrequenz VCF Resonance VCF-Resonanz VCF Envelope Mod VCF-Hüllkurvenintensität VCF Envelope Decay VCF-Hüllkurvenabfallzeit Distortion Verzerrung Waveform Wellenform Slide Decay Slide-Abfallzeit Slide Slide Accent Betonung Dead 24dB/oct Filter 24db/Okt Filter lb303SynthView Cutoff Freq: Kennfrequenz: CUT FREQ Resonance: Resonanz: RES RES Env Mod: Hüllkurven-Modulation: ENV MOD ENV-MOD Decay: Abfallzeit (decay): DEC DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: Slide-Abfallzeit: SLIDE SLIDE DIST: DIST: DIST DIST WAVE: Wellenform: WAVE WELLE malletsInstrument Marimba Marimba Vibraphone Vibraphon Agogo Agogo Wood1 Holz 1 Reso Reso Wood2 Holz 2 Beats Beats Two Fixed Two Fixed Clump Clump Tubular Bells Glocken in Röhre Uniform Bar Uniform Bar Tuned Bar Tuned Bar Glass Glas Tibetan Bowl Tibetanische Schüssel Hardness Härte Position Position Vibrato Gain Vibrato Gain Vibrato Freq Vibrato-Freq Stick Mix Stick Mix Modulator Modulator Crossfade Crossfade LFO Speed LFO-Geschwindigkeit LFO Depth LFO-Tiefe ADSR ADSR Pressure Druck Motion Bewegung Speed Geschwindigkeit Bowed Gestrichen Spread Weite Missing files Fehlende Dateien Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Ihre Stk-Installation scheint unvollständig zu sein. Bitte stellen Sie sicher, dass das volle Stk-Paket installiert ist! malletsInstrumentView Instrument Instrument Spread Weite Spread: Weite: Hardness Härte Hardness: Härte: Position Position Position: Position: Vib Gain Vib Gain Vib Gain: Vib Gain: Vib Freq Vib-Freq Vib Freq: Vib-Freq: Stick Mix Stick Mix Stick Mix: Stick Mix: Modulator Modulator Modulator: Modulator: Crossfade Crossfade Crossfade: Crossfade: LFO Speed LFO-Geschwindigkeit LFO Speed: LFO-Geschwindigkeit: LFO Depth LFO-Tiefe LFO Depth: LFO-Tiefe: ADSR ADSR ADSR: ADSR: Bowed Gestrichen Pressure Druck Pressure: Druck: Motion Bewegung Motion: Bewegung: Speed Geschwindigkeit Speed: Geschwindigkeit: Vibrato Vibrato Vibrato: Vibrato: manageVSTEffectView VST Sync VST-Sync Click here if you want to synchronize all parameters with VST plugin. Klicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren. - VST parameter control Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView VST Sync VST-Sync Click here if you want to synchronize all parameters with VST plugin. Klicken Sie hier, um alle Parameter mit dem VST-Plugin zu synchronisieren. - VST plugin control Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Hilfe opl2instrument Patch Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Verzerrung Volume Lautstärke organicInstrumentView Osc %1 volume: Oszillator %1 Lautstärke: Randomise Zufallswerte Osc %1 waveform: Oszillator %1 Wellenform: Osc %1 panning: Oszillator %1 Balance: Osc %1 fine detuning left: Oszillator %1 Fein-Verstimmung links: cents Cent Distortion: Verzerrung: Volume: Lautstärke: papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern Kann Pattern nicht einfrieren The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Der Pattern kann derzeit nicht eingefroren werden, da Sie sich im Abspiel-Modus befinden. Bitte stoppen Sie und versuchen es erneut! patternFreezeStatusDialog Freezing pattern... Friere Pattern ein... Cancel Abbrechen patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Doppelklick, um diesen Pattern im Piano-Roll zu öffnen Lautstärke eines Steps kann mit Mausrad geändert werden Open in piano-roll Im Piano-Roll öffnen Clear all notes Alle Noten löschen Reset name Name zurücksetzen Change name Name ändern Refreeze Erneut einfrieren Freeze Einfrieren Unfreeze Ausfrieren Add steps Steps hinzufügen Remove steps Steps entfernen PianoRoll Cut selected notes (Ctrl+X) Ausgewählte Noten ausschneiden (Strg+X) Copy selected notes (Ctrl+C) Ausgewählte Noten kopieren (Strg+C) Paste notes from clipboard (Ctrl+V) Noten aus Zwischenablage einfügen (Strg+V) Play/pause current pattern (Space) Aktuellen Pattern abspielen/pausieren (Leertaste) Stop playing of current pattern (Space) Abspielen des aktuellen Patterns stoppen (Leertaste) Piano-Roll - %1 Piano-Roll - %1 Piano-Roll - no pattern Piano-Roll - Kein Pattern Please open a pattern by double-clicking on it! Bitte öffnen Sie einen Pattern, indem Sie ihn doppelklicken! Record notes from MIDI-device/channel-piano Noten von MIDI-Gerät/Kanal-Klavier aufnehmen Last note Letzte Note Draw mode (Shift+D) Zeichnen-Modus (Umschalt+D) Erase mode (Shift+E) Radier-Modus (Umschalt+E) Select mode (Shift+S) Auswahl-Modus (Umschalt+S) Record notes from MIDI-device/channel-piano while playing song or BB track Noten vom MIDI-Gerät/Kanal-Klavier aufnehmen während der Song oder BB-Track abgespielt wird Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Klicken Sie hier, um den aktuellen Pattern abzuspielen. Das ist nützlich beim Bearbeiten. Der Pattern wird automatisch wiederholt, wenn sein Ende erreicht ist. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Klicken Sie hier, um Noten von einem MIDI-Gerät oder dem virtuellen Test-Klavier des zugehörigen Kanal-Fensters in den aktuellen Pattern aufzunehmen. Beim Aufnehmen werden alle Noten, die Sie spielen, in diesen Pattern geschrieben und hinterher können Sie diese abspielen und bearbeiten. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Klicken Sie hier, um die Wiedergabe des aktuellen Patterns zu stoppen. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klicken Sie hier, um die markierten Noten in die Zwischenablage auszuschneiden. Sie können sie überall in einem beliebigen Pattern wieder einfügen, indem Sie auf den Einfügen-Button klicken. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Klicken Sie hier, um die markierten Noten in die Zwischenablage zu kopieren. Sie können sie überall in einem beliebigen Pattern wieder einfügen, indem Sie auf den Einfügen-Button klicken. Click here and the notes from the clipboard will be pasted at the first visible measure. Klicken Sie hier, um die Noten aus der Zwischenablage im ersten sichtbaren Takt einzufügen. Note lock Note Volume Noten-lautstärke Note Panning Detune mode (Shift+T) Verstimmungsmodus (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Aktuellen Halbton markieren/demarkieren Mark current scale Aktuelle Tonleite markieren Mark current chord Aktuellen Akkord markieren Unmark all Alles Markierungen entfernen No scale Keine Tonleiter No chord Kein Akkord pluginBrowser Instrument plugins Instrument-Plugins three powerful oscillators you can modulate in several ways Drei leistungsfähige Oszillatoren, die Sie auf verschiedene Art und Weise modulieren können VST-host for using VST(i)-plugins within LMMS VST-Host zum Benutzen von VST(i)-Plugins innerhalb von LMMS no description keine Beschreibung Additive Synthesizer for organ-like sounds Additiver Synthesizer für orgelähnliche Klänge Vibrating string modeler Modellierung schwingender Saiten Filter for importing MIDI-files into LMMS Filter, um MIDI-Dateien in LMMS zu importieren simple sampler with various settings for using samples (e.g. drums) in an instrument-track Einfacher Sampler mit verschiedenen Einstellungen zur Nutzung von Samples (z.B. Drums) in einer Instrument-Spur Filter for importing FL Studio projects into LMMS Filter für Import von FL Studio Projekten in LMMS Tuneful things to bang on Gegenstände, die nach etwas klingen, wenn man drauf rumkloppt plugin for using arbitrary LADSPA-effects inside LMMS. Plugin, um beliebige LADSPA-Effekte in LMMS nutzen zu können. plugin for using arbitrary VST-effects inside LMMS. Plugin um beliebige VST-Effekte in LMMS nutzen zu können. Incomplete monophonic imitation tb303 Unvollständiger monophonischer TB303-Klon versatile kick- & bassdrum-synthesizer Vielfältiger Kick- & Bassdrum-Synthesizer GUS-compatible patch instrument GUS-kompatibles Patch-Instrument Plugin for enhancing stereo separation of a stereo input file Plugin zur Erweiterung des Stereo-Klangeindrucks List installed LADSPA plugins Installierte LADSPA-Plugins auflisten plugin for boosting bass Plugin zur Bass-Verstärkung Plugin for freely manipulating stereo output Plugin zur freien Manipulation der Stereoausgabe Plugin for controlling knobs with sound peaks Plugin zur Kontrolle von Knöpfen mit Hilfe von Klangspitzen Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Emulation des MOS6581 und MOS8580 SID Chips. Dieser Chip wurde in Commodore 64 Computern genutzt. Instrument browser Instrument-Browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Ziehen Sie ein Instrument entweder in den Song-Editor, den Beat+Bassline-Editor oder in eine existierende Instrumentspur. Player for SoundFont files Wiedergabe von SoundFont-Dateien Emulation of GameBoy (TM) APU Emulation des GameBoy (TM) APU Customizable wavetable synthesizer Flexibler Wavetable-Synthesizer Embedded ZynAddSubFX Eingebettetes ZynAddSubFX-Plugin 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. Schreiben Sie hier Ihre Projekt-Notizen auf. Project notes Projekt-Notizen Edit Actions Bearbeiten &Undo &Rückgängig Ctrl+Z Strg+Z &Redo Wiede&rholen Ctrl+Y Strg+Y &Copy &Kopieren Ctrl+C Strg+C Cu&t A&usschneiden Ctrl+X Strg+X &Paste &Einfügen Ctrl+V Strg+V Format Actions Formatierung &Bold &Fett Ctrl+B Strg+F &Italic &Kursiv Ctrl+I Strg+K &Underline &Unterstrichen Ctrl+U Strg+U &Left &Links Ctrl+L Strg+L C&enter Z&entriert Ctrl+E Strg+Z &Right &Rechts Ctrl+R Strg+R &Justify &Blocksatz Ctrl+J Strg+J &Color... &Farbe... renameDialog Rename... Umbenennen... setupDialog Setup LMMS Einrichtung von LMMS General settings Allgemeine Einstellungen BUFFER SIZE PUFFERGRÖSSE Reset to default-value Auf Standardwert zurücksetzen MISC VERSCHIEDENES Audio settings Audio-Einstellungen AUDIO INTERFACE AUDIO-SCHNITTSTELLE MIDI settings MIDI-Einstellungen MIDI INTERFACE MIDI-SCHNITTSTELLE OK OK Cancel Abbrechen Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Hier können Sie die interne Puffergröße einstellen, die von LMMS genutzt wird. Kleinere Werte machen sich in einer geringeren Latenz bemerkbar, können aber auch zu unbrauchbarem Sound oder schlechter Performance führen, vor allem auf älteren Computern oder Systemen mit einem Nicht-Echtzeit-Kernel. Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Hier können Sie Ihre bevorzugte Audio-Schnittstelle auswählen. Abhängig von der Konfiguration Ihres Systems während der Compilierung können Sie zwischen ALSA, JACK, OSS und mehr wählen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewählte Audio-Schnittstelle einzurichten. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Hier können Sie Ihre bevorzugte MIDI-Schnittstelle auswählen. Abhängig von der Konfiguration Ihres Systems während der Compilierung können Sie zwischen ALSA, OSS und mehr wählen. Unterhalb sehen Sie eine Box, welche Kontrollelemente anbietet, um die gewählte MIDI-Schnittstelle einzurichten. Restart LMMS LMMS neustarten Please note that most changes won't take effect until you restart LMMS! Bitte beachten Sie, dass die meisten Änderungen erst wirksam werden, nachdem Sie LMMS neugestartet haben! LMMS working directory LMMS-Arbeitsverzeichnis VST-plugin directory VST-Plugin-Verzeichnis Choose LMMS working directory LMMS-Arbeitsverzeichnis wählen Choose your VST-plugin directory Wählen Sie Ihre VST-Plugin-Verzeichnis Performance settings Performance-Einstellungen UI effects vs. performance UI-Effekte vs. Performance Frames: %1 Latency: %2 ms Frames: %1 Latenz: %2 ms Artwork directory Artwork-Verzeichnis Choose artwork-theme directory Artwork-Verzeichnis wählen Display volume as dBV Lautstärke in dBV anzeigen FL Studio installation directory FL Studio Installationsverzeichnis Choose FL Studio installation directory FL Studio Installationsverzeichnis wählen STK rawwave directory STK RawWave-Verzeichnis Choose LADSPA plugin directory Wählen Sie Ihr LADSPA-Plugin-Verzeichnis Choose STK rawwave directory Wählen Sie Ihr STK-RawWave-Verzeichnis Enable tooltips Tooltips aktivieren Show restart warning after changing settings Meldung nach Schließen dieses Dialogs zeigen Compress project files per default Projektdateien standardmäßig komprimieren HQ-mode for output audio-device HQ-Modus für Ausgabe-Audiogerät Paths Pfade LADSPA plugin paths LADSPA-Pluginpfade Default Soundfont File Standard SoundFont-Datei Background artwork Hintergrundbild Choose default SoundFont Standard-Soundfont wählen Choose background artwork Hintergrundbild wählen One instrument track window mode Instrumente im Ein-Fenster-Modus Compact track buttons Kompakte Track-Buttons Smooth scroll in Song Editor Weiches Scrollen im Song-Editor Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Bank Patch Patch Gain Gain Reverb Hall Reverb Roomsize Hall/Raumgröße Reverb Damping Hall/Dämpfung Reverb Width Hall/Weite Reverb Level Hall/Stärke Chorus Chorus Chorus Lines Chorus Level Chorus/Stärke Chorus Speed Chorus/Geschwindigkeit Chorus Depth Chorus/Tiefe sf2InstrumentView Open other SoundFont file Eine andere SoundFont-Datei öffnen Click here to open another SF2 file Klicken Sie hier, um eine andere SF2-Datei zu öffnen Choose the patch Patch wählen Open SoundFont file SoundFont-Datei öffnen Gain Gain Apply reverb (if supported) Hall anwenden (wenn unterstützt) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Dieser Knopf aktiviert den Hall-Effekt, welcher jedoch nur mit Dateien funktioniert, die dies unterstützen. Reverb Roomsize: Hall/Raumgröße: Reverb Damping: Hall/Dämpfung: Reverb Width: Hall/Weite: Reverb Level: Reverb/Stärke: Apply chorus (if supported) Chorus-Effekt anwenden (wenn unterstützt) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Dieser knopf aktiviert den Chorus-Effekt. Das ist nützlich für Echo-Effekte, funktioniert jedoch nur mit Dateien, die dies unterstützen. Chorus Lines: Chorus Level: Chorus/Stärke: Chorus Speed: Chorus/Geschwindigkeit: Chorus Depth: Chorus/Tiefe: SoundFont2 Files (*.sf2) SoundFont2-Dateien (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Kennfrequenz Resonance Resonanz Filter type Filtertyp Voice 3 off Stimme 3 lautlos Volume Lautstärke Chip model Chipmodell sidInstrumentView Volume: Lautstärke: Resonance: Resonanz: Cutoff frequency: Kennfrequenz: High-Pass filter Hochpass-Filter Band-Pass filter Bandpass-Filter Low-Pass filter Tiefpass-Filter Voice3 Off Stimme 3 lautlos MOS6581 SID MOS6581 SID MOS8580 SID MOS8580 SID Attack: Anschwellzeit (attack): Decay: Abfallzeit (decay): Sustain: Dauerpegel (sustain): Release: Ausklingzeit (release): Pulse Width: Pulsweite: Coarse: Grob: Pulse Wave Puls-Signal Triangle Wave Dreiecks-Welle SawTooth Sägezahn-Welle Noise Rauschen Sync Synchron Ring-Mod Ringmodulation Filtered Gefiltert Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. The Coarse detuning allows to detune Voice %1 one octave up or down. Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Project saved Projekt gespeichert The project %1 is now saved. Das Projekt %1 ist nun gespeichert. Project NOT saved. Projekt NICHT gespeichert. The project %1 was not saved! Das Projekt %1 wurde nicht gespeichert! Import file Datei importieren untitled unbenannt Select file for project-export... Datei für Projekt-Export wählen... Tempo Tempo Master volume Master-Lautstärke Master pitch Master-Tonhöhe Empty project Leeres Projekt This project is empty so exporting makes no sense. Please put some items into Song Editor first! DIeses Projekt ist leer, weshalb das Exportieren keinen Sinn macht. Bitte erstellen Sie erst ein paar Einträge im Song-Editor! MIDI sequences MIDI-Dateien FL Studio projects FL Studio Projekte All file types Alle Dateitypen Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Klicken Sie hier, wenn Sie das Abspielen des Songs stoppen wollen. Der Song-Positions-Marker wird automatisch auf den Song-Anfang zurückgesetzt. Could not open file Konnte Datei nicht öffnen Could not write file Konnte Datei nicht schreiben Song-Editor Song-Editor Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Klicken Sie hier, wenn Sie Ihren ganzen Song abspielen wollen. Das Abspielen wird am Song-Positions-Marker (grün) gestartet. Sie können diesen auch während des Abspielens verschieben. Play song (Space) Song abspielen (Leertaste) Stop song (Space) Abspielen des Songs stoppen (Leertaste) Add beat/bassline Beat/Bassline hinzufügen Add sample-track Sample-Spur hinzufügen Draw mode Zeichen-Modus Edit mode (select and move) Editier-Modus (auswählen und verschieben) Add automation-track Automation-Spur hinzufügen Record samples from Audio-device Samples vom Audiogerät aufnehmen Record samples from Audio-device while playing song or BB track Samples vom Audiogerät während der Wiedergabe des Songs oder BB-Tracks aufnehmen Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Konnte die Datei %1 nicht öffnen. Sie sind wahrscheinlich nicht berechtigt, diese Datei zu lesen. Bitte stellen Sie sicher, dass Sie wenigstens Leserechte auf diese Datei besitzen und versuchen es erneut. Error in file Fehler in Datei The file %1 seems to contain errors and therefore can't be loaded. Die Datei %1 scheint fehlerhaft zu sein und kann daher nicht geladen werden. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song Geschwindigkeit des Songs The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Das Tempo eines Liedes wird in Beats pro Minute (BPM) angegeben. Wenn Sie das Tempo Ihres Songs ändern wollen, ändern Sie diesen Wert. Jeder Takt hat vier Schläge (Beats); das Tempo gibt also an, wie viele Takte / 4 innerhalb einer Minute gespielt werden sollen (bzw. wie viele Takte innerhalb von vier Minuten gespielt werden sollen). High quality mode High-Quality-Modus Master volume Master-Lautstärke master volume Master-Lautstärke Master pitch Master-Tonhöhe master pitch Master-Tonhöhe Value: %1% Wert: %1% Value: %1 semitones Wert: %1 Halbtöne Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Lineares Spektrum Linear Y axis Lineare Y-Achse spectrumAnalyzerControls Linear spectrum Lineares Spektrum Linear Y-axis Lineare Y-Axe Channel mode Kanalmodus stereoEnhancerControlDialog WIDE WEITE Width: Weite: stereoEnhancerControls Width Weite stereoMatrixControlDialog Left to Left Vol: Links-nach-links Lautstärke: Left to Right Vol: Links-nach-rechts Lautstärke: Right to Left Vol: Rechts-nach-links Lautstärke: Right to Right Vol: Rechts-nach-rechts Lautstärke: stereoMatrixControls Left to Left Links-nach-links Left to Right Links-nach-rechts Right to Left Rechts-nach-links Right to Right Rechts-nach-rechts timeLine Enable/disable auto-scrolling Automatisches Scrollen aktivieren/deaktivieren Enable/disable loop-points Loop-Punkte aktivieren/deaktivieren After stopping go back to begin Nach Stop zum Anfang zurückkehren After stopping go back to position at which playing was started Nach Stop zur Position zurückkehren, an der es los ging After stopping keep position Nach Stop Position beibehalten Hint Tipp Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Stumm Solo Solo trackContentObject Muted Stumm trackContentObjectView Current position Aktuelle Position Hint Tipp Current length Aktuelle Länge Press <Ctrl> for free resizing. Drücken Sie <Strg> für freie Größenänderung. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 bis %5:%6) Delete (middle mousebutton) Löschen (mittlere Maustaste) Cut Ausschneiden Copy Kopieren Paste Einfügen Mute/unmute (<Ctrl> + middle click) Stumm/Laut schalten (<Strg> + Mittelklick) Press <Ctrl> and drag to make a copy. <Strg> drücken und ziehen, um eine Kopie zu erstellen. trackOperationsWidget Clone this track Diese Spur klonen Remove this track Diese Spur entfernen Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Drücken Sie <Strg> während des Klicks auf den Verschiebe-Griff, um eine neue Drag'n'Drop-Aktion zu beginnen. Actions for this track Aktionen für diese Spur Mute Stumm Mute this track Diese Spur stummschalten Solo Solo vestigeInstrument Failed loading VST-plugin Laden des VST-Plugins fehlgeschlagen The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Das VST-Plugin %1 konnte aus irgendeinem Grund nicht geladen werden. Wenn es mit anderer VST-software unter Linux funktioniert, kontaktieren Sie bitte einen LMMS-Entwickler! Loading plugin Lade Plugin Please wait while loading VST-plugin... Bitte warten, während das VST-Plugin geladen wird... vibed String %1 volume Seite %1 Lautstärke String %1 stiffness Seite %1 Härte Pick %1 position Zupf-Position %1 Pickup %1 position Abnehmer-Position %1 Pan %1 Detune %1 Verstimmung %1 Fuzziness %1 Unschärfe %1 Length %1 Länge %1 Impulse %1 Impuls %1 Octave %1 Oktave %1 vibedView Volume: Lautstärke: The 'V' knob sets the volume of the selected string. Der 'V'-Knopf setzt die Lautstärke der gewählten Saite. String stiffness: Härte der Saite: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Der 'S'-Knopf setzt die Härte der gewählten Saite. Die Härte der Saite beeinflusst deren Ausklang-Dauer. Je kleiner die Einstellung, desto länger klingt die Saite aus. Pick position: Zupf-Position: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Der 'P'-Knopf bestimmt die Position, an der die Saite angezupft wird. Je kleiner die Einstellung, desto näher wird am Steg gezupft. Pickup position: Abnehmer-Position: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Der 'PU'-Knopf bestimmt die Position, an der die Schwingungen an der gewählten Saite abgenommen werden. Je kleiner die Einstellung, desto näher ist der Abnehmer am Steg. Pan: Balance: The Pan knob determines the location of the selected string in the stereo field. Der Balance-Knopf bestimmt den Ort der gewählten Saite im Stereo-Raum. Detune: Verstimmung: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Der Verstimmungs-Knopf verändert die Tonhöhe der gewählten Saite. Einstellungen kleiner als 0 lassen die Saite flacher klingen, während Werte über 0 zu einem eher scharfen Klang führen. Fuzziness: Unschärfe: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Der Unschärfe-Knopf fügt dem Klang der Saite etwas 'Fuzz' hinzu, welcher hauptsächlich während des Anschlages zum Tragen kommt, wenngleich er auch genutzt werden kann, um den Klang etwas metallischer zu gestalten. Length: Länge: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Der Länge-Knopf bestimmt die Länge der gewählten Saite. Längere Saiten klingen länger und klingen heller, wobei sie gleichzeitig auch mehr CPU-Leistung fressen. Impulse or initial state Impuls oder Grundstellung The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Mit dem 'Imp'-Knopf legen Sie fest, ob die Wellenform in diesem Graph als Impuls zum Anzupfen der Saite oder als Grundstellung für die Saite genutzt werden soll. Octave Okatve The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Mit dem Oktaven-Wähler kann der Oktavenversatz gegenüber der Note verändert werden. So meint beispielsweise eine Einstellung von '-2', dass die Saite zwei Oktaven unterhalb des Grundtons ('F') schwingen wird und '6' dementsprechend 6 Oktaven über dem Grundton. Impulse Editor Impuls-Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Der Wellenform-Editor ermöglicht die Kontrolle über die Grundstellung oder den Impuls, der genutzt wird, um die Saite zum Schwingen zu bringen. Die Buttons rechts des Graphes initialisieren die Wellenform mit dem gewünschten Typ. Der '?'-Button lässt Sie eine Wellenform aus einer Datei laden - allerdings werden nur die ersten 128 Samples geladen. Die Wellenform kann ebenfalls in dem Graph gezeichnet werden. Der 'S'-Button glättet die Wellenform. Der 'N'-Button normalisiert die Wellenform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modelliert bis zu 9 unabhängige schwingende Saiten. Der Saiten-Wähler ermöglicht die Wahl der gerade aktiven Saite. Der 'Imp'-Knopf bestimmt, ob der Graph einen Impuls oder die Grundstellung der Saite repräsentiert. Der Oktaven-Wähler gibt den Oktavenversatz der Saite gegenüber dem Grundton an. Der Graph ermöglicht die Kontrolle über die Grundstellung der Saite oder den Impuls, der zum Anzupfen der Saite genutzt wird. Der 'V'-Knopf bestimmt die Lautstärke. Mit dem 'S'-Knopf wird die Härte der Saite eingestellt. Der 'P'-Knopf beeinflusst den Ort, an dem die Saite angezupft wird, während der 'PU'-Knopf die Position des Abnehmers bestimmt. 'Balance' und 'Verstimmung' bedürfen hoffentlich keiner Erklärung. Der Unschärfe-Knopf fügt dem Klang der Saite etwas 'Fuzz' hinzu. Der Länge-Knopf bestimmt die Länge der Saite. Die LED rechts unterhalb der Wellenform gibt an, ob die Saite aktiviert ist. Enable waveform Wellenform aktivieren Click here to enable/disable waveform. Hier klicken, um die Wellenform zu aktivieren/deaktiveren. String Saite The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Der Saiten-Wähler bestimmt die derzeit bearbeitete Saite. Ein Vibed-Instrument kann aus bis zu neun voneinander unabhängig schwingenden Saiten bestehen. Die LED in der Ecke rechts unterhalb der Wellenform gibt an, ob die gewählte Saite aktiv ist. Sine wave Sinus-Welle Triangle wave Dreiecks-Welle Saw wave Sägezahn-Welle Square wave Rechtecks-Welle White noise wave Weißes Rauschen User defined wave Benutzerdefinierte Welle Smooth Glätten Click here to smooth waveform. Klicken Sie hier, um die Wellenform zu glätten. Normalize Normalisieren Click here to normalize waveform. Hier klicken, um die Wellenform zu normalisieren. &Help &Hilfe Use a sine-wave for current oscillator. Sinuswelle für aktuellen Oszillator nutzen. Use a triangle-wave for current oscillator. Dreieckswelle für aktuellen Oszillator nutzen. Use a saw-wave for current oscillator. Sägezahnwelle für aktuellen Oszillator nutzen. Use a square-wave for current oscillator. Rechteckswelle für aktuellen Oszillator nutzen. Use white-noise for current oscillator. Weißes Rauschen für aktuellen Oszillator nutzen. Use a user-defined waveform for current oscillator. Benutzerdefinierte Wellenform für aktuellen Oszillator nutzen. visualizationWidget click to enable/disable visualization of master-output klicken, um Visualisierung des Masterausgangs an-/auszuschalten Click to enable Klick zur Aktivierung voiceObject Voice %1 pulse width Stimme %1 Pulsweite Voice %1 attack Stimme %1 Anschwellzeit Voice %1 decay Stimme %1 Abfallzeit Voice %1 sustain Stimme %1 Haltepegel Voice %1 release Stimme %1 Release Voice %1 coarse detuning Stimme %1 Grob-Verstimmung Voice %1 wave shape Stimme %1 Wellenform Voice %1 sync Stimme %1 Sync Voice %1 ring modulate Stimme %1 Ringmodulation Voice %1 filtered Stimme %1 gefiltert Voice %1 test lmms-1.0.0+bzr2569/data/locale/en.qm0000644000000000000000000000002011270620325015024 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE CHANNELS AudioFileProcessorView Open other sample Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Loop sample at start- and end-point Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME CHANNELS AudioOss::setupWidget DEVICE CHANNELS AudioPortAudio::setupWidget BACKEND DEVICE AudioPulseAudio::setupWidget DEVICE CHANNELS AudioSdl::setupWidget DEVICE AutomatableModel &Reset (%1%2) &Copy value (%1%2) &Paste value (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Stop playing of current pattern (Space) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Erase mode (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Copy selected values (Ctrl+C) Paste values from clipboard (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation Editor - %1 Please open an automation pattern with the context menu of a control! Values copied All selected values were copied to the clipboard. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name Change name %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel CHANNEL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from USER CONTROLLER MAPPING FUNCTION OK Cancel LMMS Cycle Detected. ControllerRackView Controller Rack Add Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Help Effect Effect enabled Wet/Dry mix Gate Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin &Help EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. ATT Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. HOLD Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. DEC Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. SUST Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. REL Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. AMT Modulation amount: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. control envelope-amount by this LFO ms/LFO: Hint Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Arpeggio range Arpeggio time Arpeggio gate Arpeggio direction Arpeggio mode Up Down Up and down Random Free Sort Sync InstrumentFunctionArpeggioView ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE Arpeggio range: octave(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME Arpeggio time: ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. GATE Arpeggio gate: % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Mode: InstrumentFunctionNoteStacking octave Major Majb5 minor minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Chord range Minor InstrumentFunctionNoteStackingView RANGE Chord range: octave(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME Volume CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Q/Resonance LowPass HiPass BandPass csg BandPass czpg Notch Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. Base note Pitch range InstrumentTrackView Volume Volume: VOL Panning Panning: PAN MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Instrument volume Volume: VOL Panning Panning: PAN Pitch Pitch: cents PITCH FX channel ENV/LFO FUNC FX MIDI Save preset XML preset file (*.xpf) PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD LFO-speed: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &New &Open... Recently opened projects &Save Save &As... Import... E&xport... &Quit &Edit Settings &Tools &Help Online help Help What's this? About Create new project Create new project from template Open existing project Recently opened project Save current project Export current project Show/hide Song-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 Project not saved The current project was modified since last saving. Do you want to save it now? Open project Save project Help not available Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE MidiAlsaSeq::setupWidget DEVICE MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE MidiPort Input channel Output channel Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Fixed output note OscillatorObject Osc %1 volume Osc %1 panning Osc %1 coarse detuning Osc %1 fine detuning left Osc %1 fine detuning right Osc %1 phase-offset Osc %1 stereo phase-detuning Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Attack: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Plugin Plugin not found The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Maker: Copyright: Requires Real Time: Yes No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) OGG-Files (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) AIFF-Files (*.aif *.aiff) AU-Files (*.au) RAW-Files (*.raw) SampleTCOView double-click to select sample Delete (middle mousebutton) Cut Copy Paste Mute/unmute (<Ctrl> + middle click) Set/clear record SampleTrack Sample track Volume SampleTrackView Track volume Channel volume: VOL TempoSyncKnob Tempo Sync No Sync Eight beats Whole note Half note Quarter note 8th note 16th note 32nd note Custom... &Help Custom Synced to Eight Beats Synced to Whole Note Synced to Half Note Synced to Quarter Note Synced to 8th Note Synced to 16th Note Synced to 32nd Note TimeDisplayWidget click to change time units TrackContainer Couldn't import file Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Couldn't open file Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Loading project... Cancel Please wait... Importing MIDI-file... Importing FLP-file... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Osc %1 panning: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Osc %1 coarse detuning: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Osc %1 fine detuning left: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 fine detuning right: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 phase-offset: degrees With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Turn off all notes Open VST-plugin DLL-files (*.dll) EXE-files (*.exe) No VST-plugin loaded Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Start of sample End of sample Reverse sample Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Beat+Bassline Editor Play/pause current beat/bassline (Space) Add beat/bassline Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Add steps bbTCOView Open in Beat+Bassline-Editor Reset name Change name Change color bbTrack Beat/Bassline %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Interpolation Normalize Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 fader Please enter a new value between %1 and %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: Distortion: Gain: knob &Help Please enter a new value between -96.0 dBV and 6.0 dBV: Please enter a new value between %1 and %2: ladspaBrowserView Available Effects Unavailable Effects Instruments Analysis Tools Don't know This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: ladspaDescription Plugins Description ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. Triangle wave Click here for a triangle-wave. Square wave Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Click for a sine-wave. White noise wave Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: Osc %1 panning: Osc %1 fine detuning left: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! patternFreezeStatusDialog Freezing pattern... Cancel patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Open in piano-roll Clear all notes Reset name Change name Refreeze Freeze Unfreeze Add steps Remove steps PianoRoll Play/pause current pattern (Space) Stop playing of current pattern (Space) Cut selected notes (Ctrl+X) Copy selected notes (Ctrl+C) Paste notes from clipboard (Ctrl+V) Piano-Roll - no pattern Piano-Roll - %1 Please open a pattern by double-clicking on it! Record notes from MIDI-device/channel-piano Record notes from MIDI-device/channel-piano while playing song or BB track Draw mode (Shift+D) Erase mode (Shift+E) Select mode (Shift+S) Last note Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description Instrument plugins Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins three powerful oscillators you can modulate in several ways Filter for importing FL Studio projects into LMMS versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. Additive Synthesizer for organ-like sounds plugin for boosting bass Tuneful things to bang on simple sampler with various settings for using samples (e.g. drums) in an instrument-track VST-host for using VST(i)-plugins within LMMS Vibrating string modeler plugin for using arbitrary LADSPA-effects inside LMMS. Filter for importing MIDI-files into LMMS Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Put down your project notes here. Edit Actions &Undo Ctrl+Z &Redo Ctrl+Y &Copy Ctrl+C Cu&t Ctrl+X &Paste Ctrl+V Format Actions &Bold Ctrl+B &Italic Ctrl+I &Underline Ctrl+U &Left Ctrl+L C&enter Ctrl+E &Right Ctrl+R &Justify Ctrl+J &Color... renameDialog Rename... setupDialog Setup LMMS General settings BUFFER SIZE Reset to default-value MISC Enable tooltips Show restart warning after changing settings Display volume as dBV Compress project files per default HQ-mode for output audio-device LMMS working directory VST-plugin directory Artwork directory FL Studio installation directory STK rawwave directory Performance settings UI effects vs. performance Audio settings AUDIO INTERFACE MIDI settings MIDI INTERFACE OK Cancel Restart LMMS Please note that most changes won't take effect until you restart LMMS! Frames: %1 Latency: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Choose LMMS working directory Choose your VST-plugin directory Choose artwork-theme directory Choose FL Studio installation directory Choose LADSPA plugin directory Choose STK rawwave directory Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Voice 3 off Volume Chip model sidInstrumentView Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Master volume Master pitch Project saved The project %1 is now saved. Project NOT saved. The project %1 was not saved! Import file untitled Select file for project-export... Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Play song (Space) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Stop song (Space) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Add beat/bassline Add sample-track Could not open file Could not write file Add automation-track Draw mode Edit mode (select and move) Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo TEMPO/BPM tempo of song The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Master volume master volume Master pitch master pitch Value: %1% Value: %1 semitones Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Enable/disable loop-points After stopping go back to begin After stopping go back to position at which playing was started After stopping keep position Hint Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Hint Press <Ctrl> and drag to make a copy. Current length Press <Ctrl> for free resizing. %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) Cut Copy Paste Mute/unmute (<Ctrl> + middle click) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Mute Mute this track Solo Clone this track Remove this track vestigeInstrument Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Click here to normalize waveform. &Help Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/es.qm0000644000000000000000000011200611517317720015047 0ustar 00000000000000d @dI;Obz S}AS}C?SUCSbuT.Uj:VzVWaW~\exių?ių_iųgszytU7tbiv=H |}ME|}fM;kfvFNO7)lק1ק3 )Zunf"RCs9v(; q@۴CP0aUIʭiqxՙߺo{a3v}.E[r%qrZG9{A~DD u%PI[Y 0OX/Z.]Y4Flh:|o9 |ZN`|Zf}"x }}xI~j%קA קC Lh>b =`_չyx(L;:CYZ;d Z8hEjztBrJG9wWxkII8IiI{IZ?s@sssst t?trttu  u> uqeee|~ՔKL$1E^غkؽk0h:;Vv ud8 u, @zT{%57e7e7UA?~Ez/Q?^}o.Kat~Þ;EUzZsscDjljwNn'EO9EgB1U6{p:M9.<]lA#'y"x_Fiyo9G#:2Dt7+ zy] WrB]*GRUIUInZczMhF w1 AVV/>5dT S : UQ$Ϟ}3h9TG/`nqAe5}dByyJ=y|l $  6E}[ w LU;/ :_] Fy SL ]0Y u wJN   1m @ `# ~T ˔r D q@ 'm=3 Omw `g u: }l? J 4` غk Y:C Y:@! Y:J ~. imG "| +  + J + | -#9 =wIp {1 {} bP  Ɉ @u 7 @uc9 @uj DR + 1^ 3 l8 Չ9 Չ9o 3rGn~pi(Q>&]!Qo. a;7WHCgv` d7LpƳi$Puerto de Arpeggio Arpeggio gate Arpeggiator"Rango de ArpeggioArpeggio range Arpeggiator$Tiempo de Arpeggio Arpeggio time Arpeggiator%%ArpeggiatorView&Puerto de Arpeggio:Arpeggio gate:ArpeggiatorView$Rango de Arpeggio:Arpeggio range:ArpeggiatorView&Tiempo de Arpeggio:Arpeggio time:ArpeggiatorViewUse este control para ajustar el intervalo arpeggio en milisegundos. El intervalo de arpeggion indica cuanto durar cada tono de arpeggio.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoctava(s) octave(s)ArpeggiatorViewAmplificar:Amplify:AudioFileProcessorViewPunto final: Endpoint:AudioFileProcessorViewSi activa este botn la muestra ser reproducida al revs. Esto es til para buenos efectos, como por ejemplo, golpes del revs.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewPunto inicial: Startpoint:AudioFileProcessorView(&Copiar valor (%1%2)&Copy value (%1%2)AutomatableModel&&Pegar valor (%1%2)&Paste value (%1%2)AutomatableModel"&Restaurar (%1%2) &Reset (%1%2)AutomatableModel^Reproducir/Pausar el patrn actual (Espaciador)"Play/pause current pattern (Space)AutomationEditorlDetener la reproduccin del patrn actual (Espaciador)'Stop playing of current pattern (Space)AutomationEditorCambiar nombre Change nameAutomationPatternView1111 ChordCreator11b911b9 ChordCreator1313 ChordCreator13#913#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator madd96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#119#11 ChordCreator9#59#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreatorAeolianAeolian ChordCreator rabeArabic ChordCreator BluesBlues ChordCreatorRango de acorde Chord range ChordCreatorDisminuido Diminished ChordCreatorBebop dominanteDominant bebop ChordCreator DorianDorian ChordCreatorEnigmatico Enigmatic ChordCreatorMenor armnicoHarmonic minor ChordCreatorMenor HngaroHungarian minor ChordCreatorLocrianLocrian ChordCreator LidioLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9#11Maj9#11 ChordCreator Maj9#5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreator Mayor5Majb5 ChordCreator MayorMajor ChordCreatorMayor Bebop Major bebop ChordCreator"Mayor pentatnicoMajor pentatonic ChordCreator&Menor de la meloda Melodic minor ChordCreator"Menor pentatnicoMinor pentatonic ChordCreatorMixolydian Mixolydian ChordCreatorNeopolita Neopolitan ChordCreatorMenor NeopolitaNeopolitan minor ChordCreatorPhrygolydian Phrygolydian ChordCreatorTono entero Whole tone ChordCreatoradd9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9b5m9b5 ChordCreator madd9madd9 ChordCreator menor5minb5 ChordCreator menorminor ChordCreator Octavaoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreator Rango de acorde: Chord range:ChordCreatorViewoctava(s) octave(s)ChordCreatorViewCancelarCancelControllerConnectionDialog &Ayuda&HelpControllerView &Ayuda&Help EffectViewAtaque:Attack:EnvelopeAndLfoViewvClick aqu para crear la envolvente controlada por este LFO>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoView Decay:Decay:EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoView Hold:Hold:EnvelopeAndLfoView.Cantidad de modulacin:Modulation amount:EnvelopeAndLfoViewPre retraso: Predelay:EnvelopeAndLfoViewRelease:Release:EnvelopeAndLfoViewSustain:Sustain:EnvelopeAndLfoView,Use este control para configurar el tiempo de ataque del LFO actual. A mayor valor mayor tiempo necesitara el LFO para aumentar su amplitud al mximo.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewUse este control para configurar el tiempo de ataque de la envolvente actual. A mayor valor mayor tiempo necesitar la envolvente para alcanzar el nivel de ataque. Escoja un valor pequeo para instrumentos como pianos y alto para cuerdas.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewUse este control para configurar el tiempo de cada de la envolvente actual. A mayor valor mayor tiempo necesitar la envolvente para pasar del nivel de ataque a sostenido. Escoja un valor pequeo para instrumentos como pianos.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewUse este control para configurar el tiempo de mantenimiento de la envolvente actual. A mayor valor mayor tiempo se mantendr el nivel de ataque hasta que comience a disminuir hasta el nivel de sostenido.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewnUse este control para configurar la modulacin del actual LFO. A mayor valor mayor cantidad seleccionada (por ejemplo de volumen o frecuencia de corte) ser influenciado por este LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewUse este control para configurar la cantidad de modulacin de la envolvente actual. A mayor valor mayor valor de acorde (ejemplo volumen o corte de frecuencia) ser influenciado por esta envolvente.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView Use este control para configurar el pre-retraso de la envolvente actual. A mayor valor mayor el tiempo antes del inicio de la envolvente actual.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoViewUse este control para configurar el pre-retraso del LFO actual. A mayor valor, mayor tiempo hasta que el LFO comience a oscilar.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewUse este control para configurar el intervalo de sostenido de la envolvente actual. A mayor valor, la envolvente necesitar ms tiempo para pasar de sostenido a cero. Escoja un valor grande para instrumentos suaves como cuerdas.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewUse este control para configurar la velocidad del LFO actual: A mayor valor ms rpido oscilar el LFO y mayor ser el efecto.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView*Use este control para configurar el nivel de sostenido de la envolvente actual. A mayor valor mayor tiempo tardar la envolvente hasta llegar a cero.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView^controla la cantidad de envolventepara este LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoViewCancelarCancelExportProjectDialog2x PasoBajo 2x LowPassInstrumentSoundShapingPasaTodoAllpassInstrumentSoundShapingPasoBanda csg BandPass csgInstrumentSoundShapingPasoBanda czpg BandPass czpgInstrumentSoundShapingPasoAltoHiPassInstrumentSoundShapingPasoBajoLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShaping NotchNotchInstrumentSoundShapingQ/Resonancia. Q/ResonanceInstrumentSoundShapingVOLUMENVOLUMEInstrumentSoundShapingHzHzInstrumentSoundShapingView*lmite de frecuencia:cutoff-frequency:InstrumentSoundShapingViewvCon este control puede indicar el volumen del canal actual.Reproducir cancin (Espaciador)Play song (Space) songEditor"Editor de cancin Song-Editor songEditor8Detener cancin (Espaciador)Stop song (Space) songEditortono principal master pitch songEditor"tiempo de cancin tempo of song songEditorCancelarCanceltrackContainer0Importar archivo MIDI...Importing MIDI-file...trackContainer(Cargando proyecto...Loading project...trackContainer(Por favor, espere...Please wait...trackContainer CopiarCopytrackContentObjectView CortarCuttrackContentObjectView PegarPastetrackContentObjectView"Clonar esta pistaClone this tracktrackOperationsWidget &Ayuda&Help vibedView2Posicin de la seleccin:Pick position: vibedView&Posicin de agarre:Pickup position: vibedViewclick, para activar/desactivar visualizacin de la salida principal6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/es.ts0000644000000000000000000071305012307165142015063 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE CHANNELS AudioFileProcessorView Open other sample Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Si activa este botón la muestra será reproducida al revés. Esto es útil para buenos efectos, como por ejemplo, golpes del revés. Loop sample at start- and end-point Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Amplificar: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Punto inicial: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: Punto final: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME CHANNELS AudioOss::setupWidget DEVICE CHANNELS AudioPortAudio::setupWidget BACKEND DEVICE AudioPulseAudio::setupWidget DEVICE CHANNELS AudioSdl::setupWidget DEVICE AutomatableModel &Reset (%1%2) &Restaurar (%1%2) &Copy value (%1%2) &Copiar valor (%1%2) &Paste value (%1%2) &Pegar valor (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Reproducir/Pausar el patrón actual (Espaciador) Stop playing of current pattern (Space) Detener la reproducción del patrón actual (Espaciador) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Erase mode (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Copy selected values (Ctrl+C) Paste values from clipboard (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation Editor - %1 Please open an automation pattern with the context menu of a control! Values copied All selected values were copied to the clipboard. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name Change name Cambiar nombre %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel CHANNEL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from USER CONTROLLER MAPPING FUNCTION OK Cancel Cancelar LMMS Cycle Detected. ControllerRackView Controller Rack Add Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Help &Ayuda Effect Effect enabled Wet/Dry mix Gate Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin &Help &Ayuda EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Pre retraso: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Use este control para configurar el pre-retraso de la envolvente actual. A mayor valor mayor el tiempo antes del inicio de la envolvente actual. ATT Attack: Ataque: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Use este control para configurar el tiempo de ataque de la envolvente actual. A mayor valor mayor tiempo necesitará la envolvente para alcanzar el nivel de ataque. Escoja un valor pequeño para instrumentos como pianos y alto para cuerdas. HOLD HOLD Hold: Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Use este control para configurar el tiempo de mantenimiento de la envolvente actual. A mayor valor mayor tiempo se mantendrá el nivel de ataque hasta que comience a disminuir hasta el nivel de sostenido. DEC Decay: Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Use este control para configurar el tiempo de caída de la envolvente actual. A mayor valor mayor tiempo necesitará la envolvente para pasar del nivel de ataque a sostenido. Escoja un valor pequeño para instrumentos como pianos. SUST Sustain: Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Use este control para configurar el nivel de sostenido de la envolvente actual. A mayor valor mayor tiempo tardará la envolvente hasta llegar a cero. REL Release: Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Use este control para configurar el intervalo de sostenido de la envolvente actual. A mayor valor, la envolvente necesitará más tiempo para pasar de sostenido a cero. Escoja un valor grande para instrumentos suaves como cuerdas. AMT Modulation amount: Cantidad de modulación: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Use este control para configurar la cantidad de modulación de la envolvente actual. A mayor valor mayor valor de acorde (ejemplo volumen o corte de frecuencia) será influenciado por esta envolvente. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Use este control para configurar el pre-retraso del LFO actual. A mayor valor, mayor tiempo hasta que el LFO comience a oscilar. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Use este control para configurar el tiempo de ataque del LFO actual. A mayor valor mayor tiempo necesitara el LFO para aumentar su amplitud al máximo. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use este control para configurar la velocidad del LFO actual: A mayor valor más rápido oscilará el LFO y mayor será el efecto. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Use este control para configurar la modulación del actual LFO. A mayor valor mayor cantidad seleccionada (por ejemplo de volumen o frecuencia de corte) será influenciado por este LFO. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. Click aquí para crear la envolvente controlada por este LFO control envelope-amount by this LFO controla la cantidad de envolventepara este LFO ms/LFO: ms/LFO: Hint Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Cancelar Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Arpeggio range Rango de Arpeggio Arpeggio time Tiempo de Arpeggio Arpeggio gate Puerto de Arpeggio Arpeggio direction Arpeggio mode Up Down Up and down Random Free Sort Sync InstrumentFunctionArpeggioView ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE Arpeggio range: Rango de Arpeggio: octave(s) octava(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME Arpeggio time: Tiempo de Arpeggio: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Use este control para ajustar el intervalo arpeggio en milisegundos. El intervalo de arpeggion indica cuanto durará cada tono de arpeggio. GATE Arpeggio gate: Puerto de Arpeggio: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Mode: InstrumentFunctionNoteStacking octave Octava Major Mayor Majb5 Mayor5 minor menor minb5 menor5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 madd9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9#5 9b5 9b5 9#11 9#11 9b13 9b13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9#5 Maj9#11 Maj9#11 m9 m9 madd9 madd9 m9b5 m9b5 m9-Maj7 m9-Maj7 11 11 11b9 11b9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Menor armónico Melodic minor Menor de la melodía Whole tone Tono entero Diminished Disminuido Major pentatonic Mayor pentatónico Minor pentatonic Menor pentatónico Jap in sen Major bebop Mayor Bebop Dominant bebop Bebop dominante Blues Blues Arabic Árabe Enigmatic Enigmatico Neopolitan Neopolita Neopolitan minor Menor Neopolita Hungarian minor Menor Húngaro Dorian Dorian Phrygolydian Phrygolydian Lydian Lidio Mixolydian Mixolydian Aeolian Aeolian Locrian Locrian Chords Chord type Chord range Rango de acorde Minor InstrumentFunctionNoteStackingView RANGE Chord range: Rango de acorde: octave(s) octava(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME VOLUMEN Volume CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Q/Resonance Q/Resonancia. LowPass PasoBajo HiPass PasoAlto BandPass csg PasoBanda csg BandPass czpg PasoBanda czpg Notch Notch Allpass PasaTodo Moog Moog 2x LowPass 2x PasoBajo RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. Con este control puede indicar el volumen del canal actual. Base note Pitch range InstrumentTrackView Volume Volume: VOL Panning Panning: PAN MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Click aquí, si quiere guardar la configuración del canal en una plantilla. Después podrá cargarlo haciendo doble click en el navegador de plantillas. Instrument volume Volume: VOL Panning Panning: PAN Pitch Pitch: cents cents PITCH FX channel ENV/LFO FUNC FX MIDI Save preset XML preset file (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD LFO-speed: LFO-velocidad: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: Cantidad de modulación: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees grados With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file No se pudo guardar el archivo de configuración Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &Proyecto &New &Nuevo &Open... &Abrir Recently opened projects &Save &Guardar Save &As... Guardar &Como... Import... E&xport... &Quit &Salir &Edit Settings &Tools &Help &Ayuda Online help Help Ayuda What's this? ¿Qué es esto? About Create new project Crear nuevo proyecto Create new project from template Open existing project Abrir proyecto existente Recently opened project Save current project Guardar el proyecto actual Export current project Exportar proyecto actual Show/hide Song-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 LMMS %1 Project not saved Proyecto no guardado The current project was modified since last saving. Do you want to save it now? El proyecto actual ha sido modificado desde la ultima vez que se guardo. Desea usted guardarlo ahora? Open project Abrir Proyecto Save project Guardar proyecto Help not available Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE MidiAlsaSeq::setupWidget DEVICE MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE MidiPort Input channel Output channel Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Fixed output note OscillatorObject Osc %1 volume Osc. %1 Volumen Osc %1 panning Osc %1 encuadramiento Osc %1 coarse detuning Osc %1 desintonización gruesa Osc %1 fine detuning left Osc %1 desintonización fina izquierda Osc %1 fine detuning right Osc %1 desintonización fina derecha Osc %1 phase-offset Osc %1 fase de compensación Osc %1 stereo phase-detuning Osc %1 fase de desintonización Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Cantidad de modulación: Attack: Ataque: Release: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Cantidad de modulación Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Plugin Plugin not found The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Error al cargar plugin Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) Archivo OGG comprimido (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Maker: Copyright: Requires Real Time: Yes No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file Abrir archivo de audio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Archivos Wave (*.wav) OGG-Files (*.ogg) Archivos OGG (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) Archivos VOC (*.voc) AIFF-Files (*.aif *.aiff) Archivos AIFF (*.aif *.aiff) AU-Files (*.au) Archivos AU (*.au) RAW-Files (*.raw) Archivos RAW (*.raw) SampleTCOView double-click to select sample doble click para seleccionar ejemplo Delete (middle mousebutton) Cut Cortar Copy Copiar Paste Pegar Mute/unmute (<Ctrl> + middle click) Set/clear record SampleTrack Sample track Pista de ejemplo Volume SampleTrackView Track volume Channel volume: Volumen del canal VOL TempoSyncKnob Tempo Sync No Sync Eight beats Whole note Half note Quarter note 8th note 16th note 32nd note Custom... &Help &Ayuda Custom Synced to Eight Beats Synced to Whole Note Synced to Half Note Synced to Quarter Note Synced to 8th Note Synced to 16th Note Synced to 32nd Note TimeDisplayWidget click to change time units TrackContainer Couldn't import file Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Couldn't open file Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Loading project... Cargando proyecto... Cancel Cancelar Please wait... Por favor, espere... Importing MIDI-file... Importar archivo MIDI... Importing FLP-file... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Osc %1 Volumen: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Con este control usted puede establecer el volumen del oscilador %1. Al fijar un valor de 0 se apaga. De lo contrario usted podrá oir al oscilador tan alto como lo especifique aquí. Osc %1 panning: Osc %1 encuadramiento: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Con este control usted podrá establecer el encuadramiento del oscilador %1. Un valor de -100 significa 100% a la izquierda y un valor de 100 mueve el oscilador totalmente a la derecha. Osc %1 coarse detuning: Osc %1 desintonización gruesa: semitones semitonos With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Con este control usted podrá establecer la desintonización gruesa del oscilador %1. Usted puede desintonizar el oscilador 12 semitonos (1 octava) arriba y abajo. Esto es útil para la creación de sonidos con acorde. Osc %1 fine detuning left: Osc %1 desintonización fina izquierda: cents cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Con este control usted podra establecer la desintonización fina del oscilador %1 para el canal derecho La desintonización fina esta comprendida entre -100 cents y +100 cents. Esto es útil para la creación de sonidos \"gordos\". Osc %1 fine detuning right: Osc %1 desintonización fina derecha: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Con este control usted podrá establecer la desintonización fina del oscilador %1 para el canal derecho. La desintonización fina esta comprendida entre -100 cents y +100 cents. Esto es útil para la creación de sonidos \"gordos\". Osc %1 phase-offset: Osc %1 fase de compensación: degrees grados With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Con este control usted podrá establecer la fase de compensación del oscilador %1. Esto significa que usted puede mover el punto dentro de una oscilación donde el oscilador comienza a oscilar. Por ejemplo si usted tiene una onda senoidal y tiene una fase de compensación de 180 grados, la onda ira primero abajo. Lo mismo sucede con una onda cuadrada. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Turn off all notes Open VST-plugin DLL-files (*.dll) EXE-files (*.exe) No VST-plugin loaded Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Amplificar Start of sample Inicio de la muestra End of sample Fin de la muestra Reverse sample Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Play/pause current beat/bassline (Space) Reproducir/pausar el ritmo base actual (espacio) Beat+Bassline Editor Editor Ritmo+Línea base Add beat/bassline Agregar beat/bassline Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Add steps bbTCOView Open in Beat+Bassline-Editor Abrir en Editor de Ritmo Base Reset name Change name Cambiar nombre Change color Cambiar color bbTrack Beat/Bassline %1 Ritmo base %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Interpolation Normalize Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file No se puede abrir el archivo Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 Exportar proyecto a %1 fader Please enter a new value between %1 and %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: Decay: Distortion: Gain: knob &Help &Ayuda Please enter a new value between -96.0 dBV and 6.0 dBV: Please enter a new value between %1 and %2: ladspaBrowserView Available Effects Unavailable Effects Instruments Analysis Tools Don't know This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: Tipo ladspaDescription Plugins Description ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. Triangle wave Click here for a triangle-wave. Square wave Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Click for a sine-wave. White noise wave Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Ayuda opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: Osc %1 Volumen: Osc %1 panning: Osc %1 encuadramiento: Osc %1 fine detuning left: Osc %1 desintonización fina izquierda: cents cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern No se puede congelar el patrón The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! El patrón actual no puede ser congelado debido a que usted esta en el modo de reproducción. Por favor detenga la reproducción y vuelva a intentarlo! patternFreezeStatusDialog Freezing pattern... Congelando patrón... Cancel Cancelar patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Open in piano-roll Abrir en piano-roll Clear all notes Borrar todas las notas Reset name Change name Cambiar nombre Refreeze Recongelar Freeze Congelar Unfreeze Descongelar Add steps Remove steps PianoRoll Cut selected notes (Ctrl+X) Cortar las notas seleccionadas (Ctrl+X) Copy selected notes (Ctrl+C) Copiar las notas seleccionadas (Ctrl+C) Paste notes from clipboard (Ctrl+V) Pegar notas desde el portapapeles (Ctrl+V) Play/pause current pattern (Space) Reproducir/Pausar el patrón actual (Espaciador) Stop playing of current pattern (Space) Detener la reproducción del patrón actual (Espaciador) Piano-Roll - no pattern Piano Roll - ningún patrón Please open a pattern by double-clicking on it! Por favor abra el patrón haciendo doble click sobre él! Piano-Roll - %1 Piano-Roll - %1 Record notes from MIDI-device/channel-piano Record notes from MIDI-device/channel-piano while playing song or BB track Draw mode (Shift+D) Erase mode (Shift+E) Select mode (Shift+S) Last note Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description Instrument plugins Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins three powerful oscillators you can modulate in several ways Filter for importing FL Studio projects into LMMS versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. Additive Synthesizer for organ-like sounds plugin for boosting bass Tuneful things to bang on simple sampler with various settings for using samples (e.g. drums) in an instrument-track VST-host for using VST(i)-plugins within LMMS Vibrating string modeler plugin for using arbitrary LADSPA-effects inside LMMS. Filter for importing MIDI-files into LMMS Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. Coloque aquí sus notas del proyecto Project notes Notas del Proyecto Edit Actions Editar Acciones &Undo &Deshacer Ctrl+Z Ctrl+Z &Redo &Rehacer Ctrl+Y Ctrl+Y &Copy &Copiar Ctrl+C Ctrl+C Cu&t Cortar(&X) Ctrl+X Ctrl+X &Paste &Pegar Ctrl+V Ctrl+V Format Actions Acciones de formato &Bold &Negrita Ctrl+B Ctrl+B &Italic &Cursiva Ctrl+I Ctrl+I &Underline &Subrayado Ctrl+U Ctrl+U &Left &Izquierda Ctrl+L Ctrl+L C&enter C&entrar Ctrl+E Ctrl+E &Right &Derecha Ctrl+R Ctrl+R &Justify &Justificar Ctrl+J Ctrl+J &Color... &Color... renameDialog Rename... Renombrar... setupDialog Setup LMMS Configuración de LMMS General settings BUFFER SIZE Reset to default-value MISC Enable tooltips Show restart warning after changing settings Display volume as dBV Compress project files per default HQ-mode for output audio-device LMMS working directory VST-plugin directory Artwork directory FL Studio installation directory STK rawwave directory Performance settings UI effects vs. performance Audio settings AUDIO INTERFACE MIDI settings MIDI INTERFACE OK Cancel Cancelar Restart LMMS Please note that most changes won't take effect until you restart LMMS! Frames: %1 Latency: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Choose LMMS working directory Choose your VST-plugin directory Choose artwork-theme directory Choose FL Studio installation directory Choose LADSPA plugin directory Choose STK rawwave directory Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Voice 3 off Volume Chip model sidInstrumentView Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Ataque: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Master volume Master pitch Project saved The project %1 is now saved. Project NOT saved. Proyecto NO guardado. The project %1 was not saved! Import file Importar archivo untitled Sin título Select file for project-export... Seleccione archivo para exportar proyecto Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Click aquí si usted desea detener la reproducción de su canción. El marcador de posición de la canción va a ser puesta al inicio de la canción. Could not open file No se puede abrir el archivo Could not write file No se puede escribir en el archivo Song-Editor Editor de canción Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Click aquí, si usted desea reproducir su canción completa. La reproducción se iniciara en el marcador de posición (verde). Usted puede también moverla mientras se reproduce. Play song (Space) Reproducir canción (Espaciador) Stop song (Space) Detener canción (Espaciador) Add beat/bassline Agregar beat/bassline Add sample-track Agregar pista de ejemplo. Add automation-track Draw mode Edit mode (select and move) Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo TEMPO/BPM tempo of song tiempo de canción The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Master volume master volume Master pitch master pitch tono principal Value: %1% Value: %1 semitones Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Enable/disable loop-points After stopping go back to begin After stopping go back to position at which playing was started After stopping keep position Hint Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Hint Press <Ctrl> and drag to make a copy. Current length Press <Ctrl> for free resizing. %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) Cut Cortar Copy Copiar Paste Pegar Mute/unmute (<Ctrl> + middle click) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Mute Mute this track Solo Clone this track Clonar esta pista Remove this track vestigeInstrument Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: Posición de la selección: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: Posición de agarre: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Click here to normalize waveform. &Help &Ayuda Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output click, para activar/desactivar visualización de la salida principal Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/fa.qm0000644000000000000000000010723112043045661015027 0ustar 00000000000000d @dGGAHiHiII;ObzS}AS}CSUSbT.RUj:VuVW^\Wz\bEių?nių]iųdmszyttUtbv=Gh|}L|}c@;gmvFVNOM7)hק1$ק3Z@ )un"RC/9qy; @۴CcP0aUIʭimՙ'ߺzo&a3q.Er%`mfmG9v~DZCq2%I[Y -OXZ.#]Y4lh:&o8|ZM|Zc}"sj}}xH0~fJקA קC IܗjNtd_չu8t (K;: CYZ;d Z8EhEFjztBNrJ9rxhIDI8IfIw/IUhZ?nnoo:omoopp9pl p psabxbw~ՔJ%#EغhIؽg;h9Vr ua u~5 @|Tv%57eO7eT7U?~YEz/Q?2}o.K+^tyÞ;%EUv'Znos`DfljrNj<ENEd1U6{li:LM9.;l@'t|"sFit9F2Dt]7q zy UB*GQUIUIjZczM1hFw1 A/>2dTS r: U$ϞyU3h9G/]nqAe5yy dByDyIayw $  6Ex k1 w LU: :_Z Fyl SLN ]0W u~ wJN _  1i @C ]R ~S ˔n D~ l 'm< Om `d u: }l> J VY 4] غg Y:I Y:? Y:J ~.I iif "w[ +  + Jo + x. -#9D =wH d̥ 7 d̥` d̥h { G {xz _! b Ɉ  @u @u_ @uf D , 1 3 h Չ9n Չ9k 3rKFn~zi;Q>']"mk ^7WGCg ` ah7L HƳi /1('1GAbout AboutDialog "1~H(Arpeggio)Arpeggio ArpeggiatorE/.D #1~H Arpeggio gate ArpeggiatorE-/H/G  "1~HArpeggio range Arpeggiator2E'F #1~H Arpeggio time Arpeggiator%%ArpeggiatorViewE/.D "1~H:Arpeggio gate:ArpeggiatorView E-/H/G  #1~H:Arpeggio range:ArpeggiatorView2E'F "1~H:Arpeggio time:ArpeggiatorView,G*: Direction:ArpeggiatorView'2 'F /3*1G (1' *F8E 2E'F /1 "1~H (G ED +'FG '3*A'/G F/.2E'F "1~H E4.5 E F/ G G E/* G1 "GF "1~H ~.4 4H/.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewE +msArpeggiatorViewF* (G') octave(s)ArpeggiatorView *BH*:Amplify:AudioFileProcessorViewFB7G  ~''F: Endpoint:AudioFileProcessorView'1 'F /EG 1' A9'D F/,*E'E FEHFG E9H3 E 4H/.'F (1' ,DHG G' ,'D( E'FF/  *5'/A E9H3 EF'3( '3*.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewFB7G  41H9: Startpoint:AudioFileProcessorView$~ &EB/'1 (%1%2)&Copy value (%1%2)AutomatableModel,3('F/F &EB/'1 (%1%2)&Paste value (%1%2)AutomatableModel"&('2 F4'F (%1%2) &Reset (%1%2)AutomatableModel4~.4/E+ 'DH ,'1 (A'5DG)"Play/pause current pattern (Space)AutomationEditor6*HBA ~.4 'DH ,'1 (A'5DG)'Stop playing of current pattern (Space)AutomationEditor*:1 F'E Change nameAutomationPatternView('2 F4'F F'E Reset nameAutomationPatternView1111 ChordCreator11b911b9 ChordCreator1313 ChordCreator13#913#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator madd96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#119#11 ChordCreator9#59#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreatorAeolianAeolian ChordCreator ArabicArabic ChordCreator BluesBlues ChordCreatorE-/H/G  *'1 Chord range ChordCreator*'1 G'(Chords)Chords ChordCreatorDiminished Diminished ChordCreatorDominant bebopDominant bebop ChordCreator DorianDorian ChordCreatorEnigmatic Enigmatic ChordCreatorHarmonic minorHarmonic minor ChordCreatorHungarian minorHungarian minor ChordCreatorJap in sen Jap in sen ChordCreatorLocrianLocrian ChordCreator LydianLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9#11Maj9#11 ChordCreator Maj9#5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreator Majb5Majb5 ChordCreator MajorMajor ChordCreatorMajor bebop Major bebop ChordCreator Major pentatonicMajor pentatonic ChordCreatorMelodic minor Melodic minor ChordCreator Minor pentatonicMinor pentatonic ChordCreatorMixolydian Mixolydian ChordCreatorNeopolitan Neopolitan ChordCreator Neopolitan minorNeopolitan minor ChordCreatorPhrygolydian Phrygolydian ChordCreatorWhole tone Whole tone ChordCreatoradd9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9b5m9b5 ChordCreator madd9madd9 ChordCreator mollb5minb5 ChordCreator minorminor ChordCreatorF*octave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreator"E-/H/G  *'1 G' : Chord range:ChordCreatorViewF* (G') octave(s)ChordCreatorViewD:HCancelControllerConnectionDialog&1'GFE'&HelpControllerViewE/.DGateEffect&1'GFE'&Help EffectViewE-H-DECAYDECAY EffectView*G',E(Attack):Attack:EnvelopeAndLfoView(1' 'FG E2'F ~'* *H37 'F LFO F*1D 4H/ 'F,' 1' D F/.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewE-H 4/F(Decay):Decay:EnvelopeAndLfoViewFG/'1-HOLDHOLDEnvelopeAndLfoViewFG/'1(Hold):Hold:EnvelopeAndLfoView E2'F E/HD'3HF:Modulation amount:EnvelopeAndLfoView(~(4 *'.1(Predelay): Predelay:EnvelopeAndLfoView1G'(Release):Release:EnvelopeAndLfoView*BH*(Sustain):Sustain:EnvelopeAndLfoView$'2 'F /3*1G (1' *F8E 2E'F *G',E LFO ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ LFO 2E'F (4*2 (1' 'A2'4 /'EFG (G EB/'1 E'2EE F'2 /'2/.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoView'2 'F /3*1G (1' *F8E 2E'F *G',E ~'* ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ ~'* 2E'F (4*2 (1' 'A2'4 *' 37- *G',E F'2 /'2/.EB/'1 E 1' (1' /3*'G G' E'FF/ ~'FH H EB/'1 2'/ 1' (1' 2G '3*A'/G F/.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoView'2 'F /3*1G (1' *F8E 2E'F E-H 4/F ~'* ,'1 '3*A'/G F/. G1G 'F EB/'1 (4*1 ('4/ 2E'F (4*1 (1' 'G4 '2 37- *G',E (G 37- *BH* 7HD 4/.EB/'1 E 1' (1' /3*'G G' E'FF/ ~'FH 'F*.'( F/.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewV'2 'F /3*1G (1' *F8E 2E'F *'ED ~'* ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ (4*1 7HD E 4/ *' ~'* 37- *G',E 1' B(D '2 'G4 G 37- *BH*(sustain-level) FG/'1/.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewZ'2 'F /3*G (1' *F8E EB/'1 E0HD'3HF LFO ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ 'F/'2G  EF*.( (4*1((1' E+'D -,E ' A1'F3 H4G ') *-* *'+1 'F LFO B1'1 E 1/.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoView^'2 'F /3*G (1' *F8E EB/'1 E0HD'3HF ~'* ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ 'F/'2G  EF*.( (4*1((1' E+'D -,E ' A1'F3 H4G ') *-* *'+1 'F ~'* B1'1 E 1/.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView'2 'F /3*1G (1' *F8E ~4 *'.1 ~'* ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ 2E'F (4*1 B(D '2 41H9 H'B9 ~'* 7HD E 4/.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView'1 'F /3*1G (1' *F8E 2E'F ~4 *'.1 LFO ,'1 '3*A'/G F/.G1G 'F EB/'1 (4*1 ('4/ 2E'F (4*2 *' 41H9 FH3'F LFO 7HD E 4/.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewn'2 'F /3*1G (1' *F8E 2E'F 1G' ~'* ,'1 '3*A'/G F/. G1G 'F EB/'1 (4*1 ('4/ 2E'F (4*1 (1' 'G4 '2 37- *BH* (G 5A1 7HD 4/.EB/'1 2'/ 1' (1' /3*'G G' 2G 'F*.'( F/.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoView'2 'F /3*1G (1' *F8E 319* LFO '3*A'/G F/. G1G 'F EB/'1 (4*1 ('4/ LFO 319 *1 FH3'F E F/ H ,DHG  4E' 319 *1 .H'G/ (H/.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView2'2 'F /3*1G (1' *F8E 37- *BH*(Sustain Level) ~'* ,'1 '3*A'/G F/. G1G 'F EB/'1 (4*1 ('4/ ~'* /1 37- ('D'*1 B(D '2 F2HD (G 5A1 B1'1 E 1/.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView:F*1D EB/'1 ~'* *H37 'F LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoViewD:HCancelExportProjectDialog~'F 01 2x 2x LowPassInstrumentSoundShaping*E'E 01AllpassInstrumentSoundShapingE'F 01 csg BandPass csgInstrumentSoundShapingE'F 01 czpg BandPass czpgInstrumentSoundShaping('D' 01HiPassInstrumentSoundShaping~'F 01LowPassInstrumentSoundShapingEH MoogMoogInstrumentSoundShapingFNotchInstrumentSoundShapingQ/12HF'F3 Q/ResonanceInstrumentSoundShaping-,EVOLUMEInstrumentSoundShapingHzHzInstrumentSoundShapingViewA1'F3 H4G ':cutoff-frequency:InstrumentSoundShapingViewMit diesem Knopf knnen Sie die Lautstrke des geffneten Kanals ndern. AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About درباره LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE CHANNELS AudioFileProcessorView Open other sample Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. اگر این دکمه را فعال کنید,تمام نمونه معکوس می شود.این برای جلوه های جالب مانند یک تصادف معکوس مناسب است. Loop sample at start- and end-point Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: تقویت: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: نقطه ی شروع: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: نقطه ی پایان: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME CHANNELS AudioOss::setupWidget DEVICE CHANNELS AudioPortAudio::setupWidget BACKEND DEVICE AudioPulseAudio::setupWidget DEVICE CHANNELS AudioSdl::setupWidget DEVICE AutomatableModel &Reset (%1%2) &باز نشانی (%1%2) &Copy value (%1%2) کپی &مقدار (%1%2) &Paste value (%1%2) چسباندن &مقدار (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) پخش/مکث الگوی جاری (فاصله) Stop playing of current pattern (Space) توقف پخش الگوی جاری (فاصله) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Erase mode (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Copy selected values (Ctrl+C) Paste values from clipboard (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation Editor - %1 Please open an automation pattern with the context menu of a control! Values copied All selected values were copied to the clipboard. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name باز نشانی نام Change name تغییر نام %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel CHANNEL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from USER CONTROLLER MAPPING FUNCTION OK Cancel لغو LMMS Cycle Detected. ControllerRackView Controller Rack Add Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Help &راهنما Effect Effect enabled Wet/Dry mix Gate مدخل Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY محو-DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin &Help &راهنما EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: پبش تاخیر(Predelay): Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. از این دستگیره برای تنظیم پیش تاخیر پاکت جاری استفاده کنید.هرچه این مقدار بیشتر باشد زمان بیشتری قبل از شروع واقعی پاکت طول می کشد. ATT Attack: تهاجم(Attack): Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. از این دستگیره برای تنظیم زمان تهاجم پاکت جاری استفاده کنید.هرچه این مقدار بیشتر باشد پاکت زمان بیشتزی برای افزایش تا سطح تهاجم نیاز دازد.مقدار کم را برای دستگاه هایی مانند پیانو و مقدار زیاد را برای زهی استفاده کنید. HOLD نگهداری-HOLD Hold: نگهداری(Hold): Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. از این دستگیره برای تنظیم زمان تامل پاکت جاری استفاده کنید.هرچه این مقدار بیشتر باشد بیشتر طول می کشد تا پاکت سطح تهاجم را قبل از کاهش یه سطح تقویت(sustain-level) نگهدارد. DEC Decay: محو شدن(Decay): Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. از این دستگیره برای تنظیم زمان محو شدن پاکت جاری استفاده کنید. هرچه این مقدار بیشتر باشد زمان بیشتری برای کاهش از سطح تهاجم به سطح تقویت طول کشد.مقدار کمی را برای دستگاه هایی مانند پیانو انتخاب کنید. SUST Sustain: تقویت(Sustain): Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. از این دستگیره برای تنظیم سطح تقویت(Sustain Level) پاکت جاری استفاده کنید. هرچه این مقدار بیشتر باشد پاکت در سطح بالاتری قبل از نزول به صفر قرار می گیرد. REL Release: رهایی(Release): Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. از این دستگیره برای تنظیم زمان رهایی پاکت جاری استفاده کنید. هرچه این مقدار بیشتر باشد زمان بیشتری برای کاهش از سطح تقویت به صفر طول کشد.مقدار زیاد را برای دستگاه های زهی انتخاب کنید. AMT Modulation amount: میزان مدولاسیون: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. از این دسته برای تنظیم مقدار مذولاسیون پاکت جاری استفاده کنید.هرچه این مقدار بیشتر باشد اندازه ی منتخب بیشتری(برای مثال حجم یا فرکانس گوشه ای) تحت تاثیر این پاکت قرار می گیرد. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. ار این دستگیره برای تنظیم زمان پیش تاخیر LFO جاری استفاده کنید.هرچه این مقدار بیشتر باشد زمان بیشتزی تا شروع نوسان LFO طول می کشد. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. از این دستگیره برای تنظیم زمان تهاجم LFO جاری استفاده کنید.هرچه این مقدار بیشتر باشد LFO زمان بیشتزی برای افزایش دامنه به مقدار ماکزیمم نیاز دازد. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. از این دستگیره برای تنظیم سرعت LFO استفاده کنید. هرچه این مقدار بیشتر باشد LFO سریع تر نوسان می کند و جلوه ی شما سریع تر خواهد بود. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. از این دسته برای تنظیم مقدار مذولاسیون LFO جاری استفاده کنید.هرچه این مقدار بیشتر باشد اندازه ی منتخب بیشتری(برای مثال حجم یا فرکانس گوشه ای) تحت تاثیر این LFO قرار می گیرد. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. برای اینکه میزان پاکت توسط این LFO کنترل شود اینجا را کلیک کنید. control envelope-amount by this LFO کنترل مقدار پاکت توسط این LFO ms/LFO: ms/LFO: Hint Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel لغو Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Mute this FX channel InstrumentFunctionArpeggio Arpeggio آرپگیو(Arpeggio) Arpeggio type Arpeggio range محدوده ی آرپگیو Arpeggio time زمان أرپگیو Arpeggio gate مدخل أرپگیو Arpeggio direction Arpeggio mode Up Down Up and down Random Free Sort Sync InstrumentFunctionArpeggioView ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE Arpeggio range: محدوده ی أرپگیو: octave(s) نت (ها) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME Arpeggio time: زمان آرپگیو: ms م ث Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. از این دستگیره برای تنظیم زمان در آرپگیو به میلی ثانیه استفاده کنید.زمان آرپگیو مشخص می کند که چه مدت هر آهنگ آرپگیو پخش شود. GATE Arpeggio gate: مدخل آرپگیو: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: جهت: Mode: InstrumentFunctionNoteStacking octave نت Major Major Majb5 Majb5 minor minor minb5 mollb5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 madd9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9#5 9b5 9b5 9#11 9#11 9b13 9b13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9#5 Maj9#11 Maj9#11 m9 m9 madd9 madd9 m9b5 m9b5 m9-Maj7 m9-Maj7 11 11 11b9 11b9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Harmonic minor Melodic minor Melodic minor Whole tone Whole tone Diminished Diminished Major pentatonic Major pentatonic Minor pentatonic Minor pentatonic Jap in sen Jap in sen Major bebop Major bebop Dominant bebop Dominant bebop Blues Blues Arabic Arabic Enigmatic Enigmatic Neopolitan Neopolitan Neopolitan minor Neopolitan minor Hungarian minor Hungarian minor Dorian Dorian Phrygolydian Phrygolydian Lydian Lydian Mixolydian Mixolydian Aeolian Aeolian Locrian Locrian Chords تار ها(Chords) Chord type Chord range محدوده ی تار Minor InstrumentFunctionNoteStackingView RANGE Chord range: محدوده ی تار ها : octave(s) نت (ها) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME حجم Volume CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Q/Resonance Q/رزونانس LowPass پایین گذر HiPass بالا گذر BandPass csg میان گذر csg BandPass czpg میان گذر czpg Notch نچ Allpass تمام گذر Moog موگ Moog 2x LowPass پایین گذر 2x RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. Mit diesem Knopf können Sie die Lautstärke des geöffneten Kanals ändern. Base note Pitch range InstrumentTrackView Volume Volume: VOL Panning Panning: PAN MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. اگر می خواهید تنظیمات کانال جاری را در پرونده-از قبل چیده شده ذخیره کنید اینجا را کلیک کنید.بعدا شما می توانید این چیده شده را در مرور گر از پیش چیده شده بار گذاری کنید. Instrument volume Volume: VOL Panning Panning: PAN Pitch Pitch: cents درصد PITCH FX channel ENV/LFO FUNC FX MIDI Save preset XML preset file (*.xpf) PLUGIN اضافات Save current channel settings in a preset-file Pitch range (semitones) RANGE LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD LFO-speed: سرعت-LFO: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: میزان مدولاسیون: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees درجه ها With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file پرونده ی تنظیمات ذخیره نشد Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &پروژه &New &جدید &Open... &باز کن... Recently opened projects &Save &ذخیره کن Save &As... ذ&خیره به صورت... Import... E&xport... &Quit &خروج &Edit Settings &Tools &Help &راهنما Online help Help راهنما What's this? این چیست؟ About درباره Create new project ایجاد پروژه ی جدید Create new project from template Open existing project باز کردن پروژه ی موجود Recently opened project Save current project ذخیره ی پروژه ی جاری Export current project استخراج پروژه ی جاری Show/hide Song-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 LMMS %1 Project not saved پروژه ذخیره نشده The current project was modified since last saving. Do you want to save it now? پروژه جاری بعد از آخرین ذخیره تغییر یافته است.آیا اکنون مایل به ذخیره ی آن هستید؟ Open project باز کردن پروژه Save project ذخیره ی پروژه Help not available Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE MidiAlsaSeq::setupWidget DEVICE MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE MidiPort Input channel Output channel Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Fixed output note OscillatorObject Osc %1 volume حجم نوسان ساز %1 Osc %1 panning تراز نوسان ساز %1 Osc %1 coarse detuning کوک زمختی نوسان ساز %1 Osc %1 fine detuning left کوک دقیق چپ نوسان ساز %1 Osc %1 fine detuning right کوک دقیق راست نوسان ساز %1 Osc %1 phase-offset انحراف فاز نوسان ساز %1 Osc %1 stereo phase-detuning کوک فاز استریوی نوسان ساز %1 Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: میزان مدولاسیون: Attack: تهاجم(Attack): Release: رهایی(Release): AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount مقدار مدولاسیون Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Plugin Plugin not found The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin در بارگذاری اضافات اشتباه رخ داد Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) پرونده ی OGG فشرده شده(*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Maker: Copyright: Requires Real Time: Yes No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file باز کردن پرونده ی صوتی All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wave- پرونده های(*.wav) OGG-Files (*.ogg) OGG-پرونده های (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) VOC-پرونده های (*.voc) AIFF-Files (*.aif *.aiff) AIFF-پرونده های (*.aif *.aiff) AU-Files (*.au) AU-پرونده های (*.au) RAW-Files (*.raw) RAW-پرونده های (*.raw) SampleTCOView double-click to select sample برای انتخاب نمونه دوبار کلیک کنید Delete (middle mousebutton) Cut برش Copy کپی Paste چسباندن Mute/unmute (<Ctrl> + middle click) Set/clear record SampleTrack Sample track تراک نمونه Volume SampleTrackView Track volume Channel volume: حجم کانال: VOL TempoSyncKnob Tempo Sync No Sync Eight beats Whole note Half note Quarter note 8th note 16th note 32nd note Custom... &Help &راهنما Custom Synced to Eight Beats Synced to Whole Note Synced to Half Note Synced to Quarter Note Synced to 8th Note Synced to 16th Note Synced to 32nd Note TimeDisplayWidget click to change time units TrackContainer Couldn't import file Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Couldn't open file Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Loading project... بارگذاری پروژه... Cancel لغو Please wait... لطفا صبر کنید... Importing MIDI-file... وارد کردن پرونده ی MIDI... Importing FLP-file... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: حجم نوسان ساز %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. با این دستگیره می توانید حجم نوسان ساز %1 را تنظیم کنید.هنگام تنظیم به ۰ ,نوسان ساز خاموش است.در غیر این صورت همان قدر که تنظیم کنید صدای نوسان سار را بلند خواهید شنید. Osc %1 panning: تراز نوسان ساز %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. با این دستگیره می توانید تراز نوسان ساز %1 را تنظیم کنید.مقدار ۱۰۰- یعنی ۱۰۰٪ چپ و مقدار ۱۰۰ خروجی نوسان ساز را به راست منتقل می کند. Osc %1 coarse detuning: کوک زمختی نوسان ساز %1: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. با این دستگیره می توانید کوک زمختی نوسان ساز %1 را تنظیم کنید.شما می توانید کوک نوسان ساز را در ۱۲ نیم صدا (۱ نت) بالا یا پایین کنید. این برای ایجاد صدا به همراه زه (Chord) مفید خواهد بود. Osc %1 fine detuning left: کوک دقیق چپ نوسان ساز %1: cents درصد With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. با این دستگیره می توانید کانال چپ نوسان ساز %1 را کوک دقیق کنید.کوک دقیق بین ۱۰۰- در صد و ۱۰۰ در صد محدود شده است.این برای ایجاد صدا های چاق (fat) مفید است. Osc %1 fine detuning right: کوک دقیق راست نوسان ساز %1: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. با این دستگیره می توانید کانال راست نوسان ساز %1 را کوک دقیق کنید.کوک دقیق بین ۱۰۰- در صد و ۱۰۰ در صد محدود شده است.این برای ایجاد صدا های چاق (fat) مفید است. Osc %1 phase-offset: انحراف فاز نوسان ساز %1: degrees درجه ها With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. با این دستگیره می توانید انحراف فاز نوسان ساز %1 را تنظیم کنید.این یعنی اینکه شما می توانید نقطه ی شروع نوسان نوسان ساز را جابجا کنید.برای مثال اگر یک موج سینوسی و انحراف فاز ۱۸۰ داشته باشید, موج در ابتدا به پایین می رود.برای موج مربعی نیز شبیه همین است. Osc %1 stereo phase-detuning: کوک فاز استریوی نوسان ساز %1: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Turn off all notes Open VST-plugin DLL-files (*.dll) EXE-files (*.exe) No VST-plugin loaded Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify تقویت Start of sample شروع نمونه End of sample پایان نمونه Reverse sample Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Play/pause current beat/bassline (Space) پخش/درنگ خط-بم/تپش جاری(فاصله) Beat+Bassline Editor ویرایشگر خط-بم/تپش Add beat/bassline اضافه ی خط بم/تپش (beat/baseline) Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Add steps bbTCOView Open in Beat+Bassline-Editor در ویرایشگر خط-بم/تپش باز کن Reset name باز نشانی نام Change name تغییر نام Change color تغییر رنگ bbTrack Beat/Bassline %1 خط-بم/تپش %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Interpolation Normalize Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file پرونده باز نشد Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 استخراج پرونده به %1 fader Please enter a new value between %1 and %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: محو شدن(Decay): Distortion: Gain: knob &Help &راهنما Please enter a new value between -96.0 dBV and 6.0 dBV: Please enter a new value between %1 and %2: ladspaBrowserView Available Effects Unavailable Effects Instruments Analysis Tools Don't know This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: نوع: ladspaDescription Plugins Description ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: محو شدن(Decay): 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. Triangle wave Click here for a triangle-wave. Square wave Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Click for a sine-wave. White noise wave Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: محو شدن(Decay): DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &راهنما opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: حجم نوسان ساز %1: Osc %1 panning: تراز نوسان ساز %1: Osc %1 fine detuning left: کوک دقیق چپ نوسان ساز %1: cents درصد papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern الگو منجمد نشد The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! الگوی جاری منجمد نشد زیرا شما در حالت پخش هستید.لطفا توقف کنید و دوباره تلاش کنید! patternFreezeStatusDialog Freezing pattern... انجماد الگو... Cancel لغو patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Open in piano-roll در غلتک پیانو باز کن Clear all notes پاک کردن تمامی نت ها Reset name باز نشانی نام Change name تغییر نام Refreeze انجماد مجدد Freeze انجماد Unfreeze نامنجمد Add steps Remove steps PianoRoll Cut selected notes (Ctrl+X) برش نت های انتخاب شده(Ctrl+X) Copy selected notes (Ctrl+C) کپی نت های انتخاب شده(Ctrl+C) Paste notes from clipboard (Ctrl+V) چسباندن نت ها از حافظه ی موقت(Ctrl+V) Play/pause current pattern (Space) پخش/مکث الگوی جاری (فاصله) Stop playing of current pattern (Space) توقف پخش الگوی جاری (فاصله) Piano-Roll - %1 غلتک پیانو - %1 Piano-Roll - no pattern غلتک پیانو - بدون الگو Please open a pattern by double-clicking on it! لطفا یک الگو را با دوبار کلیک روی أن باز کنید! Record notes from MIDI-device/channel-piano Record notes from MIDI-device/channel-piano while playing song or BB track Draw mode (Shift+D) Erase mode (Shift+E) Select mode (Shift+S) Last note Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description Instrument plugins Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins three powerful oscillators you can modulate in several ways Filter for importing FL Studio projects into LMMS versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. Additive Synthesizer for organ-like sounds plugin for boosting bass Tuneful things to bang on simple sampler with various settings for using samples (e.g. drums) in an instrument-track VST-host for using VST(i)-plugins within LMMS Vibrating string modeler plugin for using arbitrary LADSPA-effects inside LMMS. Filter for importing MIDI-files into LMMS Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. یادداشت های پروژه ی خود را اینجا قرار دهید. Project notes یادداشت های پروژه Edit Actions ویرایش کنش ها &Undo &واچینی Ctrl+Z Ctrl+Z &Redo &بازچینی Ctrl+Y Ctrl+Y &Copy &کپی Ctrl+C Ctrl+C Cu&t &برش Ctrl+X Ctrl+X &Paste &چسباندن Ctrl+V Ctrl+V Format Actions قالب بندی کنش ها &Bold &برجسته Ctrl+B Ctrl+B &Italic &خوابیده Ctrl+I Ctrl+I &Underline &زیرخط Ctrl+U Ctrl+U &Left &چپ Ctrl+L Ctrl+L C&enter &مرکز Ctrl+E Ctrl+E &Right &راست Ctrl+R Ctrl+R &Justify &تراز Ctrl+J Ctrl+J &Color... &رنگ... renameDialog Rename... تغییر نام... setupDialog Setup LMMS برپایی LMMS General settings BUFFER SIZE Reset to default-value MISC Enable tooltips Show restart warning after changing settings Display volume as dBV Compress project files per default HQ-mode for output audio-device LMMS working directory VST-plugin directory Artwork directory FL Studio installation directory STK rawwave directory Performance settings UI effects vs. performance Audio settings AUDIO INTERFACE MIDI settings MIDI INTERFACE OK Cancel لغو Restart LMMS Please note that most changes won't take effect until you restart LMMS! Frames: %1 Latency: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Choose LMMS working directory Choose your VST-plugin directory Choose artwork-theme directory Choose FL Studio installation directory Choose LADSPA plugin directory Choose STK rawwave directory Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Voice 3 off Volume Chip model sidInstrumentView Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: تهاجم(Attack): Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: محو شدن(Decay): Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: تقویت(Sustain): Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: رهایی(Release): The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Master volume Master pitch Project saved The project %1 is now saved. Project NOT saved. پروژه ذخیره نشد. The project %1 was not saved! Import file وارد کردن پرونده untitled بدون نام Select file for project-export... پرونده را برای استخراج پروژه مشخص کنید... Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. اگر می خواهید پخش ترانه ی خود را متوقف کنید اینجا را کلیک کنید.سازنده موقعیت ترانه به شروع ترانه تنظیم خواهد شد. Could not open file پرونده باز نشد Could not write file پرونده نوشته نشد Song-Editor ویرایشگر ترانه Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. اگر می خواهید تمام ترانه ی خود را پخش کنید اینجا را کلیک کنید.پخش از محل سازنده ی موقعیت شروع خواهد شد(سبز).همچنین می توانید در حال پخش آن را جابجا کنید. Play song (Space) پخش ترانه(فاصله) Stop song (Space) توقف ترانه (فاصله) Add beat/bassline اضافه ی خط بم/تپش (beat/baseline) Add sample-track اضافه ی باریکه ی نمونه Add automation-track Draw mode Edit mode (select and move) Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo TEMPO/BPM tempo of song گام ترانه(tempo) The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Master volume master volume Master pitch master pitch دانگ صدا(Pitch) Value: %1% Value: %1 semitones Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Enable/disable loop-points After stopping go back to begin After stopping go back to position at which playing was started After stopping keep position Hint Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Hint Press <Ctrl> and drag to make a copy. Current length Press <Ctrl> for free resizing. %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) Cut برش Copy کپی Paste چسباندن Mute/unmute (<Ctrl> + middle click) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Mute Mute this track Solo Clone this track تکثیر این تراک Remove this track vestigeInstrument Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: برگزیدن موقعیت: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: برداشتن موقعیت: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Click here to normalize waveform. &Help &راهنما Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output برای فعال / غیرفعال کردن تصور خروجی اصلی کلیک کنید Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/fr.qm0000644000000000000000000063552311517317720015065 0ustar 000000000000009giZd9kYZ93a:dd[@d\j@T%E EZvF|FGG JGVGTHjHiwHiJH؉HHzHzյH*I;\ImImJ'J+VJ<@JtJ[JKALbM5MMMN(ًNh_ObzPWPWS}A`OS}C`uSUaSbb#SZT.]TZTZTʴBTʴnTxUQ9 U`Uj$Vb4VbiVhVudVT?VˇVnkW W WiFWWX X .XZ/fZ/ZkWZkZȣZZoZo[[j\]6 G]^eqy^er߮c^cN.iųQiųyiųszyhtUh)tbhOv==|}[|}}UX~#n;[; |_RGϙ_^m+GHv.C3ue"kNm;7g)*7ُiyLy+ק1fק3g!@QOn)~,RJ[͙ bϱ b` k  C>2/N>+P+\unǰ"R!/V27")(7o4}9}zJ9L ;n.F; =|@1x@۴$RC\Fz8FzJJXMUTOXOXP0dtVyZ;KZ;`1xWaU@mgp>Ccw80_z; n[~1o>&$upUttɄyOvʭiH 7(wՙ ծhs 8݊"S% <vElߺ[o ox;CBogA |tJtD/h E8Jb%/a3LD )(^(^)u,´Tr.'c4N: Ro_/lb}br%dtYxż9Y%U8n:CVNGGkG=G??>)~)<)])H|Hf3 I2 9>>">ѻ![GϽ}|t>UugH~&$#ssЦs 8KEDV%i[uIw% :2Q73,4r7 /8Jp8 A:)3"?5u@±CB1HH>I[YY?OXP~DP~?SkVWa=Z._])]Y/] 2lElhѩlou xxz |Z]+|Z}"M}`}a~n~ŐROږĩlQR$\u#c #>yW.d>6Nx>|@ #oA~ ~WV=Ľ;0P0ϯ=!ѫ_6MO6, ~ קAZקCZN<քܗj^0x:?왞m gBF =չReP3BYLZ. 0$(z(P)e10+19D:^ ;:bU<<3<<ӭA UCYZsFA>JKM$:MtMкPJCPJtPJțQq.Qq.e`K`6`%`%,c=:d Zg5T@h-\jztkJl mrJ]w~eH-w(wewxYZMyTyT={ q}Fi"9MF˗ Nx\ӯuu3u4=u4u5u1'u1ru8K){VIlI©I ZIXIh]isZxqIIJJ<JcJJJJK& KM KtPQzBݰx ~^se#ˤžՔL@tE_=ͥ2H2J+(Q5غؽ L`kAhd@fniDK#|PC6_JdCVL t1hE u ub @l UTUΎ(S$0`%))|-Ul15n3:7e`7ea7Ua98r?~`EzF^kF^=H8RPe(Q:QQDZڽ\C.aEa*Mfhh>h93h;Zl3l lps NvA XB}o.MAtA^k)K]*ŶuF{wi;c 9RE-G:jVNGftf\ztܐtWGt't.nÞ5%%o^I%!Zi;JEUTZI<5r<5B<55<5~<5U<5s0ߺD }ljMZCN.^7 jwE^E EVt|b"ix#ECUY'vF&+pZu1U])1^]6{G[:gN9:c?[P@mC*C*?C*C*GkXWM9.xN9ȦQ)WjWd3Z+u[s[wlPwl 7mBN8rgw )z _'QQPPuPiP?"P-t# bFiR  .۩.9<5@5hE>)2Wyb7uvk(F7u2;0R>2'ޔr'TtiX>t /͔7eq_r#g Ů W zyfY|)Ę) tYBd!E&rz' )W' )(-)*Go,DFx5n88}L;r;Z<? ~&uC'`I !UIQUI/Zh[t%]\X."a΂ccz\hFchJViAN i2m.wQy %My %K#>  r)j>I{j/>\2lR2];)d5gTaA>l >e 9# 7Q 8 e@ B1 B1&  ^ ` `Dž 9л n 9 nJ Å F] w Kn k t2i^ z LUj {9ΐ #C@ %ӴTU '?] +a Y 8Rt< 8Rt& 9 9@ :_~ FyY K\ɢ R^` S[R X ]0v drC ;  y UUT uS R7 Uv 1.U U N P  /  ~rS ·~AU *| ʧA ʵT ˔I  J\k DE N ؋ ہC DKD z G * ]T _]  <   I9P ". $ rʍ 'm )xF +a - Y 3' N_. Om#r S'JQ STn STn~ \# \Y ] ` eEfl m  m ) m ѝ m : s T u: Q  $n1  6 Z ? }l Nq NwO J V hR R- 2( 2 8A ƟT Ƶ8uU ^z 4 ӗ`Q7 Ӱy غ <bW < e^ S Y: Y:1 Y:J ~ i-   7)  .R .h . . ʓm"  "` "qt $&y\ + + KL + D -#d -e - 5ݙ  || @ /^c /^ Mr^=8 ^' L~RW0mf8n~i5qy@3Qv!P&ʮ1 O1 2X59uS;}<)B(}>#GPQQ>dYΎ]dad^ɛcgnO#dyWOp :N*-)Ɓ?&<s/`9`9hȘooWyCzy &_P^.NT#R  |[1LI@i"{$e ~(0)31G7W>i?ICg~D>DoE0IBJiJiU&cXҾZ [x*8[^ E>\` ;iI m4pڸ6yU"**7K* #¥I9*LzƳ^~~IYܹ9i proposAbout AboutDialog propos de LMMS About LMMS AboutDialogAuteursAuthors AboutDialog~Copyright (c) 2004-2008, les dveloppeurs de LMMS {2004-2010,?}(Copyright (c) 2004-2010, LMMS developers AboutDialogSi vous tes intress par la traduction de LMMS dans une nouvelle langue ou si vous souhaitez amliorer des traductions existantes, votre aide est la bienvenue ! Contactez simplement le mainteneur !Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! AboutDialog<LMMS (Linux MultiMedia Studio)LMMS (Linux MultiMedia Studio) AboutDialogbLMMS - la production musicale la porte de tous)LMMS - easy music production for everyone AboutDialogLicenceLicense AboutDialogTraduction Translation AboutDialog:Version %1 (%2/%3, Qt %4, %5)Version %1 (%2/%3, Qt %4, %5) AboutDialog6http://lmms.sourceforge.nethttp://lmms.sourceforge.net AboutDialog ArpgeArpeggio ArpeggiatorSens d'arpgeArpeggio direction ArpeggiatorDure d'arpge Arpeggio gate ArpeggiatorMode d'arpge Arpeggio mode ArpeggiatorGamme d'arpgeArpeggio range ArpeggiatorTemps d'arpge Arpeggio time ArpeggiatorType d'arpge Arpeggio type ArpeggiatorDescendantDown Arpeggiator LibreFree ArpeggiatorAlatoireRandom ArpeggiatorTriSort ArpeggiatorSynchroniseSync ArpeggiatorAscendantUp Arpeggiator.Ascendant et descendant Up and down Arpeggiator%%ArpeggiatorView ARPGEARPEGGIOArpeggiatorViewUn arpge est une faon de jouer des instruments (en particulier ceux cordes pinces), qui rend la musique plus vivante. Les cordes de tels instruments (p. ex. les harpes) sont pinces comme des accords. La seule diffrence est que cela est fait de manire squentielle, ce qui fait que les notes ne sont pas joues en mme temps. Les arpges typiques sont des triades majeures ou mineures, mais il y a beaucoup d'autres accords possibles, vous pouvez choisr.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView Dure d'arpge :Arpeggio gate:ArpeggiatorView Gamme d'arpge :Arpeggio range:ArpeggiatorView Temps d'arpge :Arpeggio time:ArpeggiatorView Sens : Direction:ArpeggiatorView DUREGATEArpeggiatorView Mode :Mode:ArpeggiatorView GAMMERANGEArpeggiatorView TEMPSTIMEArpeggiatorViewUtilisez ce bouton pour rgler la dure d'arpge. La dure d'arpge indique le pourcentage d'une note complte de l'arpge qui sera jou. Avec ceci vous pouvez faire de beaux arpges staccato.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewUtilisez ce bouton pour rgler la gamme d'octaves de l'arpge. L'arpge slectionn sera jou sur le nombre d'octaves choisi.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorView2Utilisez ce bouton pour rgler le temps d'arpge en millisecondes. Le temps d'arpge indique la dure pendant laquelle chaque note de l'arpge sera jou.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoctave(s) octave(s)ArpeggiatorView CANAUXCHANNELSAudioAlsa::setupWidgetPRIPHRIQUEDEVICEAudioAlsa::setupWidgetAmplifier :Amplify:AudioFileProcessorViewCliquez ici si vous souhaitez ouvrir un autre fichier audio. Une bote de dialogue dans laquelle vous pourrez choisir le fichier apparatra. Des rglages comme le mode de jeu en boucle, les marqueurs de dbut et de fin, la valeur d'amplication, et ainsi de suite ne sont pas rinitialiss. Par consquent, il peut ne pas ressembler l'chantillon original.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorView"Marqueur de fin : Endpoint:AudioFileProcessorView:Ici vous pouvez indiquer si le mode de jeu en boucle est activ ou non. S'il est activ, AudioFileProcessor joue en boucle entre les marqueurs de dbut et de fin d'un chantillon jusqu' ce que la note entire ait t joue. Ceci est utile pour les chantillons de type corde ou chSur.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorView Si vous activez ce bouton, l'chantillon complet est invers. Ceci est utile pour certains effets, p. ex. une cymbale crash inverse.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewJouer l'chantillon en boucle entre les marqueurs de dbut et de fin#Loop sample at start- and end-pointAudioFileProcessorView6Ouvrir un autre chantillonOpen other sampleAudioFileProcessorView,Inverser l'chantillonReverse sampleAudioFileProcessorView&Marqueur de dbut : Startpoint:AudioFileProcessorViewAvec ce bouton vous pouvez rgler le facteur d'amplification. Lorsque vous indiquez une valeur de 100 % votre chantillon n'est pas chang. Sinon il sera plus ou moins amplifi (votre fichier d'chantillon n'est pas modifi !)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorViewAvec ce bouton vous pouvez placer le marqueur partir duquel AudioFileProcessor devra commencer jouer votre chantillon. Si vous activez le mode de jeu en boucle, c'est le marqueur auquel AudioFileProcessor reviendra lorsqu'une note sera plus longue que la portion de l'chantillon situe entre les marqueurs de dbut et de fin.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorViewAvec ce bouton vous pouvez placer le marqueur auquel AudioFileProcessor devra arrter de jouer votre chantillon. Si vous activez le mode de jeu en boucle, c'est le marqueur partir duquel AudioFileProcessor reviendra lorsqu'une note sera plus longue que la portion de l'chantillon situe entre les marqueurs de dbut et de fin.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView4Le client JACK a redmarrJACK client restarted AudioJack4Le serveur JACK est arrtJACK server down AudioJack4LMMS a t rejet par JACK pour une raison quelconque. Par consquent le serveur de JACK a t redmarr. Vous devrez refaire les connexions manuellement.LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. AudioJackLe serveur JACK semble avoir t arrt et le dmarrage d'une nouvelle instance a chou. Par consquent LMMS ne peut pas continuer. Vous devriez enregistrer votre projet puis redmarrer JACK et LMMS.The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack CANAUXCHANNELSAudioJack::setupWidgetNOM DU CLIENT CLIENT-NAMEAudioJack::setupWidget CANAUXCHANNELSAudioOss::setupWidgetPRIPHRIQUEDEVICEAudioOss::setupWidgetSERVEURBACKENDAudioPortAudio::setupWidgetPRIPHRIQUEDEVICEAudioPortAudio::setupWidget CANAUXCHANNELSAudioPulseAudio::setupWidgetPRIPHRIQUEDEVICEAudioPulseAudio::setupWidgetPRIPHRIQUEDEVICEAudioSdl::setupWidget0&Copier la valeur (%1%2)&Copy value (%1%2)AutomatableModel0&Coller la valeur (%1%2)&Paste value (%1%2)AutomatableModel*&Rinitialiser (%1%2) &Reset (%1%2)AutomatableModel4Connecter le contrleur...Connect to controller...AutomatableModelConnect %1Connected to %1AutomatableModel,Connect au contrleurConnected to controllerAutomatableModel,diter la connexion...Edit connection...AutomatableModelLditer l'automation globale du morceauEdit song-global automationAutomatableModel,Supprimer la connexionRemove connectionAutomatableModelrToutes les valeurs ont t copies dans le presse-papier.1All selected values were copied to the clipboard.AutomationEditor2diteur d'automation - %1Automation Editor - %1AutomationEditorFditeur d'automation - pas de motifAutomation Editor - no patternAutomationEditorCliquez ici et le mode dessin sera activ. Dans ce mode vous pourrez ajouter et dplacer des valeurs particulires. Ceci est le mode par dfaut qui est utilis la plupart du temps. Vous pouvez aussi appuyer sur les touches 'Shift+D' de votre clavier pour activer ce mode.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditorCliquez ici et le mode effacement sera activ. Dans ce mode vous pourrez effacer des valeurs particulires. Vous pouvez aussi appuyer sur les touches 'Shift+E' de votre clavier pour activer ce mode.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorVCliquez ici et le mode slection sera activ. Dans ce mode vous pourrez slectionner des valeurs particulires. Ceci est ncessaire si vous souhaitez couper, copier, coller, supprimer ou dplacer des valeurs. Vous pouvez aussi appuyer sur les touches 'Shift+S' de votre clavier pour activer ce mode.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor^Cliquez ici et les valeurs slectionnes seront copies dans le presse-papier. Vous pourrez les coller n'importe o dans n'importe quel motif en cliquant sur le bouton coller.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditortCliquez ici et les valeurs slectionnes seront coupes et copies dans le presse-papier. Vous pourrez les coller n'importe o dans n'importe quel motif en cliquant sur le bouton coller.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorCliquez ici et les valeurs se trouvant dans le presse-papier seront colles sur la premire mesure visible.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditor$Cliquez ici si vous souhaitez jouer le motif. Ceci est utile pendant son dition. Le motif est automatiquement rejou lorsque sa fin est atteinte.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorpCliquez ici si vous souhaitez arrter de jouer le motif.>Click here if you want to stop playing of the current pattern.AutomationEditorRCopier les valeurs slectionnes (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorRCouper les valeurs slectionnes (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor*Mode dessin (Shift+D)Draw mode (Shift+D)AutomationEditor2Mode effacement (Shift+E)Erase mode (Shift+E)AutomationEditorSi vous cliquez ici, le mode dplacement sera activ. Dans ce mode vous pourrez dplacer les valeurs que vous avez slectionn dans le mode slection. Vous pouvez aussi appuyer sur les touches 'Shift+M' de votre clavier pour activer ce mode.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorNMode dplacement de slection (Shift+M)Move selection mode (Shift+M)AutomationEditorRColler les valeurs slectionnes (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditor^Jouer/Mettre en pause le motif (Barre d'espace)"Play/pause current pattern (Space)AutomationEditorVeuillez ouvrir un motif d'automation avec le menu contextuel d'un contrle !EPlease open an automation pattern with the context menu of a control!AutomationEditor0Mode slection (Shift+S)Select mode (Shift+S)AutomationEditorTArrter de jouer le motif (Barre d'espace)'Stop playing of current pattern (Space)AutomationEditor6Les valeurs ont t copies Values copiedAutomationEditorVDplacer un contrle en appuyant sur <Ctrl>$Drag a control while pressing AutomationPattern%1 connexions%1 ConnectionsAutomationPatternViewChanger le nom Change nameAutomationPatternViewEffacerClearAutomationPatternView Dconnecter "%1"Disconnect "%1"AutomationPatternViewDOuvrir dans l'diteur d'automationOpen in Automation editorAutomationPatternView(Rinitialiser le nom Reset nameAutomationPatternView~double-cliquer pour ouvrir ce motif dans l'diteur d'automation6double-click to open this pattern in automation editorAutomationPatternView$Piste d'automationAutomation trackAutomationTrack11 ChordCreator11b9 ChordCreator13 ChordCreator13#9 ChordCreator13b5b9 ChordCreator13b9 ChordCreator6 ChordCreator6add9 ChordCreator6sus4 ChordCreator7 ChordCreator7#11 ChordCreator7#5 ChordCreator7#5#9 ChordCreator7#5b9 ChordCreator7#9 ChordCreator7add11 ChordCreator7add13 ChordCreator7b5 ChordCreator7b5b9 ChordCreator7b9 ChordCreator7sus4 ChordCreator9 ChordCreator9#11 ChordCreator9#5 ChordCreator9b13 ChordCreator9b5 ChordCreator9sus4 ChordCreatorolienneAeolian ChordCreator ArabeArabic ChordCreator BluesBlues ChordCreatorGamme d'accord Chord range ChordCreatorType d'accord Chord type ChordCreatorAccordsChords ChordCreatorDiminue Diminished ChordCreatorBebop dominanteDominant bebop ChordCreatorDorienneDorian ChordCreatornigmatique Enigmatic ChordCreator$Mineure harmoniqueHarmonic minor ChordCreator"Hongroise mineureHungarian minor ChordCreator$Japonaise "in sen" Jap in sen ChordCreatorLocrienneLocrian ChordCreatorLydienneLydian ChordCreatorMaj11 ChordCreatorMaj13 ChordCreatorMaj7 ChordCreatorMaj7#11 ChordCreatorMaj7#5 ChordCreator Maj7add13 ChordCreatorMaj7b5 ChordCreatorMaj9 ChordCreatorMaj9#11 ChordCreatorMaj9#5 ChordCreatorMaj9sus4 ChordCreatorMajb5 ChordCreator MajeurMajor ChordCreatorBebop majeure Major bebop ChordCreator&Pentatonique majeurMajor pentatonic ChordCreator"Mineure mlodique Melodic minor ChordCreator&Pentatonique mineurMinor pentatonic ChordCreatorMixolydienne Mixolydian ChordCreatorNapolitaine Neopolitan ChordCreator&Napolitaine mineureNeopolitan minor ChordCreatorPhrygo-Lydienne Phrygolydian ChordCreatorNote complte Whole tone ChordCreatoradd9 ChordCreatoraug ChordCreatoraugsus4 ChordCreatorm-Maj11 ChordCreatorm-Maj13 ChordCreatorm-Maj7 ChordCreator m-Maj7add11 ChordCreator m-Maj7add13 ChordCreatorm11 ChordCreatorm13 ChordCreatorm6 ChordCreatorm6add9 ChordCreatorm7 ChordCreatorm7add11 ChordCreatorm7add13 ChordCreatorm7b5 ChordCreatorm7b9 ChordCreatorm9 ChordCreatorm9-Maj7 ChordCreatorm9b5 ChordCreatormadd9 ChordCreatorminb5 ChordCreator mineurminor ChordCreator octaveoctave ChordCreatorsus2 ChordCreatorsus4 ChordCreatortri ChordCreatorACCORDSCHORDSChordCreatorView Gamme d'accord : Chord range:ChordCreatorView GAMMERANGEChordCreatorViewUtilisez ce bouton pour rgler la gamme d'accord en octaves. L'accord slectionn sera jou sur le nombre d'octaves choisi.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewoctave(s) octave(s)ChordCreatorViewContrleur %1 Controller %1 ControllerAuto-dtection Auto DetectControllerConnectionDialog CANALCHANNELControllerConnectionDialogCONTRLEUR CONTROLLERControllerConnectionDialogAnnulerCancelControllerConnectionDialog:Configuration de la connexionConnection SettingsControllerConnectionDialog.Un cycle a t dtect.Cycle Detected.ControllerConnectionDialogCanal d'entre Input channelControllerConnectionDialog&Contrleur d'entreInput controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialog&FONCTION DE MAPPAGEMAPPING FUNCTIONControllerConnectionDialogCONTRLEUR MIDIMIDI CONTROLLERControllerConnectionDialogpPriphriques MIDI desquels recevoir des vnements MIDI(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog,CONTRLEUR UTILISATEURUSER CONTROLLERControllerConnectionDialogAjouterAddControllerRackViewRack d'effetsController RackControllerRackView Aid&e&HelpControllerView*Supp&rimer ce greffon&Remove this pluginControllerViewLes contrleurs sont capables d'automatiser le rglage d'un bouton, d'un curseur et d'autres contrles.QControllers are able to automate the value of a knob, slider, and other controls.ControllerViewContrlesControlsControllerViewPEntrez un nouveau nom pour ce contrleur&Enter the new name for this controllerControllerView,Renommer un contrleurRename controllerControllerViewDescenteDecayEffectEffet activEffect enabledEffect SeuilGateEffect Ratio Wet/Dry mixEffectEffets activsEffects enabled EffectChain Ajouter un effet Add effectEffectRackViewCHANE D'EFFETS EFFECTS CHAINEffectRackView Ajouter un effet Add effectEffectSelectDialog,Description du greffonPlugin descriptionEffectSelectDialog Aid&e&Help EffectView*Supp&rimer ce greffon&Remove this plugin EffectViewContrlesControls EffectView DECAYDECAY EffectView Les greffons d'effet agissent comme une srie d'effets enchans dans laquelle le signal sera trait du haut vers le bas. Le bouton On/Off vous permet de court-circuiter un greffon donn n'importe quel moment. Le bouton Mix Wet/Dry contrle l'quilibre entre le signal en entre et le signal trait qui est le rsultat en sortie de l'effet. L'entre d'un tage est la sortie de l'tage prcdent. De ce fait, l'importance du signal 'original' diminue au fur et mesure de l'application des effets. Le bouton Decay contrle le temps pendant lequel le signal continuera d'tre trait aprs que les notes aient t relaches. L'effet arrtera de traiter le signal lorsque le volume sera pass en dessous d'un seuil donn pendant une priode de temps donne. Ce bouton rgle la 'priode de temps donne'. Les priodes longues ncessiteront plus de processeur, ce qui fait que ce nombre devrait tre rgl assez bas pour la plupart des effets. Il a besoin d'tre augment pour les effets qui produisent de longues priodes de silence, p. ex. les dlais. Le bouton Gate contrle le 'seuil donn' pour l'arrt automatique de l'effet. L'horloge pour la 'priode de temps donne' dmarrera ds que le niveau du signal trait passera sous le niveau spcifi avec ce bouton. Le bouton Contrles ouvre un bote de dialogue permettant de modifier la configuration de l'effet. Un clic-droit fera apparatre un menu contextuel o vous pourrez changer l'ordre dans lequel les effets sont traits ou bien galement supprimer un effet.SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectViewGATEGATE EffectView Gate :Gate: EffectView*&Dplacer vers le bas Move &down EffectView,Dplacer vers le ha&utMove &up EffectView On/OffOn/Off EffectViewLe bouton Decay contrle le nombre de tampons de silence qui doivent s'couler avant que le greffon arrte le traitement. Les valeurs faibles rduiront la charge du processeur mais feront courrir le risque de couper la fin sur des effets de dlai et de rverbration.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectView2Le bouton Gate contrle le niveau du signal qui est considr comme tant un 'silence' lorsque l'on doit dcider d'arrter le traitement des signaux.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewLe bouton Wet/Dry rgle le rapport entre le signal d'entre et le signal d'effet qui produit la sortie.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectViewDure :Time: EffectView8Active ou dsactive l'effet.Toggles the effect on or off. EffectViewW/DW/D EffectView&Niveau avec effet : Wet Level: EffectViewAttaqueAttackEnvelopeAndLfoParametersDescenteDecayEnvelopeAndLfoParametersFrq x 100 Freq x 100EnvelopeAndLfoParametersMaintienHoldEnvelopeAndLfoParametersAttaque du LFO LFO AttackEnvelopeAndLfoParameters"Modulation du LFOLFO ModulationEnvelopeAndLfoParameters Pr-dlai du LFO LFO PredelayEnvelopeAndLfoParameters&Forme d'onde du LFOLFO Wave ShapeEnvelopeAndLfoParametersVitesse du LFO LFO speedEnvelopeAndLfoParameters@Moduler le niveau de l'enveloppeModulate Env-AmountEnvelopeAndLfoParametersModulation ModulationEnvelopeAndLfoParametersPr-dlaiPredelayEnvelopeAndLfoParametersRelchementReleaseEnvelopeAndLfoParametersSoutienSustainEnvelopeAndLfoParametersAMTAMTEnvelopeAndLfoViewATTATTEnvelopeAndLfoViewAttaque :Attack:EnvelopeAndLfoViewTCliquez ici pour une onde en dent de scie.&Click here for a saw-wave for current.EnvelopeAndLfoViewLCliquez ici pour une onde sinusodale.Click here for a sine-wave.EnvelopeAndLfoViewBCliquez ici pour une onde carre.Click here for a square-wave.EnvelopeAndLfoViewNCliquez ici pour une onde triangulaire.Click here for a triangle-wave.EnvelopeAndLfoViewCliquez ici pour une onde dfinie par l'utilisateur. Ensuite, faites glisser un fichier d'chantillon correspondant sur le graphique du LFO.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewCliquez ici si la frquence de ce LFO doit tre multiplie par 100.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewCliquez ici pour que le niveau de l'enveloppe soit contrl par ce LFO.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewDELDELEnvelopeAndLfoViewDescente :Decay:EnvelopeAndLfoView~Faites glisser un chantillon et dposez-le dans cette fentre.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFRQ x 100 FREQ x 100EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoView AstuceHintEnvelopeAndLfoViewMaintien :Hold:EnvelopeAndLfoView$Pr-dlai du LFO : LFO predelay:EnvelopeAndLfoView Vitesse du LFO : LFO speed:EnvelopeAndLfoView Attaque du LFO : LFO- attack:EnvelopeAndLfoView&MODULER L'ENVELOPPEMODULATE ENV-AMOUNTEnvelopeAndLfoView,Niveau de modulation :Modulation amount:EnvelopeAndLfoViewPr-dlai : Predelay:EnvelopeAndLfoViewRELRELEnvelopeAndLfoViewRelchement :Release:EnvelopeAndLfoViewSPDSPDEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoViewSoutien :Sustain:EnvelopeAndLfoView.Utilisez ce bouton pour rgler le temps d'attaque du LFO. Plus la valeur est importante, plus le LFO met du temps pour monter son amplitude maximale.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoView Utilisez ce bouton pour rgler le temps d'attaque de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour monter au niveau d'attaque. Choisissez une petite valeur pour des instruments comme le piano et une grande valeur pour les cordes.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewUtilisez ce bouton pour rgler le temps de descente de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour descendre du niveau d'attaque au niveau de soutien. Choisissez une petite valeur pour des instruments comme le piano.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewUtilisez ce bouton pour rgler le temps de maintien de l'enveloppe. Plus la valeur est importante, plus l'enveloppe maintien longtemps le niveau d'attaque avant de commencer descendre vers le niveau de soutien.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewxUtilisez ce bouton pour rgler le niveau de modulation du LFO. Plus la valeur est importante, plus la composante choisie (p. ex. volume ou frquence de coupure) sera influence par le LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewUtilisez ce bouton pour rgler le niveau de modulation de l'enveloppe. Plus la valeur est importante, plus la composante correspondante (p. ex. volume ou frquence de coupure) sera influence par l'enveloppe.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView"Utilisez ce bouton pour rgler le pr-dlai de l'enveloppe. Plus la valeur est importante, plus le temps sera long avant le dbut de l'enveloppe.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView&Utilisez ce bouton pour rgler le temps de pr-dlai du LFO. Plus la valeur est importante, plus le LFO met du temps avant de commencer osciller.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewUtilisez ce bouton pour rgler le temps de relchement de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour descendre du niveau de soutien zro. Choisissez une grande valeur pour des instruments comme les cordes.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewUtilisez ce bouton pour rgler la vitesse du LFO. Plus la valeur est importante, plus le LFO oscillera vite et plus votre effet sera rapide.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView`Utilisez ce bouton pour rgler le niveau de soutien de l'enveloppe. Plus la valeur est importante, plus l'enveloppe reste longtemps un niveau lev avant de descendre zro.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView\Contrler le niveau de l'enveloppe avec ce LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO :ms/LFO:EnvelopeAndLfoViewLmultiplier la frquence du LFO par 100multiply LFO-frequency by 100EnvelopeAndLfoView128 kbit/s 128 KBit/sExportProjectDialog$Entier sur 16 bits16 Bit IntegerExportProjectDialog160 kbit/s 160 KBit/sExportProjectDialog192 kbit/s 192 KBit/sExportProjectDialog192000 Hz 192000 HzExportProjectDialog1x (Aucun) 1x (None)ExportProjectDialog256 kbit/s 256 KBit/sExportProjectDialog2x2xExportProjectDialog(Flottant sur 32 bits 32 Bit FloatExportProjectDialog320 kbit/s 320 KBit/sExportProjectDialog44100 Hz44100 HzExportProjectDialog48000 Hz48000 HzExportProjectDialog4x4xExportProjectDialog64 kbit/s 64 KBit/sExportProjectDialog88200 Hz88200 HzExportProjectDialog8x8xExportProjectDialog96000 Hz96000 HzExportProjectDialog.Oscillateurs sans aliasAlias-free oscillatorsExportProjectDialogDbit :Bitrate:ExportProjectDialogAnnulerCancelExportProjectDialogProfondeur :Depth:ExportProjectDialog$Exporter le projetExport projectExportProjectDialog&Format de fichier : File format:ExportProjectDialogInterpolation :Interpolation:ExportProjectDialog SortieOutputExportProjectDialog`Surchantillonage (Utiliser avec prcaution !) :Oversampling (use with care!):ExportProjectDialogVeuillez noter que tous les paramtres ne s'appliquent pas tous les formats.LPlease note that not all of the parameters above apply for all file formats.ExportProjectDialog&Rglages de qualitQuality settingsExportProjectDialog>Contrleurs d'chantillon exactSample-exact controllersExportProjectDialog4Vitesse d'chantillonage : Samplerate:ExportProjectDialog6Sync optimale (Trs lent !)Sinc Best (very slow!)ExportProjectDialog Sync plus rapide Sinc FastestExportProjectDialog4Sync moyenne (Recommande)Sinc Medium (recommended)ExportProjectDialogDmarrerStartExportProjectDialog*Bloqueur d'ordre zroZero Order HoldExportProjectDialogEffet %1FX %1FxMixerGnralMasterFxMixerVEntrer un nouveau nom pour ce canal d'effet&Enter the new name for this FX channel FxMixerView$Curseur d'effet %1 FX Fader %1 FxMixerView$Mlangeur d'effetsFX-Mixer FxMixerView CouperMute FxMixerView.Couper ce canal d'effetMute this FX channel FxMixerView2Renommer le canal d'effetRename FX channel FxMixerView CANALCHANNELInstrumentMidiIOView*ACTIVER L'ENTRE MIDIENABLE MIDI INPUTInstrumentMidiIOView,ACTIVER LA SORTIE MIDIENABLE MIDI OUTPUTInstrumentMidiIOViewpPriphriques MIDI desquels recevoir des vnements MIDI(MIDI devices to receive MIDI events fromInstrumentMidiIOViewnPriphriques MIDI auxquels envoyer des vnements MIDI#MIDI devices to send MIDI events toInstrumentMidiIOViewPROGRAMMEPROGRAMInstrumentMidiIOViewVLOCITVELOCITYInstrumentMidiIOViewPasse-bas x2 2x LowPassInstrumentSoundShapingPasse-toutAllpassInstrumentSoundShaping"Passe-bande "csg" BandPass csgInstrumentSoundShaping$Passe-bande "czpg" BandPass czpgInstrumentSoundShapingCOUPURECUTOFFInstrumentSoundShaping(Frquence de coupureCutoff frequencyInstrumentSoundShapingEnveloppes/LFOsEnvelopes/LFOsInstrumentSoundShapingType de filtre Filter typeInstrumentSoundShapingPasse-hautHiPassInstrumentSoundShapingPasse-basLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShapingCoupe-bandeNotchInstrumentSoundShapingQ/Rsonance Q/ResonanceInstrumentSoundShaping RSONRESOInstrumentSoundShapingRsonance ResonanceInstrumentSoundShaping VOLUMEVOLUMEInstrumentSoundShaping VolumeVolumeInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShapingView FILTREFILTERInstrumentSoundShapingViewpIci vous pouvez choisir le filtre intgr que vous souhaitez utiliser pour cette piste d'instrument. Les filtres sont trs important pour la modification des caractristiques d'un son.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRESORESOInstrumentSoundShapingViewRsonance : Resonance:InstrumentSoundShapingViewCOMPOSANTETARGETInstrumentSoundShapingViewCes onglets contiennent des enveloppes. Elles sont trs important pour la modification d'un son, dans le sens o elles sont presque toujours ncessaires pour la synsthse soustractive. Par exemple si vous avez une enveloppe de volume, vous pouvez rgler quand le son devra avoir un volume spcifique. Si vous souhaitez crer des cordes douces alors votre son doit commencer et se terminer trs doucement. Ceci peut tre obtenu en rglant des temps d'attaque et de descente longs. C'est la mme chose pour les autres composantes comme le panoramique, la frquence de coupure pour le filtre utilis et ainsi de suite. Amusez-vous un peu avec ! Vous pouvez vraiment faire de beaux sons partir d'une onde en dent de scie avec juste quelques enveloppes... !_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingViewUtilisez ce bouton pour rgler la Q/Rsonance pour le filtre choisi. La Q/Rsonance indique au filtre dans quelle proportion il devra amplifier les frquences proches de la frquence de coupure.Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingViewUtilisez ce bouton pour rgler la frquence de coupure du filtre choisi. La frquence de coupure spcifie la frquence laquelle un filtre coupera le signal. Par exemple un filtre passe-bas coupera toutes les frquences au-dessus de la frquence de coupure. Un filtre passe-haut coupera toutes les frquences en-dessous de la frquence de coupure, et ainsi de suite...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView,Frquence de coupure :cutoff-frequency:InstrumentSoundShapingViewNote de base Base noteInstrumentTrack*Prrglage par dfautDefault presetInstrumentTrackCanal d'effet FX channelInstrumentTrackPanoramiquePanningInstrumentTrackTonalitPitchInstrumentTrack VolumeVolumeInstrumentTrackxAvec ce bouton vous pouvez rgler le volume du canal ouvert.Montrer/Cacher le piano virtuelShow/hide Piano-Roll MainWindowFMontrer/Cacher l'diteur de morceauShow/hide Song-Editor MainWindowJMontrer/Cacher le rack de contrleursShow/hide controller rack MainWindowDMontrer/Cacher les notes du projetShow/hide project notes MainWindow@Le rpertoire de travail %1 de LMMS n'existe pas. Souhaitez-vous le crer maintenant ? Vous pourrez changer le rpertoire plus tard via diter -> Configuration.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowCe projet t modifi depuis son dernier enregistrement. Souhaitez-vous l'enregistrer maintenant ?OThe current project was modified since last saving. Do you want to save it now? MainWindowDfaireUndo MainWindowSans titreUntitled MainWindow*Qu'est-ce que c'est ? What's this? MainWindow*Rpertoire de travailWorking directory MainWindow2Dnominateur de la mesureMeter Denominator MeterDialog.Numrateur de la mesureMeter Numerator MeterDialogSIGN RYTHMTIME SIG MeterDialogDnominateur Denominator MeterModelNumrateur Numerator MeterModelPRIPHRIQUEDEVICEMidiAlsaRaw::setupWidgetPRIPHRIQUEDEVICEMidiAlsaSeq::setupWidgetContrleur MIDIMIDI ControllerMidiController0contrleur_midi_sans_nomunnamed_midi_controllerMidiController*Paramtrage incompletSetup incomplete MidiImportVous n'avez pas compil LMMS avec la prise en charge du lecteur SoundFont2, qui est utilis pour ajouter un son par dfaut aux fichiers MIDI imports. Par consquent aucun son ne sera jou aprs l'importation de ce fichier MIDI.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiImportZVous n'avez pas choisi de SoundFont par dfaut dans la bote de dialogue de configuration (diter -> Configuration). Par consquent aucun son ne sera jou lorsque vous aurez import ce fichier MIDI. Vous devriez tlcharger une Soundfont General MIDI, la rfrencer dans la configuration et ressayer.You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. MidiImportPRIPHRIQUEDEVICEMidiOss::setupWidget,Vlocit d'entre fixeFixed input velocityMidiPort.Vlocit de sortie fixeFixed output velocityMidiPortCanal d'entre Input channelMidiPort&Contrleur d'entreInput controllerMidiPort0Programme de sortie MIDIOutput MIDI programMidiPortCanal de sortieOutput channelMidiPort(Contrleur de sortieOutput controllerMidiPort8Recevoir des vnements MIDIReceive MIDI-eventsMidiPort6Envoyer des vnements MIDISend MIDI-eventsMidiPort*Modulation de type %1Modulation type %1OscillatorObjectRDsaccordage grossier de l'oscillateur %1Osc %1 coarse detuningOscillatorObjectZDsaccordage fin (gauche) de l'oscillateur %1Osc %1 fine detuning leftOscillatorObjectZDsaccordage fin (droite) de l'oscillateur %1Osc %1 fine detuning rightOscillatorObject>Panoramique de l'oscillateur %1Osc %1 panningOscillatorObjectJDcalage de phase de l'oscillateur %1Osc %1 phase-offsetOscillatorObjectfDsaccordage stro de la phase de l'oscillateur %1Osc %1 stereo phase-detuningOscillatorObject4Volume de l'oscillateur %1 Osc %1 volumeOscillatorObjectBForme d'onde de l'oscillateur %1Osc %1 wave shapeOscillatorObject@Forme d'onde de l'oscillateur %1Osc %1 waveformOscillatorObjectCliquez ici pour ouvrir un autre fichier de son. Les rglages de tonalit et d'accordage ne sont pas rinitialiss.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanView(Ici vous pouvez permuter le mode de jeu en boucle. Si il est activ, PatMan utilisera les informations de jeu en boucle disponibles dans le fichier.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewIci vous pouvez permuter le mode d'accordage. Si il est activ, PatMan accordera l'chantillon pour en fonction de la frquence de la note.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanViewRejouerLoop PatmanView*Mode de jeu en boucle Loop mode PatmanView>Aucun fichier n'est slectionnNo file selected PatmanView&Ouvrir un autre sonOpen other patch PatmanView0Ouvrir un fichier de sonOpen patch file PatmanView.Fichiers de son (*.pat)Patch-Files (*.pat) PatmanViewAccordageTune PatmanViewMode accordage Tune mode PatmanView(Contrleur de crtesPeak ControllerPeakController"Contrleur du LFOLFO ControllerPeakControllerDialog CRTEPEAKPeakControllerDialogAMTAMT!PeakControllerEffectControlDialogAttaque :Attack:!PeakControllerEffectControlDialogBASEBASE!PeakControllerEffectControlDialog&Niveau de la base : Base amount:!PeakControllerEffectControlDialog DECAYDECAY!PeakControllerEffectControlDialog,Niveau de modulation :Modulation amount:!PeakControllerEffectControlDialogRelchement :Release:!PeakControllerEffectControlDialogAttaqueAttackPeakControllerEffectControlsValeur de base Base valuePeakControllerEffectControls(Niveau de modulationModulation amountPeakControllerEffectControls Couper la sortie Mute outputPeakControllerEffectControlsRelchementReleasePeakControllerEffectControlsNote de base Base note PianoViewpUne erreur est survenue pendant le chargement du greffonError while loading pluginPluginPLe chargement du greffon "%1" a chou !Failed to load plugin "%1"!Plugin:Le greffon n'a pas t trouvPlugin not foundPluginLe greffon "%1" n'a pas t trouv ou n'a pas pu tre charg ! Raison : "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin:Fichier OGG compress (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer&Fichier WAV (*.wav)WAV-File (*.wav)ProjectRenderer$Canaux d'entre :  Channels In: QWidget(Canaux de sorties : Channels Out: QWidgetCopyright :  Copyright: QWidgetFichier : File: QWidget$Cass sur place : In Place Broken: QWidgetFabricant : Maker: QWidget Nom : Name: QWidgetNonNoQWidget2Supporte le temps rel : Real Time Capable: QWidget4Ncessite le temps rel : Requires Real Time: QWidgetOuiYesQWidget Aid&e&Help TempoSyncKnob16 ime de note 16th note TempoSyncKnob32 ime de note 32nd note TempoSyncKnob8 ime de note8th note TempoSyncKnobPersonnalisCustom  TempoSyncKnobPersonnalis... Custom... TempoSyncKnobHuit temps Eight beats TempoSyncKnobDemi-note Half note TempoSyncKnob,Pas de synchronisationNo Sync TempoSyncKnobQuart de note Quarter note TempoSyncKnob>Synchronis sur 16 ime de noteSynced to 16th Note TempoSyncKnob>Synchronis sur 32 ime de noteSynced to 32nd Note TempoSyncKnob<Synchronis sur 8 ime de noteSynced to 8th Note TempoSyncKnob4Synchronis sur huit tempsSynced to Eight Beats TempoSyncKnob2Synchronis sur demi-noteSynced to Half Note TempoSyncKnob:Synchronis sur quart de noteSynced to Quarter Note TempoSyncKnob8Synchronis sur note entireSynced to Whole Note TempoSyncKnob0Synchronisation du tempo Tempo Sync TempoSyncKnobNote entire Whole note TempoSyncKnobTMlanger la sortie des oscillateurs 1 et 2Mix output of oscillator 1 & 2TripleOscillatorViewTMlanger la sortie des oscillateurs 2 et 3Mix output of oscillator 2 & 3TripleOscillatorViewVDsaccordage grossier de l'oscillateur %1 :Osc %1 coarse detuning:TripleOscillatorView^Dsaccordage fin (gauche) de l'oscillateur %1 :Osc %1 fine detuning left:TripleOscillatorView^Dsaccordage fin (droite) de l'oscillateur %1 :Osc %1 fine detuning right:TripleOscillatorViewBPanoramique de l'oscillateur %1 :Osc %1 panning:TripleOscillatorViewNDcalage de phase de l'oscillateur %1 :Osc %1 phase-offset:TripleOscillatorViewjDsaccordage stro de la phase de l'oscillateur %1 :Osc %1 stereo phase-detuning:TripleOscillatorView8Volume de l'oscillateur %1 :Osc %1 volume:TripleOscillatorViewbSynchroniser l'oscillateur 1 avec l'oscillateur 2*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewbSynchroniser l'oscillateur 2 avec l'oscillateur 3*Synchronize oscillator 2 with oscillator 3TripleOscillatorViewUtiliser une onde en dent de scie de type Moog pour cet oscillateur.0Use a moog-like saw-wave for current oscillator.TripleOscillatorViewnUtiliser une onde en dent de scie pour cet oscillateur.&Use a saw-wave for current oscillator.TripleOscillatorViewfUtiliser une onde sinusodale pour cet oscillateur.'Use a sine-wave for current oscillator.TripleOscillatorView\Utiliser une onde carre pour cet oscillateur.)Use a square-wave for current oscillator.TripleOscillatorViewhUtiliser une onde triangulaire pour cet oscillateur.+Use a triangle-wave for current oscillator.TripleOscillatorViewUtiliser une onde dfinie par l'utilisateur pour cet oscillateur.3Use a user-defined waveform for current oscillator.TripleOscillatorViewUtiliser la modulation d'amplitude pour moduler l'oscillateur 2 avec l'oscillateur 1FUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUtiliser la modulation d'amplitude pour moduler l'oscillateur 3 avec l'oscillateur 2FUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewjUtiliser une onde exponentielle pour cet oscillateur./Use an exponential wave for current oscillator.TripleOscillatorViewUtiliser la modulation de frquence pour moduler l'oscillateur 2 avec l'oscillateur 1FUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUtiliser la modulation de frquence pour moduler l'oscillateur 3 avec l'oscillateur 2FUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewUtiliser la modulation de phase pour moduler l'oscillateur 2 avec l'oscillateur 1BUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUtiliser la modulation de phase pour moduler l'oscillateur 3 avec l'oscillateur 2BUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewZUtiliser un bruit blanc pour cet oscillateur.'Use white-noise for current oscillator.TripleOscillatorViewAvec ce bouton vous pouvez rgler le dsaccord grossier de l'oscillateur %1. Vous pouvez dsaccorder l'oscillateur de 12 demi-tons (1 octave) vers le haut et vers le bas. Ceci est utile pour la cration de sons avec un accord.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewAvec ce bouton vous pouvez rgler le dsaccord fin du canal gauche de l'oscillateur %1. Le dsaccordage fin varie entre -100 centimes et +100 centimes. Ceci est utile pour la cration de sons 'gras'.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewAvec ce bouton vous pouvez rgler le dsaccord fin du canal droit de l'oscillateur %1. Le dsaccordage fin varie entre -100 centimes et +100 centimes. Ceci est utile pour la cration de sons 'gras'.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewjAvec ce bouton vous pouvez rgler le panoramique de l'oscillateur %1. Une valeur de -100 corespond 100 % gauche et une valeur de 100 dplace la sortie de l'oscillateur droite.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewAvec ce bouton vous pouvez rgler le dcalage de phase de l'oscillateur %1. Cela signifie que vous pouvez dplacer dans une oscillation le point o l'oscillateur commence osciller. Par exemple si vous avez une onde sinusodale et un dcalage de phase de 180 degrs l'onde commencera par descendre. C'est la mme chose avec une onde carre.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorView$Avec ce bouton vous pouvez rgler le dsaccordage stro de la phase de l'oscillateur %1. Le dsaccordage stro de la phase prcise l'importance de la diffrence entre le dcalage de phase du canal gauche et droit. Ceci est trs bien pour la cration de sons stro amples.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorViewAvec ce bouton vous pouvez rgler le volume de l'oscillateur %1. Lorsque mettez la valeur 0 l'oscillateur est arrt. Sinon vous pouvez entendre l'oscillateur aussi fort que vous l'avez rgl.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorViewcentimescentsTripleOscillatorView degrsdegreesTripleOscillatorViewdemi-tons semitonesTripleOscillatorViewCliquez ici pour montrer ou cacher l'interface utilisateur graphique de votre greffon VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentViewCliquez ici si vous souhaitez ouvrir un autre greffon VST. Aprs avoir cliqu sur ce bouton, une bote de dialogue d'ouverture de fichier apparatra et vous pourrez slectionner votre fichier.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView(Fichiers DLL (*.dll)DLL-files (*.dll)VestigeInstrumentView(Fichiers EXE (*.exe)EXE-files (*.exe)VestigeInstrumentView@Aucun greffon VST n'a t chargNo VST-plugin loadedVestigeInstrumentView*Ouvrir un greffon VSTOpen VST-pluginVestigeInstrumentView6Ouvrir un autre greffon VSTOpen other VST-pluginVestigeInstrumentView`Montrer/Cacher l'interface utilisateur graphique Show/hide GUIVestigeInstrumentViewBArrter de jouer toutes les notesTurn off all notesVestigeInstrumentViewparbyVestigeInstrumentViewJLe chargement du greffon VST a chouFailed loading VST-plugin VstPlugin*Chargement du greffonLoading plugin VstPlugintVeuillez patienter pendant le chargement du greffon VST...'Please wait while loading VST-plugin... VstPluginJLe greffon VST %1 n'a pas pu tre charg pour une raison quelconque. S'il fonctionne avec d'autres logiciels VST sous Linux, merci de contacter un dveloppeur LMMS !The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginCliquez ici pour montrer ou cacher l'interface utilisateur graphique de ZynAddSubFX.MClick here to show or hide the graphical user interface (GUI) of ZynAddSubFX.ZynAddSubFxViewFRQFREQZynAddSubFxViewRESRESZynAddSubFxViewRMontrer l'interface utilisateur graphiqueShow GUIZynAddSubFxViewAmplifierAmplifyaudioFileProcessor(Fin de l'chantillon End of sampleaudioFileProcessorJouer en boucleLoopaudioFileProcessor,Inverser l'chantillonReverse sampleaudioFileProcessor,Dbut de l'chantillonStart of sampleaudioFileProcessorFRQFREQbassBoosterControlDialogFrquence : Frequency:bassBoosterControlDialogGAINGAINbassBoosterControlDialog Gain :Gain:bassBoosterControlDialogRAPPORTRATIObassBoosterControlDialogRapport :Ratio:bassBoosterControlDialogFrquence FrequencybassBoosterControlsGainGainbassBoosterControlsRapportRatiobassBoosterControls<Ajouter une piste d'automationAdd automation-trackbbEditorNAjouter un ryhtme ou une ligne de basseAdd beat/basslinebbEditorLditeur de rythme et de ligne de basseBeat+Bassline EditorbbEditorCliquez ici pour jouer le rythme ou la ligne de basse. Le rythme ou la ligne de basse est rejou lorsque sa fin est atteinte.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorCliquez ici pour arrter de jouer le rythme ou la ligne de basse.4Click here to stop playing of current beat/bassline.bbEditorJouer/Mettre en pause le rythme ou la ligne de basse (Barre d'espace)(Play/pause current beat/bassline (Space)bbEditorArrter de jouer le rythme ou la ligne de basse (Barre d'espace).Stop playback of current beat/bassline (Space)bbEditor$Changer la couleur Change color bbTCOViewChanger le nom Change name bbTCOViewhOuvrir dans l'diteur de rythme et de ligne de basseOpen in Beat+Bassline-Editor bbTCOView(Rinitialiser le nom Reset name bbTCOView6Ryhtme ou ligne de basse %1Beat/Bassline %1bbTrack2Longueur de l'chantillon Samplelength bitInvaderLCliquez ici pour une onde sinusodale.Click for a sine-wave.bitInvaderViewTCliquez ici pour une onde en dent de scie.Click here for a saw-wave.bitInvaderViewBCliquez ici pour une onde carre.Click here for a square-wave.bitInvaderViewNCliquez ici pour une onde triangulaire.Click here for a triangle-wave.bitInvaderViewhCliquez ici pour une onde dfinie par l'utilisateur.$Click here for a user-defined shape.bitInvaderView@Cliquez ici pour un bruit blanc.Click here for white-noise.bitInvaderViewPCliquez ici pour lisser la forme d'onde.Click here to smooth waveform.bitInvaderViewDessinez ici votre propre forme d'onde en faisant glisser votre souris sur ce graphique.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderViewInterpolation InterpolationbitInvaderViewNormaliser NormalizebitInvaderView2Longueur de l'chantillon Sample LengthbitInvaderView(Onde en dent de scieSaw wavebitInvaderView Onde sinusodale Sine wavebitInvaderView LisserSmoothbitInvaderViewOnde carre Square wavebitInvaderView"Onde triangulaire Triangle wavebitInvaderView<Onde dfinie par l'utilisateurUser defined wavebitInvaderViewBruit blancWhite noise wavebitInvaderViewBLe fichier n'a pas pu tre ouvertCould not open fileexportProjectDialogrLe fichier %1 ne peut pas tre ouvert en criture. Veuillez vrifier que vous avez les droits d'accs en criture pour ce fichier et le rpertoire qui contient ce fichier et ressayez !Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog ErreurErrorexportProjectDialogErreur pendant la dtection du priphrique d'encodage du fichier. Veuillez essayer de choisir un format de sortie diffrent.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog4Exporter le projet vers %1Export project to %1exportProjectDialogEncodage : %1%Rendering: %1%exportProjectDialogExplorateurBrowser fileBrowser,--- Fichiers usine ------ Factory files ---fileBrowserTreeWidget6Chargement de l'chantillonLoading samplefileBrowserTreeWidgetOuvrir dans une nouvelle piste d'instrument/diteur de rythme et de ligne de basse'Open in new instrument-track/B+B EditorfileBrowserTreeWidget|Ouvrir dans une nouvelle piste d'instrument/diteur de morceau(Open in new instrument-track/Song-EditorfileBrowserTreeWidgetVeuillez patienter, chargement de l'chantillon pour un aperu...*Please wait, loading sample for preview...fileBrowserTreeWidgetPEnvoyer vers la piste d'instrument actifSend to active instrument-trackfileBrowserTreeWidgetGraphiqueGraph graphModelDescenteDecaykickerInstrumentDistorsion DistortionkickerInstrument Frquence de fin End frequencykickerInstrumentGainGainkickerInstrument$Frquence de dbutStart frequencykickerInstrumentDescente :Decay:kickerInstrumentViewDistorsion : Distortion:kickerInstrumentView$Frquence de fin :End frequency:kickerInstrumentView Gain :Gain:kickerInstrumentView(Frquence de dbut :Start frequency:kickerInstrumentView Aid&e&HelpknobTVeuillez entrer un valeur entre %1 et %2 :+Please enter a new value between %1 and %2:knob~Veuillez entrer un nouvelle valeur entre -96,0 dBV et 6,0 dBV :7Please enter a new value between -96.0 dBV and 6.0 dBV:knob Outils d'analyseAnalysis ToolsladspaBrowserView$Effets disponiblesAvailable EffectsladspaBrowserView Divers Don't knowladspaBrowserViewInstruments InstrumentsladspaBrowserView Cette bote de dialogue affiche des informations sur tous les greffons LADSPA que LMMS a pu localiser. Ces greffons sont rpartis en cinq catgories en fonction de l'interprtation des types et des noms de port. Les Effets disponibles sont ceux qui peuvent tre utiliss par LMMS. Pour que LMMS puisse utiliser un effet, il doit, tout d'abord, tre un effet, ce qui revient dire qu'il doit avoir la fois des canaux d'entre et de sortie. LMMS identifie un canal d'entre comme un port audio contenant 'in' dans son nom. Les canaux de sortie sont identifis par les lettres 'out'. De plus, l'effet doit avoir le mme nombre d'entre que de sorties et doit pouvoir fonctionner en temps rel. Les Effets indisponibles sont ceux qui ont t identifis comme des effets, mais qui soit n'ont pas le mme nombre de canaux d'entre et de sortie, soit ne peuvent fonctionner en temps rel. Les Instruments sont des greffons pour lesquels seuls des canaux de sortie ont t identifis. Les Outils d'analyse sont des greffons pour lesquels seuls des canaux d'entre ont t identifis. Les Divers sont des greffons pour lesquels aucun canaux d'entre ou de sortie n'ont t identifis. En double-cliquant sur ces greffons vous ferez apparatre des informations sur les ports.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView Type :Type:ladspaBrowserView(Effets indisponiblesUnavailable EffectsladspaBrowserViewDescription DescriptionladspaDescriptionGreffonsPluginsladspaDescription AudioAudioladspaPortDialogContrleControlladspaPortDialogSens DirectionladspaPortDialogFlottantFloatladspaPortDialog EntreInputladspaPortDialog EntierIntegerladspaPortDialogLogarythmique LogarithmicladspaPortDialog,Min < par dfaut < MaxMin < Default < MaxladspaPortDialogNomNameladspaPortDialog SortieOutputladspaPortDialog PortsPortsladspaPortDialogVitesseRateladspaPortDialog SR DependentladspaPortDialogPermutToggledladspaPortDialogTypeTypeladspaPortDialogOuiYesladspaPortDialog Filtre 24 dB/oct24dB/oct Filter lb302Synth AccentAccent lb302Synth teintDead lb302SynthDistorsion Distortion lb302SynthLiaisonSlide lb302Synth,Descente de la liaison Slide Decay lb302Synth6Frquence de coupure du VCFVCF Cutoff Frequency lb302Synth<Descente de l'enveloppe du VCFVCF Envelope Decay lb302Synth@Modulation de l'enveloppe du VCFVCF Envelope Mod lb302Synth Rsonance du VCF VCF Resonance lb302SynthForme d'ondeWaveform lb302SynthR303-esque, 24 dB/octave, filtre 3 ples&303-es-que, 24dB/octave, 3 pole filterlb302SynthViewCUTCUTlb302SynthViewLCliquez ici pour une onde sinusodale.Click for a sine-wave.lb302SynthViewNCliquez ici pour une onde de type Moog. Click here for a moog-like wave.lb302SynthViewVCliquez ici pour une onde en dent de scie.Click here for a saw-wave.lb302SynthViewnCliquez ici pour une onde carre avec une fin arrondie.0Click here for a square-wave with a rounded end.lb302SynthViewBCliquez ici pour une onde carre.Click here for a square-wave.lb302SynthViewNCliquez ici pour une onde triangulaire.Click here for a triangle-wave.lb302SynthViewPCliquez ici pour une onde exponentielle.#Click here for an exponential wave.lb302SynthView@Cliquez ici pour un bruit blanc.Click here for white-noise.lb302SynthView,Frquence de coupure : Cutoff Freq:lb302SynthViewDECDEClb302SynthViewDISTDISTlb302SynthView DIST :DIST:lb302SynthViewDescente :Decay:lb302SynthViewENV MODENV MODlb302SynthView6Modulation de l'enveloppe :Env Mod:lb302SynthViewOnde Moog Moog wavelb302SynthViewRESRESlb302SynthViewRsonance : Resonance:lb302SynthView(Onde carre arrondieRounded square wavelb302SynthView SLIDESLIDElb302SynthView(Onde en dent de scieSaw wavelb302SynthView Onde sinusodale Sine wavelb302SynthView0Descente de la liaison : Slide Decay:lb302SynthViewOnde carre Square wavelb302SynthView"Onde triangulaire Triangle wavelb302SynthViewBruit blancWhite noise wavelb302SynthView Filtre 24 dB/oct24dB/oct Filter lb303Synth AccentAccent lb303Synth teintDead lb303SynthDistorsion Distortion lb303SynthGlissementSlide lb303Synth,Descente du glissement Slide Decay lb303Synth6Frquence de coupure du VCFVCF Cutoff Frequency lb303Synth<Descente de l'enveloppe du VCFVCF Envelope Decay lb303Synth@Modulation de l'enveloppe du VCFVCF Envelope Mod lb303Synth Rsonance du VCF VCF Resonance lb303SynthForme d'ondeWaveform lb303SynthR303-esque, 24 dB/octave, filtre 3 ples&303-es-que, 24dB/octave, 3 pole filterlb303SynthViewCUTCUTlb303SynthView,Frquence de coupure : Cutoff Freq:lb303SynthViewDECDEClb303SynthViewDISTDISTlb303SynthView DIST :DIST:lb303SynthViewDescente :Decay:lb303SynthViewENV MODENV MODlb303SynthView6Modulation de l'enveloppe :Env Mod:lb303SynthViewRESRESlb303SynthViewRsonance : Resonance:lb303SynthView SLIDESLIDElb303SynthView0Descente de la liaison : Slide Decay:lb303SynthViewWAVEWAVElb303SynthView WAVE :WAVE:lb303SynthViewADSRADSRmalletsInstrument AgogoAgogomalletsInstrumentBattementsBeatsmalletsInstrument CourbBowedmalletsInstrumentBruit lourdClumpmalletsInstrumentFondu enchain CrossfademalletsInstrument VerreGlassmalletsInstrument DuretHardnessmalletsInstrument"Profondeur du LFO LFO DepthmalletsInstrumentVitesse du LFO LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrument$Fichiers manquants Missing filesmalletsInstrumentModulateur ModulatormalletsInstrumentMouvementMotionmalletsInstrumentPositionPositionmalletsInstrumentPressionPressuremalletsInstrumentRsoResomalletsInstrumentVitesseSpeedmalletsInstrumentDiffusionSpreadmalletsInstrumentStick Mix Stick MixmalletsInstrumentBol tibtain Tibetan BowlmalletsInstrument$Cloches tubulaires Tubular BellsmalletsInstrumentBarre accorde Tuned BarmalletsInstrumentDeux fixes Two FixedmalletsInstrumentBarre uniforme Uniform BarmalletsInstrumentVibraphone VibraphonemalletsInstrument(Frquence du vibrato Vibrato FreqmalletsInstrumentGain du vibrato Vibrato GainmalletsInstrument Bois1Wood1malletsInstrument Bois2Wood2malletsInstrumentVotre installation de STK semble incomplte. Veuillez vous assurer que le paquet Stk complet est install !aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRADSRmalletsInstrumentView ADSR :ADSR:malletsInstrumentView CourbBowedmalletsInstrumentViewFondu enchain CrossfademalletsInstrumentView Fondu enchain : Crossfade:malletsInstrumentView DuretHardnessmalletsInstrumentViewDuret : Hardness:malletsInstrumentViewInstrument InstrumentmalletsInstrumentView"Profondeur du LFO LFO DepthmalletsInstrumentView&Profondeur du LFO : LFO Depth:malletsInstrumentViewVitesse du LFO LFO SpeedmalletsInstrumentView Vitesse du LFO : LFO Speed:malletsInstrumentViewModulateur ModulatormalletsInstrumentViewModulateur : Modulator:malletsInstrumentViewMouvementMotionmalletsInstrumentViewMouvement :Motion:malletsInstrumentViewPositionPositionmalletsInstrumentViewPosition : Position:malletsInstrumentViewPressionPressuremalletsInstrumentViewPression : Pressure:malletsInstrumentViewVitesseSpeedmalletsInstrumentViewVitesse :Speed:malletsInstrumentViewDiffusionSpreadmalletsInstrumentViewDiffusion :Spread:malletsInstrumentViewStick Mix Stick MixmalletsInstrumentViewStick Mix : Stick Mix:malletsInstrumentViewFrq VibVib FreqmalletsInstrumentViewFrq Vib : Vib Freq:malletsInstrumentViewGain VibVib GainmalletsInstrumentViewGain Vib : Vib Gain:malletsInstrumentViewVibratoVibratomalletsInstrumentViewVibrato :Vibrato:malletsInstrumentView Aid&e&HelpnineButtonSelectorDistorsion DistortionorganicInstrument VolumeVolumeorganicInstrumentDistorsion : Distortion:organicInstrumentView^Dsaccordage fin (gauche) de l'oscillateur %1 :Osc %1 fine detuning left:organicInstrumentViewBPanoramique de l'oscillateur %1 :Osc %1 panning:organicInstrumentView8Volume de l'oscillateur %1 :Osc %1 volume:organicInstrumentViewBForm d'onde de l'oscillateur %1 :Osc %1 waveform:organicInstrumentViewRandomiser RandomiseorganicInstrumentViewVolume :Volume:organicInstrumentViewcentimescentsorganicInstrumentView GravesBasspapuInstrument2Canal 1 vers SO2 (droite)Channel 1 to SO1 (Right)papuInstrument2Canal 1 vers SO2 (gauche)Channel 1 to SO2 (Left)papuInstrument"Volume du canal 1Channel 1 volumepapuInstrument2Canal 2 vers SO2 (droite)Channel 2 to SO1 (Right)papuInstrument2Canal 2 vers SO2 (gauche)Channel 2 to SO2 (Left)papuInstrument"Volume du canal 2Channel 2 volumepapuInstrument2Canal 3 vers SO2 (droite)Channel 3 to SO1 (Right)papuInstrument2Canal 3 vers SO2 (gauche)Channel 3 to SO2 (Left)papuInstrument"Volume du canal 3Channel 3 volumepapuInstrument2Canal 4 vers SO2 (droite)Channel 4 to SO1 (Right)papuInstrument2Canal 4 vers SO2 (gauche)Channel 4 to SO2 (Left)papuInstrument"Volume du canal 4Channel 4 volumepapuInstrument.Niveau de sortie gaucheLeft Output levelpapuInstrumentDLongueur de chaque pas du balayageLength of each step in sweeppapuInstrument.Niveau de sortie droiteRight Output levelpapuInstrument>Largeur du registre de dcalageShift Register widthpapuInstrumentZNiveau de dcalage vers la droite du balayageSweep RtShift amountpapuInstrument Sens de balayageSweep directionpapuInstrument"Temps de balayage Sweep timepapuInstrument AigusTreblepapuInstrument4Sens du volume du balayageVolume sweep directionpapuInstrumentMotif d'ondeWave Pattern DutypapuInstrument GravesBasspapuInstrumentViewGraves :Bass:papuInstrumentView2Canal 1 vers SO1 (droite)Channel1 to SO1 (Right)papuInstrumentView2Canal 1 vers SO2 (gauche)Channel1 to SO2 (Left)papuInstrumentView2Canal 2 vers SO1 (droite)Channel2 to SO1 (Right)papuInstrumentView2Canal 2 vers SO2 (gauche)Channel2 to SO2 (Left)papuInstrumentView2Canal 3 vers SO1 (droite)Channel3 to SO1 (Right)papuInstrumentView2Canal 3 vers SO2 (gauche)Channel3 to SO2 (Left)papuInstrumentView2Canal 4 vers SO1 (droite)Channel4 to SO1 (Right)papuInstrumentView2Canal 4 vers SO2 (gauche)Channel4 to SO2 (Left)papuInstrumentView.Dessinez votre onde iciDraw the wave herepapuInstrumentViewDLongueur de chaque pas du balayageLength of each step in sweeppapuInstrumentViewHLongueur de chaque pas du balayage :Length of each step in sweep:papuInstrumentView*Volume du canal bruitNoise Channel VolumepapuInstrumentView.Volume du canal bruit :Noise Channel Volume:papuInstrumentView&Volume SO1 (droite)SO1 Volume (Right)papuInstrumentView*Volume SO1 (droite) :SO1 Volume (Right):papuInstrumentView&Volume SO2 (droite)SO2 Volume (Left)papuInstrumentView*Volume SO2 (droite) :SO2 Volume (Left):papuInstrumentView>Largeur du registre de dcalageShift Register WidthpapuInstrumentView.Volume du canal carr 1Square Channel 1 VolumepapuInstrumentView2Volume du canal carr 1 :Square Channel 1 Volume:papuInstrumentView.Volume du canal carr 2Square Channel 2 VolumepapuInstrumentView2Volume du canal carr 2 :Square Channel 2 Volume:papuInstrumentView Sens de balayageSweep DirectionpapuInstrumentViewZNiveau de dcalage vers la droite du balayageSweep RtShift amountpapuInstrumentView^Niveau de dcalage vers la droite du balayage :Sweep RtShift amount:papuInstrumentView"Temps de balayage Sweep TimepapuInstrumentView&Temps de balayage : Sweep Time:papuInstrumentViewrLe niveau d'augmentation ou de diminution de la frquence/The amount of increase or decrease in frequencypapuInstrumentViewNLe dlai entre chaque changement de pasThe delay between step changepapuInstrumentViewLe cycle de travail est le rapport entre la dure (temps) pendant laquelle un signal est prsent et la priode totale du signal.mThe duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal.papuInstrumentViewLa vitesse laquelle l'augmentation ou la diminution de la frquence se produit:The rate at which increase or decrease in frequency occurspapuInstrumentView AigusTreblepapuInstrumentViewAigus :Treble:papuInstrumentView4Sens du volume du balayageVolume Sweep DirectionpapuInstrumentView(Volume du canal ondeWave Channel VolumepapuInstrumentView,Volume du canal onde :Wave Channel Volume:papuInstrumentViewMotif d'onde Wave PatternpapuInstrumentViewMotif d'ondeWave Pattern DutypapuInstrumentViewMotif d'ondeWave pattern dutypapuInstrumentViewMotif d'onde :Wave pattern duty:papuInstrumentView:Le motif n'a pas pu tre gelCannot freeze patternpatternLe motif n'a pas pu tre gel car vous tes en mode coute. Veuillez arrter de jouer le motif et recommencer !_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternAnnulerCancelpatternFreezeStatusDialogGel du motif...Freezing pattern...patternFreezeStatusDialog %1 pas%1 steps patternView 1 pas1 step patternViewAjouter des pas Add steps patternViewChanger le nom Change name patternView0Effacer toutes les notesClear all notes patternView GelerFreeze patternView8Ouvrir dans le piano virtuelOpen in piano-roll patternViewRegelerRefreeze patternView"Supprimer des pas Remove steps patternView(Rinitialiser le nom Reset name patternViewDgelerUnfreeze patternViewdouble-cliquer pour ouvrir ce motif dans le piano virtuel utilisez la molette de la souris pour rgler le volume d'un pasWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewLCliquez ici et le mode dsaccordage sera activ. Dans ce mode vous pourrer cliquer sur une note pour accder l'automation de son dsaccordage. Vous pouvez utiliser ceci pour lier des notes entre-elles. Vous pouvez aussi appuyer sur les touches 'Shift+T' de votre clavier pour activer ce mode.Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. pianoRollCliquez ici et le mode dessin sera activ. Dans ce mode vous pourrez ajouter, redimensionner et dplacer des notes. Ceci est le mode par dfaut qui est utilis la plupart du temps. Vous pouvez aussi appuyer sur les touches 'Shift+D' de votre clavier pour activer ce mode. Dans ce mode, appuyez sur Ctrl pour passer temporairement dans le mode slection.Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. pianoRolllCliquez ici et le mode effacement sera activ. Dans ce mode vous pourrez effacer des notes. Vous pouvez aussi appuyer sur les touches 'Shift+E' de votre clavier pour activer ce mode.Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. pianoRollbCliquez ici et le mode slection sera activ. Dans ce mode vous pourrez slectionner des notes. Dans ce mode, appuyez appuyer sur Ctrl pour passer temporairement en mode dessin.Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. pianoRollCliquez ici et les valeurs se trouvant dans le presse-papier seront colles sur la premire mesure visible.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRoll^Cliquez ici et les valeurs slectionnes seront copies dans le presse-papier. Vous pourrez les coller n'importe o dans n'importe quel motif en cliquant sur le bouton coller.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRolltCliquez ici et les valeurs slectionnes seront coupes et copies dans le presse-papier. Vous pourrez les coller n'importe o dans n'importe quel motif en cliquant sur le bouton coller.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll Cliquez ici pour jouer le motif. Ceci est utile pendant son dition. Le motif est automatiquement rejou lorsque sa fin est atteinte.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollCliquez ici pour enregistrer des notes partir d'un priphrique MIDI ou du piano de test virtuel de la fentre correspondant au canal du motif. Lors de l'enregistrement toutes les notes seront crites dans ce motif et vous pourrez ensuite les jouer et les diter.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRollXCliquez ici pour enregistrer des notes partir d'un priphrique MIDI ou du piano de test virtuel de la fentre correspondant au canal du motif. Lors de l'enregistrement toutes les notes seront crites dans ce motif et vous entendrez le morceau ou bien le rythme ou la ligne de basse en fond sonore.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRollVCliquez ici pour arrter de jouer le motif./Click here to stop playback of current pattern. pianoRollNCopier les notes slectionnes (Ctrl+C)Copy selected notes (Ctrl+C) pianoRollNCouper les notes slectionnes (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll6Mode dsaccordage (Shift+T)Detune mode (Shift+T) pianoRoll*Mode dessin (Shift+D)Draw mode (Shift+D) pianoRoll2Mode effacement (Shift+E)Erase mode (Shift+E) pianoRollDernire note Last note pianoRoll,Panoramique de la note Note Panning pianoRoll$Volume de la note  Note Volume pianoRoll$Vrouiller la note Note lock pianoRollvColler les notes se trouvant dans le presse-papier (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRoll$Piano virtuel - %1Piano-Roll - %1 pianoRoll8Piano virtuel - pas de motifPiano-Roll - no pattern pianoRoll^Jouer/Mettre en pause le motif (Barre d'espace)"Play/pause current pattern (Space) pianoRollhVeuillez ouvrir un motif en double-cliquant dessus !/Please open a pattern by double-clicking on it! pianoRollEnregistrez des notes partir d'un priphrique MIDI ou d'un canal du piano+Record notes from MIDI-device/channel-piano pianoRoll:Enregistrez des notes partir d'un priphrique MIDI ou d'un canal du piano pendant l'coute d'un morceau ou bien d'une piste de rythme ou de ligne de basseJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll0Mode slection (Shift+S)Select mode (Shift+S) pianoRollTArrter de jouer le motif (Barre d'espace)'Stop playing of current pattern (Space) pianoRollLSynthtiseur additif pour sons d'orgue*Additive Synthesizer for organ-like sounds pluginBrowser\Synthtiseur de table d'ondes personnalisables"Customizable wavetable synthesizer pluginBrowser Faites glisser un instrument dans l'diteur de morceau, dans l'diteur de rythme et de ligne de basse, ou dans une piste d'instrument existante.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowser&ZynAddSubFX intgrEmbedded ZynAddSubFX pluginBrowserJmulateur de l'APU de la GameBoy (TM)Emulation of GameBoy (TM) APU pluginBrowsermulateur des SID MOS6581 et MOS8580. Ce composant tait utilis dans l'ordinateur Commodore 64.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserFiltre pour l'importation de projets Fruity Loops Studio dans LMMS1Filter for importing FL Studio projects into LMMS pluginBrowserhFiltre pour l'importation de fichiers MIDI dans LMMS)Filter for importing MIDI-files into LMMS pluginBrowserSons d'instruments compatibles avec la carte Gravis UltraSound (GUS)GUS-compatible patch instrument pluginBrowserTImitation incomplte de TB303 monophonique%Incomplete monophonic imitation tb303 pluginBrowser.Slecteur d'instrumentsInstrument browser pluginBrowser*Greffons d'instrumentInstrument plugins pluginBrowserFListe des greffons LADSPA installsList installed LADSPA plugins pluginBrowser:Lecteur de fichiers SoundFontPlayer for SoundFont files pluginBrowservGreffon pour le contrle les boutons avec des crtes de son-Plugin for controlling knobs with sound peaks pluginBrowserGreffon pour l'amlioration de la sparation stro d'un fichier stro en entre=Plugin for enhancing stereo separation of a stereo input file pluginBrowser`Greffon pour la manipulation de la sortie stro,Plugin for freely manipulating stereo output pluginBrowser>Instruments frapper mlodieuxTuneful things to bang on pluginBrowserpHte VST pour l'utilisation de greffons VST(i) dans LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser4Modeleur de corde vibranteVibrating string modeler pluginBrowser$pas de descriptionno description pluginBrowserLGreffon pour l'augmentation des bassesplugin for boosting bass pluginBrowserGreffon pour l'utilisation arbitraire d'effets LADSPA dans LMMS.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowserdGreffon pour l'utilisation d'effets VST dans LMMS.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowserchantilloneur simple avec diffrents rglages pour l'utilisation d'chantillons (p. ex. batteries) dans une piste d'instrumentZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserTrois puissants oscillateurs que vous pouvez moduler de plusieurs faons;three powerful oscillators you can modulate in several ways pluginBrowser`Synthtiseur de kick et grosse caisse polyvalent&versatile kick- & bassdrum-synthesizer pluginBrowser Gr&as&Bold projectNotesC&ouleurs... &Color... projectNotes&Copier&Copy projectNotes&Italique&Italic projectNotes&Justifier&Justify projectNotes&Gauche&Left projectNotesCo&ller&Paste projectNotes&Refaire&Redo projectNotesD&roite&Right projectNotes&Soulign &Underline projectNotes&Dfaire&Undo projectNotesC&entrerC&enter projectNotesCtrl+B projectNotesCtrl+C projectNotesCtrl+E projectNotesCtrl+I projectNotesCtrl+J projectNotesCtrl+L projectNotesCtrl+R projectNotesCtrl+U projectNotesCtrl+V projectNotesCtrl+X projectNotesCtrl+Y projectNotesCtrl+Z projectNotesCou&perCu&t projectNotesdition Edit Actions projectNotes FormatFormat Actions projectNotesNotes du projet Project notes projectNotestIci vous pouvez prendre des notes concernant votre projet.!Put down your project notes here. projectNotesRenommer... Rename... renameDialog8Fichiers AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer$Fichiers AU (*.au)AU-Files (*.au) sampleBufferTous les fichiers audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer2Fichiers DrumSynth (*.ds)DrumSynth-Files (*.ds) sampleBuffer,Fichiers FLAC (*.flac)FLAC-Files (*.flac) sampleBuffer(Fichiers MP3 (*.mp3)MP3-Files (*.mp3) sampleBuffer(Fichiers OGG (*.ogg)OGG-Files (*.ogg) sampleBuffer.Ouvrir un fichier audioOpen audio file sampleBuffer(Fichiers RAW (*.raw)RAW-Files (*.raw) sampleBuffer,Fichiers SPEEX (*.spx)SPEEX-Files (*.spx) sampleBuffer(Fichiers VOC (*.voc)VOC-Files (*.voc) sampleBuffer*Fichiers WAVE (*.wav)Wave-Files (*.wav) sampleBuffer CopierCopy sampleTCOView CouperCut sampleTCOViewRSupprimer (Bouton du milieu de la souris)Delete (middle mousebutton) sampleTCOViewFCouper/Jouer (<Ctrl> + clic-milieu)#Mute/unmute ( + middle click) sampleTCOView CollerPaste sampleTCOView>Rgler/Effacer l'enregistrementSet/clear record sampleTCOViewTDouble-cliquez pour choisir un chantillondouble-click to select sample sampleTCOView&Piste d'chantillon Sample track sampleTrack VolumeVolume sampleTrack"Volume du canal :Channel volume:sampleTrackView$Volume de la piste Track volumesampleTrackViewVOLVOLsampleTrackViewINTERFACE AUDIOAUDIO INTERFACE setupDialog@Rpertoire des thmes graphiquesArtwork directory setupDialog&Configuration audioAudio settings setupDialog6TAILLE DE LA MMOIRE TAMPON BUFFER SIZE setupDialog<Thme graphique d'arrire-planBackground artwork setupDialogAnnulerCancel setupDialog|Choisissez le rpertoire d'installation de Fruity Loops Studio'Choose FL Studio installation directory setupDialogXChoisissez le rpertoire des greffons LADSPAChoose LADSPA plugin directory setupDialogVChoisissez le rpertoire de travail de LMMSChoose LMMS working directory setupDialog>Choisissez le rpertoire de STKChoose STK rawwave directory setupDialog\Choisissez le rpertoire des thmes graphiquesChoose artwork-theme directory setupDialogXChoisissez le thme graphique d'arrire-planChoose background artwork setupDialogDChoisissez la SoundFont par dfautChoose default SoundFont setupDialogRChoisissez le rpertoire des greffons VST Choose your VST-plugin directory setupDialogXCompresser par dfaut les fichiers de projet"Compress project files per default setupDialog8Fichier SoundFont par dfautDefault Soundfont File setupDialog`Dsactiver les indicateurs d'activit des canaux#Disable channel activity indicators setupDialog2Afficher le volume en dBVDisplay volume as dBV  setupDialog.Activer les info-bullesEnable tooltips setupDialog`Rpertoire d'installation de Fruity Loops Studio FL Studio installation directory setupDialog6Trames : %1 Latence : %2 msFrames: %1 Latency: %2 ms setupDialog,Configuration gnraleGeneral settings setupDialogNPriphrique de sortie audio en mode HQHQ-mode for output audio-device setupDialogBIci vous pouvez choisir l'interface MIDI que vous prfrez. En fonction de la configuration de votre systme au moment de la compilation, vous pouvez choisir entre ALSA, JACK, OSS et d'autres. Vous voyez ci-dessous une fentres contenant des contrles pour rgler l'interface MIDI choisie.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogFIci vous pouvez choisir l'interface audio que vous prfrez. En fonction de la configuration de votre systme au moment de la compilation, vous pouvez choisir entre ALSA, JACK, OSS et d'autres. Vous voyez ci-dessous une fentres contenant des contrles pour rgler l'interface audio choisie.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog<Ici vous pouvez rgler la taille de la mmoire tampon interne utilise par LMMS. Les valeurs faibles rduisent la latence mais peuvent aussi rendre le son inutilisable ou induire de mauvaises performances, en particulier sur des ordinateurs anciens ou des systme sans noyau temps-rel.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialogDChemin d'accs aux greffons LADSPALADSPA plugin paths setupDialog:Rpertoire de travail de LMMSLMMS working directory setupDialogINTERFACE MIDIMIDI INTERFACE setupDialog$Configuration MIDI MIDI settings setupDialog DIVERSMISC setupDialogOKOK setupDialogpN'appuyez que manuellement sur le touches du canal piano)Only press keys on channel-piano manually setupDialogChemins d'accsPaths setupDialog<Configuration des performancesPerformance settings setupDialogVeuillez noter que la plupart des modifications ne prendront pas effet tant n'aurez pas redmarr LMMS !GPlease note that most changes won't take effect until you restart LMMS! setupDialogHRinitialiser la valeur par dfautReset to default-value setupDialogRedmarrer LMMS Restart LMMS setupDialog"Rpertoire de STKSTK rawwave directory setupDialog*Configuration de LMMS Setup LMMS setupDialogAfficher l'invitation redmarrer aprs la modification de le configuration,Show restart warning after changing settings setupDialog>Effets graphique vs PerfomancesUI effects vs. performance setupDialog6Rpertoire des greffons VSTVST-plugin directory setupDialog BanqueBank sf2Instrument ChorusChorus sf2Instrument(Profondeur de chorus Chorus Depth sf2Instrument Niveau de chorus Chorus Level sf2Instrument Lignes de chorus Chorus Lines sf2Instrument"Vitesse de chorus Chorus Speed sf2InstrumentGainGain sf2InstrumentSonPatch sf2InstrumentRverbrationReverb sf2InstrumentBAmortissement de la rverbrationReverb Damping sf2Instrument4Niveau de la rverbration Reverb Level sf2Instrument*Rverbration (Salle)Reverb Roomsize sf2Instrument6Largeur de la rverbration Reverb Width sf2InstrumentNAppliquer le chorus (si pris en charge)Apply chorus (if supported)sf2InstrumentView\Appliquer la rverbration (si pris en charge)Apply reverb (if supported)sf2InstrumentViewChoisir un sonChoose the patchsf2InstrumentView,Profondeur de chorus : Chorus Depth:sf2InstrumentView$Niveau de chorus : Chorus Level:sf2InstrumentView$Lignes de chorus : Chorus Lines:sf2InstrumentView&Vitesse de chorus : Chorus Speed:sf2InstrumentViewXCliquez ici pour ouvrir un autre fichier SF2#Click here to open another SF2 filesf2InstrumentViewGainGainsf2InstrumentView6Ouvrir un fichier SoundFontOpen SoundFont filesf2InstrumentView6Ouvrir un fichier SoundFontOpen other SoundFont filesf2InstrumentViewFAmortissement de la rverbration :Reverb Damping:sf2InstrumentView8Niveau de la rverbration : Reverb Level:sf2InstrumentView.Rverbration (Salle) :Reverb Roomsize:sf2InstrumentView:Largeur de la rverbration : Reverb Width:sf2InstrumentView6Fichiers SoundFont2 (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentView Ce bouton active l'effet chorus. Ceci est utile pour de beaux effets, mais ne fonctionne que sur les fichier qui le prenne en charge.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewCe bouton active l'effet rverbration. Ceci est utile pour de beaux effets, mais ne fonctionne que sur les fichier qui le prenne en charge.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentView"Modle de circuit Chip model sidInstrumentCoupureCutoff sidInstrumentType de filtre Filter type sidInstrumentRsonance Resonance sidInstrumentVoix 3 coupe Voice 3 off sidInstrument VolumeVolume sidInstrumentLa vitesse d'attaque dtermine la rapidit laquelle la sortie de la Voix %1 passera de zro l'amplitude de crte.\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentViewAttaque :Attack:sidInstrumentView&Filtre passe-bande Band-Pass filter sidInstrumentViewGrossier :Coarse:sidInstrumentView,Frquence de coupure :Cutoff frequency:sidInstrumentViewLa vitesse de descente dtermine la rapidit laquelle la vitesse la sortie passera de l'amplitude de crte au niveau de soutien choisi.iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewDescente :Decay:sidInstrumentView FiltrFilteredsidInstrumentView$Filtre passe-haut High-Pass filter sidInstrumentView"Filtre passe-bas Low-Pass filter sidInstrumentViewSID MOS6581  MOS6581 SID sidInstrumentViewSID MOS8580  MOS8580 SID sidInstrumentView BruitNoisesidInstrumentViewLa sortie de la Voix %1 restera au niveau d'amplitude de soutien choisi tant que la note sera maintenu.]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentView Onde d'impulsion Pulse WavesidInstrumentView*Largeur d'impulsion : Pulse Width:sidInstrumentViewRelchement :Release:sidInstrumentViewRsonance : Resonance:sidInstrumentViewMode anneauRing-ModsidInstrumentView*Le mode anneau remplace la sortie en forme d'onde triangulaire de l'oscillateur %1 par une combinaison "Module en anneau" des oscillateurs %1 et %2.}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentViewDent de scieSawToothsidInstrumentViewSoutien :Sustain:sidInstrumentViewSyncSyncsidInstrumentView.Sync synchronise la frquence fondamentale de l'oscillateur %1 avec la frquence fondamentale de l'oscillateur %2 en produisant des effets "Hard Sync".Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentViewTestTestsidInstrumentViewLorsqu'il est activ, Test rinitialise et vrouille l'oscillateur %1 zro jusqu' ce que Test soit dsactiv.PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewLe dsaccordage grossier permet de dsaccorder la Voix %1 d'une octave vers le haut ou vers le bas.DThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentViewLa rsolution de la largeur d'impulsion permet la largeur d'tre balaye doucement sans pas discernable. La forme d'onde de l'impulsion de l'oscillateur %1 doit tre choisie pour n'avoir aucun effet audible.The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentViewLa sortie de la Voix %1 descendra de l'amplitude de soutien l'amplitude zro la vitesse de relchement choisie.jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentView"Onde triangulaire Triangle WavesidInstrumentViewVoix 3 coupe  Voice3 Off sidInstrumentViewVolume :Volume:sidInstrumentViewVLorsque Filtr est activ, la Voix %1 sera traite par le filtre. Lorsque Filtr est dsactiv, la Voix %1 va directement en sortie, et le filtre n'a aucun effet sur elle.When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentView2Tous les types de fichierAll file typessong$Le projet est vide Empty projectsong6Projets Fruity Loops StudioFL Studio projectssong&Importer un fichier Import filesongSquences MIDIMIDI sequencessong"Tonalit gnrale Master pitchsongVolume gnral Master volumesong,Projet NON enregistr.Project NOT saved.song4Le projet a t enregistr Project savedsongrSlectionnez un fichier vers lequel exporter le projet...!Select file for project-export...songTemposongNLe projet %1 est maintenant enregistr.The project %1 is now saved.songJLe projet %1 n'a pas t enregistr !The project %1 was not saved!songL'exportation n'a pas de sens car ce projet est vide. Veuillez d'abord mettre quelques lments dans l'diteur de morceau !`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songsans titreuntitledsong<Ajouter une piste d'automationAdd automation-track songEditor`Ajouter une piste de rythme ou de ligne de basseAdd beat/bassline songEditor>Ajouter une piste d'chantillonAdd sample-track songEditorzCliquez ici si vous souhaitez jouer le morceau en entier. L'coute commencera partir du marquer (vert) de position dans le morceau. Vous pouvez aussi dplacer ce curseur pendant l'coute.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorCliquez ici si vous souhaitez ne plus jouer le morceau. Le curseur de position sera plac au dbut du morceau.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditorBLe fichier n'a pas pu tre ouvertCould not open file songEditorLe fichier %1 n'a pas pu tre ouvert. Vos n'avez probablement pas le droit de lire ce fichier. Veuillez vrifier que vous avez les droits en lecture pour ce fichier et le rpertoire qui contient ce fichier et ressayez.Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. songEditor@Le fichier n'a pas pu tre critCould not write file songEditorLe fichier %1 n'a pas pu tre crit. Vous n'avez probablement pas le droit d'crire dans ce fichier. Veuillez vrifier que vous avez les droits d'accs en criture pour ce fichier et le rpertoire qui contient ce fichier et ressayez.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorMode dessin Draw mode songEditorNMode dition (Slectionner et dplacer)Edit mode (select and move) songEditor^Il y a une ou plusieurs erreurs dans le fichier Error in file songEditor$Mode haute qualitHigh quality mode songEditor"Tonalit gnrale Master pitch songEditorVolume gnral Master volume songEditorBJouer le morceau (Barre d'espace)Play song (Space) songEditorzEnregistrer des chantillons partir d'un priphrique audio Record samples from Audio-device songEditorEnregistrer des chantillons partir d'un priphrique audio pendant l'coute d'un morceau ou bien d'un rythme ou d'une ligne de basse?Record samples from Audio-device while playing song or BB track songEditor$diteur de morceau Song-Editor songEditorXArrter de jouer le morceau (Barre d'espace)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorLe fichier %1 semble contenir des erreurs et ne peut donc pas tre chargs.BThe file %1 seems to contain errors and therefore can't be loaded. songEditorLe tempo de ce morceau est spcifi en battements par minute (BPM). Si vous souhaitez changer le tempo de votre morceau, modifiez cette valeur. Chaque mesure quatre battements, ce qui fait que le tempo en BPM indique le nombre de mesures / 4 qui doivent tre joues dans une minute (ou le nombre de mesures qui doivent tre joues en quatre minutes).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor*Valeur : %1 demi-tonsValue: %1 semitones songEditorValeur : %1% Value: %1% songEditor"tonalit gnrale master pitch songEditorvolume gnral master volume songEditor tempo du morceau tempo of song songEditorAxe Y linaire Linear Y axisspectrumAnalyzerControlDialog Spectre linaireLinear spectrumspectrumAnalyzerControlDialogMode du canal Channel modespectrumAnalyzerControlsAxe Y linaire Linear Y-axisspectrumAnalyzerControls Spectre linaireLinear spectrumspectrumAnalyzerControlsAMPLWIDEstereoEnhancerControlDialogAmpleur :Width:stereoEnhancerControlDialogAmpleurWidthstereoEnhancerControls6Volume de gauche gauche :Left to Left Vol:stereoMatrixControlDialog6Volume de gauche droite :Left to Right Vol:stereoMatrixControlDialog6Volume de droite gauche :Right to Left Vol:stereoMatrixControlDialog6Volume de droite droite :Right to Right Vol:stereoMatrixControlDialogGauche gauche Left to LeftstereoMatrixControlsGauche droite Left to RightstereoMatrixControlsDroite gauche Right to LeftstereoMatrixControlsDroite droiteRight to RightstereoMatrixControls<Revenir au dbut aprs l'arrtAfter stopping go back to begintimeLineZRevenir la position de dpart aprs l'arrt?After stopping go back to position at which playing was startedtimeLine8Ne rien faire aprs l'arrtAfter stopping keep positiontimeLineHActiver/Dsactiver l'auto-dfilementEnable/disable auto-scrollingtimeLinebActiver/Dsactiver les marqueurs de jeu en boucleEnable/disable loop-pointstimeLine AstuceHinttimeLineAppuyez sur <Ctrl> pour dsactiver les marqueurs magntiques de jeu en boucle.-Press to disable magnetic loop-points.timeLine CoupeMutedtrackJoue en soloSolotrackAnnulerCanceltrackContainerJAucun filtre n'a pu tre trouv pour importer le fichier %1. Vous devriez convertir ce fichier dans un format pris en charge par LMMS en utilisant un autre logiciel.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainerDLe fichier n'a pas pu tre importCouldn't import filetrackContainerBLe fichier n'a pas pu tre ouvertCouldn't open filetrackContainer\Le fichier %1 n'a pas pu tre ouvert en lecture. Veuillez vrifier que vous avez les droits en lecture pour ce fichier et le rpertoire qui contient ce fichier et ressayez !Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer:Importation du fichier FLP...Importing FLP-file...trackContainer<Importation du fichier MIDI...Importing MIDI-file...trackContainer.Chargement du projet...Loading project...trackContainer*Veuillez patienter...Please wait...trackContainer CoupeMutedtrackContentObject0%1:%2 (%3:%4 vers %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView CopierCopytrackContentObjectViewLongueurCurrent lengthtrackContentObjectViewPositionCurrent positiontrackContentObjectView CouperCuttrackContentObjectViewRSupprimer (bouton du milieu de la souris)Delete (middle mousebutton)trackContentObjectView AstuceHinttrackContentObjectViewFCouper/Jouer (<Ctrl> + clic-milieu)#Mute/unmute ( + middle click)trackContentObjectView CollerPastetrackContentObjectViewfAppuyez sur <Ctrl> et glissez pour faire une copie.%Press and drag to make a copy.trackContentObjectViewfAppuyez sur <Ctrl> pour un redimensionnement libre.Press for free resizing.trackContentObjectView0Actions pour cette pisteActions for this tracktrackOperationsWidget$Cloner cette pisteClone this tracktrackOperationsWidget CouperMutetrackOperationsWidget$Couper cette pisteMute this tracktrackOperationsWidgetAppuyez sur <Ctrl> en cliquant sur la poigne de dplacement pour commencer un nouveau glisser/dposer.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget*Supprimer cette pisteRemove this tracktrackOperationsWidgetJouer en soloSolotrackOperationsWidgetJLe chargement du greffon VST a chouFailed loading VST-pluginvestigeInstrument*Chargement du greffonLoading pluginvestigeInstrumenttVeuillez patienter pendant le chargement du greffon VST...'Please wait while loading VST-plugin...vestigeInstrumentJLe greffon VST %1 n'a pas pu tre charg pour une raison quelconque. S'il fonctionne avec d'autres logiciels VST sous Linux, merci de contacter un dveloppeur LMMS !The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentDsaccordage %1 Detune %1vibedFlou %1 Fuzziness %1 vibedImpulsion %1 Impulse %1vibedLongueur %1 Length %1vibedOctave %1 Octave %1vibedPanoramique %1Pan %1vibed(Position du micro %1Pick %1 positionvibed(Position du micro %1Pickup %1 positionvibed.Rigidit de la corde %1String %1 stiffnessvibed*Volume de la corde %1String %1 volumevibed Aid&e&Help vibedViewhCliquez ici pour activer/dsactiver la forme d'onde.&Click here to enable/disable waveform. vibedViewXCliquez ici pour normaliser la forme d'onde.!Click here to normalize waveform. vibedViewPCliquez ici pour lisser la forme d'onde.Click here to smooth waveform. vibedViewDetune :Detune: vibedView.Activer la forme d'ondeEnable waveform vibedView Flou : Fuzziness: vibedView&diteur d'impulsionImpulse Editor vibedView2Impulsion ou tat initialImpulse or initial state vibedViewLongueur :Length: vibedViewNormaliser Normalize vibedView OctaveOctave vibedViewPanoramique :Pan: vibedView$Point de contact :Pick position: vibedView Point d'coute :Pickup position: vibedView(Onde en dent de scieSaw wave vibedView Onde sinusodale Sine wave vibedView LisserSmooth vibedViewOnde carre Square wave vibedView CordeString vibedView,Rigidit de la corde :String stiffness: vibedViewRLe slecteur Imp dtermine si la forme d'onde dans le graphique doit tre traite comme une impulsion donne la corde par le contact ou l'tat initial de la corde.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewLe bouton P rgle l'endroit o la corde sera 'gratte'. Plus la valeur est faible, plus le point de contact sera proche du chevalet.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewDLe bouton PU rgle l'endroit o les vibrations de la corde choisie seront coutes. Plus la valeur est faible, plus le point d'coute sera proche du chevalet.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewxLe bouton S rgle la rigidit de la corde choisie. La rigidit de la corde affecte le temps pendant lequel la corde sonnera. Plus la valeur est faible, plus la corde sonnera longtemps.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewhLe bouton V rgle le volume de la corde choisie.4The 'V' knob sets the volume of the selected string. vibedView2Le bouton Detune modifie la hauteur de la corde choisie. Les valeurs ngatives produiront un son grave. Les valeurs positives produiront un son aigu.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewLe bouton Length rgle la longueur de la corde choisie. Les cordes les plus longues vibrent plus longtemps et sonnent plus brillament; cependant, elles consommeront galement plus de cycles du processeur.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewxLe slecteur Octave est utilis pour choisir l'harmonique de la note laquelle la corde sonnera. Par exemple, '-2' signifie que la corde sonnera deux octaves sous la fondamentale, 'F' signifie que la corde sonnera la fondamentale, et '6' signifie que la corde sonnera six octaves au-dessus de la fondamentale.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewLe bouton Pan dtermine l'emplacement de la corde choisie dans le champ stro.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewhLe bouton Slap ajoute un peu de flou la corde choisie, plus sensible pendant l'attauqe, bien qu'il puisse aussi tre utilis pour rendre le son de la corde plus 'mtallique'.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedView4Le slecteur String est utilis pour choisir la corde que les contrles sont en train d'diter. Un instrument Vibed peut contenir jusqu' neuf cordes vibrant indpendament. Le LED situ dans le coin en bas droite de l'diteur de forme indique si la corde choisie est utilise.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewL'diteur de forme d'onde permet de contrler l'tat initial ou l'impulsion qui sera utilis pour commencer faire vibrer la corde. Les boutons situs droite du graphique initialiseront la forme d'onde en fonction du type choisi. Le bouton ? chargera la forme d'onde partir d'un fichier - seuls les 128 premiers chantillons seront chargs. La forme d'onde peu galement tre dessine dans le graphique. Le bouton S lissera la forme d'onde. Le bouton N normalisera la forme d'onde.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView"Onde triangulaire Triangle wave vibedViewnUtiliser une onde en dent de scie pour cet oscillateur.&Use a saw-wave for current oscillator. vibedViewfUtiliser une onde sinusodale pour cet oscillateur.'Use a sine-wave for current oscillator. vibedView\Utiliser une onde carre pour cet oscillateur.)Use a square-wave for current oscillator. vibedViewhUtiliser une onde triangulaire pour cet oscillateur.+Use a triangle-wave for current oscillator. vibedViewUtiliser une onde dfinie par l'utilisateur pour cet oscillateur.3Use a user-defined waveform for current oscillator. vibedViewZUtiliser un bruit blanc pour cet oscillateur.'Use white-noise for current oscillator. vibedView<Onde dfinie par l'utilisateurUser defined wave vibedViewVibed modlise jusqu' neuf cordes vibrant indpendament. Le slecteur Corde vous permet de choisir la corde diter. Le slecteur Imp choisi si le graphique reprsente une impulsion ou l'tat initial de la corde. Le slecteur Octave choisi quelle harmonique la corde devra vibrer. Le graphique vous permet de contrler l'tat initial ou l'impulsion utilise pour mettre la corde en mouvement. Le bouton V contrle le volume. Le bouton S contrle la rigidit de la corde. Le bouton P contrle le point de contact. Le bouton PU contrle le point d'coute. Pan et Dsaccorder n'ont heureusement pas besoin d'explications. Le bouton Slap ajoute un peu de flou au son de la corde. Le bouton Longueur contrle la longueur de la corde. Le LED situ dans le coin en bas droite de l'diteur de forme d'onde indique si la corde est utilis dans l'instrument.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewVolume :Volume: vibedViewBruit blancWhite noise wave vibedView(Cliquez pour activerClick to enablevisualizationWidgetCliquez pour activer/dsactiver la visualisation de la sortie gnrale6click to enable/disable visualization of master-outputvisualizationWidget*Attaque de la voix %1Voice %1 attack voiceObjectFDsaccordage grossier de la voix %1Voice %1 coarse detuning voiceObject,Descente de la voix %1Voice %1 decay voiceObjectVoix %1 filtreVoice %1 filtered voiceObjectBLargeur d'impulsion de la voix %1Voice %1 pulse width voiceObject2Relchement de la voix %1Voice %1 release voiceObjectFModulation en anneaux de la voix %1Voice %1 ring modulate voiceObject*Soutien de la voix %1Voice %1 sustain voiceObject:Synchronisation de la voix %1 Voice %1 sync voiceObject$Test de la voix %1 Voice %1 test voiceObject4Forme d'onde de la voix %1Voice %1 wave shape voiceObjectlmms-1.0.0+bzr2569/data/locale/fr.ts0000644000000000000000000077716012307165142015077 0ustar 00000000000000 AboutDialog About LMMS À propos de LMMS LMMS (Linux MultiMedia Studio) LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) Version %1 (%2/%3, Qt %4, %5) About À propos LMMS - easy music production for everyone LMMS - la production musicale à la portée de tous Authors Auteurs Translation Traduction Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! Si vous êtes intéressé par la traduction de LMMS dans une nouvelle langue ou si vous souhaitez améliorer des traductions existantes, votre aide est la bienvenue ! Contactez simplement le mainteneur ! License Licence Copyright (c) 2004-2014, LMMS developers Copyright (c) 2004-2008, les développeurs de LMMS {2004-2010,?} {2004-2014,?} <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE PÉRIPHÉRIQUE CHANNELS CANAUX AudioFileProcessorView Open other sample Ouvrir un autre échantillon Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Cliquez ici si vous souhaitez ouvrir un autre fichier audio. Une boîte de dialogue dans laquelle vous pourrez choisir le fichier apparaîtra. Des réglages comme le mode de jeu en boucle, les marqueurs de début et de fin, la valeur d'amplication, et ainsi de suite ne sont pas réinitialisés. Par conséquent, il peut ne pas ressembler à l'échantillon original. Reverse sample Inverser l'échantillon If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Si vous activez ce bouton, l'échantillon complet est inversé. Ceci est utile pour certains effets, p. ex. une cymbale crash inversée. Loop sample at start- and end-point Jouer l'échantillon en boucle entre les marqueurs de début et de fin Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Ici vous pouvez indiquer si le mode de jeu en boucle est activé ou non. S'il est activé, AudioFileProcessor joue en boucle entre les marqueurs de début et de fin d'un échantillon jusqu'à ce que la note entière ait été jouée. Ceci est utile pour les échantillons de type corde ou chœur. Amplify: Amplifier : With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Avec ce bouton vous pouvez régler le facteur d'amplification. Lorsque vous indiquez une valeur de 100 % votre échantillon n'est pas changé. Sinon il sera plus ou moins amplifié (votre fichier d'échantillon n'est pas modifié !) Startpoint: Marqueur de début : With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Avec ce bouton vous pouvez placer le marqueur à partir duquel AudioFileProcessor devra commencer à jouer votre échantillon. Si vous activez le mode de jeu en boucle, c'est le marqueur auquel AudioFileProcessor reviendra lorsqu'une note sera plus longue que la portion de l'échantillon située entre les marqueurs de début et de fin. Endpoint: Marqueur de fin : With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Avec ce bouton vous pouvez placer le marqueur auquel AudioFileProcessor devra arrêter de jouer votre échantillon. Si vous activez le mode de jeu en boucle, c'est le marqueur à partir duquel AudioFileProcessor reviendra lorsqu'une note sera plus longue que la portion de l'échantillon située entre les marqueurs de début et de fin. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted Le client JACK a redémarré LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS a été rejeté par JACK pour une raison quelconque. Par conséquent le serveur de JACK a été redémarré. Vous devrez refaire les connexions manuellement. JACK server down Le serveur JACK est arrêté The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. Le serveur JACK semble avoir été arrêté et le démarrage d'une nouvelle instance a échoué. Par conséquent LMMS ne peut pas continuer. Vous devriez enregistrer votre projet puis redémarrer JACK et LMMS. AudioJack::setupWidget CLIENT-NAME NOM DU CLIENT CHANNELS CANAUX AudioOss::setupWidget DEVICE PÉRIPHÉRIQUE CHANNELS CANAUX AudioPortAudio::setupWidget BACKEND SERVEUR DEVICE PÉRIPHÉRIQUE AudioPulseAudio::setupWidget DEVICE PÉRIPHÉRIQUE CHANNELS CANAUX AudioSdl::setupWidget DEVICE PÉRIPHÉRIQUE AutomatableModel &Reset (%1%2) &Réinitialiser (%1%2) &Copy value (%1%2) &Copier la valeur (%1%2) &Paste value (%1%2) &Coller la valeur (%1%2) Edit song-global automation Éditer l'automation globale du morceau Connected to %1 Connecté à %1 Connected to controller Connecté au contrôleur Edit connection... Éditer la connexion... Remove connection Supprimer la connexion Connect to controller... Connecter le contrôleur... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Jouer/Mettre en pause le motif (Barre d'espace) Stop playing of current pattern (Space) Arrêter de jouer le motif (Barre d'espace) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Cliquez ici si vous souhaitez jouer le motif. Ceci est utile pendant son édition. Le motif est automatiquement rejoué lorsque sa fin est atteinte. Click here if you want to stop playing of the current pattern. Cliquez ici si vous souhaitez arrêter de jouer le motif. Draw mode (Shift+D) Mode dessin (Shift+D) Erase mode (Shift+E) Mode effacement (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Cliquez ici et le mode dessin sera activé. Dans ce mode vous pourrez ajouter et déplacer des valeurs particulières. Ceci est le mode par défaut qui est utilisé la plupart du temps. Vous pouvez aussi appuyer sur les touches 'Shift+D' de votre clavier pour activer ce mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cliquez ici et le mode effacement sera activé. Dans ce mode vous pourrez effacer des valeurs particulières. Vous pouvez aussi appuyer sur les touches 'Shift+E' de votre clavier pour activer ce mode. Cut selected values (Ctrl+X) Couper les valeurs sélectionnées (Ctrl+X) Copy selected values (Ctrl+C) Copier les valeurs sélectionnées (Ctrl+C) Paste values from clipboard (Ctrl+V) Coller les valeurs sélectionnées (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliquez ici et les valeurs sélectionnées seront coupées et copiées dans le presse-papier. Vous pourrez les coller n'importe où dans n'importe quel motif en cliquant sur le bouton coller. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliquez ici et les valeurs sélectionnées seront copiées dans le presse-papier. Vous pourrez les coller n'importe où dans n'importe quel motif en cliquant sur le bouton coller. Click here and the values from the clipboard will be pasted at the first visible measure. Cliquez ici et les valeurs se trouvant dans le presse-papier seront collées sur la première mesure visible. Automation Editor - no pattern Éditeur d'automation - pas de motif Automation Editor - %1 Éditeur d'automation - %1 Please open an automation pattern with the context menu of a control! Veuillez ouvrir un motif d'automation avec le menu contextuel d'un contrôle ! Values copied Les valeurs ont été copiées All selected values were copied to the clipboard. Toutes les valeurs ont été copiées dans le presse-papier. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> Déplacer un contrôle en appuyant sur <Ctrl> AutomationPatternView double-click to open this pattern in automation editor double-cliquer pour ouvrir ce motif dans l'éditeur d'automation Open in Automation editor Ouvrir dans l'éditeur d'automation Clear Effacer Reset name Réinitialiser le nom Change name Changer le nom %1 Connections %1 connexions Disconnect "%1" Déconnecter "%1" AutomationTrack Automation track Piste d'automation Controller Controller %1 Contrôleur %1 ControllerConnectionDialog Connection Settings Configuration de la connexion MIDI CONTROLLER CONTRÔLEUR MIDI Input channel Canal d'entrée CHANNEL CANAL Input controller Contrôleur d'entrée CONTROLLER CONTRÔLEUR Auto Detect Auto-détection MIDI-devices to receive MIDI-events from Périphériques MIDI desquels recevoir des évènements MIDI USER CONTROLLER CONTRÔLEUR UTILISATEUR MAPPING FUNCTION FONCTION DE MAPPAGE OK OK Cancel Annuler LMMS LMMS Cycle Detected. Un cycle a été détecté. ControllerRackView Controller Rack Rack d'effets Add Ajouter Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Contrôles Controllers are able to automate the value of a knob, slider, and other controls. Les contrôleurs sont capables d'automatiser le réglage d'un bouton, d'un curseur et d'autres contrôles. Rename controller Renommer un contrôleur Enter the new name for this controller Entrez un nouveau nom pour ce contrôleur &Remove this plugin Supp&rimer ce greffon &Help Aid&e Effect Effect enabled Effet activé Wet/Dry mix Ratio Gate Seuil Decay Descente EffectChain Effects enabled Effets activés EffectRackView EFFECTS CHAIN CHAÎNE D'EFFETS Add effect Ajouter un effet EffectSelectDialog Add effect Ajouter un effet Plugin description Description du greffon EffectView Toggles the effect on or off. Active ou désactive l'effet. On/Off On/Off W/D W/D Wet Level: Niveau avec effet : The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Le bouton « Wet/Dry » règle le rapport entre le signal d'entrée et le signal d'effet qui produit la sortie. DECAY DECAY Time: Durée : The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. Le bouton « Decay » contrôle le nombre de tampons de silence qui doivent s'écouler avant que le greffon arrête le traitement. Les valeurs faibles réduiront la charge du processeur mais feront courrir le risque de couper la fin sur des effets de délai et de réverbération. GATE GATE Gate: Gate : The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Le bouton « Gate » contrôle le niveau du signal qui est considéré comme étant un 'silence' lorsque l'on doit décider d'arrêter le traitement des signaux. Controls Contrôles Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Les greffons d'effet agissent comme une série d'effets enchaînés dans laquelle le signal sera traité du haut vers le bas. Le bouton « On/Off » vous permet de court-circuiter un greffon donné à n'importe quel moment. Le bouton « Mix Wet/Dry » contrôle l'équilibre entre le signal en entrée et le signal traité qui est le résultat en sortie de l'effet. L'entrée d'un étage est la sortie de l'étage précédent. De ce fait, l'importance du signal 'original' diminue au fur et à mesure de l'application des effets. Le bouton « Decay » contrôle le temps pendant lequel le signal continuera d'être traité après que les notes aient été relachées. L'effet arrêtera de traiter le signal lorsque le volume sera passé en dessous d'un seuil donné pendant une période de temps donnée. Ce bouton règle la 'période de temps donnée'. Les périodes longues nécessiteront plus de processeur, ce qui fait que ce nombre devrait être réglé assez bas pour la plupart des effets. Il a besoin d'être augmenté pour les effets qui produisent de longues périodes de silence, p. ex. les délais. Le bouton « Gate » contrôle le 'seuil donné' pour l'arrêt automatique de l'effet. L'horloge pour la 'période de temps donnée' démarrera dès que le niveau du signal traité passera sous le niveau spécifié avec ce bouton. Le bouton « Contrôles » ouvre un boîte de dialogue permettant de modifier la configuration de l'effet. Un clic-droit fera apparaître un menu contextuel où vous pourrez changer l'ordre dans lequel les effets sont traités ou bien également supprimer un effet. Move &up Déplacer vers le ha&ut Move &down &Déplacer vers le bas &Remove this plugin Supp&rimer ce greffon &Help Aid&e EnvelopeAndLfoParameters Predelay Pré-délai Attack Attaque Hold Maintien Decay Descente Sustain Soutien Release Relâchement Modulation Modulation LFO Predelay Pré-délai du LFO LFO Attack Attaque du LFO LFO speed Vitesse du LFO LFO Modulation Modulation du LFO LFO Wave Shape Forme d'onde du LFO Freq x 100 Fréq x 100 Modulate Env-Amount Moduler le niveau de l'enveloppe EnvelopeAndLfoView DEL DEL Predelay: Pré-délai : Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Utilisez ce bouton pour régler le pré-délai de l'enveloppe. Plus la valeur est importante, plus le temps sera long avant le début de l'enveloppe. ATT ATT Attack: Attaque : Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Utilisez ce bouton pour régler le temps d'attaque de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour monter au niveau d'attaque. Choisissez une petite valeur pour des instruments comme le piano et une grande valeur pour les cordes. HOLD HOLD Hold: Maintien : Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Utilisez ce bouton pour régler le temps de maintien de l'enveloppe. Plus la valeur est importante, plus l'enveloppe maintien longtemps le niveau d'attaque avant de commencer à descendre vers le niveau de soutien. DEC DEC Decay: Descente : Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Utilisez ce bouton pour régler le temps de descente de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour descendre du niveau d'attaque au niveau de soutien. Choisissez une petite valeur pour des instruments comme le piano. SUST SUST Sustain: Soutien : Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Utilisez ce bouton pour régler le niveau de soutien de l'enveloppe. Plus la valeur est importante, plus l'enveloppe reste longtemps à un niveau élevé avant de descendre à zéro. REL REL Release: Relâchement : Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Utilisez ce bouton pour régler le temps de relâchement de l'enveloppe. Plus la valeur est importante, plus l'enveloppe met du temps pour descendre du niveau de soutien à zéro. Choisissez une grande valeur pour des instruments comme les cordes. AMT AMT Modulation amount: Niveau de modulation : Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Utilisez ce bouton pour régler le niveau de modulation de l'enveloppe. Plus la valeur est importante, plus la composante correspondante (p. ex. volume ou fréquence de coupure) sera influencée par l'enveloppe. LFO predelay: Pré-délai du LFO : Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Utilisez ce bouton pour régler le temps de pré-délai du LFO. Plus la valeur est importante, plus le LFO met du temps avant de commencer à osciller. LFO- attack: Attaque du LFO : Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Utilisez ce bouton pour régler le temps d'attaque du LFO. Plus la valeur est importante, plus le LFO met du temps pour monter à son amplitude maximale. SPD SPD LFO speed: Vitesse du LFO : Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Utilisez ce bouton pour régler la vitesse du LFO. Plus la valeur est importante, plus le LFO oscillera vite et plus votre effet sera rapide. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Utilisez ce bouton pour régler le niveau de modulation du LFO. Plus la valeur est importante, plus la composante choisie (p. ex. volume ou fréquence de coupure) sera influencée par le LFO. Click here for a sine-wave. Cliquez ici pour une onde sinusoïdale. Click here for a triangle-wave. Cliquez ici pour une onde triangulaire. Click here for a saw-wave for current. Cliquez ici pour une onde en dent de scie. Click here for a square-wave. Cliquez ici pour une onde carrée. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Cliquez ici pour une onde définie par l'utilisateur. Ensuite, faites glisser un fichier d'échantillon correspondant sur le graphique du LFO. FREQ x 100 FRÉQ x 100 Click here if the frequency of this LFO should be multiplied by 100. Cliquez ici si la fréquence de ce LFO doit être multipliée par 100. multiply LFO-frequency by 100 multiplier la fréquence du LFO par 100 MODULATE ENV-AMOUNT MODULER L'ENVELOPPE Click here to make the envelope-amount controlled by this LFO. Cliquez ici pour que le niveau de l'enveloppe soit contrôlé par ce LFO. control envelope-amount by this LFO Contrôler le niveau de l'enveloppe avec ce LFO ms/LFO: ms/LFO : Hint Astuce Drag a sample from somewhere and drop it in this window. Faites glisser un échantillon et déposez-le dans cette fenêtre. ExportProjectDialog Export project Exporter le projet Output Sortie File format: Format de fichier : Samplerate: Vitesse d'échantillonage : 44100 Hz 44100 Hz 48000 Hz 48000 Hz 88200 Hz 88200 Hz 96000 Hz 96000 Hz 192000 Hz 192000 Hz Bitrate: Débit : 64 KBit/s 64 kbit/s 128 KBit/s 128 kbit/s 160 KBit/s 160 kbit/s 192 KBit/s 192 kbit/s 256 KBit/s 256 kbit/s 320 KBit/s 320 kbit/s Depth: Profondeur : 16 Bit Integer Entier sur 16 bits 32 Bit Float Flottant sur 32 bits Please note that not all of the parameters above apply for all file formats. Veuillez noter que tous les paramètres ne s'appliquent pas à tous les formats. Quality settings Réglages de qualité Interpolation: Interpolation : Zero Order Hold Bloqueur d'ordre zéro Sinc Fastest Sync plus rapide Sinc Medium (recommended) Sync moyenne (Recommandée) Sinc Best (very slow!) Sync optimale (Trés lent !) Oversampling (use with care!): Suréchantillonage (Utiliser avec précaution !) : 1x (None) 1x (Aucun) 2x 2x 4x 4x 8x 8x Sample-exact controllers Contrôleurs d'échantillon exact Alias-free oscillators Oscillateurs sans alias Start Démarrer Cancel Annuler Export as loop (remove end silence) FxMixer Master Général FX %1 Effet %1 FxMixerView Rename FX channel Renommer le canal d'effet Enter the new name for this FX channel Entrer un nouveau nom pour ce canal d'effet FX-Mixer Mélangeur d'effets FX Fader %1 Curseur d'effet %1 Mute Couper Mute this FX channel Couper ce canal d'effet InstrumentFunctionArpeggio Arpeggio Arpège Arpeggio type Type d'arpège Arpeggio range Gamme d'arpège Arpeggio time Temps d'arpège Arpeggio gate Durée d'arpège Arpeggio direction Sens d'arpège Arpeggio mode Mode d'arpège Up Ascendant Down Descendant Up and down Ascendant et descendant Random Aléatoire Free Libre Sort Tri Sync InstrumentFunctionArpeggioView ARPEGGIO ARPÈGE An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Un arpège est une façon de jouer des instruments (en particulier ceux à cordes pincées), qui rend la musique plus vivante. Les cordes de tels instruments (p. ex. les harpes) sont pincées comme des accords. La seule différence est que cela est fait de manière séquentielle, ce qui fait que les notes ne sont pas jouées en même temps. Les arpèges typiques sont des triades majeures ou mineures, mais il y a beaucoup d'autres accords possibles, vous pouvez choisr. RANGE GAMME Arpeggio range: Gamme d'arpège : octave(s) octave(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Utilisez ce bouton pour régler la gamme d'octaves de l'arpège. L'arpège sélectionné sera joué sur le nombre d'octaves choisi. TIME TEMPS Arpeggio time: Temps d'arpège : ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Utilisez ce bouton pour régler le temps d'arpège en millisecondes. Le temps d'arpège indique la durée pendant laquelle chaque note de l'arpège sera joué. GATE Arpeggio gate: Durée d'arpège : % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Utilisez ce bouton pour régler la durée d'arpège. La durée d'arpège indique le pourcentage d'une note complète de l'arpège qui sera joué. Avec ceci vous pouvez faire de beaux arpèges staccato. Chord: Direction: Sens : Mode: Mode : InstrumentFunctionNoteStacking octave octave Major Majeur Majb5 minor mineur minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Mineure harmonique Melodic minor Mineure mélodique Whole tone Note complète Diminished Diminuée Major pentatonic Pentatonique majeur Minor pentatonic Pentatonique mineur Jap in sen Japonaise "in sen" Major bebop Bebop majeure Dominant bebop Bebop dominante Blues Blues Arabic Arabe Enigmatic Énigmatique Neopolitan Napolitaine Neopolitan minor Napolitaine mineure Hungarian minor Hongroise mineure Dorian Dorienne Phrygolydian Phrygo-Lydienne Lydian Lydienne Mixolydian Mixolydienne Aeolian Éolienne Locrian Locrienne Chords Accords Chord type Type d'accord Chord range Gamme d'accord Minor InstrumentFunctionNoteStackingView RANGE GAMME Chord range: Gamme d'accord : octave(s) octave(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Utilisez ce bouton pour régler la gamme d'accord en octaves. L'accord sélectionné sera joué sur le nombre d'octaves choisi. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT ACTIVER L'ENTRÉE MIDI CHANNEL CANAL VELOCITY VÉLOCITÉ ENABLE MIDI OUTPUT ACTIVER LA SORTIE MIDI PROGRAM PROGRAMME MIDI devices to receive MIDI events from Périphériques MIDI desquels recevoir des évènements MIDI MIDI devices to send MIDI events to Périphériques MIDI auxquels envoyer des évènements MIDI NOTE InstrumentSoundShaping VOLUME VOLUME Volume Volume CUTOFF COUPURE Cutoff frequency Fréquence de coupure RESO RÉSON Resonance Résonance Envelopes/LFOs Enveloppes/LFOs Filter type Type de filtre Q/Resonance Q/Résonance LowPass Passe-bas HiPass Passe-haut BandPass csg Passe-bande "csg" BandPass czpg Passe-bande "czpg" Notch Coupe-bande Allpass Passe-tout Moog Moog 2x LowPass Passe-bas x2 RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET COMPOSANTE These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Ces onglets contiennent des enveloppes. Elles sont très important pour la modification d'un son, dans le sens où elles sont presque toujours nécessaires pour la synsthèse soustractive. Par exemple si vous avez une enveloppe de volume, vous pouvez régler quand le son devra avoir un volume spécifique. Si vous souhaitez créer des cordes douces alors votre son doit commencer et se terminer très doucement. Ceci peut être obtenu en réglant des temps d'attaque et de descente longs. C'est la même chose pour les autres composantes comme le panoramique, la fréquence de coupure pour le filtre utilisé et ainsi de suite. Amusez-vous un peu avec ! Vous pouvez vraiment faire de beaux sons à partir d'une onde en dent de scie avec juste quelques enveloppes... ! FILTER FILTRE Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Ici vous pouvez choisir le filtre intégré que vous souhaitez utiliser pour cette piste d'instrument. Les filtres sont très important pour la modification des caractéristiques d'un son. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Utilisez ce bouton pour régler la fréquence de coupure du filtre choisi. La fréquence de coupure spécifie la fréquence à laquelle un filtre coupera le signal. Par exemple un filtre passe-bas coupera toutes les fréquences au-dessus de la fréquence de coupure. Un filtre passe-haut coupera toutes les fréquences en-dessous de la fréquence de coupure, et ainsi de suite... RESO RESO Resonance: Résonance : Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Utilisez ce bouton pour régler la Q/Résonance pour le filtre choisi. La Q/Résonance indique au filtre dans quelle proportion il devra amplifier les fréquences proches de la fréquence de coupure. FREQ FRÉQ cutoff frequency: InstrumentTrack unnamed_track piste_sans_nom Volume Volume Panning Panoramique Pitch Tonalité FX channel Canal d'effet Default preset Préréglage par défaut With this knob you can set the volume of the opened channel. Avec ce bouton vous pouvez régler le volume du canal ouvert. Base note Note de base Pitch range InstrumentTrackView Volume Volume Volume: Volume : VOL VOL Panning Panoramique Panning: Panoramique : PAN PAN MIDI MIDI Input Entrée Output Sortie InstrumentTrackWindow GENERAL SETTINGS CONFIGURATION GÉNÉRALE Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Cliquez ici si vous souhaitez enregistrer la configuration du canal dans un fichier de préréglage. Plus tard vous pourrez charger ce préréglage en double-cliquant sur son nom dans le sélecteur de préréglages. Instrument volume Volume de l'instrument Volume: Volume : VOL VOL Panning Panoramique Panning: Panoramique : PAN PAN Pitch Tonalité Pitch: Tonalité : cents centièmes PITCH PITCH FX channel Canal d'effet ENV/LFO ENV/LFO FUNC FONCTIONS FX EFFETS MIDI MIDI Save preset Enregistrer le préréglage XML preset file (*.xpf) Fichier XML de préréglage (*.xpf) PLUGIN GREFFON Save current channel settings in a preset-file Enregistrer la configuration du canal dans un fichier de préréglage Pitch range (semitones) RANGE GAMME LadspaControl Link channels Relier les canaux LadspaControlDialog Link Channels Lier les canaux Channel Canal LadspaControlView Link channels Lier les canaux Value: Valeur : Sorry, no help available. Désolé, l'aide n'est pas disponible. LadspaEffect Effect Effet Unknown LADSPA plugin %1 requested. Le greffon LDASPA %1 demandé est inconnu. LfoController LFO Controller Contrôleur du LFO Base value Valeur de base Oscillator speed Vitesse de l'oscillateur Oscillator amount Niveau de l'oscillateur Oscillator phase Phase de l'oscillateur Oscillator waveform Forme d'onde de l'oscillateur Frequency Multiplier Multiplicateur de fréquence LfoControllerDialog LFO LFO LFO Controller Contrôleur du LFO BASE BASE Base amount: Niveau de base : todo à faire SPD SPD LFO-speed: Vitesse du LFO : Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Utilisez ce bouton pour régler la vitesse du LFO. Plus la valeur est importante, plus l'oscillateur LFO oscille vite et l'effet est rapide. AMT AMT Modulation amount: Niveau de modulation : Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Utilisez ce bouton pour régler le niveau de modulation du LFO. Plus la valeur est important, plus le contrôle connecté (p. ex. volume ou fréquence de coupure) sera influencé par le LFO. PHS PHS Phase offset: Décalage de phase : degrees degrés With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Avec ce bouton vous pouvez régler le décalage de phase du LFO. Cela signifie que vous pouvez déplacer dans une oscillation le point où l'oscillateur commence à osciller. Par exemple si vous avez une onde sinusoïdale et un décalage de phase de 180 degrés l'onde commencera par descendre. C'est la même chose avec une onde carrée. Click here for a sine-wave. Cliquez ici pour une onde sinusoïdale. Click here for a triangle-wave. Cliquez ici pour une onde triangulaire. Click here for a saw-wave. Cliquez ici pour une onde en dent de scie. Click here for a square-wave. Cliquez ici pour une onde carrée. Click here for a a moog saw-wave. Cliquez ici pour une onde Moog en dent de scie. Click here for an exponential wave. Cliquez ici pour une onde exponentielle. Click here for white-noise. Cliquez ici pour un bruit blanc. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Répertoire de travail The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Le répertoire de travail %1 de LMMS n'existe pas. Souhaitez-vous le créer maintenant ? Vous pourrez changer le répertoire plus tard via Éditer -> Configuration. Could not save config-file Le fichier de configuration n'a pas pu être enregistré Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Le fichier de configuration %1 n'a pas pu être écrit. Vous n'avez probablement pas le droit d'écrire dans ce fichier. Veuillez vérifier que vous avez les droits d'accès en écriture pour ce fichier et le répertoire qui contient ce fichier et réessayez. &Project &Projet &New &Nouveau &Open... &Ouvrir... Recently opened projects Projets ouverts récemment &Save &Enregistrer Save &As... Enregistrer &sous... Import... Importer... E&xport... E&xporter... &Quit &Quitter &Edit &Éditer Settings Configuration &Tools Ou&tils &Help Aid&e Online help Aide en ligne Help Aide What's this? Qu'est-ce que c'est ? About À propos Create new project Créer un nouveau projet Create new project from template Open existing project Ouvrir un projet existant Recently opened project Projets ouverts récemment Save current project Enregistrer le projet Export current project Exporter le projet Show/hide Song-Editor Montrer/Cacher l'éditeur de morceau By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. En appuyant sur ce bouton, vous pouvez montrer ou cacher l'éditeur de morceau. À l'aide de l'éditeur de morceau vous pouvez éditer la liste de lecture du morceau et indiquer quelle piste devra être jouée. Vous pouvez également insérer et déplacer des échantillons (p. ex. des échantillons de Rap) directement dans la liste de lecture. Show/hide Beat+Bassline Editor Montrer/Cacher l'éditeur de rythme et de ligne de basse By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. En appuyant sur ce bouton, vous pouvez montrer ou cacher l'éditeur de rythme et de ligne de basse. L'éditeur de rythme et de ligne de basse est nécessaire pour la création de rythmes, pour ouvrir, ajouter et supprimer des canaux, pour couper, copier et coller des motifs rythmiques, et pour d'autres choses similaires. Show/hide Piano-Roll Montrer/Cacher le piano virtuel Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Cliquez ici pour montrer ou cacher le piano virtuel. À l'aide du piano virtuel vous pouvez éditer facilement des mélodies. Show/hide Automation Editor Montrer/Cacher l'éditeur d'automation Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Cliquez ici pour montrer ou cacher l'éditeur d'automation. À l'aide de l'éditeur d'automation vous pouvez éditer facilement des valeurs dynamiques. Show/hide FX Mixer Montrer/Cacher le mélangeur d'effets Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Cliquez ici pour montrer et cacher le mélangeur d'effets. Le mélangeur d'effet est un outil très puissant pour la gestion des effets de votre morceau. Vous pouvez insérer des effets dans différents canaux d'effets. Show/hide project notes Montrer/Cacher les notes du projet Click here to show or hide the project notes window. In this window you can put down your project notes. Cliquez ici pour montrer et cacher la fenêtre de notes du projet. Dans cette fenêtre vous pouvez inscrire les notes de votre projet. Show/hide controller rack Montrer/Cacher le rack de contrôleurs Untitled Sans titre LMMS %1 LMMS %1 Project not saved Projet non enregistré The current project was modified since last saving. Do you want to save it now? Ce projet à été modifié depuis son dernier enregistrement. Souhaitez-vous l'enregistrer maintenant ? Open project Ouvrir un projet Save project Enregistrer le projet Help not available L'aide n'est pas disponible Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Il n'y a pour l'instant pas de d'aide dans LMMS. Veuillez visiter http://lmms.sf.net/wiki pour la documentation de LMMS. My projects Mes projets My samples Mes échantillons My presets Mes préréglages My home Mon dossier My computer Mon ordinateur Root directory Répertoire principal Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Numérateur de la mesure Meter Denominator Dénominateur de la mesure TIME SIG SIGN RYTHM MeterModel Numerator Numérateur Denominator Dénominateur MidiAlsaRaw::setupWidget DEVICE PÉRIPHÉRIQUE MidiAlsaSeq::setupWidget DEVICE PÉRIPHÉRIQUE MidiController MIDI Controller Contrôleur MIDI unnamed_midi_controller contrôleur_midi_sans_nom MidiImport Setup incomplete Paramétrage incomplet You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. Vous n'avez pas choisi de SoundFont par défaut dans la boîte de dialogue de configuration (Éditer -> Configuration). Par conséquent aucun son ne sera joué lorsque vous aurez importé ce fichier MIDI. Vous devriez télécharger une Soundfont General MIDI, la référencer dans la configuration et réessayer. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Vous n'avez pas compilé LMMS avec la prise en charge du lecteur SoundFont2, qui est utilisé pour ajouter un son par défaut aux fichiers MIDI importés. Par conséquent aucun son ne sera joué après l'importation de ce fichier MIDI. MidiOss::setupWidget DEVICE PÉRIPHÉRIQUE MidiPort Input channel Canal d'entrée Output channel Canal de sortie Input controller Contrôleur d'entrée Output controller Contrôleur de sortie Fixed input velocity Vélocité d'entrée fixe Fixed output velocity Vélocité de sortie fixe Output MIDI program Programme de sortie MIDI Receive MIDI-events Recevoir des évènements MIDI Send MIDI-events Envoyer des évènements MIDI Fixed output note OscillatorObject Osc %1 volume Volume de l'oscillateur %1 Osc %1 panning Panoramique de l'oscillateur %1 Osc %1 coarse detuning Désaccordage grossier de l'oscillateur %1 Osc %1 fine detuning left Désaccordage fin (gauche) de l'oscillateur %1 Osc %1 fine detuning right Désaccordage fin (droite) de l'oscillateur %1 Osc %1 phase-offset Décalage de phase de l'oscillateur %1 Osc %1 stereo phase-detuning Désaccordage stéréo de la phase de l'oscillateur %1 Osc %1 wave shape Forme d'onde de l'oscillateur %1 Modulation type %1 Modulation de type %1 Osc %1 waveform Forme d'onde de l'oscillateur %1 PatmanView Open other patch Ouvrir un autre son Click here to open another patch-file. Loop and Tune settings are not reset. Cliquez ici pour ouvrir un autre fichier de son. Les réglages de tonalité et d'accordage ne sont pas réinitialisés. Loop Rejouer Loop mode Mode de jeu en boucle Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Ici vous pouvez permuter le mode de jeu en boucle. Si il est activé, PatMan utilisera les informations de jeu en boucle disponibles dans le fichier. Tune Accordage Tune mode Mode accordage Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Ici vous pouvez permuter le mode d'accordage. Si il est activé, PatMan accordera l'échantillon pour en fonction de la fréquence de la note. No file selected Aucun fichier n'est sélectionné Open patch file Ouvrir un fichier de son Patch-Files (*.pat) Fichiers de son (*.pat) PeakController Peak Controller Contrôleur de crêtes Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK CRÊTE LFO Controller Contrôleur du LFO PeakControllerEffectControlDialog BASE BASE Base amount: Niveau de la base : Modulation amount: Niveau de modulation : Attack: Attaque : Release: Relâchement : AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Valeur de base Modulation amount Niveau de modulation Mute output Couper la sortie Attack Attaque Release Relâchement Abs Value Amount Multiplicator PianoView Base note Note de base Plugin Plugin not found Le greffon n'a pas été trouvé The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Le greffon "%1" n'a pas été trouvé ou n'a pas pu être chargé ! Raison : "%2" Error while loading plugin Une erreur est survenue pendant le chargement du greffon Failed to load plugin "%1"! Le chargement du greffon "%1" a échoué ! ProjectRenderer WAV-File (*.wav) Fichier WAV (*.wav) Compressed OGG-File (*.ogg) Fichier OGG compressé (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Nom : Maker: Fabricant : Copyright: Copyright : Requires Real Time: Nécessite le temps réel : Yes Oui No Non Real Time Capable: Supporte le temps réel : In Place Broken: Cassé sur place : Channels In: Canaux d'entrée : Channels Out: Canaux de sorties : File: Fichier : SampleBuffer Open audio file Ouvrir un fichier audio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Tous les fichiers audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Fichiers WAVE (*.wav) OGG-Files (*.ogg) Fichiers OGG (*.ogg) DrumSynth-Files (*.ds) Fichiers DrumSynth (*.ds) FLAC-Files (*.flac) Fichiers FLAC (*.flac) SPEEX-Files (*.spx) Fichiers SPEEX (*.spx) MP3-Files (*.mp3) Fichiers MP3 (*.mp3) VOC-Files (*.voc) Fichiers VOC (*.voc) AIFF-Files (*.aif *.aiff) Fichiers AIFF (*.aif *.aiff) AU-Files (*.au) Fichiers AU (*.au) RAW-Files (*.raw) Fichiers RAW (*.raw) SampleTCOView double-click to select sample Double-cliquez pour choisir un échantillon Delete (middle mousebutton) Cut Couper Copy Copier Paste Coller Mute/unmute (<Ctrl> + middle click) Couper/Jouer (<Ctrl> + clic-milieu) Set/clear record Régler/Effacer l'enregistrement SampleTrack Sample track Piste d'échantillon Volume Volume SampleTrackView Track volume Volume de la piste Channel volume: Volume du canal : VOL VOL TempoSyncKnob Tempo Sync Synchronisation du tempo No Sync Pas de synchronisation Eight beats Huit temps Whole note Note entière Half note Demi-note Quarter note Quart de note 8th note 8 ième de note 16th note 16 ième de note 32nd note 32 ième de note Custom... Personnalisé... &Help Aid&e Custom Personnalisé Synced to Eight Beats Synchronisé sur huit temps Synced to Whole Note Synchronisé sur note entière Synced to Half Note Synchronisé sur demi-note Synced to Quarter Note Synchronisé sur quart de note Synced to 8th Note Synchronisé sur 8 ième de note Synced to 16th Note Synchronisé sur 16 ième de note Synced to 32nd Note Synchronisé sur 32 ième de note TimeDisplayWidget click to change time units TrackContainer Couldn't import file Le fichier n'a pas pu être importé Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Aucun filtre n'a pu être trouvé pour importer le fichier %1. Vous devriez convertir ce fichier dans un format pris en charge par LMMS en utilisant un autre logiciel. Couldn't open file Le fichier n'a pas pu être ouvert Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Le fichier %1 n'a pas pu être ouvert en lecture. Veuillez vérifier que vous avez les droits en lecture pour ce fichier et le répertoire qui contient ce fichier et réessayez ! Loading project... Chargement du projet... Cancel Annuler Please wait... Veuillez patienter... Importing MIDI-file... Importation du fichier MIDI... Importing FLP-file... Importation du fichier FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Utiliser la modulation de phase pour moduler l'oscillateur 2 avec l'oscillateur 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Utiliser la modulation d'amplitude pour moduler l'oscillateur 2 avec l'oscillateur 1 Mix output of oscillator 1 & 2 Mélanger la sortie des oscillateurs 1 et 2 Synchronize oscillator 1 with oscillator 2 Synchroniser l'oscillateur 1 avec l'oscillateur 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Utiliser la modulation de fréquence pour moduler l'oscillateur 2 avec l'oscillateur 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Utiliser la modulation de phase pour moduler l'oscillateur 3 avec l'oscillateur 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Utiliser la modulation d'amplitude pour moduler l'oscillateur 3 avec l'oscillateur 2 Mix output of oscillator 2 & 3 Mélanger la sortie des oscillateurs 2 et 3 Synchronize oscillator 2 with oscillator 3 Synchroniser l'oscillateur 2 avec l'oscillateur 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Utiliser la modulation de fréquence pour moduler l'oscillateur 3 avec l'oscillateur 2 Osc %1 volume: Volume de l'oscillateur %1 : With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Avec ce bouton vous pouvez régler le volume de l'oscillateur %1. Lorsque mettez la valeur 0 l'oscillateur est arrêté. Sinon vous pouvez entendre l'oscillateur aussi fort que vous l'avez réglé. Osc %1 panning: Panoramique de l'oscillateur %1 : With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Avec ce bouton vous pouvez régler le panoramique de l'oscillateur %1. Une valeur de -100 corespond à 100 % à gauche et une valeur de 100 déplace la sortie de l'oscillateur à droite. Osc %1 coarse detuning: Désaccordage grossier de l'oscillateur %1 : semitones demi-tons With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Avec ce bouton vous pouvez régler le désaccord grossier de l'oscillateur %1. Vous pouvez désaccorder l'oscillateur de 12 demi-tons (1 octave) vers le haut et vers le bas. Ceci est utile pour la création de sons avec un accord. Osc %1 fine detuning left: Désaccordage fin (gauche) de l'oscillateur %1 : cents centièmes With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Avec ce bouton vous pouvez régler le désaccord fin du canal gauche de l'oscillateur %1. Le désaccordage fin varie entre -100 centièmes et +100 centièmes. Ceci est utile pour la création de sons 'gras'. Osc %1 fine detuning right: Désaccordage fin (droite) de l'oscillateur %1 : With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Avec ce bouton vous pouvez régler le désaccord fin du canal droit de l'oscillateur %1. Le désaccordage fin varie entre -100 centièmes et +100 centièmes. Ceci est utile pour la création de sons 'gras'. Osc %1 phase-offset: Décalage de phase de l'oscillateur %1 : degrees degrés With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Avec ce bouton vous pouvez régler le décalage de phase de l'oscillateur %1. Cela signifie que vous pouvez déplacer dans une oscillation le point où l'oscillateur commence à osciller. Par exemple si vous avez une onde sinusoïdale et un décalage de phase de 180 degrés l'onde commencera par descendre. C'est la même chose avec une onde carrée. Osc %1 stereo phase-detuning: Désaccordage stéréo de la phase de l'oscillateur %1 : With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Avec ce bouton vous pouvez régler le désaccordage stéréo de la phase de l'oscillateur %1. Le désaccordage stéréo de la phase précise l'importance de la différence entre le décalage de phase du canal gauche et droit. Ceci est très bien pour la création de sons stéréo amples. Use a sine-wave for current oscillator. Utiliser une onde sinusoïdale pour cet oscillateur. Use a triangle-wave for current oscillator. Utiliser une onde triangulaire pour cet oscillateur. Use a saw-wave for current oscillator. Utiliser une onde en dent de scie pour cet oscillateur. Use a square-wave for current oscillator. Utiliser une onde carrée pour cet oscillateur. Use a moog-like saw-wave for current oscillator. Utiliser une onde en dent de scie de type Moog pour cet oscillateur. Use an exponential wave for current oscillator. Utiliser une onde exponentielle pour cet oscillateur. Use white-noise for current oscillator. Utiliser un bruit blanc pour cet oscillateur. Use a user-defined waveform for current oscillator. Utiliser une onde définie par l'utilisateur pour cet oscillateur. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Ouvrir un autre greffon VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Cliquez ici si vous souhaitez ouvrir un autre greffon VST. Après avoir cliqué sur ce bouton, une boîte de dialogue d'ouverture de fichier apparaîtra et vous pourrez sélectionner votre fichier. Show/hide GUI Montrer/Cacher l'interface utilisateur graphique Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Cliquez ici pour montrer ou cacher l'interface utilisateur graphique de votre greffon VST. Turn off all notes Arrêter de jouer toutes les notes Open VST-plugin Ouvrir un greffon VST DLL-files (*.dll) Fichiers DLL (*.dll) EXE-files (*.exe) Fichiers EXE (*.exe) No VST-plugin loaded Aucun greffon VST n'a été chargé Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Enregistrer le préréglage Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Enregistrer le préréglage Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Chargement du greffon Please wait while loading VST-plugin... Veuillez patienter pendant le chargement du greffon VST... Failed loading VST-plugin Le chargement du greffon VST a échoué The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Le greffon VST %1 n'a pas pu être chargé pour une raison quelconque. S'il fonctionne avec d'autres logiciels VST sous Linux, merci de contacter un développeur LMMS ! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Montrer l'interface utilisateur graphique Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Cliquez ici pour montrer ou cacher l'interface utilisateur graphique de ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ FRÉQ Filter Resonance: RES RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Amplifier Start of sample Début de l'échantillon End of sample Fin de l'échantillon Reverse sample Inverser l'échantillon Loop Jouer en boucle Stutter bassBoosterControlDialog FREQ FRÉQ Frequency: Fréquence : GAIN GAIN Gain: Gain : RATIO RAPPORT Ratio: Rapport : bassBoosterControls Frequency Fréquence Gain Gain Ratio Rapport bbEditor Beat+Bassline Editor Éditeur de rythme et de ligne de basse Play/pause current beat/bassline (Space) Jouer/Mettre en pause le rythme ou la ligne de basse (Barre d'espace) Add beat/bassline Ajouter un ryhtme ou une ligne de basse Add automation-track Ajouter une piste d'automation Stop playback of current beat/bassline (Space) Arrêter de jouer le rythme ou la ligne de basse (Barre d'espace) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Cliquez ici pour jouer le rythme ou la ligne de basse. Le rythme ou la ligne de basse est rejoué lorsque sa fin est atteinte. Click here to stop playing of current beat/bassline. Cliquez ici pour arrêter de jouer le rythme ou la ligne de basse. Remove steps Supprimer des pas Add steps Ajouter des pas bbTCOView Open in Beat+Bassline-Editor Ouvrir dans l'éditeur de rythme et de ligne de basse Reset name Réinitialiser le nom Change name Changer le nom Change color Changer la couleur bbTrack Beat/Bassline %1 Ryhtme ou ligne de basse %1 Clone of %1 bitInvader Samplelength Longueur de l'échantillon bitInvaderView Sample Length Longueur de l'échantillon Sine wave Onde sinusoïdale Triangle wave Onde triangulaire Saw wave Onde en dent de scie Square wave Onde carrée White noise wave Bruit blanc User defined wave Onde définie par l'utilisateur Smooth Lisser Click here to smooth waveform. Cliquez ici pour lisser la forme d'onde. Interpolation Interpolation Normalize Normaliser Draw your own waveform here by dragging your mouse on this graph. Dessinez ici votre propre forme d'onde en faisant glisser votre souris sur ce graphique. Click for a sine-wave. Cliquez ici pour une onde sinusoïdale. Click here for a triangle-wave. Cliquez ici pour une onde triangulaire. Click here for a saw-wave. Cliquez ici pour une onde en dent de scie. Click here for a square-wave. Cliquez ici pour une onde carrée. Click here for white-noise. Cliquez ici pour un bruit blanc. Click here for a user-defined shape. Cliquez ici pour une onde définie par l'utilisateur. exportProjectDialog Could not open file Le fichier n'a pas pu être ouvert Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Le fichier %1 ne peut pas être ouvert en écriture. Veuillez vérifier que vous avez les droits d'accès en écriture pour ce fichier et le répertoire qui contient ce fichier et réessayez ! Error Erreur Error while determining file-encoder device. Please try to choose a different output format. Erreur pendant la détection du périphérique d'encodage du fichier. Veuillez essayer de choisir un format de sortie différent. Rendering: %1% Encodage : %1% Export project to %1 Exporter le projet vers %1 fader Please enter a new value between %1 and %2: Veuillez entrer un valeur entre %1 et %2 : fileBrowser Browser Explorateur fileBrowserTreeWidget Send to active instrument-track Envoyer vers la piste d'instrument actif Open in new instrument-track/Song-Editor Ouvrir dans une nouvelle piste d'instrument/Éditeur de morceau Open in new instrument-track/B+B Editor Ouvrir dans une nouvelle piste d'instrument/Éditeur de rythme et de ligne de basse Loading sample Chargement de l'échantillon Please wait, loading sample for preview... Veuillez patienter, chargement de l'échantillon pour un aperçu... --- Factory files --- --- Fichiers usine --- graphModel Graph Graphique kickerInstrument Start frequency Fréquence de début End frequency Fréquence de fin Decay Descente Distortion Distorsion Gain Gain kickerInstrumentView Start frequency: Fréquence de début : End frequency: Fréquence de fin : Decay: Descente : Distortion: Distorsion : Gain: Gain : knob &Help Aid&e Please enter a new value between -96.0 dBV and 6.0 dBV: Veuillez entrer un nouvelle valeur entre -96,0 dBV et 6,0 dBV : Please enter a new value between %1 and %2: Veuillez entrer un valeur entre %1 et %2 : ladspaBrowserView Available Effects Effets disponibles Unavailable Effects Effets indisponibles Instruments Instruments Analysis Tools Outils d'analyse Don't know Divers This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Cette boîte de dialogue affiche des informations sur tous les greffons LADSPA que LMMS a pu localiser. Ces greffons sont répartis en cinq catégories en fonction de l'interprétation des types et des noms de port. Les « Effets disponibles » sont ceux qui peuvent être utilisés par LMMS. Pour que LMMS puisse utiliser un effet, il doit, tout d'abord, être un effet, ce qui revient à dire qu'il doit avoir à la fois des canaux d'entrée et de sortie. LMMS identifie un canal d'entrée comme un port audio contenant 'in' dans son nom. Les canaux de sortie sont identifiés par les lettres 'out'. De plus, l'effet doit avoir le même nombre d'entrée que de sorties et doit pouvoir fonctionner en temps réel. Les « Effets indisponibles » sont ceux qui ont été identifiés comme des effets, mais qui soit n'ont pas le même nombre de canaux d'entrée et de sortie, soit ne peuvent fonctionner en temps réel. Les « Instruments » sont des greffons pour lesquels seuls des canaux de sortie ont été identifiés. Les « Outils d'analyse » sont des greffons pour lesquels seuls des canaux d'entrée ont été identifiés. Les « Divers » sont des greffons pour lesquels aucun canaux d'entrée ou de sortie n'ont été identifiés. En double-cliquant sur ces greffons vous ferez apparaître des informations sur les ports. Type: Type : ladspaDescription Plugins Greffons Description Description ladspaPortDialog Ports Ports Name Nom Rate Vitesse Direction Sens Type Type Min < Default < Max Min < par défaut < Max Logarithmic Logarythmique SR Dependent Audio Audio Control Contrôle Input Entrée Output Sortie Toggled Permuté Integer Entier Float Flottant Yes Oui lb302Synth VCF Cutoff Frequency Fréquence de coupure du VCF VCF Resonance Résonance du VCF VCF Envelope Mod Modulation de l'enveloppe du VCF VCF Envelope Decay Descente de l'enveloppe du VCF Distortion Distorsion Waveform Forme d'onde Slide Decay Descente de la liaison Slide Liaison Accent Accent Dead Éteint 24dB/oct Filter Filtre 24 dB/oct lb302SynthView Cutoff Freq: Fréquence de coupure : Resonance: Résonance : Env Mod: Modulation de l'enveloppe : Decay: Descente : 303-es-que, 24dB/octave, 3 pole filter 303-esque, 24 dB/octave, filtre à 3 pôles Slide Decay: Descente de la liaison : DIST: DIST : Saw wave Onde en dent de scie Click here for a saw-wave. Cliquez ici pour une onde en dent de scie. Triangle wave Onde triangulaire Click here for a triangle-wave. Cliquez ici pour une onde triangulaire. Square wave Onde carrée Click here for a square-wave. Cliquez ici pour une onde carrée. Rounded square wave Onde carrée arrondie Click here for a square-wave with a rounded end. Cliquez ici pour une onde carrée avec une fin arrondie. Moog wave Onde Moog Click here for a moog-like wave. Cliquez ici pour une onde de type Moog. Sine wave Onde sinusoïdale Click for a sine-wave. Cliquez ici pour une onde sinusoïdale. White noise wave Bruit blanc Click here for an exponential wave. Cliquez ici pour une onde exponentielle. Click here for white-noise. Cliquez ici pour un bruit blanc. lb303Synth VCF Cutoff Frequency Fréquence de coupure du VCF VCF Resonance Résonance du VCF VCF Envelope Mod Modulation de l'enveloppe du VCF VCF Envelope Decay Descente de l'enveloppe du VCF Distortion Distorsion Waveform Forme d'onde Slide Decay Descente du glissement Slide Glissement Accent Accent Dead Éteint 24dB/oct Filter Filtre 24 dB/oct lb303SynthView Cutoff Freq: Fréquence de coupure : CUT CUT Resonance: Résonance : RES RES Env Mod: Modulation de l'enveloppe : ENV MOD ENV MOD Decay: Descente : DEC DEC 303-es-que, 24dB/octave, 3 pole filter 303-esque, 24 dB/octave, filtre à 3 pôles Slide Decay: Descente de la liaison : SLIDE SLIDE DIST: DIST : DIST DIST WAVE: WAVE : WAVE WAVE malletsInstrument Hardness Dureté Position Position Vibrato Gain Gain du vibrato Vibrato Freq Fréquence du vibrato Stick Mix Stick Mix Modulator Modulateur Crossfade Fondu enchainé LFO Speed Vitesse du LFO LFO Depth Profondeur du LFO ADSR ADSR Pressure Pression Motion Mouvement Speed Vitesse Bowed Courbé Spread Diffusion Marimba Marimba Vibraphone Vibraphone Agogo Agogo Wood1 Bois1 Reso Réso Wood2 Bois2 Beats Battements Two Fixed Deux fixes Clump Bruit lourd Tubular Bells Cloches tubulaires Uniform Bar Barre uniforme Tuned Bar Barre accordée Glass Verre Tibetan Bowl Bol tibétain Missing files Fichiers manquants Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Votre installation de STK semble incomplète. Veuillez vous assurer que le paquet Stk complet est installé ! malletsInstrumentView Instrument Instrument Spread Diffusion Spread: Diffusion : Hardness Dureté Hardness: Dureté : Position Position Position: Position : Vib Gain Gain Vib Vib Gain: Gain Vib : Vib Freq Fréq Vib Vib Freq: Fréq Vib : Stick Mix Stick Mix Stick Mix: Stick Mix : Modulator Modulateur Modulator: Modulateur : Crossfade Fondu enchainé Crossfade: Fondu enchainé : LFO Speed Vitesse du LFO LFO Speed: Vitesse du LFO : LFO Depth Profondeur du LFO LFO Depth: Profondeur du LFO : ADSR ADSR ADSR: ADSR : Bowed Courbé Pressure Pression Pressure: Pression : Motion Mouvement Motion: Mouvement : Speed Vitesse Speed: Vitesse : Vibrato Vibrato Vibrato: Vibrato : manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help Aid&e opl2instrument Patch Son Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Distorsion Volume Volume organicInstrumentView Distortion: Distorsion : Volume: Volume : Randomise Randomiser Osc %1 waveform: Form d'onde de l'oscillateur %1 : Osc %1 volume: Volume de l'oscillateur %1 : Osc %1 panning: Panoramique de l'oscillateur %1 : Osc %1 fine detuning left: Désaccordage fin (gauche) de l'oscillateur %1 : cents centièmes papuInstrument Sweep time Temps de balayage Sweep direction Sens de balayage Sweep RtShift amount Niveau de décalage vers la droite du balayage Wave Pattern Duty Motif d'onde Channel 1 volume Volume du canal 1 Volume sweep direction Sens du volume du balayage Length of each step in sweep Longueur de chaque pas du balayage Channel 2 volume Volume du canal 2 Channel 3 volume Volume du canal 3 Channel 4 volume Volume du canal 4 Right Output level Niveau de sortie droite Left Output level Niveau de sortie gauche Channel 1 to SO2 (Left) Canal 1 vers SO2 (gauche) Channel 2 to SO2 (Left) Canal 2 vers SO2 (gauche) Channel 3 to SO2 (Left) Canal 3 vers SO2 (gauche) Channel 4 to SO2 (Left) Canal 4 vers SO2 (gauche) Channel 1 to SO1 (Right) Canal 1 vers SO2 (droite) Channel 2 to SO1 (Right) Canal 2 vers SO2 (droite) Channel 3 to SO1 (Right) Canal 3 vers SO2 (droite) Channel 4 to SO1 (Right) Canal 4 vers SO2 (droite) Treble Aigus Bass Graves Shift Register width Largeur du registre de décalage papuInstrumentView Sweep Time: Temps de balayage : Sweep Time Temps de balayage Sweep RtShift amount: Niveau de décalage vers la droite du balayage : Sweep RtShift amount Niveau de décalage vers la droite du balayage Wave pattern duty: Motif d'onde : Wave Pattern Duty Motif d'onde Square Channel 1 Volume: Volume du canal carré 1 : Length of each step in sweep: Longueur de chaque pas du balayage : Length of each step in sweep Longueur de chaque pas du balayage Wave pattern duty Motif d'onde Square Channel 2 Volume: Volume du canal carré 2 : Square Channel 2 Volume Volume du canal carré 2 Wave Channel Volume: Volume du canal onde : Wave Channel Volume Volume du canal onde Noise Channel Volume: Volume du canal bruit : Noise Channel Volume Volume du canal bruit SO1 Volume (Right): Volume SO1 (droite) : SO1 Volume (Right) Volume SO1 (droite) SO2 Volume (Left): Volume SO2 (droite) : SO2 Volume (Left) Volume SO2 (droite) Treble: Aigus : Treble Aigus Bass: Graves : Bass Graves Sweep Direction Sens de balayage Volume Sweep Direction Sens du volume du balayage Shift Register Width Largeur du registre de décalage Channel1 to SO1 (Right) Canal 1 vers SO1 (droite) Channel2 to SO1 (Right) Canal 2 vers SO1 (droite) Channel3 to SO1 (Right) Canal 3 vers SO1 (droite) Channel4 to SO1 (Right) Canal 4 vers SO1 (droite) Channel1 to SO2 (Left) Canal 1 vers SO2 (gauche) Channel2 to SO2 (Left) Canal 2 vers SO2 (gauche) Channel3 to SO2 (Left) Canal 3 vers SO2 (gauche) Channel4 to SO2 (Left) Canal 4 vers SO2 (gauche) Wave Pattern Motif d'onde The amount of increase or decrease in frequency Le niveau d'augmentation ou de diminution de la fréquence The rate at which increase or decrease in frequency occurs La vitesse à laquelle l'augmentation ou la diminution de la fréquence se produit The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Le cycle de travail est le rapport entre la durée (temps) pendant laquelle un signal est présent et la période totale du signal. Square Channel 1 Volume Volume du canal carré 1 The delay between step change Le délai entre chaque changement de pas Draw the wave here Dessinez votre onde ici pattern Cannot freeze pattern Le motif n'a pas pu être gelé The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Le motif n'a pas pu être gelé car vous êtes en mode écoute. Veuillez arrêter de jouer le motif et recommencer ! patternFreezeStatusDialog Freezing pattern... Gel du motif... Cancel Annuler patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step double-cliquer pour ouvrir ce motif dans le piano virtuel utilisez la molette de la souris pour régler le volume d'un pas Open in piano-roll Ouvrir dans le piano virtuel Clear all notes Effacer toutes les notes Reset name Réinitialiser le nom Change name Changer le nom Refreeze Regeler Freeze Geler Unfreeze Dégeler Add steps Ajouter des pas Remove steps Supprimer des pas PianoRoll Play/pause current pattern (Space) Jouer/Mettre en pause le motif (Barre d'espace) Stop playing of current pattern (Space) Arrêter de jouer le motif (Barre d'espace) Cut selected notes (Ctrl+X) Couper les notes sélectionnées (Ctrl+X) Copy selected notes (Ctrl+C) Copier les notes sélectionnées (Ctrl+C) Paste notes from clipboard (Ctrl+V) Coller les notes se trouvant dans le presse-papier (Ctrl+V) Piano-Roll - no pattern Piano virtuel - pas de motif Piano-Roll - %1 Piano virtuel - %1 Please open a pattern by double-clicking on it! Veuillez ouvrir un motif en double-cliquant dessus ! Record notes from MIDI-device/channel-piano Enregistrez des notes à partir d'un périphérique MIDI ou d'un canal du piano Record notes from MIDI-device/channel-piano while playing song or BB track Enregistrez des notes à partir d'un périphérique MIDI ou d'un canal du piano pendant l'écoute d'un morceau ou bien d'une piste de rythme ou de ligne de basse Draw mode (Shift+D) Mode dessin (Shift+D) Erase mode (Shift+E) Mode effacement (Shift+E) Select mode (Shift+S) Mode sélection (Shift+S) Last note Dernière note Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Cliquez ici pour jouer le motif. Ceci est utile pendant son édition. Le motif est automatiquement rejoué lorsque sa fin est atteinte. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Cliquez ici pour enregistrer des notes à partir d'un périphérique MIDI ou du piano de test virtuel de la fenêtre correspondant au canal du motif. Lors de l'enregistrement toutes les notes seront écrites dans ce motif et vous pourrez ensuite les jouer et les éditer. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Cliquez ici pour enregistrer des notes à partir d'un périphérique MIDI ou du piano de test virtuel de la fenêtre correspondant au canal du motif. Lors de l'enregistrement toutes les notes seront écrites dans ce motif et vous entendrez le morceau ou bien le rythme ou la ligne de basse en fond sonore. Click here to stop playback of current pattern. Cliquez ici pour arrêter de jouer le motif. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliquez ici et les valeurs sélectionnées seront coupées et copiées dans le presse-papier. Vous pourrez les coller n'importe où dans n'importe quel motif en cliquant sur le bouton coller. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliquez ici et les valeurs sélectionnées seront copiées dans le presse-papier. Vous pourrez les coller n'importe où dans n'importe quel motif en cliquant sur le bouton coller. Click here and the notes from the clipboard will be pasted at the first visible measure. Cliquez ici et les valeurs se trouvant dans le presse-papier seront collées sur la première mesure visible. Note lock Vérouiller la note Note Volume Volume de la note Note Panning Panoramique de la note Detune mode (Shift+T) Mode désaccordage (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Cliquez ici et le mode dessin sera activé. Dans ce mode vous pourrez ajouter, redimensionner et déplacer des notes. Ceci est le mode par défaut qui est utilisé la plupart du temps. Vous pouvez aussi appuyer sur les touches 'Shift+D' de votre clavier pour activer ce mode. Dans ce mode, appuyez sur Ctrl pour passer temporairement dans le mode sélection. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Cliquez ici et le mode effacement sera activé. Dans ce mode vous pourrez effacer des notes. Vous pouvez aussi appuyer sur les touches 'Shift+E' de votre clavier pour activer ce mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Cliquez ici et le mode sélection sera activé. Dans ce mode vous pourrez sélectionner des notes. Dans ce mode, appuyez appuyer sur Ctrl pour passer temporairement en mode dessin. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Cliquez ici et le mode désaccordage sera activé. Dans ce mode vous pourrer cliquer sur une note pour accéder à l'automation de son désaccordage. Vous pouvez utiliser ceci pour lier des notes entre-elles. Vous pouvez aussi appuyer sur les touches 'Shift+T' de votre clavier pour activer ce mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description pas de description Instrument plugins Greffons d'instrument Incomplete monophonic imitation tb303 Imitation incomplète de TB303 monophonique Plugin for freely manipulating stereo output Greffon pour la manipulation de la sortie stéréo Plugin for controlling knobs with sound peaks Greffon pour le contrôle les boutons avec des crêtes de son Plugin for enhancing stereo separation of a stereo input file Greffon pour l'amélioration de la séparation stéréo d'un fichier stéréo en entrée List installed LADSPA plugins Liste des greffons LADSPA installés three powerful oscillators you can modulate in several ways Trois puissants oscillateurs que vous pouvez moduler de plusieurs façons Filter for importing FL Studio projects into LMMS Filtre pour l'importation de projets Fruity Loops Studio dans LMMS versatile kick- & bassdrum-synthesizer Synthétiseur de kick et grosse caisse polyvalent GUS-compatible patch instrument Sons d'instruments compatibles avec la carte Gravis UltraSound (GUS) plugin for using arbitrary VST-effects inside LMMS. Greffon pour l'utilisation d'effets VST dans LMMS. Additive Synthesizer for organ-like sounds Synthétiseur additif pour sons d'orgue plugin for boosting bass Greffon pour l'augmentation des basses Tuneful things to bang on Instruments à frapper mélodieux simple sampler with various settings for using samples (e.g. drums) in an instrument-track Échantilloneur simple avec différents réglages pour l'utilisation d'échantillons (p. ex. batteries) dans une piste d'instrument VST-host for using VST(i)-plugins within LMMS Hôte VST pour l'utilisation de greffons VST(i) dans LMMS Vibrating string modeler Modeleur de corde vibrante plugin for using arbitrary LADSPA-effects inside LMMS. Greffon pour l'utilisation arbitraire d'effets LADSPA dans LMMS. Filter for importing MIDI-files into LMMS Filtre pour l'importation de fichiers MIDI dans LMMS Instrument browser Sélecteur d'instruments Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Faites glisser un instrument dans l'éditeur de morceau, dans l'éditeur de rythme et de ligne de basse, ou dans une piste d'instrument existante. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Émulateur des SID MOS6581 et MOS8580. Ce composant était utilisé dans l'ordinateur Commodore 64. Player for SoundFont files Lecteur de fichiers SoundFont Emulation of GameBoy (TM) APU Émulateur de l'APU de la GameBoy (TM) Customizable wavetable synthesizer Synthétiseur de table d'ondes personnalisables Embedded ZynAddSubFX ZynAddSubFX intégré 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Notes du projet Put down your project notes here. Ici vous pouvez prendre des notes concernant votre projet. Edit Actions Édition &Undo &Défaire Ctrl+Z &Redo &Refaire Ctrl+Y &Copy &Copier Ctrl+C Cu&t Cou&per Ctrl+X &Paste Co&ller Ctrl+V Format Actions Format &Bold Gr&as Ctrl+B &Italic &Italique Ctrl+I &Underline &Souligné Ctrl+U &Left &Gauche Ctrl+L C&enter C&entrer Ctrl+E &Right D&roite Ctrl+R &Justify &Justifier Ctrl+J &Color... C&ouleurs... renameDialog Rename... Renommer... setupDialog Setup LMMS Configuration de LMMS General settings Configuration générale BUFFER SIZE TAILLE DE LA MÉMOIRE TAMPON Reset to default-value Réinitialiser à la valeur par défaut MISC DIVERS Enable tooltips Activer les info-bulles Show restart warning after changing settings Afficher l'invitation à redémarrer après la modification de le configuration Display volume as dBV Afficher le volume en dBV Compress project files per default Compresser par défaut les fichiers de projet HQ-mode for output audio-device Périphérique de sortie audio en mode HQ LMMS working directory Répertoire de travail de LMMS VST-plugin directory Répertoire des greffons VST Artwork directory Répertoire des thèmes graphiques FL Studio installation directory Répertoire d'installation de Fruity Loops Studio STK rawwave directory Répertoire de STK Performance settings Configuration des performances UI effects vs. performance Effets graphique vs Perfomances Audio settings Configuration audio AUDIO INTERFACE INTERFACE AUDIO MIDI settings Configuration MIDI MIDI INTERFACE INTERFACE MIDI OK OK Cancel Annuler Restart LMMS Redémarrer LMMS Please note that most changes won't take effect until you restart LMMS! Veuillez noter que la plupart des modifications ne prendront pas effet tant n'aurez pas redémarré LMMS ! Frames: %1 Latency: %2 ms Trames : %1 Latence : %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Ici vous pouvez régler la taille de la mémoire tampon interne utilisée par LMMS. Les valeurs faibles réduisent la latence mais peuvent aussi rendre le son inutilisable ou induire de mauvaises performances, en particulier sur des ordinateurs anciens ou des système sans noyau temps-réel. Choose LMMS working directory Choisissez le répertoire de travail de LMMS Choose your VST-plugin directory Choisissez le répertoire des greffons VST Choose artwork-theme directory Choisissez le répertoire des thèmes graphiques Choose FL Studio installation directory Choisissez le répertoire d'installation de Fruity Loops Studio Choose LADSPA plugin directory Choisissez le répertoire des greffons LADSPA Choose STK rawwave directory Choisissez le répertoire de STK Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Ici vous pouvez choisir l'interface audio que vous préférez. En fonction de la configuration de votre système au moment de la compilation, vous pouvez choisir entre ALSA, JACK, OSS et d'autres. Vous voyez ci-dessous une fenêtres contenant des contrôles pour régler l'interface audio choisie. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Ici vous pouvez choisir l'interface MIDI que vous préférez. En fonction de la configuration de votre système au moment de la compilation, vous pouvez choisir entre ALSA, JACK, OSS et d'autres. Vous voyez ci-dessous une fenêtres contenant des contrôles pour régler l'interface MIDI choisie. Paths Chemins d'accès LADSPA plugin paths Chemin d'accès aux greffons LADSPA Default Soundfont File Fichier SoundFont par défaut Background artwork Thème graphique d'arrière-plan Choose default SoundFont Choisissez la SoundFont par défaut Choose background artwork Choisissez le thème graphique d'arrière-plan One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Banque Patch Son Gain Gain Reverb Réverbération Reverb Roomsize Réverbération (Salle) Reverb Damping Amortissement de la réverbération Reverb Width Largeur de la réverbération Reverb Level Niveau de la réverbération Chorus Chorus Chorus Lines Lignes de chorus Chorus Level Niveau de chorus Chorus Speed Vitesse de chorus Chorus Depth Profondeur de chorus sf2InstrumentView Open other SoundFont file Ouvrir un fichier SoundFont Click here to open another SF2 file Cliquez ici pour ouvrir un autre fichier SF2 Choose the patch Choisir un son Gain Gain Apply reverb (if supported) Appliquer la réverbération (si pris en charge) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Ce bouton active l'effet réverbération. Ceci est utile pour de beaux effets, mais ne fonctionne que sur les fichier qui le prenne en charge. Reverb Roomsize: Réverbération (Salle) : Reverb Damping: Amortissement de la réverbération : Reverb Width: Largeur de la réverbération : Reverb Level: Niveau de la réverbération : Apply chorus (if supported) Appliquer le chorus (si pris en charge) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Ce bouton active l'effet chorus. Ceci est utile pour de beaux effets, mais ne fonctionne que sur les fichier qui le prenne en charge. Chorus Lines: Lignes de chorus : Chorus Level: Niveau de chorus : Chorus Speed: Vitesse de chorus : Chorus Depth: Profondeur de chorus : Open SoundFont file Ouvrir un fichier SoundFont SoundFont2 Files (*.sf2) Fichiers SoundFont2 (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Coupure Resonance Résonance Filter type Type de filtre Voice 3 off Voix 3 coupée Volume Volume Chip model Modèle de circuit sidInstrumentView Volume: Volume : Resonance: Résonance : Cutoff frequency: Fréquence de coupure : High-Pass filter Filtre passe-haut Band-Pass filter Filtre passe-bande Low-Pass filter Filtre passe-bas Voice3 Off Voix 3 coupée MOS6581 SID SID MOS6581 MOS8580 SID SID MOS8580 Attack: Attaque : Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. La vitesse d'attaque détermine la rapidité à laquelle la sortie de la Voix %1 passera de zéro à l'amplitude de crête. Decay: Descente : Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. La vitesse de descente détermine la rapidité à laquelle la vitesse la sortie passera de l'amplitude de crête au niveau de soutien choisi. Sustain: Soutien : Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. La sortie de la Voix %1 restera au niveau d'amplitude de soutien choisi tant que la note sera maintenu. Release: Relâchement : The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. La sortie de la Voix %1 descendra de l'amplitude de soutien à l'amplitude zéro à la vitesse de relâchement choisie. Pulse Width: Largeur d'impulsion : The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. La résolution de la largeur d'impulsion permet à la largeur d'être balayée doucement sans pas discernable. La forme d'onde de l'impulsion de l'oscillateur %1 doit être choisie pour n'avoir aucun effet audible. Coarse: Grossier : The Coarse detuning allows to detune Voice %1 one octave up or down. Le désaccordage grossier permet de désaccorder la Voix %1 d'une octave vers le haut ou vers le bas. Pulse Wave Onde d'impulsion Triangle Wave Onde triangulaire SawTooth Dent de scie Noise Bruit Sync Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Sync synchronise la fréquence fondamentale de l'oscillateur %1 avec la fréquence fondamentale de l'oscillateur %2 en produisant des effets "Hard Sync". Ring-Mod Mode anneau Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Le mode anneau remplace la sortie en forme d'onde triangulaire de l'oscillateur %1 par une combinaison "Modulée en anneau" des oscillateurs %1 et %2. Filtered Filtré When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Lorsque Filtré est activé, la Voix %1 sera traitée par le filtre. Lorsque Filtré est désactivé, la Voix %1 va directement en sortie, et le filtre n'a aucun effet sur elle. Test Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Lorsqu'il est activé, Test réinitialise et vérouille l'oscillateur %1 à zéro jusqu'à ce que Test soit désactivé. song Tempo Master volume Volume général Master pitch Tonalité générale Project saved Le projet a été enregistré The project %1 is now saved. Le projet %1 est maintenant enregistré. Project NOT saved. Projet NON enregistré. The project %1 was not saved! Le projet %1 n'a pas été enregistré ! Import file Importer un fichier untitled sans titre Select file for project-export... Sélectionnez un fichier vers lequel exporter le projet... Empty project Le projet est vide This project is empty so exporting makes no sense. Please put some items into Song Editor first! L'exportation n'a pas de sens car ce projet est vide. Veuillez d'abord mettre quelques éléments dans l'éditeur de morceau ! MIDI sequences Séquences MIDI FL Studio projects Projets Fruity Loops Studio All file types Tous les types de fichier Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Éditeur de morceau Play song (Space) Jouer le morceau (Barre d'espace) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Cliquez ici si vous souhaitez jouer le morceau en entier. L'écoute commencera à partir du marquer (vert) de position dans le morceau. Vous pouvez aussi déplacer ce curseur pendant l'écoute. Stop song (Space) Arrêter de jouer le morceau (Barre d'espace) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Cliquez ici si vous souhaitez ne plus jouer le morceau. Le curseur de position sera placé au début du morceau. Add beat/bassline Ajouter une piste de rythme ou de ligne de basse Add sample-track Ajouter une piste d'échantillon Could not open file Le fichier n'a pas pu être ouvert Could not write file Le fichier n'a pas pu être écrit Add automation-track Ajouter une piste d'automation Draw mode Mode dessin Edit mode (select and move) Mode édition (Sélectionner et déplacer) Record samples from Audio-device Enregistrer des échantillons à partir d'un périphérique audio Record samples from Audio-device while playing song or BB track Enregistrer des échantillons à partir d'un périphérique audio pendant l'écoute d'un morceau ou bien d'un rythme ou d'une ligne de basse Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Le fichier %1 n'a pas pu être ouvert. Vos n'avez probablement pas le droit de lire ce fichier. Veuillez vérifier que vous avez les droits en lecture pour ce fichier et le répertoire qui contient ce fichier et réessayez. Error in file Il y a une ou plusieurs erreurs dans le fichier The file %1 seems to contain errors and therefore can't be loaded. Le fichier %1 semble contenir des erreurs et ne peut donc pas être chargés. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo du morceau The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Le tempo de ce morceau est spécifié en battements par minute (BPM). Si vous souhaitez changer le tempo de votre morceau, modifiez cette valeur. Chaque mesure à quatre battements, ce qui fait que le tempo en BPM indique le nombre de mesures / 4 qui doivent être jouées dans une minute (ou le nombre de mesures qui doivent être jouées en quatre minutes). High quality mode Mode haute qualité Master volume Volume général master volume volume général Master pitch Tonalité générale master pitch tonalité générale Value: %1% Valeur : %1% Value: %1 semitones Valeur : %1 demi-tons Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Spectre linéaire Linear Y axis Axe Y linéaire spectrumAnalyzerControls Linear spectrum Spectre linéaire Linear Y-axis Axe Y linéaire Channel mode Mode du canal stereoEnhancerControlDialog WIDE AMPL Width: Ampleur : stereoEnhancerControls Width Ampleur stereoMatrixControlDialog Left to Left Vol: Volume de gauche à gauche : Left to Right Vol: Volume de gauche à droite : Right to Left Vol: Volume de droite à gauche : Right to Right Vol: Volume de droite à droite : stereoMatrixControls Left to Left Gauche à gauche Left to Right Gauche à droite Right to Left Droite à gauche Right to Right Droite à droite timeLine Enable/disable auto-scrolling Activer/Désactiver l'auto-défilement Enable/disable loop-points Activer/Désactiver les marqueurs de jeu en boucle After stopping go back to begin Revenir au début après l'arrêt After stopping go back to position at which playing was started Revenir à la position de départ après l'arrêt After stopping keep position Ne rien faire après l'arrêt Hint Astuce Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Coupée Solo Jouée en solo trackContentObject Muted Coupée trackContentObjectView Current position Position Hint Astuce Press <Ctrl> and drag to make a copy. Appuyez sur <Ctrl> et glissez pour faire une copie. Current length Longueur Press <Ctrl> for free resizing. Appuyez sur <Ctrl> pour un redimensionnement libre. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 vers %5:%6) Delete (middle mousebutton) Supprimer (bouton du milieu de la souris) Cut Couper Copy Copier Paste Coller Mute/unmute (<Ctrl> + middle click) Couper/Jouer (<Ctrl> + clic-milieu) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Appuyez sur <Ctrl> en cliquant sur la poignée de déplacement pour commencer un nouveau glisser/déposer. Actions for this track Actions pour cette piste Mute Couper Mute this track Couper cette piste Solo Jouer en solo Clone this track Cloner cette piste Remove this track Supprimer cette piste vestigeInstrument Loading plugin Chargement du greffon Please wait while loading VST-plugin... Veuillez patienter pendant le chargement du greffon VST... Failed loading VST-plugin Le chargement du greffon VST a échoué The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Le greffon VST %1 n'a pas pu être chargé pour une raison quelconque. S'il fonctionne avec d'autres logiciels VST sous Linux, merci de contacter un développeur LMMS ! vibed String %1 volume Volume de la corde %1 String %1 stiffness Rigidité de la corde %1 Pick %1 position Position du micro %1 Pickup %1 position Position du micro %1 Pan %1 Panoramique %1 Detune %1 Désaccordage %1 Fuzziness %1 Flou %1 Length %1 Longueur %1 Impulse %1 Impulsion %1 Octave %1 Octave %1 vibedView Volume: Volume : The 'V' knob sets the volume of the selected string. Le bouton « V » règle le volume de la corde choisie. String stiffness: Rigidité de la corde : The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Le bouton « S » règle la rigidité de la corde choisie. La rigidité de la corde affecte le temps pendant lequel la corde sonnera. Plus la valeur est faible, plus la corde sonnera longtemps. Pick position: Point de contact : The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Le bouton « P » règle l'endroit où la corde sera 'grattée'. Plus la valeur est faible, plus le point de contact sera proche du chevalet. Pickup position: Point d'écoute : The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Le bouton « PU » règle l'endroit où les vibrations de la corde choisie seront écoutées. Plus la valeur est faible, plus le point d'écoute sera proche du chevalet. Pan: Panoramique : The Pan knob determines the location of the selected string in the stereo field. Le bouton « Pan » détermine l'emplacement de la corde choisie dans le champ stéréo. Detune: Detune : The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Le bouton « Detune » modifie la hauteur de la corde choisie. Les valeurs négatives produiront un son grave. Les valeurs positives produiront un son aigu. Fuzziness: Flou : The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Le bouton « Slap » ajoute un peu de flou à la corde choisie, plus sensible pendant l'attauqe, bien qu'il puisse aussi être utilisé pour rendre le son de la corde plus 'métallique'. Length: Longueur : The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Le bouton « Length » règle la longueur de la corde choisie. Les cordes les plus longues vibrent plus longtemps et sonnent plus brillament; cependant, elles consommeront également plus de cycles du processeur. Impulse or initial state Impulsion ou état initial The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Le sélecteur « Imp » détermine si la forme d'onde dans le graphique doit être traitée comme une impulsion donnée à la corde par le contact ou l'état initial de la corde. Octave Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Le sélecteur « Octave » est utilisé pour choisir l'harmonique de la note à laquelle la corde sonnera. Par exemple, '-2' signifie que la corde sonnera deux octaves sous la fondamentale, 'F' signifie que la corde sonnera à la fondamentale, et '6' signifie que la corde sonnera six octaves au-dessus de la fondamentale. Impulse Editor Éditeur d'impulsion The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. L'éditeur de forme d'onde permet de contrôler l'état initial ou l'impulsion qui sera utilisé pour commencer à faire vibrer la corde. Les boutons situés à droite du graphique initialiseront la forme d'onde en fonction du type choisi. Le bouton « ? » chargera la forme d'onde à partir d'un fichier - seuls les 128 premiers échantillons seront chargés. La forme d'onde peu également être dessinée dans le graphique. Le bouton « S » lissera la forme d'onde. Le bouton « N » normalisera la forme d'onde. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modélise jusqu'à neuf cordes vibrant indépendament. Le sélecteur « Corde » vous permet de choisir la corde à éditer. Le sélecteur « Imp » choisi si le graphique représente une impulsion ou l'état initial de la corde. Le sélecteur « Octave » choisi à quelle harmonique la corde devra vibrer. Le graphique vous permet de contrôler l'état initial ou l'impulsion utilisée pour mettre la corde en mouvement. Le bouton « V » contrôle le volume. Le bouton « S » contrôle la rigidité de la corde. Le bouton « P » contrôle le point de contact. Le bouton « PU » contrôle le point d'écoute. « Pan » et « Désaccorder » n'ont heureusement pas besoin d'explications. Le bouton « Slap » ajoute un peu de flou au son de la corde. Le bouton « Longueur » contrôle la longueur de la corde. Le LED situé dans le coin en bas à droite de l'éditeur de forme d'onde indique si la corde est utilisé dans l'instrument. Enable waveform Activer la forme d'onde Click here to enable/disable waveform. Cliquez ici pour activer/désactiver la forme d'onde. String Corde The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Le sélecteur « String » est utilisé pour choisir la corde que les contrôles sont en train d'éditer. Un instrument Vibed peut contenir jusqu'à neuf cordes vibrant indépendament. Le LED situé dans le coin en bas à droite de l'éditeur de forme indique si la corde choisie est utilisée. Sine wave Onde sinusoïdale Triangle wave Onde triangulaire Saw wave Onde en dent de scie Square wave Onde carrée White noise wave Bruit blanc User defined wave Onde définie par l'utilisateur Smooth Lisser Click here to smooth waveform. Cliquez ici pour lisser la forme d'onde. Normalize Normaliser Click here to normalize waveform. Cliquez ici pour normaliser la forme d'onde. &Help Aid&e Use a sine-wave for current oscillator. Utiliser une onde sinusoïdale pour cet oscillateur. Use a triangle-wave for current oscillator. Utiliser une onde triangulaire pour cet oscillateur. Use a saw-wave for current oscillator. Utiliser une onde en dent de scie pour cet oscillateur. Use a square-wave for current oscillator. Utiliser une onde carrée pour cet oscillateur. Use white-noise for current oscillator. Utiliser un bruit blanc pour cet oscillateur. Use a user-defined waveform for current oscillator. Utiliser une onde définie par l'utilisateur pour cet oscillateur. visualizationWidget click to enable/disable visualization of master-output Cliquez pour activer/désactiver la visualisation de la sortie générale Click to enable Cliquez pour activer voiceObject Voice %1 pulse width Largeur d'impulsion de la voix %1 Voice %1 attack Attaque de la voix %1 Voice %1 decay Descente de la voix %1 Voice %1 sustain Soutien de la voix %1 Voice %1 release Relâchement de la voix %1 Voice %1 coarse detuning Désaccordage grossier de la voix %1 Voice %1 wave shape Forme d'onde de la voix %1 Voice %1 sync Synchronisation de la voix %1 Voice %1 ring modulate Modulation en anneaux de la voix %1 Voice %1 filtered Voix %1 filtrée Voice %1 test Test de la voix %1 lmms-1.0.0+bzr2569/data/locale/gl.qm0000644000000000000000000061553612214703656015064 0ustar 00000000000000=USA=YS?UTF$F$F$?6FGjbH%HH{HUHHJ<JPLT^T^STVVV&VúXDHXD+Z4[<<[<l[<@_Ib_h]lpA^pC^{aNEiPGYP}IYQ%AQATCTbY%Ygfufu@K\=(§y<y25Bt]tXO#_']cVإnuصN0KT!TT$#gsV36`;6`7X7YFWH5I[?LÊL<hjj)x8//qxCCuE=ewį$zy]? 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If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! AboutDialogDLMMS (Estudio Multimedia de Linux)LMMS (Linux MultiMedia Studio) AboutDialogXLMMS - producin musical fcil para calquera)LMMS - easy music production for everyone AboutDialogLicenzaLicense AboutDialogTraducin Translation AboutDialog:Versin %1 (%2/%3, Qt %4, %5)Version %1 (%2/%3, Qt %4, %5) AboutDialog ArpexoArpeggio Arpeggiator&Direccin do arpexoArpeggio direction ArpeggiatorPorta do arpexo Arpeggio gate ArpeggiatorModo do arpexo Arpeggio mode Arpeggiator&Intervalo do arpexoArpeggio range ArpeggiatorTempo do arpexo Arpeggio time ArpeggiatorTipo de arpexo Arpeggio type Arpeggiator AbaixoDown Arpeggiator LibreFree ArpeggiatorAleatorioRandom ArpeggiatorOrdenarSort ArpeggiatorSincronizarSync Arpeggiator ArribaUp ArpeggiatorArriba e abaixo Up and down Arpeggiator%%ArpeggiatorView ARPEXOARPEGGIOArpeggiatorView<Un arpexo unha tcnica de tocar instrumentos (especialmente de corda), que fai que a msica sexa mis viva. As cordas deses instrumentos (harpas, por exemplo), plsanse como acordes. A nica diferenza que se fai de maneira secuencial, polo que as notas non se tocan todas ao mesmo tempo. Os arpexos tpicos son tradas maiores ou menores, anda que existen moitos outros acordes posbeis que se poden escoller.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView Porta do arpexo:Arpeggio gate:ArpeggiatorView&Tesitura do arpexo:Arpeggio range:ArpeggiatorView Tempo do arpexo:Arpeggio time:ArpeggiatorViewDireccin: Direction:ArpeggiatorView PORTAGATEArpeggiatorView Modo:Mode:ArpeggiatorViewIntervaloRANGEArpeggiatorView TempoTIMEArpeggiatorViewUse this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewEmpregue este botn para indicar a tesitura do arpexo en oitavas. O arpexo escollido reproducirase dentro do nmero de oitavas indicado.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewUse this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoctava(s) octave(s)ArpeggiatorView CANLESCHANNELSAudioAlsa::setupWidgetDISPOSITIVODEVICEAudioAlsa::setupWidgetAmplificar:Amplify:AudioFileProcessorViewPrema aqu se desexa abrir outro ficheiro de son. Aparecer un dilogo no que se pode escoller un ficheiro. As opcins tipo modo de bucle, puntos iniciais e final, valor da amplificacin, etc. non se reinician. Polo tanto, pode non soar igual que a mostra orixinal.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorViewPunto final: Endpoint:AudioFileProcessorViewAqu pdese configurar se se desexa activar o modo de bucle. De activalo, o procesador de ficheiros de son repite entre os puntos inicial e final dunha mostra at que se toca a nota enteira. Isto ltil para cousas como mostras de corda e coro.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorViewAo activar este botn invrtese a mostra completa. Isto til para efectos gaioleiros, como un crash invertido.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewhRepetir a mostra en bucle nos puntos inicial e final#Loop sample at start- and end-pointAudioFileProcessorView$Abrir outra mostraOpen other sampleAudioFileProcessorView"Inverter a mostraReverse sampleAudioFileProcessorViewPunto inicial: Startpoint:AudioFileProcessorViewCon este botn pdese indicar a relacin de amplificacin. Cando se indica un valor de 100%, a mostra fica como estaba. Se non, amplifcase para arriba ou para abaixo (o ficheiro mesmo coa mostra non se toca!)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorViewCon este botn pdese indicar o punto se desexa que o AudioFileProcessor comece a reproducir a mostra. Se o modo en bucle estiver activado, este o punto ao que volta o AudioFileProcessor se unha nota mis longa do que a mostra entre os puntos inicial e final.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorViewCon este botn pdese indicar o punto no que desexe o AudioFileProcessor pare a reproducin da mostra. Se o modo en bucle estiver activado, este o punto ao que o AudioFileProcessor volve se a nota for mis longa que a mostra entre os puntos inicial e final.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView:Reiniciouse o cliente de JACKJACK client restarted AudioJackNO servidor de JACK non est a funcionarJACK server down AudioJackBLMMS foi expulsado por JACK por algunha razn. En consecuencia, reiniciouse a infraestrutura de JACK do LMMS. Ter que realizar as conexins manualmente de novo.LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. AudioJack~Semella que o servidor de JACK foi apagado e non foi posbel iniciar unha instancia nova. En consecuencia, o LMMS non pode preseguir. Hai que gravar este proxecto e reiniciar o JACK e o LMMS.The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack CANLESCHANNELSAudioJack::setupWidgetCLINTE-NOME CLIENT-NAMEAudioJack::setupWidget CANLESCHANNELSAudioOss::setupWidgetDISPOSITIVODEVICEAudioOss::setupWidgetINFRAESTRUTURABACKENDAudioPortAudio::setupWidgetDISPOSITIVODEVICEAudioPortAudio::setupWidget CANLESCHANNELSAudioPulseAudio::setupWidgetDISPOSITIVODEVICEAudioPulseAudio::setupWidgetDISPOSITIVODEVICEAudioSdl::setupWidget,&Copiar o valor (%1%2)&Copy value (%1%2)AutomatableModel,A&pegar o valor (%1%2)&Paste value (%1%2)AutomatableModel"&Reiniciar (%1%2) &Reset (%1%2)AutomatableModel2Ligar a un controlador...Connect to controller...AutomatableModelLigado a %1Connected to %1AutomatableModel*Ligado ao controladorConnected to controllerAutomatableModel(Editar a conexin...Edit connection...AutomatableModelREditar a automatizacin global da cancinEdit song-global automationAutomatableModel&Eliminar a conexinRemove connectionAutomatableModelrCopironse todos os valores escollidos no porta-retallos.1All selected values were copied to the clipboard.AutomationEditor:Editor de automatizacin - %1Automation Editor - %1AutomationEditor`Editor de automatizacin - non hai ningn padrnAutomation Editor - no patternAutomationEditorPrema aqu e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este o modo por omisin que se emprega a maior parte do tempo. Tamn pode premer Maisculas+D no teclado para activar este modo.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditor:Prema aqu e activarase o modo de borrado. Neste modo pdense borrar valores individuais. Tamn pode premer Maisculas+E no teclado para activar este modo.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorPrema aqu e activarase o modo de seleccin. Neste modo pdense escoller valores. Isto necesario se se desexa recortar, copiar, apegar, eliminar ou mover valores. Tamn se pode premer Maisculas+S no teclado para activar este modo.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditorPrema aqu e os valores escollidos cpianse no porta-retallos. Pdeos apegar en calquera lugar de calquera padrn premendo o botn de apegar.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor2Prema aqu e os valores escollidos recrtanse e van para o porta-retallos. Pdeos apegar en calquera lugar de calquera padrn premendo o botn de apegar.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorPrema aqu e os valores do porta-retallos apegaranse no primeiro comps visbel.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditorPrema aqu se desexa reproducir este padrn. Isto til mentres se edita. O padrn reptese en bucle automaticamente ao chegar ao final.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorlPrema aqu se desexa parar a reproducin deste padrn.>Click here if you want to stop playing of the current pattern.AutomationEditorJCopiar os valores escollidos (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorNRecortar os valores escollidos (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor:Modo de debuxo (Maisculas+D)Draw mode (Shift+D)AutomationEditor<Modo de borrado (Maisculas+E)Erase mode (Shift+E)AutomationEditornSe preme aqu actvase o modo de movemento. Neste modo pdense mover os valores escollidos no modo de seleccin. Tamn se pode premer Maisculas+M no teclado para activar este modo.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorZModo de movemento de seleccin (Maisculas+M)Move selection mode (Shift+M)AutomationEditorXApegar os valores do porta-retallos (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorRReproducir/Deter o padrn actual (Espazo)"Play/pause current pattern (Space)AutomationEditorAbra un padrn de automatizacin co men de contexto dun control!EPlease open an automation pattern with the context menu of a control!AutomationEditor>Modo de seleccin (Maiscula+S)Select mode (Shift+S)AutomationEditorVParar a execucin do padrn actual (Espazo)'Stop playing of current pattern (Space)AutomationEditor Valores copiados Values copiedAutomationEditor\Arrastre un control mentres ten <Ctrl> premido$Drag a control while pressing AutomationPattern%1 conexins%1 ConnectionsAutomationPatternViewMudar o nome Change nameAutomationPatternView LimparClearAutomationPatternView Desconectar %1Disconnect "%1"AutomationPatternView@Abrir o editor de automatizacinOpen in Automation editorAutomationPatternView Restaurar o nome Reset nameAutomationPatternViewfaga duplo clic para abrir este padrn no editor de automatizacin6double-click to open this pattern in automation editorAutomationPatternView.Pista de automatizacinAutomation trackAutomationTrack11 ChordCreator11b911b9 ChordCreator13 ChordCreator13#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator 6add96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#11 ChordCreator9#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreator EolioAeolian ChordCreator rabeArabic ChordCreator BluesBlues ChordCreator&Intervalo do acorde Chord range ChordCreatorTipo de acorde Chord type ChordCreatorAcordesChords ChordCreatorDiminudo Diminished ChordCreator$Dominante de bebopDominant bebop ChordCreator DorioDorian ChordCreatorEnigmtico Enigmatic ChordCreatorHarmnico menorHarmonic minor ChordCreatorHngaro menorHungarian minor ChordCreator Jap in sen ChordCreator LocrioLocrian ChordCreator LidioLydian ChordCreatorMaj11 ChordCreatorMaj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9 ChordCreatorMaj9#11 ChordCreatorMaj9#5 ChordCreatorMaj9sus4 ChordCreator Majb5Majb5 ChordCreator MaiorMajor ChordCreatorMaior de bebop Major bebop ChordCreator"Pentatnico maiorMajor pentatonic ChordCreatorMeldico menor Melodic minor ChordCreator"Pentatnico menorMinor pentatonic ChordCreatorMixolidio Mixolydian ChordCreatorNapolitano Neopolitan ChordCreator Napolitano menorNeopolitan minor ChordCreatorFrixio-lidio Phrygolydian ChordCreator Un ton Whole tone ChordCreatoradd9add9 ChordCreatoraumaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11 ChordCreatorm-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7 ChordCreatorm9b5 ChordCreatormadd9 ChordCreator minb5minb5 ChordCreator menorminor ChordCreator oitavaoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreatorACORDESCHORDSChordCreatorView(Intervalo do acorde: Chord range:ChordCreatorViewINTERVALORANGEChordCreatorViewEmpregue este botn para indicar a tesitura do acorde en oitavas. O acorde escollido tocarase dentro do nmero indicado de oitavas.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewoitava(s) octave(s)ChordCreatorViewControlador %1 Controller %1 Controller0Detectar automaticamente Auto DetectControllerConnectionDialog CANLECHANNELControllerConnectionDialogCONTROLADOR CONTROLLERControllerConnectionDialogCancelarCancelControllerConnectionDialog2Configuracin da conexinConnection SettingsControllerConnectionDialog(Detectouse un ciclo.Cycle Detected.ControllerConnectionDialog Canle de entrada Input channelControllerConnectionDialog,Controlador de entradaInput controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialog*FUNCIN DE ASIGNACINMAPPING FUNCTIONControllerConnectionDialog&CONTROLADOR DE MIDIMIDI CONTROLLERControllerConnectionDialog`Dispositivos MIDI dos que recibir acontecementos(MIDI-devices to receive MIDI-events fromControllerConnectionDialogAceptarOKControllerConnectionDialog,CONTROLADOR DO USUARIOUSER CONTROLLERControllerConnectionDialogEngadirAddControllerRackView2Bastidor de controladoresController RackControllerRackView &Axuda&HelpControllerView.Elimina&r este engadido&Remove this pluginControllerViewOs controladores poden automatizar o valor dun botn xiratorio ou linear e outros controles.QControllers are able to automate the value of a knob, slider, and other controls.ControllerViewControlesControlsControllerViewNIntroduza o novo nome deste controlador&Enter the new name for this controllerControllerView,Renomear o controladorRename controllerControllerViewDecaementoDecayEffectEfecto activadoEffect enabledEffect PortaGateEffect&Mestura hmida/seca Wet/Dry mixEffect"Efectos activadosEffects enabled EffectChain"Engadir un efecto Add effectEffectRackView CADEA DE EFECTOS EFFECTS CHAINEffectRackView"Engadir un efecto Add effectEffectSelectDialog,Descricin do engadidoPlugin descriptionEffectSelectDialog &Axuda&Help EffectView.Elimina&r este engadido&Remove this plugin EffectViewControlesControls EffectView DECAEDECAY EffectView TOs engadidos de efectos funcionan como unha serie encadeada de efectos na que o sinal se procesa desde arriba para abaixo. O interruptor Activar/Desactivar permite omitir un engadido dado en calquera momento. O botn Hmido/Seco controla o balance entre o sinal de entrada eo sinal producido que a sada resultante do efecto. A entrada da etapa a sada da etapa anterior. Polo tanto, o sinal seco dos efectos de abaixo na cadea contn todos os efectos previos. O botn Decaemento controla como se contina a procesar o sinal despois de relaxar as notas. O efecto para o procesamento dos sinais cando o volume baixa por debaixo dun limiar dado durante un tempo dado. Este botn indica o tempo dado. Tempos maiores requiren mis CPU, polo que este nmero debera ser baixo para a maiora dos efectos. Haino que subir para os efectos que producen perodos de silencio longos, como por exemplo as demoras. O botn Porta controla o limiar dado do apagado automtico do efecto. O reloxo do tempo dado comeza as que o nivel do sinal procesado cae por debaixo do nivel indicado con este botn. O botn Controles abre un dilogo para editar os parmetros do efecto. Ao premer co botn dereito aparece un men de contexto no que se pode cambiar a orden na que se procesan os efectos ou eliminar un efecto de vez.SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectView PORTAGATE EffectView Porta:Gate: EffectView&Baixar Move &down EffectView S&ubirMove &up EffectView$Activar/DesactivarOn/Off EffectViewO botn Decaemento controla cantos bferes de silencio han de pasar antes de que o engadido pare de procesar. Valores mis pequenos reducen o esforzo da CPU a risco de recortar a cola nos efectos de demora e reverberacin.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectViewO botn Porta controla o nivel do sinal que se considere como silencio mentres se decide cando parar de procesar os sinais.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewO botn Hmido/Seco indica a relacin entre o sinal de entrada e o sinal de efecto que forma a sada.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView Tempo:Time: EffectView>Conmuta a activacin do efecto.Toggles the effect on or off. EffectViewH/SW/D EffectView$Nivel de humidade: Wet Level: EffectView AtaqueAttackEnvelopeAndLfoParametersDecaementoDecayEnvelopeAndLfoParametersFreq x 100 Freq x 100EnvelopeAndLfoParametersRetencinHoldEnvelopeAndLfoParametersAtaque do LFO LFO AttackEnvelopeAndLfoParameters"Modulacin do LFOLFO ModulationEnvelopeAndLfoParameters:Tempo de reverberacin do LFO LFO PredelayEnvelopeAndLfoParameters(Forma da onda do LFOLFO Wave ShapeEnvelopeAndLfoParameters"Velocidade do LFO LFO speedEnvelopeAndLfoParameters4Modular a cantidade de envModulate Env-AmountEnvelopeAndLfoParametersModulacin ModulationEnvelopeAndLfoParameters,Tempo de reverberacinPredelayEnvelopeAndLfoParametersRelaxamentoReleaseEnvelopeAndLfoParametersSustentacinSustainEnvelopeAndLfoParametersCANTIDADEAMTEnvelopeAndLfoViewATAQATTEnvelopeAndLfoViewAtaque:Attack:EnvelopeAndLfoViewXPrema aqu para unha onda de dente de serra.&Click here for a saw-wave for current.EnvelopeAndLfoViewFPrema aqu para unha onda senoidal.Click here for a sine-wave.EnvelopeAndLfoViewDPrema aqu para unha onda cadrada.Click here for a square-wave.EnvelopeAndLfoViewJPrema aqu para unha onda triangular.Click here for a triangle-wave.EnvelopeAndLfoView Prema aqu para unha onda definida polo usuario. Posteriormente, arrastre un ficheiro de mostra correspondente sobre o grfico de LFO.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewPrema aqu se desexa multiplicar por 100 a frecuencia deste LFO.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewPrema aqu para facer que a cantidade de envolvente sexa controlada por este LFO.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewTMP REVDELEnvelopeAndLfoViewDecaemento:Decay:EnvelopeAndLfoViewxArrastre un exemplo doutro sitio e slteo sobre esta xanela.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoView RETENHOLDEnvelopeAndLfoViewSuxestinHintEnvelopeAndLfoViewRetencin:Hold:EnvelopeAndLfoView<Tempo de reverberacin do LFO: LFO predelay:EnvelopeAndLfoView$Velocidade do LFO: LFO speed:EnvelopeAndLfoViewAtaque do LFO: LFO- attack:EnvelopeAndLfoView$MODULAR CANT. ENVOMODULATE ENV-AMOUNTEnvelopeAndLfoView0Cantidade de modulacin:Modulation amount:EnvelopeAndLfoView.Tempo de reverberacin: Predelay:EnvelopeAndLfoViewRELEnvelopeAndLfoViewRelaxamento:Release:EnvelopeAndLfoViewSPDSPDEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoViewSustentacin:Sustain:EnvelopeAndLfoViewPEmpregue este botn para indicar o tempo de ataque do LFO escollido. Canto maior for este valor mis tempo lle levar ao LFO para aumentar a sa amplitude at o mximo.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewEmpregue este botn para indicar o tempo de ataque da envolvente escollida. Canto maior for o valor mis tempo lle levar envolvente aumentar at o nivel de ataque. Escolla un valor pequeno para instrumentos como os pianos e un valor grande para as cordas.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewEmpregue este botn para indicar o tempo de decaemento da envolvente escollida. Canto maior for este valor mis tempo lle levar envolvente para diminur desde o nivel de ataque at o nivel de sustentacin. Escolla un valor pequenos para instrumentos como o piano.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewEmpregue este botn para indicar o tempo de retencin da envolvente escollida. Canto maior for este valor mis tempo mantn a envolvente o nivel de ataque antes de comezar a diminur at o nivel de sustentacin.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewEmpregue este botn para indicar a cantidade de modulacin do LFO escollido. Canto maior for este valor mis se ver influenciado o tamao escollido (p.ex. o volume ou a frecuencia de corte) por este LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewEmpregue este botn para indicar a cantidade de modulacin da envolvente escollida. Canto maior for este valor maior mis se ver influenciado o tamao correspondente (p.ex. o volume ou a frecuencia de corte) por esta envolvente.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView@Empregue este botn para indicar o tempo de reverberacin desta envolvente. Canto maior for este valor maior ser o intervalo at que comece a envolvente en si.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView.Empregue este botn para indicar o tempo de reverberacin deste LFO. Canto maior for este valor, maior ser o intervalo at que o LFO comece a oscilar.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewEmpregue este botn para indicar o tempo de relaxamento da envolvente escollida. Canto maior for este valor mis tempo lle leva diminur desde o nivel de sustentacin at cero. Escolla un valor grande para instrumentos como as cordas.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewEmpregue este botn para indicar a velocidade do LFO escollido. Canto maior for este valor mis rpido oscila o LFO e mis rpido o efecto.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoViewfEmpregue este botn para indicar o nivel de sustentacin da envolvente escollida. Canto maior for este valor mis alto o nivel no que fica a envolvente antes de baixar at cero.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView`controlar a cantidade de envolvente con este LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:EnvelopeAndLfoViewNmultiplicar a frecuencia de LFO por 100multiply LFO-frequency by 100EnvelopeAndLfoView128 KBit/s 128 KBit/sExportProjectDialog$Enteiro de 16 bits16 Bit IntegerExportProjectDialog160 KBit/s 160 KBit/sExportProjectDialog192 KBit/s 192 KBit/sExportProjectDialog192000 Hz 192000 HzExportProjectDialog1x (Ningn) 1x (None)ExportProjectDialog256 KBit/s 256 KBit/sExportProjectDialog2x2xExportProjectDialog8Vrgula flutuante de 32 bits 32 Bit FloatExportProjectDialog320 KBit/s 320 KBit/sExportProjectDialog44100 Hz44100 HzExportProjectDialog48000 Hz48000 HzExportProjectDialog4x4xExportProjectDialog64 KBit/s 64 KBit/sExportProjectDialog88200 Hz88200 HzExportProjectDialog8x8xExportProjectDialog96000 Hz96000 HzExportProjectDialog*Osciladores sen aliasAlias-free oscillatorsExportProjectDialogTaxa de bits:Bitrate:ExportProjectDialogCancelarCancelExportProjectDialogProfundidade:Depth:ExportProjectDialog&Exportar o proxectoExport projectExportProjectDialog(Formato de ficheiro: File format:ExportProjectDialogInterpolacin:Interpolation:ExportProjectDialog SadaOutputExportProjectDialogFSobresampleado (usar con coidado!):Oversampling (use with care!):ExportProjectDialogTea en conta que non todos os parmetros de enriba se poden aplicar a todos os formatos de ficheiro.LPlease note that not all of the parameters above apply for all file formats.ExportProjectDialog2Configuracin da calidadeQuality settingsExportProjectDialog@Controladores de mostras exactasSample-exact controllersExportProjectDialog"Taxa de mostraxe: Samplerate:ExportProjectDialogJWhittaker Shannon mellor (moi lenta!)Sinc Best (very slow!)ExportProjectDialog:Whittaker Shannon mis rpida Sinc FastestExportProjectDialogJWhittaker Shannon media (recomendada)Sinc Medium (recommended)ExportProjectDialogComezarStartExportProjectDialog,Retencin de orde ceroZero Order HoldExportProjectDialogEfecto %1FX %1FxMixer GlobalMasterFxMixertIntroduza o novo nome para esta canle de efectos especiais&Enter the new name for this FX channel FxMixerView&Fader de efectos %1 FX Fader %1 FxMixerView>Mesturador de efectos especiaisFX-Mixer FxMixerViewSilenciarMute FxMixerViewRSilenciar esta canle de efectos especiaisMute this FX channel FxMixerViewZMudar o nome desta canle de efectos especiaisRename FX channel FxMixerView CANLECHANNELInstrumentMidiIOView2ACTIVAR A ENTRADA DE MIDIENABLE MIDI INPUTInstrumentMidiIOView.ACTIVAR A SADA DE MIDIENABLE MIDI OUTPUTInstrumentMidiIOViewjDispositivos MIDI dos que recibir acontecementos MIDI(MIDI devices to receive MIDI events fromInstrumentMidiIOViewhDispositivos MIDI aos que enviar acontecementos MIDI#MIDI devices to send MIDI events toInstrumentMidiIOViewPROGRAMAPROGRAMInstrumentMidiIOViewVELOCIDADEVELOCITYInstrumentMidiIOView2x Pasa-baixas 2x LowPassInstrumentSoundShapingPasa-todoAllpassInstrumentSoundShapingPasa-faixa csg BandPass csgInstrumentSoundShapingPasa-faixa czpg BandPass czpgInstrumentSoundShapingFREC. CORTECUTOFFInstrumentSoundShaping&Frecuencia de corteCutoff frequencyInstrumentSoundShapingEnvolventes/LFOEnvelopes/LFOsInstrumentSoundShapingTipo de filtro Filter typeInstrumentSoundShapingPasa-altasHiPassInstrumentSoundShapingPasa-baixasLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShapingEntalleNotchInstrumentSoundShapingQ/Resonancia Q/ResonanceInstrumentSoundShaping$RC pasa-faixa 12dBRC BandPass 12dBInstrumentSoundShaping$RC pasa-faixa 24dBRC BandPass 24dBInstrumentSoundShaping"RC pasa-alta 12dBRC HighPass 12dBInstrumentSoundShaping"RC pasa-alta 24dBRC HighPass 24dBInstrumentSoundShaping$RC pasa-baixa 12dBRC LowPass 12dBInstrumentSoundShaping$RC pasa-baixa 24dBRC LowPass 24dBInstrumentSoundShapingRESORESOInstrumentSoundShapingResonancia ResonanceInstrumentSoundShaping VOLUMEVOLUMEInstrumentSoundShaping0Filtro de formante vocalVocal Formant FilterInstrumentSoundShaping VolumeVolumeInstrumentSoundShapingFREC. CORTECUTOFFInstrumentSoundShapingView FILTROFILTERInstrumentSoundShapingViewPAqu pdese escoller o filtro incorporado que se desexe empregar para esta pista de instrumento. Os filtros son moi importantes para cambiar as caractersticas dun son.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRESORESOInstrumentSoundShapingViewResonancia: Resonance:InstrumentSoundShapingViewDESTINOTARGETInstrumentSoundShapingView Estas lapelas conteen envolventes. Son moi importantes para modificar un son dado que son case sempre necesarias para as snteses subtractivas. Por exemplo, se se ten unha envolvente de volume pdese indicar cando se desexa que o son tea un volume determinado. Se se desexan crear cordas brandas o son ten que entrar e sar moi suavemente. Isto pdese facer indicando tempos de ataque e relaxamento longos. o mesmo para outros destinos de envolvente, como panning, frecuencia de corte do filtro empregado e as por diante. Fedelle! Seguro que pode crear sons interesantes a partir dunha onde de dente de serra con unhas imples envolventes...!_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingViewLEmpregue este botn para indicar a Q/Resonancia do filtro escollido. A Q/Resonancia indcalle ao filtro canto se desexa amplificar as frecuencias prximas de corte.Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingViewEmpregue este botn para indicar a frecuencia de corte do filtro escollido. A frecuencia de corte indica a frecuencia que un filtro corta o sinal. Por exemplo, un filtro pasa-baixas corta todas as frecuencias que ultrapasen a frecuencia de corte. Un filtro pasa-altas corta todas as frecuencias por debaixo da frecuencia de corte, e as por diante...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView(frecuencia de corte:cutoff-frequency:InstrumentSoundShapingViewNota base Base noteInstrumentTrackPredefinidoDefault presetInstrumentTrack4Canle de efectos especiais FX channelInstrumentTrackPanormicaPanningInstrumentTrack AlturaPitchInstrumentTrack VolumeVolumeInstrumentTracknCon este botn pdese indicar o volume da canle aberta. Configuracin.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowEste proxecto foi modificado desde que se gardou a ltima vez. Desexa gardalo agora?OThe current project was modified since last saving. Do you want to save it now? MainWindowDesfacerUndo MainWindowSen ttuloUntitled MainWindowQue isto? What's this? MainWindow,Directorio de traballoWorking directory MainWindow*Denominador do compsMeter Denominator MeterDialog&Numerador do compsMeter Numerator MeterDialog COMPSTIME SIG MeterDialogDenominador Denominator MeterModelNumerador Numerator MeterModelDISPOSITIVODEVICEMidiAlsaRaw::setupWidgetDISPOSITIVODEVICEMidiAlsaSeq::setupWidget&Controlador de MIDIMIDI ControllerMidiController8controlador_de_midi_sen_nomeunnamed_midi_controllerMidiController>A configuracin est incompletaSetup incomplete MidiImportO LMMS non foi compilado para que admitise un reprodutor de SoundFont2, que se utiliza para engadir un son por omisin aos ficheiros de MIDI. En consecuencia, non se ha de reproducir ningn son unha vez importado este ficheiro de MIDI.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiImportVNon se indicou unha fonte de son por omisin no dilogo de configuracin (Editar->Configuracin). En consecuencia, non se ha de reproducir ningn son unha vez importado este ficheiro de MIDI. Debera descargar unha fonte de son de General MIDI, indicala no dilogo de configuracin e tentar de novo.You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. MidiImportDISPOSITIVODEVICEMidiOss::setupWidget4Velocidade de entrada fixaFixed input velocityMidiPort0Velocidade de sada fixaFixed output velocityMidiPort Canle de entrada Input channelMidiPort,Controlador de entradaInput controllerMidiPort,Programa MIDI de sadaOutput MIDI programMidiPortCanle de sadaOutput channelMidiPort(Controlador de sadaOutput controllerMidiPort<Recibir acontecementos de MIDIReceive MIDI-eventsMidiPort:Enviar acontecementos de MIDISend MIDI-eventsMidiPort*Tipo de modulacin %1Modulation type %1OscillatorObjectDDesafinacin bruta do oscilador %1Osc %1 coarse detuningOscillatorObjectTDesafinacin fina esquerda do oscilador %1Osc %1 fine detuning leftOscillatorObjectRDesafinacin fina dereita do oscilador %1Osc %1 fine detuning rightOscillatorObject4Panormica do oscilador %1Osc %1 panningOscillatorObjectJDesprazamento da fase do oscilador %1Osc %1 phase-offsetOscillatorObject^Desafinacin de fase en estreo do oscilador %1Osc %1 stereo phase-detuningOscillatorObject,Volume do oscilador %1 Osc %1 volumeOscillatorObject:Forma da onda do oscilador %1Osc %1 wave shapeOscillatorObject:Forma de onda do oscilador %1Osc %1 waveformOscillatorObjectPrema aqu para abrir outro ficheiro de parche. A configuracin dos bucles e a afinacin non se restauran.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanViewAqu pdese alternar entre modos de bucle. Cando est activado, o PatMan emprega a informacin sobre o bucle dispobel no ficheiro.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewAqu pdese alternar entre modos de afinacin. Cando est activado o Patman afina a mostra para que coincida coa frecuencia da nota.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanView BucleLoop PatmanViewModo de bucle Loop mode PatmanView8Non escolleu ningn ficheiroNo file selected PatmanView$Abrir outro parcheOpen other patch PatmanView8Abrir un ficheiro de parchesOpen patch file PatmanView8Ficheiros de parches (*.pat)Patch-Files (*.pat) PatmanViewAfinacinTune PatmanView"Modo de afinacin Tune mode PatmanView(Controlador de picosPeak ControllerPeakController$Controlador do LFOLFO ControllerPeakControllerDialogPICOPEAKPeakControllerDialogAMTAMT!PeakControllerEffectControlDialog ATAQUEATTACK!PeakControllerEffectControlDialogAtaque:Attack:!PeakControllerEffectControlDialogBASEBASE!PeakControllerEffectControlDialogCantidade base: Base amount:!PeakControllerEffectControlDialogDECAEMENTODECAY!PeakControllerEffectControlDialog0Cantidade de modulacin:Modulation amount:!PeakControllerEffectControlDialogRelaxamento:Release:!PeakControllerEffectControlDialog AtaqueAttackPeakControllerEffectControlsValor base Base valuePeakControllerEffectControls.Cantidade de modulacinModulation amountPeakControllerEffectControls"Silenciar a sada Mute outputPeakControllerEffectControlsRelaxamentoReleasePeakControllerEffectControlsNota base Base note PianoViewNProduciuse un erro ao cargar o engadidoError while loading pluginPlugin@Fallou a carga do engadido %1!Failed to load plugin "%1"!Plugin0Non se atopou o engadidoPlugin not foundPluginNon se atopou o engadido %1 ou non foi posbel cargalo! Razn: %2AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin>Ficheiro OGG comprimido (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer(Ficheiro wav (*.wav)WAV-File (*.wav)ProjectRenderer&Canles de entrada:  Channels In: QWidget"Canles de sada: Channels Out: QWidgetCopyright:  Copyright: QWidgetFicheiro: File: QWidget$En sitio rachado: In Place Broken: QWidgetCreador: Maker: QWidget Nome: Name: QWidgetNonNoQWidget4Capacidade de tempo real: Real Time Capable: QWidget(Require tempo real: Requires Real Time: QWidgetSiYesQWidget &Axuda&Help TempoSyncKnobSemicorchea 16th note TempoSyncKnobFusa 32nd note TempoSyncKnobCorchea8th note TempoSyncKnobPersonalizada Custom  TempoSyncKnob Personalizada... Custom... TempoSyncKnobOito tempos Eight beats TempoSyncKnob Branca Half note TempoSyncKnobNon sincronizarNo Sync TempoSyncKnob Negra Quarter note TempoSyncKnob4Sincronizado semicorcheaSynced to 16th Note TempoSyncKnob&Sincronizado fusaSynced to 32nd Note TempoSyncKnob,Sincronizado corcheaSynced to 8th Note TempoSyncKnob4Sincronizado a oito temposSynced to Eight Beats TempoSyncKnob*Sincronizado brancaSynced to Half Note TempoSyncKnob(Sincronizado negraSynced to Quarter Note TempoSyncKnob,Sincronizado redondaSynced to Whole Note TempoSyncKnob.Sincronizacin do tempo Tempo Sync TempoSyncKnobRedonda Whole note TempoSyncKnobLMisturar a sada dos osciladores 1 e 2Mix output of oscillator 1 & 2TripleOscillatorViewLMisturar a sada dos osciladores 2 e 3Mix output of oscillator 2 & 3TripleOscillatorViewFDesafinacin bruta do oscilador %1:Osc %1 coarse detuning:TripleOscillatorViewVDesafinacin fina esquerda do oscilador %1:Osc %1 fine detuning left:TripleOscillatorViewTDesafinacin fina dereita do oscilador %1:Osc %1 fine detuning right:TripleOscillatorView4Panormica do oscilador %1Osc %1 panning:TripleOscillatorViewLDesprazamento da fase do oscilador %1:Osc %1 phase-offset:TripleOscillatorView`Desafinacin de fase en estreo do oscilador %1:Osc %1 stereo phase-detuning:TripleOscillatorView.Volume do oscilador %1:Osc %1 volume:TripleOscillatorViewPSincronizar o oscilador 1 co oscilador 2*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewPSincronizar o oscilador 2 co oscilador 3*Synchronize oscillator 2 with oscillator 3TripleOscillatorViewEmpregar unha onda de dente de serra tipo Moog para este oscilador.0Use a moog-like saw-wave for current oscillator.TripleOscillatorViewrEmpregar unha onda de dente de serra para este oscilador.&Use a saw-wave for current oscillator.TripleOscillatorView`Empregar unha onda senoidal para este oscilador.'Use a sine-wave for current oscillator.TripleOscillatorView^Empregar unha onda cadrada para este oscilador.)Use a square-wave for current oscillator.TripleOscillatorViewdEmpregar unha onda triangular para este oscilador.+Use a triangle-wave for current oscillator.TripleOscillatorViewxEmpregar unha forma de onda predefinida para este oscilador.3Use a user-defined waveform for current oscillator.TripleOscillatorViewEmpregar a modulacin de amplitude para modular o oscilador 2 co oscilador 1FUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewEmpregar a modulacin de amplitude para modular o oscilador 3 co oscilador 2FUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewfEmpregar unha onda exponencial para este oscilador./Use an exponential wave for current oscillator.TripleOscillatorViewEmpregar a modulacin de frecuencia para modular o oscilador 2 co oscilador 1FUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewEmpregar a modulacin de frecuencia para modular o oscilador 3 co oscilador 2FUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewEmpregar a modulacin de fase para modular o oscilador 2 co oscilador 1BUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewEmpregar a modulacin de fase para modular o oscilador 3 co oscilador 2BUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewTEmpregar rudo branco para este oscilador.'Use white-noise for current oscillator.TripleOscillatorViewzCon este botn pdese definir a desafinacin bruta do oscilador %1. Pdese desafinar o oscilador 12 semitns (unha oitava) para arriba e para abaixo. Isto til para crear sons cun acorde.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewxCon este botn pdese indicar a desafinacin fina do oscilador %1 pola canle esquerda. A desafinacin fina ten como intervalo -100 cents e +100 cents. Isto til para crear sons gordos.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewvCon este botn pdese indicar a desafinacin fina do oscilador %1 pola canle dereita. A desafinacin fina ten como intervalo -100 cents e +100 cents. Isto til para crear sons gordos.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewTCon este botn pdese indicar o panorama (panning) do oscilador %1. Un valor de -100 significa 100% esquerda e un valor de 100 move a sada do oscilador para a dereita.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewzCon este botn pdese indicar o desprazamento de fase do oscilador %1. Iso significa que se pode mover o punto dunha oscilacin no que o oscilador comeza a oscilar. Por exemplo, se se ten unha onda senoidal e un desprazamento de fase de 180 graos, a onda vai primeiro para abaixo. O mesmo acontece cunha onda cadrada.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorViewConte este botn pdese indicar a desafinacin de fase en estreo do oscilador %1. A desafinacin de fase en estreo indica o tamao da diferenza entre o desprazamento de fase das canles esquerda e dereita. Isto moi bon para crear sons con estreo amplo.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorViewXCon este botn pdese indicar o volume do oscilador %1. Ao indicar un valor de 0 o oscilador apgase. Caso contrario pdese ouvir o oscilador tan alto como se indique aqu.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorView centscentsTripleOscillatorView graosdegreesTripleOscillatorViewsemitns semitonesTripleOscillatorViewPrema aqu para mostrar ou agochar a interface grfica de usuario do engadido de VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentView$Prema aqu se desexa abrir outro engadido de VST. Ao premer este botn aparece un dilogo para abrir ficheiros no que se pode escoller o ficheiro.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView*Ficheiros DLL (.*dll)DLL-files (*.dll)VestigeInstrumentView*Ficheiros EXE (*.exe)EXE-files (*.exe)VestigeInstrumentViewHNon se cargou ningn engadido de VSTNo VST-plugin loadedVestigeInstrumentView.Abrir o engadido de VSTOpen VST-pluginVestigeInstrumentView6Abrir outro engadido de VSTOpen other VST-pluginVestigeInstrumentViewPredefinicinPresetVestigeInstrumentView0Gardar as predefinicins Save presetVestigeInstrumentViewFMostrar/Agochar a interface grfica Show/hide GUIVestigeInstrumentView*Apagar todas as notasTurn off all notesVestigeInstrumentView0Gardar as predefinicins Save presetVstEffectControlDialogBFallou a carga do engadido de VSTFailed loading VST-plugin VstPlugin(A cargar un engadidoLoading plugin VstPluginXAgarde mentres se carga o engadido de VST...'Please wait while loading VST-plugin... VstPlugin$Non foi posbel cargar o engadido de VST %1 por algunha razn. Se funciona con outro software de VST en Linux, contacte cun desenvolvedor do LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginPrema aqu para mostrar ou agochar a interface grfica deusuario de ZynAddSubFX.MClick here to show or hide the graphical user interface (GUI) of ZynAddSubFX.ZynAddSubFxViewFREQFREQZynAddSubFxViewRESRESZynAddSubFxView6Mostrar a interface grficaShow GUIZynAddSubFxViewAmplificarAmplifyaudioFileProcessorFinal da mostra End of sampleaudioFileProcessor BucleLoopaudioFileProcessor"Inverter a mostraReverse sampleaudioFileProcessor Inicio da mostraStart of sampleaudioFileProcessorFREQFREQbassBoosterControlDialogFrecuencia: Frequency:bassBoosterControlDialogGAINGAINbassBoosterControlDialogGananciaGain:bassBoosterControlDialogTAXARATIObassBoosterControlDialog Taxa:Ratio:bassBoosterControlDialogFrecuencia FrequencybassBoosterControlsGananciaGainbassBoosterControlsTaxaRatiobassBoosterControlsHEngadir unha pista de automatizacinAdd automation-trackbbEditor<Engadir un ritmo/lia do baixoAdd beat/basslinebbEditor@Editor de ritmos e lia do baixoBeat+Bassline EditorbbEditorPrema aqu para reproducir o ritmo/lia do baixo actual. O ritmo/lia do baixo reptese en bucle automaticamente ao chegar ao final.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorPrema aqu para parar a reproducin do ritmo/lia do baixo actual.4Click here to stop playing of current beat/bassline.bbEditorpReproducir/Deter o ritmo/a lia do baixo actual (Espazo)(Play/pause current beat/bassline (Space)bbEditorzParar a reproducin do ritmo/da lia do baixo actual (Espazo).Stop playback of current beat/bassline (Space)bbEditorMudar a cor Change color bbTCOViewMudar o nome Change name bbTCOViewRAbrir no editor de ritmos e lia do baixoOpen in Beat+Bassline-Editor bbTCOView Restaurar o nome Reset name bbTCOView,Ritmo/Lia do baixo %1Beat/Bassline %1bbTrack Samplelength bitInvader<Prema para unha onda senoidal.Click for a sine-wave.bitInvaderViewXPrema aqu para unha onda de dente de serra.Click here for a saw-wave.bitInvaderViewDPrema aqu para unha onda cadrada.Click here for a square-wave.bitInvaderViewJPrema aqu para unha onda triangular.Click here for a triangle-wave.bitInvaderViewbPrema aqu para unha forma definida polo usuario.$Click here for a user-defined shape.bitInvaderView:Prema aqu para rudo branco.Click here for white-noise.bitInvaderViewRPrema aqu para unha forma de onda suave.Click here to smooth waveform.bitInvaderViewDebuxe aqu a sa propia forma de onda arrastrando o rato polo grfico.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderViewInterpolacin InterpolationbitInvaderViewNormalizar NormalizebitInvaderView&Lonxitude da mostra Sample LengthbitInvaderView,Onda de dente de serraSaw wavebitInvaderViewOnda senoidal Sine wavebitInvaderView SuaveSmoothbitInvaderViewOnda cadrada Square wavebitInvaderViewOnda triangular Triangle wavebitInvaderView4Onda definida polo usuarioUser defined wavebitInvaderView(Onda de rudo brancoWhite noise wavebitInvaderView@Non foi posbel abrir o ficheiroCould not open fileexportProjectDialogNon foi posbel abrir o ficheiro %1 para escribir nel. Asegrese de ter permisos sobre o ficheiro e o directorio que o contn e tente de novo!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialogErroErrorexportProjectDialogProduciuse un erro ao determinar o dispositivo codificador do ficheiro. Tente escollendo un formato de sada diferente.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog0Exportar o proxecto a %1Export project to %1exportProjectDialog"A renderizar: %1%Rendering: %1%exportProjectDialogLIntroduza un valor novo entre %1 e %2:+Please enter a new value between %1 and %2:faderGrficoGraph graphModelDecaementoDecaykickerInstrumentDistorsin DistortionkickerInstrument Frecuencia final End frequencykickerInstrumentGananciaGainkickerInstrument$Frecuencia inicialStart frequencykickerInstrumentDecaemento:Decay:kickerInstrumentViewDistorsin: Distortion:kickerInstrumentView"Frecuencia final:End frequency:kickerInstrumentViewGanancia:Gain:kickerInstrumentView&Frecuencia inicial:Start frequency:kickerInstrumentView &Axuda&HelpknobLIntroduza un valor novo entre %1 e %2:+Please enter a new value between %1 and %2:knobdIntroduza un valor novo entre -96,0 dBV e 6,0 dBV:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob,Ferramentas de anliseAnalysis ToolsladspaBrowserView&Efectos dispobeisAvailable EffectsladspaBrowserViewNon sei Don't knowladspaBrowserViewInstrumentos InstrumentsladspaBrowserView |Este dilogo mostra informacin sobre todos os engadidos de LADSPA que o LMMS deu localizado. Os engadidos divdense en cinco categoras basendose nunha interpretacin dos tipos e nomes dos portos. Os efectos dispobeis son os que se poden empregar co LMMS. Para que o LMMS poida utilizar un efecto ten que ser, en primeiro lugar e o mis importante, un efecto, o que quere dicir que ten que ter tanto canles de entrada como canles de sada. O LMMS identifica unha canle de entrada como un porto de taxa de son que contea in no nome. As canles de sada identifcanse coas letras out. Aln disto, o efecto ten que ter o mesmo nmero de entradas que de sadas e ter capacidade de tempo real. Os efectos non dispobeis son os que foron identificados como efectos mais que non tian o mesmo nmero de canles de entrada que de sada ou non tian capacidade de tempo real. Os instrumentos son engadidos nos que s se identificaron canles de sada . As ferramentas de anlise son engadidos nos que s se identificaron canles de entrada. Os non sei son engadidos nos que non se identificaron canles de entrada nin de sada. Facendo duplo clic sobre calquera dos engadidos mostra informacin sobre os portos.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView Tipo:Type:ladspaBrowserView.Efectos non dispobeisUnavailable EffectsladspaBrowserViewDescricin DescriptionladspaDescriptionEngadidosPluginsladspaDescriptionSonAudioladspaPortDialogControlControlladspaPortDialogDireccin DirectionladspaPortDialog"Vrgula flutuanteFloatladspaPortDialogEntradaInputladspaPortDialogEnteiroIntegerladspaPortDialogLogartmica LogarithmicladspaPortDialog.Mn < Predefinido < MxMin < Default < MaxladspaPortDialogNomeNameladspaPortDialog SadaOutputladspaPortDialog PortosPortsladspaPortDialogTaxaRateladspaPortDialog Dependente de SR SR DependentladspaPortDialogConmutadoToggledladspaPortDialogTipoTypeladspaPortDialogSiYesladspaPortDialog*Filtro de 24dB/oitava24dB/oct Filter lb302Synth AcentoAccent lb302Synth MorteDead lb302SynthDistorsin Distortion lb302SynthEscorregarSlide lb302Synth.Decamento ao escorregar Slide Decay lb302Synth4Frecuencia de corte do VCFVCF Cutoff Frequency lb302Synth>Decaemento da envolvente do VCFVCF Envelope Decay lb302Synth2Modo de envolvente do VCFVCF Envelope Mod lb302Synth"Resonancia do VCF VCF Resonance lb302SynthForma da ondaWaveform lb302SynthJFiltro tipo 303, 24dB/oitava, 3 polos&303-es-que, 24dB/octave, 3 pole filterlb302SynthView CORTECUTlb302SynthView<Prema para unha onda senoidal.Click for a sine-wave.lb302SynthViewHPrema aqu para unha onda tipo Moog. Click here for a moog-like wave.lb302SynthViewXPrema aqu para unha onda de dente de serra.Click here for a saw-wave.lb302SynthViewpPrema aqu para unha onda cadrada con final arredondado.0Click here for a square-wave with a rounded end.lb302SynthViewDPrema aqu para unha onda cadrada.Click here for a square-wave.lb302SynthViewJPrema aqu para unha onda triangular.Click here for a triangle-wave.lb302SynthViewLPrema aqu para unha onda exponencial.#Click here for an exponential wave.lb302SynthView:Prema aqu para rudo branco.Click here for white-noise.lb302SynthViewFrec. de corte: Cutoff Freq:lb302SynthViewDECDEClb302SynthViewDISTDISTlb302SynthView DIST:DIST:lb302SynthViewDecaemento:Decay:lb302SynthViewMOD ENVENV MODlb302SynthViewMod env:Env Mod:lb302SynthViewOnda tipo Moog Moog wavelb302SynthViewRESRESlb302SynthViewResonancia: Resonance:lb302SynthView0Onda cadrada arredondadaRounded square wavelb302SynthViewEscorregarSLIDElb302SynthView,Onda de dente de serraSaw wavelb302SynthViewOnda senoidal Sine wavelb302SynthView0Decamento ao escorregar: Slide Decay:lb302SynthViewOnda cadrada Square wavelb302SynthViewOnda triangular Triangle wavelb302SynthView(Onda de rudo brancoWhite noise wavelb302SynthView*Filtro de 24dB/oitava24dB/oct Filter lb303Synth AcentoAccent lb303Synth MorteDead lb303SynthDistorsin Distortion lb303SynthEscorregarSlide lb303Synth.Decamento ao escorregar Slide Decay lb303Synth4Frecuencia de corte do VCFVCF Cutoff Frequency lb303Synth>Decaemento da envolvente do VCFVCF Envelope Decay lb303Synth2Modo de envolvente do VCFVCF Envelope Mod lb303Synth"Resonancia do VCF VCF Resonance lb303SynthForma da ondaWaveform lb303SynthJFiltro tipo 303, 24dB/oitava, 3 polos&303-es-que, 24dB/octave, 3 pole filterlb303SynthView CORTECUTlb303SynthViewFrec. de corte: Cutoff Freq:lb303SynthViewDECDEClb303SynthViewDISTDISTlb303SynthView DIST:DIST:lb303SynthViewDecaemento:Decay:lb303SynthViewMOD ENVENV MODlb303SynthViewMod env:Env Mod:lb303SynthViewRESRESlb303SynthViewResonancia: Resonance:lb303SynthViewEscorregarSLIDElb303SynthView0Decamento ao escorregar: Slide Decay:lb303SynthViewONDAWAVElb303SynthView ONDA:WAVE:lb303SynthViewADSRADSRmalletsInstrument AgogAgogomalletsInstrument GolpesBeatsmalletsInstrumentCon arcoBowedmalletsInstrumentEsmagarClumpmalletsInstrument6Transicin por esvaecemento CrossfademalletsInstrument VidroGlassmalletsInstrument DurezaHardnessmalletsInstrument&Profundidade do LFO LFO DepthmalletsInstrument"Velocidade do LFO LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrument Faltan ficheiros Missing filesmalletsInstrumentModulador ModulatormalletsInstrumentMovementoMotionmalletsInstrumentPosicinPositionmalletsInstrumentPresinPressuremalletsInstrumentResomalletsInstrumentVelocidadeSpeedmalletsInstrumentPropagarSpreadmalletsInstrumentMestura de paus Stick MixmalletsInstrumentCunca tibetana Tibetan BowlmalletsInstrument Camps tubulares Tubular BellsmalletsInstrumentLmina afinada Tuned BarmalletsInstrumentDous fixos Two FixedmalletsInstrumentLmina uniforme Uniform BarmalletsInstrumentVibrfono VibraphonemalletsInstrument*Frecuencia do vibrato Vibrato FreqmalletsInstrument&Ganancia do vibrato Vibrato GainmalletsInstrumentMadeira1Wood1malletsInstrumentMadeira2Wood2malletsInstrumentA instalacin de Stk semella estar incompleta. Asegrese de que o paquete Stk completo est instalado!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRADSRmalletsInstrumentView ADSR:ADSR:malletsInstrumentViewCon arcoBowedmalletsInstrumentView6Transicin por esvaecemento CrossfademalletsInstrumentView8Transicin por esvaecemento: Crossfade:malletsInstrumentView DurezaHardnessmalletsInstrumentViewDureza: Hardness:malletsInstrumentViewInstrumento InstrumentmalletsInstrumentView&Profundidade do LFO LFO DepthmalletsInstrumentView(Profundidade do LFO: LFO Depth:malletsInstrumentView"Velocidade do LFO LFO SpeedmalletsInstrumentView$Velocidade do LFO: LFO Speed:malletsInstrumentViewModulador ModulatormalletsInstrumentViewModulador: Modulator:malletsInstrumentViewMovementoMotionmalletsInstrumentViewMovemento:Motion:malletsInstrumentViewPosicinPositionmalletsInstrumentViewPosicin: Position:malletsInstrumentViewPresinPressuremalletsInstrumentViewPresin: Pressure:malletsInstrumentViewVelocidadeSpeedmalletsInstrumentViewVelocidade:Speed:malletsInstrumentViewPropagarSpreadmalletsInstrumentViewPropagar:Spread:malletsInstrumentViewMestura de paus Stick MixmalletsInstrumentView Mestura de paus: Stick Mix:malletsInstrumentViewFrec. vib.:Vib FreqmalletsInstrumentViewFrec. vib.: Vib Freq:malletsInstrumentViewGan. vib.Vib GainmalletsInstrumentViewGan. vib.: Vib Gain:malletsInstrumentViewVibratoVibratomalletsInstrumentViewVibrato:Vibrato:malletsInstrumentView &Axuda&HelpnineButtonSelectorDistorsin DistortionorganicInstrument VolumeVolumeorganicInstrumentDistorsin: Distortion:organicInstrumentViewVDesafinacin fina esquerda do oscilador %1:Osc %1 fine detuning left:organicInstrumentView6Panormica do oscilador %1:Osc %1 panning:organicInstrumentView.Volume do oscilador %1:Osc %1 volume:organicInstrumentViewBForma de onda do osciloscopio %1:Osc %1 waveform:organicInstrumentViewAleatorio RandomiseorganicInstrumentViewVolume:Volume:organicInstrumentView centscentsorganicInstrumentView GravesBasspapuInstrument.Canle 1 a SO1 (Dereita)Channel 1 to SO1 (Right)papuInstrument0Canle 1 a SO1 (Esquerda)Channel 1 to SO2 (Left)papuInstrument"Volume da canle 1Channel 1 volumepapuInstrument.Canle 2 a SO1 (Dereita)Channel 2 to SO1 (Right)papuInstrument0Canle 2 a SO2 (Esquerda)Channel 2 to SO2 (Left)papuInstrument"Volume da canle 2Channel 2 volumepapuInstrument.Canle 3 a SO1 (Dereita)Channel 3 to SO1 (Right)papuInstrument0Canle 3 a SO2 (Esquerda)Channel 3 to SO2 (Left)papuInstrument"Volume da canle 3Channel 3 volumepapuInstrument.Canle 4 a SO1 (Dereita)Channel 4 to SO1 (Right)papuInstrument0Canle 4 a SO2 (Esquerda)Channel 4 to SO2 (Left)papuInstrument"Volume da canle 4Channel 4 volumepapuInstrument.Nivel da sada esquerdaLeft Output levelpapuInstrumentFLonxitude de cada paso en varreduraLength of each step in sweeppapuInstrument,Nivel da sada dereitaRight Output levelpapuInstrument:Cambiar a largura do rexistroShift Register widthpapuInstrument@Cantidade de Cambio de varreduraSweep RtShift amountpapuInstrument,Direccin da varreduraSweep directionpapuInstrument$Tempo da varredura Sweep timepapuInstrument AgudosTreblepapuInstrument@Direccin da varredura do volumeVolume sweep directionpapuInstrumentPadrn de ondaWave Pattern DutypapuInstrument GravesBasspapuInstrumentViewGraves:Bass:papuInstrumentView.Canle 1 a SO1 (Dereita)Channel1 to SO1 (Right)papuInstrumentView0Canle 1 a SO2 (Esquerda)Channel1 to SO2 (Left)papuInstrumentView.Canle 1 a SO1 (Dereita)Channel2 to SO1 (Right)papuInstrumentView0Canle 2 a SO2 (Esquerda)Channel2 to SO2 (Left)papuInstrumentView.Canle 3 a SO1 (Dereita)Channel3 to SO1 (Right)papuInstrumentView0Canle 3 a SO2 (Esquerda)Channel3 to SO2 (Left)papuInstrumentView.Canle 4 a SO1 (Dereita)Channel4 to SO1 (Right)papuInstrumentView0Canle 4 a SO2 (Esquerda)Channel4 to SO2 (Left)papuInstrumentView$Debuxe a onda aquDraw the wave herepapuInstrumentViewFLonxitude de cada paso en varreduraLength of each step in sweeppapuInstrumentViewHLonxitude de cada paso en varredura:Length of each step in sweep:papuInstrumentView0Volume da canle de rudoNoise Channel VolumepapuInstrumentView2Volume da canle de rudo:Noise Channel Volume:papuInstrumentView.Volume de SO1 (Dereita)SO1 Volume (Right)papuInstrumentView0Volume de SO1 (Dereita):SO1 Volume (Right):papuInstrumentView0Volume de SO2 (Esquerda)SO2 Volume (Left)papuInstrumentView2Volume de SO2 (Esquerda):SO2 Volume (Left):papuInstrumentView:Cambiar a largura do rexistroShift Register WidthpapuInstrumentView2Volume da canle cadrada 1Square Channel 1 VolumepapuInstrumentView4Volume da canle cadrada 1:Square Channel 1 Volume:papuInstrumentView2Volume da canle cadrada 2Square Channel 2 VolumepapuInstrumentView4Volume da canle cadrada 2:Square Channel 2 Volume:papuInstrumentView,Direccin da varreduraSweep DirectionpapuInstrumentView@Cantidade de cambio de varreduraSweep RtShift amountpapuInstrumentViewBCantidade de cambio de varredura:Sweep RtShift amount:papuInstrumentView$Tempo da varredura Sweep TimepapuInstrumentView&Tempo da varredura: Sweep Time:papuInstrumentView`A cantidade de aumento ou reducin da frecuencia/The amount of increase or decrease in frequencypapuInstrumentView<A demora entre cambios de pasoThe delay between step changepapuInstrumentViewO ciclo de deber a relacin entre a duracin (tempo) durante a que un sinal est ACTIVO fronte ao perodo total do sinal.mThe duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal.papuInstrumentViewzA taxa que se produce o aumento ou a reducin da frecuencia:The rate at which increase or decrease in frequency occurspapuInstrumentView AgudosTreblepapuInstrumentViewAgudos:Treble:papuInstrumentView@Direccin da varredura do volumeVolume Sweep DirectionpapuInstrumentView0Volume da canle de ondasWave Channel VolumepapuInstrumentView2Volume da canle de ondas:Wave Channel Volume:papuInstrumentViewPadrn de onda Wave PatternpapuInstrumentView.Padrn de onda de deberWave Pattern DutypapuInstrumentView.Padrn de onda de deberWave pattern dutypapuInstrumentView0Padrn de onda de deber:Wave pattern duty:papuInstrumentView>Non posbel conxelar o padrnCannot freeze patternpatternNon posbel conxelar agora o padrn porque estamos no modo de reproducin. Pare e tnteo de novo!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternCancelarCancelpatternFreezeStatusDialog,A conxelar o padrn...Freezing pattern...patternFreezeStatusDialog%1 pasos%1 steps patternView 1 paso1 step patternViewEngadir pasos Add steps patternViewMudar o nome Change name patternView*Limpar todas as notasClear all notes patternViewConxelarFreeze patternView Abrir na pianolaOpen in piano-roll patternViewReconxelarRefreeze patternViewEliminar pasos Remove steps patternView Restaurar o nome Reset name patternViewDesconxelarUnfreeze patternViewfaga duplo clic para abrir este padrn na pianola empregue a roda do rato para modificar o volume un pasoWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewPrema aqu e actvase o modo de desafinacin.Neste modo pdese premer unhanota para abrir a sa desafinacin de automatizacin. Pdese empregar isto para escorregar entre as notas. Tamn se pode premer Maisculas+T no teclado para activar este mdo.Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. pianoRollTPrema aqu e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este o modo por omisin que se emprega a maior parte do tempo. Tamn pode premer Maisculas+D no teclado para activar este modo. Neste modo, mantea Ctrl para ir temporalmente ao modo de seleccin.Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. pianoRoll:Prema aqu e activarase o modo de borrado. Neste modo pdense borrar valores individuais. Tamn pode premer Maisculas+E no teclado para activar este modo.Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. pianoRoll|Prema aqu e activarase o modo de borrado. Neste modo pdense borrar valores individuais. Como alternativa pode premer Ctrl no modo de debuxo para empregar temporalmente o modo de seleccin.Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. pianoRollPrema aqu e os valores do porta-retallos apegaranse no primeiro comps visbel.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRollPrema aqu e os valores escollidos cpianse no porta-retallos. Pdeos apegar en calquera lugar de calquera padrn premendo o botn de apegar.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll2Prema aqu e os valores escollidos recrtanse e van para o porta-retallos. Pdeos apegar en calquera lugar de calquera padrn premendo o botn de apegar.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRollPrema aqu para reproducir este padrn. Isto til mentres se edita. O padrn reptese en bucle automaticamente ao chegar ao final.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollPrema aqu para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrn actual. As notas tocadas ao gravar escrbense neste padrn e despois pdense editar.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRollPrema aqu para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrn actual. As notas tocadas ao gravar escrbense neste padrn e escitase a cancin ou pista de ritmos/lia do baixo no fondo.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRollbPrema aqu para parar a reproducin deste padrn./Click here to stop playback of current pattern. pianoRollFCopiar as notas escollidas (Ctrl+C)Copy selected notes (Ctrl+C) pianoRollJRecortar as notas escollidas (Ctrl+X)Cut selected notes (Ctrl+X) pianoRollFModo de desafinacin (Maisculas+T)Detune mode (Shift+T) pianoRoll:Modo de debuxo (Maisculas+D)Draw mode (Shift+D) pianoRoll<Modo de borrado (Maisculas+E)Erase mode (Shift+E) pianoRollltima nota Last note pianoRoll*Panormmica das notas Note Panning pianoRoll Volume das notas Note Volume pianoRoll Bloqueo de notas Note lock pianoRollTApegar as notas do porta-retallos (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRollPianola - %1Piano-Roll - %1 pianoRoll>Pianola - non hai ningn padrnPiano-Roll - no pattern pianoRollRReproducir/Deter o padrn actual (Espazo)"Play/pause current pattern (Space) pianoRollLAbra un padrn facendo duplo clic nel!/Please open a pattern by double-clicking on it! pianoRoll`Gravar notas dun dispositivo MIDI/piano de canle+Record notes from MIDI-device/channel-piano pianoRollGravar notas dun dispositivo MIDI/piano de canle mentres se reproduce a cancin ou pista de ritmos/lia do baixoJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll>Modo de seleccin (Maiscula+S)Select mode (Shift+S) pianoRollVParar a execucin do padrn actual (Espazo)'Stop playing of current pattern (Space) pianoRollTSintetizador aditivo para sons tipo rgano*Additive Synthesizer for organ-like sounds pluginBrowserZSintetizador de tboa de ondas personalizbel"Customizable wavetable synthesizer pluginBrowserArrastre un instrumento para o Editor de cancins, o Editor de ritmos+lia do baixo ou para unha pista de instrumento existente.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowser.ZynAddSubFX incorporadoEmbedded ZynAddSubFX pluginBrowser@Emulacin da APU da GameBoy (TM)Emulation of GameBoy (TM) APU pluginBrowserEmulacin dos SID MOS6581 e o MOS8580. Este chip empregbase no computador Commodore 64.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserfFiltro para importar proxectos do FL Studio ao LMMS1Filter for importing FL Studio projects into LMMS pluginBrowserVFiltro para importar ficheiros MIDI ao LMMS)Filter for importing MIDI-files into LMMS pluginBrowserRInstrumento de parcheo compatbel con GUSGUS-compatible patch instrument pluginBrowserJImitacin monofnica incompleta tb303%Incomplete monophonic imitation tb303 pluginBrowser2Navegador de instrumentosInstrument browser pluginBrowser0Engadidos de instrumentoInstrument plugins pluginBrowserTEnumerar os engadidos de LADSPA instaladosList installed LADSPA plugins pluginBrowserBReprodutor de ficheiros SoundFontPlayer for SoundFont files pluginBrowser^Engadido para controlar botns con picos de son-Plugin for controlling knobs with sound peaks pluginBrowserEngadido para mellorar a separacin en estreo dun ficheiro de entrada en estreo=Plugin for enhancing stereo separation of a stereo input file pluginBrowserjEngadido para manipular libremente a sada en estreo,Plugin for freely manipulating stereo output pluginBrowser>Cousas melodiosas nas que baterTuneful things to bang on pluginBrowserpHspede de VST para empregar engadidos de VST(i) co LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser:Modelador de cordas vibrantesVibrating string modeler pluginBrowsersen descricinno description pluginBrowserBengadido para potenciar os gravesplugin for boosting bass pluginBrowserzengadido para empregar efectos de LADSPA arbitrarios no LMMS.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowsertengadido para empregar efectos de VST arbitrarios no LMMS.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowsersampleador simple con varias opcins para empregar mostras (p.ex. batera) nunha pista de instrumentoZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowsertres potentes osciladores que se poden modular de varias maneiras;three powerful oscillators you can modulate in several ways pluginBrowserXsintetizador de kick e tambor baixo verstil&versatile kick- & bassdrum-synthesizer pluginBrowser&Negrita&Bold projectNotes&Cor... &Color... projectNotes&Copiar&Copy projectNotesCursi&va&Italic projectNotes&Xustificar&Justify projectNotes&Esquerda&Left projectNotesA&pegar&Paste projectNotes&Refacer&Redo projectNotesDe&reita&Right projectNotesS&ubliado &Underline projectNotesDesfa&cer&Undo projectNotesC&entroC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotesCor&tarCu&t projectNotes"Editar as accins Edit Actions projectNotes$Accins de formatoFormat Actions projectNotes"Notas do proxecto Project notes projectNotesTAnote aqu as sas notas sobre o proxecto.!Put down your project notes here. projectNotesMudar o nome... Rename... renameDialog:Ficheiros AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer&Ficheiros AU (*.au)AU-Files (*.au) sampleBufferTodos os ficheiros de son (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer:Ficheiros do DrumSynth (*.ds)DrumSynth-Files (*.ds) sampleBuffer.Ficheiros FLAC (*.flac)FLAC-Files (*.flac) sampleBuffer*Ficheiros MP3 (*.mp3)MP3-Files (*.mp3) sampleBuffer*Ficheiros OGG (*.ogg)OGG-Files (*.ogg) sampleBuffer0Abrir un ficheiro de sonOpen audio file sampleBuffer*Ficheiros RAW (*.raw)RAW-Files (*.raw) sampleBuffer.Ficheiros SPEEX (*.spx)SPEEX-Files (*.spx) sampleBuffer*Ficheiros VOC (*.voc)VOC-Files (*.voc) sampleBuffer,Ficheiros wave (*.wav)Wave-Files (*.wav) sampleBuffer CopiarCopy sampleTCOViewRecortarCut sampleTCOViewBEliminar (botn do medio do rato)Delete (middle mousebutton) sampleTCOViewpSilenciar/Darlle volume (<Ctrl> + botn central do rato)#Mute/unmute ( + middle click) sampleTCOView ApegarPaste sampleTCOView4Indicar/Limpar a gravacinSet/clear record sampleTCOViewRfaga duplo clic para escoller unha mostradouble-click to select sample sampleTCOView Pista de mostras Sample track sampleTrack VolumeVolume sampleTrack Volume da canle:Channel volume:sampleTrackViewVolume da pista Track volumesampleTrackViewVOLVOLsampleTrackView INTERFACE DO SONAUDIO INTERFACE setupDialog<Directorio do material grficoArtwork directory setupDialog(Configuracin do sonAudio settings setupDialogTAMAO DO BFER BUFFER SIZE setupDialog"Grficos do fondoBackground artwork setupDialogCancelarCancel setupDialogbEscoller o directorio de instalacin do FL Studio'Choose FL Studio installation directory setupDialogZEscoller o directorio dos engadidos de LADSPAChoose LADSPA plugin directory setupDialogREscoller o directorio de traballo do LMMSChoose LMMS working directory setupDialogVEscoller o directorio de ondas cruas de STKChoose STK rawwave directory setupDialogREscoller o directorio do material grficoChoose artwork-theme directory setupDialog:Escoller os grficos do fondoChoose background artwork setupDialog@Escoller a SoundFont por omisinChoose default SoundFont setupDialogTEscoller o directorio dos engadidos de VST Choose your VST-plugin directory setupDialog`Comprimir os ficheiros dos proxectos por omisin"Compress project files per default setupDialog<Ficheiro Soundfont por omisinDefault Soundfont File setupDialogdDesactivar os indicadores de actividade das canles#Disable channel activity indicators setupDialog4Mostrar o volume como dBV Display volume as dBV  setupDialog&Activar as axudiasEnable tooltips setupDialogLDirectorio de instalacin do FL Studio FL Studio installation directory setupDialog8Cadencia: %1 Latencia: %2 msFrames: %1 Latency: %2 ms setupDialog&Configuracin xeralGeneral settings setupDialogpModo de calidade alta para o dispositivo de son de sadaHQ-mode for output audio-device setupDialogAqu pdese escoller a interface de MIDI preferida. Dependendo da configuracin do sistema durante a compilacin pdese escoller entre ALSA, OSS e mis. Embaixo vese unha caixa que oferece controles para configurar a interface de MIDI escollida.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogAqu pdese escoller a interface de son preferida. Dependendo da configuracin do sistema durante a compilacin pdese escoller entre ALSA, JACK, OSS e mis. Embaixo vese unha caixa que oferece controles para configurar a interface de son escollida.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog(Aqu pdese configurar o tamao do bfer interno empregado polo LMMS. Valores mis pequenos resultan nunha latencia menor mais poden tamn causar son non usbel ou desempeo inadecuado, especialmente en computadores vellos ou en sistemas cun kernel que non sexa de tempo real.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog:Rutas aos engadidos de LADSPALADSPA plugin paths setupDialog<Directorio de traballo do LMMSLMMS working directory setupDialogINTERFACE MIDIMIDI INTERFACE setupDialog*Configuracin do MIDI MIDI settings setupDialogDIVERSOSMISC setupDialogAceptarOK setupDialog`S tocar as teclas no piano da canle manualmente)Only press keys on channel-piano manually setupDialog RutasPaths setupDialog4Configuracin do desempeoPerformance settings setupDialogTea en conta que a maiora dos cambios non sern efectivos at que se reinicie o LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog:Restaurar o valor por omisinReset to default-value setupDialog Reiniciar o LMMS Restart LMMS setupDialog@Directorio de ondas cruas de STKSTK rawwave directory setupDialog*Configuracin do LMMS Setup LMMS setupDialogMostrar o aviso sobre o reinicio despois de cambiar a configuracin,Show restart warning after changing settings setupDialogNEfectos da interface fronte a desempeoUI effects vs. performance setupDialog>Directorio dos engadidos de VSTVST-plugin directory setupDialog BancoBank sf2InstrumentCoroChorus sf2Instrument(Profundidade do coro Chorus Depth sf2InstrumentNivel do coro Chorus Level sf2InstrumentLias do coro Chorus Lines sf2Instrument$Velocidade do coro Chorus Speed sf2InstrumentGananciaGain sf2Instrument ParchePatch sf2InstrumentReverberacinReverb sf2Instrument.Tampn de reverberacinReverb Damping sf2Instrument,Nivel de reverberacin Reverb Level sf2Instrument>Tamao da sala de reverberacinReverb Roomsize sf2Instrument0Largura da reverberacin Reverb Width sf2Instrument<Aplicar un coro (se o admitir)Apply chorus (if supported)sf2InstrumentViewHAplicar reverberacin (se o admitir)Apply reverb (if supported)sf2InstrumentView"Escoller o parcheChoose the patchsf2InstrumentView*Profundidade do coro: Chorus Depth:sf2InstrumentViewNivel do coro: Chorus Level:sf2InstrumentViewLias de coro: Chorus Lines:sf2InstrumentView&Velocidade do coro: Chorus Speed:sf2InstrumentViewVPrema aqu para abrir outro ficheiro de SF2#Click here to open another SF2 filesf2InstrumentViewGananciaGainsf2InstrumentView<Abrir un ficheiro de SoundFontOpen SoundFont filesf2InstrumentViewBAbrir outro ficheiro de SoundFontOpen other SoundFont filesf2InstrumentView0Tampn de reverberacin:Reverb Damping:sf2InstrumentView.Nivel de reverberacin: Reverb Level:sf2InstrumentView@Tamao da sala de reverberacin:Reverb Roomsize:sf2InstrumentView2Largura da reverberacin: Reverb Width:sf2InstrumentView>Ficheiros de SoundFont2 (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentViewEste botn activa o efecto de coro. Isto til para efectos de echo gaioleiros, mais s funciona cos ficheiros que o admiten.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewEste botn activa o efecto de reverberacin. Isto til para efectos gaioleiros, mais s funciona cos ficheiros que o admiten.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewModelo de chip Chip model sidInstrument CorteCutoff sidInstrumentTipo de filtro Filter type sidInstrumentResonancia Resonance sidInstrumentVoz 3 apagada Voice 3 off sidInstrument VolumeVolume sidInstrumentA taxa de ataque determina como de rpido sobe a Voz %1 desde cero amplitude de pico.\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentViewAtaque:Attack:sidInstrumentView$Filtro pasa-faixa Band-Pass filter sidInstrumentViewCr:Coarse:sidInstrumentView(Frecuencia de corte:Cutoff frequency:sidInstrumentViewA taxa de decaemento determina como de rpido cae a sada desde a amplitude de pico ao nivel de Sustentacin escollido.iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewDecaemento:Decay:sidInstrumentViewFiltradoFilteredsidInstrumentView"Filtro pasa-alta High-Pass filter sidInstrumentView$Filtro pasa-baixa Low-Pass filter sidInstrumentViewSID MOS6581  MOS6581 SID sidInstrumentViewSID MOS6580  MOS8580 SID sidInstrumentView RudoNoisesidInstrumentViewA sada da voz %1 fica na amplitude de sustentacin indicada mentres se mantea a nota.]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentViewOnda de pulso Pulse WavesidInstrumentView"Largura do pulso: Pulse Width:sidInstrumentViewRelaxamento:Release:sidInstrumentViewResonancia: Resonance:sidInstrumentViewModo anelRing-ModsidInstrumentViewO modo anel substite a sada da onda de forma triangular do oscilador %1 cunha combinacin modulada en anel dos osciladores %1 e %2.}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentViewDente de serraSawToothsidInstrumentViewSustentacin:Sustain:sidInstrumentViewSincronizarSyncsidInstrumentViewSincroniza a frecuencia fundamental do oscilador %1 coa frecuencia fundamental do oscilador %2, producindo efectos de sincronizacin dura.Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentView ProbaTestsidInstrumentViewProba, cando escollido, restaura e bloquea o oscilador %1 a cero at que remate a proba.PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewA desafinacin cra permite desafinar a voz %1 unha oitava para arriba ou para abaixo.DThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentViewA resolucin da largura do pulso permite varrer a largura suavemente sen que sexa posbel discernir os pasos. Hai que escoller a forma de onda pulso no oscilador %1 para que se ouza un efecto audbel.The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentViewA sada da voz %1 cae desde a amplitude de sustentacin at cero na relacin de relaxamento escollida.jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentViewOnda triangular Triangle WavesidInstrumentViewVoz3 apagada  Voice3 Off sidInstrumentViewVolume:Volume:sidInstrumentViewpCando Filtrado est activado, a voz %1 procsase a travs do filtro. Cando Filtrado est desactivado, a voz %1 aparece directamente na sada e o filtro non ten ningn efecto sobre ela.When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentView4Todos os tipos de ficheiroAll file typessong Proxecto baleiro Empty projectsong,Proxectos de FL StudioFL Studio projectssong(Importar un ficheiro Import filesong$Secuencias de MIDIMIDI sequencessongAltura global Master pitchsongVolume global Master volumesong8O proxecto NON est gravado.Project NOT saved.song Proxecto gravado Project savedsonghEscolla o ficheiro para a exportacin do proxecto...!Select file for project-export...song TempoTemposong<O proxecto %1 xa est gravado.The project %1 is now saved.song>O proxecto %1 no nest gravado!The project %1 was not saved!songEste proxecto est baleiro, polo que exportalo non ten xeito. Poa algo primeiro no Editor de cancins!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songsen ttulountitledsongHEngaidr unha pista de automatizacinAdd automation-track songEditor<Engadir un ritmo/lia do baixoAdd beat/bassline songEditor8Engadir unha pista de mostraAdd sample-track songEditor<Prema aqu se desexa reproducir a cancin enteira. A reproducin comeza no marcador de posicin da cancin (verde). Tamn se pode mover durante a reproducin.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorPrema aqu se desexa parar a reproducin da cancin. O marcador de posicin da cancin ir para o principio da cancin.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor@Non foi posbel abrir o ficheiroCould not open file songEditor\Non foi posbel abrir o ficheiro %1. Probabelmente vostede non tea permiso para ler este ficheiro. Asegrese de ter cando menos permiso para ler o ficheiro e tnteo de novo.Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. songEditorHNon foi posbel escribir no ficheiroCould not write file songEditor\Non foi posbel escribir no ficheiro %1. Probabelmente vostede non tea permiso para escribir neste ficheiro. Asegrese de ter acceso de escrita ao ficheiro e tnteo de novo.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorModo de debuxo Draw mode songEditorDModo de edicin (escoller e mover)Edit mode (select and move) songEditor.Hai un erro no ficheiro Error in file songEditor*Modo de alta calidadeHigh quality mode songEditorAltura global Master pitch songEditorVolume global Master volume songEditor@Reproducir unha cancin (Espazo)Play song (Space) songEditorJGravar mostras dun dispositivo de son Record samples from Audio-device songEditorGravar mostras dun dispositivo de son mentres se reproduce a cancin ou pista de ritmos/lia do baixo?Record samples from Audio-device while playing song or BB track songEditor$Editor de cancins Song-Editor songEditor0Parar a cancin (Espazo)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorParece que o ficheiro %1 contn erros e por iso non se pode cargar.BThe file %1 seems to contain errors and therefore can't be loaded. songEditor2O tempo dunha cancin indcase en pulsos por minuto (BPM). Para cambiar o tempo da cancin hai que cambiar este valor. Cada comps ten catro pulsos, polo que o tempo en BPM indica cantos compases / 4 hai que tocar nun minuto (ou cantos compases habera que tocar en catro minutos).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor$Valor: %1 semitnsValue: %1 semitones songEditorValor: %1% Value: %1% songEditoraltura global master pitch songEditorvolume global master volume songEditor tempo da cancin tempo of song songEditorEixo linear Y Linear Y axisspectrumAnalyzerControlDialogEspectro linearLinear spectrumspectrumAnalyzerControlDialogModo da canle Channel modespectrumAnalyzerControlsEixo linear Y Linear Y-axisspectrumAnalyzerControlsEspectro linearLinear spectrumspectrumAnalyzerControls LARGOWIDEstereoEnhancerControlDialogLargura:Width:stereoEnhancerControlDialogLarguraWidthstereoEnhancerControls<Volume esquerda para esquerda:Left to Left Vol:stereoMatrixControlDialog:Volume esquerda para dereita:Left to Right Vol:stereoMatrixControlDialog:Volume dereita para esquerda:Right to Left Vol:stereoMatrixControlDialog8Volume dereita para dereita:Right to Right Vol:stereoMatrixControlDialog,Esquerda para esquerda Left to LeftstereoMatrixControls*Esquerda para dereita Left to RightstereoMatrixControls*Dereita para esquerda Right to LeftstereoMatrixControls(Dereita para dereitaRight to RightstereoMatrixControlsHDespois de parar voltar ao principioAfter stopping go back to begintimeLineDespois de parar voltar posicin na que se iniciou a reproducin?After stopping go back to position at which playing was startedtimeLineDDespois de parar manter a posicinAfter stopping keep positiontimeLineZActivar/Desactivar o desprazamento automticoEnable/disable auto-scrollingtimeLineJActivar/Desactivar os puntos de bucleEnable/disable loop-pointstimeLineSuxestinHinttimeLinevPrema <Ctrl> para desactivar os puntos de bucle magnticos.-Press to disable magnetic loop-points.timeLineSilenciadoMutedtrackSoloSolotrackCancelarCanceltrackContainer*Non foi posbel atopar un filtro para importar o ficheiro %1. Debera converter este ficheiro a un formato que o LMMS recoeza usando outro software.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainerFNon foi posbel importar o ficheiroCouldn't import filetrackContainer@Non foi posbel abrir o ficheiroCouldn't open filetrackContainer Non foi posbel abrir o ficheiro %1 para lelo. Asegrese de ter permiso de lectura sobre o ficheiro e o directorio que o contn e tente de novo!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer:A importar un ficheiro FLP...Importing FLP-file...trackContainer<A importar un ficheiro MIDI...Importing MIDI-file...trackContainer,A cargar o proxecto...Loading project...trackContainer$Agarde un anaco...Please wait...trackContainerSilenciadoMutedtrackContentObject*%1:%2 (%3:%4 a %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView CopiarCopytrackContentObjectViewDuracin actualCurrent lengthtrackContentObjectViewPosicin actualCurrent positiontrackContentObjectViewRecortarCuttrackContentObjectViewBEliminar (botn do medio do rato)Delete (middle mousebutton)trackContentObjectViewSuxestinHinttrackContentObjectViewpSilenciar/Darlle volume (<Ctrl> + botn central do rato)#Mute/unmute ( + middle click)trackContentObjectView ApegarPastetrackContentObjectView\Prema <Ctrl> e arrastre para facer unha copia.%Press and drag to make a copy.trackContentObjectView^Prema <Ctrl> para modificar o tamao librementePress for free resizing.trackContentObjectView.Accins para esta pistaActions for this tracktrackOperationsWidget"Clonar esta pistaClone this tracktrackOperationsWidgetSilenciarMutetrackOperationsWidget(Silenciar esta pistaMute this tracktrackOperationsWidgetPrema <Ctrl> mentres ten a asa de mover premida para iniciar unha accin de arrastrar e soltar.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget&Eliminar esta pistaRemove this tracktrackOperationsWidgetSoloSolotrackOperationsWidgetBFallou a carga do engadido de VSTFailed loading VST-pluginvestigeInstrument(A cargar un engadidoLoading pluginvestigeInstrumentXAgarde mentres se carga o engadido de VST...'Please wait while loading VST-plugin...vestigeInstrument$Non foi posbel cargar o engadido de VST %1 por algunha razn. Se funciona con outro software de VST en Linux, contacte cun desenvolvedor do LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentDesafinar %1 Detune %1vibedDifuso %1  Fuzziness %1 vibedImpulso %1 Impulse %1vibedLonxitude %1 Length %1vibedOitava %1 Octave %1vibed Pan %1Pan %1vibed$Posicin da pa %1Pick %1 positionvibed.Posicin do captador %1Pickup %1 positionvibed&Tensin da corda %1String %1 stiffnessvibed$Volume da corda %1String %1 volumevibed &Axuda&Help vibedViewfPrema aqu para activar/desactivar a forma da onda.&Click here to enable/disable waveform. vibedViewVPrema aqu para normalizar a forma da onda.!Click here to normalize waveform. vibedViewRPrema aqu para unha forma de onda suave.Click here to smooth waveform. vibedViewDesafinar:Detune: vibedView.Activar a forma de ondaEnable waveform vibedViewDifuso: Fuzziness: vibedView$Editor de impulsosImpulse Editor vibedView2Impulso ou estado inicialImpulse or initial state vibedViewLonxitude:Length: vibedViewNormalizar Normalize vibedView OitavaOctave vibedViewPan:Pan: vibedView Posicin da pa:Pick position: vibedView*Posicin do captador:Pickup position: vibedView,Onda de dente de serraSaw wave vibedViewOnda senoidal Sine wave vibedView SuaveSmooth vibedViewOnda cadrada Square wave vibedView CordaString vibedView"Tensin da corda:String stiffness: vibedView$O selector Imp determina se hai que tratar a forma de onda do grfico como un impulso impartido na corda pola pba ou o estado inicial da corda.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewO botn P indica a posicin na que se pulsa a corda escollida. Canto menor sexa, mis prxima estar da ponte.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedView O botn PU indica a posicin desde a que se recollen as vibracins da corda escollida. Canto menor sexa, mis prximo ser da ponte.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedView(O botn S indica a tensin da corda escollida. A tensin da corda afecta ao tempo durante o que esta soa. Canto menor sexa, mis tempo ha de soar.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedView^O botn V indica o volume da corda escollida.4The 'V' knob sets the volume of the selected string. vibedViewO botn Desafinar modifica a altura da corda escollida. Indicar menos de cero fai que a corda soe plana. Con mis de cero a corda soar viva.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewFO botn Lonxitude indica a lonxitude da corda escollida. As cordas mis longas soan durante mis tempo e con mis brillo; porn, tamn consumen mis ciclos da CPU.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedView0O selector Oitava emprgase para escoller con que harmnico da nota soa a corda. Por exemplo, -2 significa que a corda soa das oitavas por debaixo da fundamental, F significa que a corda soa na fundamental e 6 significa que a cadea soa seix oitavas por riba da fundamental.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewO botn Pan determina o lugar que ocupa a cadea escollida no campo estreo.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewfO botn Slap engdelle algo de distorsin tipo fuzz corda escollida que se nota mis durante o ataque, anda que tamn se pode usar para facer que a corda soe mis metlica.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewO selector Corda emprgase para escoller a corda que editan os controles. Un instrumento de Vibed pode conter at nove cordas vibrando independentemente. O LED do recanto inferior dereito do editor da forma da onda indica se a corda escollida esst activada.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewZO editor de formas de onda permite controlar o estado inicial ou impulso usado para facer que a corda comece a vibrar. Os botns que hai dereita da grfica inicializan a forma de onda no tipo escollido. O botn ? carga unha forma de onda desde un ficheiro - s se cargan as primeiras 128 mostras. A forma de onda tamn se pode debuxar na grfica. O botn S suaviza a forma de onda. O botn N normaliza a forma de onda.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedViewOnda triangular Triangle wave vibedViewrEmpregar unha onda de dente de serra para este oscilador.&Use a saw-wave for current oscillator. vibedView`Empregar unha onda senoidal para este oscilador.'Use a sine-wave for current oscillator. vibedView^Empregar unha onda cadrada para este oscilador.)Use a square-wave for current oscillator. vibedViewdEmpregar unha onda triangular para este oscilador.+Use a triangle-wave for current oscillator. vibedViewxEmpregar unha forma de onda predefinida para este oscilador.3Use a user-defined waveform for current oscillator. vibedViewTEmpregar rudo branco para este oscilador.'Use white-noise for current oscillator. vibedView4Onda definida polo usuarioUser defined wave vibedViewVibed modela at nove cordas vibrando independentemente. O selector Corda permite escoller a corda que se desexe editar. O selector Imp escolle se o grfico representa un impulso ou o estado inicial da corda. O selector Oitava escolle o harmnico co que debera vibrar a corda. A grfica permite controlar o estado inicial ou o impulso usados para pr a corda en movemento. O botn V controla o volume. O botn S controla a tensin.da corda. O botn P controla a posicin da pa. O botn PU controla a posicin de observacin. Pan e Detune non deberan precisar explicacin. O botn Slap engdelle un pouco de distorsin tipo fuzz ao son da corda. O botn Lonxitude controla a lonxitude da corda. O LED do recanto inferior dereito do editor da forma da onda determina se a corda est activa no instrumento.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewVolume:Volume: vibedView(Onda de rudo brancoWhite noise wave vibedView$Prema para activarClick to enablevisualizationWidgetlPrema para des/activar a visualizacin da sada global6click to enable/disable visualization of master-outputvisualizationWidget Ataque da voz %1Voice %1 attack voiceObject8Desafinacin bruta da voz %1Voice %1 coarse detuning voiceObject&Decamento da voz %1Voice %1 decay voiceObject$Filtrado da voz %1Voice %1 filtered voiceObject0Largo do pulso da voz %1Voice %1 pulse width voiceObject*Relaxamento da voz %1Voice %1 release voiceObject8Modulacin de anel da voz %1Voice %1 ring modulate voiceObject,Sustentacin da voz %1Voice %1 sustain voiceObject0Sincronizacin da voz %1 Voice %1 sync voiceObjectProba da voz %1 Voice %1 test voiceObject.Fonda da onda da voz %1Voice %1 wave shape voiceObjectlmms-1.0.0+bzr2569/data/locale/gl.ts0000644000000000000000000076210312307165142015061 0ustar 00000000000000 AboutDialog About LMMS Sobre o LMMS LMMS (Linux MultiMedia Studio) LMMS (Estudio Multimedia de Linux) Version %1 (%2/%3, Qt %4, %5) Versión %1 (%2/%3, Qt %4, %5) About Sobre LMMS - easy music production for everyone LMMS - produción musical fácil para calquera Authors Autores Translation Tradución Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! Este idioma non está traducido (ou é inglés nativo). Se lle interesa traducir o LMMS a outro idioma ou desexa mellorar as traducións existentes, síntase á vontade axudándonos! Simplemente contacte co mantedor! License Licenza Copyright (c) 2004-2014, LMMS developers Copyright (c) 2004-2009, os desenvolvedores do LMMS {2004-2013,?} {2004-2014,?} <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE DISPOSITIVO CHANNELS CANLES AudioFileProcessorView Open other sample Abrir outra mostra Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Prema aquí se desexa abrir outro ficheiro de son. Aparecerá un diálogo no que se pode escoller un ficheiro. As opcións tipo modo de bucle, puntos iniciais e final, valor da amplificación, etc. non se reinician. Polo tanto, pode non soar igual que a mostra orixinal. Reverse sample Inverter a mostra If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Ao activar este botón invértese a mostra completa. Isto é útil para efectos gaioleiros, como un crash invertido. Loop sample at start- and end-point Repetir a mostra en bucle nos puntos inicial e final Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Aquí pódese configurar se se desexa activar o modo de bucle. De activalo, o procesador de ficheiros de son repite entre os puntos inicial e final dunha mostra até que se toca a nota enteira. Isto é últil para cousas como mostras de corda e coro. Amplify: Amplificar: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Con este botón pódese indicar a relación de amplificación. Cando se indica un valor de 100%, a mostra fica como estaba. Se non, amplifícase para arriba ou para abaixo (o ficheiro mesmo coa mostra non se toca!) Startpoint: Punto inicial: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Con este botón pódese indicar o punto se desexa que o AudioFileProcessor comece a reproducir a mostra. Se o modo en bucle estiver activado, este é o punto ao que volta o AudioFileProcessor se unha nota é máis longa do que a mostra entre os puntos inicial e final. Endpoint: Punto final: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Con este botón pódese indicar o punto no que desexe o AudioFileProcessor pare a reprodución da mostra. Se o modo en bucle estiver activado, este é o punto ao que o AudioFileProcessor volve se a nota for máis longa que a mostra entre os puntos inicial e final. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted Reiniciouse o cliente de JACK LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS foi expulsado por JACK por algunha razón. En consecuencia, reiniciouse a infraestrutura de JACK do LMMS. Terá que realizar as conexións manualmente de novo. JACK server down O servidor de JACK non está a funcionar The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. Semella que o servidor de JACK foi apagado e non foi posíbel iniciar unha instancia nova. En consecuencia, o LMMS non pode preseguir. Hai que gravar este proxecto e reiniciar o JACK e o LMMS. AudioJack::setupWidget CLIENT-NAME CLINTE-NOME CHANNELS CANLES AudioOss::setupWidget DEVICE DISPOSITIVO CHANNELS CANLES AudioPortAudio::setupWidget BACKEND INFRAESTRUTURA DEVICE DISPOSITIVO AudioPulseAudio::setupWidget DEVICE DISPOSITIVO CHANNELS CANLES AudioSdl::setupWidget DEVICE DISPOSITIVO AutomatableModel &Reset (%1%2) &Reiniciar (%1%2) &Copy value (%1%2) &Copiar o valor (%1%2) &Paste value (%1%2) A&pegar o valor (%1%2) Edit song-global automation Editar a automatización global da canción Connected to %1 Ligado a %1 Connected to controller Ligado ao controlador Edit connection... Editar a conexión... Remove connection Eliminar a conexión Connect to controller... Ligar a un controlador... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Reproducir/Deter o padrón actual (Espazo) Stop playing of current pattern (Space) Parar a execución do padrón actual (Espazo) Draw mode (Shift+D) Modo de debuxo (Maiúsculas+D) Erase mode (Shift+E) Modo de borrado (Maiúsculas+E) Cut selected values (Ctrl+X) Recortar os valores escollidos (Ctrl+X) Copy selected values (Ctrl+C) Copiar os valores escollidos (Ctrl+C) Paste values from clipboard (Ctrl+V) Apegar os valores do porta-retallos (Ctrl+V) Automation Editor - no pattern Editor de automatización - non hai ningún padrón Automation Editor - %1 Editor de automatización - %1 Please open an automation pattern with the context menu of a control! Abra un padrón de automatización co menú de contexto dun control! Values copied Valores copiados All selected values were copied to the clipboard. Copiáronse todos os valores escollidos no porta-retallos. Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Prema aquí se desexa reproducir este padrón. Isto é útil mentres se edita. O padrón repítese en bucle automaticamente ao chegar ao final. Click here if you want to stop playing of the current pattern. Prema aquí se desexa parar a reprodución deste padrón. Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Prema aquí e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este é o modo por omisión que se emprega a maior parte do tempo. Tamén pode premer «Maiúsculas+D» no teclado para activar este modo. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Tamén pode premer «Maiúsculas+E» no teclado para activar este modo. Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Prema aquí e os valores escollidos recórtanse e van para o porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Prema aquí e os valores escollidos cópianse no porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. Click here and the values from the clipboard will be pasted at the first visible measure. Prema aquí e os valores do porta-retallos apegaranse no primeiro compás visíbel. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> Arrastre un control mentres ten <Ctrl> premido AutomationPatternView double-click to open this pattern in automation editor faga duplo clic para abrir este padrón no editor de automatización Open in Automation editor Abrir o editor de automatización Clear Limpar Reset name Restaurar o nome Change name Mudar o nome %1 Connections %1 conexións Disconnect "%1" Desconectar «%1» AutomationTrack Automation track Pista de automatización Controller Controller %1 Controlador %1 ControllerConnectionDialog Connection Settings Configuración da conexión MIDI CONTROLLER CONTROLADOR DE MIDI Input channel Canle de entrada CHANNEL CANLE Input controller Controlador de entrada CONTROLLER CONTROLADOR Auto Detect Detectar automaticamente MIDI-devices to receive MIDI-events from Dispositivos MIDI dos que recibir acontecementos USER CONTROLLER CONTROLADOR DO USUARIO MAPPING FUNCTION FUNCIÓN DE ASIGNACIÓN OK Aceptar Cancel Cancelar LMMS LMMS Cycle Detected. Detectouse un ciclo. ControllerRackView Controller Rack Bastidor de controladores Add Engadir Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controles Controllers are able to automate the value of a knob, slider, and other controls. Os controladores poden automatizar o valor dun botón xiratorio ou linear e outros controles. Rename controller Renomear o controlador Enter the new name for this controller Introduza o novo nome deste controlador &Remove this plugin Elimina&r este engadido &Help &Axuda Effect Effect enabled Efecto activado Wet/Dry mix Mestura húmida/seca Gate Porta Decay Decaemento EffectChain Effects enabled Efectos activados EffectRackView EFFECTS CHAIN CADEA DE EFECTOS Add effect Engadir un efecto EffectSelectDialog Add effect Engadir un efecto Plugin description Descrición do engadido EffectView Toggles the effect on or off. Conmuta a activación do efecto. On/Off Activar/Desactivar W/D H/S Wet Level: Nivel de humidade: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. O botón Húmido/Seco indica a relación entre o sinal de entrada e o sinal de efecto que forma a saída. DECAY DECAE Time: Tempo: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. O botón Decaemento controla cantos búferes de silencio han de pasar antes de que o engadido pare de procesar. Valores máis pequenos reducen o esforzo da CPU a risco de recortar a cola nos efectos de demora e reverberación. GATE PORTA Gate: Porta: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. O botón Porta controla o nivel do sinal que se considere como «silencio» mentres se decide cando parar de procesar os sinais. Controls Controles Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Os engadidos de efectos funcionan como unha serie encadeada de efectos na que o sinal se procesa desde arriba para abaixo. O interruptor Activar/Desactivar permite omitir un engadido dado en calquera momento. O botón Húmido/Seco controla o balance entre o sinal de entrada eo sinal producido que é a saída resultante do efecto. A entrada da etapa é a saída da etapa anterior. Polo tanto, o sinal «seco» dos efectos de abaixo na cadea contén todos os efectos previos. O botón Decaemento controla como se continúa a procesar o sinal despois de relaxar as notas. O efecto para o procesamento dos sinais cando o volume baixa por debaixo dun limiar dado durante un tempo dado. Este botón indica o «tempo dado». Tempos maiores requiren máis CPU, polo que este número debería ser baixo para a maioría dos efectos. Haino que subir para os efectos que producen períodos de silencio longos, como por exemplo as demoras. O botón Porta controla o «limiar dado» do apagado automático do efecto. O reloxo do «tempo dado» comeza así que o nivel do sinal procesado cae por debaixo do nivel indicado con este botón. O botón Controles abre un diálogo para editar os parámetros do efecto. Ao premer co botón dereito aparece un menú de contexto no que se pode cambiar a orden na que se procesan os efectos ou eliminar un efecto de vez. Move &up S&ubir Move &down &Baixar &Remove this plugin Elimina&r este engadido &Help &Axuda EnvelopeAndLfoParameters Predelay Tempo de reverberación Attack Ataque Hold Retención Decay Decaemento Sustain Sustentación Release Relaxamento Modulation Modulación LFO Predelay Tempo de reverberación do LFO LFO Attack Ataque do LFO LFO speed Velocidade do LFO LFO Modulation Modulación do LFO LFO Wave Shape Forma da onda do LFO Freq x 100 Freq x 100 Modulate Env-Amount Modular a cantidade de env EnvelopeAndLfoView DEL TMP REV Predelay: Tempo de reverberación: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Empregue este botón para indicar o tempo de reverberación desta envolvente. Canto maior for este valor maior será o intervalo até que comece a envolvente en si. ATT ATAQ Attack: Ataque: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Empregue este botón para indicar o tempo de ataque da envolvente escollida. Canto maior for o valor máis tempo lle levará á envolvente aumentar até o nivel de ataque. Escolla un valor pequeno para instrumentos como os pianos e un valor grande para as cordas. HOLD RETEN Hold: Retención: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Empregue este botón para indicar o tempo de retención da envolvente escollida. Canto maior for este valor máis tempo mantén a envolvente o nivel de ataque antes de comezar a diminuír até o nivel de sustentación. DEC DEC Decay: Decaemento: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Empregue este botón para indicar o tempo de decaemento da envolvente escollida. Canto maior for este valor máis tempo lle levará á envolvente para diminuír desde o nivel de ataque até o nivel de sustentación. Escolla un valor pequenos para instrumentos como o piano. SUST SUST Sustain: Sustentación: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Empregue este botón para indicar o nivel de sustentación da envolvente escollida. Canto maior for este valor máis alto é o nivel no que fica a envolvente antes de baixar até cero. REL Release: Relaxamento: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Empregue este botón para indicar o tempo de relaxamento da envolvente escollida. Canto maior for este valor máis tempo lle leva diminuír desde o nivel de sustentación até cero. Escolla un valor grande para instrumentos como as cordas. AMT CANTIDADE Modulation amount: Cantidade de modulación: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Empregue este botón para indicar a cantidade de modulación da envolvente escollida. Canto maior for este valor maior máis se verá influenciado o tamaño correspondente (p.ex. o volume ou a frecuencia de corte) por esta envolvente. LFO predelay: Tempo de reverberación do LFO: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Empregue este botón para indicar o tempo de reverberación deste LFO. Canto maior for este valor, maior será o intervalo até que o LFO comece a oscilar. LFO- attack: Ataque do LFO: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Empregue este botón para indicar o tempo de ataque do LFO escollido. Canto maior for este valor máis tempo lle levará ao LFO para aumentar a súa amplitude até o máximo. SPD SPD LFO speed: Velocidade do LFO: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Empregue este botón para indicar a velocidade do LFO escollido. Canto maior for este valor máis rápido oscila o LFO e máis rápido é o efecto. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Empregue este botón para indicar a cantidade de modulación do LFO escollido. Canto maior for este valor máis se verá influenciado o tamaño escollido (p.ex. o volume ou a frecuencia de corte) por este LFO. Click here for a sine-wave. Prema aquí para unha onda senoidal. Click here for a triangle-wave. Prema aquí para unha onda triangular. Click here for a saw-wave for current. Prema aquí para unha onda de dente de serra. Click here for a square-wave. Prema aquí para unha onda cadrada. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Prema aquí para unha onda definida polo usuario. Posteriormente, arrastre un ficheiro de mostra correspondente sobre o gráfico de LFO. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. Prema aquí se desexa multiplicar por 100 a frecuencia deste LFO. multiply LFO-frequency by 100 multiplicar a frecuencia de LFO por 100 MODULATE ENV-AMOUNT MODULAR CANT. ENVO Click here to make the envelope-amount controlled by this LFO. Prema aquí para facer que a cantidade de envolvente sexa controlada por este LFO. control envelope-amount by this LFO controlar a cantidade de envolvente con este LFO ms/LFO: Hint Suxestión Drag a sample from somewhere and drop it in this window. Arrastre un exemplo doutro sitio e sólteo sobre esta xanela. ExportProjectDialog Export project Exportar o proxecto Output Saída File format: Formato de ficheiro: Samplerate: Taxa de mostraxe: 44100 Hz 44100 Hz 48000 Hz 48000 Hz 88200 Hz 88200 Hz 96000 Hz 96000 Hz 192000 Hz 192000 Hz Bitrate: Taxa de bits: 64 KBit/s 64 KBit/s 128 KBit/s 128 KBit/s 160 KBit/s 160 KBit/s 192 KBit/s 192 KBit/s 256 KBit/s 256 KBit/s 320 KBit/s 320 KBit/s Depth: Profundidade: 16 Bit Integer Enteiro de 16 bits 32 Bit Float Vírgula flutuante de 32 bits Please note that not all of the parameters above apply for all file formats. Teña en conta que non todos os parámetros de enriba se poden aplicar a todos os formatos de ficheiro. Quality settings Configuración da calidade Interpolation: Interpolación: Zero Order Hold Retención de orde cero Sinc Fastest Whittaker–Shannon máis rápida Sinc Medium (recommended) Whittaker–Shannon media (recomendada) Sinc Best (very slow!) Whittaker–Shannon mellor (moi lenta!) Oversampling (use with care!): Sobresampleado (usar con coidado!): 1x (None) 1x (Ningún) 2x 2x 4x 4x 8x 8x Sample-exact controllers Controladores de mostras exactas Alias-free oscillators Osciladores sen alias Start Comezar Cancel Cancelar Export as loop (remove end silence) FxMixer Master Global FX %1 Efecto %1 FxMixerView Rename FX channel Mudar o nome desta canle de efectos especiais Enter the new name for this FX channel Introduza o novo nome para esta canle de efectos especiais FX-Mixer Mesturador de efectos especiais FX Fader %1 Fader de efectos %1 Mute Silenciar Mute this FX channel Silenciar esta canle de efectos especiais InstrumentFunctionArpeggio Arpeggio Arpexo Arpeggio type Tipo de arpexo Arpeggio range Intervalo do arpexo Arpeggio time Tempo do arpexo Arpeggio gate Porta do arpexo Arpeggio direction Dirección do arpexo Arpeggio mode Modo do arpexo Up Arriba Down Abaixo Up and down Arriba e abaixo Random Aleatorio Free Libre Sort Ordenar Sync Sincronizar InstrumentFunctionArpeggioView ARPEGGIO ARPEXO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Un arpexo é unha técnica de tocar instrumentos (especialmente de corda), que fai que a música sexa máis viva. As cordas deses instrumentos (harpas, por exemplo), púlsanse como acordes. A única diferenza é que se fai de maneira secuencial, polo que as notas non se tocan todas ao mesmo tempo. Os arpexos típicos son tríadas maiores ou menores, aínda que existen moitos outros acordes posíbeis que se poden escoller. RANGE Arpeggio range: Tesitura do arpexo: octave(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Empregue este botón para indicar a tesitura do arpexo en oitavas. O arpexo escollido reproducirase dentro do número de oitavas indicado. TIME Tempo Arpeggio time: Tempo do arpexo: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. GATE PORTA Arpeggio gate: Porta do arpexo: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Dirección: Mode: Modo: InstrumentFunctionNoteStacking octave oitava Major Maior Majb5 Majb5 minor menor minb5 minb5 sus2 sus2 sus4 sus4 aug aum augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 6add9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9b5 9b5 9#11 9b13 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 m9 madd9 m9b5 m9-Maj7 11 11b9 11b9 Maj11 m11 m11 m-Maj11 13 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 m13 m13 m-Maj13 Harmonic minor Harmónico menor Melodic minor Melódico menor Whole tone Un ton Diminished Diminuído Major pentatonic Pentatónico maior Minor pentatonic Pentatónico menor Jap in sen Major bebop Maior de bebop Dominant bebop Dominante de bebop Blues Blues Arabic Árabe Enigmatic Enigmático Neopolitan Napolitano Neopolitan minor Napolitano menor Hungarian minor Húngaro menor Dorian Dorio Phrygolydian Frixio-lidio Lydian Lidio Mixolydian Mixolidio Aeolian Eolio Locrian Locrio Chords Acordes Chord type Tipo de acorde Chord range Intervalo do acorde Minor InstrumentFunctionNoteStackingView RANGE INTERVALO Chord range: Intervalo do acorde: octave(s) oitava(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Empregue este botón para indicar a tesitura do acorde en oitavas. O acorde escollido tocarase dentro do número indicado de oitavas. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT ACTIVAR A ENTRADA DE MIDI CHANNEL CANLE VELOCITY VELOCIDADE ENABLE MIDI OUTPUT ACTIVAR A SAÍDA DE MIDI PROGRAM PROGRAMA MIDI devices to receive MIDI events from Dispositivos MIDI dos que recibir acontecementos MIDI MIDI devices to send MIDI events to Dispositivos MIDI aos que enviar acontecementos MIDI NOTE InstrumentSoundShaping VOLUME VOLUME Volume Volume CUTOFF FREC. CORTE Cutoff frequency Frecuencia de corte RESO RESO Resonance Resonancia Envelopes/LFOs Envolventes/LFO Filter type Tipo de filtro Q/Resonance Q/Resonancia LowPass Pasa-baixas HiPass Pasa-altas BandPass csg Pasa-faixa csg BandPass czpg Pasa-faixa czpg Notch Entalle Allpass Pasa-todo Moog Moog 2x LowPass 2x Pasa-baixas RC LowPass 12dB RC pasa-baixa 12dB RC BandPass 12dB RC pasa-faixa 12dB RC HighPass 12dB RC pasa-alta 12dB RC LowPass 24dB RC pasa-baixa 24dB RC BandPass 24dB RC pasa-faixa 24dB RC HighPass 24dB RC pasa-alta 24dB Vocal Formant Filter Filtro de formante vocal InstrumentSoundShapingView TARGET DESTINO These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Estas lapelas conteñen envolventes. Son moi importantes para modificar un son dado que son case sempre necesarias para as sínteses subtractivas. Por exemplo, se se ten unha envolvente de volume pódese indicar cando se desexa que o son teña un volume determinado. Se se desexan crear cordas brandas o son ten que entrar e saír moi suavemente. Isto pódese facer indicando tempos de ataque e relaxamento longos. É o mesmo para outros destinos de envolvente, como panning, frecuencia de corte do filtro empregado e así por diante. Fedelle! Seguro que pode crear sons interesantes a partir dunha onde de dente de serra con unhas imples envolventes...! FILTER FILTRO Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Aquí pódese escoller o filtro incorporado que se desexe empregar para esta pista de instrumento. Os filtros son moi importantes para cambiar as características dun son. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Empregue este botón para indicar a frecuencia de corte do filtro escollido. A frecuencia de corte indica a frecuencia á que un filtro corta o sinal. Por exemplo, un filtro pasa-baixas corta todas as frecuencias que ultrapasen a frecuencia de corte. Un filtro pasa-altas corta todas as frecuencias por debaixo da frecuencia de corte, e así por diante... RESO RESO Resonance: Resonancia: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Empregue este botón para indicar a Q/Resonancia do filtro escollido. A Q/Resonancia indícalle ao filtro canto se desexa amplificar as frecuencias próximas á de corte. FREQ FREQ cutoff frequency: InstrumentTrack unnamed_track pista_sen_nome Volume Volume Panning Panorámica Pitch Altura FX channel Canle de efectos especiais Default preset Predefinido With this knob you can set the volume of the opened channel. Con este botón pódese indicar o volume da canle aberta. Base note Nota base Pitch range InstrumentTrackView Volume Volume Volume: Volume: VOL VOL Panning Panorámica Panning: Panorámica: PAN PAN MIDI MIDI Input Entrada Output Saída InstrumentTrackWindow GENERAL SETTINGS CONFIGURACIÓN XERAL Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Prema aquí se desexa gravar a configuración desta canle nun ficheiro de predefinicións. Noutras ocasións poderá cargar estas predefinicións facendo duplo clic no navegador de predefinicións. Instrument volume Volume do instrumento Volume: Volume: VOL VOL Panning Panorámica Panning: Panorámica: PAN PAN Pitch Altura Pitch: Altura: cents cents PITCH ALTURA FX channel Canlde de FX ENV/LFO ENV/LFO FUNC FUNC FX FX MIDI MIDI Save preset Gardar as predefinicións XML preset file (*.xpf) Ficheiro de predefinicións en XML (*.xpf) PLUGIN ENGADIDO Save current channel settings in a preset-file Pitch range (semitones) RANGE LadspaControl Link channels Ligar canles LadspaControlDialog Link Channels Ligar canles Channel Canle LadspaControlView Link channels Ligar canles Value: Valor: Sorry, no help available. Desculpe, non hai axuda dispoñíbel. LadspaEffect Effect Efecto Unknown LADSPA plugin %1 requested. Solicitouse un engadido de LADSPA, %1, que é descoñecido. LfoController LFO Controller Controlador de LFO Base value Valor base Oscillator speed Velocidade do oscilador Oscillator amount Cantidade de oscilador Oscillator phase Fase do oscilador Oscillator waveform Forma de onda do oscilador Frequency Multiplier Multiplicador de frecuencia LfoControllerDialog LFO LFO LFO Controller Controlador de LFO BASE BASE Base amount: Cantidade base: todo por facer SPD SPD LFO-speed: Velocidade de SPD: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Empregue este botón para indicar a velocidade do oscilador de frecuencia baixa (LFO). Canto maior sexa este valor, máis rápido oscila o LFO e máis rápido resulta o efecto. AMT Modulation amount: Cantidade de modulación: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Empregue este botón para indicar a cantidade de modulación do LFO. Canto maior for este valor, máis se verá influenciado o control conectado (p.ex. volume ou frecuencia de corte) polo LFO. PHS FASE Phase offset: Desprazamento da fase: degrees graos With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Con este botón pódese indicar o desprazamento da fase do oscilador de frecuencia baixa (LFO). Iso significa que se pode mover o punto dunha oscilación no que o oscilador comeza a oscilar. Se, por exemplo, se ten unha onda senoidal e un desprazamento de fase de 180 graos, a onda baixo primeiro. Cunha onda cadrada é o mesmo. Click here for a sine-wave. Prema aquí para unha onda senoidal. Click here for a triangle-wave. Prema aquí para unha onda triangular. Click here for a saw-wave. Prema aquí para unha onda de dente de serra. Click here for a square-wave. Prema aquí para unha onda cadrada. Click here for a a moog saw-wave. Prema aquí para unha onda de dente de serra tipo Moog. Click here for an exponential wave. Prema aquí para unha onda exponencial. Click here for white-noise. Prema aquí para ruído branco. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Directorio de traballo The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. O directorio de traballo do LMMS %1 non existe. Desexa crealo agora? Pode cambiar o directorio máis tarde indo a Editar -> Configuración. Could not save config-file Non foi posíbel gravar o ficheiro de configuración Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Non foi posíbel gravar o ficheiro de configuración %1. Probabelmente non se lle permita escribir neste ficheiro. Asegúrese de dispor de acceso para escribir neste ficheiro e ténteo de novo. &Project &Proxecto &New &Novo &Open... &Abrir... Recently opened projects Proxectos abertos recentemente &Save &Gardar Save &As... Gr&avar como... Import... Importar... E&xport... E&xportar... &Quit &Saír &Edit &Editar Settings Configuración &Tools Ferramen&tas &Help &Axuda Online help Axuda na Internet Help Axuda What's this? Que é isto? About Sobre Create new project Crear un proxecto novo Create new project from template Crear un proxecto novo a partir dun modelo Open existing project Abrir un projecto existente Recently opened project Proxecto aberto recentemente Save current project Gravar este proxecto Export current project Exportar este proxecto Show/hide Song-Editor Mostrar/Agochar o editor de cancións By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Premendo este botón pódese mostrar ou agochar o Editor de Cancións. Coa axuda do Editor de Cancións pódese editar listas de reprodución e indicar cando tocar unha pista. Tamén se poden inserir e mover mostras (p.ex. mostras de rap) directamente na lista de reprodución. Show/hide Beat+Bassline Editor Mostrar/Agochar o Editor de ritmos e liña do baixo By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Premendo este botón pódese mostrar ou agochar o Editor de ritmos e liña do baixo. Este Editor de ritmos e liña do baixo é necesario para crear ritmos e para abrir, engadir e eliminar canles, así como para recortar, copiar e pegar ritmos e padróns de liñas do baixo e para outras cousas semellantes. Show/hide Piano-Roll Mostrar/Agochar a pianola Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Prema aquí para mostrar ou agochar a pianola. Coa axuda da pianola pódense editar melodías facilmente. Show/hide Automation Editor Mostrar/Agochar o Editor de automatización Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Prema aquí para mostrar ou agochar o Editor de automatización. Coa axuda do Editor de automatización pódense editar os valores dinámicos facilmente. Show/hide FX Mixer Mostrar/Agochar os Mesturador de efectos especiais Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Prema aquí para mostrar ou agochar o Mesturador de efectos especiais. O Mesturador de efectos especiais é unha ferramenta potente para xestionar os efectos das cancións. Pódense inserir efectos nas diferentes canles de efectos. Show/hide project notes Mostrar/Agochar as notas do proxecto Click here to show or hide the project notes window. In this window you can put down your project notes. Prema aquí para mostrar ou agochar a xanela coas notas do proxecto. Nela pódense apuntar as notas do proxecto. Show/hide controller rack Mostrar/Agochar o bastidor de controladores Untitled Sen título LMMS %1 LMMS %1 Project not saved Proxecto non gardado The current project was modified since last saving. Do you want to save it now? Este proxecto foi modificado desde que se gardou a última vez. Desexa gardalo agora? Open project Abrir un proxecto Save project Gardar o proxecto Help not available Non hai axuda dispoñíbel Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. De momento non hai axuda dispoñíbel no LMMS. Visitehttp://lmms.sf.net/wiki para documentación sobre o LMMS. My projects My samples My presets My home My computer Root directory E&xport tracks... Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 Save as new &version LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 MeterDialog Meter Numerator Numerador do compás Meter Denominator Denominador do compás TIME SIG COMPÁS MeterModel Numerator Numerador Denominator Denominador MidiAlsaRaw::setupWidget DEVICE DISPOSITIVO MidiAlsaSeq::setupWidget DEVICE DISPOSITIVO MidiController MIDI Controller Controlador de MIDI unnamed_midi_controller controlador_de_midi_sen_nome MidiImport Setup incomplete A configuración está incompleta You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. Non se indicou unha fonte de son por omisión no diálogo de configuración (Editar->Configuración). En consecuencia, non se ha de reproducir ningún son unha vez importado este ficheiro de MIDI. Debería descargar unha fonte de son de General MIDI, indicala no diálogo de configuración e tentar de novo. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. O LMMS non foi compilado para que admitise un reprodutor de SoundFont2, que se utiliza para engadir un son por omisión aos ficheiros de MIDI. En consecuencia, non se ha de reproducir ningún son unha vez importado este ficheiro de MIDI. MidiOss::setupWidget DEVICE DISPOSITIVO MidiPort Input channel Canle de entrada Output channel Canle de saída Input controller Controlador de entrada Output controller Controlador de saída Fixed input velocity Velocidade de entrada fixa Fixed output velocity Velocidade de saída fixa Output MIDI program Programa MIDI de saída Receive MIDI-events Recibir acontecementos de MIDI Send MIDI-events Enviar acontecementos de MIDI Fixed output note OscillatorObject Osc %1 volume Volume do oscilador %1 Osc %1 panning Panorámica do oscilador %1 Osc %1 coarse detuning Desafinación bruta do oscilador %1 Osc %1 fine detuning left Desafinación fina esquerda do oscilador %1 Osc %1 fine detuning right Desafinación fina dereita do oscilador %1 Osc %1 phase-offset Desprazamento da fase do oscilador %1 Osc %1 stereo phase-detuning Desafinación de fase en estéreo do oscilador %1 Osc %1 wave shape Forma da onda do oscilador %1 Modulation type %1 Tipo de modulación %1 Osc %1 waveform Forma de onda do oscilador %1 PatmanView Open other patch Abrir outro parche Click here to open another patch-file. Loop and Tune settings are not reset. Prema aquí para abrir outro ficheiro de parche. A configuración dos bucles e a afinación non se restauran. Loop Bucle Loop mode Modo de bucle Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Aquí pódese alternar entre modos de bucle. Cando está activado, o PatMan emprega a información sobre o bucle dispoñíbel no ficheiro. Tune Afinación Tune mode Modo de afinación Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Aquí pódese alternar entre modos de afinación. Cando está activado o Patman afina a mostra para que coincida coa frecuencia da nota. No file selected Non escolleu ningún ficheiro Open patch file Abrir un ficheiro de parches Patch-Files (*.pat) Ficheiros de parches (*.pat) PeakController Peak Controller Controlador de picos Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK PICO LFO Controller Controlador do LFO PeakControllerEffectControlDialog BASE BASE Base amount: Cantidade base: Modulation amount: Cantidade de modulación: Attack: Ataque: Release: Relaxamento: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Valor base Modulation amount Cantidade de modulación Attack Ataque Release Relaxamento Mute output Silenciar a saída Abs Value Amount Multiplicator PianoView Base note Nota base Plugin Plugin not found Non se atopou o engadido The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Non se atopou o engadido «%1» ou non foi posíbel cargalo! Razón: «%2» Error while loading plugin Produciuse un erro ao cargar o engadido Failed to load plugin "%1"! Fallou a carga do engadido «%1»! ProjectRenderer WAV-File (*.wav) Ficheiro wav (*.wav) Compressed OGG-File (*.ogg) Ficheiro OGG comprimido (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Nome: Maker: Creador: Copyright: Copyright: Requires Real Time: Require tempo real: Yes Si No Non Real Time Capable: Capacidade de tempo real: In Place Broken: En sitio rachado: Channels In: Canles de entrada: Channels Out: Canles de saída: File: Ficheiro: SampleBuffer Open audio file Abrir un ficheiro de son All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Todos os ficheiros de son (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Ficheiros wave (*.wav) OGG-Files (*.ogg) Ficheiros OGG (*.ogg) DrumSynth-Files (*.ds) Ficheiros do DrumSynth (*.ds) FLAC-Files (*.flac) Ficheiros FLAC (*.flac) SPEEX-Files (*.spx) Ficheiros SPEEX (*.spx) MP3-Files (*.mp3) Ficheiros MP3 (*.mp3) VOC-Files (*.voc) Ficheiros VOC (*.voc) AIFF-Files (*.aif *.aiff) Ficheiros AIFF (*.aif *.aiff) AU-Files (*.au) Ficheiros AU (*.au) RAW-Files (*.raw) Ficheiros RAW (*.raw) SampleTCOView double-click to select sample faga duplo clic para escoller unha mostra Delete (middle mousebutton) Eliminar (botón do medio do rato) Cut Recortar Copy Copiar Paste Apegar Mute/unmute (<Ctrl> + middle click) Silenciar/Darlle volume (<Ctrl> + botón central do rato) Set/clear record Indicar/Limpar a gravación SampleTrack Sample track Pista de mostras Volume Volume SampleTrackView Track volume Volume da pista Channel volume: Volume da canle: VOL VOL TempoSyncKnob Tempo Sync Sincronización do tempo No Sync Non sincronizar Eight beats Oito tempos Whole note Redonda Half note Branca Quarter note Negra 8th note Corchea 16th note Semicorchea 32nd note Fusa Custom... Personalizada... &Help &Axuda Custom Personalizada Synced to Eight Beats Sincronizado a oito tempos Synced to Whole Note Sincronizado á redonda Synced to Half Note Sincronizado á branca Synced to Quarter Note Sincronizado á negra Synced to 8th Note Sincronizado á corchea Synced to 16th Note Sincronizado á semicorchea Synced to 32nd Note Sincronizado á fusa TimeDisplayWidget click to change time units TrackContainer Couldn't import file Non foi posíbel importar o ficheiro Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Non foi posíbel atopar un filtro para importar o ficheiro %1. Debería converter este ficheiro a un formato que o LMMS recoñeza usando outro software. Couldn't open file Non foi posíbel abrir o ficheiro Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Non foi posíbel abrir o ficheiro %1 para lelo. Asegúrese de ter permiso de lectura sobre o ficheiro e o directorio que o contén e tente de novo! Loading project... A cargar o proxecto... Cancel Cancelar Please wait... Agarde un anaco... Importing MIDI-file... A importar un ficheiro MIDI... Importing FLP-file... A importar un ficheiro FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Empregar a modulación de fase para modular o oscilador 2 co oscilador 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Empregar a modulación de amplitude para modular o oscilador 2 co oscilador 1 Mix output of oscillator 1 & 2 Misturar a saída dos osciladores 1 e 2 Synchronize oscillator 1 with oscillator 2 Sincronizar o oscilador 1 co oscilador 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Empregar a modulación de frecuencia para modular o oscilador 2 co oscilador 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Empregar a modulación de fase para modular o oscilador 3 co oscilador 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Empregar a modulación de amplitude para modular o oscilador 3 co oscilador 2 Mix output of oscillator 2 & 3 Misturar a saída dos osciladores 2 e 3 Synchronize oscillator 2 with oscillator 3 Sincronizar o oscilador 2 co oscilador 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Empregar a modulación de frecuencia para modular o oscilador 3 co oscilador 2 Osc %1 volume: Volume do oscilador %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Con este botón pódese indicar o volume do oscilador %1. Ao indicar un valor de 0 o oscilador apágase. Caso contrario pódese ouvir o oscilador tan alto como se indique aquí. Osc %1 panning: Panorámica do oscilador %1 With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Con este botón pódese indicar o panorama («panning») do oscilador %1. Un valor de -100 significa 100% esquerda e un valor de 100 move a saída do oscilador para a dereita. Osc %1 coarse detuning: Desafinación bruta do oscilador %1: semitones semitóns With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Con este botón pódese definir a desafinación bruta do oscilador %1. Pódese desafinar o oscilador 12 semitóns (unha oitava) para arriba e para abaixo. Isto é útil para crear sons cun acorde. Osc %1 fine detuning left: Desafinación fina esquerda do oscilador %1: cents cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Con este botón pódese indicar a desafinación fina do oscilador %1 pola canle esquerda. A desafinación fina ten como intervalo -100 cents e +100 cents. Isto é útil para crear sons «gordos». Osc %1 fine detuning right: Desafinación fina dereita do oscilador %1: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Con este botón pódese indicar a desafinación fina do oscilador %1 pola canle dereita. A desafinación fina ten como intervalo -100 cents e +100 cents. Isto é útil para crear sons «gordos». Osc %1 phase-offset: Desprazamento da fase do oscilador %1: degrees graos With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Con este botón pódese indicar o desprazamento de fase do oscilador %1. Iso significa que se pode mover o punto dunha oscilación no que o oscilador comeza a oscilar. Por exemplo, se se ten unha onda senoidal e un desprazamento de fase de 180 graos, a onda vai primeiro para abaixo. O mesmo acontece cunha onda cadrada. Osc %1 stereo phase-detuning: Desafinación de fase en estéreo do oscilador %1: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Conte este botón pódese indicar a desafinación de fase en estéreo do oscilador %1. A desafinación de fase en estéreo indica o tamaño da diferenza entre o desprazamento de fase das canles esquerda e dereita. Isto é moi bon para crear sons con estéreo amplo. Use a sine-wave for current oscillator. Empregar unha onda senoidal para este oscilador. Use a triangle-wave for current oscillator. Empregar unha onda triangular para este oscilador. Use a saw-wave for current oscillator. Empregar unha onda de dente de serra para este oscilador. Use a square-wave for current oscillator. Empregar unha onda cadrada para este oscilador. Use a moog-like saw-wave for current oscillator. Empregar unha onda de dente de serra tipo Moog para este oscilador. Use an exponential wave for current oscillator. Empregar unha onda exponencial para este oscilador. Use white-noise for current oscillator. Empregar ruído branco para este oscilador. Use a user-defined waveform for current oscillator. Empregar unha forma de onda predefinida para este oscilador. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Abrir outro engadido de VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Prema aquí se desexa abrir outro engadido de VST. Ao premer este botón aparece un diálogo para abrir ficheiros no que se pode escoller o ficheiro. Show/hide GUI Mostrar/Agochar a interface gráfica Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Prema aquí para mostrar ou agochar a interface gráfica de usuario do engadido de VST. Turn off all notes Apagar todas as notas Open VST-plugin Abrir o engadido de VST DLL-files (*.dll) Ficheiros DLL (.*dll) EXE-files (*.exe) Ficheiros EXE (*.exe) No VST-plugin loaded Non se cargou ningún engadido de VST Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Gardar as predefinicións Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset Predefinición by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Gardar as predefinicións Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin A cargar un engadido Please wait while loading VST-plugin... Agarde mentres se carga o engadido de VST... Failed loading VST-plugin Fallou a carga do engadido de VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Non foi posíbel cargar o engadido de VST %1 por algunha razón. Se funciona con outro software de VST en Linux, contacte cun desenvolvedor do LMMS! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Mostrar a interface gráfica Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Prema aquí para mostrar ou agochar a interface gráfica deusuario de ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ FREQ Filter Resonance: RES RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Amplificar Start of sample Inicio da mostra End of sample Final da mostra Reverse sample Inverter a mostra Loop Bucle Stutter bassBoosterControlDialog FREQ FREQ Frequency: Frecuencia: GAIN GAIN Gain: Ganancia RATIO TAXA Ratio: Taxa: bassBoosterControls Frequency Frecuencia Gain Ganancia Ratio Taxa bbEditor Beat+Bassline Editor Editor de ritmos e liña do baixo Play/pause current beat/bassline (Space) Reproducir/Deter o ritmo/a liña do baixo actual (Espazo) Add beat/bassline Engadir un ritmo/liña do baixo Add automation-track Engadir unha pista de automatización Stop playback of current beat/bassline (Space) Parar a reprodución do ritmo/da liña do baixo actual (Espazo) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Prema aquí para reproducir o ritmo/liña do baixo actual. O ritmo/liña do baixo repítese en bucle automaticamente ao chegar ao final. Click here to stop playing of current beat/bassline. Prema aquí para parar a reprodución do ritmo/liña do baixo actual. Remove steps Eliminar pasos Add steps Engadir pasos bbTCOView Open in Beat+Bassline-Editor Abrir no editor de ritmos e liña do baixo Reset name Restaurar o nome Change name Mudar o nome Change color Mudar a cor bbTrack Beat/Bassline %1 Ritmo/Liña do baixo %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Lonxitude da mostra Sine wave Onda senoidal Triangle wave Onda triangular Saw wave Onda de dente de serra Square wave Onda cadrada White noise wave Onda de ruído branco User defined wave Onda definida polo usuario Smooth Suave Click here to smooth waveform. Prema aquí para unha forma de onda suave. Interpolation Interpolación Normalize Normalizar Draw your own waveform here by dragging your mouse on this graph. Debuxe aquí a súa propia forma de onda arrastrando o rato polo gráfico. Click for a sine-wave. Prema para unha onda senoidal. Click here for a triangle-wave. Prema aquí para unha onda triangular. Click here for a saw-wave. Prema aquí para unha onda de dente de serra. Click here for a square-wave. Prema aquí para unha onda cadrada. Click here for white-noise. Prema aquí para ruído branco. Click here for a user-defined shape. Prema aquí para unha forma definida polo usuario. exportProjectDialog Export project to %1 Exportar o proxecto a %1 Error Erro Error while determining file-encoder device. Please try to choose a different output format. Produciuse un erro ao determinar o dispositivo codificador do ficheiro. Tente escollendo un formato de saída diferente. Rendering: %1% A renderizar: %1% Could not open file Non foi posíbel abrir o ficheiro Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Non foi posíbel abrir o ficheiro %1 para escribir nel. Asegúrese de ter permisos sobre o ficheiro e o directorio que o contén e tente de novo! fader Please enter a new value between %1 and %2: Introduza un valor novo entre %1 e %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph Gráfico kickerInstrument Start frequency Frecuencia inicial End frequency Frecuencia final Decay Decaemento Distortion Distorsión Gain Ganancia kickerInstrumentView Start frequency: Frecuencia inicial: End frequency: Frecuencia final: Decay: Decaemento: Distortion: Distorsión: Gain: Ganancia: knob &Help &Axuda Please enter a new value between -96.0 dBV and 6.0 dBV: Introduza un valor novo entre -96,0 dBV e 6,0 dBV: Please enter a new value between %1 and %2: Introduza un valor novo entre %1 e %2: ladspaBrowserView Available Effects Efectos dispoñíbeis Unavailable Effects Efectos non dispoñíbeis Instruments Instrumentos Analysis Tools Ferramentas de análise Don't know Non sei This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Este diálogo mostra información sobre todos os engadidos de LADSPA que o LMMS deu localizado. Os engadidos divídense en cinco categorías baseándose nunha interpretación dos tipos e nomes dos portos. Os efectos dispoñíbeis son os que se poden empregar co LMMS. Para que o LMMS poida utilizar un efecto ten que ser, en primeiro lugar e o máis importante, un efecto, o que quere dicir que ten que ter tanto canles de entrada como canles de saída. O LMMS identifica unha canle de entrada como un porto de taxa de son que conteña «in» no nome. As canles de saída identifícanse coas letras «out». Alén disto, o efecto ten que ter o mesmo número de entradas que de saídas e ter capacidade de tempo real. Os efectos non dispoñíbeis son os que foron identificados como efectos mais que non tiñan o mesmo número de canles de entrada que de saída ou non tiñan capacidade de tempo real. Os instrumentos son engadidos nos que só se identificaron canles de saída . As ferramentas de análise son engadidos nos que só se identificaron canles de entrada. Os «non sei» son engadidos nos que non se identificaron canles de entrada nin de saída. Facendo duplo clic sobre calquera dos engadidos mostra información sobre os portos. Type: Tipo: ladspaDescription Plugins Engadidos Description Descrición ladspaPortDialog Ports Portos Name Nome Rate Taxa Direction Dirección Type Tipo Min < Default < Max Mín < Predefinido < Máx Logarithmic Logarítmica SR Dependent Dependente de SR Audio Son Control Control Input Entrada Output Saída Toggled Conmutado Integer Enteiro Float Vírgula flutuante Yes Si lb302Synth VCF Cutoff Frequency Frecuencia de corte do VCF VCF Resonance Resonancia do VCF VCF Envelope Mod Modo de envolvente do VCF VCF Envelope Decay Decaemento da envolvente do VCF Distortion Distorsión Waveform Forma da onda Slide Decay Decamento ao escorregar Slide Escorregar Accent Acento Dead Morte 24dB/oct Filter Filtro de 24dB/oitava lb302SynthView Cutoff Freq: Frec. de corte: Resonance: Resonancia: Env Mod: Mod env: Decay: Decaemento: 303-es-que, 24dB/octave, 3 pole filter Filtro tipo 303, 24dB/oitava, 3 polos Slide Decay: Decamento ao escorregar: DIST: DIST: Saw wave Onda de dente de serra Click here for a saw-wave. Prema aquí para unha onda de dente de serra. Triangle wave Onda triangular Click here for a triangle-wave. Prema aquí para unha onda triangular. Square wave Onda cadrada Click here for a square-wave. Prema aquí para unha onda cadrada. Rounded square wave Onda cadrada arredondada Click here for a square-wave with a rounded end. Prema aquí para unha onda cadrada con final arredondado. Moog wave Onda tipo Moog Click here for a moog-like wave. Prema aquí para unha onda tipo Moog. Sine wave Onda senoidal Click for a sine-wave. Prema para unha onda senoidal. White noise wave Onda de ruído branco Click here for an exponential wave. Prema aquí para unha onda exponencial. Click here for white-noise. Prema aquí para ruído branco. lb303Synth VCF Cutoff Frequency Frecuencia de corte do VCF VCF Resonance Resonancia do VCF VCF Envelope Mod Modo de envolvente do VCF VCF Envelope Decay Decaemento da envolvente do VCF Distortion Distorsión Waveform Forma da onda Slide Decay Decamento ao escorregar Slide Escorregar Accent Acento Dead Morte 24dB/oct Filter Filtro de 24dB/oitava lb303SynthView Cutoff Freq: Frec. de corte: CUT CORTE Resonance: Resonancia: RES RES Env Mod: Mod env: ENV MOD MOD ENV Decay: Decaemento: DEC DEC 303-es-que, 24dB/octave, 3 pole filter Filtro tipo 303, 24dB/oitava, 3 polos Slide Decay: Decamento ao escorregar: SLIDE Escorregar DIST: DIST: DIST DIST WAVE: ONDA: WAVE ONDA malletsInstrument Hardness Dureza Position Posición Vibrato Gain Ganancia do vibrato Vibrato Freq Frecuencia do vibrato Stick Mix Mestura de paus Modulator Modulador Crossfade Transición por esvaecemento LFO Speed Velocidade do LFO LFO Depth Profundidade do LFO ADSR ADSR Pressure Presión Motion Movemento Speed Velocidade Bowed Con arco Spread Propagar Marimba Marimba Vibraphone Vibráfono Agogo Agogó Wood1 Madeira1 Reso Wood2 Madeira2 Beats Golpes Two Fixed Dous fixos Clump Esmagar Tubular Bells Campás tubulares Uniform Bar Lámina uniforme Tuned Bar Lámina afinada Glass Vidro Tibetan Bowl Cunca tibetana Missing files Faltan ficheiros Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! A instalación de Stk semella estar incompleta. Asegúrese de que o paquete Stk completo está instalado! malletsInstrumentView Instrument Instrumento Spread Propagar Spread: Propagar: Hardness Dureza Hardness: Dureza: Position Posición Position: Posición: Vib Gain Gan. vib. Vib Gain: Gan. vib.: Vib Freq Frec. vib.: Vib Freq: Frec. vib.: Stick Mix Mestura de paus Stick Mix: Mestura de paus: Modulator Modulador Modulator: Modulador: Crossfade Transición por esvaecemento Crossfade: Transición por esvaecemento: LFO Speed Velocidade do LFO LFO Speed: Velocidade do LFO: LFO Depth Profundidade do LFO LFO Depth: Profundidade do LFO: ADSR ADSR ADSR: ADSR: Bowed Con arco Pressure Presión Pressure: Presión: Motion Movemento Motion: Movemento: Speed Velocidade Speed: Velocidade: Vibrato Vibrato Vibrato: Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Axuda opl2instrument Patch Parche Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Distorsión Volume Volume organicInstrumentView Distortion: Distorsión: Volume: Volume: Randomise Aleatorio Osc %1 waveform: Forma de onda do osciloscopio %1: Osc %1 volume: Volume do oscilador %1: Osc %1 panning: Panorámica do oscilador %1: Osc %1 fine detuning left: Desafinación fina esquerda do oscilador %1: cents cents papuInstrument Sweep time Tempo da varredura Sweep direction Dirección da varredura Sweep RtShift amount Cantidade de Cambio de varredura Wave Pattern Duty Padrón de onda Channel 1 volume Volume da canle 1 Volume sweep direction Dirección da varredura do volume Length of each step in sweep Lonxitude de cada paso en varredura Channel 2 volume Volume da canle 2 Channel 3 volume Volume da canle 3 Channel 4 volume Volume da canle 4 Right Output level Nivel da saída dereita Left Output level Nivel da saída esquerda Channel 1 to SO2 (Left) Canle 1 a SO1 (Esquerda) Channel 2 to SO2 (Left) Canle 2 a SO2 (Esquerda) Channel 3 to SO2 (Left) Canle 3 a SO2 (Esquerda) Channel 4 to SO2 (Left) Canle 4 a SO2 (Esquerda) Channel 1 to SO1 (Right) Canle 1 a SO1 (Dereita) Channel 2 to SO1 (Right) Canle 2 a SO1 (Dereita) Channel 3 to SO1 (Right) Canle 3 a SO1 (Dereita) Channel 4 to SO1 (Right) Canle 4 a SO1 (Dereita) Treble Agudos Bass Graves Shift Register width Cambiar a largura do rexistro papuInstrumentView Sweep Time: Tempo da varredura: Sweep Time Tempo da varredura Sweep RtShift amount: Cantidade de cambio de varredura: Sweep RtShift amount Cantidade de cambio de varredura Wave pattern duty: Padrón de onda de deber: Wave Pattern Duty Padrón de onda de deber Square Channel 1 Volume: Volume da canle cadrada 1: Length of each step in sweep: Lonxitude de cada paso en varredura: Length of each step in sweep Lonxitude de cada paso en varredura Wave pattern duty Padrón de onda de deber Square Channel 2 Volume: Volume da canle cadrada 2: Square Channel 2 Volume Volume da canle cadrada 2 Wave Channel Volume: Volume da canle de ondas: Wave Channel Volume Volume da canle de ondas Noise Channel Volume: Volume da canle de ruído: Noise Channel Volume Volume da canle de ruído SO1 Volume (Right): Volume de SO1 (Dereita): SO1 Volume (Right) Volume de SO1 (Dereita) SO2 Volume (Left): Volume de SO2 (Esquerda): SO2 Volume (Left) Volume de SO2 (Esquerda) Treble: Agudos: Treble Agudos Bass: Graves: Bass Graves Sweep Direction Dirección da varredura Volume Sweep Direction Dirección da varredura do volume Shift Register Width Cambiar a largura do rexistro Channel1 to SO1 (Right) Canle 1 a SO1 (Dereita) Channel2 to SO1 (Right) Canle 1 a SO1 (Dereita) Channel3 to SO1 (Right) Canle 3 a SO1 (Dereita) Channel4 to SO1 (Right) Canle 4 a SO1 (Dereita) Channel1 to SO2 (Left) Canle 1 a SO2 (Esquerda) Channel2 to SO2 (Left) Canle 2 a SO2 (Esquerda) Channel3 to SO2 (Left) Canle 3 a SO2 (Esquerda) Channel4 to SO2 (Left) Canle 4 a SO2 (Esquerda) Wave Pattern Padrón de onda The amount of increase or decrease in frequency A cantidade de aumento ou redución da frecuencia The rate at which increase or decrease in frequency occurs A taxa á que se produce o aumento ou a redución da frecuencia The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. O ciclo de deber é a relación entre a duración (tempo) durante a que un sinal está ACTIVO fronte ao período total do sinal. Square Channel 1 Volume Volume da canle cadrada 1 The delay between step change A demora entre cambios de paso Draw the wave here Debuxe a onda aquí pattern Cannot freeze pattern Non é posíbel conxelar o padrón The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Non é posíbel conxelar agora o padrón porque estamos no modo de reprodución. Pare e ténteo de novo! patternFreezeStatusDialog Freezing pattern... A conxelar o padrón... Cancel Cancelar patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step faga duplo clic para abrir este padrón na pianola empregue a roda do rato para modificar o volume un paso Open in piano-roll Abrir na pianola Clear all notes Limpar todas as notas Reset name Restaurar o nome Change name Mudar o nome Refreeze Reconxelar Freeze Conxelar Unfreeze Desconxelar Add steps Engadir pasos Remove steps Eliminar pasos PianoRoll Play/pause current pattern (Space) Reproducir/Deter o padrón actual (Espazo) Stop playing of current pattern (Space) Parar a execución do padrón actual (Espazo) Cut selected notes (Ctrl+X) Recortar as notas escollidas (Ctrl+X) Copy selected notes (Ctrl+C) Copiar as notas escollidas (Ctrl+C) Paste notes from clipboard (Ctrl+V) Apegar as notas do porta-retallos (Ctrl+V) Piano-Roll - no pattern Pianola - non hai ningún padrón Piano-Roll - %1 Pianola - %1 Please open a pattern by double-clicking on it! Abra un padrón facendo duplo clic nel! Record notes from MIDI-device/channel-piano Gravar notas dun dispositivo MIDI/piano de canle Record notes from MIDI-device/channel-piano while playing song or BB track Gravar notas dun dispositivo MIDI/piano de canle mentres se reproduce a canción ou pista de ritmos/liña do baixo Draw mode (Shift+D) Modo de debuxo (Maiúsculas+D) Erase mode (Shift+E) Modo de borrado (Maiúsculas+E) Select mode (Shift+S) Modo de selección (Maiúscula+S) Last note Última nota Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Prema aquí para reproducir este padrón. Isto é útil mentres se edita. O padrón repítese en bucle automaticamente ao chegar ao final. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Prema aquí para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrón actual. As notas tocadas ao gravar escríbense neste padrón e despois pódense editar. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Prema aquí para gravar notas desde un dispositivo MIDI ou desde o piano de proba virtual da xanela da canle correspondente no padrón actual. As notas tocadas ao gravar escríbense neste padrón e escóitase a canción ou pista de ritmos/liña do baixo no fondo. Click here to stop playback of current pattern. Prema aquí para parar a reprodución deste padrón. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Prema aquí e os valores escollidos recórtanse e van para o porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Prema aquí e os valores escollidos cópianse no porta-retallos. Pódeos apegar en calquera lugar de calquera padrón premendo o botón de apegar. Click here and the notes from the clipboard will be pasted at the first visible measure. Prema aquí e os valores do porta-retallos apegaranse no primeiro compás visíbel. Note lock Bloqueo de notas Note Volume Volume das notas Note Panning Panormámica das notas Detune mode (Shift+T) Modo de desafinación (Maiúsculas+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Prema aquí e o activarase o modo de debuxo. Neste modo pode engadir e mover valores individuais. Este é o modo por omisión que se emprega a maior parte do tempo. Tamén pode premer «Maiúsculas+D» no teclado para activar este modo. Neste modo, manteña Ctrl para ir temporalmente ao modo de selección. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Tamén pode premer «Maiúsculas+E» no teclado para activar este modo. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Prema aquí e activarase o modo de borrado. Neste modo pódense borrar valores individuais. Como alternativa pode premer Ctrl no modo de debuxo para empregar temporalmente o modo de selección. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Prema aquí e actívase o modo de desafinación.Neste modo pódese premer unhanota para abrir a súa desafinación de automatización. Pódese empregar isto para escorregar entre as notas. Tamén se pode premer «Maiúsculas+T» no teclado para activar este mdo. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description sen descrición Instrument plugins Engadidos de instrumento Incomplete monophonic imitation tb303 Imitación monofónica incompleta tb303 Plugin for freely manipulating stereo output Engadido para manipular libremente a saída en estéreo Plugin for controlling knobs with sound peaks Engadido para controlar botóns con picos de son Plugin for enhancing stereo separation of a stereo input file Engadido para mellorar a separación en estéreo dun ficheiro de entrada en estéreo List installed LADSPA plugins Enumerar os engadidos de LADSPA instalados three powerful oscillators you can modulate in several ways tres potentes osciladores que se poden modular de varias maneiras Filter for importing FL Studio projects into LMMS Filtro para importar proxectos do FL Studio ao LMMS versatile kick- & bassdrum-synthesizer sintetizador de kick e tambor baixo versátil GUS-compatible patch instrument Instrumento de parcheo compatíbel con GUS plugin for using arbitrary VST-effects inside LMMS. engadido para empregar efectos de VST arbitrarios no LMMS. Additive Synthesizer for organ-like sounds Sintetizador aditivo para sons tipo órgano plugin for boosting bass engadido para potenciar os graves Tuneful things to bang on Cousas melodiosas nas que bater simple sampler with various settings for using samples (e.g. drums) in an instrument-track sampleador simple con varias opcións para empregar mostras (p.ex. batería) nunha pista de instrumento VST-host for using VST(i)-plugins within LMMS Hóspede de VST para empregar engadidos de VST(i) co LMMS Vibrating string modeler Modelador de cordas vibrantes plugin for using arbitrary LADSPA-effects inside LMMS. engadido para empregar efectos de LADSPA arbitrarios no LMMS. Filter for importing MIDI-files into LMMS Filtro para importar ficheiros MIDI ao LMMS Instrument browser Navegador de instrumentos Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Arrastre un instrumento para o Editor de cancións, o Editor de ritmos+liña do baixo ou para unha pista de instrumento existente. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Emulación dos SID MOS6581 e o MOS8580. Este chip empregábase no computador Commodore 64. Player for SoundFont files Reprodutor de ficheiros SoundFont Emulation of GameBoy (TM) APU Emulación da APU da GameBoy (TM) Customizable wavetable synthesizer Sintetizador de táboa de ondas personalizábel Embedded ZynAddSubFX ZynAddSubFX incorporado Filter for importing Hydrogen files into LMMS 2-operator FM Synth LMMS port of sfxr projectNotes Project notes Notas do proxecto Put down your project notes here. Anote aquí as súas notas sobre o proxecto. Edit Actions Editar as accións &Undo Desfa&cer Ctrl+Z Ctrl+Z &Redo &Refacer Ctrl+Y Ctrl+Y &Copy &Copiar Ctrl+C Ctrl+C Cu&t Cor&tar Ctrl+X Ctrl+X &Paste A&pegar Ctrl+V Ctrl+V Format Actions Accións de formato &Bold &Negrita Ctrl+B Ctrl+B &Italic Cursi&va Ctrl+I Ctrl+I &Underline S&ubliñado Ctrl+U Ctrl+U &Left &Esquerda Ctrl+L Ctrl+L C&enter C&entro Ctrl+E Ctrl+E &Right De&reita Ctrl+R Ctrl+R &Justify &Xustificar Ctrl+J Ctrl+J &Color... &Cor... renameDialog Rename... Mudar o nome... setupDialog Setup LMMS Configuración do LMMS General settings Configuración xeral BUFFER SIZE TAMAÑO DO BÚFER Reset to default-value Restaurar o valor por omisión MISC DIVERSOS Enable tooltips Activar as axudiñas Show restart warning after changing settings Mostrar o aviso sobre o reinicio despois de cambiar a configuración Display volume as dBV Mostrar o volume como dBV Compress project files per default Comprimir os ficheiros dos proxectos por omisión HQ-mode for output audio-device Modo de calidade alta para o dispositivo de son de saída LMMS working directory Directorio de traballo do LMMS VST-plugin directory Directorio dos engadidos de VST Artwork directory Directorio do material gráfico FL Studio installation directory Directorio de instalación do FL Studio STK rawwave directory Directorio de ondas cruas de STK Performance settings Configuración do desempeño UI effects vs. performance Efectos da interface fronte a desempeño Audio settings Configuración do son AUDIO INTERFACE INTERFACE DO SON MIDI settings Configuración do MIDI MIDI INTERFACE INTERFACE MIDI OK Aceptar Cancel Cancelar Restart LMMS Reiniciar o LMMS Please note that most changes won't take effect until you restart LMMS! Teña en conta que a maioría dos cambios non serán efectivos até que se reinicie o LMMS! Frames: %1 Latency: %2 ms Cadencia: %1 Latencia: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Aquí pódese configurar o tamaño do búfer interno empregado polo LMMS. Valores máis pequenos resultan nunha latencia menor mais poden tamén causar son non usábel ou desempeño inadecuado, especialmente en computadores vellos ou en sistemas cun kernel que non sexa de tempo real. Choose LMMS working directory Escoller o directorio de traballo do LMMS Choose your VST-plugin directory Escoller o directorio dos engadidos de VST Choose artwork-theme directory Escoller o directorio do material gráfico Choose FL Studio installation directory Escoller o directorio de instalación do FL Studio Choose LADSPA plugin directory Escoller o directorio dos engadidos de LADSPA Choose STK rawwave directory Escoller o directorio de ondas cruas de STK Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Aquí pódese escoller a interface de son preferida. Dependendo da configuración do sistema durante a compilación pódese escoller entre ALSA, JACK, OSS e máis. Embaixo vese unha caixa que oferece controles para configurar a interface de son escollida. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Aquí pódese escoller a interface de MIDI preferida. Dependendo da configuración do sistema durante a compilación pódese escoller entre ALSA, OSS e máis. Embaixo vese unha caixa que oferece controles para configurar a interface de MIDI escollida. Paths Rutas LADSPA plugin paths Rutas aos engadidos de LADSPA Default Soundfont File Ficheiro Soundfont por omisión Background artwork Gráficos do fondo Choose default SoundFont Escoller a SoundFont por omisión Choose background artwork Escoller os gráficos do fondo One instrument track window mode Compact track buttons Sync VST plugins to host playback Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor Enable note labels in piano roll Enable waveform display by default sf2Instrument Bank Banco Patch Parche Gain Ganancia Reverb Reverberación Reverb Roomsize Tamaño da sala de reverberación Reverb Damping Tampón de reverberación Reverb Width Largura da reverberación Reverb Level Nivel de reverberación Chorus Coro Chorus Lines Liñas do coro Chorus Level Nivel do coro Chorus Speed Velocidade do coro Chorus Depth Profundidade do coro sf2InstrumentView Open other SoundFont file Abrir outro ficheiro de SoundFont Click here to open another SF2 file Prema aquí para abrir outro ficheiro de SF2 Choose the patch Escoller o parche Gain Ganancia Apply reverb (if supported) Aplicar reverberación (se o admitir) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Este botón activa o efecto de reverberación. Isto é útil para efectos gaioleiros, mais só funciona cos ficheiros que o admiten. Reverb Roomsize: Tamaño da sala de reverberación: Reverb Damping: Tampón de reverberación: Reverb Width: Largura da reverberación: Reverb Level: Nivel de reverberación: Apply chorus (if supported) Aplicar un coro (se o admitir) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Este botón activa o efecto de coro. Isto é útil para efectos de echo gaioleiros, mais só funciona cos ficheiros que o admiten. Chorus Lines: Liñas de coro: Chorus Level: Nivel do coro: Chorus Speed: Velocidade do coro: Chorus Depth: Profundidade do coro: Open SoundFont file Abrir un ficheiro de SoundFont SoundFont2 Files (*.sf2) Ficheiros de SoundFont2 (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Corte Resonance Resonancia Filter type Tipo de filtro Voice 3 off Voz 3 apagada Volume Volume Chip model Modelo de chip sidInstrumentView Volume: Volume: Resonance: Resonancia: Cutoff frequency: Frecuencia de corte: High-Pass filter Filtro pasa-alta Band-Pass filter Filtro pasa-faixa Low-Pass filter Filtro pasa-baixa Voice3 Off Voz3 apagada MOS6581 SID SID MOS6581 MOS8580 SID SID MOS6580 Attack: Ataque: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. A taxa de ataque determina como de rápido sobe a Voz %1 desde cero á amplitude de pico. Decay: Decaemento: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. A taxa de decaemento determina como de rápido cae a saída desde a amplitude de pico ao nivel de Sustentación escollido. Sustain: Sustentación: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. A saída da voz %1 fica na amplitude de sustentación indicada mentres se manteña a nota. Release: Relaxamento: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. A saída da voz %1 cae desde a amplitude de sustentación até cero na relación de relaxamento escollida. Pulse Width: Largura do pulso: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. A resolución da largura do pulso permite varrer a largura suavemente sen que sexa posíbel discernir os pasos. Hai que escoller a forma de onda pulso no oscilador %1 para que se ouza un efecto audíbel. Coarse: Crú: The Coarse detuning allows to detune Voice %1 one octave up or down. A desafinación crúa permite desafinar a voz %1 unha oitava para arriba ou para abaixo. Pulse Wave Onda de pulso Triangle Wave Onda triangular SawTooth Dente de serra Noise Ruído Sync Sincronizar Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Sincroniza a frecuencia fundamental do oscilador %1 coa frecuencia fundamental do oscilador %2, producindo efectos de «sincronización dura». Ring-Mod Modo anel Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. O modo anel substitúe a saída da onda de forma triangular do oscilador %1 cunha combinación «modulada en anel» dos osciladores %1 e %2. Filtered Filtrado When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Cando Filtrado está activado, a voz %1 procésase a través do filtro. Cando Filtrado está desactivado, a voz %1 aparece directamente na saída e o filtro non ten ningún efecto sobre ela. Test Proba Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Proba, cando escollido, restaura e bloquea o oscilador %1 a cero até que remate a proba. song Tempo Tempo Master volume Volume global Master pitch Altura global Project saved Proxecto gravado The project %1 is now saved. O proxecto %1 xa está gravado. Project NOT saved. O proxecto NON está gravado. The project %1 was not saved! O proxecto %1 no nestá gravado! Import file Importar un ficheiro untitled sen título Select file for project-export... Escolla o ficheiro para a exportación do proxecto... Empty project Proxecto baleiro This project is empty so exporting makes no sense. Please put some items into Song Editor first! Este proxecto está baleiro, polo que exportalo non ten xeito. Poña algo primeiro no Editor de cancións! MIDI sequences Secuencias de MIDI FL Studio projects Proxectos de FL Studio All file types Todos os tipos de ficheiro Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Editor de cancións Play song (Space) Reproducir unha canción (Espazo) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Prema aquí se desexa reproducir a canción enteira. A reprodución comeza no marcador de posición da canción (verde). Tamén se pode mover durante a reprodución. Stop song (Space) Parar a canción (Espazo) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Prema aquí se desexa parar a reprodución da canción. O marcador de posición da canción irá para o principio da canción. Add beat/bassline Engadir un ritmo/liña do baixo Add sample-track Engadir unha pista de mostra Could not open file Non foi posíbel abrir o ficheiro Could not write file Non foi posíbel escribir no ficheiro Add automation-track Engaidr unha pista de automatización Draw mode Modo de debuxo Edit mode (select and move) Modo de edición (escoller e mover) Record samples from Audio-device Gravar mostras dun dispositivo de son Record samples from Audio-device while playing song or BB track Gravar mostras dun dispositivo de son mentres se reproduce a canción ou pista de ritmos/liña do baixo Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Non foi posíbel abrir o ficheiro %1. Probabelmente vostede non teña permiso para ler este ficheiro. Asegúrese de ter cando menos permiso para ler o ficheiro e ténteo de novo. Error in file Hai un erro no ficheiro The file %1 seems to contain errors and therefore can't be loaded. Parece que o ficheiro %1 contén erros e por iso non se pode cargar. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo da canción The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). O tempo dunha canción indícase en pulsos por minuto (BPM). Para cambiar o tempo da canción hai que cambiar este valor. Cada compás ten catro pulsos, polo que o tempo en BPM indica cantos compases / 4 hai que tocar nun minuto (ou cantos compases habería que tocar en catro minutos). High quality mode Modo de alta calidade Master volume Volume global master volume volume global Master pitch Altura global master pitch altura global Value: %1% Valor: %1% Value: %1 semitones Valor: %1 semitóns Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Espectro linear Linear Y axis Eixo linear Y spectrumAnalyzerControls Linear spectrum Espectro linear Linear Y-axis Eixo linear Y Channel mode Modo da canle stereoEnhancerControlDialog WIDE LARGO Width: Largura: stereoEnhancerControls Width Largura stereoMatrixControlDialog Left to Left Vol: Volume esquerda para esquerda: Left to Right Vol: Volume esquerda para dereita: Right to Left Vol: Volume dereita para esquerda: Right to Right Vol: Volume dereita para dereita: stereoMatrixControls Left to Left Esquerda para esquerda Left to Right Esquerda para dereita Right to Left Dereita para esquerda Right to Right Dereita para dereita timeLine Enable/disable auto-scrolling Activar/Desactivar o desprazamento automático Enable/disable loop-points Activar/Desactivar os puntos de bucle After stopping go back to begin Despois de parar voltar ao principio After stopping go back to position at which playing was started Despois de parar voltar á posición na que se iniciou a reprodución After stopping keep position Despois de parar manter a posición Hint Suxestión Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Silenciado Solo Solo trackContentObject Muted Silenciado trackContentObjectView Current position Posición actual Hint Suxestión Press <Ctrl> and drag to make a copy. Prema <Ctrl> e arrastre para facer unha copia. Current length Duración actual Press <Ctrl> for free resizing. Prema <Ctrl> para modificar o tamaño libremente %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 a %5:%6) Delete (middle mousebutton) Eliminar (botón do medio do rato) Cut Recortar Copy Copiar Paste Apegar Mute/unmute (<Ctrl> + middle click) Silenciar/Darlle volume (<Ctrl> + botón central do rato) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Prema <Ctrl> mentres ten a asa de mover premida para iniciar unha acción de arrastrar e soltar. Actions for this track Accións para esta pista Mute Silenciar Mute this track Silenciar esta pista Solo Solo Clone this track Clonar esta pista Remove this track Eliminar esta pista vestigeInstrument Loading plugin A cargar un engadido Please wait while loading VST-plugin... Agarde mentres se carga o engadido de VST... Failed loading VST-plugin Fallou a carga do engadido de VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Non foi posíbel cargar o engadido de VST %1 por algunha razón. Se funciona con outro software de VST en Linux, contacte cun desenvolvedor do LMMS! vibed String %1 volume Volume da corda %1 String %1 stiffness Tensión da corda %1 Pick %1 position Posición da púa %1 Pickup %1 position Posición do captador %1 Pan %1 Pan %1 Detune %1 Desafinar %1 Fuzziness %1 Difuso %1 Length %1 Lonxitude %1 Impulse %1 Impulso %1 Octave %1 Oitava %1 vibedView Volume: Volume: The 'V' knob sets the volume of the selected string. O botón «V» indica o volume da corda escollida. String stiffness: Tensión da corda: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. O botón «S» indica a tensión da corda escollida. A tensión da corda afecta ao tempo durante o que esta soa. Canto menor sexa, máis tempo ha de soar. Pick position: Posición da púa: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. O botón «P» indica a posición na que se pulsa a corda escollida. Canto menor sexa, máis próxima estará da ponte. Pickup position: Posición do captador: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. O botón «PU» indica a posición desde a que se recollen as vibracións da corda escollida. Canto menor sexa, máis próximo será da ponte. Pan: Pan: The Pan knob determines the location of the selected string in the stereo field. O botón Pan determina o lugar que ocupa a cadea escollida no campo estéreo. Detune: Desafinar: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. O botón Desafinar modifica a altura da corda escollida. Indicar menos de cero fai que a corda soe plana. Con máis de cero a corda soará viva. Fuzziness: Difuso: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. O botón Slap engádelle algo de distorsión tipo «fuzz» á corda escollida que se nota máis durante o ataque, aínda que tamén se pode usar para facer que a corda soe máis «metálica». Length: Lonxitude: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. O botón Lonxitude indica a lonxitude da corda escollida. As cordas máis longas soan durante máis tempo e con máis brillo; porén, tamén consumen máis ciclos da CPU. Impulse or initial state Impulso ou estado inicial The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. O selector «Imp» determina se hai que tratar a forma de onda do gráfico como un impulso impartido na corda pola púba ou o estado inicial da corda. Octave Oitava The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. O selector Oitava emprégase para escoller con que harmónico da nota soa a corda. Por exemplo, «-2» significa que a corda soa dúas oitavas por debaixo da fundamental, «F» significa que a corda soa na fundamental e «6» significa que a cadea soa seix oitavas por riba da fundamental. Impulse Editor Editor de impulsos The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. O editor de formas de onda permite controlar o estado inicial ou impulso usado para facer que a corda comece a vibrar. Os botóns que hai á dereita da gráfica inicializan a forma de onda no tipo escollido. O botón «?» carga unha forma de onda desde un ficheiro - só se cargan as primeiras 128 mostras. A forma de onda tamén se pode debuxar na gráfica. O botón «S» suaviza a forma de onda. O botón «N» normaliza a forma de onda. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modela até nove cordas vibrando independentemente. O selector «Corda» permite escoller a corda que se desexe editar. O selector «Imp» escolle se o gráfico representa un impulso ou o estado inicial da corda. O selector «Oitava» escolle o harmónico co que debería vibrar a corda. A gráfica permite controlar o estado inicial ou o impulso usados para pór a corda en movemento. O botón «V» controla o volume. O botón «S» controla a tensión.da corda. O botón «P» controla a posición da púa. O botón «PU» controla a posición de observación. «Pan» e «Detune» non deberían precisar explicación. O botón «Slap» engádelle un pouco de distorsión tipo «fuzz» ao son da corda. O botón «Lonxitude» controla a lonxitude da corda. O LED do recanto inferior dereito do editor da forma da onda determina se a corda está activa no instrumento. Enable waveform Activar a forma de onda Click here to enable/disable waveform. Prema aquí para activar/desactivar a forma da onda. String Corda The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. O selector Corda emprégase para escoller a corda que editan os controles. Un instrumento de Vibed pode conter até nove cordas vibrando independentemente. O LED do recanto inferior dereito do editor da forma da onda indica se a corda escollida esstá activada. Sine wave Onda senoidal Triangle wave Onda triangular Saw wave Onda de dente de serra Square wave Onda cadrada White noise wave Onda de ruído branco User defined wave Onda definida polo usuario Smooth Suave Click here to smooth waveform. Prema aquí para unha forma de onda suave. Normalize Normalizar Click here to normalize waveform. Prema aquí para normalizar a forma da onda. &Help &Axuda Use a sine-wave for current oscillator. Empregar unha onda senoidal para este oscilador. Use a triangle-wave for current oscillator. Empregar unha onda triangular para este oscilador. Use a saw-wave for current oscillator. Empregar unha onda de dente de serra para este oscilador. Use a square-wave for current oscillator. Empregar unha onda cadrada para este oscilador. Use white-noise for current oscillator. Empregar ruído branco para este oscilador. Use a user-defined waveform for current oscillator. 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I9%: ". $ r 'm0 )x +q - N Om STnY STn \ \] ]m ` eE9 m u m  m 4 m  s TF u: & e $n ' (d f ? }l Nd2 Nia J V U hy 2G 2s 8AK Ɵ Ƶ8g ^ 4]9 ӗ`% ӰO غ] <4 <H e SԳ Y:K Y: Y: ~d i 7  n . .g .h . ʓ_  "k "( $&y{ + 6 +  * + @ -## - - 5ݙ l>rP  ^N e>PfS'n~Vi'2i: y1 !Xx&ʮ1 R1 2,;}<)B>gGPAQ>Y~]ad^ylcgzln#dyOpնl:N!?=<m`9q`9Ș$aSW/z/P:=Nd'\ ^+ |[~:"1$e()3!7WCgfD>DI{JiJi_U&VXҾ׊Z S[x*j[j^ Et` wm4+ygtRk**7Kn g¥I Lw ƳO~ޝ~iIőrܹiInformazioni suAbout AboutDialogArpeggioArpeggio Arpeggiator.Direzione dell'arpeggioArpeggio direction Arpeggiator$Gate dell'arpeggio Arpeggio gate Arpeggiator$Modo dell'arpeggio Arpeggio mode Arpeggiator,Ampiezza dell'arpeggioArpeggio range Arpeggiator&Tempo dell'arpeggio Arpeggio time Arpeggiator Tipo di arpeggio Arpeggio type ArpeggiatorGiDown Arpeggiator LiberoFree ArpeggiatorCasualeRandom ArpeggiatorOrdinatoSort ArpeggiatorSincronizzatoSync ArpeggiatorSuUp ArpeggiatorSu e gi Up and down Arpeggiator%%ArpeggiatorViewARPEGGIOARPEGGIOArpeggiatorView^Un arpeggio un modo di suonare alcuni strumenti (pizzicati in particolare), che rende la musica pi viva. Le corde di tali strumenti (ad es. un'arpa) vendono pizzicate come accordi. L'unica differenza che ci viene fatto in ordine sequenziale, in modo che le note non vengano suonate allo stesso tempo. Arpeggi tipici sono quelli sulle triadi maggiore o minore, ma ci sono molte altre possibilit tra le quali si pu scegliere.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView&Gate dell'arpeggio:Arpeggio gate:ArpeggiatorView.Ampiezza dell'arpeggio:Arpeggio range:ArpeggiatorView(Tempo dell'arpeggio:Arpeggio time:ArpeggiatorViewDirezione: Direction:ArpeggiatorViewGATEGATEArpeggiatorView Modo:Mode:ArpeggiatorViewAMPIEZZARANGEArpeggiatorView TEMPOTIMEArpeggiatorViewQuesta manopola imposta il gate dell'arpeggio. Il gate dell'arpeggio specifica la percentuale di ogni nota che deve essere eseguita. In questo modo si possono creare arpeggi particolari, con le note staccate.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewQuesta manopola imposta l'ampiezza in ottave dell'arpeggio. L'arpeggio selezionato verr suonato all'interno del numero di ottave impostato.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewBQuesta manopola imposta l'ampiezza dell'arpeggio in millisecondi. Il tempo dell'arpeggio specifica per quanto tempo ogni nota dell'arpeggio deve essere eseguita.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewottava(e) octave(s)ArpeggiatorView CANALICHANNELSAudioAlsa::setupWidgetPERIFERICADEVICEAudioAlsa::setupWidgetAmplificazione:Amplify:AudioFileProcessorView Clicca qui per aprire un altro file audio. Apparir una finestra di dialogo dove sar possibile scegliere il file. Impostazioni come la modalit ripetizione, amplificazione e cos via non vengono reimpostate, pertanto potrebbe non suonare come il file originale.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorViewPunto di fine: Endpoint:AudioFileProcessorViewQui possibile impostare se la modalit ripetizione attiva. AudioFileProcessor riproduce tra i punti di inizio e fine di un campione finch tutta la nota stata suonata. Ci utile per campioni di strumenti a corda e cori.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorViewAttivando questo pulsante, l'intero campione viene invertito. Ci utile per effetti particolari, ad es. un crash invertito.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorView^Ripeti il campione tra i punti di inizio e fine#Loop sample at start- and end-pointAudioFileProcessorView,Apri un altro campioneOpen other sampleAudioFileProcessorView&Inverti il campioneReverse sampleAudioFileProcessorView Punto di inizio: Startpoint:AudioFileProcessorViewQuesta manopola regola l'amplificaione. Con un valore pari a 100% il campione non viene modificato, altrimenti verr amplificato della percentuale specificata (il file originale non viene modificato!)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorViewQuesta manopola regola il punto in cui AudioFileProcessor inizier la riproduzione. Se la modalit ripetizione attiva, questo il punto in cui la riproduzione ritorna se una nota pi lunga del campione tra i punti di inizio e fine.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorViewQuesta manopola regola il punto in cui AudioFileProcessor terminer la riproduzione. Se la modalit ripetizione attiva, questo il punto in cui la riproduzione si ferma se una nota pi lunga del campione tra i punti di inizio e fine.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView CANALICHANNELSAudioJack::setupWidgetNOME DEL CLIENT CLIENT-NAMEAudioJack::setupWidget CANALICHANNELSAudioOss::setupWidgetPERIFERICADEVICEAudioOss::setupWidgetSOTTOSISTEMABACKENDAudioPortAudio::setupWidgetPERIFERICADEVICEAudioPortAudio::setupWidget CANALICHANNELSAudioPulseAudio::setupWidgetPERIFERICADEVICEAudioPulseAudio::setupWidgetPERIFERICADEVICEAudioSdl::setupWidget(&Copia valore (%1%2)&Copy value (%1%2)AutomatableModel,&Incolla valore (%1%2)&Paste value (%1%2)AutomatableModel"&Reimposta (%1%2) &Reset (%1%2)AutomatableModel2Connetti al controller...Connect to controller...AutomatableModelConnesso a %1Connected to %1AutomatableModel,Connesso al controllerConnected to controllerAutomatableModel.Modifica connessione...Edit connection...AutomatableModelXModifica l'automazione globale della tracciaEdit song-global automationAutomatableModel&Rimuovi connessioneRemove connectionAutomatableModeldTutti i valori sono stati copiati nella clipboard.1All selected values were copied to the clipboard.AutomationEditor8Editor dell'automazione - %1Automation Editor - %1AutomationEditorPEditor dell'automazione - nessun patternAutomation Editor - no patternAutomationEditorCliccando qui si attiva la modalit disegno. In questa modalit possibile aggiungere e spostare singoli valori. Questa la modalit predefinita, che viene usata la maggior parte del tempo. Questa modalit si attiva anche premendo la combinazione di tasti 'Shift+D'.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditorrCliccando qui si attiva la modalit cancellazione. In questa modalit possibile cancellare singoli valori. Questa modalit si attiva anche premendo la combinazione di tasti 'Shift+E'.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorCliccando qui si attiva la modalit selezione. In questa modalit possibile selezionare i valori. Questo necessario per tagliare, copiare, incollare o spostare valori. Questa modalit si attiva anche premendo la combinazione di tasti 'Shift+S'.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor0Cliccando qui i valori selezionati vengono copiati della clipboard. possibile incollarli ovunque, in qualsiasi pattern, cliccando il pulsante Incolla.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor2Cliccando qui i valori selezionati vengono spostati nella clipboard. possibile incollarli ovunque, in qualsiasi pattern, cliccando il pulsante Incolla.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorCliccando qui i valori nella clipboard vengono incollati alla prima battuta visibile.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditor&Cliccando qui si riproduce il pattern selezionato. Questo utile mentre lo si modifica. Il pattern viene automaticamente ripetuto quando finisce.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorfCliccando qui si ferma la riproduzione del pattern.>Click here if you want to stop playing of the current pattern.AutomationEditorFCopia i valori selezionati (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorHTaglia i valori selezionati (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor4Modalit disegno (Shift+D)Draw mode (Shift+D)AutomationEditor@Modalit cancellazione (Shift+E)Erase mode (Shift+E)AutomationEditorCliccando qui si attiva la modalit spostamento. In questa modalit possibile spostare le note selezionate in modalit selezione. Questa modalit si attiva anche premendo la combinazione di tasti 'Shift+M'.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditor\Modalit spostamento della selezione (Shift+M)Move selection mode (Shift+M)AutomationEditorJIncolla i valori selezionati (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditor`Riproduci/metti in pausa questo pattern (Spazio)"Play/pause current pattern (Space)AutomationEditor necessario aprire un pattern di automazione con il menu contestuale di un controllo!EPlease open an automation pattern with the context menu of a control!AutomationEditor8Modalit selezione (Shift+S)Select mode (Shift+S)AutomationEditor`Ferma la riproduzione di questo pattern (Spazio)'Stop playing of current pattern (Space)AutomationEditorValori copiati Values copiedAutomationEditorr possibile disegnare un controllo tenendo premuto <Ctrl>$Drag a control while pressing AutomationPattern%1 connessioni%1 ConnectionsAutomationPatternViewCambia nome Change nameAutomationPatternViewPulisciClearAutomationPatternView Disconnetti "%1"Disconnect "%1"AutomationPatternViewBApri dell'editor dell'AutomazioneOpen in Automation editorAutomationPatternViewCon un doppio click si apre il pattern nell'editor dell'automazione6double-click to open this pattern in automation editorAutomationPatternView,Traccia di automazioneAutomation trackAutomationTrack1111 ChordCreator11b911b9 ChordCreator1313 ChordCreator13#913#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator 6add96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#119#11 ChordCreator9#59#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreator EoliaAeolian ChordCreator ArabaArabic ChordCreator BluesBlues ChordCreator*Ampiezza dell'accordo Chord range ChordCreatorTipo di accordo Chord type ChordCreatorAccordiChords ChordCreatorDiminuita Diminished ChordCreatorBebop dominanteDominant bebop ChordCreator DoricaDorian ChordCreatorEnigmatica Enigmatic ChordCreatorMinore armonicaHarmonic minor ChordCreator Ungherese minoreHungarian minor ChordCreatorJap in sen Jap in sen ChordCreator LocriaLocrian ChordCreator LidiaLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9#11Maj9#11 ChordCreator Maj9#5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreator Majb5Majb5 ChordCreatorMaggioreMajor ChordCreatorBebop maggiore Major bebop ChordCreator(Pentatonica maggioreMajor pentatonic ChordCreatorMinore melodica Melodic minor ChordCreator$Pentatonica minoreMinor pentatonic ChordCreatorMisolidia Mixolydian ChordCreatorNapoletana Neopolitan ChordCreator"Napoletana minoreNeopolitan minor ChordCreatorPhrygolydian Phrygolydian ChordCreatorToni interi Whole tone ChordCreatoradd9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9b5m9b5 ChordCreator madd9madd9 ChordCreator minb5minb5 ChordCreator minoreminor ChordCreator ottavaoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreator triadetri ChordCreatorACCORDICHORDSChordCreatorView.Ampiezza degli accordi: Chord range:ChordCreatorViewAMPIEZZARANGEChordCreatorViewQuesta manopola imposta l'ampiezza degli accordi in ottave. L'accordo selezionato verr eseguito all'interno del numero di ottave impostato.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewottava(e) octave(s)ChordCreatorViewController %1 Controller %1 Controller,Rilevamento automatico Auto DetectControllerConnectionDialog CANALECHANNELControllerConnectionDialogCONTROLLER CONTROLLERControllerConnectionDialogAnnullaCancelControllerConnectionDialog0Impostazioni connessioneConnection SettingsControllerConnectionDialogCiclo rilevato.Cycle Detected.ControllerConnectionDialog$Canale di ingresso Input channelControllerConnectionDialogLMMSLMMSControllerConnectionDialog*FUNZIONE DI MAPPATURAMAPPING FUNCTIONControllerConnectionDialogCONTROLLER MIDIMIDI CONTROLLERControllerConnectionDialogVLe periferiche MIDI ricevono eventi MIDI da(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog2CONTROLLER PERSONALIZZATOUSER CONTROLLERControllerConnectionDialogAggiungiAddControllerRackView$Rack di ControllerController RackControllerRackView &Aiuto&HelpControllerView,&Elimina questo plugin&Remove this pluginControllerViewI controller possono automatizzare il valore di una manopola, di uno slider e di altri controlli.QControllers are able to automate the value of a knob, slider, and other controls.ControllerViewControlliControlsControllerViewVInserire il nuovo nome di questo controller&Enter the new name for this controllerControllerView&Rinomina controllerRename controllerControllerViewDecadimentoDecayEffectEffetto attivoEffect enabledEffectGateGateEffect(miscelazione Wet/Dry Wet/Dry mixEffect"Effetti abilitatiEffects enabled EffectChain Aggiungi effetto Add effectEffectRackView"CATENA DI EFFETTI EFFECTS CHAINEffectRackView Aggiungi effetto Add effectEffectSelectDialog &Aiuto&Help EffectView,&Elimina questo plugin&Remove this plugin EffectViewControlliControls EffectView I plugin di effetti funzionano come una catena di effetti dove il segnale li attraversa dall'alto verso il basso. Il selettore On/Off permette di saltare un certo plugin in qualsiasi momento. La manopola Wet/Dry controlla il bilanciamento tra il segnale in ingresso e quello effettato che viene generato dall'effetto. L'ingresso di ogni stadio costituito dall'uscita dello stadio precedente, cos il segnale 'dry' degli effetti sottostanti contiene tutti i precedenti effetti. La manopola Decadimento controlla il tempo per cui il segnale viene processato dopo che le note sono state rilasciate. L'effetto smette di processare il segnale quando questo scende sotto una certa soglia per un certo periodo ti tempo. La manopola imposta questo periodo di tempo. Tempi maggiori richiedono pi processore, quindi il tempo tipicamente basso per la maggior parte degli effetti. necessario aumentarlo per effetti che producono lunghi periodi di silenzio, ad es. i delay. La manopola Gate regola la soglia sotto la quale l'effetto smette di processare il segnale. Il conteggio del tempo di silenzio necessario inizia non appena il sengale processato scende sotto la soglia specificata. Il pulsante Controlli apre una finestra per modificare i parametri dell'effetto. Con il click destro si apre un menu conestuale che permette di cambiare l'ordine degli effetti o di eliminarli.SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectViewGATEGATE EffectView Gate:Gate: EffectView,Sposta verso il &basso Move &down EffectView(Sposta verso l'&altoMove &up EffectView On/OffOn/Off EffectViewLa manopola Decadimento controlla quanto silenzio deve esserci prima che il plugin si fermi. Valori pi piccoli riducono il carico del processore ma rischiano di troncare la parte finale degli effetti di delay.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectViewLa manopola Gate controlla il livello del segnale che considerato 'silenzio' per decidere quando smettere di processare i segnali.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewLa manopola Wet/Dry imposta il rapporto tra il segnale in ingresso e la quantit di effetto udibile in uscita.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView Tempo:Time: EffectView>Abilita o disabilita l'effetto.Toggles the effect on or off. EffectViewW/DW/D EffectView<Livello del segnale effettato: Wet Level: EffectViewAttaccoAttackEnvelopeAndLfoParametersDecadimentoDecayEnvelopeAndLfoParametersFreq x 100 Freq x 100EnvelopeAndLfoParametersMantenimentoHoldEnvelopeAndLfoParameters Attacco dell'LFO LFO AttackEnvelopeAndLfoParameters(Modulazione dell'LFOLFO ModulationEnvelopeAndLfoParameters2Ritardo iniziale dell'LFO LFO PredelayEnvelopeAndLfoParameters*Forma d'onda dell'LFOLFO Wave ShapeEnvelopeAndLfoParameters"Velocit dell'LFO LFO speedEnvelopeAndLfoParameters2Modula la quantit di EnvModulate Env-AmountEnvelopeAndLfoParametersModulazione ModulationEnvelopeAndLfoParameters Ritardo inizialePredelayEnvelopeAndLfoParametersRilascioReleaseEnvelopeAndLfoParametersSostegnoSustainEnvelopeAndLfoParametersQ.TAMTEnvelopeAndLfoViewATTATTEnvelopeAndLfoViewAttacco:Attack:EnvelopeAndLfoViewXCliccando qui si ha un'onda a dente di sega.&Click here for a saw-wave for current.EnvelopeAndLfoViewPCliccando qui si ha un'onda sinusoidale.Click here for a sine-wave.EnvelopeAndLfoViewPCliccando qui si ottiene un'onda quadra.Click here for a square-wave.EnvelopeAndLfoViewZCliccando qui si ottiene un'onda triangolare.Click here for a triangle-wave.EnvelopeAndLfoView(Cliccando qui possibile definire una forma d'onda personalizzata. Successivamente possibile trascinare un file di campione nel grafico dell'LFO.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewCliccando qui la frequenza di questo LFO viene moltiplicata per 100.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewvCliccando qui questo LFO controlla la quantit di envelope.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewRITDELEnvelopeAndLfoViewDecadimento:Decay:EnvelopeAndLfoViewl possibile trascinare un campione in questa finestra.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoViewMANTHOLDEnvelopeAndLfoViewSuggerimentoHintEnvelopeAndLfoViewMantenimento:Hold:EnvelopeAndLfoView4Ritardo iniziale dell'LFO: LFO predelay:EnvelopeAndLfoView$Velocit dell'LFO: LFO speed:EnvelopeAndLfoView"Attacco dell'LFO: LFO- attack:EnvelopeAndLfoView>MODULA LA QUANTITA' DI ENVELOPEMODULATE ENV-AMOUNTEnvelopeAndLfoView0Quantit di modulazione:Modulation amount:EnvelopeAndLfoView"Ritardo iniziale: Predelay:EnvelopeAndLfoViewRILRELEnvelopeAndLfoViewRilascio:Release:EnvelopeAndLfoViewVELSPDEnvelopeAndLfoViewSOSTSUSTEnvelopeAndLfoViewSostegno:Sustain:EnvelopeAndLfoView6Questa manopola imposta il tempo di attaco dell'LFO selezionato. Pi grande questo valore pi tempo l'LFO impiegher per raggiungere la massima ampiezza.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewQuesta manopola imposta il tempo di attacco dell'envelope selezionato. Pi grande questo valore pi tempo passa prima di raggiungere il livello di attacco. Scegliere un valore contenuto per strumenti come pianoforti e un valore grande per gli archi.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewQuesta manopola imposta il tempo di decdimento dell'envelope selezionato. Pi grande questo valore pi lentamente l'envelope decadr dal livello di attacco a quello di sustain. Scegliere un valore piccolo per strumenti come i pianoforti.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewQuesta manopola imposta il tempo di mantenimento dell'envelope selezionato. Pi grande questo valore pi a lungo l'envelope manterr il livello di attacco prima di cominciare a scendere verso il livello di sostegno.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewQuesta manopola imposta la quantit di modulazione dell'LFO selezionato. Pi grande questo valore pi la grandezza selezionata (ad es. il volume o la frequenza di taglio) sar influenzata da questo LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewQuesta manopola imposta la quantit di modulazione dell'envelope selezionato. Pi grande questo valore pi la grandezza corrispondente (ad es. il volume o la frequenza di taglio) sar influenzata da questo envelope.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView2Questa manopola imposta il ritardo iniziale dell'envelope selezionato. Pi grande questo valore pi tempo passer prima che l'envelope effettivo inizi.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView"Questa manopola imposta il ritardo iniziale dell'LFO selezionato. Pi grande questo valore pi tempo passer prima che l'LFO inizi a oscillare.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewQuesta manopola imposta il tempo di rilascio dell'anvelope selezionato. Pi grande questo valore pi tempo l'envelope impiegher per scendere dal livello di sustain a zero. Scegliere un valore grande per strumenti dal suono morbido, come gli archi.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoView"Questa manopola imposta la velocit dell'LFO selezionato. Pi grande questo valore pi velocemente l'LFO osciller e pi veloce sar l'effetto.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView^Questa manopola imposta il livello di sostegno dell'anvelope selezionato. Pi grande questo valore pi sar alto il livello che l'envelope manterr prima di scendere a zero.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView`controlla la quantit di envelope con questo LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoViewPmoltiplica la frequenza dell'LFO per 100multiply LFO-frequency by 100EnvelopeAndLfoViewAnnullaCancelExportProjectDialog UscitaOutputExportProjectDialog FX %1FX %1FxMixer MasterMasterFxMixerTInserire il nuovo nome di questo canale FX&Enter the new name for this FX channel FxMixerViewMixer FXFX-Mixer FxMixerViewMutoMute FxMixerView@Mettere questo canale FX in mutoMute this FX channel FxMixerView*Rinomina il canale FXRename FX channel FxMixerView CANALECHANNELInstrumentMidiIOView*ABILITA INGRESSO MIDIENABLE MIDI INPUTInstrumentMidiIOView&ABILITA USCITA MIDIENABLE MIDI OUTPUTInstrumentMidiIOViewPROGRAMMAPROGRAMInstrumentMidiIOViewVALOCITYVELOCITYInstrumentMidiIOViewPassaBasso 2x 2x LowPassInstrumentSoundShapingPassatuttoAllpassInstrumentSoundShapingPassaBanda csg BandPass csgInstrumentSoundShapingPassaBanda czpg BandPass czpgInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShaping&Frequenza di taglioCutoff frequencyInstrumentSoundShapingEnvelope/LFOEnvelopes/LFOsInstrumentSoundShapingTipo di filtro Filter typeInstrumentSoundShapingPassaAltoHiPassInstrumentSoundShapingPassaBassoLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShaping NotchNotchInstrumentSoundShapingQ/Risonanza Q/ResonanceInstrumentSoundShapingRISORESOInstrumentSoundShapingRisonanza ResonanceInstrumentSoundShaping VOLUMEVOLUMEInstrumentSoundShaping VolumeVolumeInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShapingView FILTROFILTERInstrumentSoundShapingViewQui possibile selezionare il filtro da usare per questa traccia. I filtri sono molto importanti per cambiare le caratteristiche del suono.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRISORESOInstrumentSoundShapingViewRisonanza: Resonance:InstrumentSoundShapingView SCOPOTARGETInstrumentSoundShapingViewQueste schede contengono envelopes. Sono molto importanti per modificare i suoni, senza contare che sono quasi sempre necessarie per la sintesi sottrattiva. Per esempio se si usa un envelope per il volume, si pu impostare quando un suono avr un certo volume. Si potrebbero voler creare archi dal suono morbido, allora il suono deve iniziare e finire in modo molto morbido; ci si ottiene impostando tempi di attacco e di rilascio ampi. Lo stesso vale per le altre funzioni degli envelope, come il panning, la frequenza di taglio dei filtri e cos via. Bisogna semplicemente giocarci un po'! Si possono ottenere suoni veramente interessanti a partire da un'onda a dente di sega usando soltanto qualche envelope...!_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingViewQuesta manopola imposta il parametro (Q) per la risonanza del filtro selezionato. Il parametro per la risonanza specifica l'ampiezza della campana di frequenze intorno alla frequenza di taglio che devono essere amplificate.Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingViewQuesta manopola imposta la frequenza di taglio del filtro. La frequenza di taglio specifica la frequenza a cui viene tagliato il segnate di un filtro. Per esempio un filtro passa-basso taglia tutte le frequenze sopra la frequenza di taglio, mentre un filtro passa-alto taglia tutte le frequenza al di sotto della frequenza di taglio e cos via...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView(frequenza di taglio:cutoff-frequency:InstrumentSoundShapingViewNota base Base noteInstrumentTrack0Impostazioni predefiniteDefault presetInstrumentTrackCanale FX FX channelInstrumentTrackPanningPanningInstrumentTrack VolumeVolumeInstrumentTrackZQuesta manopola imposta il volume del canale. Impostazioni.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowQuesto progetto stato modificato dopo l'ultimo salvataggio. Vuoi salvarlo adesso?OThe current project was modified since last saving. Do you want to save it now? MainWindowAnnullaUndo MainWindowSenza_nomeUntitled MainWindowCos' questo? What's this? MainWindow&Directory di lavoroWorking directory MainWindow2Denominatore della misuraMeter Denominator MeterDialog.Numeratore della misuraMeter Numerator MeterDialogDenominatore Denominator MeterModelNumeratore Numerator MeterModelPERIFERICADEVICEMidiAlsaRaw::setupWidgetPERIFERICADEVICEMidiAlsaSeq::setupWidgetController MIDIMIDI ControllerMidiController4controller_midi_senza_nomeunnamed_midi_controllerMidiControllerPERIFERICADEVICEMidiOss::setupWidget4Velocity in ingresso fissoFixed input velocityMidiPort0Velocity in uscita fissoFixed output velocityMidiPort$Canale di ingresso Input channelMidiPort0Programma MIDI in uscitaOutput MIDI programMidiPort Canale di uscitaOutput channelMidiPort(Controller il uscitaOutput controllerMidiPort$Ricevi eventi MIDIReceive MIDI-eventsMidiPort"Invia eventi MIDISend MIDI-eventsMidiPort,Modulazione di tipo %1Modulation type %1OscillatorObject$Intonazione osc %1Osc %1 coarse detuningOscillatorObjectFIntonazione precisa osc %1 sinistraOsc %1 fine detuning leftOscillatorObjectBIntonazione precisa osc %1 destraOsc %1 fine detuning rightOscillatorObjectPanning osc %1Osc %1 panningOscillatorObject.Scostamento fase osc %1Osc %1 phase-offsetOscillatorObject<Intonazione fase stereo osc %1Osc %1 stereo phase-detuningOscillatorObjectVolume osc %1 Osc %1 volumeOscillatorObject&Forma d'onda Osc %1Osc %1 wave shapeOscillatorObject&Forma d'onda osc %1Osc %1 waveformOscillatorObjectClicca qui per aprire un altro file di patch. Le impostazioni di ripetizione e intonazione non vengono reimpostate.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanViewQui puoi scegliere la modalit di ripetizione. Se abilitato, PatMan user l'informazione sulla ripetizione disponibile nel file.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewQui puoi scegliere la modalit di intonazione. Se abilitato, PatMan intoner il campione alla frequenza della nota.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanViewRipetizioneLoop PatmanView(Modalit ripetizione Loop mode PatmanView.Nessun file selezionatoNo file selected PatmanView&Apri un altro patchOpen other patch PatmanView$Apri file di patchOpen patch file PatmanView*File di patch (*.pat)Patch-Files (*.pat) PatmanViewIntonazioneTune PatmanView(Modalit intonazione Tune mode PatmanView*Controller dei picchiPeak ControllerPeakController&Controller dell'LFOLFO ControllerPeakControllerDialog PICCOPEAKPeakControllerDialogQ.TAMT!PeakControllerEffectControlDialogAttacco:Attack:!PeakControllerEffectControlDialogBASEBASE!PeakControllerEffectControlDialog"Quantit di base: Base amount:!PeakControllerEffectControlDialog0Quantit di modulazione:Modulation amount:!PeakControllerEffectControlDialogRilascio:Release:!PeakControllerEffectControlDialogAttaccoAttackPeakControllerEffectControlsValore di base Base valuePeakControllerEffectControls.Quantit di modulazioneModulation amountPeakControllerEffectControlsUscita muta Mute outputPeakControllerEffectControlsRilascioReleasePeakControllerEffectControlsNota base Base note PianoViewBErrore nel caricamento del pluginError while loading pluginPlugin\Non stato possibile caricare il plugin "%1"!Failed to load plugin "%1"!Plugin$Plugin non trovatoPlugin not foundPluginIl plugin "%1" non stato trovato o non stato possibile caricarlo! Motivo: "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"PluginJFile in formato OGG compresso (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer File WAV (*.wav)WAV-File (*.wav)ProjectRenderer&Canali in ingresso: Channels In: QWidget"Canali in uscita:Channels Out: QWidgetCopyright: Copyright: QWidget File:File: QWidget In Place Broken:In Place Broken: QWidgetAutore:Maker: QWidget Nome:Name: QWidgetNoNoQWidget.Abilitato al Real Time:Real Time Capable: QWidget&Richiede Real Time:Requires Real Time: QWidgetSYesQWidget &Aiuto&Help TempoSyncKnobSedicesimo 16th note TempoSyncKnobTrentaduesimo 32nd note TempoSyncKnob Ottavo8th note TempoSyncKnobPersonalizzatoCustom  TempoSyncKnob"Personalizzato... Custom... TempoSyncKnobOtto battiti Eight beats TempoSyncKnobUna met Half note TempoSyncKnobNon in SyncNo Sync TempoSyncKnob Quarto Quarter note TempoSyncKnob$In sync con 16simiSynced to 16th Note TempoSyncKnob$In sync con 32simiSynced to 32nd Note TempoSyncKnob$In sync con ottaviSynced to 8th Note TempoSyncKnob0In sync con otto battitiSynced to Eight Beats TempoSyncKnob(In sync con un mezzoSynced to Half Note TempoSyncKnob$In sync con quartiSynced to Quarter Note TempoSyncKnob*In sync con un interoSynced to Whole Note TempoSyncKnobSync del tempo Tempo Sync TempoSyncKnobUn intero Whole note TempoSyncKnob>Miscelare gli oscillatori 1 e 2Mix output of oscillator 1 & 2TripleOscillatorView>Miscelare gli oscillatori 2 e 3Mix output of oscillator 2 & 3TripleOscillatorView0Intonazione dell'osc %1:Osc %1 coarse detuning:TripleOscillatorViewHIntonazione precisa osc %1 sinistra:Osc %1 fine detuning left:TripleOscillatorViewRIntonazione precisa dell'osc %1 - destra:Osc %1 fine detuning right:TripleOscillatorViewPanning osc %1:Osc %1 panning:TripleOscillatorView:Scostamento fase dell'osc %1:Osc %1 phase-offset:TripleOscillatorViewHIntonazione fase stereo dell'osc %1:Osc %1 stereo phase-detuning:TripleOscillatorViewVolume osc %1:Osc %1 volume:TripleOscillatorViewbSincronizzare l'oscillatore 1 con l'oscillatore 2*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewbSincronizzare l'oscillatore 2 con l'oscillatore 3*Synchronize oscillator 2 with oscillator 3TripleOscillatorViewnUtilizzare un'onda di tipo moog per questo oscillatore.0Use a moog-like saw-wave for current oscillator.TripleOscillatorViewtUtilizzare un'onda a dente di sega per questo oscillatore.&Use a saw-wave for current oscillator.TripleOscillatorViewlUtilizzare un'onda sinusoidale per questo oscillatore.'Use a sine-wave for current oscillator.TripleOscillatorViewbUtilizzare un'onda quadra per questo oscillatore.)Use a square-wave for current oscillator.TripleOscillatorViewlUtilizzare un'onda triangolare per questo oscillatore.+Use a triangle-wave for current oscillator.TripleOscillatorViewrUtilizzare un'onda personalizzata per questo oscillatore.3Use a user-defined waveform for current oscillator.TripleOscillatorViewUsare la modulazione di amplificazione per modulare l'oscillatore 2 con l'oscillatore 1FUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUsare la modulazione di amplificazione per modulare l'oscillatore 3 con l'oscillatore 2FUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewnUtilizzare un'onda esponenziale per questo oscillatore./Use an exponential wave for current oscillator.TripleOscillatorViewUsare la modulazione di frequenza per modulare l'oscillatore 2 con l'oscillatore 1FUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUsare la modulazione di frequenza per modulare l'oscillatore 3 con l'oscillatore 2FUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewUsare la modulazione di fase per modulare l'oscillatore 2 con l'oscillatore 1BUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewUsare la modulazione di fase per modulare l'oscillatore 3 con l'oscillatore 2BUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorView`Utilizzare rumore bianco per questo oscillatore.'Use white-noise for current oscillator.TripleOscillatorViewQuesta manopola regola l'intonazione, con la precisione di 1 semitono, dell'oscillatore %1. L'intonazione pu essere variata di 12 semitoni (un'ottava) in positivo e in negativo. Pu essere usata per creare suoni con un accordo.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewQuesta manopola regola l'intonazione precisa dell'oscillatore %1 per il canale sinistro. La gamma per l'intonazione di precisione va da -100 a +100 centesimi. Pu essere usata per creare suoni "grossi".With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewQuesta manopola regola l'intonazione precisa dell'oscillatore %1 per il canale destro. La gamma per l'intonazione di precisione va da -100 a +100 centesimi. Pu essere usata per creare suoni "grossi".With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewrQuesta manopola regola il posizionamento nello spettro stereo dell'oscillatore %1. Un valore pari a -100 significa tutto a sinistra mentre un valore pari a 100 significa tutto a destra.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewFQuesta manopola regola lo scostamento della fase dell'oscillatore %1. Ci significa che possibile spostare il punto in cui inizia l'oscillazione. Per esempio, un'onda sinusoidale e uno scostamento della fase di 180 gradi, fanno iniziare l'onda scendendo. Lo stesso vale per un'onda quadra.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorViewQuesta manopola regola l'intonazione stereo della fase dell'oscillatore %1. L'intonazione stereo della fase specifica la differenza tra lo scostamento della fase del canale sinistro e quello destro. Questo molto utile per creare suoni con grande ampiezza stereo.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorView>Questa manopola regola il volume dell'oscillatore %1. Un valore pari a 0 equivale a un oscillatore spento, gli altri valori impostano il volume corrispondente.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorViewcentesimicentsTripleOscillatorView gradidegreesTripleOscillatorViewsemitoni semitonesTripleOscillatorViewClicca qui per mostrare o nascondere l'interfaccia grafica (GUI) per i plugin VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentView"Clicca qui per aprire un altro plugin VST. Una volta cliccato questo pulsante, si aprir una finestra di dialogo dove potrai selezionare il file.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView File DLL (*.dll)DLL-files (*.dll)VestigeInstrumentView File EXE (*.exe)EXE-files (*.exe)VestigeInstrumentView4Nessun plugin VST caricatoNo VST-plugin loadedVestigeInstrumentViewApri plugin VSTOpen VST-pluginVestigeInstrumentView0Apri un altro plugin VSTOpen other VST-pluginVestigeInstrumentView:Mostra/nascondi l'interfaccia Show/hide GUIVestigeInstrumentView0Disabilita tutte le noteTurn off all notesVestigeInstrumentViewbybyVestigeInstrumentViewJErrore nel caricamento del plugin VSTFailed loading VST-plugin VstPlugin$Caricamento pluginLoading plugin VstPlugin\Prego attendere, caricamento del plugin VST...'Please wait while loading VST-plugin... VstPluginfNon stato possibile caricare il plugin VST %1 a causa di alcuni errori. Se, con altre applicazioni GNU/Linux il plugin funziona, si prega di contattare uno sviluppatore di LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginFREQFREQZynAddSubFxViewRISRESZynAddSubFxViewAmplificazioneAmplifyaudioFileProcessor"Fine del campione End of sampleaudioFileProcessorRipetizioneLoopaudioFileProcessor&Inverti il campioneReverse sampleaudioFileProcessor&Inizio del campioneStart of sampleaudioFileProcessorFREQFREQbassBoosterControlDialogFrequenza: Frequency:bassBoosterControlDialogGUADGAINbassBoosterControlDialogGuadagno:Gain:bassBoosterControlDialogLIVRATIObassBoosterControlDialogLivello:Ratio:bassBoosterControlDialogFrequenza FrequencybassBoosterControlsGuadagnoGainbassBoosterControlsLivelloRatiobassBoosterControlsFAggiungi una traccia di automazioneAdd automation-trackbbEditor,Aggiungi beat/basslineAdd beat/basslinebbEditor(Beat+Bassline EditorBeat+Bassline EditorbbEditorCliccando qui si riprodurre il beat/bassline selezionato. Il beat/bassline ricomincia automaticamente quando finisce.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorCliccando qui si ferma la riproduzione del beat/bassline attivo.4Click here to stop playing of current beat/bassline.bbEditor|Riproduci/metti in pausa il beat/bassline selezionato (Spazio)(Play/pause current beat/bassline (Space)bbEditorNFerma il beat/bassline attuale (Spazio).Stop playback of current beat/bassline (Space)bbEditorCambia colore Change color bbTCOViewCambia nome Change name bbTCOViewBApri nell'editor di Beat+BasslineOpen in Beat+Bassline-Editor bbTCOViewReimposta nome Reset name bbTCOView Beat/Bassline %1Beat/Bassline %1bbTrack"LunghezzaCampione Samplelength bitInvaderlCliccando qui si ottiene una forma d'onda sinusoidale.Click for a sine-wave.bitInvaderViewbCliccando qui si ottiene un'onda a dente di sega.Click here for a saw-wave.bitInvaderViewPCliccando qui si ottiene un'onda quadra.Click here for a square-wave.bitInvaderViewZCliccando qui si ottiene un'onda triangolare.Click here for a triangle-wave.bitInvaderViewCliccando qui possibile definire una forma d'onda personalizzata.$Click here for a user-defined shape.bitInvaderViewNCliccando qui si ottiene rumore bianco.Click here for white-noise.bitInvaderView`Cliccando qui la forma d'onda viene ammorbidita.Click here to smooth waveform.bitInvaderViewCliccando e trascinando il mouse in questo grafico possibile disegnare una forma d'onda personalizzata.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderViewInterpolazione InterpolationbitInvaderViewNormalizza NormalizebitInvaderView,Lunghezza del campione Sample LengthbitInvaderView(Onda a dente di segaSaw wavebitInvaderView Onda sinusoidale Sine wavebitInvaderViewAmmorbidisciSmoothbitInvaderViewOnda quadra Square wavebitInvaderView Onda triangolare Triangle wavebitInvaderView6Forma d'onda personalizzataUser defined wavebitInvaderViewRumore biancoWhite noise wavebitInvaderViewHNon stato possibile aprire il fileCould not open fileexportProjectDialog&Impossibile aprire in scrittura il file %1. Assicurarsi di avere i permessi in scrittura per il file e la directory contenente il file e riprovare!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog ErroreErrorexportProjectDialogSi verificato un errore nel tentativo di determinare il dispositivo per la codifica del file. Si prega di selezionare un formato differente.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog2Esporta il progetto in %1Export project to %1exportProjectDialog(Renderizzazione: %1%Rendering: %1%exportProjectDialogGraficoGraph graphModelDecadimentoDecaykickerInstrumentDistorsione DistortionkickerInstrument Frequenza finale End frequencykickerInstrumentGuadagnoGainkickerInstrument$Frequenza inizialeStart frequencykickerInstrumentDecadimento:Decay:kickerInstrumentViewDistorsione: Distortion:kickerInstrumentView"Frequenza finale:End frequency:kickerInstrumentViewGuadagno:Gain:kickerInstrumentView&Frequenza iniziale:Start frequency:kickerInstrumentView &Aiuto&HelpknobPInserire un valore compreso tra %1 e %2:+Please enter a new value between %1 and %2:knobbInserire un nuovo valore tra -96.0 dBV e 6.0 dBV:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob(Strumenti di analisiAnalysis ToolsladspaBrowserView&Effetti disponibiliAvailable EffectsladspaBrowserViewSconosciuto Don't knowladspaBrowserViewStrumenti InstrumentsladspaBrowserViewQuesta finestra mostra le informazioni relative ai plugin LADSPA che LMMS stato in grado di localizzare. I plugin sono divisi in cinque categorie, in base all'interpretazione dei tipi di porta e ai nomi. Gli Effetti Disponibili sono quelli che possono essere usati con LMMS. Perch LMMS possa usare un effetto deve, prima di tutto, essere un effetto, cio deve avere sia ingressi che uscite. LMMS identifica un ingresso come una porta con una frequenza audio associata e che contiene 'in' nel nome. Le uscite sono identificate dalle lettere 'out'. Inoltre, l'effetto deve avere lo stesso numero di ingressi e di uscite e deve poter funzionare in real time. Gli Effetti non Disponibili sono quelli che sono stati identificati come effetti ma che non hanno lo stesso numero di ingressi e uscite oppure non supportano il real time. Gli Strumenti sono plugin che hanno solo uscite. Gli Strumenti di Analisi sono plugin che hanno solo ingressi. Quelli Sconosciuti sono plugin che non hanno n ingressi n uscite. Facendo doppio click sui plugin verranno fornite informazioni sulle relative porte.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView Tipo:Type:ladspaBrowserView.Effetti non disponibiliUnavailable EffectsladspaBrowserViewDescrizione DescriptionladspaDescription PluginPluginsladspaDescription AudioAudioladspaPortDialogControlloControlladspaPortDialogDirezione DirectionladspaPortDialogVirgola mobileFloatladspaPortDialogIngressoInputladspaPortDialog InteroIntegerladspaPortDialogLogaritmico LogarithmicladspaPortDialog<Minimo < Predefinito < MassimoMin < Default < MaxladspaPortDialogNomeNameladspaPortDialog UscitaOutputladspaPortDialog PortePortsladspaPortDialogFrequenzaRateladspaPortDialog Dipendente da SR SR DependentladspaPortDialogAbilitatoToggledladspaPortDialogTipoTypeladspaPortDialogSYesladspaPortDialog$Filtro 24dB/ottava24dB/oct Filter lb302SynthAccentoAccent lb302SynthDeadDead lb302SynthDistorsione Distortion lb302Synth SlideSlide lb302Synth"Decadimento slide Slide Decay lb302Synth2VCF - frequenza di taglioVCF Cutoff Frequency lb302Synth>VCF - decadimento dell'envelopeVCF Envelope Decay lb302Synth@VCF - modulazione dell'envelopeVCF Envelope Mod lb302SynthVCF - Risonanza VCF Resonance lb302SynthForma d'ondaWaveform lb302SynthPfiltro tripolare "tipo 303", 24dB/ottava&303-es-que, 24dB/octave, 3 pole filterlb302SynthViewTAGCUTlb302SynthViewlCliccando qui si ottiene una forma d'onda sinusoidale.Click for a sine-wave.lb302SynthViewLCliccando qui si ottieme un'onda moog. Click here for a moog-like wave.lb302SynthViewbCliccando qui si ottiene un'onda a dente di sega.Click here for a saw-wave.lb302SynthViewhCliccando qui si ottiene un'onda quadra arrotondata.0Click here for a square-wave with a rounded end.lb302SynthViewPCliccando qui si ottiene un'onda quadra.Click here for a square-wave.lb302SynthViewZCliccando qui si ottiene un'onda triangolare.Click here for a triangle-wave.lb302SynthViewRCliccando qui si ha un'onda esponenziale.#Click here for an exponential wave.lb302SynthViewNCliccando qui si ottiene rumore bianco.Click here for white-noise.lb302SynthView Freq. di taglio: Cutoff Freq:lb302SynthViewDECDEClb302SynthViewDISTDISTlb302SynthView DIST:DIST:lb302SynthViewDecadimento:Decay:lb302SynthViewENV MODENV MODlb302SynthViewEnv Mod:Env Mod:lb302SynthViewOnda moog Moog wavelb302SynthViewRISRESlb302SynthViewRisonanza: Resonance:lb302SynthView.Onda quadra arrotondataRounded square wavelb302SynthView SLIDESLIDElb302SynthView(Onda a dente di segaSaw wavelb302SynthView Onda sinusoidale Sine wavelb302SynthView$Decadimento slide: Slide Decay:lb302SynthViewOnda quadra Square wavelb302SynthView Onda triangolare Triangle wavelb302SynthViewRumore biancoWhite noise wavelb302SynthView$Filtro 24dB/ottava24dB/oct Filter lb303SynthAccentoAccent lb303SynthDeadDead lb303SynthDistorsione Distortion lb303Synth SlideSlide lb303Synth"Decadimento slide Slide Decay lb303Synth2VCF - frequenza di taglioVCF Cutoff Frequency lb303Synth>VCF - decadimento dell'envelopeVCF Envelope Decay lb303Synth@VCF - modulazione dell'envelopeVCF Envelope Mod lb303SynthVCF - Risonanza VCF Resonance lb303SynthForma d'ondaWaveform lb303SynthPfiltro tripolare "tipo 303", 24dB/ottava&303-es-que, 24dB/octave, 3 pole filterlb303SynthViewTAGCUTlb303SynthView Freq. di taglio: Cutoff Freq:lb303SynthViewDECDEClb303SynthViewDISTDISTlb303SynthView DIST:DIST:lb303SynthViewDecadimento:Decay:lb303SynthViewENV MODENV MODlb303SynthViewEnv Mod:Env Mod:lb303SynthViewRISRESlb303SynthViewRisonanza: Resonance:lb303SynthView SLIDESLIDElb303SynthView$Decadimento slide: Slide Decay:lb303SynthViewONDAWAVElb303SynthView ONDA:WAVE:lb303SynthViewADSRADSRmalletsInstrument AgogoAgogomalletsInstrument BeatsBeatsmalletsInstrument BowedBowedmalletsInstrument ClumpClumpmalletsInstrumentCrossfade CrossfademalletsInstrument GlassGlassmalletsInstrumentDurezzaHardnessmalletsInstrument&Profondit dell'LFO LFO DepthmalletsInstrument"Velocit dell'LFO LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrumentFile mancanti Missing filesmalletsInstrumentModulatore ModulatormalletsInstrumentMotoMotionmalletsInstrumentPosizionePositionmalletsInstrumentPressionePressuremalletsInstrumentResoResomalletsInstrumentVelocitSpeedmalletsInstrumentAperturaSpreadmalletsInstrumentStick Mix Stick MixmalletsInstrumentTibetan Bowl Tibetan BowlmalletsInstrumentTubular Bells Tubular BellsmalletsInstrumentTuned Bar Tuned BarmalletsInstrumentTwo Fixed Two FixedmalletsInstrumentUniform Bar Uniform BarmalletsInstrumentVibraphone VibraphonemalletsInstrument(Fequenza del vibrato Vibrato FreqmalletsInstrument(Guadagno del vibrato Vibrato GainmalletsInstrument Legno1Wood1malletsInstrument Legno2Wood2malletsInstrumentL'installazione di Stk sembra incompleta. Assicurarsi che sia installato il pacchetto Stk completo!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRADSRmalletsInstrumentView ADSR:ADSR:malletsInstrumentView BowedBowedmalletsInstrumentViewCrossfade CrossfademalletsInstrumentViewCrossfade: Crossfade:malletsInstrumentViewDurezzaHardnessmalletsInstrumentViewDurezza: Hardness:malletsInstrumentViewStrumento InstrumentmalletsInstrumentViewProfondit LFO LFO DepthmalletsInstrumentViewProfondit LFO: LFO Depth:malletsInstrumentViewVelocit LFO LFO SpeedmalletsInstrumentViewVelocit LFO: LFO Speed:malletsInstrumentViewModulatore ModulatormalletsInstrumentViewModulatore: Modulator:malletsInstrumentViewMotoMotionmalletsInstrumentView Moto:Motion:malletsInstrumentViewPosizionePositionmalletsInstrumentViewPosizione: Position:malletsInstrumentViewPressionePressuremalletsInstrumentViewPressione: Pressure:malletsInstrumentViewVelocitSpeedmalletsInstrumentViewVelocit:Speed:malletsInstrumentViewAperturaSpreadmalletsInstrumentViewApertura:Spread:malletsInstrumentViewStick Mix Stick MixmalletsInstrumentViewStick Mix: Stick Mix:malletsInstrumentViewFreq VibVib FreqmalletsInstrumentViewFreq Vib: Vib Freq:malletsInstrumentViewGuad VibVib GainmalletsInstrumentViewGuad Vib: Vib Gain:malletsInstrumentViewVibratoVibratomalletsInstrumentViewVibrato:Vibrato:malletsInstrumentView &Aiuto&HelpnineButtonSelectorDistorsione DistortionorganicInstrument VolumeVolumeorganicInstrumentDistorsione: Distortion:organicInstrumentViewHIntonazione precisa osc %1 sinistra:Osc %1 fine detuning left:organicInstrumentViewPanning osc %1:Osc %1 panning:organicInstrumentViewVolume osc %1:Osc %1 volume:organicInstrumentViewOnda osc %1:Osc %1 waveform:organicInstrumentViewRendi casuale RandomiseorganicInstrumentViewVolume:Volume:organicInstrumentViewcentesimicentsorganicInstrumentView BassiBasspapuInstrument.Canale 1 a SO1 (destra)Channel 1 to SO1 (Right)papuInstrument2Canale 1 a SO2 (sinistra)Channel 1 to SO2 (Left)papuInstrument&Volume del canale 1Channel 1 volumepapuInstrument.Canale 2 a SO1 (destra)Channel 2 to SO1 (Right)papuInstrument2Canale 2 a SO2 (sinistra)Channel 2 to SO2 (Left)papuInstrument&Volume del canale 2Channel 2 volumepapuInstrument.Canale 3 a SO1 (destra)Channel 3 to SO1 (Right)papuInstrument2Canale 3 a SO2 (sinistra)Channel 3 to SO2 (Left)papuInstrument&Volume del canale 3Channel 3 volumepapuInstrument.Canale 4 a SO1 (destra)Channel 4 to SO1 (Right)papuInstrument2Canale 4 a SO2 (sinistra)Channel 4 to SO2 (Left)papuInstrument&Volume del canale 4Channel 4 volumepapuInstrument,Volume uscita sinistraLeft Output levelpapuInstrumentFLunghezza di ogni passo nello sweepLength of each step in sweeppapuInstrument(Volume uscita destraRight Output levelpapuInstrumentBAmpiezza spostamento del registroShift Register widthpapuInstrument:Quantit RtShift per lo sweepSweep RtShift amountpapuInstrumentDirezione sweepSweep directionpapuInstrumentTempo di sweep Sweep timepapuInstrumentAltiTreblepapuInstrument4Direzione sweep del volumeVolume sweep directionpapuInstrument"Wave Pattern DutyWave Pattern DutypapuInstrument BassiBasspapuInstrumentView Bassi:Bass:papuInstrumentView.Canale 1 a SO1 (destra)Channel1 to SO1 (Right)papuInstrumentView2Canale 1 a SO2 (sinistra)Channel1 to SO2 (Left)papuInstrumentView.Canale 2 a SO1 (destra)Channel2 to SO1 (Right)papuInstrumentView2Canale 1 a SO2 (sinistra)Channel2 to SO2 (Left)papuInstrumentView.Canale 3 a SO1 (destra)Channel3 to SO1 (Right)papuInstrumentView2Canale 3 a SO2 (sinistra)Channel3 to SO2 (Left)papuInstrumentView.Canale 4 a SO1 (destra)Channel4 to SO1 (Right)papuInstrumentView2Canale 4 a SO2 (sinistra)Channel4 to SO2 (Left)papuInstrumentView(Disegnare l'onda quiDraw the wave herepapuInstrumentViewFLunghezza di ogni passo nello sweepLength of each step in sweeppapuInstrumentViewHLunghezza di ogni passo nello sweep:Length of each step in sweep:papuInstrumentView0Volume rumore del canaleNoise Channel VolumepapuInstrumentView2Volume rumore del canale:Noise Channel Volume:papuInstrumentView&Volume SO1 (destra)SO1 Volume (Right)papuInstrumentView(Volume SO1 (destra):SO1 Volume (Right):papuInstrumentView*Volume SO2 (sinistra)SO2 Volume (Left)papuInstrumentView,Volume SO2 (sinistra):SO2 Volume (Left):papuInstrumentViewBAmpiezza spostamento del registroShift Register WidthpapuInstrumentView4Volume square del canale 1Square Channel 1 VolumepapuInstrumentView6Volume del canale 1 square:Square Channel 1 Volume:papuInstrumentView4Volume square del canale 2Square Channel 2 VolumepapuInstrumentView6Volume square del canale 2:Square Channel 2 Volume:papuInstrumentViewDirezione sweepSweep DirectionpapuInstrumentView:Quantit RtShift per lo sweepSweep RtShift amountpapuInstrumentView<Quantit RtShift per lo sweep:Sweep RtShift amount:papuInstrumentViewTempo di sweep Sweep TimepapuInstrumentViewTempo di sweep: Sweep Time:papuInstrumentViewbLa quantit di aumento o diminuzione di frequenza/The amount of increase or decrease in frequencypapuInstrumentView6Ritardo tra i cambi di stepThe delay between step changepapuInstrumentViewIl duty cycle il rapporto tra il tempo in cui il segnale ON e il periodo completo del segnale.mThe duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal.papuInstrumentViewLa velocit a cui l'aumento o la diminuzione di frequenza avvengono:The rate at which increase or decrease in frequency occurspapuInstrumentViewAltiTreblepapuInstrumentView Alti:Treble:papuInstrumentView4Direzione sweep del volumeVolume Sweep DirectionpapuInstrumentView.Volume wave del canale:Wave Channel VolumepapuInstrumentView.Volume wave del canale:Wave Channel Volume:papuInstrumentViewWave Pattern Wave PatternpapuInstrumentView"Wave Pattern DutyWave Pattern DutypapuInstrumentView"Wave Pattern DutyWave pattern dutypapuInstrumentView$Wave Pattern Duty:Wave pattern duty:papuInstrumentView@Impossibile congelare il patternCannot freeze patternpatternNon stato possibile congelare questo pattern perch in modalit riproduzione. Fermare la riproduzione e riprovare!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternAnnullaCancelpatternFreezeStatusDialog6Congelamento del pattern...Freezing pattern...patternFreezeStatusDialog%1 note%1 steps patternView 1 nota1 step patternViewAggiungi note Add steps patternViewCambia nome Change name patternView,Cancella tutte le noteClear all notes patternViewCongelaFreeze patternView&Apri nel piano-rollOpen in piano-roll patternView$Congela nuovamenteRefreeze patternViewElimina note Remove steps patternView"Reimposta il nome Reset name patternViewScongelaUnfreeze patternViewun doppio click apre questo pattern nel piano-roll la rotellina del mouse impostare il volume delle noteWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewCliccando qui i valori nella clipboard vengono incollati alla prima battuta visibile.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRoll.Cliccando qui le note selezionate verranno copiate negli appunti. possibile incollarle in un punto qualsiasi del pattern cliccando sul tasto incolla.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll0Cliccando qui le note selezionate verranno spostate negli appunti. possibile incollarle in un punto qualsiasi del pattern cliccando sul tasto incolla.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll&Cliccando qui si riproduce il pattern selezionato. Questo utile mentre lo si modifica. Il pattern viene automaticamente ripetuto quando finisce.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollCliccando qui si registrano nel pattern note da una periferica MIDI o dal piano di prova virtuale nella finestra del canale corrispondente. Mentre si registra, tutte le note eseguite vengono scritte in questo pattern e in seguito le si potr riprodurre e modificare.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRoll>Cliccando qui si registrano nel pattern note da una periferica MIDI o dal piano di prova virtuale nella finestra del canale corrispondente. Mentre si registra, tutte le note eseguite vengono scritte in questo pattern, sentendo contemporaneamente la canzone o la traccia BB in sottofondo.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRolltCliccando qui si ferma la riproduzione del pattern attivo./Click here to stop playback of current pattern. pianoRollDCopia le note selezionate (Ctrl+C)Copy selected notes (Ctrl+C) pianoRollFTaglia le note selezionate (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll4Modalit disegno (Shift+D)Draw mode (Shift+D) pianoRoll@Modalit cancellazione (Shift+E)Erase mode (Shift+E) pianoRollUltima nota Last note pianoRollNote lock Note lock pianoRollHIncolla le note selezionate (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRollPiano-Roll - %1Piano-Roll - %1 pianoRoll6Piano-Roll - nessun patternPiano-Roll - no pattern pianoRoll`Riproduci/metti in pausa questo pattern (Spazio)"Play/pause current pattern (Space) pianoRollrAprire un pattern con un doppio-click sul pattern stesso!/Please open a pattern by double-clicking on it! pianoRollbRegistra note da una periferica/canale piano MIDI+Record notes from MIDI-device/channel-piano pianoRollRegistra note da una periferica MIDI/canale piano mentre la traccia o la BB track in riproduzioneJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll8Modalit selezione (Shift+S)Select mode (Shift+S) pianoRoll`Ferma la riproduzione di questo pattern (Spazio)'Stop playing of current pattern (Space) pianoRollZSintetizzatore additivo per suoni tipo organo*Additive Synthesizer for organ-like sounds pluginBrowserLSintetizzatore wavetable configurabile"Customizable wavetable synthesizer pluginBrowser possibile trascinare uno strumento nel Song-Editor, nel Beat+Bassline Editor o direttamente in un canale esistente.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowser2Emulatore di GameBoy!" APUEmulation of GameBoy (TM) APU pluginBrowserEmulazione di MOS6581 and MOS8580 SID. Questo chip era utilizzato nel Commode 64.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserdFiltro per importare progetti di FL Studio in LMMS1Filter for importing FL Studio projects into LMMS pluginBrowserLFiltro per importare file MIDI in LMMS)Filter for importing MIDI-files into LMMS pluginBrowser:strumento compatibile con GUSGUS-compatible patch instrument pluginBrowserTImitazione monofonica del tb303 incompleta%Incomplete monophonic imitation tb303 pluginBrowser4Navigatore degli strumentiInstrument browser pluginBrowser$Plugin strumentaliInstrument plugins pluginBrowserBElenca i plugin LADSPA installatiList installed LADSPA plugins pluginBrowser:Riproduttore di file SounFontPlayer for SoundFont files pluginBrowserlPlugin per controllare le manopole con picchi di suono-Plugin for controlling knobs with sound peaks pluginBrowserlPlugin per migliorare la separazione stereo di un file=Plugin for enhancing stereo separation of a stereo input file pluginBrowserdPlugin per manipolare liberamente un'uscita stereo,Plugin for freely manipulating stereo output pluginBrowser\Oggetti dotati di intonazione su cui picchiareTuneful things to bang on pluginBrowserPHost VST per usare i plugin VST con LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser8Modulatore di corde vibrantiVibrating string modeler pluginBrowser&nessuna descrizioneno description pluginBrowserRPlugin per aumentare notevolmente i bassiplugin for boosting bass pluginBrowserdPlugin per usare qualsiasi effetto LADSPA in LMMS.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowser^Plugin per usare qualsiasi effetto VST in LMMS.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowserSemplice campionatore con molte impostazioni per usare campioni (ad es. di percussioni) in una tracciaZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserrtre potenti oscillatori che puoi modulare in diversi modi;three powerful oscillators you can modulate in several ways pluginBrowserTsintetizzatore di colpo di cassa versatile&versatile kick- & bassdrum-synthesizer pluginBrowser&Grassetto&Bold projectNotes&Colore... &Color... projectNotes &Copia&Copy projectNotes&Corsivo&Italic projectNotes&Giustifica&Justify projectNotes&Sinistra&Left projectNotes&Incolla&Paste projectNotes$&Ripeti operazione&Redo projectNotes&Destra&Right projectNotes&Sottolineato &Underline projectNotes&&Annulla operazione&Undo projectNotes&CentroC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotes&TagliaCu&t projectNotesModifica azioni Edit Actions projectNotesFormatta azioniFormat Actions projectNotes"Note del progetto Project notes projectNotesNScrivi qui le note per il tuo progetto.!Put down your project notes here. projectNotesRinomina... Rename... renameDialog0File AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBufferFile AU (*.au)AU-Files (*.au) sampleBufferTutti i file audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer*File DrumSynth (*.ds)DrumSynth-Files (*.ds) sampleBuffer$File FLAC (*.flac)FLAC-Files (*.flac) sampleBuffer File MP3 (*.mp3)MP3-Files (*.mp3) sampleBuffer File OGG (*.ogg)OGG-Files (*.ogg) sampleBufferApri file audioOpen audio file sampleBuffer File RAW (*.raw)RAW-Files (*.raw) sampleBuffer$File SPEEX (*.spx)SPEEX-Files (*.spx) sampleBuffer File VOC (*.voc)VOC-Files (*.voc) sampleBuffer"File wave (*.wav)Wave-Files (*.wav) sampleBuffer CopiaCopy sampleTCOView TagliaCut sampleTCOViewDElimina (tasto centrale del mouse)Delete (middle mousebutton) sampleTCOViewvAttiva/disattiva la modalit muta (<Ctrl> + tasto centrale)#Mute/unmute ( + middle click) sampleTCOViewIncollaPaste sampleTCOView Set/clear recordSet/clear record sampleTCOViewZFare doppio click per selezionare il campionedouble-click to select sample sampleTCOView&Traccia di campione Sample track sampleTrack VolumeVolume sampleTrack$Volume del canale:Channel volume:sampleTrackView(Volume della traccia Track volumesampleTrackViewVOLVOLsampleTrackView"INTERFACCIA AUDIOAUDIO INTERFACE setupDialog4DIrectory del tema graficoArtwork directory setupDialog$Impostazioni audioAudio settings setupDialog*DIMENSIONE DEL BUFFER BUFFER SIZE setupDialog(Grafica dello sfondoBackground artwork setupDialogAnnullaCancel setupDialoghSeleziona la directory di installazione di FL Studio'Choose FL Studio installation directory setupDialogPSeleziona le directory dei plugin LADSPAChoose LADSPA plugin directory setupDialogPSeleziona la directory di lavoro di LMMSChoose LMMS working directory setupDialogVSeleziona le directory dei file rawwave STKChoose STK rawwave directory setupDialogNSeleziona la directory del tema graficoChoose artwork-theme directory setupDialogBScegliere la grafica dello sfondoChoose background artwork setupDialogDScegliere il SoundFont predefinitoChoose default SoundFont setupDialogRSeleziona la tua directory dei plugin VST Choose your VST-plugin directory setupDialogrPer impostazione predefinita, comprimi i file di progetto"Compress project files per default setupDialog4File SoundFont predefinitoDefault Soundfont File setupDialog`Disabilit gli indicatori di attivit dei canali#Disable channel activity indicators setupDialog0Mostra il volume in dBV Display volume as dBV  setupDialog,Abilita i suggerimentiEnable tooltips setupDialogNDirectory di installazione di FL Studio FL Studio installation directory setupDialog2Frames: %1 Latenza: %2 msFrames: %1 Latency: %2 ms setupDialog*Impostazioni generaliGeneral settings setupDialogPModalit alta qualit per l'uscita audioHQ-mode for output audio-device setupDialogQui possibile selezionare l'interfaccia MIDI. A seconda della configurazione del tuo sistema in fase di compilazione puoi scegliere tra ALSA, OSS e altri. Sotto si trova una casella che offre dei controlli per l'interfaccia MIDI selezionata.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogQui possibile selezionare l'interfaccia audio. A seconda della configurazione del tuo sistema in fase di compilazione puoi scegliere tra ALSA, JACK, OSS e altri. Sotto trovi una casella che offre dei controlli per l'interfaccia audio selezionata.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog*Qui possibile impostare la dimensione del buffer interno usato da LMMS. Valori pi piccoli danno come risultato una latenza pi bassa ma possono causare una qualit audio inutilizzabile o cattive prestazioni, specialmente su computer datati o sistemi con kernel non-realtime.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog4Percorsi dei plugin LADSPALADSPA plugin paths setupDialog6Directory di lavoro di LMMSLMMS working directory setupDialog INTERFACCIA MIDIMIDI INTERFACE setupDialog"Impostazioni MIDI MIDI settings setupDialog VARIEMISC setupDialogOKOK setupDialogrPremi i pulsanti nei canali di piano soltanto manualmente)Only press keys on channel-piano manually setupDialogPercorsiPaths setupDialog0Impostazioni prestazioniPerformance settings setupDialogSi prega di notare che la maggior parte delle modifiche non avr effetto fino al riavvio di LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog>Reimposta al valore predefinitoReset to default-value setupDialogRiavvia LMMS Restart LMMS setupDialog@Directory per i file rawwave STKSTK rawwave directory setupDialogCofigura LMMS Setup LMMS setupDialogDopo aver modificato le impostazioni, mostra un avviso al riavvio,Show restart warning after changing settings setupDialog`Effetti UI (interfaccia grafica) vs. prestazioniUI effects vs. performance setupDialog0Directory dei plugin VSTVST-plugin directory setupDialog BancoBank sf2Instrument ChorusChorus sf2Instrument&Chorus - profondit Chorus Depth sf2Instrument Chorus - livello Chorus Level sf2InstrumentChorus - voci Chorus Lines sf2Instrument"Chorus - velocit Chorus Speed sf2InstrumentGuadagnoGain sf2Instrument PatchPatch sf2InstrumentRiverberoReverb sf2Instrument0Riverbero - attenuazioneReverb Damping sf2Instrument&Riverbero - livello Reverb Level sf2Instrument:Riverbero - dimensione stanzaReverb Roomsize sf2Instrument(Riverbero - ampiezza Reverb Width sf2InstrumentBApplica il chorus (se supportato)Apply chorus (if supported)sf2InstrumentViewHApplica il riverbero (se supportato)Apply reverb (if supported)sf2InstrumentView$Seleziona il patchChoose the patchsf2InstrumentView(Chorus - profondit: Chorus Depth:sf2InstrumentView"Chorus - livello: Chorus Level:sf2InstrumentViewChorus - voci: Chorus Lines:sf2InstrumentView$Chorus - velocit: Chorus Speed:sf2InstrumentViewNClicca qui per aprire un altro file SF2#Click here to open another SF2 filesf2InstrumentViewGuadagnoGainsf2InstrumentView,Apri un file SoundFontOpen SoundFont filesf2InstrumentView8Apri un altro file SoundFontOpen other SoundFont filesf2InstrumentView2Riverbero - attenuazione:Reverb Damping:sf2InstrumentView(Riverbero - livello: Reverb Level:sf2InstrumentView<Riverbero - dimensione stanza:Reverb Roomsize:sf2InstrumentView*Riverbero - ampiezza: Reverb Width:sf2InstrumentView.File SoundFont2 (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentViewQuesto pulsante abilita l'effetto chorus, che utile per effetti di eco particolari ma funziona solo su file che lo supportano.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewQuesto pulsante abilita l'effetto riverbero, che utile per effetti particolari ma funziona solo su file che lo supportano.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewModello di chip Chip model sidInstrument TaglioCutoff sidInstrumentTipo di filtro Filter type sidInstrumentRisonanza Resonance sidInstrumentVoce 3 spenta Voice 3 off sidInstrument VolumeVolume sidInstrumentIl livello di attacco determina quanto rapidamente l'uscita della voce %1 sale da zero al picco di amplificazione.\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentViewAttacco:Attack:sidInstrumentView$Filtro passa-bandaBand-Pass filter sidInstrumentViewApprossimativo:Coarse:sidInstrumentView(Frequenza di taglio:Cutoff frequency:sidInstrumentViewIl livello di decadimento determina quanto rapidamente l'uscita ricade dal picco di amplificazione al livello di sostegno impostato.iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewDecadimento:Decay:sidInstrumentViewFiltratoFilteredsidInstrumentView"Filtro passa-altoHigh-Pass filter sidInstrumentView$Filtro passa-bassoLow-Pass filter sidInstrumentViewMOS6581 SID MOS6581 SID sidInstrumentViewMOS8580 SID MOS8580 SID sidInstrumentView RumoreNoisesidInstrumentViewL'uscita della voce %1 rimarr al livello di sostegno impostato per tutta la durata della nota.]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentViewOnda pulse Pulse WavesidInstrumentViewAmpiezza pulse: Pulse Width:sidInstrumentViewRilascio:Release:sidInstrumentViewRisonanza: Resonance:sidInstrumentView Modulazione ringRing-ModsidInstrumentViewRing-mod rimpiazza l'uscita della forma d'onda triangolare dell'oscillatore %1 con la combinazione "Ring Modulated" degli oscillatori %1 e %2.}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentViewDente di segaSawToothsidInstrumentViewSostegno:Sustain:sidInstrumentViewSincronizzatoSyncsidInstrumentViewIl Sync sincronizza la frequenza fondamentale dell'oscillatore %1 con quella dell'oscillatore %2 producendo effetti di "Hard Sync".Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentViewTestTestsidInstrumentViewQuando Test attivo, e finch non viene spento, reimposta e blocca l'oscillatore %1 a zero.PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewL'intonazione permette di "stonare" la voce %1 verso l'alto o verso il basso di un'ottava.DThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentViewLa risoluzione dell'ampiezza del Pulse permette di impostare che l'ampiezza venga variata in modo continuo senza salti udibili. Sull'oscillatore %1 deve essere selezionata la forma d'onda Pulse perch si abbia un effetto udibile.The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentViewL'uscita della voce %1 ricadr dal livello di sostegno verso il silenzio con la velocit di rilascio impostata.jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentView Onda triangolare Triangle WavesidInstrumentViewVoce 3 spenta Voice3 Off sidInstrumentViewVolume:Volume:sidInstrumentViewlQuando il filtraggio attivo, la voce %1 verr processata dal filtro. Quando il filtraggio spento, la voce %1 arriva direttamente all'uscita e il filtro non ha effetto su di essa.When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentViewEmpty project Empty projectsong$Progetti FL StudioFL Studio projectssongImporta file Import filesongSequenze MIDIMIDI sequencessong$Altezza principale Master pitchsong"Volume principale Master volumesong@Il progetto NON stato salvato.Project NOT saved.songProgeto salvato Project savedsonghScegliere il file per l'esportazione del progetto...!Select file for project-export...song TempoTemposong>Il progetto %1 stato salvato.The project %1 is now saved.songFIl progetto %1 non stato salvato!The project %1 was not saved!songQuesto progetto vuoto, pertanto non c' nulla da esportare. Prima di esportare necessario inserire alcuni elementi nel Song Editor!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songsenza_nomeuntitledsongFAggiungi una traccia di automazioneAdd automation-track songEditor,Aggiungi beat/basslineAdd beat/bassline songEditor8Aggiungi traccia di campioneAdd sample-track songEditorRCliccando qui si riproduce l'intera canzone. La riproduzione inizier alla posizione attuale del segnaposto (verde). possibile spostarlo anche durante la riproduzione.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorCliccando qui si ferma la riproduzione della canzone. Il segnaposto verr portato all'inizio della canzone.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditorHNon stato possibile aprire il fileCould not open file songEditor8Impossibile scrivere il fileCould not write file songEditorTImpossibile scrivere il file %1. Probabilmente non si hanno i permessi in scrittura per questo file. Assicurarsi di avere i permessi in scrittura per il file e riprovare.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditor Modalit disegno Draw mode songEditorLModalit modifica (seleziona e sposta)Edit mode (select and move) songEditor0Modalit ad alta qualitHigh quality mode songEditor$Altezza principale Master pitch songEditor"Volume principale Master volume songEditor:Riproduci la canzone (Spazio)Play song (Space) songEditorRRegistra campioni da una periferica audio Record samples from Audio-device songEditorRegistra campioni da una periferica audio mentre la canzone o la BB track sono in riproduzione?Record samples from Audio-device while playing song or BB track songEditorSong-Editor Song-Editor songEditorXFerma la riproduzione della canzone (Spazio)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditor8Il tempo della canzone specificato in battiti al minuto (BPM). Per cambiare il tempo della canzone bisogna cambiare questo valore. Ogni marcatore ha 4 battiti, pertanto il tempo in BPM specifica quanti marcatori / 4 verranno riprodotti in un minuto (o quanti marcatori in 4 minuti).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor&Valore: %1 semitoniValue: %1 semitones songEditorValore: %1% Value: %1% songEditor$altezza principale master pitch songEditor"volume principale master volume songEditor&tempo della canzone tempo of song songEditorAsse Y lineare Linear Y axisspectrumAnalyzerControlDialogSpettro lineareLinear spectrumspectrumAnalyzerControlDialog&Modalit del canale Channel modespectrumAnalyzerControlsAsse Y lineare Linear Y-axisspectrumAnalyzerControlsSpettro lineareLinear spectrumspectrumAnalyzerControls AMPIOWIDEstereoEnhancerControlDialogAmpiezza:Width:stereoEnhancerControlDialogAmpiezzaWidthstereoEnhancerControls<Volume da Sinistra a Sinistra:Left to Left Vol:stereoMatrixControlDialog8Volume da Sinistra a Destra:Left to Right Vol:stereoMatrixControlDialog8Volume da Destra a Sinistra:Right to Left Vol:stereoMatrixControlDialog4Volume da Destra a Destra:Right to Right Vol:stereoMatrixControlDialog,Da Sinistra a Sinistra Left to LeftstereoMatrixControls(Da Sinistra a Destra Left to RightstereoMatrixControls(Da Destra a Sinistra Right to LeftstereoMatrixControls$Da Destra a DestraRight to RightstereoMatrixControlsfUna volta fermata la riproduzione, torna all'inizioAfter stopping go back to begintimeLineUna volta fermata la riproduzione, torna alla posizione da cui si partiti?After stopping go back to position at which playing was startedtimeLinepUna volta fermata la riproduzione, mantieni la posizioneAfter stopping keep positiontimeLineXAbilita/disabilita lo scorrimento automaticoEnable/disable auto-scrollingtimeLineRAbilita/disabilita i punti di ripetizioneEnable/disable loop-pointstimeLineSuggerimentoHinttimeLine~Premi <Ctrl> per disabilitare i punti di ripetizione magnetici.-Press to disable magnetic loop-points.timeLineMutoMutedtrackSoloSolotrackAnnullaCanceltrackContainer@Non stato possibile trovare un filtro per importare il file %1. necessario convertire questo file in un formato supportato da LMM usando un altro programma.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainerNNon stato possibile importare il fileCouldn't import filetrackContainerHNon stato possibile aprire il fileCouldn't open filetrackContainer,Non stato possibile aprire il file %1 in lettura. Assicurarsi di avere i permessi in lettura per il file e la directory che lo contiene e riprovare!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer8Importazione del file FLP...Importing FLP-file...trackContainer:Importazione del file MIDI...Importing MIDI-file...trackContainer6Caricamento del progetto...Loading project...trackContainer$Prego attendere...Please wait...trackContainerMutoMutedtrackContentObject0%1:%2 (da %3:%4 a %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView CopiaCopytrackContentObjectView"Lunghezza attualeCurrent lengthtrackContentObjectView"Posizione attualeCurrent positiontrackContentObjectView TagliaCuttrackContentObjectViewDElimina (tasto centrale del mouse)Delete (middle mousebutton)trackContentObjectViewSuggerimentoHinttrackContentObjectViewvAttiva/disattiva la modalit muta (<Ctrl> + tasto centrale)#Mute/unmute ( + middle click)trackContentObjectViewIncollaPastetrackContentObjectViewdPremere <Ctrl>, cliccare e trascinare per copiare.%Press and drag to make a copy.trackContentObjectView\Premere <Ctrl> per ridimensionare liberamente.Press for free resizing.trackContentObjectView2Azioni per questa tracciaActions for this tracktrackOperationsWidget(Clona questa tracciaClone this tracktrackOperationsWidgetMutoMutetrackOperationsWidgetJMetti questa traccia in modalit mutaMute this tracktrackOperationsWidgetPremere <Ctrl> mentre si clicca sulla maniglia per lo spostamento per iniziare una nuova azione di drag'n'drop.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget,Elimina questa tracciaRemove this tracktrackOperationsWidgetSoloSolotrackOperationsWidgetJErrore nel caricamento del plugin VSTFailed loading VST-pluginvestigeInstrument$Caricamento pluginLoading pluginvestigeInstrument\Prego attendere, caricamento del plugin VST...'Please wait while loading VST-plugin...vestigeInstrumentfNon stato possibile caricare il plugin VST %1 a causa di alcuni errori. Se, con altre applicazioni GNU/Linux il plugin funziona, si prega di contattare uno sviluppatore di LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentIntonazione %1 Detune %1vibedFuzziness %1 Fuzziness %1 vibedImpulso %1 Impulse %1vibedLunghezza %1 Length %1vibedOttava %1 Octave %1vibed Pan %1Pan %1vibed0Posizione del plettro %1Pick %1 positionvibed.Posizione del pickup %1Pickup %1 positionvibed,Durezza della corda %1String %1 stiffnessvibed*Volume della corda %1String %1 volumevibed &Aiuto&Help vibedViewhCliccando qui si abilita/disabilita la forma d'onda.&Click here to enable/disable waveform. vibedViewbCliccando qui la forma d'onda viene normalizzata.!Click here to normalize waveform. vibedView`Cliccando qui la forma d'onda viene ammorbidita.Click here to smooth waveform. vibedViewIntonazione:Detune: vibedView(Abilita forma d'ondaEnable waveform vibedViewFuzziness: Fuzziness: vibedView&Editor dell'impulsoImpulse Editor vibedView0Impulso o stato inizialeImpulse or initial state vibedViewLunghezza:Length: vibedViewNormalizza Normalize vibedView OttavaOctave vibedViewPan:Pan: vibedView,Posizione del plettro:Pick position: vibedView*Posizione del pickup:Pickup position: vibedView(Onda a dente di segaSaw wave vibedView Onda sinusoidale Sine wave vibedViewAmmorbidisciSmooth vibedViewOnda quadra Square wave vibedView CordaString vibedView(Durezza della corda:String stiffness: vibedView:Il selettore 'Imp' determina se la forma d'onda nel grafico deve essere trattata come l'impulso del plettro sulla corda o come lo stato iniziale della corda.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewLa manopola 'P' regola il punto in cui verr 'pizzicata' la corda. Pi basso sar il valore, pi vicino al ponte sar il plettro.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewDLa manopola 'PU' regola la posizione in cui verranno rilevate le vibrazioni della corda selezionata. Pi basso sar il valore, pi vicino al ponte sar il pickup.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedView`La manopola 'S' regola la durezza della corda selezionata. La durezza della corda influenza la durata della vibrazione. Pi basso sar il valore, pi a lungo suoner la corda.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewrLa manopola 'V' regola il volume della corda selezionata.4The 'V' knob sets the volume of the selected string. vibedViewLa manopola Intonazione regola l'altezza del suono della corda selezionata. Valori sotto lo zero sposteranno l'intonazione della corda verso il bemolle. Valori sopra lo zero spostarenno l'intonazione della corda verso il diesis.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewvLa manopola Lunghezza regola la lunghezza della corda selezionata. Corde pi lunghe suonano pi a lungo e hanno un suono pi brillante. Tuttavia richiedono anche pi tempo del processore.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewFIl seletore Ottava serve per scegliere a quale armonico della nota risuona la corda. Per esempio, '-2' significa che la corda risuona due ottave sotto la fondamentale, 'F' significa che la corda risuona alla fondamentale e '6' significa che la corda risuona sei ottave sopra la fondamentale.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewLa manopola Pan determina la posizione della corda selezionata nello spettro stereo.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewbLa manopola Slap aggiungeun po' di "sporco" al suono della corda selezionata, sensibile soprattutto nell'attacco, anche se pu essere usato per rendere il suono pi "metallico".The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewIl selettore della Corda serve per scegliere su quale corda hanno effetto i controlli. Uno strumento Vibed pu contenere fino a nove corde che indipendenti. Il LED nell'angolo in basso a destra dell'editor della forma d'onda indica se la corda attiva.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewxL'editor della forma d'onda fornisce il controllo sull'impulso iniziale usato per far vibrare la corda. I pulsanti a destra del grafico predispongono una forma d'onda del tipo selezionato. Il pulsante '?' carica la forma d'onda da un file--verranno caricati solo i primi 128 campioni. La forma d'onda pu anche essere disegnata direttamente sul grafico. Il pulsante 'S' ammorbisce la forma d'onda. Il pulsante 'N' normalizza la forma d'onda.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView Onda triangolare Triangle wave vibedViewtUtilizzare un'onda a dente di sega per questo oscillatore.&Use a saw-wave for current oscillator. vibedViewlUtilizzare un'onda sinusoidale per questo oscillatore.'Use a sine-wave for current oscillator. vibedViewbUtilizzare un'onda quadra per questo oscillatore.)Use a square-wave for current oscillator. vibedViewlUtilizzare un'onda triangolare per questo oscillatore.+Use a triangle-wave for current oscillator. vibedViewrUtilizzare un'onda personalizzata per questo oscillatore.3Use a user-defined waveform for current oscillator. vibedView`Utilizzare rumore bianco per questo oscillatore.'Use white-noise for current oscillator. vibedView6Forma d'onda personalizzataUser defined wave vibedViewVibed modella fino a nove corde che vibrano indipendentemente. Il selettore 'Corda' permettedi scegliere quale corda modificare. Il selettore 'Imp' sceglie se il grafico sar l'impulso dato o lo stato iniziale della corda. Il selettore 'Ottava' imposta l'armonico a cui risuoner la corda. Il grafico permette di controllare l'impulso (o lo stato iniziale) per far vibrare la corda. La manopola 'V' reogla il volume. La manopola 'S' regola la durezza della corda. La manopola 'P' regola la posiziona del plettro. La manopola 'PU' regola la posizione del pickup. 'Pan' e 'Detune' non dovrebbero aver bisogno di spiegazioni. La manopola 'Slap' aggiunge un po' di "sporco" al suono della corda. La manopola 'Lunghezza' regola la lunghezza della corda. Il LED nell'angolo in basso a destra sull'editor della forma d'onda determina se la corda attiva nello strumento selezionato.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewVolume:Volume: vibedViewRumore biancoWhite noise wave vibedViewcliccando si abilita/disabilita la visualizzazione dell'uscita principale6click to enable/disable visualization of master-outputvisualizationWidgetAttacco voce %1Voice %1 attack voiceObject&Intonazione voce %1Voice %1 coarse detuning voiceObject&Decadimento voce %1Voice %1 decay voiceObject$Filtraggio voce %1Voice %1 filtered voiceObject,Ampiezza pulse voce %1Voice %1 pulse width voiceObject Rilascio voce %1Voice %1 release voiceObject0Modulazione ring voce %1Voice %1 ring modulate voiceObject Sostegno voce %1Voice %1 sustain voiceObject0Sincronizzazione voce %1 Voice %1 sync voiceObjectTest voce %1 Voice %1 test voiceObject(Forma d'onda voce %1Voice %1 wave shape voiceObjectlmms-1.0.0+bzr2569/data/locale/it.ts0000644000000000000000000100347012307165142015067 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About Informazioni su LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE PERIFERICA CHANNELS CANALI AudioFileProcessorView Open other sample Apri un altro campione Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Clicca qui per aprire un altro file audio. Apparirà una finestra di dialogo dove sarà possibile scegliere il file. Impostazioni come la modalità ripetizione, amplificazione e così via non vengono reimpostate, pertanto potrebbe non suonare come il file originale. Reverse sample Inverti il campione If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Attivando questo pulsante, l'intero campione viene invertito. Ciò è utile per effetti particolari, ad es. un crash invertito. Loop sample at start- and end-point Ripeti il campione tra i punti di inizio e fine Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Qui è possibile impostare se la modalità ripetizione è attiva. AudioFileProcessor riproduce tra i punti di inizio e fine di un campione finché tutta la nota è stata suonata. Ciò è utile per campioni di strumenti a corda e cori. Amplify: Amplificazione: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Questa manopola regola l'amplificaione. Con un valore pari a 100% il campione non viene modificato, altrimenti verrà amplificato della percentuale specificata (il file originale non viene modificato!) Startpoint: Punto di inizio: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Questa manopola regola il punto in cui AudioFileProcessor inizierà la riproduzione. Se la modalità ripetizione è attiva, questo è il punto in cui la riproduzione ritorna se una nota è più lunga del campione tra i punti di inizio e fine. Endpoint: Punto di fine: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Questa manopola regola il punto in cui AudioFileProcessor terminerà la riproduzione. Se la modalità ripetizione è attiva, questo è il punto in cui la riproduzione si ferma se una nota è più lunga del campione tra i punti di inizio e fine. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME NOME DEL CLIENT CHANNELS CANALI AudioOss::setupWidget DEVICE PERIFERICA CHANNELS CANALI AudioPortAudio::setupWidget BACKEND SOTTOSISTEMA DEVICE PERIFERICA AudioPulseAudio::setupWidget DEVICE PERIFERICA CHANNELS CANALI AudioSdl::setupWidget DEVICE PERIFERICA AutomatableModel &Reset (%1%2) &Reimposta (%1%2) &Copy value (%1%2) &Copia valore (%1%2) &Paste value (%1%2) &Incolla valore (%1%2) Edit song-global automation Modifica l'automazione globale della traccia Connected to %1 Connesso a %1 Connected to controller Connesso al controller Edit connection... Modifica connessione... Remove connection Rimuovi connessione Connect to controller... Connetti al controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Riproduci/metti in pausa questo pattern (Spazio) Stop playing of current pattern (Space) Ferma la riproduzione di questo pattern (Spazio) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Cliccando qui si riproduce il pattern selezionato. Questo è utile mentre lo si modifica. Il pattern viene automaticamente ripetuto quando finisce. Click here if you want to stop playing of the current pattern. Cliccando qui si ferma la riproduzione del pattern. Draw mode (Shift+D) Modalità disegno (Shift+D) Erase mode (Shift+E) Modalità cancellazione (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Cliccando qui si attiva la modalità disegno. In questa modalità è possibile aggiungere e spostare singoli valori. Questa è la modalità predefinita, che viene usata la maggior parte del tempo. Questa modalità si attiva anche premendo la combinazione di tasti 'Shift+D'. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cliccando qui si attiva la modalità cancellazione. In questa modalità è possibile cancellare singoli valori. Questa modalità si attiva anche premendo la combinazione di tasti 'Shift+E'. Cut selected values (Ctrl+X) Taglia i valori selezionati (Ctrl+X) Copy selected values (Ctrl+C) Copia i valori selezionati (Ctrl+C) Paste values from clipboard (Ctrl+V) Incolla i valori selezionati (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliccando qui i valori selezionati vengono spostati nella clipboard. È possibile incollarli ovunque, in qualsiasi pattern, cliccando il pulsante Incolla. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliccando qui i valori selezionati vengono copiati della clipboard. È possibile incollarli ovunque, in qualsiasi pattern, cliccando il pulsante Incolla. Click here and the values from the clipboard will be pasted at the first visible measure. Cliccando qui i valori nella clipboard vengono incollati alla prima battuta visibile. Automation Editor - no pattern Editor dell'automazione - nessun pattern Automation Editor - %1 Editor dell'automazione - %1 Please open an automation pattern with the context menu of a control! È necessario aprire un pattern di automazione con il menu contestuale di un controllo! Values copied Valori copiati All selected values were copied to the clipboard. Tutti i valori sono stati copiati nella clipboard. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> È possibile disegnare un controllo tenendo premuto <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Con un doppio click si apre il pattern nell'editor dell'automazione Open in Automation editor Apri dell'editor dell'Automazione Clear Pulisci Reset name Change name Cambia nome %1 Connections %1 connessioni Disconnect "%1" Disconnetti "%1" AutomationTrack Automation track Traccia di automazione Controller Controller %1 Controller %1 ControllerConnectionDialog Connection Settings Impostazioni connessione MIDI CONTROLLER CONTROLLER MIDI Input channel Canale di ingresso CHANNEL CANALE Input controller CONTROLLER CONTROLLER Auto Detect Rilevamento automatico MIDI-devices to receive MIDI-events from Le periferiche MIDI ricevono eventi MIDI da USER CONTROLLER CONTROLLER PERSONALIZZATO MAPPING FUNCTION FUNZIONE DI MAPPATURA OK OK Cancel Annulla LMMS LMMS Cycle Detected. Ciclo rilevato. ControllerRackView Controller Rack Rack di Controller Add Aggiungi Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controlli Controllers are able to automate the value of a knob, slider, and other controls. I controller possono automatizzare il valore di una manopola, di uno slider e di altri controlli. Rename controller Rinomina controller Enter the new name for this controller Inserire il nuovo nome di questo controller &Remove this plugin &Elimina questo plugin &Help &Aiuto Effect Effect enabled Effetto attivo Wet/Dry mix miscelazione Wet/Dry Gate Gate Decay Decadimento EffectChain Effects enabled Effetti abilitati EffectRackView EFFECTS CHAIN CATENA DI EFFETTI Add effect Aggiungi effetto EffectSelectDialog Add effect Aggiungi effetto Plugin description EffectView Toggles the effect on or off. Abilita o disabilita l'effetto. On/Off On/Off W/D W/D Wet Level: Livello del segnale effettato: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. La manopola Wet/Dry imposta il rapporto tra il segnale in ingresso e la quantità di effetto udibile in uscita. DECAY Time: Tempo: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. La manopola Decadimento controlla quanto silenzio deve esserci prima che il plugin si fermi. Valori più piccoli riducono il carico del processore ma rischiano di troncare la parte finale degli effetti di delay. GATE GATE Gate: Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. La manopola Gate controlla il livello del segnale che è considerato 'silenzio' per decidere quando smettere di processare i segnali. Controls Controlli Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. I plugin di effetti funzionano come una catena di effetti dove il segnale li attraversa dall'alto verso il basso. Il selettore On/Off permette di saltare un certo plugin in qualsiasi momento. La manopola Wet/Dry controlla il bilanciamento tra il segnale in ingresso e quello effettato che viene generato dall'effetto. L'ingresso di ogni stadio è costituito dall'uscita dello stadio precedente, così il segnale 'dry' degli effetti sottostanti contiene tutti i precedenti effetti. La manopola Decadimento controlla il tempo per cui il segnale viene processato dopo che le note sono state rilasciate. L'effetto smette di processare il segnale quando questo scende sotto una certa soglia per un certo periodo ti tempo. La manopola imposta questo periodo di tempo. Tempi maggiori richiedono più processore, quindi il tempo è tipicamente basso per la maggior parte degli effetti. È necessario aumentarlo per effetti che producono lunghi periodi di silenzio, ad es. i delay. La manopola Gate regola la soglia sotto la quale l'effetto smette di processare il segnale. Il conteggio del tempo di silenzio necessario inizia non appena il sengale processato scende sotto la soglia specificata. Il pulsante Controlli apre una finestra per modificare i parametri dell'effetto. Con il click destro si apre un menu conestuale che permette di cambiare l'ordine degli effetti o di eliminarli. Move &up Sposta verso l'&alto Move &down Sposta verso il &basso &Remove this plugin &Elimina questo plugin &Help &Aiuto EnvelopeAndLfoParameters Predelay Ritardo iniziale Attack Attacco Hold Mantenimento Decay Decadimento Sustain Sostegno Release Rilascio Modulation Modulazione LFO Predelay Ritardo iniziale dell'LFO LFO Attack Attacco dell'LFO LFO speed Velocità dell'LFO LFO Modulation Modulazione dell'LFO LFO Wave Shape Forma d'onda dell'LFO Freq x 100 Freq x 100 Modulate Env-Amount Modula la quantità di Env EnvelopeAndLfoView DEL RIT Predelay: Ritardo iniziale: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Questa manopola imposta il ritardo iniziale dell'envelope selezionato. Più grande è questo valore più tempo passerà prima che l'envelope effettivo inizi. ATT ATT Attack: Attacco: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Questa manopola imposta il tempo di attacco dell'envelope selezionato. Più grande è questo valore più tempo passa prima di raggiungere il livello di attacco. Scegliere un valore contenuto per strumenti come pianoforti e un valore grande per gli archi. HOLD MANT Hold: Mantenimento: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Questa manopola imposta il tempo di mantenimento dell'envelope selezionato. Più grande è questo valore più a lungo l'envelope manterrà il livello di attacco prima di cominciare a scendere verso il livello di sostegno. DEC DEC Decay: Decadimento: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Questa manopola imposta il tempo di decdimento dell'envelope selezionato. Più grande è questo valore più lentamente l'envelope decadrà dal livello di attacco a quello di sustain. Scegliere un valore piccolo per strumenti come i pianoforti. SUST SOST Sustain: Sostegno: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Questa manopola imposta il livello di sostegno dell'anvelope selezionato. Più grande è questo valore più sarà alto il livello che l'envelope manterrà prima di scendere a zero. REL RIL Release: Rilascio: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Questa manopola imposta il tempo di rilascio dell'anvelope selezionato. Più grande è questo valore più tempo l'envelope impiegherà per scendere dal livello di sustain a zero. Scegliere un valore grande per strumenti dal suono morbido, come gli archi. AMT Q.TÀ Modulation amount: Quantità di modulazione: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Questa manopola imposta la quantità di modulazione dell'envelope selezionato. Più grande è questo valore più la grandezza corrispondente (ad es. il volume o la frequenza di taglio) sarà influenzata da questo envelope. LFO predelay: Ritardo iniziale dell'LFO: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Questa manopola imposta il ritardo iniziale dell'LFO selezionato. Più grande è questo valore più tempo passerà prima che l'LFO inizi a oscillare. LFO- attack: Attacco dell'LFO: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Questa manopola imposta il tempo di attaco dell'LFO selezionato. Più grande è questo valore più tempo l'LFO impiegherà per raggiungere la massima ampiezza. SPD VEL LFO speed: Velocità dell'LFO: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Questa manopola imposta la velocità dell'LFO selezionato. Più grande è questo valore più velocemente l'LFO oscillerà e più veloce sarà l'effetto. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Questa manopola imposta la quantità di modulazione dell'LFO selezionato. Più grande è questo valore più la grandezza selezionata (ad es. il volume o la frequenza di taglio) sarà influenzata da questo LFO. Click here for a sine-wave. Cliccando qui si ha un'onda sinusoidale. Click here for a triangle-wave. Cliccando qui si ottiene un'onda triangolare. Click here for a saw-wave for current. Cliccando qui si ha un'onda a dente di sega. Click here for a square-wave. Cliccando qui si ottiene un'onda quadra. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Cliccando qui è possibile definire una forma d'onda personalizzata. Successivamente è possibile trascinare un file di campione nel grafico dell'LFO. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. Cliccando qui la frequenza di questo LFO viene moltiplicata per 100. multiply LFO-frequency by 100 moltiplica la frequenza dell'LFO per 100 MODULATE ENV-AMOUNT MODULA LA QUANTITA' DI ENVELOPE Click here to make the envelope-amount controlled by this LFO. Cliccando qui questo LFO controlla la quantità di envelope. control envelope-amount by this LFO controlla la quantità di envelope con questo LFO ms/LFO: ms/LFO: Hint Suggerimento Drag a sample from somewhere and drop it in this window. È possibile trascinare un campione in questa finestra. ExportProjectDialog Export project Output Uscita File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Annulla Export as loop (remove end silence) FxMixer Master Master FX %1 FX %1 FxMixerView Rename FX channel Rinomina il canale FX Enter the new name for this FX channel Inserire il nuovo nome di questo canale FX FX-Mixer Mixer FX FX Fader %1 Mute Muto Mute this FX channel Mettere questo canale FX in muto InstrumentFunctionArpeggio Arpeggio Arpeggio Arpeggio type Tipo di arpeggio Arpeggio range Ampiezza dell'arpeggio Arpeggio time Tempo dell'arpeggio Arpeggio gate Gate dell'arpeggio Arpeggio direction Direzione dell'arpeggio Arpeggio mode Modo dell'arpeggio Up Su Down Giù Up and down Su e giù Random Casuale Free Libero Sort Ordinato Sync Sincronizzato InstrumentFunctionArpeggioView ARPEGGIO ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Un arpeggio è un modo di suonare alcuni strumenti (pizzicati in particolare), che rende la musica più viva. Le corde di tali strumenti (ad es. un'arpa) vendono pizzicate come accordi. L'unica differenza è che ciò viene fatto in ordine sequenziale, in modo che le note non vengano suonate allo stesso tempo. Arpeggi tipici sono quelli sulle triadi maggiore o minore, ma ci sono molte altre possibilità tra le quali si può scegliere. RANGE AMPIEZZA Arpeggio range: Ampiezza dell'arpeggio: octave(s) ottava(e) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Questa manopola imposta l'ampiezza in ottave dell'arpeggio. L'arpeggio selezionato verrà suonato all'interno del numero di ottave impostato. TIME TEMPO Arpeggio time: Tempo dell'arpeggio: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Questa manopola imposta l'ampiezza dell'arpeggio in millisecondi. Il tempo dell'arpeggio specifica per quanto tempo ogni nota dell'arpeggio deve essere eseguita. GATE GATE Arpeggio gate: Gate dell'arpeggio: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Questa manopola imposta il gate dell'arpeggio. Il gate dell'arpeggio specifica la percentuale di ogni nota che deve essere eseguita. In questo modo si possono creare arpeggi particolari, con le note staccate. Chord: Direction: Direzione: Mode: Modo: InstrumentFunctionNoteStacking octave ottava Major Maggiore Majb5 Majb5 minor minore minb5 minb5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri triade 6 6 6sus4 6sus4 6add9 6add9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9#5 9b5 9b5 9#11 9#11 9b13 9b13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9#5 Maj9#11 Maj9#11 m9 m9 madd9 madd9 m9b5 m9b5 m9-Maj7 m9-Maj7 11 11 11b9 11b9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Minore armonica Melodic minor Minore melodica Whole tone Toni interi Diminished Diminuita Major pentatonic Pentatonica maggiore Minor pentatonic Pentatonica minore Jap in sen Jap in sen Major bebop Bebop maggiore Dominant bebop Bebop dominante Blues Blues Arabic Araba Enigmatic Enigmatica Neopolitan Napoletana Neopolitan minor Napoletana minore Hungarian minor Ungherese minore Dorian Dorica Phrygolydian Phrygolydian Lydian Lidia Mixolydian Misolidia Aeolian Eolia Locrian Locria Chords Accordi Chord type Tipo di accordo Chord range Ampiezza dell'accordo Minor InstrumentFunctionNoteStackingView RANGE AMPIEZZA Chord range: Ampiezza degli accordi: octave(s) ottava(e) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Questa manopola imposta l'ampiezza degli accordi in ottave. L'accordo selezionato verrà eseguito all'interno del numero di ottave impostato. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT ABILITA INGRESSO MIDI CHANNEL CANALE VELOCITY VALOCITY ENABLE MIDI OUTPUT ABILITA USCITA MIDI PROGRAM PROGRAMMA MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME VOLUME Volume Volume CUTOFF CUTOFF Cutoff frequency Frequenza di taglio RESO RISO Resonance Risonanza Envelopes/LFOs Envelope/LFO Filter type Tipo di filtro Q/Resonance Q/Risonanza LowPass PassaBasso HiPass PassaAlto BandPass csg PassaBanda csg BandPass czpg PassaBanda czpg Notch Notch Allpass Passatutto Moog Moog 2x LowPass PassaBasso 2x RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET SCOPO These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Queste schede contengono envelopes. Sono molto importanti per modificare i suoni, senza contare che sono quasi sempre necessarie per la sintesi sottrattiva. Per esempio se si usa un envelope per il volume, si può impostare quando un suono avrà un certo volume. Si potrebbero voler creare archi dal suono morbido, allora il suono deve iniziare e finire in modo molto morbido; ciò si ottiene impostando tempi di attacco e di rilascio ampi. Lo stesso vale per le altre funzioni degli envelope, come il panning, la frequenza di taglio dei filtri e così via. Bisogna semplicemente giocarci un po'! Si possono ottenere suoni veramente interessanti a partire da un'onda a dente di sega usando soltanto qualche envelope...! FILTER FILTRO Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Qui è possibile selezionare il filtro da usare per questa traccia. I filtri sono molto importanti per cambiare le caratteristiche del suono. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Questa manopola imposta la frequenza di taglio del filtro. La frequenza di taglio specifica la frequenza a cui viene tagliato il segnate di un filtro. Per esempio un filtro passa-basso taglia tutte le frequenze sopra la frequenza di taglio, mentre un filtro passa-alto taglia tutte le frequenza al di sotto della frequenza di taglio e così via... RESO RISO Resonance: Risonanza: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Questa manopola imposta il parametro (Q) per la risonanza del filtro selezionato. Il parametro per la risonanza specifica l'ampiezza della campana di frequenze intorno alla frequenza di taglio che devono essere amplificate. FREQ FREQ cutoff frequency: InstrumentTrack unnamed_track traccia_senza_nome Volume Volume Panning Panning Pitch FX channel Canale FX Default preset Impostazioni predefinite With this knob you can set the volume of the opened channel. Questa manopola imposta il volume del canale. Base note Nota base Pitch range InstrumentTrackView Volume Volume Volume: Volume: VOL VOL Panning Panning Panning: Panning: PAN PAN MIDI MIDI Input Ingresso Output Uscita InstrumentTrackWindow GENERAL SETTINGS IMPOSTAZIONI GENERALI Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Cliccando qui si salvano le attuali impostazioni del canale in un file. Sarà poi possibile ricaricare queste impostazioni facendo doppio-click su questo file nel navigatore dei preset. Instrument volume Volume dello strumento Volume: Volume: VOL VOL Panning Panning Panning: Panning: PAN PAN Pitch Pitch: Pitch: cents centesimi PITCH PITCH FX channel Canale FX ENV/LFO ENV/LFO FUNC FUNC FX FX MIDI MIDI Save preset Salva il preset XML preset file (*.xpf) File di preset XML (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE AMPIEZZA LadspaControl Link channels Abbina i canali LadspaControlDialog Link Channels Canali abbinati Channel Canale LadspaControlView Link channels Abbina i canali Value: Valore: Sorry, no help available. Spiacente, nessun aiuto disponibile LadspaEffect Effect Effetto Unknown LADSPA plugin %1 requested. Il plugin LADSPA %1 richiesto è sconosciuto. LfoController LFO Controller Controller dell'LFO Base value Valore di base Oscillator speed Velocità dell'oscillatore Oscillator amount Quantità di oscillatore Oscillator phase Fase dell'oscillatore Oscillator waveform Forma d'onda dell'oscillatore Frequency Multiplier Moltiplicatore della frequenza LfoControllerDialog LFO LFO LFO Controller Controller dell'LFO BASE BASE Base amount: Quantità di base: todo da fare SPD VEL LFO-speed: Velocità dell'LFO: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Questa manopola imposta la velocità dell'LFO selezionato. Più grande è questo valore più velocemente l'LFO oscillerà e più veloce sarà l'effetto. AMT Q.TÀ Modulation amount: Quantità di modulazione: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Questa manopola imposta la quantità di modulazione dell'LFO selezionato. Più grande è questo valore più la grandezza selezionata (ad es. il volume o la frequenza di taglio) sarà influenzata da questo LFO. PHS FASE Phase offset: Scostamento della fase: degrees gradi With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Questa manopola regola lo scostamento della fase per l'LFO. Ciò significa spostare il punto dell'oscillazione da cui parte l'oscillatore. Per esempio, con un'onda sinusoidale e uno scostamento della fase di 180 gradi, l'onda inizierà scendendo. Lo stesso vale per un'onda quadra. Click here for a sine-wave. Cliccando qui si ha un'onda sinusoidale. Click here for a triangle-wave. Cliccando qui si ottiene un'onda triangolare. Click here for a saw-wave. Cliccando qui si ottiene un'onda a dente di sega. Click here for a square-wave. Cliccando qui si ottiene un'onda quadra. Click here for a a moog saw-wave. Cliccando qui si ha un'onda a dente di sega moog. Click here for an exponential wave. Cliccando qui si ha un'onda esponenziale. Click here for white-noise. Cliccando qui si ottiene rumore bianco. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Directory di lavoro The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. La directory di lavoro di LMMS %1 non esiste. La creo adesso? Questa directory può essere cambiata in un secondo momento dal menu Modifica -> Impostazioni. Could not save config-file Non è stato possibile salvare il file di configurazione Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Non è stato possibile salvare il file di configurazione %1. Probabilmente non hai i permessi di scrittura per questo file. Assicurati di avere i permessi in scrittura per il file e riprova. &Project &Progetto &New &Nuovo &Open... &Apri... Recently opened projects Progetti aperti di recente &Save &Salva Save &As... Salva &Con Nome... Import... Importa... E&xport... E&sporta... &Quit &Esci &Edit &Modifica Settings Impostazioni &Tools S&trumenti &Help &Aiuto Online help Aiuto in linea Help Aiuto What's this? Cos'è questo? About Informazioni su Create new project Crea un nuovo progetto Create new project from template Crea un nuovo progetto da un modello Open existing project Apri un progetto esistente Recently opened project Progetti aperti di recente Save current project Salva questo progetto Export current project Esporta questo progetto Show/hide Song-Editor Mostra/nascondi il Song-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Questo pulsante mostra o nasconde il Song-Editor. Con l'aiuto del Song-Editor è possibile modificare la playlist e specificare quando ogni traccia viene riprodotta. Si possono anche inserire e spostare i campioni (ad es. campioni rap) direttamente nella lista di riproduzione. Show/hide Beat+Bassline Editor Mostra/nascondi il Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Questo pulsante mostra o nasconde il Beat+Bassline Editor. Il Beat+Bassline Editor serve per creare beats, aprire, aggiungere e togliere canali, tagliare, copiare e incollare pattern beat e pattern bassline. Show/hide Piano-Roll Mostra/nascondi il Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Questo pulsante mostra o nasconde il Piano-Roll. Con l'aiuto del Piano-Roll è possibile modificare sequenze melodiche in modo semplice. Show/hide Automation Editor Mostra/nascondi l'Editor dell'automazione Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Questo pulsante mostra o nasconde l'editor dell'automazione. Con l'aiuto dell'editor dell'automazione è possibile rendere dinamici alcuni valori in modo semplice. Show/hide FX Mixer Mostra/nascondi il mixer degli effetti Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Questo pulsante mostra o nasconde il mixer degli effetti. Il mixer degli effetti è uno strumento molto potente per gestire gli effetti della canzone. È possibile inserire effetti in altri canali di effetti. Show/hide project notes Mostra/nascondi le note del progetto Click here to show or hide the project notes window. In this window you can put down your project notes. Questo pulsante mostra o nasconde la finestra delle note del progetto. Qui è possibile scrivere le note per il progetto. Show/hide controller rack Mostra/nascondi il rack di controller Untitled Senza_nome LMMS %1 LMMS %1 Project not saved Progetto non salvato The current project was modified since last saving. Do you want to save it now? Questo progetto è stato modificato dopo l'ultimo salvataggio. Vuoi salvarlo adesso? Open project Apri progetto Save project Salva progetto Help not available Aiuto non disponibile Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Al momento non è disponibile alcun aiuto in LMMS. Visitare http://lmms.sf.net/wiki per la documentazione di LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Numeratore della misura Meter Denominator Denominatore della misura TIME SIG MeterModel Numerator Numeratore Denominator Denominatore MidiAlsaRaw::setupWidget DEVICE PERIFERICA MidiAlsaSeq::setupWidget DEVICE PERIFERICA MidiController MIDI Controller Controller MIDI unnamed_midi_controller controller_midi_senza_nome MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE PERIFERICA MidiPort Input channel Canale di ingresso Output channel Canale di uscita Input controller Output controller Controller il uscita Fixed input velocity Velocity in ingresso fisso Fixed output velocity Velocity in uscita fisso Output MIDI program Programma MIDI in uscita Receive MIDI-events Ricevi eventi MIDI Send MIDI-events Invia eventi MIDI Fixed output note OscillatorObject Osc %1 volume Volume osc %1 Osc %1 panning Panning osc %1 Osc %1 coarse detuning Intonazione osc %1 Osc %1 fine detuning left Intonazione precisa osc %1 sinistra Osc %1 fine detuning right Intonazione precisa osc %1 destra Osc %1 phase-offset Scostamento fase osc %1 Osc %1 stereo phase-detuning Intonazione fase stereo osc %1 Osc %1 wave shape Forma d'onda Osc %1 Modulation type %1 Modulazione di tipo %1 Osc %1 waveform Forma d'onda osc %1 PatmanView Open other patch Apri un altro patch Click here to open another patch-file. Loop and Tune settings are not reset. Clicca qui per aprire un altro file di patch. Le impostazioni di ripetizione e intonazione non vengono reimpostate. Loop Ripetizione Loop mode Modalità ripetizione Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Qui puoi scegliere la modalità di ripetizione. Se abilitato, PatMan userà l'informazione sulla ripetizione disponibile nel file. Tune Intonazione Tune mode Modalità intonazione Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Qui puoi scegliere la modalità di intonazione. Se abilitato, PatMan intonerà il campione alla frequenza della nota. No file selected Nessun file selezionato Open patch file Apri file di patch Patch-Files (*.pat) File di patch (*.pat) PeakController Peak Controller Controller dei picchi Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK PICCO LFO Controller Controller dell'LFO PeakControllerEffectControlDialog BASE BASE Base amount: Quantità di base: Modulation amount: Quantità di modulazione: Attack: Attacco: Release: Rilascio: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Valore di base Modulation amount Quantità di modulazione Mute output Uscita muta Attack Attacco Release Rilascio Abs Value Amount Multiplicator PianoView Base note Nota base Plugin Plugin not found Plugin non trovato The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Il plugin "%1" non è stato trovato o non è stato possibile caricarlo! Motivo: "%2" Error while loading plugin Errore nel caricamento del plugin Failed to load plugin "%1"! Non è stato possibile caricare il plugin "%1"! ProjectRenderer WAV-File (*.wav) File WAV (*.wav) Compressed OGG-File (*.ogg) File in formato OGG compresso (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Nome: Maker: Autore: Requires Real Time: Richiede Real Time: Yes Sì No No Real Time Capable: Abilitato al Real Time: Channels In: Canali in ingresso: Channels Out: Canali in uscita: File: File: Copyright: Copyright: In Place Broken: In Place Broken: SampleBuffer Open audio file Apri file audio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Tutti i file audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) File wave (*.wav) OGG-Files (*.ogg) File OGG (*.ogg) DrumSynth-Files (*.ds) File DrumSynth (*.ds) FLAC-Files (*.flac) File FLAC (*.flac) SPEEX-Files (*.spx) File SPEEX (*.spx) MP3-Files (*.mp3) File MP3 (*.mp3) VOC-Files (*.voc) File VOC (*.voc) AIFF-Files (*.aif *.aiff) File AIFF (*.aif *.aiff) AU-Files (*.au) File AU (*.au) RAW-Files (*.raw) File RAW (*.raw) SampleTCOView double-click to select sample Fare doppio click per selezionare il campione Delete (middle mousebutton) Elimina (tasto centrale del mouse) Cut Taglia Copy Copia Paste Incolla Mute/unmute (<Ctrl> + middle click) Attiva/disattiva la modalità muta (<Ctrl> + tasto centrale) Set/clear record Set/clear record SampleTrack Sample track Traccia di campione Volume Volume SampleTrackView Track volume Volume della traccia Channel volume: Volume del canale: VOL VOL TempoSyncKnob Tempo Sync Sync del tempo No Sync Non in Sync Eight beats Otto battiti Whole note Un intero Half note Una metà Quarter note Quarto 8th note Ottavo 16th note Sedicesimo 32nd note Trentaduesimo Custom... Personalizzato... &Help &Aiuto Custom Personalizzato Synced to Eight Beats In sync con otto battiti Synced to Whole Note In sync con un intero Synced to Half Note In sync con un mezzo Synced to Quarter Note In sync con quarti Synced to 8th Note In sync con ottavi Synced to 16th Note In sync con 16simi Synced to 32nd Note In sync con 32simi TimeDisplayWidget click to change time units TrackContainer Couldn't import file Non è stato possibile importare il file Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Non è stato possibile trovare un filtro per importare il file %1. È necessario convertire questo file in un formato supportato da LMM usando un altro programma. Couldn't open file Non è stato possibile aprire il file Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Non è stato possibile aprire il file %1 in lettura. Assicurarsi di avere i permessi in lettura per il file e la directory che lo contiene e riprovare! Loading project... Caricamento del progetto... Cancel Annulla Please wait... Prego attendere... Importing MIDI-file... Importazione del file MIDI... Importing FLP-file... Importazione del file FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Usare la modulazione di fase per modulare l'oscillatore 2 con l'oscillatore 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Usare la modulazione di amplificazione per modulare l'oscillatore 2 con l'oscillatore 1 Mix output of oscillator 1 & 2 Miscelare gli oscillatori 1 e 2 Synchronize oscillator 1 with oscillator 2 Sincronizzare l'oscillatore 1 con l'oscillatore 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Usare la modulazione di frequenza per modulare l'oscillatore 2 con l'oscillatore 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Usare la modulazione di fase per modulare l'oscillatore 3 con l'oscillatore 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Usare la modulazione di amplificazione per modulare l'oscillatore 3 con l'oscillatore 2 Mix output of oscillator 2 & 3 Miscelare gli oscillatori 2 e 3 Synchronize oscillator 2 with oscillator 3 Sincronizzare l'oscillatore 2 con l'oscillatore 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Usare la modulazione di frequenza per modulare l'oscillatore 3 con l'oscillatore 2 Osc %1 volume: Volume osc %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Questa manopola regola il volume dell'oscillatore %1. Un valore pari a 0 equivale a un oscillatore spento, gli altri valori impostano il volume corrispondente. Osc %1 panning: Panning osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Questa manopola regola il posizionamento nello spettro stereo dell'oscillatore %1. Un valore pari a -100 significa tutto a sinistra mentre un valore pari a 100 significa tutto a destra. Osc %1 coarse detuning: Intonazione dell'osc %1: semitones semitoni With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Questa manopola regola l'intonazione, con la precisione di 1 semitono, dell'oscillatore %1. L'intonazione può essere variata di 12 semitoni (un'ottava) in positivo e in negativo. Può essere usata per creare suoni con un accordo. Osc %1 fine detuning left: Intonazione precisa osc %1 sinistra: cents centesimi With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Questa manopola regola l'intonazione precisa dell'oscillatore %1 per il canale sinistro. La gamma per l'intonazione di precisione va da -100 a +100 centesimi. Può essere usata per creare suoni "grossi". Osc %1 fine detuning right: Intonazione precisa dell'osc %1 - destra: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Questa manopola regola l'intonazione precisa dell'oscillatore %1 per il canale destro. La gamma per l'intonazione di precisione va da -100 a +100 centesimi. Può essere usata per creare suoni "grossi". Osc %1 phase-offset: Scostamento fase dell'osc %1: degrees gradi With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Questa manopola regola lo scostamento della fase dell'oscillatore %1. Ciò significa che è possibile spostare il punto in cui inizia l'oscillazione. Per esempio, un'onda sinusoidale e uno scostamento della fase di 180 gradi, fanno iniziare l'onda scendendo. Lo stesso vale per un'onda quadra. Osc %1 stereo phase-detuning: Intonazione fase stereo dell'osc %1: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Questa manopola regola l'intonazione stereo della fase dell'oscillatore %1. L'intonazione stereo della fase specifica la differenza tra lo scostamento della fase del canale sinistro e quello destro. Questo è molto utile per creare suoni con grande ampiezza stereo. Use a sine-wave for current oscillator. Utilizzare un'onda sinusoidale per questo oscillatore. Use a triangle-wave for current oscillator. Utilizzare un'onda triangolare per questo oscillatore. Use a saw-wave for current oscillator. Utilizzare un'onda a dente di sega per questo oscillatore. Use a square-wave for current oscillator. Utilizzare un'onda quadra per questo oscillatore. Use a moog-like saw-wave for current oscillator. Utilizzare un'onda di tipo moog per questo oscillatore. Use an exponential wave for current oscillator. Utilizzare un'onda esponenziale per questo oscillatore. Use white-noise for current oscillator. Utilizzare rumore bianco per questo oscillatore. Use a user-defined waveform for current oscillator. Utilizzare un'onda personalizzata per questo oscillatore. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Apri un altro plugin VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Clicca qui per aprire un altro plugin VST. Una volta cliccato questo pulsante, si aprirà una finestra di dialogo dove potrai selezionare il file. Show/hide GUI Mostra/nascondi l'interfaccia Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Clicca qui per mostrare o nascondere l'interfaccia grafica (GUI) per i plugin VST. Turn off all notes Disabilita tutte le note Open VST-plugin Apri plugin VST DLL-files (*.dll) File DLL (*.dll) EXE-files (*.exe) File EXE (*.exe) No VST-plugin loaded Nessun plugin VST caricato Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Salva il preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Salva il preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Caricamento plugin Please wait while loading VST-plugin... Prego attendere, caricamento del plugin VST... Failed loading VST-plugin Errore nel caricamento del plugin VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Non è stato possibile caricare il plugin VST %1 a causa di alcuni errori. Se, con altre applicazioni GNU/Linux il plugin funziona, si prega di contattare uno sviluppatore di LMMS! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ FREQ Filter Resonance: RES RIS Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Reverse sample Inverti il campione Amplify Amplificazione Start of sample Inizio del campione End of sample Fine del campione Loop Ripetizione Stutter bassBoosterControlDialog FREQ FREQ Frequency: Frequenza: GAIN GUAD Gain: Guadagno: RATIO LIV Ratio: Livello: bassBoosterControls Frequency Frequenza Gain Guadagno Ratio Livello bbEditor Play/pause current beat/bassline (Space) Riproduci/metti in pausa il beat/bassline selezionato (Spazio) Beat+Bassline Editor Beat+Bassline Editor Add beat/bassline Aggiungi beat/bassline Add automation-track Aggiungi una traccia di automazione Stop playback of current beat/bassline (Space) Ferma il beat/bassline attuale (Spazio) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Cliccando qui si riprodurre il beat/bassline selezionato. Il beat/bassline ricomincia automaticamente quando finisce. Click here to stop playing of current beat/bassline. Cliccando qui si ferma la riproduzione del beat/bassline attivo. Remove steps Elimina note Add steps Aggiungi note bbTCOView Open in Beat+Bassline-Editor Apri nell'editor di Beat+Bassline Reset name Reimposta nome Change name Cambia nome Change color Cambia colore bbTrack Beat/Bassline %1 Beat/Bassline %1 Clone of %1 bitInvader Samplelength LunghezzaCampione bitInvaderView Sample Length Lunghezza del campione Sine wave Onda sinusoidale Triangle wave Onda triangolare Saw wave Onda a dente di sega Square wave Onda quadra White noise wave Rumore bianco User defined wave Forma d'onda personalizzata Smooth Ammorbidisci Click here to smooth waveform. Cliccando qui la forma d'onda viene ammorbidita. Interpolation Interpolazione Normalize Normalizza Draw your own waveform here by dragging your mouse on this graph. Cliccando e trascinando il mouse in questo grafico è possibile disegnare una forma d'onda personalizzata. Click for a sine-wave. Cliccando qui si ottiene una forma d'onda sinusoidale. Click here for a triangle-wave. Cliccando qui si ottiene un'onda triangolare. Click here for a saw-wave. Cliccando qui si ottiene un'onda a dente di sega. Click here for a square-wave. Cliccando qui si ottiene un'onda quadra. Click here for white-noise. Cliccando qui si ottiene rumore bianco. Click here for a user-defined shape. Cliccando qui è possibile definire una forma d'onda personalizzata. exportProjectDialog Could not open file Non è stato possibile aprire il file Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Impossibile aprire in scrittura il file %1. Assicurarsi di avere i permessi in scrittura per il file e la directory contenente il file e riprovare! Error Errore Error while determining file-encoder device. Please try to choose a different output format. Si è verificato un errore nel tentativo di determinare il dispositivo per la codifica del file. Si prega di selezionare un formato differente. Rendering: %1% Renderizzazione: %1% Export project to %1 Esporta il progetto in %1 fader Please enter a new value between %1 and %2: Inserire un valore compreso tra %1 e %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph Grafico kickerInstrument Start frequency Frequenza iniziale End frequency Frequenza finale Decay Decadimento Distortion Distorsione Gain Guadagno kickerInstrumentView Start frequency: Frequenza iniziale: End frequency: Frequenza finale: Decay: Decadimento: Distortion: Distorsione: Gain: Guadagno: knob &Help &Aiuto Please enter a new value between %1 and %2: Inserire un valore compreso tra %1 e %2: Please enter a new value between -96.0 dBV and 6.0 dBV: Inserire un nuovo valore tra -96.0 dBV e 6.0 dBV: ladspaBrowserView Available Effects Effetti disponibili Unavailable Effects Effetti non disponibili Instruments Strumenti Analysis Tools Strumenti di analisi Don't know Sconosciuto This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Questa finestra mostra le informazioni relative ai plugin LADSPA che LMMS è stato in grado di localizzare. I plugin sono divisi in cinque categorie, in base all'interpretazione dei tipi di porta e ai nomi. Gli Effetti Disponibili sono quelli che possono essere usati con LMMS. Perché LMMS possa usare un effetto deve, prima di tutto, essere un effetto, cioè deve avere sia ingressi che uscite. LMMS identifica un ingresso come una porta con una frequenza audio associata e che contiene 'in' nel nome. Le uscite sono identificate dalle lettere 'out'. Inoltre, l'effetto deve avere lo stesso numero di ingressi e di uscite e deve poter funzionare in real time. Gli Effetti non Disponibili sono quelli che sono stati identificati come effetti ma che non hanno lo stesso numero di ingressi e uscite oppure non supportano il real time. Gli Strumenti sono plugin che hanno solo uscite. Gli Strumenti di Analisi sono plugin che hanno solo ingressi. Quelli Sconosciuti sono plugin che non hanno né ingressi né uscite. Facendo doppio click sui plugin verranno fornite informazioni sulle relative porte. Type: Tipo: ladspaDescription Plugins Plugin Description Descrizione ladspaPortDialog Ports Porte Name Nome Rate Frequenza Direction Direzione Type Tipo Min < Default < Max Minimo < Predefinito < Massimo Logarithmic Logaritmico SR Dependent Dipendente da SR Control Controllo Input Ingresso Output Uscita Toggled Abilitato Integer Intero Float Virgola mobile Yes Sì Audio Audio lb302Synth VCF Cutoff Frequency VCF - frequenza di taglio VCF Resonance VCF - Risonanza VCF Envelope Mod VCF - modulazione dell'envelope VCF Envelope Decay VCF - decadimento dell'envelope Distortion Distorsione Waveform Forma d'onda Slide Decay Decadimento slide Slide Slide Accent Accento Dead Dead 24dB/oct Filter Filtro 24dB/ottava lb302SynthView Cutoff Freq: Freq. di taglio: Resonance: Risonanza: Env Mod: Env Mod: Decay: Decadimento: 303-es-que, 24dB/octave, 3 pole filter filtro tripolare "tipo 303", 24dB/ottava Slide Decay: Decadimento slide: DIST: DIST: Saw wave Onda a dente di sega Click here for a saw-wave. Cliccando qui si ottiene un'onda a dente di sega. Triangle wave Onda triangolare Click here for a triangle-wave. Cliccando qui si ottiene un'onda triangolare. Square wave Onda quadra Click here for a square-wave. Cliccando qui si ottiene un'onda quadra. Rounded square wave Onda quadra arrotondata Click here for a square-wave with a rounded end. Cliccando qui si ottiene un'onda quadra arrotondata. Moog wave Onda moog Click here for a moog-like wave. Cliccando qui si ottieme un'onda moog. Sine wave Onda sinusoidale Click for a sine-wave. Cliccando qui si ottiene una forma d'onda sinusoidale. White noise wave Rumore bianco Click here for an exponential wave. Cliccando qui si ha un'onda esponenziale. Click here for white-noise. Cliccando qui si ottiene rumore bianco. lb303Synth VCF Cutoff Frequency VCF - frequenza di taglio VCF Resonance VCF - Risonanza VCF Envelope Mod VCF - modulazione dell'envelope VCF Envelope Decay VCF - decadimento dell'envelope Distortion Distorsione Waveform Forma d'onda Slide Decay Decadimento slide Slide Slide Accent Accento Dead Dead 24dB/oct Filter Filtro 24dB/ottava lb303SynthView Cutoff Freq: Freq. di taglio: CUT TAG Resonance: Risonanza: RES RIS Env Mod: Env Mod: ENV MOD ENV MOD Decay: Decadimento: DEC DEC 303-es-que, 24dB/octave, 3 pole filter filtro tripolare "tipo 303", 24dB/ottava Slide Decay: Decadimento slide: SLIDE SLIDE DIST: DIST: DIST DIST WAVE: ONDA: WAVE ONDA malletsInstrument Hardness Durezza Position Posizione Vibrato Gain Guadagno del vibrato Vibrato Freq Fequenza del vibrato Modulator Modulatore LFO Speed Velocità dell'LFO LFO Depth Profondità dell'LFO Pressure Pressione Motion Moto Speed Velocità Spread Apertura Stick Mix Stick Mix Crossfade Crossfade ADSR ADSR Bowed Bowed Missing files File mancanti Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! L'installazione di Stk sembra incompleta. Assicurarsi che sia installato il pacchetto Stk completo! Marimba Marimba Vibraphone Vibraphone Agogo Agogo Wood1 Legno1 Reso Reso Wood2 Legno2 Beats Beats Two Fixed Two Fixed Clump Clump Tubular Bells Tubular Bells Uniform Bar Uniform Bar Tuned Bar Tuned Bar Glass Glass Tibetan Bowl Tibetan Bowl malletsInstrumentView Instrument Strumento Spread Apertura Spread: Apertura: Hardness Durezza Hardness: Durezza: Position Posizione Position: Posizione: Vib Gain Guad Vib Vib Gain: Guad Vib: Vib Freq Freq Vib Vib Freq: Freq Vib: Stick Mix Stick Mix Stick Mix: Stick Mix: Modulator Modulatore Modulator: Modulatore: Crossfade Crossfade Crossfade: Crossfade: LFO Speed Velocità LFO LFO Speed: Velocità LFO: LFO Depth Profondità LFO LFO Depth: Profondità LFO: ADSR ADSR ADSR: ADSR: Pressure Pressione Pressure: Pressione: Motion Moto Motion: Moto: Speed Velocità Speed: Velocità: Bowed Bowed Vibrato Vibrato Vibrato: Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Aiuto opl2instrument Patch Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Distorsione Volume Volume organicInstrumentView Distortion: Distorsione: Volume: Volume: Randomise Rendi casuale Osc %1 waveform: Onda osc %1: Osc %1 volume: Volume osc %1: Osc %1 panning: Panning osc %1: Osc %1 fine detuning left: Intonazione precisa osc %1 sinistra: cents centesimi papuInstrument Sweep time Tempo di sweep Sweep direction Direzione sweep Sweep RtShift amount Quantità RtShift per lo sweep Wave Pattern Duty Wave Pattern Duty Channel 1 volume Volume del canale 1 Volume sweep direction Direzione sweep del volume Length of each step in sweep Lunghezza di ogni passo nello sweep Channel 2 volume Volume del canale 2 Channel 3 volume Volume del canale 3 Channel 4 volume Volume del canale 4 Right Output level Volume uscita destra Left Output level Volume uscita sinistra Channel 1 to SO2 (Left) Canale 1 a SO2 (sinistra) Channel 2 to SO2 (Left) Canale 2 a SO2 (sinistra) Channel 3 to SO2 (Left) Canale 3 a SO2 (sinistra) Channel 4 to SO2 (Left) Canale 4 a SO2 (sinistra) Channel 1 to SO1 (Right) Canale 1 a SO1 (destra) Channel 2 to SO1 (Right) Canale 2 a SO1 (destra) Channel 3 to SO1 (Right) Canale 3 a SO1 (destra) Channel 4 to SO1 (Right) Canale 4 a SO1 (destra) Treble Alti Bass Bassi Shift Register width Ampiezza spostamento del registro papuInstrumentView Sweep Time: Tempo di sweep: Sweep Time Tempo di sweep Sweep RtShift amount: Quantità RtShift per lo sweep: Sweep RtShift amount Quantità RtShift per lo sweep Wave pattern duty: Wave Pattern Duty: Wave Pattern Duty Wave Pattern Duty Square Channel 1 Volume: Volume del canale 1 square: Length of each step in sweep: Lunghezza di ogni passo nello sweep: Length of each step in sweep Lunghezza di ogni passo nello sweep Wave pattern duty Wave Pattern Duty Square Channel 2 Volume: Volume square del canale 2: Square Channel 2 Volume Volume square del canale 2 Wave Channel Volume: Volume wave del canale: Wave Channel Volume Volume wave del canale: Noise Channel Volume: Volume rumore del canale: Noise Channel Volume Volume rumore del canale SO1 Volume (Right): Volume SO1 (destra): SO1 Volume (Right) Volume SO1 (destra) SO2 Volume (Left): Volume SO2 (sinistra): SO2 Volume (Left) Volume SO2 (sinistra) Treble: Alti: Treble Alti Bass: Bassi: Bass Bassi Sweep Direction Direzione sweep Volume Sweep Direction Direzione sweep del volume Shift Register Width Ampiezza spostamento del registro Channel1 to SO1 (Right) Canale 1 a SO1 (destra) Channel2 to SO1 (Right) Canale 2 a SO1 (destra) Channel3 to SO1 (Right) Canale 3 a SO1 (destra) Channel4 to SO1 (Right) Canale 4 a SO1 (destra) Channel1 to SO2 (Left) Canale 1 a SO2 (sinistra) Channel2 to SO2 (Left) Canale 1 a SO2 (sinistra) Channel3 to SO2 (Left) Canale 3 a SO2 (sinistra) Channel4 to SO2 (Left) Canale 4 a SO2 (sinistra) Wave Pattern Wave Pattern The amount of increase or decrease in frequency La quantità di aumento o diminuzione di frequenza The rate at which increase or decrease in frequency occurs La velocità a cui l'aumento o la diminuzione di frequenza avvengono The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Il duty cycle è il rapporto tra il tempo in cui il segnale è ON e il periodo completo del segnale. Square Channel 1 Volume Volume square del canale 1 The delay between step change Ritardo tra i cambi di step Draw the wave here Disegnare l'onda qui pattern Cannot freeze pattern Impossibile congelare il pattern The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Non è stato possibile congelare questo pattern perché in modalità riproduzione. Fermare la riproduzione e riprovare! patternFreezeStatusDialog Freezing pattern... Congelamento del pattern... Cancel Annulla patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step un doppio click apre questo pattern nel piano-roll la rotellina del mouse impostare il volume delle note Open in piano-roll Apri nel piano-roll Clear all notes Cancella tutte le note Reset name Reimposta il nome Change name Cambia nome Refreeze Congela nuovamente Freeze Congela Unfreeze Scongela Add steps Aggiungi note Remove steps Elimina note PianoRoll Play/pause current pattern (Space) Riproduci/metti in pausa questo pattern (Spazio) Record notes from MIDI-device/channel-piano Registra note da una periferica/canale piano MIDI Stop playing of current pattern (Space) Ferma la riproduzione di questo pattern (Spazio) Cut selected notes (Ctrl+X) Taglia le note selezionate (Ctrl+X) Copy selected notes (Ctrl+C) Copia le note selezionate (Ctrl+C) Paste notes from clipboard (Ctrl+V) Incolla le note selezionate (Ctrl+V) Piano-Roll - no pattern Piano-Roll - nessun pattern Piano-Roll - %1 Piano-Roll - %1 Please open a pattern by double-clicking on it! Aprire un pattern con un doppio-click sul pattern stesso! Last note Ultima nota Record notes from MIDI-device/channel-piano while playing song or BB track Registra note da una periferica MIDI/canale piano mentre la traccia o la BB track è in riproduzione Draw mode (Shift+D) Modalità disegno (Shift+D) Erase mode (Shift+E) Modalità cancellazione (Shift+E) Select mode (Shift+S) Modalità selezione (Shift+S) Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Cliccando qui si riproduce il pattern selezionato. Questo è utile mentre lo si modifica. Il pattern viene automaticamente ripetuto quando finisce. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Cliccando qui si registrano nel pattern note da una periferica MIDI o dal piano di prova virtuale nella finestra del canale corrispondente. Mentre si registra, tutte le note eseguite vengono scritte in questo pattern e in seguito le si potrà riprodurre e modificare. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Cliccando qui si registrano nel pattern note da una periferica MIDI o dal piano di prova virtuale nella finestra del canale corrispondente. Mentre si registra, tutte le note eseguite vengono scritte in questo pattern, sentendo contemporaneamente la canzone o la traccia BB in sottofondo. Click here to stop playback of current pattern. Cliccando qui si ferma la riproduzione del pattern attivo. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliccando qui le note selezionate verranno spostate negli appunti. È possibile incollarle in un punto qualsiasi del pattern cliccando sul tasto incolla. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Cliccando qui le note selezionate verranno copiate negli appunti. È possibile incollarle in un punto qualsiasi del pattern cliccando sul tasto incolla. Click here and the notes from the clipboard will be pasted at the first visible measure. Cliccando qui i valori nella clipboard vengono incollati alla prima battuta visibile. Note lock Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser Instrument plugins Plugin strumentali three powerful oscillators you can modulate in several ways tre potenti oscillatori che puoi modulare in diversi modi no description nessuna descrizione VST-host for using VST(i)-plugins within LMMS Host VST per usare i plugin VST con LMMS simple sampler with various settings for using samples (e.g. drums) in an instrument-track Semplice campionatore con molte impostazioni per usare campioni (ad es. di percussioni) in una traccia Filter for importing FL Studio projects into LMMS Filtro per importare progetti di FL Studio in LMMS Filter for importing MIDI-files into LMMS Filtro per importare file MIDI in LMMS Additive Synthesizer for organ-like sounds Sintetizzatore additivo per suoni tipo organo Vibrating string modeler Modulatore di corde vibranti Plugin for enhancing stereo separation of a stereo input file Plugin per migliorare la separazione stereo di un file Plugin for controlling knobs with sound peaks Plugin per controllare le manopole con picchi di suono versatile kick- & bassdrum-synthesizer sintetizzatore di colpo di cassa versatile GUS-compatible patch instrument strumento compatibile con GUS plugin for using arbitrary LADSPA-effects inside LMMS. Plugin per usare qualsiasi effetto LADSPA in LMMS. Plugin for freely manipulating stereo output Plugin per manipolare liberamente un'uscita stereo Incomplete monophonic imitation tb303 Imitazione monofonica del tb303 incompleta plugin for using arbitrary VST-effects inside LMMS. Plugin per usare qualsiasi effetto VST in LMMS. Tuneful things to bang on Oggetti dotati di intonazione su cui picchiare plugin for boosting bass Plugin per aumentare notevolmente i bassi List installed LADSPA plugins Elenca i plugin LADSPA installati Instrument browser Navigatore degli strumenti Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. È possibile trascinare uno strumento nel Song-Editor, nel Beat+Bassline Editor o direttamente in un canale esistente. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Emulazione di MOS6581 and MOS8580 SID. Questo chip era utilizzato nel Commode 64. Player for SoundFont files Riproduttore di file SounFont Emulation of GameBoy (TM) APU Emulatore di GameBoy™ APU Customizable wavetable synthesizer Sintetizzatore wavetable configurabile Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Note del progetto Put down your project notes here. Scrivi qui le note per il tuo progetto. Edit Actions Modifica azioni &Undo &Annulla operazione Ctrl+Z Ctrl+Z &Redo &Ripeti operazione Ctrl+Y Ctrl+Y &Copy &Copia Ctrl+C Ctrl+C Cu&t &Taglia Ctrl+X Ctrl+X &Paste &Incolla Ctrl+V Ctrl+V Format Actions Formatta azioni &Bold &Grassetto Ctrl+B Ctrl+B &Italic &Corsivo Ctrl+I Ctrl+I &Underline &Sottolineato Ctrl+U Ctrl+U &Left &Sinistra Ctrl+L Ctrl+L C&enter &Centro Ctrl+E Ctrl+E &Right &Destra Ctrl+R Ctrl+R &Justify &Giustifica Ctrl+J Ctrl+J &Color... &Colore... renameDialog Rename... Rinomina... setupDialog Setup LMMS Cofigura LMMS General settings Impostazioni generali BUFFER SIZE DIMENSIONE DEL BUFFER Reset to default-value Reimposta al valore predefinito MISC VARIE Audio settings Impostazioni audio AUDIO INTERFACE INTERFACCIA AUDIO MIDI settings Impostazioni MIDI MIDI INTERFACE INTERFACCIA MIDI OK OK Cancel Annulla Restart LMMS Riavvia LMMS Please note that most changes won't take effect until you restart LMMS! Si prega di notare che la maggior parte delle modifiche non avrà effetto fino al riavvio di LMMS! Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Qui è possibile impostare la dimensione del buffer interno usato da LMMS. Valori più piccoli danno come risultato una latenza più bassa ma possono causare una qualità audio inutilizzabile o cattive prestazioni, specialmente su computer datati o sistemi con kernel non-realtime. Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Qui è possibile selezionare l'interfaccia audio. A seconda della configurazione del tuo sistema in fase di compilazione puoi scegliere tra ALSA, JACK, OSS e altri. Sotto trovi una casella che offre dei controlli per l'interfaccia audio selezionata. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Qui è possibile selezionare l'interfaccia MIDI. A seconda della configurazione del tuo sistema in fase di compilazione puoi scegliere tra ALSA, OSS e altri. Sotto si trova una casella che offre dei controlli per l'interfaccia MIDI selezionata. Display volume as dBV Mostra il volume in dBV LMMS working directory Directory di lavoro di LMMS VST-plugin directory Directory dei plugin VST Artwork directory DIrectory del tema grafico FL Studio installation directory Directory di installazione di FL Studio Performance settings Impostazioni prestazioni UI effects vs. performance Effetti UI (interfaccia grafica) vs. prestazioni Frames: %1 Latency: %2 ms Frames: %1 Latenza: %2 ms Choose LMMS working directory Seleziona la directory di lavoro di LMMS Choose your VST-plugin directory Seleziona la tua directory dei plugin VST Choose artwork-theme directory Seleziona la directory del tema grafico Choose FL Studio installation directory Seleziona la directory di installazione di FL Studio Enable tooltips Abilita i suggerimenti Show restart warning after changing settings Dopo aver modificato le impostazioni, mostra un avviso al riavvio Compress project files per default Per impostazione predefinita, comprimi i file di progetto HQ-mode for output audio-device Modalità alta qualità per l'uscita audio STK rawwave directory Directory per i file rawwave STK Choose LADSPA plugin directory Seleziona le directory dei plugin LADSPA Choose STK rawwave directory Seleziona le directory dei file rawwave STK Paths Percorsi LADSPA plugin paths Percorsi dei plugin LADSPA Default Soundfont File File SoundFont predefinito Background artwork Grafica dello sfondo Choose default SoundFont Scegliere il SoundFont predefinito Choose background artwork Scegliere la grafica dello sfondo One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Banco Gain Guadagno Reverb Riverbero Reverb Roomsize Riverbero - dimensione stanza Reverb Damping Riverbero - attenuazione Reverb Width Riverbero - ampiezza Reverb Level Riverbero - livello Chorus Lines Chorus - voci Chorus Level Chorus - livello Chorus Speed Chorus - velocità Chorus Depth Chorus - profondità Patch Patch Chorus Chorus sf2InstrumentView Open other SoundFont file Apri un altro file SoundFont Click here to open another SF2 file Clicca qui per aprire un altro file SF2 Choose the patch Seleziona il patch Gain Guadagno Apply reverb (if supported) Applica il riverbero (se supportato) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Questo pulsante abilita l'effetto riverbero, che è utile per effetti particolari ma funziona solo su file che lo supportano. Reverb Roomsize: Riverbero - dimensione stanza: Reverb Damping: Riverbero - attenuazione: Reverb Width: Riverbero - ampiezza: Reverb Level: Riverbero - livello: Apply chorus (if supported) Applica il chorus (se supportato) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Questo pulsante abilita l'effetto chorus, che è utile per effetti di eco particolari ma funziona solo su file che lo supportano. Chorus Lines: Chorus - voci: Chorus Level: Chorus - livello: Chorus Speed: Chorus - velocità: Chorus Depth: Chorus - profondità: Open SoundFont file Apri un file SoundFont SoundFont2 Files (*.sf2) File SoundFont2 (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Taglio Resonance Risonanza Filter type Tipo di filtro Voice 3 off Voce 3 spenta Volume Volume Chip model Modello di chip sidInstrumentView Volume: Volume: Resonance: Risonanza: Cutoff frequency: Frequenza di taglio: High-Pass filter Filtro passa-alto Band-Pass filter Filtro passa-banda Low-Pass filter Filtro passa-basso Voice3 Off Voce 3 spenta MOS6581 SID MOS6581 SID MOS8580 SID MOS8580 SID Attack: Attacco: Decay: Decadimento: Sustain: Sostegno: Release: Rilascio: Pulse Width: Ampiezza pulse: Coarse: Approssimativo: Pulse Wave Onda pulse Triangle Wave Onda triangolare SawTooth Dente di sega Noise Rumore Sync Sincronizzato Ring-Mod Modulazione ring Filtered Filtrato Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Il livello di attacco determina quanto rapidamente l'uscita della voce %1 sale da zero al picco di amplificazione. Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Il livello di decadimento determina quanto rapidamente l'uscita ricade dal picco di amplificazione al livello di sostegno impostato. Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. L'uscita della voce %1 rimarrà al livello di sostegno impostato per tutta la durata della nota. The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. L'uscita della voce %1 ricadrà dal livello di sostegno verso il silenzio con la velocità di rilascio impostata. The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. La risoluzione dell'ampiezza del Pulse permette di impostare che l'ampiezza venga variata in modo continuo senza salti udibili. Sull'oscillatore %1 deve essere selezionata la forma d'onda Pulse perché si abbia un effetto udibile. The Coarse detuning allows to detune Voice %1 one octave up or down. L'intonazione permette di "stonare" la voce %1 verso l'alto o verso il basso di un'ottava. Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Il Sync sincronizza la frequenza fondamentale dell'oscillatore %1 con quella dell'oscillatore %2 producendo effetti di "Hard Sync". Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Ring-mod rimpiazza l'uscita della forma d'onda triangolare dell'oscillatore %1 con la combinazione "Ring Modulated" degli oscillatori %1 e %2. When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Quando il filtraggio è attivo, la voce %1 verrà processata dal filtro. Quando il filtraggio è spento, la voce %1 arriva direttamente all'uscita e il filtro non ha effetto su di essa. Test Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Quando Test è attivo, e finché non viene spento, reimposta e blocca l'oscillatore %1 a zero. song Project saved Progeto salvato The project %1 is now saved. Il progetto %1 è stato salvato. Project NOT saved. Il progetto NON è stato salvato. The project %1 was not saved! Il progetto %1 non è stato salvato! Import file Importa file untitled senza_nome Select file for project-export... Scegliere il file per l'esportazione del progetto... Tempo Tempo Master volume Volume principale Master pitch Altezza principale Empty project Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! Questo progetto è vuoto, pertanto non c'è nulla da esportare. Prima di esportare è necessario inserire alcuni elementi nel Song Editor! MIDI sequences Sequenze MIDI FL Studio projects Progetti FL Studio All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Song-Editor Play song (Space) Riproduci la canzone (Spazio) Stop song (Space) Ferma la riproduzione della canzone (Spazio) Add beat/bassline Aggiungi beat/bassline Add sample-track Aggiungi traccia di campione Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Cliccando qui si riproduce l'intera canzone. La riproduzione inizierà alla posizione attuale del segnaposto (verde). È possibile spostarlo anche durante la riproduzione. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Cliccando qui si ferma la riproduzione della canzone. Il segnaposto verrà portato all'inizio della canzone. Could not open file Non è stato possibile aprire il file Could not write file Impossibile scrivere il file Draw mode Modalità disegno Edit mode (select and move) Modalità modifica (seleziona e sposta) Add automation-track Aggiungi una traccia di automazione Record samples from Audio-device Registra campioni da una periferica audio Record samples from Audio-device while playing song or BB track Registra campioni da una periferica audio mentre la canzone o la BB track sono in riproduzione Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo della canzone The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Il tempo della canzone è specificato in battiti al minuto (BPM). Per cambiare il tempo della canzone bisogna cambiare questo valore. Ogni marcatore ha 4 battiti, pertanto il tempo in BPM specifica quanti marcatori / 4 verranno riprodotti in un minuto (o quanti marcatori in 4 minuti). High quality mode Modalità ad alta qualità Master volume Volume principale master volume volume principale Master pitch Altezza principale master pitch altezza principale Value: %1% Valore: %1% Value: %1 semitones Valore: %1 semitoni Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Spettro lineare Linear Y axis Asse Y lineare spectrumAnalyzerControls Linear spectrum Spettro lineare Linear Y-axis Asse Y lineare Channel mode Modalità del canale stereoEnhancerControlDialog WIDE AMPIO Width: Ampiezza: stereoEnhancerControls Width Ampiezza stereoMatrixControlDialog Left to Left Vol: Volume da Sinistra a Sinistra: Left to Right Vol: Volume da Sinistra a Destra: Right to Left Vol: Volume da Destra a Sinistra: Right to Right Vol: Volume da Destra a Destra: stereoMatrixControls Left to Left Da Sinistra a Sinistra Left to Right Da Sinistra a Destra Right to Left Da Destra a Sinistra Right to Right Da Destra a Destra timeLine Enable/disable auto-scrolling Abilita/disabilita lo scorrimento automatico Enable/disable loop-points Abilita/disabilita i punti di ripetizione After stopping go back to begin Una volta fermata la riproduzione, torna all'inizio After stopping go back to position at which playing was started Una volta fermata la riproduzione, torna alla posizione da cui si è partiti After stopping keep position Una volta fermata la riproduzione, mantieni la posizione Hint Suggerimento Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Muto Solo Solo trackContentObject Muted Muto trackContentObjectView Current position Posizione attuale Hint Suggerimento Press <Ctrl> and drag to make a copy. Premere <Ctrl>, cliccare e trascinare per copiare. Current length Lunghezza attuale Press <Ctrl> for free resizing. Premere <Ctrl> per ridimensionare liberamente. %1:%2 (%3:%4 to %5:%6) %1:%2 (da %3:%4 a %5:%6) Delete (middle mousebutton) Elimina (tasto centrale del mouse) Cut Taglia Copy Copia Paste Incolla Mute/unmute (<Ctrl> + middle click) Attiva/disattiva la modalità muta (<Ctrl> + tasto centrale) trackOperationsWidget Clone this track Clona questa traccia Remove this track Elimina questa traccia Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Premere <Ctrl> mentre si clicca sulla maniglia per lo spostamento per iniziare una nuova azione di drag'n'drop. Actions for this track Azioni per questa traccia Mute Muto Mute this track Metti questa traccia in modalità muta Solo Solo vestigeInstrument Loading plugin Caricamento plugin Please wait while loading VST-plugin... Prego attendere, caricamento del plugin VST... Failed loading VST-plugin Errore nel caricamento del plugin VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Non è stato possibile caricare il plugin VST %1 a causa di alcuni errori. Se, con altre applicazioni GNU/Linux il plugin funziona, si prega di contattare uno sviluppatore di LMMS! vibed String %1 volume Volume della corda %1 String %1 stiffness Durezza della corda %1 Pick %1 position Posizione del plettro %1 Pickup %1 position Posizione del pickup %1 Detune %1 Intonazione %1 Length %1 Lunghezza %1 Impulse %1 Impulso %1 Octave %1 Ottava %1 Pan %1 Pan %1 Fuzziness %1 Fuzziness %1 vibedView Volume: Volume: The 'V' knob sets the volume of the selected string. La manopola 'V' regola il volume della corda selezionata. String stiffness: Durezza della corda: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. La manopola 'S' regola la durezza della corda selezionata. La durezza della corda influenza la durata della vibrazione. Più basso sarà il valore, più a lungo suonerà la corda. Pick position: Posizione del plettro: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. La manopola 'P' regola il punto in cui verrà 'pizzicata' la corda. Più basso sarà il valore, più vicino al ponte sarà il plettro. Pickup position: Posizione del pickup: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. La manopola 'PU' regola la posizione in cui verranno rilevate le vibrazioni della corda selezionata. Più basso sarà il valore, più vicino al ponte sarà il pickup. Pan: Pan: The Pan knob determines the location of the selected string in the stereo field. La manopola Pan determina la posizione della corda selezionata nello spettro stereo. Detune: Intonazione: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. La manopola Intonazione regola l'altezza del suono della corda selezionata. Valori sotto lo zero sposteranno l'intonazione della corda verso il bemolle. Valori sopra lo zero spostarenno l'intonazione della corda verso il diesis. Fuzziness: Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. La manopola Slap aggiungeun po' di "sporco" al suono della corda selezionata, sensibile soprattutto nell'attacco, anche se può essere usato per rendere il suono più "metallico". Length: Lunghezza: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. La manopola Lunghezza regola la lunghezza della corda selezionata. Corde più lunghe suonano più a lungo e hanno un suono più brillante. Tuttavia richiedono anche più tempo del processore. Impulse or initial state Impulso o stato iniziale The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Il selettore 'Imp' determina se la forma d'onda nel grafico deve essere trattata come l'impulso del plettro sulla corda o come lo stato iniziale della corda. Octave Ottava The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Il seletore Ottava serve per scegliere a quale armonico della nota risuona la corda. Per esempio, '-2' significa che la corda risuona due ottave sotto la fondamentale, 'F' significa che la corda risuona alla fondamentale e '6' significa che la corda risuona sei ottave sopra la fondamentale. Impulse Editor Editor dell'impulso The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. L'editor della forma d'onda fornisce il controllo sull'impulso iniziale usato per far vibrare la corda. I pulsanti a destra del grafico predispongono una forma d'onda del tipo selezionato. Il pulsante '?' carica la forma d'onda da un file--verranno caricati solo i primi 128 campioni. La forma d'onda può anche essere disegnata direttamente sul grafico. Il pulsante 'S' ammorbisce la forma d'onda. Il pulsante 'N' normalizza la forma d'onda. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modella fino a nove corde che vibrano indipendentemente. Il selettore 'Corda' permettedi scegliere quale corda modificare. Il selettore 'Imp' sceglie se il grafico sarà l'impulso dato o lo stato iniziale della corda. Il selettore 'Ottava' imposta l'armonico a cui risuonerà la corda. Il grafico permette di controllare l'impulso (o lo stato iniziale) per far vibrare la corda. La manopola 'V' reogla il volume. La manopola 'S' regola la durezza della corda. La manopola 'P' regola la posiziona del plettro. La manopola 'PU' regola la posizione del pickup. 'Pan' e 'Detune' non dovrebbero aver bisogno di spiegazioni. La manopola 'Slap' aggiunge un po' di "sporco" al suono della corda. La manopola 'Lunghezza' regola la lunghezza della corda. Il LED nell'angolo in basso a destra sull'editor della forma d'onda determina se la corda è attiva nello strumento selezionato. Enable waveform Abilita forma d'onda Click here to enable/disable waveform. Cliccando qui si abilita/disabilita la forma d'onda. String Corda The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Il selettore della Corda serve per scegliere su quale corda hanno effetto i controlli. Uno strumento Vibed può contenere fino a nove corde che indipendenti. Il LED nell'angolo in basso a destra dell'editor della forma d'onda indica se la corda è attiva. Sine wave Onda sinusoidale Triangle wave Onda triangolare Saw wave Onda a dente di sega Square wave Onda quadra White noise wave Rumore bianco User defined wave Forma d'onda personalizzata Smooth Ammorbidisci Click here to smooth waveform. Cliccando qui la forma d'onda viene ammorbidita. Normalize Normalizza Click here to normalize waveform. Cliccando qui la forma d'onda viene normalizzata. &Help &Aiuto Use a sine-wave for current oscillator. Utilizzare un'onda sinusoidale per questo oscillatore. Use a triangle-wave for current oscillator. Utilizzare un'onda triangolare per questo oscillatore. Use a saw-wave for current oscillator. Utilizzare un'onda a dente di sega per questo oscillatore. Use a square-wave for current oscillator. Utilizzare un'onda quadra per questo oscillatore. Use white-noise for current oscillator. Utilizzare rumore bianco per questo oscillatore. Use a user-defined waveform for current oscillator. Utilizzare un'onda personalizzata per questo oscillatore. visualizationWidget click to enable/disable visualization of master-output cliccando si abilita/disabilita la visualizzazione dell'uscita principale Click to enable voiceObject Voice %1 pulse width Ampiezza pulse voce %1 Voice %1 attack Attacco voce %1 Voice %1 decay Decadimento voce %1 Voice %1 sustain Sostegno voce %1 Voice %1 release Rilascio voce %1 Voice %1 coarse detuning Intonazione voce %1 Voice %1 wave shape Forma d'onda voce %1 Voice %1 sync Sincronizzazione voce %1 Voice %1 ring modulate Modulazione ring voce %1 Voice %1 filtered Filtraggio voce %1 Voice %1 test Test voce %1 lmms-1.0.0+bzr2569/data/locale/ja.qm0000644000000000000000000025105511517317720015042 0ustar 00000000000000/N++hunA/V227".7o@۴}C_FzgFzoOXFOX 0Vp>!~(o>6u+ՙ `lߺo CB-A D%Ga3ݗ (^W(^,´g.4NRo x_/Bth9%8nQCf3n9>.ѻ1t>g~l~#]D(2Q4Z78J.P:)CBHH>EOXP~P~!0Wa]?]YS%l zŐ)ĩR$#{#6yص# RA~CW(6ĽPϯѫ6~ONք왞&0/guBY37Y$. 0}(10v19FA>JyPJPJ Qq.Qq.]`$E``%y`% ic=g5hjztyUw~eW{ D9\ Nvuu uDuuu4uouJ{V I,%IUIIPI&3AžtHͥ(غؽ`+^fn* u u @lW TzΎ g$0%TO-U15 8V EzP?H8RPepQ\C.> fs XvA }o.w"'NÞD\Yo^"~EU߭<5Y9<5c<5d<5<5L<5s(Dt}JZCNP^EPix#EC'v1^-):gNW@Gk)M9.d'Q)]WjYZ+[0p[3l%lmmBWz #{h|>I2)$12O(=22ޔreT[ti>0t?r: Ů 2Y#)=,D5n;ZT? ~?UIͣ[t~\X.yciAN|m.{wQmBg6 mj>,u2+2W]d<)*-X@#)U$Ϟ:;0G/`Gx!BI |QԁS6NiW~ \bsjDnqwvSe5r(c5$!0d1^n% hٝd{MJ X8P1e࣓'OY1 $  % )8 .5n_ 6E 9 I+ Mg T= YAN# hI. hI.6 k p, w%c w% x+ > >8,  _ B1 B1 ^ ` `Y -  n# F w> Knr /   UU u} R 1 L NA ] ·~ ʵ J\Wa D N ؋v ہN DK۰ *? I9 ".w $ rV 'md )x + N STn STn \{ \ ` m 4 m , m  m { s TW  $nYr = N/P N2 h8 ƟhN 4 ӗ` ӰV غ+ < <6 e ~O i̘  : .Q . ʓ,d " $&yA ==^ V c" c.cX c.cO c.c c.c c޵ c d̥( d̥ d̥ t |`  |@ ] s2 k ^щ #   鼣w ]2 [ + Z] j .˙ @ua @uA aoΞ bS#C |. ~` Mz .] .7 0^f ɶ.P Չ9( /^ /^7L ^'c :f'n~^iyf!&ʮE2g<)B>B.P%|Q>JpYd]Gad^{cg*ndyJNYȘ8-N! F |[$en(¬)3Cg0IڍU&CXҾfc^ E׬` ^7K t¥ILE~g~ܹi@ 00000Arpeggio Arpeggiator00000eTArpeggio direction Arpeggiator00000000 Arpeggio gate Arpeggiator00000000 Arpeggio mode Arpeggiator00000^Arpeggio range Arpeggiator00000fB Arpeggio time Arpeggiator00000000 Arpeggio type ArpeggiatorV000000o0r*_>0O0000ni}Vh0g O000oYOl0g0Y0000000O0F0hu0Mu0M0h0W0_i}0k0j00~0Y00000n00F0j i}Vh0n_&0oT0n00F0kr*_>0K00~0Y00Y0y0f0n0T fB0k0j00YT0h0oU0c0f0000000g0o_&000k00W0~0Y0Nhv0j000000ow0Kw튿0n0g0Y000a0000_0O0U00B00]0nN0nS0jT0x0v0S0h00g0M0~0Y0An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView0S0n0d0~00g000000000c[0W0~0Y0000000000o00000000QhOS0nOU000000oYO0Y00K0g0Y00S00O0H0p0K0c0S0D0D000000000000O\00~0Y0Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewz0S0n0d0~00g00000SXOM0g00000{V0xb0W0~0Y0xb0U00_000000oc[0W0_00000ep0n{VQ0goYO0U00~0Y0Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewp0S0n0d0~00g00ySXOM0g00000fB00000W0~0Y000000fB0k0oT00n000000n0nw0U0c[0W0~0Y0Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorView 00000CHANNELSAudioAlsa::setupWidget0000DEVICEAudioAlsa::setupWidget00000Y00h00{0K0n00000000000r00M0~0Y000000x0y0X4b@0k000000Lhy:0U00~0Y00000000Yp0h}BNp0P s0j0i0n-[0o00000U00~0[00000000n00000h0oup0j00k0j00K00W00~0[00Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorView0i0S0K00000000LY0~00K0c[0W0~0Y00000000LY0~00h000000000000o00Y0y0f0n000 0LoYO0U000~0g000000nYp0h}BNp0n00000W0~0Y00000000000000n00000j0i0kRgv0g0Y0Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorViewv0S0n0000g R0k0Y00p00Y0y0f0n00000LVގ0U00~0Y000000000000h0D0F0K0c0S0D0D000000kO0H0~0Y0pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorView Yp0h}BNp0g00000000#Loop sample at start- and end-pointAudioFileProcessorViewN0n000000OOpen other sampleAudioFileProcessorView0000VގReverse sampleAudioFileProcessorView0S0n0d0~00gX^Es0et0g0M0~0Y00S0nP$0100%0k0Y00h00000oY S0W0~0[000]0F0g0j0D0h0M0oX^Es0LN N 0W0~0Y[0n000000000]0n0~0~0g 0With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorView0S0n0d0~00g000000000000000L0L0000oYO0Y0Y0X4b@00000W0~0Y00000000ON0k0W0f0X4T0g0r0h0d0n0000L000000000h00000000n0n000000w0DX4T00S00gc[0W0_OMn0L00000000000Lb;0p0g0Y0With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView0S0n0d0~00g00000000000L0000oYO000000Y0OMn0c[0W0~0Y000W0000000LON0nX4T0g0r0h0d0n0000LYp0h}BNp0n0B0D0`0n000000w0DX4T00S0nOMn0o00000000000Lb;0OMn0g0Y0With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView 00000CHANNELSAudioJack::setupWidget000000T  CLIENT-NAMEAudioJack::setupWidget 00000CHANNELSAudioOss::setupWidget0000DEVICEAudioOss::setupWidget0000DEVICEAudioPortAudio::setupWidget 00000CHANNELSAudioPulseAudio::setupWidget0000DEVICEAudioPulseAudio::setupWidget0000DEVICEAudioSdl::setupWidget P$0000(&C) (%1%2)&Copy value (%1%2)AutomatableModel"P$00000(&P) (%1%2)&Paste value (%1%2)AutomatableModel0000(&R) (%1%2) &Reset (%1%2)AutomatableModel0000000kc}Connect to controller...AutomatableModel%1 0kc}nConnected to %1AutomatableModel0000000kc}nConnected to controllerAutomatableModel c}0}Edit connection...AutomatableModelkLQhOS0n000000000}Edit song-global automationAutomatableModel c}0mSRemove connectionAutomatableModel4xb0U00_P$0o0Y0y0f00000000k0000U00~0W0_1All selected values were copied to the clipboard.AutomationEditor"000000000000 - %1Automation Editor - %1AutomationEditor*000000000000 - 00000j0WAutomation Editor - no patternAutomationEditor00000Y00h0000000ON0k0W0~0Y00000000g0o0r0h0d0nP$0R0W0_0yR0W0_00W0~0Y00S0n0000L000000gfnk0d0K0D0~0Y0 'Shift+D' 00J0W0f00000000ON0k0g0M0~0Y0Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditor00000Y00hmS0000ON0k0W0~0Y0mS0000g0o0r0h0d0nP$0mS0g0M0~0Y0 'Shift+E' 00J0W0f0mS0000ON0k0g0M0~0Y0Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditor00000Y00hxb0000ON0k0W0~0Y0xb0000g0o0D0O0d0K0nP$0xb0g0M0~0Y00S0n0000o0D0O0d0K0nP$00000000000000mS0yR0Y00h0M0k_ʼn0g0Y0 'Shift+S' 00J0W0f0xb00000ON0k0g0M0~0Y0Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor00000Y00hxb0W0_P$000000000k0000W0~0Y00]0nP$0o00000000b0Y0hNa0n0000nNa0nX4b@0k00000g0M0~0Y0Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor00000Y00hxb0W0_P$000000000k0000W0~0Y00]0nP$0o00000000b0Y0hNa0n0000nNa0nX4b@0k00000g0M0~0Y0Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorL00000Y00h00000000K0P$0LgR0nSraK0n\{0k00000U00~0Y0YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditor|00000Y00hsW(0n00000oYO0W0~0Y00000}N-0noYO0kOR)0g0Y0}BNOMn0k0O00h00000oRv0k0000U00~0Y0Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditor000000Y00hsW(0n00000noYO0P\kb0W0~0Y0>Click here if you want to stop playing of the current pattern.AutomationEditor&xb0W0_P$0000 (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditor&xb0W0_P$0000 (Shift+M)Cut selected values (Ctrl+X)AutomationEditor&yR xb00000(Shift+M)Move selection mode (Shift+M)AutomationEditor0P$000000000K00000 (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorL0000000n00000000000g0000000000000x00g0O0`0U0DEPlease open an automation pattern with the context menu of a control!AutomationEditorxb000 (Shift+S)Select mode (Shift+S)AutomationEditorP$0o0000U00~0W0_ Values copiedAutomationEditor([LN-0n0000000000<Ctrl>$Drag a control while pressing AutomationPattern%1 P 0nc}%1 ConnectionsAutomationPatternView000ClearAutomationPatternView"%1" 0ReDisconnect "%1"AutomationPatternView 000000000000N-0k0OOpen in Automation editorAutomationPatternViewT RM00000 Reset nameAutomationPatternViewD00000000g0S0n00000000000000000N-0k0r00M0~0Y6double-click to open this pattern in automation editorAutomationPatternView000000000000Automation trackAutomationTrackl0S0n0d0~00g000{V0000000g-[0g0M0~0Y0c[0W0_000000n{VQ0gxb0W0_0000LoYO0U00~0Y0{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorView000000 %1 Controller %1 ControllerRiQ Auto DetectControllerConnectionDialog 00000CHANNELControllerConnectionDialog 000000 CONTROLLERControllerConnectionDialog 00000CancelControllerConnectionDialog000000-[Connection SettingsControllerConnectionDialog00000omS0U00~0W0_0Cycle Detected.ControllerConnectionDialogQeR00000 Input channelControllerConnectionDialog00000 000000Input controllerControllerConnectionDialog00000epMAPPING FUNCTIONControllerConnectionDialogMIDI 000000MIDI CONTROLLERControllerConnectionDialog0000000000USER CONTROLLERControllerConnectionDialogRAddControllerRackView0000000000Controller RackControllerRackView000(&H)&HelpControllerView0S0n000000dS(&R)&Remove this pluginControllerViewZ00000000o00d0~000000000]0nN0n0000000nP$0RS0Y00S0h0L0g0M0~0Y0QControllers are able to automate the value of a knob, slider, and other controls.ControllerView 000000ControlsControllerView(0000000ne0W0DT RM0Qe00f0O0`0U0D&Enter the new name for this controllerControllerView0000000ne9T Rename controllerControllerView00000g REffect enabledEffect00000g REffects enabled EffectChain00000ȏR Add effectEffectRackView000000000 EFFECTS CHAINEffectRackView00000ȏR Add effectEffectSelectDialog000(&H)&Help EffectView0S0n000000dS(&R)&Remove this plugin EffectView 000000Controls EffectView0000000000ep0o0D0d0d0K0n000000n0r0h#0j00g0Y000000oN 0K0N 0kQt0U00~0Y0 On/Off 00000g0D0d0g0c[0W0_00000000000Y00S0h0L0g0M0~0Y. Wet/Dry00d0~00g0000000nQRN-0nQeR00000h0000000000n000000000000g0M0~0Y0 QeR00000oN0dRM0n00000K00nQR0g0Y00j0n0g#0nN 0ne0n000000n 'dry'00000o0]00~0g0n0000000Y0y0fT+00g0D0Y0 Decay 0d0~00g00000L}B00c0_0B0h0i00`0Q0nfB00000Qt0Y00K00M00~0Y0N0H000_fBQ0kN0H000_0W0M0DP$NN 0k0L=0a0_0h0M0k000000oQt0P\kb0W0~0Y00S0n0d0~00g N0H000_fB 00M00~0Y00S0nfB0w0O0Y00hCPU00D0~0Y00Y0j00a0_Y'b0n000000k0d0D0f0o Decay0o\0U0O0Y00y0M0g0Y000000n00F0jw0DfB0nl0u0X0000000nX4T0oDecay0X00Y_ʼn0L0B00~0Y0 Gate 0n0d0~00g0000000LRP\kb0Y00_00n N0H000_0W0M0DP$"0lz00~0Y00S0n000glz00_000NN 0k00000000L=0a00h0h0Y0P0k N0H000_fB 0L0o0X0~00~0Y0 00000000000g0000000n00000n}0000000r00M0~0Y0 S00000Y00h00000000000L0M0~0Y00]0S0g000000L[L0U00uj00K0H0_0000000[Qh0kmS0W0_00g0M0~0Y0 SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectViewN eyR(&d) Move &down EffectViewN eyR(&u)Move &up EffectView000000d0~00o00D0O0d0nq!00000L000000L00000}BN0Y00~0H0kn!0U00j0D0h0D0Q0j0D0K0et0W0~0Y0\0U0O0Y00hCPU0n00000000x00[0~0Y0L000000h000000000n\;\>0L0000000Y0Sqz0L0B00~0Y0The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectView0000d0~00o00000000000000W0~0Y00S0n00000000o0000Qt00D0d}BN0Y00Klz[0Y00kq!0hR$e0U000000g0Y0zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewTWet/Dry 0d0~00g0QRN-0nQeR00000h0000000000nRrT00M00~0Y0eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView000000n 00/00Toggles the effect on or off. EffectView00000g0n0S0N0l&Click here for a saw-wave for current.EnvelopeAndLfoView00000g000lClick here for a sine-wave.EnvelopeAndLfoViewf00000g0000[l_b00B0h0g0[_0Y0000000000LFO0000nN 0k00000W0f0O0`0U0D0aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoView 00000gLFOThlep0P DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewD00000Y00h00000000n0L0S0nLFO0g0000000U00~0Y0>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewJ0i0c0K0K00000000000W0f0M0f0S0n000000k00000W0f0O0`0U0D08Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoView000HintEnvelopeAndLfoViewz0S0n0d0~00gsW(0nLFO0n00000000c[0W0~0Y0Y'0M0O0Y00hLFO0nc/^E0LgY'0k0j00~0g0k0K0K0fB0Lw0O0j00~0Y0Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n00000000c[0W0~0Y00S0nP$0Y'0M0O0Y00h0000000n00000000X00Y0n0kw0DfB0L_ʼn0k0j00~0Y0Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n00000000c[0W0~0Y00S0nP$0Y'0M0O0Y00h0000000L00000000K0000000000knp0Y00n0k_ʼn0jfB0Lw0O0j00~0Y00000n00F0ji}Vh0k0ow0DfB0x0s0~0Y0Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n00000000c[0W0~0Y000S0nP$0Y'0M0O0Y00h0000000L000000000x0nnp0Y00RM0k0000000000i00O00DOc0Y0fB0Lw0O0j00~0Y0Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoView0S0n0d0~00gsW(0nLFO0n000000000c[0W0~0Y00B0_00Y'0M0O0Y00hLFO0n_q00F0Q0x00`P$00000h0K00000Thlep0h0K 0L0J0J0M0O0j00~0Y0Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n000000000c[0W0~0Y00S0nP$0Y'0M0O0Y00h0S0n00000L_q0Y0[_0Y0P$0h0K000000Thlep0h0K 0LY'0M0O0j00~00~0Y0Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n0000000c[0W0~0Y00S0nfB0w0O0Y00h[0n0000000L00000Y0RM0nfB0Lw0O0j00~0Y0Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView0S0n0d0~00gsW(0nLFO0n0000000000c[0W0~0Y00S0nP$0Y'0M0O0Y00h0LSFO0L000000Y000~0g0nfB0Lw0O0j00~0Y0Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n00000000c[0W0~0Y0P$0Y'0M0O0Y00h000000000K0000kn\0Y00n0k_ʼn0jfB0Lw0O0j00~0Y0000000n00F0ji}Vh0g0o0S0nP$0Y'0M0O0W0f0O0`0U0DUse this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewx0S0n0d0~00gsW(0nLFO0n00000c[0W0~0Y0P$0Y'0M0O0Y00hLFO0n000000Le0O0j0c0f000000e0O0j00~0Y0Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView0S0n0d0~00gsW(0n0000000n000000000c[0W0~0Y0P$0Y'0M0O0Y00h000000L000k0j0RM0k0h0i0~0c0f00000L0O0j00~0Y0Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView 00000CancelExportProjectDialog00000 %1FX %1FxMixer000MasterFxMixer*0S0n00000000000ne0W0DT RM0QeR&Enter the new name for this FX channel FxMixerView000000000FX-Mixer FxMixerView0000Mute FxMixerView"0S0n000000000000000Mute this FX channel FxMixerView00000000000ne9T Rename FX channel FxMixerView 00000CHANNELInstrumentMidiIOViewMIDI00000g RSENABLE MIDI INPUTInstrumentMidiIOViewMIDI000000g RENABLE MIDI OUTPUTInstrumentMidiIOView 00000PROGRAMInstrumentMidiIOView 00000VELOCITYInstrumentMidiIOView0000VOLUMEInstrumentSoundShaping0000VolumeInstrumentSoundShaping0S0S0g00S0n0000000000000g0d0K0D0_0D00000000000x0s0~0Y00nry`'00K0H00n0k000000o0h0f0͉0g0Y0Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewz0S000n000k0o0000000LT+0~00f0~0Y00000000o0Y f0Y00nY'Y ͉0g0Y00000000o0000000000jTb00Y00h0M0o0{0h00i0D0d0_ʼn0g0Y00_0h0H0p00000000000nX4T00Llz0~0c0_0k0j0fB00000g0M0~0Y0000000000O\00_0D0j000000000000000^^80k0000k0Y0_ʼn0L0B00~0Y00]00o00000000h00000000w0O0Y00S0h0g[s0g0M0~0Y0000000000000n00000Thlep0h0D0c0_0{0K0n0000000R6_0g0M000n0k0d0D0f0N`0o0D0c0W00g0Y00S00g0a00c0hJ00g00f0O0`0U0D!00n0S0N0ko0k0D0O0d0K0n0000000O0F0`0Q0g[0k0000j00000O\00S0h0S0g0M0~0Y0_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingView0S0n0d0~00g0xb0W0_000000n Q/0000000000W0~0Y00Q/000000k0o00000ThlepN؏0g0i00O00DThlep0X^E0U0[00K0c[0W0~0Y0Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingView60S0n000gxb0W0_000000n00000Thlep00000W0~0Y000000Thlep0o000000L000000000Y0Thlep00M00~0Y00_0h0H0p0000000000o00000ThlepNN 0n0Y0y0f0nThlep00000W0~0Y00000000000o00000ThlepNN 0n0Y0y0f0nThlep00000W0~0Y00_0n000000g0T i0g0Y02Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView0000000 Base noteInstrumentTrack0000VolumeInstrumentTrack40S0n0d0~00g00D0_000000n00000W0~0Y0000000 0g0S0n0000000Y f0g0M0~0YuThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowJsW(0n0000000og_0000W0f0K0Y f0U00f0D0~0Y0N0000W0~0Y0KOThe current project was modified since last saving. Do you want to save it now? MainWindow0000Undo MainWindow 0S00oOU What's this? MainWindowO\im000000Working directory MainWindow0000DEVICEMidiAlsaRaw::setupWidget0000DEVICEMidiAlsaSeq::setupWidgetMIDI0000000MIDI ControllerMidiControllerT 0j0W_MIDI_000000unnamed_midi_controllerMidiController0000DEVICEMidiOss::setupWidgetQeR00000V[Fixed input velocityMidiPortQR00000V[Fixed output velocityMidiPortQeR00000 Input channelMidiPort00000 000000Input controllerMidiPortQR MIDI 00000Output MIDI programMidiPortQR00000Output channelMidiPort000000 000000Output controllerMidiPortMIDI 00000SOReceive MIDI-eventsMidiPortMIDI 00000OSend MIDI-eventsMidiPort`0S0S000000W0f00{0K0n000000000M0~0Y00000h00000n-[0o00000U00~0[00LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanViewt0S0S0g0000000ON/OFf0W0~0Y0000000ON0j00PatMan0o0000N-0k0B0000`X100O0D0~0Y0jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanView0S0S0g00000000ON/OFF0W0~0Y00000000ON0j00PatMan 0o0000nThlep0k0B0F00F0k0000000000W0~0Y0iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanView000Loop PatmanView 000000 Loop mode PatmanView00000Lxb0U00f0~0[0No file selected PatmanView0{0K0n00000OOpen other patch PatmanView000000000OOpen patch file PatmanView0000000 (*.pat)Patch-Files (*.pat) PatmanView0000Tune PatmanView0000000 Tune mode PatmanView000 000000Peak ControllerPeakController0000000 Base note PianoView00000000N-0n000Error while loading pluginPlugin&00000 "%1" 0n0000kY1eWFailed to load plugin "%1"!Plugin000000L0d0K00~0[0Plugin not foundPluginP00000 "%1" 0o0d0K00j0D0K0000g0M0~0[00 SV0o "%2"0g0Y0AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin&W'~. OGG-0000 (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer WAV-0000 (*.wav)WAV-File (*.wav)ProjectRendererQeR00000 Channels In: QWidgetQR00000Channels Out: QWidget 000000 Copyright: QWidget0000File: QWidget QCMaker: QWidgetT RMName: QWidget0D0D0HNoQWidget000000S: Real Time Capable: QWidget0000000L_ʼn: Requires Real Time: QWidget0o0DYesQWidget000(&H)&Help TempoSyncKnob SAQmR{& 16th note TempoSyncKnob N SANR{& 32nd note TempoSyncKnobQkR{&8th note TempoSyncKnob0000Custom  TempoSyncKnob0000 Custom... TempoSyncKnob 000000 Eight beats TempoSyncKnobNR{& Half note TempoSyncKnob^T gNo Sync TempoSyncKnobVR{& Quarter note TempoSyncKnobSAQmR{&0kT gSynced to 16th Note TempoSyncKnobN SANR{&0kT gSynced to 32nd Note TempoSyncKnobQkR{&0kT gSynced to 8th Note TempoSyncKnob0000000kT gSynced to Eight Beats TempoSyncKnobNR{&0kT gSynced to Half Note TempoSyncKnobVR{&0kT gSynced to Quarter Note TempoSyncKnob Qh{&0kT gSynced to Whole Note TempoSyncKnob 000T g Tempo Sync TempoSyncKnobQh{& Whole note TempoSyncKnob"0n0S0N0l0sW(0n000000gOu(&Use a saw-wave for current oscillator.TripleOscillatorView 000l0sW(0n000000gOu('Use a sine-wave for current oscillator.TripleOscillatorViewe_bl0sW(0n000000gOu()Use a square-wave for current oscillator.TripleOscillatorViewN l0sW(0n000000gOu(+Use a triangle-wave for current oscillator.TripleOscillatorView(0000[l_b0sW(0n000000gOu(3Use a user-defined waveform for current oscillator.TripleOscillatorView&00000000sW(0n000000gOu('Use white-noise for current oscillator.TripleOscillatorView~0S0S000000Y00h0VST-000000n000000000000000000GUI)0Lhy:0U00_0^hy:0k0j0c0_00W0~0Y0QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentView0{0K0n VST-00000000000W0_0D0j0000000S0n000000000Y00h00000000000000Ls00f00000x0y0~0Y0Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView DLL-0000 (*.dll)DLL-files (*.dll)VestigeInstrumentView EXE-0000 (*.exe)EXE-files (*.exe)VestigeInstrumentView(VST-plugin0o0000U00f0~0[0No VST-plugin loadedVestigeInstrumentViewVST-0000000OOpen VST-pluginVestigeInstrumentView$0{0K0n VST-0000000000Open other VST-pluginVestigeInstrumentViewGUI0nhy:/^hy: Show/hide GUIVestigeInstrumentView0Y0y0f0n0000000k0W0~0Y0Turn off all notesVestigeInstrumentViewVST-000000n000Y1eWFailed loading VST-plugin VstPlugin000000000N-Loading plugin VstPlugin.VST-0000000000Y00J_0a0O0`0U0D'Please wait while loading VST-plugin... VstPluginVST-plugin %100L0D0O0d0K0ntu10g0000g0M0~0[00g0W0_0 00W0]0nVST0LLinux0n0{0K0nVST-0000000gR0O0j0 LMMS 0nvz0k#}a0W0f0O0`0U0D0The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginP sAmplifyaudioFileProcessor 0000}BN End of sampleaudioFileProcessor000LoopaudioFileProcessor0000VގReverse sampleaudioFileProcessor 0000땋YStart of sampleaudioFileProcessor0000000000000RAdd automation-trackbbEditor"beat/bassline 0RAdd beat/basslinebbEditor000 00000000000Beat+Bassline EditorbbEditor00000Y00hsW(0n beat/bassline 0oYO0W0~0Y00beat/bassline00o}BNOMn0k0O00hRv0k0000U00~0Y0qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorF00000Y00hsW(0n beat/bassline 0noYO0P\kb0W0~0Y04Click here to stop playing of current beat/bassline.bbEditorDsW(0n beat/bassline 0 Qu/000 (Space)(Play/pause current beat/bassline (Space)bbEditor8beat/bassline 0nQu0P\kb (Space).Stop playback of current beat/bassline (Space)bbEditorr0Y f Change color bbTCOView T RM0Y f Change name bbTCOView$000+000000-000000OOpen in Beat+Bassline-Editor bbTCOViewT RM00000 Reset name bbTCOView beat/bassline %1Beat/Bassline %1bbTrack00000nw0U Samplelength bitInvader00000Y00h000lClick for a sine-wave.bitInvaderView00000Y00h0n0S0N0lClick here for a saw-wave.bitInvaderView00000Y00he_blClick here for a square-wave.bitInvaderView00000Y00hN lClick here for a triangle-wave.bitInvaderView00000Y00h0000l_b$Click here for a user-defined shape.bitInvaderView00000Y00h0000000Click here for white-noise.bitInvaderView 00000Y00hl_b0^snS0W0~0YClick here to smooth waveform.bitInvaderView20000nN 0g00000000W0f0S0S0kl_b0c0M0~0YADraw your own waveform here by dragging your mouse on this graph.bitInvaderView0000000000g0M0~0[0Could not open fileexportProjectDialog0000 %1 0f0M0u(0k00000g0M0~0[00 0S0n00000h00000T+00000000nf0M0j)P0L0B00K0x0W0fQ^f0M00g0O0`0U0D0Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog000ErrorexportProjectDialogX00000000000000lz[0Y00n0000up0j0QR0000000x00g0O0`0U0D0\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog$0000000 %1 0k000000Export project to %1exportProjectDialog000000: %1%Rendering: %1%exportProjectDialog000Graph graphModelf DistortionkickerInstrument000(&H)&Helpknob2%1 0h %2 0n0ne0W0DP$0QeR0W0f0O0`0U0D:+Please enter a new value between %1 and %2:knobJ-96.0 dBV 0h 6.0 dBV00n0ne0W0DP$0QeR0W0f0O0`0U0D:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob g000Analysis ToolsladspaBrowserViewR)u(S00000Available EffectsladspaBrowserView N f0j000 Don't knowladspaBrowserViewi}Vh InstrumentsladspaBrowserView:0S0n000000oLMMS0g0d0K0H00Y0y0f0nLADSPA000000n`X10hy:0W0~0Y0000000o0000000hT RM0k00c0f0d0n00000k00Q0f0B00~0Y0 hy:0U00000000oLMME0gR)u(S0j00n0g0Y00B0000000LLMMS0gR)u(S0g0B00_00k0o00~0Z{,N0k000000g0B00S0h0d0~0QeR000000hQR000000c0c0f0j0D0h0D0Q0~0[00LMMS0oT RM0k 'in' 0LT+0~00000000000000QeR000000hX0W0~0Y0QR0000h0W0fX0Y00n0o 'out'00LT+0~0000n0g0Y00U00k000000nQeR0hQR0nep0LT 0X0g0000000nRO\0LS0g0B0_ʼn0L0B00~0Y0 i}Vh000000oQR000000W0K0j0D00n0g0Y0 g0000oQeR000000W0K0j0D00n0g0Y0 N f0j0000oQeR000000QR00000000d0K00j0K0_00n0g0Y 00000000000000Y00h0000n`X10Lhy:0U00~0Y0TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView000Type:ladspaBrowserViewR)u(N S00000Unavailable EffectsladspaBrowserViewf DescriptionladspaDescription0o0DYesladspaPortDialogf Distortion lb302Synth00000g000lClick for a sine-wave.lb302SynthView"00000g Moog 00_0D0jl_b Click here for a moog-like wave.lb302SynthView00000g0n0S0N0lClick here for a saw-wave.lb302SynthView 00000g\;\>0L0~00~0c0_e_bl0Click here for a square-wave with a rounded end.lb302SynthView00000ge_blClick here for a square-wave.lb302SynthView00000gN lClick here for a triangle-wave.lb302SynthView00000gcepl_b#Click here for an exponential wave.lb302SynthView00000g0000000Click here for white-noise.lb302SynthViewf Distortion lb303SynthpStk-0000000L[Qh0g0j0D00F0g0Y00Stk-000000L0Y0y0f0000000U00f00S0h0x0W0f0O0`0U0DaYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrument000(&H)&HelpnineButtonSelectorf DistortionorganicInstrument0000VolumeorganicInstrument0000000000g0M0~0[0Cannot freeze patternpatternf0000000k0j0c0f00n0g00000osW(00000g0M0~0[000000000P\kb0W0fQfL0W0f0O0`0U0D0_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!pattern 00000CancelpatternFreezeStatusDialog0000N-0n0000Freezing pattern...patternFreezeStatusDialog%1 0000%1 steps patternView 1 00001 step patternView 0000׏R Add steps patternViewT RMY f Change name patternView0Y0y0f0n0000000Clear all notes patternView0000Freeze patternView00000000OOpen in piano-roll patternView Q0000Refreeze patternView 0000זdS Remove steps patternViewT RM00000 Reset name patternView 0000dUnfreeze patternViewj00000000g0S0n000000000000k0M0~0Y0 00000000g00000n000000000W0~0Y0Wdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewT00000Y00h00000000nN-0n0000LgR0nhy:0U00f0\{0k00000U00~0Y0XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRoll00000Y00hxb0W0f0D00000L00000000k0000U00~0Y000000000b0Y0hNa0n00000n0i0S0k0g00000W0_000000000g0M0~0Y0Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll00000Y00hxb0W0f0D00000L00000000k0000U00~0Y000000000b0Y0hNa0n00000n0i0S0k0g00000W0_000000000g0M0~0Y0Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRollf00000Y00hsW(0n00000Qu00S00o0000}N-0kOR)000000ng_0gRv0k0000W0~0Y0Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRoll00000Y00h0MIDI00000~0_0o[_0Y000000000000n000000000000K00n0000sW(0n00000k20W0~0Y020nQu0W0_0Y0y0f0n0000osW(0n00000kf0M0~00~0Y0f0M0~00_0000o_0K0Qu/}0g0M0~0Y0Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRoll00000Y00h0MIDI00000~0_0o[_0Y000000000000n000000000000K00n0000sW(0n00000k20W0~0Y020nQu0W0_0Y0y0f0n0000osW(0n00000kf0M0~00~0Y0f0~0_0oBB00000L000000000goYO0U00~0Y0Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRoll:00000Y00h sW(0n00000n0000000P\kb0W0~0Y0/Click here to stop playback of current pattern. pianoRoll$xb0000n000 (Ctrl+C)Copy selected notes (Ctrl+C) pianoRoll&xb0000nR0S0 (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll 000000 (shift+D)Draw mode (Shift+D) pianoRoll mS 000 (shift+E)Erase mode (Shift+E) pianoRoll g_0n000 Last note pianoRoll0000000 Note lock pianoRoll400000000K000000000 (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRoll000000 - %1Piano-Roll - %1 pianoRoll000000 - 00000j0WPiano-Roll - no pattern pianoRoll,sW(0n00000nQu/000 (Space)"Play/pause current pattern (Space) pianoRollB 0000 0nN 0g00000000W0f 0000 00D0f0O0`0U0D/Please open a pattern by double-clicking on it! pianoRoll6MIDI-0000/00000-0000K000002+Record notes from MIDI-device/channel-piano pianoRollRf0BB00000QuN-0k0MIDI-0000/00000-0000K000002JRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRollxb000 (Shift+S)Select mode (Shift+S) pianoRoll(sW(0n00000noYOP\kb (Space)'Stop playing of current pattern (Space) pianoRoll4000000_0D0j00000n0_00nNRv0000000*Additive Synthesizer for organ-like sounds pluginBrowser0000000S0j000000000000000"Customizable wavetable synthesizer pluginBrowserfi}Vh0000000000~0_0o000 00000000000~0_0o[XW(0Y0i}Vh00000k00000g0M0~0Y0nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowser2GameBoy (TM) APU0n00000000Emulation of GameBoy (TM) APU pluginBrowser|MOS6581 and MOS8580 SID0n000000000 0S0n0000o00000640000000gcu(0U00f0D0_0ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserFFL Studio 0n0000000LMMS0k000000Y0000001Filter for importing FL Studio projects into LMMS pluginBrowser8MIDI00000LMMS0k000000Y00_00n0000)Filter for importing MIDI-files into LMMS pluginBrowserGUSNc0000ni}VhGUS-compatible patch instrument pluginBrowser0tb3030nN [Qh0j00000000000000%Incomplete monophonic imitation tb303 pluginBrowser i}Vh0000Instrument browser pluginBrowseri}Vh00000Instrument plugins pluginBrowser60000000U00f0 LADSPA 000000n000List installed LADSPA plugins pluginBrowser$0000000000000n00000Player for SoundFont files pluginBrowser400000n0000g0d0~000000000Y000000-Plugin for controlling knobs with sound peaks pluginBrowser80000QeR00000n00000000_70Y000000=Plugin for enhancing stereo separation of a stereo input file pluginBrowser$0000QR0u10k0D0X000000,Plugin for freely manipulating stereo output pluginBrowser"0i00i00_0_0Oi}v0j00`0Y00nTuneful things to bang on pluginBrowser< VST(i)000000LMMS0g0d0K0F0_00nVST000-VST-host for using VST(i)-plugins within LMMS pluginBrowser(00000000000000000000Vibrating string modeler pluginBrowser0j0Wno description pluginBrowser0000000h0Y000000plugin for boosting bass pluginBrowser0000/^00000(<Ctrl.> + N-0000000)#Mute/unmute ( + middle click) sampleTCOView0000Paste sampleTCOView20000/000Set/clear record sampleTCOView00000000g0000xbdouble-click to select sample sampleTCOViewSample track Sample track sampleTrack0000Volume sampleTrack000000000Channel volume:sampleTrackView000000000 Track volumesampleTrackView0000000000000AUDIO INTERFACE setupDialog0000000n000000Artwork directory setupDialogR000000Audio settings setupDialog0000000 BUFFER SIZE setupDialogfou(000000Background artwork setupDialog 00000Cancel setupDialog*FL Studio0n0000000x0s0~0Y'Choose FL Studio installation directory setupDialog.LADSPA000000n0000000x0s0~0YChoose LADSPA plugin directory setupDialog$LMMS0nO\im0000000x0s0~0YChoose LMMS working directory setupDialog0STK rawwave 0n0000000x0s0~0YChoose STK rawwave directory setupDialog(0000000000000000x0s0~0YChoose artwork-theme directory setupDialogfou(0000000x0s0~0YChoose background artwork setupDialog$00000000000000x0s0~0YChoose default SoundFont setupDialog&VST000000000000x0s0~0Y Choose your VST-plugin directory setupDialog(00000000000nW'~.0000000k"Compress project files per default setupDialog$00000 000000000000Default Soundfont File setupDialog0000000000000N S#Disable channel activity indicators setupDialog00000 dBV 0ghy:Display volume as dBV  setupDialog000000 ONEnable tooltips setupDialog"FL Studio 0n000000 FL Studio installation directory setupDialog*0000: %1000000: %2 msFrames: %1 Latency: %2 ms setupDialog -[0ubGeneral settings setupDialog(QR0000000000 HQ-0000kHQ-mode for output audio-device setupDialog0S0S0g MIDI 000000000x0s0~0Y000000fB0n0000-[0k00c0f0ALSA0OSS0{I0L0H00y0~0Y0xb0W0_0MIDI 0000000000n00000-[0nk0LN 0k0B00~0Y0Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialog0S0S0g0Q*QH0Y000000000000000x0s0~0Y000000fB0n0000-[0k00c0fALSA,JACK, OSS {I0Lx0y0~0Y0N 0kxb0W0_00000000000000n000000u(0n00000L0B00~0Y0Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog0S0S0g LMMS 0gOu(0Y0Q00000000c[0W0~0Y0P$0L\0U0D0h0000000L\0U0O0j00~0Y0L\0U0Y0N00hS0D000000000000000000X00j0D00000g0o0r0i0D000000000nONN 00r0M0J0S0W0~0Y0Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialogLADSAPA00000000LADSPA plugin paths setupDialogLMMS0nO\im0000000LMMS working directory setupDialogMIDI 00000000MIDI INTERFACE setupDialogMIDI -[ MIDI settings setupDialog0]0nNMISC setupDialog(00000-0000nb0U00_000`0QbKR)Only press keys on channel-piano manually setupDialog00Paths setupDialog0000000-[Performance settings setupDialog<LMMS 0QwR0Y00~0g00_0D0f0D0nY f0og R0k0j00~0[0GPlease note that most changes won't take effect until you restart LMMS! setupDialog00000P$0k0000Reset to default-value setupDialogLMMS0QwR Restart LMMS setupDialog&STK rawwave00n000000STK rawwave directory setupDialog LMMS-[ Setup LMMS setupDialog&-[Y f_0"00000ȋfTJ"00hy:,Show restart warning after changing settings setupDialog&UI00000 vs. 0000000UI effects vs. performance setupDialogVST-00000000000VST-plugin directory setupDialog|0S0n0|0_00g0000000000ON00K0c0S0D0D000000000kg R00W0K0W0000000000W0_00000k0W0KR0K0j0D0uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewz0S0n0000g000000000ON000K0c0S0D0D000000kg R000W0K0W0000000000W0_00000k0W0KR0K0j0D0pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentView0000Volume sidInstrument^0000^0oQR000 %!1 0L000K0000c/^E0k0i00`0Qe0OY'0M0O0j00K00lz00~0Y0\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentViewZ0000^0oQR0L000c/^E0K0000000000~0g0i00`0Qe0O\0U0O0j00K0lz00~0Y0iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewPQR000 %1 0o0000LOc0U00f00x0p00_00000c/^E0Oc0W0~0Y0]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentViewRing-mod0000000 %1 0nQR0nN _b0nl_b0000000 %1 0h %20n0000000000U00f0_}D0T00[0kn0Mc0H0~0Y0}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentViewSync Hard Sync"000000u0X0j0L000000 %1 0nWg,Thlep0 00000 %2 0nWg,Thlep0kT g0W0~0Y0Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentViewlTest 00000 %1 000000000000000W0_0h0M0Test 0LP\kb0U000~0g0n0000g0Y0PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewPCoarse000000g0000 %1 000000N N 0k000000g0M0~0Y0DThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentView000^EP^0o0f00K0j00000u0X00S0h0j0O00000k0000S0j^E0N0H0~0Y000000 %1 0n000l_b0o^0MS00Rg0c0d00F0kxb0U00j0Q00p0j00~0[00The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentViewjQR000 %1 0o0xb0U00_00000000gc[0W0_Y'0M0U0g000000000K0000k\0U0O0j00~0Y0jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentViewFiltered0LON0j00000 %1 0o0000000c0fQt0U00~0Y00Filtered0L000j00000 $1 0ovcQR0k0J0O000f000000oQR0kiu(0U00~0[00When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentViewzz000000 Empty projectsong FL Studio 000000FL Studio projectssong000000000 Import filesongMIDI 00000MIDI sequencessong0000000 Master pitchsong00000000 Master volumesong 0000000o0000U00f0~0[0Project NOT saved.song0000000O[X0W0~0W0_ Project savedsong6000000-0000000Y000000x00g0O0`0U0D!Select file for project-export...song000Temposong$000000 %1 00000W0~0W0_The project %1 is now saved.song(000000 %1 0o0000U00f0~0[0The project %1 was not saved!songj0000000ozz0g0Y0000000oq!0g0Y000000000k00000n0D0f0K00000000W0f0O0`0U0D0`This project is empty so exporting makes no sense. Please put some items into Song Editor first!song&automation-track0RAdd automation-track songEditor beat/bassline RAdd beat/bassline songEditorsample-track RAdd sample-track songEditor00000Y00hfQhOS0oYO0W0~0Y0000000000000}тr 0nOMn0K0QuY0W0~0Y0QuN-0k00000yR0U0Y0S0h00g0M0~0Y0Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorb00000Y00h0f0nQu0P\kb0W0~0Y00Qu_0000000000000of0ngR0k0000U00~0Y0uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor0000000000g0M0~0[0Could not open file songEditor00000kf0M00~0[0Could not write file songEditor0000 %1 0kf0M00S00~0[000YR00000nf0M0j)P0L0B00~0[00 0S0n00000nf0M0j)P0L0B00S0h0x0W0fQ^f0M00g0O0`0U0D0Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditor 000000 Draw mode songEditor}0000(xb{I Edit mode (select and move) songEditor0000000000High quality mode songEditor0000000 Master pitch songEditor00000000 Master volume songEditor000Qu (Space)Play song (Space) songEditor$0000000000K0000002 Record samples from Audio-device songEditorF0000~0_0oBB00000QuN-0k0000000000K0000002?Record samples from Audio-device while playing song or BB track songEditor0000000 Song-Editor songEditor000P\kb (Space)Stop song (Space) songEditor000/BPM TEMPO/BPM songEditor000Tempo songEditorf0n0000oRk0n000ep(BPM)0gc[0W0~0Y0f0n0000Y f0Y0X4T0o0S0nP$0Y f0W0f0O0`0U0D0T\{0o0d0n000000a0~0Y0K00BPM0g0B000U000000o0NR0k00D0O0d0n\{000/4) 0LoYO0U00(0B00D0oR0k0D0O0d0n\{0LoYO0U000K 0K00M00~0Y0-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor0000 %1 SJValue: %1 semitones songEditor0000 %1% Value: %1% songEditor0000 000 master pitch songEditor00000000 master volume songEditor f0n000 tempo of song songEditor}BN_0YOMn0k00i0After stopping go back to begintimeLine$}BN_0Qu0LY0U00_OMn0k00i0?After stopping go back to position at which playing was startedtimeLine}BN_00]0nOMn0n0~0~After stopping keep positiontimeLine 000000000n ON/OFFEnable/disable auto-scrollingtimeLine00000000n ON/OFFEnable/disable loop-pointstimeLine000HinttimeLine4<Ctrl>0b0Y0h0000000000000q!RS-Press to disable magnetic loop-points.timeLine0000Mutedtrack00Solotrack 00000CanceltrackContainer0000 %1000000N-000000L0d0K00~0[00g0W0_0 0{0K0n0000000g00S0n00000LMMS0g00000W0f00000000kY c0W0f0O0`0U0D0Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer00000000000g0M0~0[0Couldn't import filetrackContainer0000000000g0M0~0[00Couldn't open filetrackContainer0000 %1 000u(0k00000g0M0~0[00 00000h00000nQe0c0f00000000L00S0K00000W0f00FN^000g0O0`0U0D0Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer$FLP-0000000000N-...Importing FLP-file...trackContainer&MIDI-0000000000N-...Importing MIDI-file...trackContainer000000000N-Loading project...trackContainer0J_0a0O0`0U0D...Please wait...trackContainer0000MutedtrackContentObject000CopytrackContentObjectView sW(0nw0UCurrent lengthtrackContentObjectViewsW(OMnCurrent positiontrackContentObjectView000CuttrackContentObjectViewmS000N-000 Delete (middle mousebutton)trackContentObjectView000HinttrackContentObjectView<0000/0000ȉd(<Ctrl> + N-0000000 #Mute/unmute ( + middle click)trackContentObjectView0000PastetrackContentObjectView20000Y00k0o<Ctl> 000000W0f0O0`0U0D0%Press and drag to make a copy.trackContentObjectView.0000d0k0o<Ctrl>0b0W0f0O0`0U0D0Press for free resizing.trackContentObjectView0S0n00000n00000Actions for this tracktrackOperationsWidget00000Clone this tracktrackOperationsWidget0000MutetrackOperationsWidget0S0n000000000Mute this tracktrackOperationsWidgetdyR000000000N-0k <Ctl >0b0[0p0e0W0D00000000000000Y0000~0Y0KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget00000mSRemove this tracktrackOperationsWidget00SolotrackOperationsWidgetVST-000000n000Y1eWFailed loading VST-pluginvestigeInstrument000000000N-Loading pluginvestigeInstrument.VST-0000000000Y00J_0a0O0`0U0D'Please wait while loading VST-plugin...vestigeInstrumentVST-plugin %100L0D0O0d0K0ntu10g0000g0M0~0[00g0W0_0 00W0]0nVST0LLinux0n0{0K0nVST-0000000gR0O0j0 LMMS 0nvz0k#}a0W0f0O0`0U0D0The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrument000(&H)&Help vibedView&00000Y00h0l_b0ng R/q!R0nRc&Click here to enable/disable waveform. vibedView 00000Y00hl_b0000000!Click here to normalize waveform. vibedView00000Y00hl_b00000SClick here to smooth waveform. vibedViewImp 00000o00000nl_b0L000000k00c0f000000kN0H000000000h0W0fbq0000K000000nRgraK0h0W0fbq0000K00M00~0Y0The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewtP 0d0~00g000000L000000U00OMn00000W0~0Y0P$0L\0U0D0{0i00000k0D0h0S00L000000U00~0Y0The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewPU0d0~00gxb0W0_000000n0i0nOMn0gc/R000000Y00K00000W0~0Y00\0U0DP$0{0i00000h0000000nOMn0L0a0K0D0S0h0k0j00~0Y0The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewS 0d0~00gxb0W0_000000n00000X0U 00000W0~0Y00000000n000000o000000L0i00`0Qw0O0j00O0K0k_q0W0~0Y0P$00a0D0U0O0Y00h000000ow0O00M0~0Y0The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedView8V 0d0~00gxb0W0_000000n000000000W0~0Y04The 'V' knob sets the volume of the selected string. vibedViewDetune 0d0~00oxb0W0_000000n0000Y f0W0~0Y00000\0U0DP$0-[0Y00h00000k0j00~0Y00000Y'0M0DP$0c[0Y00h00000k0j00~0Y0The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewLength 0d0~00gxb0U00_000000nw0U00000W0~0Y000w0D000000o000w0D0c0f000f00O^0S0H00g0W00F00W0K0W000CPU000000D0~0Y0The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedView0000000000o000000g0000n0i0nP 0L00K00x0y0~0Y0'-2'0oW0n0W0_000000~0g00S0h0aTs0W0~0Y0'F'0o000000LW0g00S0h0aTs0W0~0Y0'6'0o000000LWg,0K0000000n0g0j00S0h0aTs0W0~0Y0#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewFPan 0d0~00o0000X4N-0nxb0W0_000000nOMn0c[0W0~0Y0PThe Pan knob determines the location of the selected string in the stereo field. vibedViewSlap0d0~00oxb0U00_000000k\0W0`0Q0000R0H0~0Y00000g0k00c0h0fx0j_q0L0B00~0Y0000000\^0}0D0k0Y00n0k0d0K0H0~0Y0The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedView0000000000o00000000L}0W0f0D0000000x0v0n0k0d0K0D0~0Y0Vibed i}Vh0o 9g,0~0g0nrz0W0_c/R0W0f0000000T+00g0D0~0Y0l_b00000nSN 0Y00nLED0o0i0n000000L000000K0y:0W0f0D0~0Y0The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewThe waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. l_b00000o0000000nc/RՕY[W0kO000RgraK0~0_0o000000n0000000kO0D0~0Y00000nSPt0n0000gl_b00xb0W0_0000kRgS0W0~0Y0'?' 0|0_00g00000K0l_b00000W0~0Y--gR0n128P 0n00000`0Q0L0000U00~0Y0 l_b00000nN-0k0K0Q0~0Y 'S'0000gl_b0^snS0W0~0Y0 'N' 0000gl_b00000000W0~0Y0The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView"0n0S0N0l0sW(0n000000gOu(&Use a saw-wave for current oscillator. vibedView 000l0sW(0n000000gOu('Use a sine-wave for current oscillator. vibedViewe_bl0sW(0n000000gOu()Use a square-wave for current oscillator. vibedViewN l0sW(0n000000gOu(+Use a triangle-wave for current oscillator. vibedView(0000[l_b0sW(0n000000gOu(3Use a user-defined waveform for current oscillator. vibedView&00000000sW(0n000000gOu('Use white-noise for current oscillator. vibedViewbVibed 0oP 0~0g0nrz0W0fc/R0W0f0D0000000000S0W0~0Y00'String'00000gsW(000000W0f0D0000000x0y0~0Y0'Imp' 00000g00000L0000000B000W0f00n0L000000nRgraK0h0W0f0D00n0Kx0v0S0h0L0g0M0~0Y0'Octavve' 00000g0i0nP 0g000000Lc/R0Y00n0K0Lx0y0~0Y0 0000gRgraK0~0_0o000000R0K0Y0h0M0k0d0K0F000000000000g0M0~0Y0 V 0d0~00g0000000000000'S'0d0~00g00000X0U 00000000 P'0d0~00g_0OOMn0 PU'0d0~00g20000000nOMn 'Pan' 0h0'Detune' 0nf0o0D00j0D0g0W00F00'Slap'0n0d0~00o0000000n0k0000Y\R0H0~0Y0 'length' 0d0~00o000000nw0U00000000W0~0Y l_b00000nSN 0Y00nLED0osW(0ni}Vh0g0i0n000000L000000j0n0Kh0W0f0D0~0Y0hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedView600000Y00h00000000000nh/y:^hy:0Rc6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/ja.ts0000644000000000000000000102004212307165142015037 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE デバイス CHANNELS チャンネル AudioFileProcessorView Open other sample 他のサンプルを開く Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. クリックすると、ほかのオーディオファイルをひらきます。ファイルを選べる場所にアイアログが表示されます。ループモード・開始点と終了点・倍率などの設定はリセットされません。オリジナルのサンプルとは異なる音になるかもしれません。 Reverse sample サンプル逆回転 If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. このボタンを有効にすれば、すべてのサンプルが逆回転されます。リバースドクラッシュというかっこいいエフェクトに使えます。 Loop sample at start- and end-point 開始点と終了点でサンプルをループ Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. どこからループモードが始まるかを指定します。ループモードが始まるとオーディオプロセッサーは、すべての音（ノート）が演奏されるまで、サンプルの開始点と終了点の間をループします。　ストリングやクワイヤーのサンプルなどに効果的です。 Amplify: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) このつまみで増幅率を調整できます。この値を100%にするとサンプルは変化しません。そうでないときは増幅率が上下します（実際のサンプルファイルそのままで）。 Startpoint: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. このつまみでオーディオファイルプロセッサががサンプル演奏を開始する場所をセットします。ループモードをONにしてる場合でひとつのノートがスタートポイントとエンドポイントの間のサンプルより長い場合、これで指定した位置がオーディオプロセッサが戻る点です。 Endpoint: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. このつまみでオーディオプロセッサがサンプル演奏をストップする位置を指定します。もしループモードがONの場合でひとつのノートが開始点と終了点のあいだのサンプルより長い場合、この位置はオーディオプロセッサが戻る位置です。 Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME クライアント名 CHANNELS チャンネル AudioOss::setupWidget DEVICE デバイス CHANNELS チャンネル AudioPortAudio::setupWidget BACKEND DEVICE デバイス AudioPulseAudio::setupWidget DEVICE デバイス CHANNELS チャンネル AudioSdl::setupWidget DEVICE デバイス AutomatableModel &Reset (%1%2) リセット(&R) (%1%2) &Copy value (%1%2) 値をコピー(&C) (%1%2) &Paste value (%1%2) 値をペースト(&P) (%1%2) Edit song-global automation 歌全体のオートメーションを編集 Connected to %1 %1 に接続済 Connected to controller コントローラに接続済 Edit connection... 接続を編集 Remove connection 接続を消去 Connect to controller... コントローラに接続 Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) 現在のパターンの再生/ポーズ (Space) Stop playing of current pattern (Space) 現在のパターンの演奏停止 (Space) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. クリックすると現在のパターンを演奏します。パターン編集中の演奏に便利です。終了位置にくるとパターンは自動的にループされます。 Click here if you want to stop playing of the current pattern. クリックすると現在のパターンの演奏を停止します。 Draw mode (Shift+D) ドローモード (shift+D) Erase mode (Shift+E) 消去 モード (shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. クリックするとドローモードをONにします。ドローモードではひとつの値を追加したり移動したりします。このモードがデフォルトで普段つかいます。 'Shift+D' をおしてもドローモードをONにできます。 Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. クリックすると消去モードをONにします。消去モードではひとつの値を消去できます。 'Shift+E' をおしても消去モードをONにできます。 Cut selected values (Ctrl+X) 選択した値をカット (Shift+M) Copy selected values (Ctrl+C) 選択した値をコピー (Ctrl+C) Paste values from clipboard (Ctrl+V) 値をクリップボードからペースト (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. クリックすると選択した値をクリップボードにカットします。その値はペーストボタンを押すと任意のパタンの任意の場所にペーストできます。 Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. クリックすると選択した値をクリップボードにコピーします。その値はペーストボタンを押すと任意のパタンの任意の場所にペーストできます。 Click here and the values from the clipboard will be pasted at the first visible measure. クリックするとクリップボードから値が最初の可視状態の小節にペーストされます。 Automation Editor - no pattern オートメーションエディタ - パターンなし Automation Editor - %1 オートメーションエディタ - %1 Please open an automation pattern with the context menu of a control! コントロールのコンテクストメニューでオートメーションパターンを選んでください Values copied 値はコピーされました All selected values were copied to the clipboard. 選択された値はすべてクリップボードにコピーされました Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> 実行中のドラッグコントロール<Ctrl> AutomationPatternView double-click to open this pattern in automation editor ダブルクリックでこのパターンをオートメーションエディタ中にひらきます Open in Automation editor オートメーションエディタ中に開く Clear クリア Reset name 名前をリセット Change name %1 Connections %1 個の接続 Disconnect "%1" "%1" を切断 AutomationTrack Automation track オートメーショントラック Controller Controller %1 コントローラ %1 ControllerConnectionDialog Connection Settings コントローラ設定 MIDI CONTROLLER MIDI コントローラ Input channel 入力チャンネル CHANNEL チャンネル Input controller インプット コントローラ CONTROLLER コントローラ Auto Detect 自動検出 MIDI-devices to receive MIDI-events from USER CONTROLLER ユーザ　コントローラ MAPPING FUNCTION マッピング関数 OK Cancel キャンセル LMMS Cycle Detected. サイクルは消去されました。 ControllerRackView Controller Rack コントローラ　ラック Add 追加 Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls コントロール Controllers are able to automate the value of a knob, slider, and other controls. コントローラーは　つまみやスライダーやその他のコントロールの値を自動化することができます。 Rename controller コントローラの改名 Enter the new name for this controller コントローラの新しい名前を入れてください &Remove this plugin このプラグインを除去(&R) &Help ヘルプ(&H) Effect Effect enabled エフェクト有効 Wet/Dry mix Gate Decay EffectChain Effects enabled エフェクト有効 EffectRackView EFFECTS CHAIN エフェクトチェイン Add effect エフェクト追加 EffectSelectDialog Add effect エフェクト追加 Plugin description EffectView Toggles the effect on or off. エフェクトの オン/オフ On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Wet/Dry つまみで　出力中の入力シグナルとエフェクトシグナルの割合をきめます。 DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. ディケイ　つまみは　いくつの無音バッファがプラグインがプロセスを終了するまえに渡されないといけないかを調整します。小さくするとCPUのオーバヘッドをへらせますが、ディレイとリバー部エフェクトの尻尾がクリッピングする危険があります。 GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. ゲートつまみはシグナルレベルをコントールします。このシグナルレベルはシグナル処理をいつ終了するか決定する際に無音と判断されるレベルです。 Controls コントロール Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. エフェクトプラグイン関数はいつつかのエフェクトのひと連なりです。シグナルは上から下に処理されます。 On/Off スイッチでいつでも指定したプラグインをパイパスすることができます. Wet/Dry　つまみで　エフェクトの出力中の入力シグナルとエフェクトシグナルのバランスをコントロールできます。 入力ステージは一つ前のステージからの出力です。なので連鎖の下の方のエフェクトの 'dry'シグナルはそれまでのエフェクトをすべて含んでいす。 Decay つまみで　ノートが終わったあとどれだけの時間シグナルを処理するかをきめます。与えられた時間内に与えられたしきい値以下に音量が落ちたときにエフェクトは処理を停止します。このつまみで”与えられた時間”をきめます。この時間を長くするとCPUを食います、すなわちた大抵のエフェクトについては Decayは小さくするべきです。ディレイのような長い時間の沈黙を生じるエフェクトの場合はDecayを増やす必要があります。 Gate のつまみで　エフェクトが自動停止するための”与えられたしきい値"を決めます。このノブで決めたレベル以下にシグナルレベルが落ちるととすぐに”与えられた時間”がはじまります。 コントロール　ボタンで　エフェクトのパラメタの編集ダイアログをひらきます。 右クリックするとコンテキストメニューが開きます。そこでエフェクトが実行される順番をかえたりエフェクトを完全に消去したりできます。 Move &up 上方移動(&u) Move &down 下方移動(&d) &Remove this plugin このプラグインを除去(&R) &Help ヘルプ(&H) EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. このつまみで現在のエンベロープのプレディレイを指定します。この時間を長くすると実際のエンベロープがスタートする前の時間が長くなります。 ATT Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. このつまみで現在のエンベロープのアタックタイムを指定します。この値を大きくするとエンベロープのアタックレベルを増やすのに長い時間が必要になります。 HOLD Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. このつまみで現在のエンベロープのホールドタイムを指定します。　この値を大きくするとエンベロープがサステインレベルへの減衰を始める前にアタックレベルををどれくらい保持する時間が長くなります。 DEC Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. このつまみで現在のエンベロープのディケイタイムを指定します。この値を大きくするとエンベロープがアタックレベルからサスティンレベルに減衰するのに必要な時間が長くなります。ピアノのような楽器には短い時間を選びます。 SUST Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. このつまみで現在のエンベロープのサスティンレベルを指定します。値を大きくするとエンベロー部がゼロになる前にとどまってるレベルが高くなります。 REL Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. このつまみで現在のエンベロープのリリースタイムを指定します。値を大きくするとサスティンレベルからゼロに減少するのに必要な時間が長くなります。ストリングのような楽器ではこの値を大きくしてください AMT Modulation amount: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. このつまみで現在のエンベロープのモジュレーション量を指定します。この値を大きくするとこのエンベロ部が影響する対応する値（音量とかコントロール周波数とか）が大きくなりまります。 LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. このつまみで現在のLFOのプレデイレイタイムを指定します。この値を大きくすると　LSFOがオシレートを始めるまでの時間が長くなります。 LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. このつまみで現在のLFOのアタックタイムを指定します。大きくするとLFOの振幅が最大になるまでにかかる時間が長くなります。 SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. このつまみで現在のLFOのスピードを指定します。値を大きくするとLFOのオシレートが早くなってエフェクトも早くなります。 Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. このつまみで現在のLFOのモジュレーション量を指定します。あたりを大きくするとLFOの影響をうける選んだ値（ボリウムとかカットオフ周波数とか）がおおきくなります。 Click here for a sine-wave. クリックでサイン波 Click here for a triangle-wave. Click here for a saw-wave for current. クリックでのこぎり波 Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. クリックでユーザー定義波形。あとで、対応するサンプルファイルをLFOグラフの上にドラッグしてください。 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. クリックでLFO周波数を１００倍 multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. クリックすると　エンベロープの量がこのLFOでコントロールされます。 control envelope-amount by this LFO ms/LFO: Hint ヒント Drag a sample from somewhere and drop it in this window. どっかからサンプルをドラッグしてきてこのウインドウにドロップしてください。 ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel キャンセル Export as loop (remove end silence) FxMixer Master マスタ FX %1 エフェクト %1 FxMixerView Rename FX channel エフェクトチャンネルの改名 Enter the new name for this FX channel このエフェクトチャンネルの新しい名前を入力 FX-Mixer エフェクトミキサー FX Fader %1 Mute ミュート Mute this FX channel このエフェクトチャンネルをミュート InstrumentFunctionArpeggio Arpeggio アルペジオ Arpeggio type アルペジオタイプ Arpeggio range アルペジオ速度 Arpeggio time アルペジオ時間 Arpeggio gate アルペジオゲート Arpeggio direction アルペジオ方向 Arpeggio mode アルペジオモード Up Down Up and down Random Free Sort Sync InstrumentFunctionArpeggioView ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. アルペジオは、（爪弾くタイプの楽器で）使われる演奏法です。アルベジオを使うと生き生きとした音楽になります。（ハープのような）楽器の弦は和音のように爪弾かれます。すべての音階を同時にならす和音とは違って、アルペジオでは弦を順々に鳴らします。代表的なアルペジオは長調か短調の３音です。もちろん、たくさんあるその他の可能な和音を選ぶこともできます。 RANGE Arpeggio range: octave(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. このつまみでオクターブ単位でアルペジオ範囲を選択します。選択されたアルペジオは指定したオクターブ数の範囲内で演奏されます。 TIME Arpeggio time: ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. このつまみでミリ秒単位でアルペジオ時間をセットします。アルペジオ時間には各々のアルペジオの音の長さを指定します。 GATE Arpeggio gate: % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. このつまみでアルペジオゲートを指定します。アルペジオゲートはアルペジオトーン全体の何パーセントを演奏するかです。これを使えばかっこいいスタッカートアルペジオを作れます。 Chord: Direction: Mode: InstrumentFunctionNoteStacking octave Major Majb5 minor minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Chord range Minor InstrumentFunctionNoteStackingView RANGE Chord range: octave(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. このつまみでコード範囲をオクターブで設定できます。指定したオクターブの範囲内で選択したコードが演奏されます。 STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT MIDIインプット有効化 CHANNEL チャンネル VELOCITY ベロシティ ENABLE MIDI OUTPUT MIDIアウトプット有効 PROGRAM プログラム MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME ボリウム Volume ボリウム CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Q/Resonance LowPass HiPass BandPass csg BandPass czpg Notch Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! これらのタブにはエンペロープが含まれてます。エンベロープは音を変更するの大変重要です。エンベロープはサブストラクティブな合成をするときはほとんどいつも必要です。たとえばボリウムエンベロープの場合、音が決まった音量になる時間をセットできます。ソフトストリングを作りたいならフェードインフェードアウトを非常にソフトにする必要があります。それはアタックタイムとリリースタイムを長くすることで実現できます。パンニング、フィルターのカットオフ周波数といったほかのエンベロープを制御できるものについても事情はいっしょです。これでちょっと遊んでみてください!　のこぎり歯にいくつかのエンベロープを使うだけで実にクールなサウンドを作ることこできます。 FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. ここで、このインスツルメントトラックでつかいたいビルトインフィルターを選びます。音の特性をかえるのにフィルターはとても重要です。 Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... このノブで選択したフィルターのカットオフ周波数をセットします。カットオフ周波数はフィルターがシグナルをカットする周波数をきめます。たとえばローパスフィルターはカットオフ周波数以上のすべての周波数をカットします。ハイパスフィルターはカットオフ周波数以下のすべての周波数をカットします。たのフィルターでも同様です。 RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. このつまみで、選択したフィルターの Q/レゾナンスをセットします。　Q/レゾナンスにはカットオフ周波数付近でどれくらい周波数を増幅させるかを指定します。 FREQ cutoff frequency: InstrumentTrack unnamed_track Volume ボリウム Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. このつまみで　開いたチャンネルの音量をセットします。 Base note ベース　ノート Pitch range InstrumentTrackView Volume ボリウム Volume: VOL Panning Panning: PAN MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. くりっくすると、プリセットファイルに現在のチャンネルセッティングをセーブできます。後からプリセットブラウザ中でこのプリセットをダブルクリックするとこのプリセットをロードできます。 Instrument volume Volume: VOL Panning Panning: PAN Pitch Pitch: cents PITCH FX channel ENV/LFO FUNC FX MIDI Save preset XML preset file (*.xpf) PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. 不明なLADSPA プラグイン %1 LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD LFO-speed: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. このつまみでLFOのスピードをセットします。この値を大きくするとLFOのオシレートが早くなってエフェクトが早くなります。 AMT Modulation amount: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. このつまみで　LFOのモジュレーション量をセットします。　この値を大きくすると　接続されたコントロール（ボリウムやカットオフ周波数等）がよりいっそうLFOに影響されるようになります。 PHS Phase offset: degrees With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. このつまみで LFO のフェイズオフセットをセットします。フェイズオフセットはオシレータがオシレートを始める場所動かすことができます。たとえばサイン波でフェイズオフセットが１８０度なら波は減少からはじめまります。方形波でも同じことです。 Click here for a sine-wave. クリックでサイン波 Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. クリックで　moog のこぎり波 Click here for an exponential wave. クリックで指数波形 Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory 作業ディレクトリ The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. LMMSの作業ディレクトリ %1 は存在しません。　今作成しますか？　編集->セッティング でこのディレクトリを変更できます Could not save config-file 設定ファイルをセーブできません Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. 設定ファイル %1 をセーブできません。　多分　ファイルへの書き込み許可がありません。 このファイルの書き込み許可ががあることを確認して再度書き込んでください。 &Project プロジェクト(&P) &New 新規(&N) &Open... 開く(&O) Recently opened projects 最近開いたプロジェクト &Save セーブ(&S) Save &As... 別名セーブ(&A) Import... インポート E&xport... エクスポート(&x) &Quit 終了(&Q) &Edit 編集(&E) Settings セッティング &Tools ツール(&T) &Help ヘルプ(&H) Online help オンラインヘルプ Help ヘルプ What's this? これは何？ About Create new project 新規プロジェクト作成 Create new project from template テンプレートから新規プロジェクト作成 Open existing project 既存プロジェクトを開く Recently opened project 最近開いたプロジェクト Save current project 現在のプロジェクトをセーブ Export current project 現在のプロジェクトをエクスポート Show/hide Song-Editor ソングエディタ 表示/非表示 By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. このボタンを押すと。ソングエディタ表示/非表示にできます。ソングエディタの利用によってプレイリストの編集とどのトラックをいつ演奏するかを編集できます。プレイリストの中で直接サンプルを挿入したり移動（rap samples)したりすることもできます。 Show/hide Beat+Bassline Editor ビート+ ベースラインエディタ　表示/非表示 By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. このボタンで、ビート＋ベースラインエディタの表示/非表示を切り替えます。ビート＋ベースラインエディタで、ビートをつくったり、チャンネルを開いたり足したり除去したり、ベースラインパターンをカット・コピー・ペーストしたり、いろいろできます。 Show/hide Piano-Roll ピアノロール 表示/非表示 Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. ここをクリックして　ピアノロールの表示/非表示を切り替えます。　ピアノロールを使うとメロディを簡単に編集できます。 Show/hide Automation Editor オートメーションエディタ　表示/非表示 Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. ここをクリックして　オートメーションエディタの表示/非表示を切り替えます。オートメーションエディタでダイナミックな値を簡単に編集できます。 Show/hide FX Mixer エフェクトミキサー　表示/非表示 Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. ここをクリックして　エフェクトミキサーの表示/非表示を切り替えます。エフェクトミキサーは曲のエフェクトを管理するパワフルなツールです。エフェクトを異なったエフェクトチャンネルに挿入することができます。 Show/hide project notes プロジェクトノート　表示/非表示 Click here to show or hide the project notes window. In this window you can put down your project notes. ここをクリックして　ノートウインドウの表示非表示を切り替えます。ノートウインドウにプロジェクトノートを記入します。 Show/hide controller rack コントローラトラック　表示/非表示 Untitled LMMS %1 Project not saved プロジェクトは未セーブです The current project was modified since last saving. Do you want to save it now? 現在のプロジェクトは最後セーブしてから変更されています。今セーブしますか？ Open project プロジェクトを開く Save project プロジェクトを保存 Help not available ヘルプはありません Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. 今のところ LMMSの中にヘルプはありません。 http://lmms.sf.net/wiki に　LMMSのドキュメントがあります。 My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE デバイス MidiAlsaSeq::setupWidget DEVICE デバイス MidiController MIDI Controller MIDI　コントローラ unnamed_midi_controller 名なし_MIDI_コントローラ MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE デバイス MidiPort Input channel 入力チャンネル Output channel 出力チャンネル Input controller インプット コントローラ Output controller アウトプット コントローラ Fixed input velocity 入力ベロシティ固定 Fixed output velocity 出力ベロシティ固定 Output MIDI program 出力 MIDI プログラム Receive MIDI-events MIDI イベントを受信 Send MIDI-events MIDI イベントを送信 Fixed output note OscillatorObject Osc %1 volume Osc %1 panning Osc %1 coarse detuning Osc %1 fine detuning left Osc %1 fine detuning right Osc %1 phase-offset Osc %1 stereo phase-detuning Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch ほかのパッチを開く Click here to open another patch-file. Loop and Tune settings are not reset. ここをクリックして　ほかのパッチファイルを開きます。ループとチューンの設定はリセットされません。 Loop ループ Loop mode ループモード Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. ここでループモードをON/OFfします。ループモードONなら、PatManはファイル中にあるループ情報をを使います。 Tune チューン Tune mode チューンモード Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. ここでチューンモードをON/OFFします。チューンモードONなら、PatMan はノートの周波数にあうようにサンプルをチューンします。 No file selected ファイルが選択されてません Open patch file パッチファイルを開く Patch-Files (*.pat) パッチファイル (*.pat) PeakController Peak Controller ピーク コントローラ Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Attack: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note ベース　ノート Plugin Plugin not found プラグインが見つかりません The plugin "%1" wasn't found or could not be loaded! Reason: "%2" プラグイン "%1" は見つからないかロードできません。 原因は "%2"です。 Error while loading plugin プラグインロード中のエラー Failed to load plugin "%1"! プラグイン "%1" のロードに失敗！ ProjectRenderer WAV-File (*.wav) WAV-ファイル (*.wav) Compressed OGG-File (*.ogg) 圧縮 OGG-ファイル (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: 名前 Maker: 製造元 Copyright: コピーライト Requires Real Time: リアルタイムが必要: Yes はい No いいえ Real Time Capable: リアルタイム可能: In Place Broken: Channels In: 入力チャンネル Channels Out: 出力チャンネル File: ファイル SampleBuffer Open audio file All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) OGG-Files (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) AIFF-Files (*.aif *.aiff) AU-Files (*.au) RAW-Files (*.raw) SampleTCOView double-click to select sample ダブルクリックでサンプル選択 Delete (middle mousebutton) Cut カット Copy コピー Paste ペースト Mute/unmute (<Ctrl> + middle click) Set/clear record 録音をセット/クリア SampleTrack Sample track Sample track Volume ボリウム SampleTrackView Track volume トラック　ボリウム Channel volume: チャンネルボリウム VOL TempoSyncKnob Tempo Sync テンポ同期 No Sync 非同期 Eight beats エイトビート Whole note 全音符 Half note 二分音符 Quarter note 四分音符 8th note 八分音符 16th note 十六分音符 32nd note 三十二分音符 Custom... カスタム &Help ヘルプ(&H) Custom カスタム Synced to Eight Beats エイトビートに同期 Synced to Whole Note 全音符に同期 Synced to Half Note 二分音符に同期 Synced to Quarter Note 四分音符に同期 Synced to 8th Note 八分音符に同期 Synced to 16th Note 十六分音符に同期 Synced to 32nd Note 三十二分音符に同期 TimeDisplayWidget click to change time units TrackContainer Couldn't import file ファイルをインポートできません Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. ファイル %1をインポート中フィルターが見つかりませんでした。 ほかのソフトウェアで、このファイルをLMMSでサポートしてるフォーマットに変換してください。 Couldn't open file ファイルをオープンできません。 Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! ファイル %1 を読み込み用にオープンできません。 ファイルとファイルの入ってるディレクトリが読み込み可能かチェックしてもう一度読み込んでください。 Loading project... プロジェクトロード中 Cancel キャンセル Please wait... お待ちください... Importing MIDI-file... MIDI-ファイルをインポート中... Importing FLP-file... FLP-ファイルをインポート中... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Osc %1 panning: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Osc %1 coarse detuning: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Osc %1 fine detuning left: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 fine detuning right: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 phase-offset: degrees With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. サイン波を現在のオシレータで使用 Use a triangle-wave for current oscillator. 三角波を現在のオシレータで使用 Use a saw-wave for current oscillator. のこぎり波を現在のオシレータで使用 Use a square-wave for current oscillator. 方形波を現在のオシレータで使用 Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. ホワイトノイズを現在のオシレータで使用 Use a user-defined waveform for current oscillator. ユーザー定義波形を現在のオシレータで使用 Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin ほかの VST-プラグインをオープン Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. ほかの VST-プラグインをオープンしたいならクリック。このボタンをクリックするとファイルオープンダイアログが現れてファイルを選べます。 Show/hide GUI GUIの表示/非表示 Click here to show or hide the graphical user interface (GUI) of your VST-plugin. ここをクリックすると　VST-プラグインのグラフィカルユーザーインターフェース（GUI)が表示されたり非表示になったりします。 Turn off all notes すべてのノートをオフにします。 Open VST-plugin VST-プラグインを開く DLL-files (*.dll) DLL-ファイル (*.dll) EXE-files (*.exe) EXE-ファイル (*.exe) No VST-plugin loaded VST-pluginはロードされてません Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin プラグインをロード中 Please wait while loading VST-plugin... VST-プラグインをロードする間お待ちください Failed loading VST-plugin VST-プラグインのロード失敗 The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VST-plugin %1　がいくつかの理由でロードできませんでした。 もしそのVSTがLinuxのほかのVST-ソフトウェアで動くなら LMMS の開発者に連絡してください。 Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify 倍率 Start of sample サンプル開始 End of sample サンプル終了 Reverse sample サンプル逆回転 Loop ループ Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Beat+Bassline Editor ビート＋ベースライン　エディタ Play/pause current beat/bassline (Space) 現在の beat/bassline を 再生/ポーズ (Space) Add beat/bassline beat/bassline を追加 Add automation-track オートメーショントラックを追加 Stop playback of current beat/bassline (Space) beat/bassline の再生を停止 (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. クリックすると現在の beat/bassline を演奏します。　beat/bassline　は終了位置にくると自動的にループされます。 Click here to stop playing of current beat/bassline. クリックすると現在の beat/bassline の演奏を停止します。 Remove steps ステップ除去 Add steps ステップ追加 bbTCOView Open in Beat+Bassline-Editor ビート+ベースライン-エディタを開く Reset name 名前をリセット Change name 名前を変更 Change color 色を変更 bbTrack Beat/Bassline %1 beat/bassline %1 Clone of %1 bitInvader Samplelength サンプルの長さ bitInvaderView Sample Length Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. クリックすると波形を平滑化します Interpolation Normalize Draw your own waveform here by dragging your mouse on this graph. グラフの上でマウスドラッグしてここに波形を描きます Click for a sine-wave. クリックするとサイン波 Click here for a triangle-wave. クリックすると三角波 Click here for a saw-wave. クリックするとのこぎり波 Click here for a square-wave. クリックすると方形波 Click here for white-noise. クリックするとホワイトノイズ Click here for a user-defined shape. クリックするとユーザー波形 exportProjectDialog Could not open file ファイルをオープンできません Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! ファイル %1 を書き込み用にオープンできません。 このファイルとファイルを含むディレクトリの書き込み権限があるかを確認して再度書き込んでください。 Error エラー Error while determining file-encoder device. Please try to choose a different output format. ファイルエンコーダデバイスを決定する際のエラー。異なる出力フォーマットを選んでください。 Rendering: %1% レンダリング: %1% Export project to %1 プロジェクトを %1 にエクスポート fader Please enter a new value between %1 and %2: %1 と %2 の間の新しい値を入力してください: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph グラフ kickerInstrument Start frequency End frequency Decay Distortion 説明 Gain kickerInstrumentView Start frequency: End frequency: Decay: Distortion: Gain: knob &Help ヘルプ(&H) Please enter a new value between -96.0 dBV and 6.0 dBV: -96.0 dBV と 6.0 dBV　の間の新しい値を入力してください: Please enter a new value between %1 and %2: %1 と %2 の間の新しい値を入力してください: ladspaBrowserView Available Effects 利用可能エフェクト Unavailable Effects 利用不可エフェクト Instruments 楽器 Analysis Tools 解析ツール Don't know 不明なツール This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. このダイアログはLMMSでつかえるすべてのLADSPAプラグインの情報を表示します。プラグインはポートタイプと名前によって５つのカテゴリにわけてあります。 表示されるエフェクトはLMMEで利用可能なものです。あるエフェクトがLMMSで利用可能であるためには、まず第一にエフェクトであることつまり入力チャンネルと出力チャンネルを持ってないといけません。LMMSは名前に 'in' が含まれるオーディオレートポートを入力チャンネルと認識します。出力ポートとして認識するのは 'out'　が含まれるものです。さらにエフェクトの入力と出力の数が同じでリアルタイムの動作が可能である必要があります。 楽器プラグインは出力チャンネルしかないものです。 解析ツールは入力チャンネルしかないものです。 不明なツールは入力チャンネルも出力チャンネルもみつからなかたものです プラグインをダブルクリックするとポートの情報が表示されます。 Type: タイプ ladspaDescription Plugins Description 説明 ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes はい lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion 説明 Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. クリックでのこぎり波 Triangle wave Click here for a triangle-wave. クリックで三角波 Square wave Click here for a square-wave. クリックで方形波 Rounded square wave Click here for a square-wave with a rounded end. クリックで尻尾がまるまった方形波 Moog wave Click here for a moog-like wave. クリックで Moog みたいな波形 Sine wave Click for a sine-wave. クリックでサイン波 White noise wave Click here for an exponential wave. クリックで指数波形 Click here for white-noise. クリックでホワイトノイズ lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion 説明 Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Stk-インストールが完全でないようです。　Stk-パッケージがすべてインストールされてることを確認してください malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help ヘルプ(&H) opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion 説明 Volume ボリウム organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: Osc %1 panning: Osc %1 fine detuning left: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern パターンをフリーズできません The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! プレイモードになってるのでパターンは現在フリーズできません。プレイモードを停止して再試行してください。 patternFreezeStatusDialog Freezing pattern... フリーズ中のパターン Cancel キャンセル patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step ダプルクリックでこのパターンをピアノロールに開きます。 マウスホイールでステップのボリウムをセットします。 Open in piano-roll ピアノロールを開く Clear all notes すべてのノートをクリア Reset name 名前をリセット Change name 名前変更 Refreeze 再フリーズ Freeze フリーズ Unfreeze フリーズ解除 Add steps ステップ追加 Remove steps ステップ除去 PianoRoll Play/pause current pattern (Space) 現在のパターンの再生/ポーズ (Space) Stop playing of current pattern (Space) 現在のパターンの演奏停止 (Space) Cut selected notes (Ctrl+X) 選択ノートの切り取り (Ctrl+X) Copy selected notes (Ctrl+C) 選択ノートのコピー (Ctrl+C) Paste notes from clipboard (Ctrl+V) クリップボードからノートをペースト (Ctrl+V) Piano-Roll - no pattern ピアノロール - パターンなし Piano-Roll - %1 ピアノロール - %1 Please open a pattern by double-clicking on it! ”パターン”！の上でダブルクリックして”パターン”を開いてください Record notes from MIDI-device/channel-piano MIDI-デバイス/チャンネル-ピアノからノートを録音 Record notes from MIDI-device/channel-piano while playing song or BB track 曲やBBトラックを再生中に　MIDI-デバイス/チャンネル-ピアノからノートを録音 Draw mode (Shift+D) ドローモード (shift+D) Erase mode (Shift+E) 消去 モード (shift+E) Select mode (Shift+S) 選択モード (Shift+S) Last note 最後のノート Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. クリックすると現在のパターンを再生。これはパターン編集中に便利。パターンの最後で自動的にループします。 Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. クリックすると　MIDIデバイスまたは対応するチャンネルウインドウのバーチャルテストピアノからのノートを現在のパターンに録音します。録音の際再生したすべてのノートは現在のパターンに書き込まれます。書き込まれたノートは後から再生/編集できます。 Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. クリックすると　MIDIデバイスまたは対応するチャンネルウインドウのバーチャルテストピアノからのノートを現在のパターンに録音します。録音の際再生したすべてのノートは現在のパターンに書き込まれます。曲またはBBトラックがバックグラウンドで演奏されます。 Click here to stop playback of current pattern. クリックすると 現在のパターンのプレイバックを停止します。 Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. クリックすると選択しているノートがクリップボードにカットされます。ペーストボタンを押すと任意のパターンのどこにでもカットしたノートをペーストできます。 Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. クリックすると選択しているノートがクリップボードにコピーされます。ペーストボタンを押すと任意のパターンのどこにでもコピーしたノートをペーストできます。 Click here and the notes from the clipboard will be pasted at the first visible measure. クリックするとクリップボードの中のノートが最初の表示されてる小節にペーストされます。 Note lock ノート　ロック Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description 記述なし Instrument plugins 楽器プラグイン Incomplete monophonic imitation tb303 tb303の不完全なモノフォニックイミテーション Plugin for freely manipulating stereo output ステレオ出力を自由にいじるプラグイン Plugin for controlling knobs with sound peaks サウンドのピークでつまみをコントロールするプラグイン Plugin for enhancing stereo separation of a stereo input file ステレオ入力ファイルのセパレーションを強調するプラグイン List installed LADSPA plugins インストールされてる LADSPA プラグインのリスト three powerful oscillators you can modulate in several ways いくつかの方法でモジュレートできるフリーでパワフルなオシレータ群 Filter for importing FL Studio projects into LMMS FL Studio のプロジェクトをLMMSにインポートするフィルター versatile kick- & bassdrum-synthesizer versatile キックとバスドラムのシンセサイザー GUS-compatible patch instrument GUS互換パッチの楽器 plugin for using arbitrary VST-effects inside LMMS. 任意のVSTエフェクトをLMMSの中で使うためのプラグイン Additive Synthesizer for organ-like sounds オルガンみたいなサウンドのための付加的シンセサイザー plugin for boosting bass バスをブースとするプラグイン Tuneful things to bang on どんどんたたく音楽的な音をだすもの simple sampler with various settings for using samples (e.g. drums) in an instrument-track 楽器トラックでサンプル（ドラムとか）を使うためのいろいろ設定できる単純なサンプラ VST-host for using VST(i)-plugins within LMMS VST(i)プラグインをLMMSでつかうためのVSTホスト Vibrating string modeler バイブレーティングストリングモジュレータ plugin for using arbitrary LADSPA-effects inside LMMS. 任意のLADSPAエフェクトをLMMSで使うためのプラグイン Filter for importing MIDI-files into LMMS MIDIファイルをLMMSにインポートするためのフィルタ Instrument browser 楽器ブラウザ Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. 楽器を　ソングエディタまたはビート＋ベースラインエディタまたは存在する楽器トラックにドラッグできます。 Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. MOS6581 and MOS8580 SIDのエミュレーション。 このチップはコモドール64コンピュータで採用されていた。 Player for SoundFont files サウンドフォントファイルのプレイヤー Emulation of GameBoy (TM) APU GameBoy (TM) APUのエミュレーション Customizable wavetable synthesizer カストマイズ可能なウエーブテーブルシンセサイザー Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes プロジェクトノート Put down your project notes here. Edit Actions &Undo Ctrl+Z &Redo Ctrl+Y &Copy Ctrl+C Cu&t Ctrl+X &Paste Ctrl+V Format Actions &Bold Ctrl+B &Italic Ctrl+I &Underline Ctrl+U &Left Ctrl+L C&enter Ctrl+E &Right Ctrl+R &Justify Ctrl+J &Color... renameDialog Rename... リネーム setupDialog Setup LMMS LMMS設定 General settings 設定を生成 BUFFER SIZE バッファサイズ Reset to default-value デフォルト値にリセット MISC その他 Enable tooltips ツールチップ ON Show restart warning after changing settings 設定変更後　"リスタート警告"　を表示 Display volume as dBV ボリウムを dBV で表示 Compress project files per default プロジェクトファイルの圧縮をデフォルトに HQ-mode for output audio-device 出力オーディオデバイスを HQ-モードに LMMS working directory LMMSの作業ディレクトリー VST-plugin directory VST-プラグインディレクトリ Artwork directory アートワークのディレクトリ FL Studio installation directory FL Studio のディレクトリ STK rawwave directory STK rawwave　のディレクトリ Performance settings パフォーマンス設定 UI effects vs. performance UIエフェクト vs. パフォーマンス Audio settings 自動セッティング AUDIO INTERFACE オーディオインターフェース MIDI settings MIDI 設定 MIDI INTERFACE MIDI インターフェース OK Cancel キャンセル Restart LMMS LMMS　再起動 Please note that most changes won't take effect until you restart LMMS! LMMS を再起動するまで　たいていの変更は有効になりません Frames: %1 Latency: %2 ms フレーム: %1レイテンシイ: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. ここで LMMS で使用する内部バッファサイズを指定します。値が小さいとレイテンシーが小さくなりますが小さすぎると古いコンピュータやリアルタイムカーネルじゃないシステムではひどい音やパフォーマンスの低下をひきおこします。 Choose LMMS working directory LMMSの作業ディレクトリを選びます Choose your VST-plugin directory VSTプラグインディレクトリを選びます Choose artwork-theme directory アートワークテーマディレクトリを選びます Choose FL Studio installation directory FL Studioのディレクトリを選びます Choose LADSPA plugin directory LADSPAプラグインのディレクトリを選びます Choose STK rawwave directory STK rawwave のディレクトリを選びます Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. ここで　優先するオーディオインターフェースを選びます。コンパイル時のシステム設定によってALSA,JACK, OSS 等が選べます。下に選択したオーディオインターフェースのコントロール用のボックスがあります。 Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. ここで MIDI インターフェースを選びます　コンパイル時のシステム設定によって　ALSA　OSS　等がえらべます。選択した　MIDI インターフェースをのコントール設定の欄が下にあります。 Paths パス LADSPA plugin paths LADSAPA　プラグインパス Default Soundfont File デフォルト サウンドフォントファイル Background artwork 背景用アートワーク Choose default SoundFont デフォルトサウンドフォントを選びます Choose background artwork 背景用アートワークを選びます One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. このボタンでリバー部エフェクトをON。　かっこいいエフェクトに有効。　しかしリバーブをサポートしたファイルにしか効かない。 Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. このぼたんでコーラスエフェクトをON。かっこいいエコーエフェクトに有効。しかしコーラスをサポートしたファイルにしか効かない。 Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Voice 3 off Volume ボリウム Chip model sidInstrumentView Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. アタック速度は出力ボイス %!1 がゼロからピーク振幅にどれだけ早く大きくなるからを決めます。 Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. ディケイ速度は出力がピーク振幅からサスティンレベルまでどれだけ早く小さくなるかを決めます。 Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. 出力ボイス %1 はノートが保持されてる間、選ばれたサスティン振幅を保持します。 Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. 出力ボイス %1 は　選択されたリリースレートで指定した大きさでサスティンレベルからゼロに小さくなります。 Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. パルス幅解像度は　明らかなステップを生じることなくスムーズにスイープ可能な幅を与えます。オシレータ %1 のパルス波形は聞き取れる効果を持つように選択されなければなれません。 Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Coarseデチューンで　ボイス %1 を１オクターブ上下にデチューンできます。 Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Sync ”Hard Sync"エフェクトを生じながらオシレータ %1 の基本周波数を オシレータ %2 の基本周波数に同期します。 Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Ring-mod　オシレーター %1 の出力の三角形の波形を　オシレータ %1 と %2のリングモジュレートされてた組み合わせに置き換えます。 Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. FilteredがONなら　ボイス %1 はフィルターを通って処理されます。　Filteredがオフなら　ボイス $1 は直接出力におくられてフィルターは出力に適用されません。 Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Test オシレータ %1 を　セット・リセット・ロックしたとき　Test が停止されるまでの間　ゼロです。 song Tempo テンポ Master volume マスターボリウム Master pitch マスターピッチ Project saved プロジェクトを保存しました The project %1 is now saved. プロジェクト %1 をセーブしました Project NOT saved. プロジェクトはセーブされてません The project %1 was not saved! プロジェクト %1 はセーブされてません Import file インポートファイル untitled Select file for project-export... プロジェクト-エクスポートするファイルを選んでください Empty project 空プロジェクト This project is empty so exporting makes no sense. Please put some items into Song Editor first! プロジェクトは空ですエキスポートは無駄です。ソングエディタにアイテムを置いてからエクスポートしてください。 MIDI sequences MIDI シーケンス FL Studio projects FL Studio プロジェクト All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor ソングエディタ Play song (Space) ソング再生 (Space) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. クリックすると曲全体を演奏します。ソングポジションマーカー（緑色）の位置から再生開始します。再生中にマーカーを移動さすこともできます。 Stop song (Space) ソング停止 (Space) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. クリックすると　曲の再生を停止します。　再生後ソングポジションマーカーは曲の最初にセットされます。 Add beat/bassline beat/bassline 追加 Add sample-track sample-track 追加 Could not open file ファイルをオープンできません Could not write file ファイルに書き込めません Add automation-track automation-track　追加 Draw mode ドローモード Edit mode (select and move) 編集モード　(選択等） Record samples from Audio-device オーディオデバイスからサンプルを録音 Record samples from Audio-device while playing song or BB track ソングまたはBBトラックを再生中にオーディオデバイスからサンプルを録音 Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo テンポ TEMPO/BPM テンポ/BPM tempo of song 曲のテンポ The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). 曲のテンポは分毎のビート数(BPM)で指定します。曲のテンポを変更する場合はこの値を変更してください。各小節は４つのビートをもちますから、BPMであらわされるテンポは　一分間に　いくつの小節（テンポ/4) が演奏される(あるいは４分間にいくつの小節が演奏されるか）かをきめます。 High quality mode ハイクオリティモード Master volume マスターボリウム master volume マスターボリウム Master pitch マスターピッチ master pitch マスター ピッチ Value: %1% ボリウム %1% Value: %1 semitones ボリウム %1 半音 Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling オートスクロールの ON/OFF Enable/disable loop-points ループポイントの ON/OFF After stopping go back to begin 終了後　開始位置にもどる After stopping go back to position at which playing was started 終了後　再生が開始された位置にもどる After stopping keep position 終了後　その位置のまま Hint ヒント Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted ミュート Solo ソロ trackContentObject Muted ミュート trackContentObjectView Current position 現在位置 Hint ヒント Press <Ctrl> and drag to make a copy. コピーするには<Ctl>＋ドラッグをしてください。 Current length 現在の長さ Press <Ctrl> for free resizing. フリーズ解除には<Ctrl>を押してください。 %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) 消去（マウス中ボタン） Cut カット Copy コピー Paste ペースト Mute/unmute (<Ctrl> + middle click) ミュート/ミュート解除(<Ctrl> + 中ボタンクリック） trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. 移動グリップをクリック中に <Ctl >を押せば　新しいドラッグ＆ドロップアクションを始められます。 Actions for this track このトラックのアクション Mute ミュート Mute this track このトラックをミュート Solo ソロ Clone this track トラックを複製 Remove this track トラックを消去 vestigeInstrument Loading plugin プラグインをロード中 Please wait while loading VST-plugin... VST-プラグインをロードする間お待ちください Failed loading VST-plugin VST-プラグインのロード失敗 The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VST-plugin %1　がいくつかの理由でロードできませんでした。 もしそのVSTがLinuxのほかのVST-ソフトウェアで動くなら LMMS の開発者に連絡してください。 vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: The 'V' knob sets the volume of the selected string. V つまみで選択したストリングのボリウムをセットします。 String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. S つまみで選択したストリングのスチフネス（堅さ）をセットします。　ストリングのスチフネスはストリングがどれだけ長くなり響くかに影響します。値をちいさくするとストリングは長く鳴り響きます。 Pick position: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. P つまみでストリングがピッキングされる位置をセットします。値が小さいほどブリッジに近いところがピッキングされます。 Pickup position: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. PUつまみで選択したストリングのどの位置で振動をモニターするかをセットします。　小さい値ほどブリッジとピックアップの位置がちかいことになります。 Pan: The Pan knob determines the location of the selected string in the stereo field. Pan つまみはステレオ音場中の選択したストリングの位置を指定します。 Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Detune つまみは選択したストリングのピッチを変更します。ゼロより小さい値を設定するとフラットになります。ゼロより大きい値を指定するとシャープになります。 Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Slapつまみは選択されたストリングに少しだけファズを加えます。アタック期間にもっとも明確な影響があります。ストリングを金属ぽい音にするのにつかえます。 Length: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Length つまみで選択されたストリングの長さをセットします。より長いストリングは、より長い間鳴って、より明るく聞こえるでしょう、しかし、よりCPUサイクルを食います。 Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Imp セレクタは　グラフの波形がピッキングによってストリングに与えられるインパルスとして扱われるかストリングの初期状態として扱われるかをきめます。 Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. オクターブセレクタはストリングでノートのどの倍音が鳴るかをを選べます。'-2'は基音のしたオクターブまで鳴ることを意味します。'F'はストリングが基音で鳴ることを意味します。'6'はストリングが基本から６オクターブの間でなることを意味します。 Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. 波形エディタは、ストリングの振動開始字に使われる初期状態またはインパルスのコントロールに使います。グラフの右側のボタンで波形をを選択したタイプに初期化します。'?' ぼたんでファイルから波形をロードします--最初の128個のサンプルだけがロードされます。 波形をグラフの中にかけます 'S'ボタンで波形を平滑化します。 'N' ボタンで波形をノーマライズします。 Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed は７個までの独立して振動しているストリングをモデル化します。　'String'セレクタで現在エディットしているストリングを選べます。'Imp' セレクタで　グラフがインパルスをあらわしてるのがストリングの初期状態を表しているのか選ぶことができます。'Octavve' セレクタでどの倍音でストリングが振動するのかが選べます。 グラフで初期状態またはストリングを動かすときにつかうインパルスをコントールできます。 ’V’つまみでボリュームをコントロール　'S'つまみでスチフネス（堅さ）をコントロール　’P'つまみで引く位置　’PU'つまみで録音ピックアップの位置 'Pan' と　'Detune' の説明はいらないでしょう。　'Slap'のつまみは　ストリングの音にファズを多少加えます。 'length' つまみはストリングの長さをコントロールします 波形エディタの右下すみのLEDは現在の楽器でどのストリングがアクティブなのか表しています。 Enable waveform Click here to enable/disable waveform. クリックすると　波形の有効/無効の切換 String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. ストリングセレクタはコントローラーが編集しているストリングを選ぶのにつかいます。Vibed 楽器は 9本までの独立した振動してるストリングを含んでいます。波形エディタの右下すみのLEDはどのストリングがアクティブかを示しています。 Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. クリックすると波形をスムーズ化 Normalize Click here to normalize waveform. クリックすると波形をノーマライズ &Help ヘルプ(&H) Use a sine-wave for current oscillator. サイン波を現在のオシレータで使用 Use a triangle-wave for current oscillator. 三角波を現在のオシレータで使用 Use a saw-wave for current oscillator. のこぎり波を現在のオシレータで使用 Use a square-wave for current oscillator. 方形波を現在のオシレータで使用 Use white-noise for current oscillator. ホワイトノイズを現在のオシレータで使用 Use a user-defined waveform for current oscillator. ユーザー定義波形を現在のオシレータで使用 visualizationWidget click to enable/disable visualization of master-output クリックするとマスターアウトプットの表/示非表示　切換 Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/ko.qm0000644000000000000000000022600511517317720015056 0ustar 00000000000000[/NM~+K+ۀunh"R0/VS32a7"57o9}ǥ9>; |@1xH@۴2^CFzh_JrlJxMUTueOXwOXߢV]Z;rZ;yC`1x p>w80~o>qutɄyʭiH7(yծhY 8Xu8<lZ ߺoRoa;CBA N|ÓD/h \8Joa3w  5(^Gr(^A)u,´5.4x4N[: (DRobbtr%9tDOxż9%AcCwGuGmGG?e(?m)@)6))&f3-9>Q>>'ѻt>g~32sUslXs DuI 2Q 78J8:)@bHH>OXP~RP~Sk]] ^lu xx>z|Z~}"Ő>rĩjR$V#yB.P>N|t&#M~ WOϯѫU6~Nք3 J왞O%չ^3$Y YWe 02&(=)e 10619F':^<<ek<<n%J-KNM$}Mк|PJ**PJPPJfQq.GQq.` ``%ب`%g5@Yh75jzt-kJzArJ{wTlwkqw3xYZ$yTcyTl{ 9*RdhuFu_uu uEu8u8u9({چIIIrI Ii+qy%Ls6]  }WioBu6xFˤ(ͥ2)2:t(>]5غؽ`_AV uU uݞ @ AT:Ύ^$0-U15DF^sF^zH8>Q%mZaaEpa*afhnh93 :h; yll!)lb-vA }o.;zAjAoK]+*ĴĖFLwj;LjyvNdfTfZz{uttlt{Gt[t8%%3m!Z;(EUwZ<5<5 <5""<5}<5<5sP(ߺD}vljUZC_NM^ IEDE~EB iE'xD#ECA.+pZ1^6{@wC*LC*jC*p/C*wGkN90Q)FWjWd[[ll,6mB;rgSzG'P >P!P%i"#0$FiB .s.zr5q5wh>277L 7)2W~"Ru241ޔr4Tti5>rt &rg Ů \D)d\)mhYb!E&E' )d' )m5n8};;i;`-ZkIUIZ[t3#\X..ZajchJV̪iAN0sm./o ,oj>22kdy)219#*S 6 i: Uٚ$ϞQ-I-HCx?0d n %UT7Uk<U 8d/DuxqJYr>,yͅ^`P Iʩsʩzc8҆]e]nQeBV࣓OfYa  $ & % )8C 6E 8eS 8e: 9 ItYų I' Mg_ O  Te YAN+ Ysa hI.i k/ p,B p w% w%;G x >  B1 ^ `P `fE  9[ n ` F \U6 ; UZH E #) zz #Ca %Ӵ ' 8Rti 8Rto 9 Fy X d r  t W ?x }l# N N| V h 2sF 2y 8A ^ 4H ӗ`= Ӱי غ^ < e` S& i  D   .Q9 .g ʓU  " " $&y + I -y 5ݙ% |D|mI^Ji>Ji8U&E~XҾ) Z B[x*[^ Ey` yV!}h*t*|7K6 PT|~*~QIui  LMMSAbout AboutDialog DtӘ$Arpeggio ArpeggiatorDtӘ$ )եArpeggio direction ArpeggiatorDtӘ$ tҸ Arpeggio gate ArpeggiatorDtӘ$  Arpeggio mode ArpeggiatorDtӘ$ Arpeggio range ArpeggiatorDtӘ$ ܬ Arpeggio time ArpeggiatorDtӘ$ Dž Arpeggio type ArpeggiatorDDown Arpeggiatorǐ mFree Arpeggiator4ǑRandom Arpeggiator,Sort Arpeggiatorٮ0Sync ArpeggiatorUp Arpeggiator @ D Up and down Arpeggiator DtӘ$ARPEGGIOArpeggiatorViewDtӘ$ tҸ:Arpeggio gate:ArpeggiatorViewDtӘ$ Arpeggio range:ArpeggiatorViewDtӘ$ ܬArpeggio time:ArpeggiatorView)ե Direction:ArpeggiatorViewtҸGATEArpeggiatorViewMode:ArpeggiatorViewRANGEArpeggiatorViewܬTIMEArpeggiatorViewmsArpeggiatorView%  octave(s)ArpeggiatorView00DEVICEAudioAlsa::setupWidgetɝAmplify:AudioFileProcessorView] Endpoint:AudioFileProcessorView Ǒ ] #Loop sample at start- and end-pointAudioFileProcessorViewx 0Open other sampleAudioFileProcessorView <\Reverse sampleAudioFileProcessorViewǑ Startpoint:AudioFileProcessorView t|tŸҸ CLIENT-NAMEAudioJack::setupWidget00DEVICEAudioOss::setupWidget1ԴBACKENDAudioPortAudio::setupWidget00DEVICEAudioPortAudio::setupWidget00DEVICEAudioPulseAudio::setupWidget00DEVICEAudioSdl::setupWidget (%1%2)(&C)&Copy value (%1%2)AutomatableModel  t0 (%1%2)(&P)&Paste value (%1%2)AutomatableModel0T (%1%2)(&R) &Reset (%1%2)AutomatableModelŴ0 Connect to controller...AutomatableModel %1 𬰴(Connected to %1AutomatableModelŴ0 𬰴(Connected to controllerAutomatableModel Ӹ...Edit connection...AutomatableModelx- ǐT ӸEdit song-global automationAutomatableModel pRemove connectionAutomatableModel.̴ ݴ D tܸ\ ՈµȲ.1All selected values were copied to the clipboard.AutomationEditorǐT ӸѮ0 - %1Automation Editor - %1AutomationEditorǐT ӸѮ0 - (4 LAutomation Editor - no patternAutomationEditor2Ǭ (4X ǬD X$t 0| t8Ɣ>Click here if you want to stop playing of the current pattern.AutomationEditor" ݴ  (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditor& ݴ  ǘ|0 (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor 0 (Shift+D)Draw mode (Shift+D)AutomationEditor$ t (Shift+M)Move selection mode (Shift+M)AutomationEditor,t  #0 (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditor8Ŵ 8 Tt| ǐT (4<\ Ŵ8Ɣ!EPlease open an automation pattern with the context menu of a control!AutomationEditor (Shift+S)Select mode (Shift+S)AutomationEditor   Values copiedAutomationEditor(<Ctrl> t H Ŵ| L0$Drag a control while pressing AutomationPattern %1 %1 ConnectionsAutomationPatternView t  Change nameAutomationPatternViewpClearAutomationPatternViewt "%1"Disconnect "%1"AutomationPatternViewǐT ӸѮ0 0Open in Automation editorAutomationPatternView t 0T Reset nameAutomationPatternView6ǐT ӸѮ0 t (4D 0X t t6double-click to open this pattern in automation editorAutomationPatternView ǐT ҸAutomation trackAutomationTrackTtMajor ChordCreator̴ Ѥ Whole tone ChordCreatortminor ChordCreator% octave ChordCreatorRANGEChordCreatorView%  octave(s)ChordCreatorView Ŵ0 %1 Controller %1 Controller ǐ  Auto DetectControllerConnectionDialogDCHANNELControllerConnectionDialogŴ0 CONTROLLERControllerConnectionDialogCancelControllerConnectionDialog $Connection SettingsControllerConnectionDialog X x.Cycle Detected.ControllerConnectionDialog Dž% D Input channelControllerConnectionDialog Dž% Ŵ0Input controllerControllerConnectionDialog Q hMAPPING FUNCTIONControllerConnectionDialog  Ŵ0MIDI CONTROLLERControllerConnectionDialog$ tҸ| 0\  00(MIDI-devices to receive MIDI-events fromControllerConnectionDialogUxOKControllerConnectionDialogƩǐ Ŵ0USER CONTROLLERControllerConnectionDialogTX0AddControllerRackView Ŵ0 Controller RackControllerRackView(&H)&HelpControllerViewt x p(&R)&Remove this pluginControllerViewŴControlsControllerView"t Ŵ0| \ t Dž%&Enter the new name for this controllerControllerViewŴ0 x t<\Rename controllerControllerViewDecayEffect ֨ Effect enabledEffecttҸGateEffect ֨ Effects enabled EffectChain ֨ TX0 Add effectEffectRackView ֨ ̴x EFFECTS CHAINEffectRackView ֨ TX0 Add effectEffectSelectDialog(&H)&Help EffectViewt x p(&R)&Remove this plugin EffectViewŴControls EffectViewDECAY EffectViewtҸGATE EffectViewtҸ:Gate: EffectView,/TOn/Off EffectViewܬ:Time: EffectView֨ ,  T ѠToggles the effect on or off. EffectViewDecayEnvelopeAndLfoParametersDECEnvelopeAndLfoView:Decay:EnvelopeAndLfoView׌ҸHintEnvelopeAndLfoViewCancelExportProjectDialog͜%OutputExportProjectDialog4LMute FxMixerViewDCHANNELInstrumentMidiIOView D0  Filter typeInstrumentSoundShaping ResonanceInstrumentSoundShapinghVolumeInstrumentSoundShaping: Resonance:InstrumentSoundShapingView t¤ ǐ Base noteInstrumentTrack0  $Default presetInstrumentTrack FX D FX channelInstrumentTrack(PanningInstrumentTrack@Ŵ \Ҹ (*.mmp *.mmpz *.xml)'MultiMedia Project (*.mmp *.mmpz *.xml) MainWindow`@Ŵ \Ҹ (*.mmp *.mmpz);;@Ŵ \Ҹ  (*.mpt)FMultiMedia Project (*.mmp *.mmpz);;MultiMedia Project Template (*.mpt) MainWindow(|x  Online help MainWindow0t \Ҹ 0Open existing project MainWindow\Ҹ 0 Open project MainWindow\Ҹ ǥ HhProject not saved MainWindow\ \ҸRecently opened project MainWindow\ \ҸRecently opened projects MainWindow Ǒ ՉRedo MainWindow"x t<\ ǥ(&A)... Save &As... MainWindowǬ \Ҹ ǥSave current project MainWindow\Ҹ ǥ Save project MainWindow0$Settings MainWindowǐT ӸѮ0 t0/(00Show/hide Automation Editor MainWindow2Beat+Bassline ӸѮ0 t0/(00Show/hide Beat+Bassline Editor MainWindowFX  t0/(00Show/hide FX Mixer MainWindowD  LPlugin not foundPluginL x "%1" >D  Ŵ }Ŵ,  µȲ! t : "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin"U͕ OGG | (*.ogg)Compressed OGG-File (*.ogg)ProjectRendererWAV | (*.wav)WAV-File (*.wav)ProjectRenderer D x:  Channels In: QWidgetD D: Channels Out: QWidget Ǒ:  Copyright: QWidget |: File: QWidgeth X: In Place Broken: QWidget Ǒǐ: Maker: QWidgett: Name: QWidgetD$NoQWidget ܬ : Real Time Capable: QWidget ܬ DƔ: Requires Real Time: QWidgetYesQWidget(&H)&Help TempoSyncKnob1/16 ǐ 16th note TempoSyncKnob1/32 ǐ 32nd note TempoSyncKnob 1/8 ǐ8th note TempoSyncKnobƩǐCustom  TempoSyncKnob Ʃǐ... Custom... TempoSyncKnob8 DҸ Eight beats TempoSyncKnob 1/2 ǐ Half note TempoSyncKnob ٮ0T LNo Sync TempoSyncKnob 1/4 ǐ Quarter note TempoSyncKnob1/16 ǐ\ ٮ0TSynced to 16th Note TempoSyncKnob1/32 ǐ\ ٮ0TSynced to 32nd Note TempoSyncKnob1/8 ǐ\ ٮ0TSynced to 8th Note TempoSyncKnob8DҸ\ ٮ0TSynced to Eight Beats TempoSyncKnob1/2 ǐ\ ٮ0TSynced to Half Note TempoSyncKnob1/4 ǐ\ ٮ0TSynced to Quarter Note TempoSyncKnob̴ ǐ\ ٮ0TSynced to Whole Note TempoSyncKnob \ ٮ0T Tempo Sync TempoSyncKnob ̴ ǐ Whole note TempoSyncKnobOsc %1 X:Osc %1 volume:TripleOscillatorViewDLL | (*.dll)DLL-files (*.dll)VestigeInstrumentViewEXE | (*.exe)EXE-files (*.exe)VestigeInstrumentView}@ VST x LNo VST-plugin loadedVestigeInstrumentViewVST x 0Open VST-pluginVestigeInstrumentViewx VST x 0Open other VST-pluginVestigeInstrumentViewGUI t0/(00 Show/hide GUIVestigeInstrumentView̴ ǐ D0Turn off all notesVestigeInstrumentView VST x }  $XFailed loading VST-plugin VstPlugin x } Loading plugin VstPlugin.VST x }@ H Ǡ 0...'Please wait while loading VST-plugin... VstPlugin FREQZynAddSubFxViewtRESZynAddSubFxViewɝAmplifyaudioFileProcessor ] End of sampleaudioFileProcessorLoopaudioFileProcessor <\Reverse sampleaudioFileProcessor ǑStart of sampleaudioFileProcessor FREQbassBoosterControlDialog : Frequency:bassBoosterControlDialogtGAINbassBoosterControlDialogt:Gain:bassBoosterControlDialogDRATIObassBoosterControlDialogD:Ratio:bassBoosterControlDialog  FrequencybassBoosterControlstGainbassBoosterControlsDRatiobassBoosterControlsǐT Ҹ TX0Add automation-trackbbEditor"beat/bassline TX0Add beat/basslinebbEditor"Beat+Bassline ӸѮ0Beat+Bassline EditorbbEditorǬ beat/bassline| ǬX0 X 0| t. beat/bassline@ ] IJ ǐ<\ )Ȳ.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorJǬ beat/bassline ǬD X0 X 0| t.4Click here to stop playing of current beat/bassline.bbEditor@Ǭ beat/bassline Ǭ/Ǡ (Space)(Play/pause current beat/bassline (Space)bbEditor<Ǭ beat/bassline Ǭ  (Space).Stop playback of current beat/bassline (Space)bbEditor  Change color bbTCOView t  Change name bbTCOView.Beat+Bassline ӸѮ0 1G$0Open in Beat+Bassline-Editor bbTCOView t 0T Reset name bbTCOViewBeat/Bassline %1bbTrack 8t Samplelength bitInvaderx D t t.Click for a sine-wave.bitInvaderView ѱ D t 0| tClick here for a saw-wave.bitInvaderView  D t 0| tClick here for a square-wave.bitInvaderView  D t 0| tClick here for a triangle-wave.bitInvaderView"Ʃǐ X| t 0| t$Click here for a user-defined shape.bitInvaderView$TtҸ xtɈ| t 0| tClick here for white-noise.bitInvaderView, D ܷ X0 X 0| tClick here to smooth waveform.bitInvaderViewADraw your own waveform here by dragging your mouse on this graph.bitInvaderView InterpolationbitInvaderView|T NormalizebitInvaderView 8t Sample LengthbitInvaderView ѱ Saw wavebitInvaderView x  Sine wavebitInvaderViewܷSmoothbitInvaderView   Square wavebitInvaderView   Triangle wavebitInvaderViewƩǐ X User defined wavebitInvaderViewTtҸ xtɈ White noise wavebitInvaderView |D  LCould not open fileexportProjectDialog%1\ \Ҹ 0Export project to %1exportProjectDialogGraph graphModelDecaykickerInstrument\ DistortionkickerInstrument ]  End frequencykickerInstrumenttGainkickerInstrument Ǒ Start frequencykickerInstrument:Decay:kickerInstrumentView\: Distortion:kickerInstrumentView ] :End frequency:kickerInstrumentViewt:Gain:kickerInstrumentViewǑ :Start frequency:kickerInstrumentView(&H)&Helpknob0%1 %2 t ȸ\ƴ D Dž%X$:+Please enter a new value between %1 and %2:knobH-96.0 dBV 6.0 dBV t ȸ\ƴ D Dž%X$:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob  ĭlAnalysis ToolsladspaBrowserViewƩ ֨Available EffectsladspaBrowserView L  L Don't knowladspaBrowserView00 InstrumentsladspaBrowserViewTThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView:Type:ladspaBrowserViewƩ \ ֨Unavailable EffectsladspaBrowserViewƔ} DescriptionladspaDescription xPluginsladspaDescription$$AudioladspaPortDialogŴControlladspaPortDialog)ե DirectionladspaPortDialog FloatladspaPortDialogDž%InputladspaPortDialogIntegerladspaPortDialog LogarithmicladspaPortDialog\ < 0 < \Min < Default < MaxladspaPortDialogtNameladspaPortDialog͜%OutputladspaPortDialogҸPortsladspaPortDialogDRateladspaPortDialog SR Xt SR DependentladspaPortDialogѠToggledladspaPortDialogTypeladspaPortDialogYesladspaPortDialog24dB/oct D024dB/oct Filter lb302SynthAccent lb302SynthDead lb302Synth\ Distortion lb302Synth¬|tSlide lb302Synth¬|t  Slide Decay lb302SynthVCF Cutoff VCF Cutoff Frequency lb302SynthVCF 0 VCF Envelope Decay lb302SynthVCF 0 VCF Envelope Mod lb302Synth VCF  VCF Resonance lb302Synth Waveform lb302Synth&303-es-que, 24dB/octave, 3 pole filterlb302SynthViewǘ|0CUTlb302SynthViewx D t tClick for a sine-wave.lb302SynthView Click here for a moog-like wave.lb302SynthViewClick here for a saw-wave.lb302SynthView0e ]X D X 0| t.0Click here for a square-wave with a rounded end.lb302SynthView" D X 0| tClick here for a square-wave.lb302SynthView" D X 0| tClick here for a triangle-wave.lb302SynthView#Click here for an exponential wave.lb302SynthViewClick here for white-noise.lb302SynthViewCutoff : Cutoff Freq:lb302SynthViewDEClb302SynthViewDISTlb302SynthViewDIST:lb302SynthView:Decay:lb302SynthView X ENV MODlb302SynthView X :Env Mod:lb302SynthView Moog wavelb302SynthViewtRESlb302SynthView: Resonance:lb302SynthViewe  Rounded square wavelb302SynthView¬|tSLIDElb302SynthView ѱ Saw wavelb302SynthView x  Sine wavelb302SynthView¬|t : Slide Decay:lb302SynthView   Square wavelb302SynthView   Triangle wavelb302SynthViewTtҸ xtɈ White noise wavelb302SynthView24dB/oct Filter lb303SynthAccent lb303SynthDead lb303Synth\ Distortion lb303SynthSlide lb303Synth Slide Decay lb303SynthVCF Cutoff Frequency lb303SynthVCF Envelope Decay lb303SynthVCF Envelope Mod lb303Synth VCF Resonance lb303SynthWaveform lb303Synth&303-es-que, 24dB/octave, 3 pole filterlb303SynthViewCUTlb303SynthView Cutoff Freq:lb303SynthViewDEClb303SynthViewDISTlb303SynthViewDIST:lb303SynthViewDecay:lb303SynthViewENV MODlb303SynthViewEnv Mod:lb303SynthViewRESlb303SynthView Resonance:lb303SynthViewSLIDElb303SynthView Slide Decay:lb303SynthViewWAVElb303SynthViewWAVE:lb303SynthViewADSRmalletsInstrumentAgogomalletsInstrumentBeatsmalletsInstrumentBowedmalletsInstrumentClumpmalletsInstrument l\¤Әt CrossfademalletsInstrumentGlassmalletsInstrumentHardnessmalletsInstrument LFO DepthmalletsInstrument LFO  LFO SpeedmalletsInstrumentȹMarimbamalletsInstrument Ʋ | Missing filesmalletsInstrument ȸtҸ ModulatormalletsInstrumentXMotionmalletsInstrumentXPositionmalletsInstrumentU%PressuremalletsInstrumentResomalletsInstrumentSpeedmalletsInstrumentSpreadmalletsInstrument ¤ ¤ Stick MixmalletsInstrument Tibetan BowlmalletsInstrument Tubular BellsmalletsInstrument Tuned BarmalletsInstrument Two FixedmalletsInstrument Uniform BarmalletsInstrument VibraphonemalletsInstrument  Vibrato FreqmalletsInstrument t Vibrato GainmalletsInstrumentWood1malletsInstrumentWood2malletsInstrumentaYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRmalletsInstrumentViewADSR:malletsInstrumentViewBowedmalletsInstrumentView CrossfademalletsInstrumentView Crossfade:malletsInstrumentViewHardnessmalletsInstrumentView Hardness:malletsInstrumentView00 InstrumentmalletsInstrumentView LFO DepthmalletsInstrumentView LFO Depth:malletsInstrumentView LFO SpeedmalletsInstrumentView LFO Speed:malletsInstrumentView ModulatormalletsInstrumentView Modulator:malletsInstrumentViewMotionmalletsInstrumentViewMotion:malletsInstrumentViewXPositionmalletsInstrumentViewX: Position:malletsInstrumentViewPressuremalletsInstrumentView Pressure:malletsInstrumentViewSpeedmalletsInstrumentViewSpeed:malletsInstrumentViewSpreadmalletsInstrumentViewSpread:malletsInstrumentView Stick MixmalletsInstrumentView Stick Mix:malletsInstrumentViewVib FreqmalletsInstrumentView Vib Freq:malletsInstrumentViewVib GainmalletsInstrumentView Vib Gain:malletsInstrumentViewVibratomalletsInstrumentViewVibrato:malletsInstrumentView&HelpnineButtonSelector DistortionorganicInstrumentVolumeorganicInstrument Distortion:organicInstrumentViewOsc %1 fine detuning left:organicInstrumentViewOsc %1 panning:organicInstrumentViewOsc %1 volume:organicInstrumentViewOsc %1 waveform:organicInstrumentView RandomiseorganicInstrumentViewVolume:organicInstrumentViewcentsorganicInstrumentViewBasspapuInstrumentChannel 1 to SO1 (Right)papuInstrumentChannel 1 to SO2 (Left)papuInstrumentChannel 1 volumepapuInstrumentChannel 2 to SO1 (Right)papuInstrumentChannel 2 to SO2 (Left)papuInstrumentChannel 2 volumepapuInstrumentChannel 3 to SO1 (Right)papuInstrumentChannel 3 to SO2 (Left)papuInstrumentChannel 3 volumepapuInstrumentChannel 4 to SO1 (Right)papuInstrumentChannel 4 to SO2 (Left)papuInstrumentChannel 4 volumepapuInstrumentLeft Output levelpapuInstrumentLength of each step in sweeppapuInstrumentRight Output levelpapuInstrumentShift Register widthpapuInstrumentSweep RtShift amountpapuInstrumentSweep directionpapuInstrument Sweep timepapuInstrumentTreblepapuInstrumentVolume sweep directionpapuInstrumentWave Pattern DutypapuInstrumentBasspapuInstrumentViewBass:papuInstrumentViewChannel1 to SO1 (Right)papuInstrumentViewChannel1 to SO2 (Left)papuInstrumentViewChannel2 to SO1 (Right)papuInstrumentViewChannel2 to SO2 (Left)papuInstrumentViewChannel3 to SO1 (Right)papuInstrumentViewChannel3 to SO2 (Left)papuInstrumentViewChannel4 to SO1 (Right)papuInstrumentViewChannel4 to SO2 (Left)papuInstrumentViewDraw the wave herepapuInstrumentViewLength of each step in sweeppapuInstrumentViewLength of each step in sweep:papuInstrumentViewNoise Channel VolumepapuInstrumentViewNoise Channel Volume:papuInstrumentViewSO1 Volume (Right)papuInstrumentViewSO1 Volume (Right):papuInstrumentViewSO2 Volume (Left)papuInstrumentViewSO2 Volume (Left):papuInstrumentViewShift Register WidthpapuInstrumentViewSquare Channel 1 VolumepapuInstrumentViewSquare Channel 1 Volume:papuInstrumentViewSquare Channel 2 VolumepapuInstrumentViewSquare Channel 2 Volume:papuInstrumentViewSweep DirectionpapuInstrumentViewSweep RtShift amountpapuInstrumentViewSweep RtShift amount:papuInstrumentView Sweep TimepapuInstrumentView Sweep Time:papuInstrumentView/The amount of increase or decrease in frequencypapuInstrumentViewThe delay between step changepapuInstrumentViewmThe duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal.papuInstrumentView:The rate at which increase or decrease in frequency occurspapuInstrumentViewTreblepapuInstrumentViewTreble:papuInstrumentViewVolume Sweep DirectionpapuInstrumentViewWave Channel VolumepapuInstrumentViewWave Channel Volume:papuInstrumentView Wave PatternpapuInstrumentViewWave Pattern DutypapuInstrumentViewWave pattern dutypapuInstrumentViewWave pattern duty:papuInstrumentViewCannot freeze patternpattern_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternCancelpatternFreezeStatusDialogFreezing pattern...patternFreezeStatusDialog %1 %1 steps patternView1 1 step patternView TX0 Add steps patternView t  Change name patternView̴ ǐ ư0Clear all notes patternViewFreeze patternView +  t)#Mute/unmute ( + middle click) sampleTCOView#0Paste sampleTCOViewyL $/tSet/clear record sampleTCOView$ D X0 X t tdouble-click to select sample sampleTCOView Ҹ Sample track sampleTrackhVolume sampleTrack D hChannel volume:sampleTrackView Ҹ h Track volumesampleTrackViewhVOLsampleTrackView$$ x0Әt¤AUDIO INTERFACE setupDialogDҸǑ TArtwork directory setupDialog $$ $Audio settings setupDialog | l0 BUFFER SIZE setupDialog0 DҸlBackground artwork setupDialogCancel setupDialog$FL Studio $X T 'Choose FL Studio installation directory setupDialog"LADSPA x T Choose LADSPA plugin directory setupDialogLMMS Ǒ T Choose LMMS working directory setupDialogSTK  T Choose STK rawwave directory setupDialogDҸl L T Choose artwork-theme directory setupDialog0 DҸl Choose background artwork setupDialog0 ƴܮ4 Choose default SoundFont setupDialogVST x T  Choose your VST-plugin directory setupDialog0 \Ҹ | U͕"Compress project files per default setupDialog0 ƴܮ4 |Default Soundfont File setupDialogD \ ǐ #Disable channel activity indicators setupDialogdBV\ h t0Display volume as dBV  setupDialogĭl Enable tooltips setupDialogFL Studio $X T FL Studio installation directory setupDialog* DŽ: %1 4: %2 msFrames: %1 Latency: %2 ms setupDialog | $General settings setupDialog ͜% $$ 00X HQ HQ-mode for output audio-device setupDialogHere you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogHere you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogHere you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialogLADSPA x TLADSPA plugin paths setupDialogLMMS Ǒ TLMMS working directory setupDialog x0Әt¤MIDI INTERFACE setupDialog  $ MIDI settings setupDialog0MISC setupDialogUxOK setupDialog&<\ D-LMMS ǬՉ L t եD X JµȲ.GPlease note that most changes won't take effect until you restart LMMS! setupDialog0<\ 0TReset to default-value setupDialogLMMS ǬՉ Restart LMMS setupDialogSTK  TSTK rawwave directory setupDialogLMMS $ Setup LMMS setupDialog"$ ǬՉ t0,Show restart warning after changing settings setupDialogUI ֨ ՉUI effects vs. performance setupDialogVST- x TVST-plugin directory setupDialogElBank sf2InstrumentT¤Chorus sf2Instrument T¤ Jt Chorus Depth sf2Instrument T¤  Chorus Level sf2Instrument T¤ |x Chorus Lines sf2Instrument T¤  Chorus Speed sf2InstrumenttGain sf2Instrument(XPatch sf2Instrument Reverb sf2Instrument QReverb Damping sf2Instrument  Reverb Level sf2Instrument l0Reverb Roomsize sf2Instrument D Reverb Width sf2InstrumentT¤ Ʃ()Apply chorus (if supported)sf2InstrumentView Ʃ()Apply reverb (if supported)sf2InstrumentView (X Choose the patchsf2InstrumentViewT¤ : Chorus Depth:sf2InstrumentViewT¤ : Chorus Level:sf2InstrumentViewT¤ |x: Chorus Lines:sf2InstrumentViewT¤ : Chorus Speed:sf2InstrumentView0x SF2 |D 0 X 0| t#Click here to open another SF2 filesf2InstrumentViewtGainsf2InstrumentViewOpen SoundFont filesf2InstrumentViewx ƴܰL4 | 0Open other SoundFont filesf2InstrumentView Q:Reverb Damping:sf2InstrumentView : Reverb Level:sf2InstrumentView l0:Reverb Roomsize:sf2InstrumentView D: Reverb Width:sf2InstrumentView L142 | (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentViewuThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewnt Ҽ@ ֨ . t@ ֨ ƩX. 찘 X | Ǒt .pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewi x Chip model sidInstrumentCutoff sidInstrument D0  Filter type sidInstrument Resonance sidInstrument Voice 3 off sidInstrumenthVolume sidInstrument\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentViewAttack:sidInstrumentView4(¤ D0Band-Pass filter sidInstrumentViewCoarse:sidInstrumentViewCutoff frequency:sidInstrumentViewiDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewDecay:sidInstrumentViewD0FilteredsidInstrumentViewXt(¤ D0High-Pass filter sidInstrumentView\ư(¤ D0Low-Pass filter sidInstrumentView MOS6581 SID sidInstrumentView MOS8580 SID sidInstrumentViewǡLNoisesidInstrumentView]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentView Pulse WavesidInstrumentView Pulse Width:sidInstrumentViewRelease:sidInstrumentView: Resonance:sidInstrumentView-Ring-ModsidInstrumentView}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentViewSawToothsidInstrumentViewSustain:sidInstrumentViewٮ0SyncsidInstrumentViewSync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentViewL¤ҸTestsidInstrumentViewPTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewDThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentViewThe Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentViewjThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentView Triangle WavesidInstrumentView Voice3 Off sidInstrumentViewh:Volume:sidInstrumentViewWhen Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentView H \Ҹ Empty projectsongFL Studio \ҸFL Studio projectssong | }Ŵ$0 Import filesong  ¤MIDI sequencessong ¤0 x Ǭ  BBҸ H $$ 00 yL?Record samples from Audio-device while playing song or BB track songEditor x-ӸѮ0 Song-Editor songEditorx  (Space)Stop song (Space) songEditor \/BPM TEMPO/BPM songEditorTempo songEditor: %1 8ѤValue: %1 semitones songEditor : %1% Value: %1% songEditor ¤0 -Press to disable magnetic loop-points.timeLine4LMutedtrack\SolotrackCanceltrackContainerCouldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer |D }Ŵ,  LCouldn't import filetrackContainer |D  LCouldn't open filetrackContainerCouldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer FLP | }Ŵ$ ...Importing FLP-file...trackContainer | }Ŵ$ ...Importing MIDI-file...trackContainer\Ҹ }Ŵ$ ...Loading project...trackContainerǠ 0乬8Ɣ...Please wait...trackContainer4LMutedtrackContentObject.%1:%2 (%3:%4 | %5:%6 \)%1:%2 (%3:%4 to %5:%6)trackContentObjectViewCopytrackContentObjectView Ǭ 8tCurrent lengthtrackContentObjectView Ǭ XCurrent positiontrackContentObjectViewǘ|0CuttrackContentObjectView ( ư¤Ҽ)Delete (middle mousebutton)trackContentObjectView׌ҸHinttrackContentObjectView04L/4Lt (<Ctrl> +  t)#Mute/unmute ( + middle click)trackContentObjectView#0PastetrackContentObjectView4<Ctrl> t D ̴0 X L0%Press and drag to make a copy.trackContentObjectView4ǐ l0 ǬpX0 X <Ctrl> t0Press for free resizing.trackContentObjectViewt ҸX ǑActions for this tracktrackOperationsWidgett ҸD Clone this tracktrackOperationsWidget4LMutetrackOperationsWidgett ҸD 4LMute this tracktrackOperationsWidgetKPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidgett ҸD pRemove this tracktrackOperationsWidget\SolotrackOperationsWidget VST x }  $XFailed loading VST-pluginvestigeInstrument x } Loading pluginvestigeInstrument.VST x }@ H Ǡ 0...'Please wait while loading VST-plugin...vestigeInstrumentThe VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrument Detune %1vibed Fuzziness %1 vibed Impulse %1vibed 8t %1 Length %1vibed Octave %1vibedPan %1vibedPick %1 positionvibedPickup %1 positionvibedString %1 stiffnessvibedString %1 volumevibed&Help vibedView&Click here to enable/disable waveform. vibedView!Click here to normalize waveform. vibedViewClick here to smooth waveform. vibedViewDetune: vibedViewEnable waveform vibedView Fuzziness: vibedViewImpulse ӸѮ0Impulse Editor vibedViewImpulse or initial state vibedView8t:Length: vibedView Normalize vibedViewOctave vibedViewPan: vibedView X :Pick position: vibedViewPickup position: vibedViewSaw wave vibedView Sine wave vibedViewSmooth vibedView Square wave vibedViewString vibedViewString stiffness: vibedViewThe 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewThe 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewThe 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewThe 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedView4The 'V' knob sets the volume of the selected string. vibedViewThe Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedViewThe Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedView#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewPThe Pan knob determines the location of the selected string in the stereo field. vibedViewThe Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewThe String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewThe waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView Triangle wave vibedView&Use a saw-wave for current oscillator. vibedView'Use a sine-wave for current oscillator. vibedView)Use a square-wave for current oscillator. vibedView+Use a triangle-wave for current oscillator. vibedView3Use a user-defined waveform for current oscillator. vibedView'Use white-noise for current oscillator. vibedViewUser defined wave vibedViewhVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewh:Volume: vibedViewWhite noise wave vibedView6click to enable/disable visualization of master-outputvisualizationWidgetVoice %1 attack voiceObjectVoice %1 coarse detuning voiceObjectVoice %1 decay voiceObject %1 D0(Voice %1 filtered voiceObjectVoice %1 pulse width voiceObjectVoice %1 release voiceObject %1 pVoice %1 ring modulate voiceObjectVoice %1 sustain voiceObject %1 ٮ0T Voice %1 sync voiceObject %1 L¤Ҹ Voice %1 test voiceObject %1 Voice %1 wave shape voiceObjectlmms-1.0.0+bzr2569/data/locale/ko.ts0000644000000000000000000067747512307165142015111 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About LMMS란 LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE 기기 CHANNELS AudioFileProcessorView Open other sample 다른 샘플 열기 Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample 샘플 역으로 If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Loop sample at start- and end-point 샘플 시작과 끝점 반복 Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: 증폭 With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: 시작점 With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: 끝점 With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME 클라이언트명 CHANNELS AudioOss::setupWidget DEVICE 기기 CHANNELS AudioPortAudio::setupWidget BACKEND 백엔드 DEVICE 기기 AudioPulseAudio::setupWidget DEVICE 기기 CHANNELS AudioSdl::setupWidget DEVICE 기기 AutomatableModel &Reset (%1%2) 초기화 (%1%2)(&R) &Copy value (%1%2) 값 복사 (%1%2)(&C) &Paste value (%1%2) 값 붙이기 (%1%2)(&P) Edit song-global automation 노래-전역 자동화 편집 Connected to %1 %1 연결됨 Connected to controller 제어기 연결됨 Edit connection... 연결 편집... Remove connection 연결 제거 Connect to controller... 제어기에 연결 Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) 현재 패턴 재생/잠시 중지 (Space) Stop playing of current pattern (Space) 현재 패턴 재생을 중지 (Space) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. 현재 패턴의 재생을 중지하려면 여기를 누르세요 Draw mode (Shift+D) 그리기 모드 (Shift+D) Erase mode (Shift+E) 지우기 모드 (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) 선택된 값 잘라내기 (Ctrl+X) Copy selected values (Ctrl+C) 선택된 값 복사 (Ctrl+C) Paste values from clipboard (Ctrl+V) 클립보드에서 값 붙여넣기 (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern 자동화 편집기 - 패턴 없음 Automation Editor - %1 자동화 편집기 - %1 Please open an automation pattern with the context menu of a control! 제어 문맥 메뉴를 가진 자동화 패턴으로 열어주세요! Values copied 복사된 값 All selected values were copied to the clipboard. 전체 선택된 값을 클립보드로 복사했습니다. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> <Ctrl> 누르는 동안 제어를 끌기 AutomationPatternView double-click to open this pattern in automation editor 자동화 편집기에서 이 패턴을 열기위하여 이중 클릭 Open in Automation editor 자동화 편집기에서 열기 Clear 제거 Reset name 이름 초기화 Change name 이름 변경 %1 Connections %1 연결 Disconnect "%1" 연결해제 "%1" AutomationTrack Automation track 자동화 트랙 Controller Controller %1 제어기 %1 ControllerConnectionDialog Connection Settings 연결 설정 MIDI CONTROLLER 미디 제어기 Input channel 입력 채널 CHANNEL 채널 Input controller 입력 제어기 CONTROLLER 제어기 Auto Detect 자동 탐색 MIDI-devices to receive MIDI-events from 미디 이벤트를 받기위한 미디 기기 USER CONTROLLER 사용자 제어기 MAPPING FUNCTION 매핑 함수 OK 확인 Cancel 취소 LMMS Cycle Detected. 순환 인지. ControllerRackView Controller Rack 제어기 랙 Add 더하기 Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls 제어 Controllers are able to automate the value of a knob, slider, and other controls. Rename controller 제어기 다른 이름으로 Enter the new name for this controller 이 제어기를 위한 새 이름 입력 &Remove this plugin 이 플러그인 제거(&R) &Help 도움말(&H) Effect Effect enabled 효과 가능 Wet/Dry mix Gate 게이트 Decay 감쇄 EffectChain Effects enabled 효과 가능 EffectRackView EFFECTS CHAIN 효과 체인 Add effect 효과 더하기 EffectSelectDialog Add effect 효과 더하기 Plugin description EffectView Toggles the effect on or off. 효과 켬 또는 끔 토글 On/Off 켬/끔 W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY 감쇄 Time: 시간: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE 게이트 Gate: 게이트: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls 제어 Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin 이 플러그인 제거(&R) &Help 도움말(&H) EnvelopeAndLfoParameters Predelay Attack Hold Decay 감쇄 Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. ATT Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. HOLD Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. DEC 감쇄 Decay: 감쇄: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. SUST Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. REL Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. AMT Modulation amount: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. control envelope-amount by this LFO ms/LFO: Hint 힌트 Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output 출력 File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel 취소 Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute 무음 Mute this FX channel InstrumentFunctionArpeggio Arpeggio 아르페지오 Arpeggio type 아르페지오 타입 Arpeggio range 아르페지오 범위 Arpeggio time 아르페지오 시간 Arpeggio gate 아르페지오 게이트 Arpeggio direction 아르페지오 방향 Arpeggio mode 아르페지오 모드 Up 위 Down 아래 Up and down 위와 아래 Random 무작위 Free 자유롭게 Sort 정렬 Sync 동기 InstrumentFunctionArpeggioView ARPEGGIO 아르페지오 An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE 범위 Arpeggio range: 아르페지오 범위 octave(s) 옥타브 Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME 시간 Arpeggio time: 아르페지오 시간 ms 밀리초 Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. GATE 게이트 Arpeggio gate: 아르페지오 게이트: % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: 방향 Mode: 모드 InstrumentFunctionNoteStacking octave 옥타브 Major 메이저 Majb5 minor 마이너 minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone 전체 톤 Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Chord range Minor InstrumentFunctionNoteStackingView RANGE 범위 Chord range: octave(s) 옥타브 Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL 채널 VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME Volume 볼륨 CUTOFF Cutoff frequency RESO Resonance 공명 Envelopes/LFOs Filter type 필터 형태 Q/Resonance LowPass HiPass BandPass csg BandPass czpg Notch Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: 공명: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ 주파수 cutoff frequency: InstrumentTrack unnamed_track Volume 볼륨 Panning 패닝 Pitch 피치 FX channel FX 채널 Default preset 기본 사전 설정 With this knob you can set the volume of the opened channel. Base note 베이스 박자 Pitch range InstrumentTrackView Volume 볼륨 Volume: 볼륨: VOL 볼륨 Panning 패닝 Panning: 패닝: PAN 패닝 MIDI 미디 Input 입력 Output 출력 InstrumentTrackWindow GENERAL SETTINGS 일반 설정 Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. 사전 설정 파일을 저장하고 싶으면 여기를 클릭. 나중에 사전 설정 브라우저에서 이중 클릭으로 사전 설정을 읽어올 수 있습니다. Instrument volume 기기 볼륨 Volume: 볼륨: VOL 볼륨 Panning 패닝 Panning: 패닝: PAN 패닝 Pitch 피치 Pitch: cents PITCH 피치 FX channel FX 채널 ENV/LFO FUNC FX MIDI 미디 Save preset 사전 설정 저장 XML preset file (*.xpf) XML 사전 설정 파일 (*.xpf) PLUGIN 플러그인 Save current channel settings in a preset-file Pitch range (semitones) RANGE 범위 LadspaControl Link channels 채널 링크 LadspaControlDialog Link Channels 채널 링크 Channel 채널 LadspaControlView Link channels 채널 링크 Value: 값: Sorry, no help available. 미안합니다. 도움말을 사용할 수 없습니다 LadspaEffect Effect 효과 Unknown LADSPA plugin %1 requested. 요청된 미지의 LADSPA 플러그인 %1 LfoController LFO Controller LFO 제어기 Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller LFO 제어기 BASE 베이스 Base amount: 베이스 양: todo SPD LFO-speed: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. 톱니 파형을 위해 여기를 클릭 Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. 화이트 노이즈를 위해 여기를 클릭 Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory 작업 폴더 The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file 설정 파일을 저장할 수 없음 Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project 프로젝트(&P) &New 새로(&N) &Open... 열기(&O)... Recently opened projects 최근 열린 프로젝트 &Save 저장(&S) Save &As... 다른 이름으로 저장(&A)... Import... 읽어오기... E&xport... 내보내기(&X)... &Quit 종료(&Q) &Edit 편집(&E) Settings 기본설정 &Tools 도구(&T) &Help 도움말(&H) Online help 온라인 도움말 Help 도움말 What's this? 이것은 무엇? About LMMS란 Create new project 새 프로젝트 생성 Create new project from template 서식에서 새 프로젝트 생성 Open existing project 기존 프로젝트 열기 Recently opened project 최근 열린 프로젝트 Save current project 현재 프로젝트 저장 Export current project 현재 프로젝트 내보내기 Show/hide Song-Editor 노래 편집기 보이기/숨기기 By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor Beat+Bassline 편집기 보이기/숨기기 By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll 피아노-롤 보이기/숨기기 Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor 자동화 편집기 보이기/숨기기 Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer FX 믹서 보이기/숨기기 Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes 프로젝트 박자 보이기/숨기기 Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack 제어기 랙 보이기/숨기기 Untitled 무제 LMMS %1 LMMS %1 Project not saved 프로젝트 저장 안함 The current project was modified since last saving. Do you want to save it now? 마지막 저장 후 현재 프로젝트가 수정되었습니다. 지금 저장하겠습니까? Open project 프로젝트 열기 Save project 프로젝트 저장 Help not available 도움말을 이용할 수 없습니다 Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. 현재 LMMS에 사용할 수 있는 도움말이 없습니다. LMMS 문서는 http://lmms.sf.net/wiki를 방문하세요. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE 기기 MidiAlsaSeq::setupWidget DEVICE 기기 MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE 기기 MidiPort Input channel 입력 채널 Output channel Input controller 입력 제어기 Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Fixed output note OscillatorObject Osc %1 volume Osc %1 panning Osc %1 coarse detuning Osc %1 fine detuning left Osc %1 fine detuning right Osc %1 phase-offset Osc %1 stereo phase-detuning Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop 반복 Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller LFO 제어기 PeakControllerEffectControlDialog BASE 베이스 Base amount: 베이스 양: Modulation amount: Attack: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Mute output 무음 출력 Attack Release Abs Value Amount Multiplicator PianoView Base note 베이스 박자 Plugin Plugin not found 플러그인 찾을 수 없음 The plugin "%1" wasn't found or could not be loaded! Reason: "%2" 플러그인 "%1" 찾을 수 없어 읽어올 수 없습니다! 이유: "%2" Error while loading plugin 플러그인 읽는 중 오류 Failed to load plugin "%1"! 플러그인 "%1"을 읽는 중 실패! ProjectRenderer WAV-File (*.wav) WAV 파일 (*.wav) Compressed OGG-File (*.ogg) 압축 OGG 파일 (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: 이름: Maker: 제작자: Copyright: 저작권: Requires Real Time: 실제 시간 필요: Yes 예 No 아니오 Real Time Capable: 실제 시간 가능: In Place Broken: 깨진 곳에 위치: Channels In: 채널 인: Channels Out: 채널 아웃: File: 파일: SampleBuffer Open audio file 오디오 파일 열기 All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) 전체 오디오 파일 (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wave 파일 (*.wav) OGG-Files (*.ogg) OGG 파일 (*.ogg) DrumSynth-Files (*.ds) DrumSynth 파일 (*.ds) FLAC-Files (*.flac) FLAC 파일 (*.flac) SPEEX-Files (*.spx) SPEEX 파일 (*.spx) MP3-Files (*.mp3) MP3 파일 (*.mp3) VOC-Files (*.voc) VOC 파일 (*.voc) AIFF-Files (*.aif *.aiff) AIFF 파일 (*.aif *.aiff) AU-Files (*.au) AU 파일 (*.au) RAW-Files (*.raw) RAW 파일 (*.raw) SampleTCOView double-click to select sample 샘플을 선택하기 위하여 이중 클릭 Delete (middle mousebutton) Cut 잘라내기 Copy 복사 Paste 붙여넣기 Mute/unmute (<Ctrl> + middle click) 무음/무음해제 (<Ctrl> + 중간 클릭) Set/clear record 녹음 설정/해제 SampleTrack Sample track 샘플 트랙 Volume 볼륨 SampleTrackView Track volume 트랙 볼륨 Channel volume: 채널 볼륨 VOL 볼륨 TempoSyncKnob Tempo Sync 템포 동기화 No Sync 동기화 없음 Eight beats 8 비트 Whole note 전체 박자 Half note 1/2 박자 Quarter note 1/4 박자 8th note 1/8 박자 16th note 1/16 박자 32nd note 1/32 박자 Custom... 사용자... &Help 도움말(&H) Custom 사용자 Synced to Eight Beats 8비트로 동기화 Synced to Whole Note 전체 박자로 동기화 Synced to Half Note 1/2 박자로 동기화 Synced to Quarter Note 1/4 박자로 동기화 Synced to 8th Note 1/8 박자로 동기화 Synced to 16th Note 1/16 박자로 동기화 Synced to 32nd Note 1/32 박자로 동기화 TimeDisplayWidget click to change time units TrackContainer Couldn't import file 파일을 읽어올 수 없음 Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Couldn't open file 파일을 열 수 없음 Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Loading project... 프로젝트 읽어오는 중... Cancel 취소 Please wait... 잠시 기다리세요... Importing MIDI-file... 미디 파일 읽어오는 중... Importing FLP-file... FLP 파일 읽어오는 중... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Osc %1 볼류: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Osc %1 panning: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Osc %1 coarse detuning: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Osc %1 fine detuning left: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 fine detuning right: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 phase-offset: degrees With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin 다른 VST 플러그인 열기 Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Show/hide GUI GUI 보이기/숨기기 Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Turn off all notes 전체 박자 끄기 Open VST-plugin VST 플러그인 열기 DLL-files (*.dll) DLL 파일 (*.dll) EXE-files (*.exe) EXE 파일 (*.exe) No VST-plugin loaded 읽은 VST 플러그인 없음 Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset 사전 설정 저장 Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset 사전 설정 저장 Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin 플러그인 읽는 중 Please wait while loading VST-plugin... VST 플러그인 읽은 동안 잠시 대기... Failed loading VST-plugin VST 플러그인 읽는 중 오류 The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ 주파수 Filter Resonance: RES 해상도 Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify 증폭 Start of sample 샘플 시작 End of sample 샘플 끝 Reverse sample 샘플 역으로 Loop 반복 Stutter bassBoosterControlDialog FREQ 주파수 Frequency: 주파수: GAIN 이득 Gain: 이득: RATIO 비 Ratio: 비: bassBoosterControls Frequency 주파수 Gain 이득 Ratio 비 bbEditor Beat+Bassline Editor Beat+Bassline 편집기 Play/pause current beat/bassline (Space) 현재 beat/bassline 재생/잠시 정지(Space) Add beat/bassline beat/bassline 더하기 Add automation-track 자동화 트랙 더하기 Stop playback of current beat/bassline (Space) 현재 beat/bassline 재생 중지 (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. 현재 beat/bassline를 재생하기 위하여 여기를 클릭. beat/bassline은 끝에 도달시 자동으로 반복됩니다. Click here to stop playing of current beat/bassline. 현재 beat/bassline 재생을 정지하기 위하여 여기를 클릭. Remove steps 단계 제거 Add steps 단계 더하기 bbTCOView Open in Beat+Bassline-Editor Beat+Bassline 편집기에서 ㅇ려기 Reset name 이름 초기화 Change name 이름 변경 Change color 색상 변경 bbTrack Beat/Bassline %1 Clone of %1 bitInvader Samplelength 샘플 길이 bitInvaderView Sample Length 샘플 길이 Sine wave 사인 파형 Triangle wave 삼각 파형 Saw wave 톱니 파형 Square wave 사각 파형 White noise wave 화이트 노이즈 파형 User defined wave 사용자 정의 파형 Smooth 부드럽게 Click here to smooth waveform. 파형을 부드럽게 하기 위하여 여기를 클릭 Interpolation 내삽 Normalize 일반화 Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. 사인 파형을 위해 클릭. Click here for a triangle-wave. 삼각 파형을 위해 여기를 클릭 Click here for a saw-wave. 톱니 파형을 위해 여기를 클릭 Click here for a square-wave. 사각 파형을 위해 여기를 클릭 Click here for white-noise. 화이트 노이즈를 위해 여기를 클릭 Click here for a user-defined shape. 사용자 정의를 위해 여기를 클릭 exportProjectDialog Could not open file 파일을 열 수 없음 Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 %1로 프로젝트 내보내기 fader Please enter a new value between %1 and %2: %1 과 %2 사이 새로운 값을 입력하시오: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency 시작 주파수 End frequency 끝 주파수 Decay 감쇄 Distortion 왜곡 Gain 이득 kickerInstrumentView Start frequency: 시작 주파수: End frequency: 끝 주파수: Decay: 감쇄: Distortion: 왜곡: Gain: 이득: knob &Help 도움말(&H) Please enter a new value between -96.0 dBV and 6.0 dBV: -96.0 dBV 과 6.0 dBV 사이 새로운 값을 입력하시오: Please enter a new value between %1 and %2: %1 과 %2 사이 새로운 값을 입력하시오: ladspaBrowserView Available Effects 사용 가능 효과 Unavailable Effects 사용 불가능한 효과 Instruments 기기 Analysis Tools 분석 도구 Don't know 알 수 없음 This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: 형태: ladspaDescription Plugins 플러그인 Description 요약 ladspaPortDialog Ports 포트 Name 이름 Rate 비 Direction 방향 Type 형태 Min < Default < Max 최소 < 기본 < 최대 Logarithmic SR Dependent SR 의존 Audio 오디오 Control 제어 Input 입력 Output 출력 Toggled 토글 Integer 정수 Float 유동 Yes 예 lb302Synth VCF Cutoff Frequency VCF Cutoff 주파수 VCF Resonance VCF 공명 VCF Envelope Mod VCF 감싸기 모드 VCF Envelope Decay VCF 감싸기 감쇄 Distortion 왜곡 Waveform 파형 Slide Decay 슬라이드 감소 Slide 슬라이드 Accent Dead 24dB/oct Filter 24dB/oct 필터 lb302SynthView Cutoff Freq: Cutoff 주파수: Resonance: 공명: Env Mod: 환경 모드: Decay: 감쇄: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: 슬라이드 감쇄: DIST: Saw wave 톱니 파형 Click here for a saw-wave. Triangle wave 삼각 파형 Click here for a triangle-wave. 삼각 파형을 위하여 여기를 클릭 Square wave 사각 파형 Click here for a square-wave. 사각 파형을 위하여 여기를 클릭 Rounded square wave 둥근 사각 파형 Click here for a square-wave with a rounded end. 둥근 끝의 사가 파형을 위하여 여기를 클릭. Moog wave Click here for a moog-like wave. Sine wave 사인 파형 Click for a sine-wave. 사인 파형을 위해 클릭 White noise wave 화이트 노이즈 파형 Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion 왜곡 Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position 위치 Vibrato Gain 떨림 이득 Vibrato Freq 떨림 주파수 Stick Mix 스틱 믹스 Modulator 모듈레이트 Crossfade 크로스페이드 LFO Speed LFO 속도 LFO Depth ADSR Pressure 압력 Motion 모션 Speed 속도 Bowed Spread Marimba 마림바 Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files 없는 파일 Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument 기기 Spread Spread: Hardness Hardness: Position 위치 Position: 위치: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help opl2instrument Patch 패치 Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: Osc %1 panning: Osc %1 fine detuning left: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! patternFreezeStatusDialog Freezing pattern... Cancel patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step 피아노-롤에서 이 패턴을 열기위해 이중 클릭 한 단계 볼륨을 설정하기위하여 마우스 휠 사용 Open in piano-roll 피아노-롤에서 열기 Clear all notes 전체 박자 지우기 Reset name 이름 초기화 Change name 이름 변경 Refreeze Freeze Unfreeze Add steps 단계 더하기 Remove steps 단계 제거 PianoRoll Play/pause current pattern (Space) 현재 패턴 재생/잠시 중지 (Space) Stop playing of current pattern (Space) 현재 패턴 재생을 중지 (Space) Cut selected notes (Ctrl+X) 선택 박자를 잘라내기 (Ctrl+X) Copy selected notes (Ctrl+C) 선택 박자를 복사 (Ctrl+C) Paste notes from clipboard (Ctrl+V) 클립보드에서 박자 붙여넣기 (Ctrl+V) Piano-Roll - no pattern 피아노-롤 - 패턴 없음 Piano-Roll - %1 피아노-롤 - %1 Please open a pattern by double-clicking on it! 이것을 이중 클릭을 함으로서 패턴을 열어주세요. Record notes from MIDI-device/channel-piano 미디 기기/채널 피아노에서 박자 기록 Record notes from MIDI-device/channel-piano while playing song or BB track 노래 또는 BB 트랙 재생시 미디 기기/채널에서 박자 기록 Draw mode (Shift+D) 그리기 모드 (Shift+D) Erase mode (Shift+E) 지우기 모드 (Shift+E) Select mode (Shift+S) 선택 모드 (Shift+S) Last note 마지막 박자 Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock 박자 잠금 Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description 요약 없음 Instrument plugins 기기 플러그인 Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins 설치된 LADSPA 플러그인 목록 three powerful oscillators you can modulate in several ways Filter for importing FL Studio projects into LMMS versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. Additive Synthesizer for organ-like sounds plugin for boosting bass Tuneful things to bang on simple sampler with various settings for using samples (e.g. drums) in an instrument-track VST-host for using VST(i)-plugins within LMMS Vibrating string modeler plugin for using arbitrary LADSPA-effects inside LMMS. LMMS안에서 임의 LADSPA 효과를 이용하기 위한 플러그인 Filter for importing MIDI-files into LMMS 미디 파일을 LMMS로 읽어오기 위한 필터 Instrument browser 기기 브라우저 Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. 각 노래 편집기, Beat+Bassline 편집기 또는 기존 기기 트랙으로 끌기 Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files 소리 글꼴 파일을 위한 재생기 Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes 프로젝트 박자 Put down your project notes here. 프로젝트 박자를 여기에 두시오. Edit Actions 작업 편집 &Undo 작업 취소(&U) Ctrl+Z &Redo 작업 재실행(&R) Ctrl+Y &Copy 복사(&C) Ctrl+C Cu&t 잘라내기(&T) Ctrl+X &Paste 붙여넣기(&P) Ctrl+V Format Actions 형식 작업 &Bold 진하게(&B) Ctrl+B &Italic 기울임(&I) Ctrl+I &Underline 밑줄(&U) Ctrl+U &Left 왼쪽(&L) Ctrl+L C&enter 중앙(&E) Ctrl+E &Right 오른쪽(&R) Ctrl+R &Justify 양쪽 배분(&J) Ctrl+J &Color... 색상(&C)... renameDialog Rename... 다른 이름으로... setupDialog Setup LMMS LMMS 설정 General settings 일반 설정 BUFFER SIZE 버퍼 크기 Reset to default-value 기본값으로 초기화 MISC 기타 Enable tooltips 도구 도움말 가능 Show restart warning after changing settings 설정 변경후 재실행 경고 보이기 Display volume as dBV dBV로 볼륨 보이기 Compress project files per default 기본 당 프로젝트 파일 압축 HQ-mode for output audio-device 출력 오디오 기기의 HQ 모드 LMMS working directory LMMS 작업 폴더 VST-plugin directory VST-플러그인 폴더 Artwork directory 아트작업 폴더 FL Studio installation directory FL Studio 설치 폴더 STK rawwave directory STK 원시 파형 폴더 Performance settings 실행 설정 UI effects vs. performance UI 효과 대 실행 Audio settings 오디오 설정 AUDIO INTERFACE 오디오 인터페이스 MIDI settings 미디 설정 MIDI INTERFACE 미디 인터페이스 OK 확인 Cancel 취소 Restart LMMS LMMS 재실행 Please note that most changes won't take effect until you restart LMMS! LMMS 재실행 전까지는 변경이 영향을 미치지 않습니다. Frames: %1 Latency: %2 ms 프레임: %1 래턴시: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Choose LMMS working directory LMMS 작업 폴더 선택 Choose your VST-plugin directory VST 플러그인 폴더 선택 Choose artwork-theme directory 아트워크 테마 폴더 선택 Choose FL Studio installation directory FL Studio 설치 폴더 선택 Choose LADSPA plugin directory LADSPA 플러그인 폴더 선택 Choose STK rawwave directory STK 원시 파형 폴더 선택 Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Paths 경로 LADSPA plugin paths LADSPA 플러그인 폴더 Default Soundfont File 기본 사운드글꼴 파일 Background artwork 배경 아트워크 Choose default SoundFont 기본 사운드글꼴 선택 Choose background artwork 배경 아트워크 선택 One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank 뱅크 Patch 패치 Gain 이득 Reverb 리버브 Reverb Roomsize 리버브 룸크기 Reverb Damping 리버브 댐핑 Reverb Width 리버브 너비 Reverb Level 리버브 레벨 Chorus 코러스 Chorus Lines 코러스 라인 Chorus Level 코러스 레벨 Chorus Speed 코러스 속도 Chorus Depth 코러스 깊이 sf2InstrumentView Open other SoundFont file 다른 사운드끌꼴 파일 열기 Click here to open another SF2 file 다른 SF2 파일을 열기 위하여 여기를 클릭 Choose the patch 패치 선택 Gain 이득 Apply reverb (if supported) 리버브 적용(지원시) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. 이 버튼은 리버브 효과 가능. 이것은 쿨 효과에 유용하다. 그러나 지원하는 파일에서만 작업이 가능. Reverb Roomsize: 리버브 룸크기: Reverb Damping: 리버브 댐핑: Reverb Width: 리버브 너비: Reverb Level: 리버브 레벨: Apply chorus (if supported) 코러스 적용(지원시) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: 코러스 라인: Chorus Level: 코러스 레벨: Chorus Speed: 코러스 속도: Chorus Depth: 코러스 심도: Open SoundFont file SoundFont2 Files (*.sf2) 음성글꼴2 파일 (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance 공명 Filter type 필터 형태 Voice 3 off Volume 볼륨 Chip model 칩 모델 sidInstrumentView Volume: 볼륨: Resonance: 공명: Cutoff frequency: High-Pass filter 하이패스 필터 Band-Pass filter 밴드패스 필터 Low-Pass filter 로우패스 필터 Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise 잡음 Sync 동기 Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod 링-모드 Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered 필터 When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test 테스트 Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo 탬포 Master volume 마스터 볼륨 Master pitch 마스터 피치 Project saved 저장된 프로젝트 The project %1 is now saved. 프로젝트 %1 이 지금 저장됨. Project NOT saved. 프로젝트가 저장 안됨 The project %1 was not saved! 프로젝트 %1이 저장되지 않음! Import file 파일 읽어오기 untitled 무제 Select file for project-export... 내보내기 위한 프로젝트 파일 선택... Empty project 빈 프로젝트 This project is empty so exporting makes no sense. Please put some items into Song Editor first! 이 프로젝트가 비어있어 내보내기가 무의미함. 몇 항목을 노래 편집기에 우선 두세요! MIDI sequences 미디 시퀀스 FL Studio projects FL Studio 프로젝트 All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor 노래-편집기 Play song (Space) 노래 재생 (Space) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Stop song (Space) 노래 정지 (Space) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Add sample-track 샘플 트랙 더하기 Could not open file 파일을 열 수 없음 Could not write file 파일을 쓸 수 없음 Add automation-track 자동화 트랙 더하기 Draw mode 그리기 모드 Edit mode (select and move) 편집 모드(선택 및 이동) Record samples from Audio-device 오디오 기기에서 샘플 녹음 Record samples from Audio-device while playing song or BB track 노래 재생 또는 BB트랙 동안 오디오 기기에서 샘플 녹음 Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Add beat/bassline beat/bassline 더하기 Tempo 탬포 TEMPO/BPM 템포/BPM tempo of song 노래 템포 The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode 고 양질 모드 Master volume 마스터 볼륨 master volume 마스터 볼륨 Master pitch 마스터 피치 master pitch 마스터 피치 Value: %1% 값: %1% Value: %1 semitones 값: %1 세미톤 Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum 선형 스펙트럼 Linear Y axis 선형 Y 축 spectrumAnalyzerControls Linear spectrum 선형 스펙트럼 Linear Y-axis 선형 Y 축 Channel mode 채널 모드 stereoEnhancerControlDialog WIDE 넓게 Width: 너비: stereoEnhancerControls Width 너비 stereoMatrixControlDialog Left to Left Vol: 왼쪽에서 왼쪽 볼륨: Left to Right Vol: 왼쪽에서 오른쪽 볼륨: Right to Left Vol: 오른쪽에서 왼쪽 볼륨: Right to Right Vol: 오른쪽에서 오른쪽 볼륨: stereoMatrixControls Left to Left 왼쪽에서 왼쪽 Left to Right 왼쪽에서 오른쪽 Right to Left 오른쪽에서 왼쪽 Right to Right 오른쪽에서 오른쪽 timeLine Enable/disable auto-scrolling 자동 스크롤링 가능/불가능 Enable/disable loop-points 순환 점 가능/불가능 After stopping go back to begin 중지 후 처음으로 뒤로 이동 After stopping go back to position at which playing was started 중지 후 재생을 시작한 위치로 뒤로 이동 After stopping keep position 중지 후 위치 유지 Hint 힌트 Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted 무음 Solo 솔로 trackContentObject Muted 무음 trackContentObjectView Current position 현재 위치 Hint 힌트 Press <Ctrl> and drag to make a copy. <Ctrl> 누르고 복사본을 만들기 위하여 끌기 Current length 현재 길이 Press <Ctrl> for free resizing. 자유 크기 재조정하기 위하여 <Ctrl> 누르기 %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 를 %5:%6 로) Delete (middle mousebutton) 삭제 (중간 마우스버튼) Cut 잘라내기 Copy 복사 Paste 붙여넣기 Mute/unmute (<Ctrl> + middle click) 무음/무음해제 (<Ctrl> + 중간 클릭) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track 이 트랙의 작업 Mute 무음 Mute this track 이 트랙을 무음 Solo 솔로 Clone this track 이 트랙을 복제 Remove this track 이 트랙을 제거 vestigeInstrument Loading plugin 플러그인 읽는 중 Please wait while loading VST-plugin... VST 플러그인 읽은 동안 잠시 대기... Failed loading VST-plugin VST 플러그인 읽는 중 오류 The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 길이 %1 Impulse %1 Octave %1 vibedView Volume: 볼륨: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: 위치 지정: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: 길이: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor Impulse 편집기 The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Click here to normalize waveform. &Help Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape 소리 %1 파형 Voice %1 sync 소리 %1 동기화 Voice %1 ring modulate 소리 %1 링 조정 Voice %1 filtered 소리 %1 필터됨 Voice %1 test 소리 %1 테스트 lmms-1.0.0+bzr2569/data/locale/nl.qm0000644000000000000000000023125511517317720015061 0ustar 00000000000000d@dF|GG[jGrH`I;LObz2S}A!S}C!BSU#FSb#vT. 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Չ9 Չ9 3" i Mr e ^_ fn~oi!&ʮ1C2pe;}7<)B`P^Q><Y]7ad^7dy<8YȘxN ah7WgCgU&~Z r` %m4.M iL5ƳiOverAbout AboutDialog"Arpeggio richtingArpeggio direction ArpeggiatorArpeggio gate Arpeggio gate ArpeggiatorArpeggio modus Arpeggio mode ArpeggiatorArpeggio bereikArpeggio range ArpeggiatorArpeggio tijd Arpeggio time ArpeggiatorArpeggio soort Arpeggio type ArpeggiatorVrijFree ArpeggiatorGesorteerdSort ArpeggiatorSynchroonSync Arpeggiator%%ArpeggiatorViewARPEGGIOARPEGGIOArpeggiatorViewArpeggio gate:Arpeggio gate:ArpeggiatorView Arpeggio bereik:Arpeggio range:ArpeggiatorViewArpeggio tijd:Arpeggio time:ArpeggiatorViewRichting: Direction:ArpeggiatorViewGATEGATEArpeggiatorView Modus:Mode:ArpeggiatorView BEREIKRANGEArpeggiatorViewTIJDTIMEArpeggiatorView6Gebruik deze knop om de arpeggio-tijd in miliseconden in te stellen. De arpeggio-tijd geeft aan hoe lang elke noot binnen de arpeggio gespeeld moet worden.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoktave(n) octave(s)ArpeggiatorViewKANALENCHANNELSAudioAlsa::setupWidgetAPPARAATDEVICEAudioAlsa::setupWidgetVersterking:Amplify:AudioFileProcessorViewEindpunt: Endpoint:AudioFileProcessorViewMet deze knop word de sample achterste voren gespeeld. Dit is goed bruikbaar voor leuke effecten, zoals een 'reversed crash'.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewRSample herhalen tussen start- en eindpunt#Loop sample at start- and end-pointAudioFileProcessorView(Andere sample openenOpen other sampleAudioFileProcessorView Sample omdraaienReverse sampleAudioFileProcessorViewStartpunt: Startpoint:AudioFileProcessorViewKANALENCHANNELSAudioJack::setupWidgetCLIENT-NAAM CLIENT-NAMEAudioJack::setupWidgetKANALENCHANNELSAudioOss::setupWidgetAPPARAATDEVICEAudioOss::setupWidgetAPPARAATDEVICEAudioPortAudio::setupWidgetKANALENCHANNELSAudioPulseAudio::setupWidgetAPPARAATDEVICEAudioPulseAudio::setupWidgetAPPARAATDEVICEAudioSdl::setupWidget.Waarde &kopieren (%1%2)&Copy value (%1%2)AutomatableModel,Waarde &plakken (%1%2)&Paste value (%1%2)AutomatableModel$&Herstellen (%1%2) &Reset (%1%2)AutomatableModel|Alle geselecteerde waarden zijn naar het klembord gekopieerd. 1All selected values were copied to the clipboard.AutomationEditor,Automation-Editor - %1Automation Editor - %1AutomationEditor@Automation-Editor - geen PatternAutomation Editor - no patternAutomationEditorLKopieer geselecteerde waarden (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorFKnip geselecteerde waarden (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor*Teken modus (Shift+D)Draw mode (Shift+D)AutomationEditor&Wis modus (Shift+E)Erase mode (Shift+E)AutomationEditorAls je hier klikt, word de verplaats-modus geactiveerdt. In deze modus kun je de in de selecteer-modus geselecteerde waarden verplaatsen. Je kunt ook 'Shift+M' op het toetsenbord gebruiken om deze modus te activeren.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorDVerplaats selectie modus (Shift+M)Move selection mode (Shift+M)AutomationEditorDPlak waarden van klembord (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorTHuidige pattern afspelen/pauseren (Spatie)"Play/pause current pattern (Space)AutomationEditorOpen aub een automation pattern met het context menu van een controller!EPlease open an automation pattern with the context menu of a control!AutomationEditor2Selecteer modus (Shift+S)Select mode (Shift+S)AutomationEditorRAfspelen huidige pattern stoppen (Spatie)'Stop playing of current pattern (Space)AutomationEditor$Waarden gekopieerd Values copiedAutomationEditorNaam herstellen Reset nameAutomationPatternView1111 ChordCreator11b911b9 ChordCreator1313 ChordCreator13#913#9 ChordCreator 13b5b913b5b9 ChordCreator13b913b9 ChordCreator66 ChordCreator madd96add9 ChordCreator 6sus46sus4 ChordCreator77 ChordCreator7#117#11 ChordCreator7#57#5 ChordCreator 7#5#97#5#9 ChordCreator 7#5b97#5b9 ChordCreator7#97#9 ChordCreator 7add117add11 ChordCreator 7add137add13 ChordCreator7b57b5 ChordCreator 7b5b97b5b9 ChordCreator7b97b9 ChordCreator 7sus47sus4 ChordCreator99 ChordCreator9#119#11 ChordCreator9#59#5 ChordCreator9b139b13 ChordCreator9b59b5 ChordCreator 9sus49sus4 ChordCreatorAeolianAeolian ChordCreatorArabischArabic ChordCreator BluesBlues ChordCreatorAkkoord bereik Chord range ChordCreatorAkkoord soort Chord type ChordCreatorVermindert Diminished ChordCreatorDominante BebopDominant bebop ChordCreator DorianDorian ChordCreatorEnigmatisch Enigmatic ChordCreator"Harmonisch mineurHarmonic minor ChordCreatorZigeunermineurHungarian minor ChordCreatorLocrischLocrian ChordCreatorLydischLydian ChordCreator Maj11Maj11 ChordCreator Maj13Maj13 ChordCreatorMaj7Maj7 ChordCreatorMaj7#11Maj7#11 ChordCreator Maj7#5Maj7#5 ChordCreatorMaj7add13 Maj7add13 ChordCreator Maj7b5Maj7b5 ChordCreatorMaj9Maj9 ChordCreatorMaj9#11Maj9#11 ChordCreator Maj9#5Maj9#5 ChordCreatorMaj9sus4Maj9sus4 ChordCreator Majb5Majb5 ChordCreator MajeurMajor ChordCreatorMajeur bebop Major bebop ChordCreator&Pentatonisch majeurMajor pentatonic ChordCreator Melodisch mineur Melodic minor ChordCreator&Pentatonisch mineurMinor pentatonic ChordCreatorMixolydisch Mixolydian ChordCreatorNeopolitanisch Neopolitan ChordCreator.Neopolitanisches mineurNeopolitan minor ChordCreatorPhrygisch Phrygolydian ChordCreatorHele noot Whole tone ChordCreatoradd9add9 ChordCreatoraugaug ChordCreatoraugsus4augsus4 ChordCreatorm-Maj11m-Maj11 ChordCreatorm-Maj13m-Maj13 ChordCreator m-Maj7m-Maj7 ChordCreatorm-Maj7add11 m-Maj7add11 ChordCreatorm-Maj7add13 m-Maj7add13 ChordCreatorm11m11 ChordCreatorm13m13 ChordCreatorm6m6 ChordCreator m6add9m6add9 ChordCreatorm7m7 ChordCreatorm7add11m7add11 ChordCreatorm7add13m7add13 ChordCreatorm7b5m7b5 ChordCreatorm7b9m7b9 ChordCreatorm9m9 ChordCreatorm9-Maj7m9-Maj7 ChordCreatorm9b5m9b5 ChordCreator madd9madd9 ChordCreator minb5minb5 ChordCreator mineurminor ChordCreator oktaafoctave ChordCreatorsus2sus2 ChordCreatorsus4sus4 ChordCreatortritri ChordCreatorAKKOORDENCHORDSChordCreatorViewAkkoord bereik: Chord range:ChordCreatorView BEREIKRANGEChordCreatorViewoktave(n) octave(s)ChordCreatorView KANAALCHANNELControllerConnectionDialogIngang kanaal Input channelControllerConnectionDialogXMIDI-apparaat voor ontvangen van MIDI-events(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog &Help&HelpControllerView &Help&Help EffectViewGATEGATE EffectViewFreq x 100 Freq x 100EnvelopeAndLfoParameters0Moduleer Env-IntensiteitModulate Env-AmountEnvelopeAndLfoParametersAMTAMTEnvelopeAndLfoViewATTATTEnvelopeAndLfoViewAttack:Attack:EnvelopeAndLfoView|Klik hier, om de envelope-waarde door de LFO te laten regelen.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewDELDELEnvelopeAndLfoView Decay:Decay:EnvelopeAndLfoViewvSleep een willekeurige sample en plaats hem in dit venster.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoViewTipHintEnvelopeAndLfoView Hold:Hold:EnvelopeAndLfoView&MODULEER-ENV-INTENSMODULATE ENV-AMOUNTEnvelopeAndLfoView,Modulatie-intensiteit:Modulation amount:EnvelopeAndLfoViewPredelay: Predelay:EnvelopeAndLfoViewRELRELEnvelopeAndLfoViewRelease:Release:EnvelopeAndLfoViewSPDSPDEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoViewSustain:Sustain:EnvelopeAndLfoViewRGebruik deze knop om de attack-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO aan zijn maximaal ingestelde waarde komt.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewGebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd welke de envelope nodig heeft om aan zijn maximale waarde te komen. Kies een korte tijd voor bv. piano's en een lange tijd voor bv. strijkers.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewGebruik deze knop om de decay-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is om van het maximale attack-niveau naar het sustain-niveau te gaan. Voor bv. piano moet je een lage waarde kiezen.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewjGebruik deze knop voor het instellen van de hold-tijd van de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewvGebruik deze knop voor het instellen van de modulatiewaarde ven de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewGebruik deze knop om de modulatiewaarde voor de huidige envelope in te stellen. Hoe groter de waarde, hoe meer het gewenste doel (bv. volume of cutoff-frequentie) word beinvloed door de envelope.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView:Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is totdat de envelope zijn maximale waarde heeft bereikt.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView.Gebruik deze knop om de predelay-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO begint te oscilleren.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewGebruik deze knop om de release-tijd van de huidige envelope in te stellen. Dit is de tijd die de envelope nodig heeft om van sustain-niveau weer naar nul te gaan. Kies een grote waarde voor bijvoorbeeld strijkers.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewGebruik deze knop voor het instellen van de LFO-snelheid. Hoe groter de waarde, hoe sneller de LFO oscilleerd en hoe sneller het effect is.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView<Gebruik deze knop om het sustain-niveau van de huidige envelope in te stellen. Dit is de waarde van de envelope welke word aangehouden zolang de noot aanhoud.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView@envelope-waarde door LFO regelen#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoView DempenMute FxMixerView KANAALCHANNELInstrumentMidiIOView2x LowPass 2x LowPassInstrumentSoundShapingAllpassAllpassInstrumentSoundShapingBandpass csg BandPass csgInstrumentSoundShapingBandpass czpg BandPass czpgInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShapingFiltersoort Filter typeInstrumentSoundShaping HiPassHiPassInstrumentSoundShapingLowPassLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShaping NotchNotchInstrumentSoundShapingQ/Resonantie Q/ResonanceInstrumentSoundShaping VolumeVolumeInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShapingView FILTERFILTERInstrumentSoundShapingView<Hier kun je een ingebouwd filter selecteren, welke je in dit kanaal kunt gebruiken. Filters zijn zeer belangrijk om het karakter van een geluid te veranderen.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewDOELTARGETInstrumentSoundShapingView"cutof-frequentie:cutoff-frequency:InstrumentSoundShapingViewGrandtoon Base noteInstrumentTrackFX-Kanaal FX channelInstrumentTrack VolumeVolumeInstrumentTrackMet deze knop kun je het volume van het geopende kanaal instellen.Met acht beats gesynchroniseerdSynced to Eight Beats TempoSyncKnob>Met halve noot gesynchroniseerdSynced to Half Note TempoSyncKnob>Met kwart noot gesynchroniseerdSynced to Quarter Note TempoSyncKnob<Met hele noot gesynchroniseerdSynced to Whole Note TempoSyncKnob(Tempo synchronisatie Tempo Sync TempoSyncKnobHele noot Whole note TempoSyncKnob2Osc %1 grove ontstemming:Osc %1 coarse detuning:TripleOscillatorViewJOscillator %1 Fijn ontstemming links:Osc %1 fine detuning left:TripleOscillatorViewLOscillator %1 Fijn ontstemming rechts:Osc %1 fine detuning right:TripleOscillatorView*Oscillator %1 Balans:Osc %1 panning:TripleOscillatorViewBOscillator %1 fase-verschuiving: Osc %1 phase-offset:TripleOscillatorViewLOscillator %1 stereo fase-veschuiving:Osc %1 stereo phase-detuning:TripleOscillatorView*Oscillator %1 Volume:Osc %1 volume:TripleOscillatorViewMet deze knop stel je de grove ontstemming van oscillator %1 in. Je kunt de oscillator 12 seminote (1oktaaf) naar boven of beneden ontstemmen.Dit is bruikbaar voor het maken van geluiden met een akkoord.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewMet deze knop stel je de fijne ontstemming van oscillator %1 in voor het linker kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewMet deze knop stel je de fijne ontstemming van oscillator %1 in voor het rechter kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewXMet deze knop stel je de balans in voor oscillator %1. Een waarde van -100 betekent 100% links en een waarde van 100 verplaatst het geluid volledig naar het rechter kanaal.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewPMet deze knop stel je de fase-verschuiving van oscillator %1 in. Dit betekend dat je het punt in de oscillatie waar de oscillator begint te oscilleren kunt verplaatsen.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorView,Met deze knop stel je het volume van oscillator %1 in. Als deze op 0 staat is de oscillator uit. Anders hoor je de oscillator zo hard als jij hem wil.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorView gradendegreesTripleOscillatorViewsemitonen semitonesTripleOscillatorViewKlik hier, wanneer je de Grafische Gebruiker Interface (GUI) van je VST-plugin wilt tonen/verbergen.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentViewHKlik hier, wanner je een andere VST-plugin wilt openen. Nadat je op deze knop gedrukt hebt zal er een bestand-openen-dialoog openen en kun je je bestand selecteren.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView*DLL-Bestanden (*.dll)DLL-files (*.dll)VestigeInstrumentView*EXE-Bestanden (*.exe)EXE-files (*.exe)VestigeInstrumentView.Geen VST-plugin geladenNo VST-plugin loadedVestigeInstrumentViewOpen VST-pluginOpen VST-pluginVestigeInstrumentView*Open ander VST-pluginOpen other VST-pluginVestigeInstrumentView,Alle noten verwijderenTurn off all notesVestigeInstrumentViewdoorbyVestigeInstrumentView0VST-plugin laden misluktFailed loading VST-plugin VstPluginPlugin ladenLoading plugin VstPluginPWacht aub, de VST-plugin word geladen...'Please wait while loading VST-plugin... VstPluginDDe VST-plugin %1 kan om onbekende reden niet worden geladen. Als het wel werkt met andere VST-software onder Linux, neem dan contact op met een LMMS-ontwikkelaar!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginVersterkingAmplifyaudioFileProcessor$Eind van de sample End of sampleaudioFileProcessor Sample omdraaienReverse sampleaudioFileProcessor&Begin van de sampleStart of sampleaudioFileProcessor.Beat/Bassline toevoegenAdd beat/basslinebbEditor(Beat+Bassline EditorBeat+Bassline EditorbbEditor`Huidige beat/bassline afspelen/pauseren (Spatie)(Play/pause current beat/bassline (Space)bbEditor Kleur veranderen Change color bbTCOView<In Beat+Bassline-Editor openenOpen in Beat+Bassline-Editor bbTCOViewNaam herstellen Reset name bbTCOView Beat/Bassline %1Beat/Bassline %1bbTrackSamplelengte Samplelength bitInvaderInterpolatie InterpolationbitInvaderViewNormaliseren NormalizebitInvaderViewSample Lengte Sample LengthbitInvaderViewZaagtand golfSaw wavebitInvaderViewSinus golf Sine wavebitInvaderViewUitstrijkerSmoothbitInvaderViewVierkants golf Square wavebitInvaderViewDriehoeks golf Triangle wavebitInvaderView8Gebruiker gedefinieerde golfUser defined wavebitInvaderViewWitte ruisWhite noise wavebitInvaderView.Kan bestand niet openenCould not open fileexportProjectDialog2Exporteer project naar %1Export project to %1exportProjectDialog Decay:Decay:kickerInstrumentView &Help&HelpknobVVoer aub. een waarde in tussen %1 en %2 in:+Please enter a new value between %1 and %2:knobhVoer aub. een waarde tussen -96.0 dBV en 6.0 dBV in:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob Soort:Type:ladspaBrowserViewDECDEClb302SynthView Decay:Decay:lb302SynthViewZaagtand golfSaw wavelb302SynthViewSinus golf Sine wavelb302SynthViewVierkants golf Square wavelb302SynthViewDriehoeks golf Triangle wavelb302SynthViewWitte ruisWhite noise wavelb302SynthViewDECDEClb303SynthView Decay:Decay:lb303SynthView &Help&HelpnineButtonSelector VolumeVolumeorganicInstrumentJOscillator %1 Fijn ontstemming links:Osc %1 fine detuning left:organicInstrumentView*Oscillator %1 Balans:Osc %1 panning:organicInstrumentView*Oscillator %1 Volume:Osc %1 volume:organicInstrumentView.Oscillator %1 Golfvorm:Osc %1 waveform:organicInstrumentViewWillekeurig RandomiseorganicInstrumentViewVolume:Volume:organicInstrumentView4Kan pattern niet bevriezenCannot freeze patternpatternDe pattern kan nu niet bevroren worden, omdat deze in de afspeel-modus is. Stop aub. en probeer opnieuw!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternAnnulerenCancelpatternFreezeStatusDialog(Pattern bevriezen...Freezing pattern...patternFreezeStatusDialog%1 Steps%1 steps patternView 1 Step1 step patternViewSteps toevoegen Add steps patternView,Alle noten verwijderenClear all notes patternViewBevriezenFreeze patternView(In Piano-Roll openenOpen in piano-roll patternView"Opnieuw bevriezenRefreeze patternView"Steps verwijderen Remove steps patternViewNaam herstellen Reset name patternView0Bevriezen ongedaan makenUnfreeze patternViewdubbel-klik om deze pattern in Piano-Roll te openen volume van de steps is met het muiswiel te veranderenWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewHKopieer geselecteerde noten (Ctrl+C)Copy selected notes (Ctrl+C) pianoRollBKnip geselecteerde noten (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll*Teken modus (Shift+D)Draw mode (Shift+D) pianoRoll&Wis modus (Shift+E)Erase mode (Shift+E) pianoRollLaatste noot Last note pianoRoll@Plak noten van klembord (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRollPiano-Roll - %1Piano-Roll - %1 pianoRoll0Piano-Roll -geen patternPiano-Roll - no pattern pianoRollTHuidige pattern afspelen/pauseren (Spatie)"Play/pause current pattern (Space) pianoRollfOpen aub. een pattern door er op te dubbel-klikken!/Please open a pattern by double-clicking on it! pianoRollXNoten van MIDI-apparaat/kanaal-piano opnemen+Record notes from MIDI-device/channel-piano pianoRoll2Selecteer modus (Shift+S)Select mode (Shift+S) pianoRollRAfspelen huidige pattern stoppen (Spatie)'Stop playing of current pattern (Space) pianoRoll^Additive Synthesizer voor orgelachtige geluiden*Additive Synthesizer for organ-like sounds pluginBrowserlFilter voor importeren van FL Studio Projecten in LMMS1Filter for importing FL Studio projects into LMMS pluginBrowser^Filter, om MIDI-bestanden in LMMS te importeren)Filter for importing MIDI-files into LMMS pluginBrowser$Instrument PluginsInstrument plugins pluginBrowserhVST-Host voor bebruik van VST(i)-Plugins binnen LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowserDVibrerende snaarinstrument modelerVibrating string modeler pluginBrowser"geen beschrijvingno description pluginBrowserEenvoudige Sampler met verschillende instellingen voor gebruik van samples (z.B. Drums) in in een instrument-spoorZsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserDrie krachtige Oscillatoren, welke je op verschillende manieren kan moduleren;three powerful oscillators you can modulate in several ways pluginBrowser&Vet&Bold projectNotes&Kleur... &Color... projectNotes&Kopieren&Copy projectNotes&Cursief&Italic projectNotes&Uitgevuld&Justify projectNotes &Links&Left projectNotes&Plakken&Paste projectNotes&Herstellen&Redo projectNotes&Rechts&Right projectNotes&Onderstrepen &Underline projectNotes&Ongedaan maken&Undo projectNotesC&entrerenC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotesK&nippenCu&t projectNotesBewerken Edit Actions projectNotes OpmaakFormat Actions projectNotes Project notities Project notes projectNotes@Plaats hier je Project notities.!Put down your project notes here. projectNotesHernoemen... Rename... renameDialog:AIFF-Bestanden (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer&AU-Bestanden (*.au)AU-Files (*.au) sampleBuffer.FLAC-Bestanden (*.flac)FLAC-Files (*.flac) sampleBuffer*OGG-Bestanden (*.ogg)OGG-Files (*.ogg) sampleBuffer(Audio-bestand openenOpen audio file sampleBuffer*RAW-Bestanden (*.raw)RAW-Files (*.raw) sampleBuffer*VOC-Bestanden (*.voc)VOC-Files (*.voc) sampleBuffer,Wave-Bestanden (*.wav)Wave-Files (*.wav) sampleBufferKopierenCopy sampleTCOViewKnippenCut sampleTCOView@Verwijderen (middelste muisknop)Delete (middle mousebutton) sampleTCOViewNDempen/geluid aan (<Ctrl> + middelklik)#Mute/unmute ( + middle click) sampleTCOViewPlakkenPaste sampleTCOViewNdubbel-klik om een sample te selecterendouble-click to select sample sampleTCOViewSample spoor Sample track sampleTrack VolumeVolume sampleTrackAUDIO INTERFACEAUDIO INTERFACE setupDialogArtwork mapArtwork directory setupDialog$Audio instellingenAudio settings setupDialogBUFFERGROOTTE BUFFER SIZE setupDialogAnnulerenCancel setupDialog<Kies FL Studio installatie map'Choose FL Studio installation directory setupDialog$Kies LMMS-werkmap Choose LMMS working directory setupDialog0Artwork-thema map kiezenChoose artwork-theme directory setupDialog,Kies je VST-Plugin map Choose your VST-plugin directory setupDialogJKanaal activiteits LED's uitschakelen#Disable channel activity indicators setupDialog(Volume in dBV tonen Display volume as dBV  setupDialog2FL Studio installatie map FL Studio installation directory setupDialog8Frames: %1 Vertraging: %2 msFrames: %1 Latency: %2 ms setupDialog*Algemene instellingenGeneral settings setupDialogHier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogHier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, JACK, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogHHier kun je de interne buffer-grootte instellen welke door LMMS gebruikt zal worden. Lagere waarden zorgen voor een lagere latency (vertraging) maar kunnen de geluidskwaliteit en de performance wel negatief beinvloeden. Dit geld zeker voor oudere computers en systemen zonder realtime-kernel.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialogLMMS werkmapLMMS working directory setupDialogMIDI INTERFACEMIDI INTERFACE setupDialog"MIDI Instellingen MIDI settings setupDialog4VERSCHILLENDE INSTELLINGENMISC setupDialogOKOK setupDialog^Toetsen op kanaal-piano alleen manueel bedienen)Only press keys on channel-piano manually setupDialog0Performance instellingenPerformance settings setupDialogHoud er rekening mee dat je LMMS opnieuw moet opstarten om sommige instellingen te activeren!GPlease note that most changes won't take effect until you restart LMMS! setupDialogBTerugzetten naar standaardwaardenReset to default-value setupDialogLMMS herstarten Restart LMMS setupDialogLMMS instellen Setup LMMS setupDialog6UI effecten vs. performanceUI effects vs. performance setupDialogVST-Plugin mapVST-plugin directory setupDialogFiltersoort Filter type sidInstrument VolumeVolume sidInstrumentAttack:Attack:sidInstrumentView Decay:Decay:sidInstrumentViewRelease:Release:sidInstrumentViewSustain:Sustain:sidInstrumentViewSynchroonSyncsidInstrumentViewVolume:Volume:sidInstrumentView$Bestand importeren Import filesong"Master toonhoogte Master pitchsongMaster volume Master volumesong0Project NIET opgeslagen.Project NOT saved.song$Project opgeslagen Project savedsongXSelecteer bestand voor exporteren project...!Select file for project-export...song TempoTemposong@Het project %1 is nu opgeslagen.The project %1 is now saved.songHHet project %1 werd niet opgeslagen!The project %1 was not saved!songnaamloosuntitledsong.Beat/Bassline toevoegenAdd beat/bassline songEditor,Sample spoor toevoegenAdd sample-track songEditor&Klik hier, als je de gehele song wil afspelen. Het afspelen start bij de song-positie-marker (groen). Je kunt ook verplaatsen tijdens het afspelen.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditor Klik hier, wanneer je het afspelen van de song wilt stoppen. De song-position-marker zal weer naar het begin van je song worden gezet.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor.Kan bestand niet openenCould not open file songEditor4Kan bestand niet schrijvenCould not write file songEditor~Kan bestand %1 niet schrijven. Je hebt waarschijnlijk niet de bevoegdheid om dit bestand te schrijven. Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en probeer het opnieuw.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorTeken modus Draw mode songEditorPBewerk modus (selecteren en verplaatsen)Edit mode (select and move) songEditor$High quality modusHigh quality mode songEditor"Master toonhoogte Master pitch songEditorMaster volume Master volume songEditor,Song afspelen (Spatie)Play song (Space) songEditorSong-Editor Song-Editor songEditor6Stop afspelen song (Spatie)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditor(Waarde: %1 semitonenValue: %1 semitones songEditorWaarde: %1% Value: %1% songEditor"master toonhoogte master pitch songEditormaster volume master volume songEditorafspeelsnelheid tempo of song songEditor6Na stoppen terug naar beginAfter stopping go back to begintimeLinepNa stoppen terug naar positie waar afspelen werd gestart?After stopping go back to position at which playing was startedtimeLine:Na stoppen op positie blijvenAfter stopping keep positiontimeLineJAutomatisch scrollen in-/uitschakelenEnable/disable auto-scrollingtimeLine8Loop-punten in-/uitschakelenEnable/disable loop-pointstimeLineTipHinttimeLinerDruk <Ctrl> om magnetische loop-punten uit te schakelen..-Press to disable magnetic loop-points.timeLineAfbrekenCanceltrackContainerNKan geen filter vinden voor het te importeren bestand %1. Je zult dit bestand met behulp van andere software moeten converteren naar een door LMMS ondersteund formaat.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer6Kan bestand niet importerenCouldn't import filetrackContainer.Kan bestand niet openenCouldn't open filetrackContainer Kan bestand %1 niet openen voor het schrijven. Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en mapen en probeer het opnieuw!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer2Importeren FLP-bestand...Importing FLP-file...trackContainer4Importeren MIDI-bestand...Importing MIDI-file...trackContainer Project laden...Loading project...trackContainerWachten aub...Please wait...trackContainer.%1:%2 (%3:%4 tot %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectViewKopierenCopytrackContentObjectViewHuidige lengteCurrent lengthtrackContentObjectViewHuidige positieCurrent positiontrackContentObjectViewKnippenCuttrackContentObjectView@Verwijderen (middelste muisknop)Delete (middle mousebutton)trackContentObjectViewTipHinttrackContentObjectViewNDempen/geluid aan (<Ctrl> + middelklik)#Mute/unmute ( + middle click)trackContentObjectViewPlakkenPastetrackContentObjectViewTDruk <Ctrl> voor vrije grootteverandering.Press for free resizing.trackContentObjectView*Acties voor dit spoorActions for this tracktrackOperationsWidget Dit spoor klonenClone this tracktrackOperationsWidget DempenMutetrackOperationsWidgetDruk <Ctrl> tijdens klikken op move-grip om een nieuwe drag'n'drop-actie te starten.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget*Dit spoor verwijderenRemove this tracktrackOperationsWidget0VST-plugin laden misluktFailed loading VST-pluginvestigeInstrumentPlugin ladenLoading pluginvestigeInstrumentPWacht aub, de VST-plugin word geladen...'Please wait while loading VST-plugin...vestigeInstrumentDDe VST-plugin %1 kan om onbekende reden niet worden geladen. Als het wel werkt met andere VST-software onder Linux, neem dan contact op met een LMMS-ontwikkelaar!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrument &Help&Help vibedViewhKlik hier, om een golfvorm te activeren/deactiveren.&Click here to enable/disable waveform. vibedViewTKlik hier, om de golfvorm te normaliseren.!Click here to normalize waveform. vibedViewOntstemming:Detune: vibedView$Golfvorm activerenEnable waveform vibedViewRuigheid: Fuzziness: vibedView2Impuls of begininstellingImpulse or initial state vibedViewLengte:Length: vibedViewNormaliseren Normalize vibedViewBalans:Pan: vibedView Aanslag-positie:Pick position: vibedViewPickup positie:Pickup position: vibedViewZaagtand golfSaw wave vibedViewSinus golf Sine wave vibedViewUitstrijkerSmooth vibedViewVierkants golf Square wave vibedViewHardheid snaar:String stiffness: vibedView@De 'Imp'-knop legt vast of de golfvorm in de grafiek word behandeld als een impulsgever op de snaar tijdens aanslaan, of als de begininstelling van een snaar. The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewDe 'P' knop stelt de aanslagpositie in van de snaar aangeven. Hoe lager de waarde hoe dichter er bij de brug word aangeslagen.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedView$De 'PU' knop stelt de positie in waar de trilling van de snaar word opgepikt. Hoe lager de waarde, hoe dichter de pickup bij de brug geplaatst is.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewVDe 'S' knop stelt de stijfheid in van de geselecteerde snaar. De stijfheid van de snaar bepaalt hoe lang de snaar uittrilt. Hoe lager de waarde, hoe langer de snaar trilt.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewvDe 'V' knop stelt het volume in van de geselecteerde snaar.4The 'V' knob sets the volume of the selected string. vibedViewzDe ontstemknop verandert de toonhoogte van de aangelsgen snaar. Instellingen lager dan 0 zullen het geluid vlakker laten klinken, terwijl het geluid met waarden boven 0 scherper zal worden.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedView0De lengteknop stelt de lengte van de geselecteerde snaar in. Langere snaren klinken langer en helderder, maar dit vergt wel weer meer van de processor. The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewlDe oktaaf-kiezer word gebruikt voor het kiezen met welke harmonische van de noot de snaar zal klinken. Bij '-2' betekent dit bv. dat de snaar 2 oktaven onder de grondtoon ('F') komt.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewDe Balans knop bepaalt de plek van het geluid in het stereo-beeld. PThe Pan knob determines the location of the selected string in the stereo field. vibedViewfDe Slap knop voegt ruigheid toe aan de geselecteerde snaar en is het meest merkbaar in de attack-fase. Tevens kan dit gebruikt worden om de snaar meer 'metallic' te laten klinken.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewDe snaar-kiezer word gebruikt voor het kiezen van de snar welke bewerkt word. Een Vibed instrument kan tot 9 individueel trillende snaren bevatten. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de geselecteerde snaar actief is.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewzDe golfvorm bewerker levert controle over de aanvangstoestand of impuls welke word gebruikt om een snaar te laten trillen. De knoppen aan de rechterkant van de grafiek geven aan welke golfvorm geselecteerd is. De '?' knop laadt een golfvorm-bestand-alleen de eerste 128 samples worden geladen. De golfvorm kan ook in de grafiek getekend worden. De 'S' knop zal de golfvorm uitstrijken (egaler maken). De 'N; knop zal de golfvorm normaliseren.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedViewDriehoeks golf Triangle wave vibedView8Gebruiker gedefinieerde golfUser defined wave vibedViewVibed modeleert tot 9 individuele snaren. De 'Snaren' kiezer maakt het mogelijk om de geselecteerde snaar te bewerken. Met 'Imp' kiezer geef je aan of de grafiek de impuls of de beginwaarde weergeeft. Met de 'Octave' kiezer selecteer je de harmonischen waar de snaar mee trilt. De grafiek geeft je de mogelijkheid de beginwaarde en de impuls te beheren om de snaar in beweging te zetten. De 'V' knop stelt het volume in. De 'S' knop stelt de stijfheid in. De 'P' knop stelt de aanslagpositie in. De 'PU' knop stelt de positie van de pichup in. 'Pan' (balans) en 'Detune' (ontstemming) behoeven geen uitleg. De 'Slap' knop voegt wat ruigheid toe aan het geluid van de snaar. De lengteknop stelt de lengte van de snaar in. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de snaar actief is in het huidige instrument.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewVolume:Volume: vibedViewWitte ruisWhite noise wave vibedView|Klik om de master-output visuallisatie in- of uit te schakelen6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/nl.ts0000644000000000000000000073265112307165142015075 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About Over LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE APPARAAT CHANNELS KANALEN AudioFileProcessorView Open other sample Andere sample openen Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample Sample omdraaien If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Met deze knop word de sample achterste voren gespeeld. Dit is goed bruikbaar voor leuke effecten, zoals een 'reversed crash'. Loop sample at start- and end-point Sample herhalen tussen start- en eindpunt Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Versterking: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Startpunt: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: Eindpunt: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME CLIENT-NAAM CHANNELS KANALEN AudioOss::setupWidget DEVICE APPARAAT CHANNELS KANALEN AudioPortAudio::setupWidget BACKEND DEVICE APPARAAT AudioPulseAudio::setupWidget DEVICE APPARAAT CHANNELS KANALEN AudioSdl::setupWidget DEVICE APPARAAT AutomatableModel &Reset (%1%2) &Herstellen (%1%2) &Copy value (%1%2) Waarde &kopieren (%1%2) &Paste value (%1%2) Waarde &plakken (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Huidige pattern afspelen/pauseren (Spatie) Stop playing of current pattern (Space) Afspelen huidige pattern stoppen (Spatie) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Teken modus (Shift+D) Erase mode (Shift+E) Wis modus (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Knip geselecteerde waarden (Ctrl+X) Copy selected values (Ctrl+C) Kopieer geselecteerde waarden (Ctrl+C) Paste values from clipboard (Ctrl+V) Plak waarden van klembord (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation-Editor - geen Pattern Automation Editor - %1 Automation-Editor - %1 Please open an automation pattern with the context menu of a control! Open aub een automation pattern met het context menu van een controller! Values copied Waarden gekopieerd All selected values were copied to the clipboard. Alle geselecteerde waarden zijn naar het klembord gekopieerd. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name Naam herstellen Change name %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel Ingang kanaal CHANNEL KANAAL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from MIDI-apparaat voor ontvangen van MIDI-events USER CONTROLLER MAPPING FUNCTION OK OK Cancel LMMS Cycle Detected. ControllerRackView Controller Rack Add Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Help &Help Effect Effect enabled Wet/Dry mix Gate Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin &Help &Help EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Freq x 100 Modulate Env-Amount Moduleer Env-Intensiteit EnvelopeAndLfoView DEL DEL Predelay: Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is totdat de envelope zijn maximale waarde heeft bereikt. ATT ATT Attack: Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Gebruik deze knop om de attack-tijd van de huidige envelope in te stellen. Dit is de tijd welke de envelope nodig heeft om aan zijn maximale waarde te komen. Kies een korte tijd voor bv. piano's en een lange tijd voor bv. strijkers. HOLD HOLD Hold: Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Gebruik deze knop voor het instellen van de hold-tijd van de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). DEC DEC Decay: Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Gebruik deze knop om de decay-tijd van de huidige envelope in te stellen. Dit is de tijd die nodig is om van het maximale attack-niveau naar het sustain-niveau te gaan. Voor bv. piano moet je een lage waarde kiezen. SUST SUST Sustain: Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Gebruik deze knop om het sustain-niveau van de huidige envelope in te stellen. Dit is de waarde van de envelope welke word aangehouden zolang de noot aanhoud. REL REL Release: Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Gebruik deze knop om de release-tijd van de huidige envelope in te stellen. Dit is de tijd die de envelope nodig heeft om van sustain-niveau weer naar nul te gaan. Kies een grote waarde voor bijvoorbeeld strijkers. AMT AMT Modulation amount: Modulatie-intensiteit: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Gebruik deze knop om de modulatiewaarde voor de huidige envelope in te stellen. Hoe groter de waarde, hoe meer het gewenste doel (bv. volume of cutoff-frequentie) word beinvloed door de envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Gebruik deze knop om de predelay-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO begint te oscilleren. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Gebruik deze knop om de attack-tijd van de huidige LFO in te stellen. Hoe groter de waarde, hoe langer het duurt voordat de LFO aan zijn maximaal ingestelde waarde komt. SPD SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Gebruik deze knop voor het instellen van de LFO-snelheid. Hoe groter de waarde, hoe sneller de LFO oscilleerd en hoe sneller het effect is. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Gebruik deze knop voor het instellen van de modulatiewaarde ven de huidige LFO. Hoe groter de waarde, hoe groter het effect van de LFO op zijn doel heeft (bv. volume, cutoff-frequentie). Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT MODULEER-ENV-INTENS Click here to make the envelope-amount controlled by this LFO. Klik hier, om de envelope-waarde door de LFO te laten regelen. control envelope-amount by this LFO envelope-waarde door LFO regelen ms/LFO: ms/LFO: Hint Tip Drag a sample from somewhere and drop it in this window. Sleep een willekeurige sample en plaats hem in dit venster. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Dempen Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Arpeggio soort Arpeggio range Arpeggio bereik Arpeggio time Arpeggio tijd Arpeggio gate Arpeggio gate Arpeggio direction Arpeggio richting Arpeggio mode Arpeggio modus Up Down Up and down Random Free Vrij Sort Gesorteerd Sync Synchroon InstrumentFunctionArpeggioView ARPEGGIO ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE BEREIK Arpeggio range: Arpeggio bereik: octave(s) oktave(n) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME TIJD Arpeggio time: Arpeggio tijd: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Gebruik deze knop om de arpeggio-tijd in miliseconden in te stellen. De arpeggio-tijd geeft aan hoe lang elke noot binnen de arpeggio gespeeld moet worden. GATE GATE Arpeggio gate: Arpeggio gate: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Richting: Mode: Modus: InstrumentFunctionNoteStacking octave oktaaf Major Majeur Majb5 Majb5 minor mineur minb5 minb5 sus2 sus2 sus4 sus4 aug aug augsus4 augsus4 tri tri 6 6 6sus4 6sus4 6add9 madd9 m6 m6 m6add9 m6add9 7 7 7sus4 7sus4 7#5 7#5 7b5 7b5 7#9 7#9 7b9 7b9 7#5#9 7#5#9 7#5b9 7#5b9 7b5b9 7b5b9 7add11 7add11 7add13 7add13 7#11 7#11 Maj7 Maj7 Maj7b5 Maj7b5 Maj7#5 Maj7#5 Maj7#11 Maj7#11 Maj7add13 Maj7add13 m7 m7 m7b5 m7b5 m7b9 m7b9 m7add11 m7add11 m7add13 m7add13 m-Maj7 m-Maj7 m-Maj7add11 m-Maj7add11 m-Maj7add13 m-Maj7add13 9 9 9sus4 9sus4 add9 add9 9#5 9#5 9b5 9b5 9#11 9#11 9b13 9b13 Maj9 Maj9 Maj9sus4 Maj9sus4 Maj9#5 Maj9#5 Maj9#11 Maj9#11 m9 m9 madd9 madd9 m9b5 m9b5 m9-Maj7 m9-Maj7 11 11 11b9 11b9 Maj11 Maj11 m11 m11 m-Maj11 m-Maj11 13 13 13#9 13#9 13b9 13b9 13b5b9 13b5b9 Maj13 Maj13 m13 m13 m-Maj13 m-Maj13 Harmonic minor Harmonisch mineur Melodic minor Melodisch mineur Whole tone Hele noot Diminished Vermindert Major pentatonic Pentatonisch majeur Minor pentatonic Pentatonisch mineur Jap in sen Major bebop Majeur bebop Dominant bebop Dominante Bebop Blues Blues Arabic Arabisch Enigmatic Enigmatisch Neopolitan Neopolitanisch Neopolitan minor Neopolitanisches mineur Hungarian minor Zigeunermineur Dorian Dorian Phrygolydian Phrygisch Lydian Lydisch Mixolydian Mixolydisch Aeolian Aeolian Locrian Locrisch Chords Chord type Akkoord soort Chord range Akkoord bereik Minor InstrumentFunctionNoteStackingView RANGE BEREIK Chord range: Akkoord bereik: octave(s) oktave(n) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL KANAAL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME Volume Volume CUTOFF CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Filtersoort Q/Resonance Q/Resonantie LowPass LowPass HiPass HiPass BandPass csg Bandpass csg BandPass czpg Bandpass czpg Notch Notch Allpass Allpass Moog Moog 2x LowPass 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET DOEL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hier kun je een ingebouwd filter selecteren, welke je in dit kanaal kunt gebruiken. Filters zijn zeer belangrijk om het karakter van een geluid te veranderen. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Volume Panning Pitch FX channel FX-Kanaal Default preset With this knob you can set the volume of the opened channel. Met deze knop kun je het volume van het geopende kanaal instellen. Base note Grandtoon Pitch range InstrumentTrackView Volume Volume Volume: Volume: VOL Panning Panning: PAN MIDI MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Instrument volume Volume: Volume: VOL Panning Panning: PAN Pitch Pitch: cents PITCH FX channel FX-Kanaal ENV/LFO FUNC FX MIDI MIDI Save preset XML preset file (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE BEREIK LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD SPD LFO-speed: LFO-snelheid: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT AMT Modulation amount: Modulatie-intensiteit: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees graden With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file Kan config-bestand opslaan Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &Project &New &Nieuw &Open... &Openen... Recently opened projects &Save Op&slaan Save &As... Opslaan &als... Import... E&xport... &Quit &Afsluiten &Edit &Bewerken Settings &Tools &Help &Help Online help Help Help What's this? Wat is dit? About Over Create new project Nieuw project aanmaken Create new project from template Open existing project Open bestaand project Recently opened project Save current project Sla huidig project op Export current project Exporteer huidig project Show/hide Song-Editor Toon/Verberg Song-Bewerker By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor Toon/Verberg Beat+Bassline Bewerker By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Toon/Verberg Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Toon/verberg Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Toon/Verberg Project notities Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 LMMS %1 Project not saved Project niet opgeslagen The current project was modified since last saving. Do you want to save it now? Het huidige project is gewijzigd sinds de laatste keer dat het is opgeslagen. Wil je het nu opslaan? Open project Open project Save project Sla project op Help not available Hulp niet beschikbaar Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE APPARAAT MidiAlsaSeq::setupWidget DEVICE APPARAAT MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE APPARAAT MidiPort Input channel Ingang kanaal Output channel Uitgang kanaal Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Ontvangen MIDI-events Send MIDI-events verzenden MIDI-events Fixed output note OscillatorObject Osc %1 volume Oscillator %1 Volume Osc %1 panning Oscillator %1 Balans Osc %1 coarse detuning Osc %1 grove ontstemming Osc %1 fine detuning left Oscillator %1 Fijn ontstemming links Osc %1 fine detuning right Oscillator %1 Fijn ontstemming rechts Osc %1 phase-offset Oscillator %1 fase-verschuiving Osc %1 stereo phase-detuning Oscillator %1 stereo fase-veschuiving Osc %1 wave shape Oscillator %1 Golfvorm Modulation type %1 Osc %1 waveform Oscillator %1 Golfvorm PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Modulatie-intensiteit: Attack: Attack: Release: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Modulatie-intensiteit Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Grandtoon Plugin Plugin not found Plugin niet gevonden The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Fout bij laden Plugin Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) Gecomprimeerd OGG-Bestand (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Maker: Copyright: Requires Real Time: Yes No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file Audio-bestand openen All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wave-Bestanden (*.wav) OGG-Files (*.ogg) OGG-Bestanden (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) FLAC-Bestanden (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) VOC-Bestanden (*.voc) AIFF-Files (*.aif *.aiff) AIFF-Bestanden (*.aif *.aiff) AU-Files (*.au) AU-Bestanden (*.au) RAW-Files (*.raw) RAW-Bestanden (*.raw) SampleTCOView double-click to select sample dubbel-klik om een sample te selecteren Delete (middle mousebutton) Verwijderen (middelste muisknop) Cut Knippen Copy Kopieren Paste Plakken Mute/unmute (<Ctrl> + middle click) Dempen/geluid aan (<Ctrl> + middelklik) Set/clear record SampleTrack Sample track Sample spoor Volume Volume SampleTrackView Track volume Channel volume: VOL TempoSyncKnob Tempo Sync Tempo synchronisatie No Sync Geen synchronisatie Eight beats Acht beats Whole note Hele noot Half note Halve noot Quarter note Kwart noot 8th note Achtste noot 16th note 16e noot 32nd note 32e noot Custom... &Help &Help Custom Synced to Eight Beats Met acht beats gesynchroniseerd Synced to Whole Note Met hele noot gesynchroniseerd Synced to Half Note Met halve noot gesynchroniseerd Synced to Quarter Note Met kwart noot gesynchroniseerd Synced to 8th Note Met achtste noot gesynchroniseerd Synced to 16th Note Met 16e noot gesynchroniseerd Synced to 32nd Note Met 32e noot gesynchroniseerd TimeDisplayWidget click to change time units TrackContainer Couldn't import file Kan bestand niet importeren Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Kan geen filter vinden voor het te importeren bestand %1. Je zult dit bestand met behulp van andere software moeten converteren naar een door LMMS ondersteund formaat. Couldn't open file Kan bestand niet openen Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Kan bestand %1 niet openen voor het schrijven. Zorg ervoor dat je schrijf-bevoegdheid hebt voor deze bestanden en mapen en probeer het opnieuw! Loading project... Project laden... Cancel Please wait... Wachten aub... Importing MIDI-file... Importeren MIDI-bestand... Importing FLP-file... Importeren FLP-bestand... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Oscillator %1 Volume: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Met deze knop stel je het volume van oscillator %1 in. Als deze op 0 staat is de oscillator uit. Anders hoor je de oscillator zo hard als jij hem wil. Osc %1 panning: Oscillator %1 Balans: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Met deze knop stel je de balans in voor oscillator %1. Een waarde van -100 betekent 100% links en een waarde van 100 verplaatst het geluid volledig naar het rechter kanaal. Osc %1 coarse detuning: Osc %1 grove ontstemming: semitones semitonen With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Met deze knop stel je de grove ontstemming van oscillator %1 in. Je kunt de oscillator 12 seminote (1oktaaf) naar boven of beneden ontstemmen.Dit is bruikbaar voor het maken van geluiden met een akkoord. Osc %1 fine detuning left: Oscillator %1 Fijn ontstemming links: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Met deze knop stel je de fijne ontstemming van oscillator %1 in voor het linker kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden. Osc %1 fine detuning right: Oscillator %1 Fijn ontstemming rechts: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Met deze knop stel je de fijne ontstemming van oscillator %1 in voor het rechter kanaal. Je kunt fijn-ontstemmen met een bereik van -100 cents en +100 cents. Dit is bruikbaar voor het maken van 'vette' geluiden. Osc %1 phase-offset: Oscillator %1 fase-verschuiving: degrees graden With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Met deze knop stel je de fase-verschuiving van oscillator %1 in. Dit betekend dat je het punt in de oscillatie waar de oscillator begint te oscilleren kunt verplaatsen. Osc %1 stereo phase-detuning: Oscillator %1 stereo fase-veschuiving: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Open ander VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Klik hier, wanner je een andere VST-plugin wilt openen. Nadat je op deze knop gedrukt hebt zal er een bestand-openen-dialoog openen en kun je je bestand selecteren. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Klik hier, wanneer je de Grafische Gebruiker Interface (GUI) van je VST-plugin wilt tonen/verbergen. Turn off all notes Alle noten verwijderen Open VST-plugin Open VST-plugin DLL-files (*.dll) DLL-Bestanden (*.dll) EXE-files (*.exe) EXE-Bestanden (*.exe) No VST-plugin loaded Geen VST-plugin geladen Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Plugin laden Please wait while loading VST-plugin... Wacht aub, de VST-plugin word geladen... Failed loading VST-plugin VST-plugin laden mislukt The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! De VST-plugin %1 kan om onbekende reden niet worden geladen. Als het wel werkt met andere VST-software onder Linux, neem dan contact op met een LMMS-ontwikkelaar! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Versterking Start of sample Begin van de sample End of sample Eind van de sample Reverse sample Sample omdraaien Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Play/pause current beat/bassline (Space) Huidige beat/bassline afspelen/pauseren (Spatie) Beat+Bassline Editor Beat+Bassline Editor Add beat/bassline Beat/Bassline toevoegen Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Steps verwijderen Add steps Steps toevoegen bbTCOView Open in Beat+Bassline-Editor In Beat+Bassline-Editor openen Reset name Naam herstellen Change name Change color Kleur veranderen bbTrack Beat/Bassline %1 Beat/Bassline %1 Clone of %1 bitInvader Samplelength Samplelengte bitInvaderView Sample Length Sample Lengte Sine wave Sinus golf Triangle wave Driehoeks golf Saw wave Zaagtand golf Square wave Vierkants golf White noise wave Witte ruis User defined wave Gebruiker gedefinieerde golf Smooth Uitstrijker Click here to smooth waveform. Interpolation Interpolatie Normalize Normaliseren Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file Kan bestand niet openen Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 Exporteer project naar %1 fader Please enter a new value between %1 and %2: Voer aub. een waarde in tussen %1 en %2 in: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: Decay: Distortion: Gain: knob &Help &Help Please enter a new value between %1 and %2: Voer aub. een waarde in tussen %1 en %2 in: Please enter a new value between -96.0 dBV and 6.0 dBV: Voer aub. een waarde tussen -96.0 dBV en 6.0 dBV in: ladspaBrowserView Available Effects Unavailable Effects Instruments Analysis Tools Don't know This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: Soort: ladspaDescription Plugins Description ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Zaagtand golf Click here for a saw-wave. Triangle wave Driehoeks golf Click here for a triangle-wave. Square wave Vierkants golf Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Sinus golf Click for a sine-wave. White noise wave Witte ruis Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: Decay: DEC DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Help opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume Volume organicInstrumentView Distortion: Volume: Volume: Randomise Willekeurig Osc %1 waveform: Oscillator %1 Golfvorm: Osc %1 volume: Oscillator %1 Volume: Osc %1 panning: Oscillator %1 Balans: Osc %1 fine detuning left: Oscillator %1 Fijn ontstemming links: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern Kan pattern niet bevriezen The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! De pattern kan nu niet bevroren worden, omdat deze in de afspeel-modus is. Stop aub. en probeer opnieuw! patternFreezeStatusDialog Freezing pattern... Pattern bevriezen... Cancel Annuleren patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step dubbel-klik om deze pattern in Piano-Roll te openen volume van de steps is met het muiswiel te veranderen Open in piano-roll In Piano-Roll openen Clear all notes Alle noten verwijderen Reset name Naam herstellen Change name Refreeze Opnieuw bevriezen Freeze Bevriezen Unfreeze Bevriezen ongedaan maken Add steps Steps toevoegen Remove steps Steps verwijderen PianoRoll Cut selected notes (Ctrl+X) Knip geselecteerde noten (Ctrl+X) Copy selected notes (Ctrl+C) Kopieer geselecteerde noten (Ctrl+C) Paste notes from clipboard (Ctrl+V) Plak noten van klembord (Ctrl+V) Play/pause current pattern (Space) Huidige pattern afspelen/pauseren (Spatie) Stop playing of current pattern (Space) Afspelen huidige pattern stoppen (Spatie) Piano-Roll - %1 Piano-Roll - %1 Piano-Roll - no pattern Piano-Roll -geen pattern Please open a pattern by double-clicking on it! Open aub. een pattern door er op te dubbel-klikken! Record notes from MIDI-device/channel-piano Noten van MIDI-apparaat/kanaal-piano opnemen Last note Laatste noot Draw mode (Shift+D) Teken modus (Shift+D) Erase mode (Shift+E) Wis modus (Shift+E) Select mode (Shift+S) Selecteer modus (Shift+S) Record notes from MIDI-device/channel-piano while playing song or BB track Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser Instrument plugins Instrument Plugins three powerful oscillators you can modulate in several ways Drie krachtige Oscillatoren, welke je op verschillende manieren kan moduleren VST-host for using VST(i)-plugins within LMMS VST-Host voor bebruik van VST(i)-Plugins binnen LMMS no description geen beschrijving Additive Synthesizer for organ-like sounds Additive Synthesizer voor orgelachtige geluiden Vibrating string modeler Vibrerende snaarinstrument modeler Filter for importing MIDI-files into LMMS Filter, om MIDI-bestanden in LMMS te importeren simple sampler with various settings for using samples (e.g. drums) in an instrument-track Eenvoudige Sampler met verschillende instellingen voor gebruik van samples (z.B. Drums) in in een instrument-spoor Filter for importing FL Studio projects into LMMS Filter voor importeren van FL Studio Projecten in LMMS Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. plugin for boosting bass Tuneful things to bang on plugin for using arbitrary LADSPA-effects inside LMMS. Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. Plaats hier je Project notities. Project notes Project notities Edit Actions Bewerken &Undo &Ongedaan maken Ctrl+Z Ctrl+Z &Redo &Herstellen Ctrl+Y Ctrl+Y &Copy &Kopieren Ctrl+C Ctrl+C Cu&t K&nippen Ctrl+X Ctrl+X &Paste &Plakken Ctrl+V Ctrl+V Format Actions Opmaak &Bold &Vet Ctrl+B Ctrl+B &Italic &Cursief Ctrl+I Ctrl+I &Underline &Onderstrepen Ctrl+U Ctrl+U &Left &Links Ctrl+L Ctrl+L C&enter C&entreren Ctrl+E Ctrl+E &Right &Rechts Ctrl+R Ctrl+R &Justify &Uitgevuld Ctrl+J Ctrl+J &Color... &Kleur... renameDialog Rename... Hernoemen... setupDialog Setup LMMS LMMS instellen General settings Algemene instellingen BUFFER SIZE BUFFERGROOTTE Reset to default-value Terugzetten naar standaardwaarden MISC VERSCHILLENDE INSTELLINGEN Audio settings Audio instellingen AUDIO INTERFACE AUDIO INTERFACE MIDI settings MIDI Instellingen MIDI INTERFACE MIDI INTERFACE OK OK Cancel Annuleren Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Hier kun je de interne buffer-grootte instellen welke door LMMS gebruikt zal worden. Lagere waarden zorgen voor een lagere latency (vertraging) maar kunnen de geluidskwaliteit en de performance wel negatief beinvloeden. Dit geld zeker voor oudere computers en systemen zonder realtime-kernel. Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Hier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, JACK, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Hier kun je je audio-interface instellen. Afhankelijk van de configuratie van je systeem gedurende de compilering, kun je kiezen tussen ALSA, OSS en meer. Hieronder vind je een gedeelte waar je de instellingen van de betreffende interface kunt wijzigen. Restart LMMS LMMS herstarten Please note that most changes won't take effect until you restart LMMS! Houd er rekening mee dat je LMMS opnieuw moet opstarten om sommige instellingen te activeren! LMMS working directory LMMS werkmap VST-plugin directory VST-Plugin map Choose LMMS working directory Kies LMMS-werkmap Choose your VST-plugin directory Kies je VST-Plugin map Performance settings Performance instellingen UI effects vs. performance UI effecten vs. performance Frames: %1 Latency: %2 ms Frames: %1 Vertraging: %2 ms Artwork directory Artwork map Choose artwork-theme directory Artwork-thema map kiezen Display volume as dBV Volume in dBV tonen FL Studio installation directory FL Studio installatie map Choose FL Studio installation directory Kies FL Studio installatie map Enable tooltips Show restart warning after changing settings Compress project files per default HQ-mode for output audio-device STK rawwave directory Choose LADSPA plugin directory Choose STK rawwave directory Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Filtersoort Voice 3 off Volume Volume Chip model sidInstrumentView Volume: Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Synchroon Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Tempo Master volume Master volume Master pitch Master toonhoogte Project saved Project opgeslagen The project %1 is now saved. Het project %1 is nu opgeslagen. Project NOT saved. Project NIET opgeslagen. The project %1 was not saved! Het project %1 werd niet opgeslagen! Import file Bestand importeren untitled naamloos Select file for project-export... Selecteer bestand voor exporteren project... Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Klik hier, wanneer je het afspelen van de song wilt stoppen. De song-position-marker zal weer naar het begin van je song worden gezet. Could not open file Kan bestand niet openen Could not write file Kan bestand niet schrijven Song-Editor Song-Editor Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Klik hier, als je de gehele song wil afspelen. Het afspelen start bij de song-positie-marker (groen). Je kunt ook verplaatsen tijdens het afspelen. Play song (Space) Song afspelen (Spatie) Stop song (Space) Stop afspelen song (Spatie) Add beat/bassline Beat/Bassline toevoegen Add sample-track Sample spoor toevoegen Draw mode Teken modus Edit mode (select and move) Bewerk modus (selecteren en verplaatsen) Add automation-track Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song afspeelsnelheid The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode High quality modus Master volume Master volume master volume master volume Master pitch Master toonhoogte master pitch master toonhoogte Value: %1% Waarde: %1% Value: %1 semitones Waarde: %1 semitonen Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Automatisch scrollen in-/uitschakelen Enable/disable loop-points Loop-punten in-/uitschakelen After stopping go back to begin Na stoppen terug naar begin After stopping go back to position at which playing was started Na stoppen terug naar positie waar afspelen werd gestart After stopping keep position Na stoppen op positie blijven Hint Tip Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Huidige positie Hint Tip Press <Ctrl> and drag to make a copy. Current length Huidige lengte Press <Ctrl> for free resizing. Druk <Ctrl> voor vrije grootteverandering. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 tot %5:%6) Delete (middle mousebutton) Verwijderen (middelste muisknop) Cut Knippen Copy Kopieren Paste Plakken Mute/unmute (<Ctrl> + middle click) Dempen/geluid aan (<Ctrl> + middelklik) trackOperationsWidget Clone this track Dit spoor klonen Remove this track Dit spoor verwijderen Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Druk <Ctrl> tijdens klikken op move-grip om een nieuwe drag'n'drop-actie te starten. Actions for this track Acties voor dit spoor Mute Dempen Mute this track Solo vestigeInstrument Failed loading VST-plugin VST-plugin laden mislukt The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! De VST-plugin %1 kan om onbekende reden niet worden geladen. Als het wel werkt met andere VST-software onder Linux, neem dan contact op met een LMMS-ontwikkelaar! Loading plugin Plugin laden Please wait while loading VST-plugin... Wacht aub, de VST-plugin word geladen... vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: Volume: The 'V' knob sets the volume of the selected string. De 'V' knop stelt het volume in van de geselecteerde snaar. String stiffness: Hardheid snaar: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. De 'S' knop stelt de stijfheid in van de geselecteerde snaar. De stijfheid van de snaar bepaalt hoe lang de snaar uittrilt. Hoe lager de waarde, hoe langer de snaar trilt. Pick position: Aanslag-positie: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. De 'P' knop stelt de aanslagpositie in van de snaar aangeven. Hoe lager de waarde hoe dichter er bij de brug word aangeslagen. Pickup position: Pickup positie: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. De 'PU' knop stelt de positie in waar de trilling van de snaar word opgepikt. Hoe lager de waarde, hoe dichter de pickup bij de brug geplaatst is. Pan: Balans: The Pan knob determines the location of the selected string in the stereo field. De Balans knop bepaalt de plek van het geluid in het stereo-beeld. Detune: Ontstemming: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. De ontstemknop verandert de toonhoogte van de aangelsgen snaar. Instellingen lager dan 0 zullen het geluid vlakker laten klinken, terwijl het geluid met waarden boven 0 scherper zal worden. Fuzziness: Ruigheid: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. De Slap knop voegt ruigheid toe aan de geselecteerde snaar en is het meest merkbaar in de attack-fase. Tevens kan dit gebruikt worden om de snaar meer 'metallic' te laten klinken. Length: Lengte: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. De lengteknop stelt de lengte van de geselecteerde snaar in. Langere snaren klinken langer en helderder, maar dit vergt wel weer meer van de processor. Impulse or initial state Impuls of begininstelling The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. De 'Imp'-knop legt vast of de golfvorm in de grafiek word behandeld als een impulsgever op de snaar tijdens aanslaan, of als de begininstelling van een snaar. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. De oktaaf-kiezer word gebruikt voor het kiezen met welke harmonische van de noot de snaar zal klinken. Bij '-2' betekent dit bv. dat de snaar 2 oktaven onder de grondtoon ('F') komt. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. De golfvorm bewerker levert controle over de aanvangstoestand of impuls welke word gebruikt om een snaar te laten trillen. De knoppen aan de rechterkant van de grafiek geven aan welke golfvorm geselecteerd is. De '?' knop laadt een golfvorm-bestand-alleen de eerste 128 samples worden geladen. De golfvorm kan ook in de grafiek getekend worden. De 'S' knop zal de golfvorm uitstrijken (egaler maken). De 'N; knop zal de golfvorm normaliseren. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Vibed modeleert tot 9 individuele snaren. De 'Snaren' kiezer maakt het mogelijk om de geselecteerde snaar te bewerken. Met 'Imp' kiezer geef je aan of de grafiek de impuls of de beginwaarde weergeeft. Met de 'Octave' kiezer selecteer je de harmonischen waar de snaar mee trilt. De grafiek geeft je de mogelijkheid de beginwaarde en de impuls te beheren om de snaar in beweging te zetten. De 'V' knop stelt het volume in. De 'S' knop stelt de stijfheid in. De 'P' knop stelt de aanslagpositie in. De 'PU' knop stelt de positie van de pichup in. 'Pan' (balans) en 'Detune' (ontstemming) behoeven geen uitleg. De 'Slap' knop voegt wat ruigheid toe aan het geluid van de snaar. De lengteknop stelt de lengte van de snaar in. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de snaar actief is in het huidige instrument. Enable waveform Golfvorm activeren Click here to enable/disable waveform. Klik hier, om een golfvorm te activeren/deactiveren. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. De snaar-kiezer word gebruikt voor het kiezen van de snar welke bewerkt word. Een Vibed instrument kan tot 9 individueel trillende snaren bevatten. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de geselecteerde snaar actief is. Sine wave Sinus golf Triangle wave Driehoeks golf Saw wave Zaagtand golf Square wave Vierkants golf White noise wave Witte ruis User defined wave Gebruiker gedefinieerde golf Smooth Uitstrijker Click here to smooth waveform. Normalize Normaliseren Click here to normalize waveform. Klik hier, om de golfvorm te normaliseren. &Help &Help Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output Klik om de master-output visuallisatie in- of uit te schakelen Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/pl.qm0000644000000000000000000061073311716275316015072 0ustar 00000000000000dbcjP DmDvm#}1_#}3_?(Y*$'*y(!**0j*0p-*0N*0:*0*0*0++(+)G++Y+į* /Næ4ʩ5f76u9giVn9kYV93@:ddgdW@dXt@TE \EZ׭F|GGG7GHjHipHi1H6HHzHz̎HI;XImsImJ'ivJ+R.J<@ϲJmJiJKLbM5MMbM~N(2NhObzPW PWS}A[S}C[7SU\Sb\S@T.YTZTA>TʴTʴ`TxlUQ6U`fUjVb(Vbc0VhVSV5aVVM'W WW |WiiWW~KX X XZ/Z/ZkZkZZZo{#ZoO[Ν\]6 .p]s^eqզ^erc^cNh iųiųciųszyatUatbav=&8|}B?|}}U??~#MZ;;;_Nϙ?-^g 9/hVvPCue!NQ7aX) 7OiiyIy xק1`ק3`@QOnJ[W3DJ b b PC C C>/N+H+}un"R H/V27"(7o9}X9-m;n,; =@۴mCFzFzJеJمMUT]OXyeOXP0^NVZ;Z;*aU'mLp>#w807z; n~o>duNwtSFɄy0ʭi(7(U.ՙ,ծhRd8݊472<Tlߺ~oKoVz;CBhA b|RRDzQ/hQjt8JKua3- (^yR(^)u,´5.4Nb: wRo_/r%^{t@yxż^ ~zK9:%<58n8C7FGGsGrGG??;))f3 9> >%>ѻ5G[.|mt>6wgH~ Ss`sǷst-(E DR%buIU"ݎc"ݎp% :n2Q434278Ji:)1D?@CBHH>I[YUIOXP~P~Wa;Z.Z]1]YOlBlh lou6xxz|ZC\|Zh}"/R}[}\G~~Ő8MĩJaR$<5#H#6y>[0x'|Ӿ #M=A~ov~WRkĽ$3Pϯѫ>6I6 ~קAVקCWNZքܗjD98%F왞c/gtB- =c|չ32+3"YI . 0)(^(7 )e31019nZ:^ ;:] <<^<<ʚA ULCYZFA>JM$9MtMк޲PJPJPJQq.yQq.E`H`N`%y`%c=#:d ZRg5:hi{0njztkJېl rJOw~e/wwrwxYZbyT yTH{ O}Fb9.Oy  NxXY}u u1u2[u2u35u=uu!.2U{|6VZIfYI II9@IhYfiR0%Z e~Fqq***+*+]+++,),\ , ,h"d'zC^Ux}~Ye Aˤ<(}FžՔ3`EZgͥ221;(8غ.ؽ`e|AhvP@dfncfDK#PC_dCpV. t1MT u uz @lO K2S]h7oo(>7T722Rޔr3Titi9r>t/7_gqZrgY Ů_ 8c zy`Q@%))! 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Zauwa|one bBdy i propozycje zmian tBumaczenia prosz zgBasza na e-mail: radek[maBpka]vibender[kropka]comCurrent language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! AboutDialog<LMMS (Linux MultiMedia Studio)LMMS (Linux MultiMedia Studio) AboutDialogVLMMS - Batwa produkcja muzyczna dla ka|dego)LMMS - easy music production for everyone AboutDialogLicencjaLicense AboutDialogTBumaczenie Translation AboutDialog8Wersja %1 (%2/%3, Qt %4, %5)Version %1 (%2/%3, Qt %4, %5) AboutDialog6http://lmms.sourceforge.nethttp://lmms.sourceforge.net AboutDialogArpeggioArpeggio Arpeggiator"Kierunek arpeggioArpeggio direction Arpeggiator(Bramkowanie arpeggio Arpeggio gate ArpeggiatorTryb arpeggio Arpeggio mode ArpeggiatorZakres arpeggioArpeggio range ArpeggiatorOkres arpeggio Arpeggio time ArpeggiatorRodzaj arpeggio Arpeggio type Arpeggiator W dBDown ArpeggiatorAsynchronicznyFree Arpeggiator LosowoRandom ArpeggiatorPosortowanySort ArpeggiatorSynchronicznySync Arpeggiator W grUp ArpeggiatorNaprzemiennie Up and down Arpeggiator%%ArpeggiatorViewARPEGGIOARPEGGIOArpeggiatorView2Arpeggio jest metod odtwarzania (zwBaszcza krtkobrzmicych) instrumentw, ktra czyni muzyk o wiele |ywsz. W odr|nieniu od zwyczajnego wykonania akordu, gdzie dzwiki odtwarzane s rwnocze[nie w przypadku wykonywania arpeggio nuty uderzane s sekwencyjnie jedna po drugiej. Typowe arpeggia skBadaj si z trjdzwikw durowych lub molowych ale istnieje te| wiele innych akordw, ktre mo|esz zastosowa.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView*Bramkowanie arpeggio:Arpeggio gate:ArpeggiatorView Zakres arpeggio:Arpeggio range:ArpeggiatorViewOkres arpeggio:Arpeggio time:ArpeggiatorViewKierunek: Direction:ArpeggiatorView BRAMKAGATEArpeggiatorView Tryb:Mode:ArpeggiatorView ZAKRESRANGEArpeggiatorView OKRESTIMEArpeggiatorViewU|yj tego pokrtBa do ustawienia bramkowania arpeggio. Bramka arpeggio okre[la procentowo jak dBugo ma by odtwarzana ka|da nuta arpeggio. Za jej pomoc mo|na dokona artykulacji dzwikw w formie staccato.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorViewU|yj tego pokrtBa do ustawienia rozpito[ci arpeggio w oktawach. Wybrane arpeggio bdzie odgrywane w zakresie okre[lonej liczby oktaw.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorViewU|yj tego pokrtBa do ustawienia okresu arpeggio w milisekundach. Okres arpeggio ustala jak dBugo bdzie odtwarzany ka|dy dzwik.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewmsmsArpeggiatorViewoktawa(y) octave(s)ArpeggiatorView KANAAYCHANNELSAudioAlsa::setupWidgetURZDZENIEDEVICEAudioAlsa::setupWidgetWzmocnienie:Amplify:AudioFileProcessorViewNKliknij w tym miejscu je[li chcesz zaBadowa inny plik audio. Otworzy si okno gdzie bdziesz mgB zaznaczy wybrany plik. Ustawienia takie jak tryb ptli, punkty pocztku i koDca, warto[ wzmocnienia i inne nie zostan zresetowane wic to co uzyskasz mo|e brzmie inaczej ni| oryginalna prbka.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorView"Znacznik koDcowy: Endpoint:AudioFileProcessorViewJe[li uaktywnisz t kontrolk prbka bdzie odtwarzana w zakresie od znacznika pocztkowego do koDcowego podczas gdy klawisz instrumentu jest naci[nity. Mo|e by to przydatne w przypadku sampli instrumentw strunowych czy chrkw.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorView>Je[li uaktywnisz t kontrolk caBa prbka bdzie odtwarzana wstecz. Mo|e to by przydatne do stworzenia efektw dzwikowych np. puszczonej wstecz blachy crash.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewhZaptl prbk od znacznika pocztkowego do koDcowego#Loop sample at start- and end-pointAudioFileProcessorView$Otwrz inn prbkOpen other sampleAudioFileProcessorViewOdwr prbkReverse sampleAudioFileProcessorView(Znacznik-pocztkowy: Startpoint:AudioFileProcessorView~Za pomoc tego pokrtBa mo|esz ustawi wspBczynnik wzmocnienia. Domy[ln warto[ci jest 100%. Poni|ej prbka jest [ciszana a powy|ej podgBa[niana (zmiany nie maj wpBywu na sam plik sampla!)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorViewPZa pomoc tego pokrtBa mo|esz ustawi poBo|enie znacznika pocztku odtwarzania, czyli miejsca, od ktrego prbka ma by odtwarzana. Gdy uaktywnisz tryb zaptlenia bdzie to punkt do ktrego Sampler bdzie powracaB je[li nuta jest dBu|sza ni| wycinek prbki pomidzy znacznikami pocztku i koDca.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorViewZa pomoc tego pokrtBa mo|esz ustawi poBo|enie znacznika koDca odtwarzania, czyli miejsca gdzie koDczy si odtwarzanie prbki. Gdy uaktywnisz tryb zaptlenia bdzie to punkt z ktrego Sampler bdzie przeskakiwaB do znacznika pocztkowego je[li nuta jest dBu|sza ni| wycinek prbki pomidzy znacznikami pocztku i koDca.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView2Klient JACK zrestartowanyJACK client restarted AudioJack*Serwer JACK wyBczonyJACK server down AudioJackLMMS zostaB odrzucony przez JACK z jakiego[ powodu. Back-end LMMSa zostaB zrestartowany wic mo|esz ponownie dokona rcznych poBczeD.LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. AudioJackWydaje si, |e serwer JACK zostaB wyBczony i uruchomienie nowej instancji nie powiodBo si wic LMMS nie mo|e kontynuowa pracy. Nale|y zapisa projekt i uruchomi serwer JACK i LMMSa ponownie.The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack KANAAYCHANNELSAudioJack::setupWidgetNAZWA-KLIENTA CLIENT-NAMEAudioJack::setupWidget KANAAYCHANNELSAudioOss::setupWidgetURZDZENIEDEVICEAudioOss::setupWidgetBACKENDBACKENDAudioPortAudio::setupWidgetURZDZENIEDEVICEAudioPortAudio::setupWidget KANAAYCHANNELSAudioPulseAudio::setupWidgetURZDZENIEDEVICEAudioPulseAudio::setupWidgetURZDZENIEDEVICEAudioSdl::setupWidget,&Kopiuj warto[ (%1%2)&Copy value (%1%2)AutomatableModel*&Wklej warto[ (%1%2)&Paste value (%1%2)AutomatableModel&Resetuj (%1%2) &Reset (%1%2)AutomatableModel0PodBcz do kontrolera...Connect to controller...AutomatableModel PodBczony do %1Connected to %1AutomatableModel0PodBczony do kontroleraConnected to controllerAutomatableModel(Edytuj poBczenie...Edit connection...AutomatableModelBEdytuj globaln automatyk utworuEdit song-global automationAutomatableModelUsuD poBczenieRemove connectionAutomatableModelxWszystkie zaznaczone warto[ci zostaBy skopiowane do schowka.1All selected values were copied to the clipboard.AutomationEditor,Edytor Automatyki - %1Automation Editor - %1AutomationEditorBEdytor automatyki - brak patternuAutomation Editor - no patternAutomationEditorKliknij tutaj aby przej[ do trybu rysowania. W tym trybie mo|esz dodawa i przemieszcza pojedyDcze warto[ci. To domy[lny tryb, ktry bdziesz wykorzystywa przez wikszo[ czasu. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+D'.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditorDKliknij tutaj aby przej[ do trybu kasowania. W tym trybie mo|esz usuwa pojedyDcze warto[ci. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+E'.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditor@Kliknij tutaj aby przej[ do trybu zaznaczania. W tym trybie mo|esz zaznacza pojedyncze warto[ci jak i caBe grupy uBatwiajc sobie prac z wycinaniem, kopiowaniem, wklejaniem, usuwaniem bdz przemieszczaniem elementw. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+S'.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor$Kliknij tutaj a zaznaczone elementy zostan skopiowane do schowka. Mo|esz je wklei gdziekolwiek w dowolnym patternie za pomoc przycisku 'Wklej'.Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor8Kliknij tutaj a zaznaczone elementy zostan wycite i umieszczone w schowku. Mo|esz je wklei gdziekolwiek w dowolnym patternie za pomoc przycisku 'Wklej'.Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditorKliknij tutaj a elementy ze schowka zostan przeklejone w miejsce zaznaczenia.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditorKliknij tutaj je[li chcesz odtworzy aktualny pattern. Ta opcja jest przydatna przy edytowaniu patternu - zostanie on automatycznie zaptlony.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditorKliknij tutaj je[li chcesz zatrzyma odtwarzanie aktualnego patternu.>Click here if you want to stop playing of the current pattern.AutomationEditorHSkopiuj zaznaczone elementy (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditorFWytnij zaznaczone elementy (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor0Tryb rysowania (Shift+D)Draw mode (Shift+D)AutomationEditor4Tryb wymazywania (Shift+E)Erase mode (Shift+E)AutomationEditorKliknij tutaj aby przej[ do trybu przemieszczania zaznaczeD. W tym trybie mo|esz przemieszcza wcze[niej zaznaczone elementy. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+M'.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorTTryb przemieszczania zaznaczenia (Shift+M)Move selection mode (Shift+M)AutomationEditorDWklej zaznaczone elementy (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditorVOdtwrz/zatrzymaj aktualny pattern (Spacja)"Play/pause current pattern (Space)AutomationEditorOtwrz pattern automatyki za pomoc menu kontekstowego regulatora!EPlease open an automation pattern with the context menu of a control!AutomationEditor4Tryb zaznaczania (Shift+S)Select mode (Shift+S)AutomationEditordZatrzymaj odtwarzanie aktualnego patternu (Spacja)'Stop playing of current pattern (Space)AutomationEditor&Warto[ci skopiowane Values copiedAutomationEditor\Przecignij trzymajc wci[nity klawisz <Ctrl>$Drag a control while pressing AutomationPattern%1 PoBczenia%1 ConnectionsAutomationPatternViewZmieD nazw Change nameAutomationPatternViewWyczy[ClearAutomationPatternViewRozBcz "%1"Disconnect "%1"AutomationPatternView8Otwrz w Edytorze AutomatykiOpen in Automation editorAutomationPatternViewZresetuj nazw Reset nameAutomationPatternViewzPodwjne kliknicie otwiera ten pattern w edytorze automatyki6double-click to open this pattern in automation editorAutomationPatternView$Zcie|ka automatykiAutomation trackAutomationTrack11 ChordCreator11b9 ChordCreator13 ChordCreator13#9 ChordCreator13b5b9 ChordCreator13b9 ChordCreator6 ChordCreator6add9 ChordCreator6sus4 ChordCreator7 ChordCreator7#11 ChordCreator7#5 ChordCreator7#5#9 ChordCreator7#5b9 ChordCreator7#9 ChordCreator7add11 ChordCreator7add13 ChordCreator7b5 ChordCreator7b5b9 ChordCreator7b9 ChordCreator7sus4 ChordCreator9 ChordCreator9#11 ChordCreator9#5 ChordCreator9b13 ChordCreator9b5 ChordCreator9sus4 ChordCreatorAeolian ChordCreatorArabic ChordCreatorBlues ChordCreator Chord range ChordCreator Chord type ChordCreatorChords ChordCreator Diminished ChordCreatorDominant bebop ChordCreatorDorian ChordCreator Enigmatic ChordCreatorHarmonic minor ChordCreatorHungarian minor ChordCreator Jap in sen ChordCreatorLocrian ChordCreatorLydian ChordCreatorMaj11 ChordCreatorMaj13 ChordCreatorMaj7 ChordCreatorMaj7#11 ChordCreatorMaj7#5 ChordCreator Maj7add13 ChordCreatorMaj7b5 ChordCreatorMaj9 ChordCreatorMaj9#11 ChordCreatorMaj9#5 ChordCreatorMaj9sus4 ChordCreatorMajb5 ChordCreatorMajor ChordCreator Major bebop ChordCreatorMajor pentatonic ChordCreator Melodic minor ChordCreatorMinor pentatonic ChordCreator Mixolydian ChordCreator Neopolitan ChordCreatorNeopolitan minor ChordCreator Phrygolydian ChordCreator Whole tone ChordCreatoradd9 ChordCreatoraug ChordCreatoraugsus4 ChordCreatorm-Maj11 ChordCreatorm-Maj13 ChordCreatorm-Maj7 ChordCreator m-Maj7add11 ChordCreator m-Maj7add13 ChordCreatorm11 ChordCreatorm13 ChordCreatorm6 ChordCreatorm6add9 ChordCreatorm7 ChordCreatorm7add11 ChordCreatorm7add13 ChordCreatorm7b5 ChordCreatorm7b9 ChordCreatorm9 ChordCreatorm9-Maj7 ChordCreatorm9b5 ChordCreatormadd9 ChordCreatorminb5 ChordCreatorminor ChordCreatoroctave ChordCreatorsus2 ChordCreatorsus4 ChordCreatortri ChordCreator AKORDYCHORDSChordCreatorViewZakres akordu: Chord range:ChordCreatorView ZAKRESRANGEChordCreatorViewU|yj tego pokrtBa aby ustawi zakres akordu w oktawach. Wybrany akord bdzie odgrywany w ramach okre[lonej liczby oktaw.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorViewoktawa(y) octave(s)ChordCreatorViewKontroler %1 Controller %1 ControllerAutodetekcja Auto DetectControllerConnectionDialog KANAACHANNELControllerConnectionDialogKONTROLER CONTROLLERControllerConnectionDialog AnulujCancelControllerConnectionDialog*Ustawienia PoBczeniaConnection SettingsControllerConnectionDialogDetekcja Cyklu.Cycle Detected.ControllerConnectionDialogKanaB wej[ciowy Input channelControllerConnectionDialog&Kontroler wej[ciowyInput controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialog"FUNKCJA MAPOWANIAMAPPING FUNCTIONControllerConnectionDialogKONTROLER MIDIMIDI CONTROLLERControllerConnectionDialogXUrzdzenia MIDI odbierajce zdarzenia MIDI z(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog*KONTROLER U{YTKOWNIKAUSER CONTROLLERControllerConnectionDialog DodajAddControllerRackView Rack KontrolerwController RackControllerRackView &Pomoc&HelpControllerView &UsuD t wtyczk&Remove this pluginControllerViewKontrolery umo|liwiaj automatyzacj warto[ci pokrteB, suwakw i innych regulatorw.QControllers are able to automate the value of a knob, slider, and other controls.ControllerView UstawControlsControllerViewNWprowadz now nazw dla tego kontrolera&Enter the new name for this controllerControllerView,ZmieD nazw kontroleraRename controllerControllerViewZanikanieDecayEffectEfekt wBczonyEffect enabledEffect BramkaGateEffect,Miksowanie Suchy/Mokry Wet/Dry mixEffectEfekty wBczoneEffects enabled EffectChainDodaj efekt Add effectEffectRackView AACCUCH EFEKTOWY EFFECTS CHAINEffectRackViewDodaj efekt Add effectEffectSelectDialogOpis wtyczkiPlugin descriptionEffectSelectDialog &Pomoc&Help EffectView &UsuD t wtyczk&Remove this plugin EffectView UstawControls EffectView ZANIK.DECAY EffectViewAaDcuch wtyczek efektowych w ktrym sygnaB przetwarzany jest od gry do doBu. Kontrolka 'On/Off' umo|liwia pominicie danej wtyczki w ka|dej chwili. PokrtBo 'Suchy/Mokry' (Wet/Dry) okre[la wspBczynnik mieszania sygnaBu wej[ciowego z sygnaBem przetworzonym przez wtyczk. SygnaB wyj[ciowy wtyczki jest rwnocze[nie sygnaBem wej[ciowym wtyczki nastpnej. PokrtBo 'Zanikanie' okre[la jak dBugo sygnaB bdzie przetwarzany przez wtyczk po zakoDczeniu nuty. Wtyczka zakoDczy przetwarzanie gdy poziom sygnaBu zmniejszy si poni|ej zadanego progu w danym okresie czasu. Ta gaBka okre[la wBa[nie ten czas. Krtszy bdzie skutkowa mniejszym obci|eniem procesora ale w przypadku dBugo wybrzmiewajcych efektw - np. delay czy reverb - lepiej go zwikszy. PokrtBo 'Bramka' okre[la prg sygnaBu przy ktrym wtyczka koDczy dziaBanie. Przycisk 'Regulatory' otwiera okno w ktrym mo|na dostosowa parametry wtyczki. Prawoklik otwiera menu kontekstowe z pomoc ktrego mo|na zmieni porzdek efektw w BaDcuchu lub usun wybrane efekty.SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectView BRAM.GATE EffectViewBramka:Gate: EffectView Przemie[ w &dB Move &down EffectView"Przemie[ w &grMove &up EffectView On/OffOn/Off EffectViewPokrtBo zanikania okre[la jak dBugo bdzie trwaBo przetwarzanie sygnaBu przez wtyczk. Ni|sze warto[ci zmniejszaj obci|enie procesora ale mog skutkowa obcinaniem ogona pogBosowego w deley'ach i reverb'ach.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectViewPokrtBo bramki okre[la poziom sygnaBu, ktry zostanie rozpoznany jako cisza aby zatrzyma przetwarzanie sygnaBu.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectViewPokrtBo Mokry/Suchy (Wet/Dry) okre[la wspBczynnik pomidzy sygnaBem nieprzetworzonym a sygnaBem po naBo|eniu efektu. Warto[ci dodatnie domiksowywuj sygnaB przetworzony w fazie a ujemne w przeciwfazie do sygnaBu nieprzetworzonego.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView Czas:Time: EffectView*WBcza/wyBcza efekt.Toggles the effect on or off. EffectViewW/DW/D EffectView.Poziom 'Mokrego' (Wet): Wet Level: EffectViewAtakAttackEnvelopeAndLfoParametersZanikanieDecayEnvelopeAndLfoParameters&Czstotliwo[ x 100 Freq x 100EnvelopeAndLfoParametersPrzetrzymanieHoldEnvelopeAndLfoParametersAtak LFO LFO AttackEnvelopeAndLfoParametersModulacja LFOLFO ModulationEnvelopeAndLfoParametersOpznienie LFO LFO PredelayEnvelopeAndLfoParameters KsztaBt fali LFOLFO Wave ShapeEnvelopeAndLfoParametersSzybko[ LFO LFO speedEnvelopeAndLfoParameters>WspBczynnik modulacji obwiedniModulate Env-AmountEnvelopeAndLfoParametersModulacja ModulationEnvelopeAndLfoParametersOpznieniePredelayEnvelopeAndLfoParametersWybrzmiewanieReleaseEnvelopeAndLfoParametersPodtrzymanieSustainEnvelopeAndLfoParametersAMTAMTEnvelopeAndLfoViewATTATTEnvelopeAndLfoView Atak:Attack:EnvelopeAndLfoViewfKliknij tutaj aby przeBczy na fal piBoksztaBtn.&Click here for a saw-wave for current.EnvelopeAndLfoViewdKliknij tutaj aby przeBczy na fal sinusoidaln.Click here for a sine-wave.EnvelopeAndLfoViewbKliknij tutaj aby przeBczy na fal prostoktn.Click here for a square-wave.EnvelopeAndLfoView^Kliknij tutaj aby przeBczy na fal trjktn.Click here for a triangle-wave.EnvelopeAndLfoViewHKliknij tutaj aby przeBczy na ksztaBt fali zdefiniowany przez u|ytkownika. Po tym fakcie przecignij do okna LFO prbk ze zdefiniowanym wcze[niej ksztaBtem fali.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewtKliknij tutaj aby 100-krotnie zwikszy czstotliwo[ LFO.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoViewKliknij tutaj aby LFO kontrolowaB wspBczynnik modulacji sygnaBu przez obwiedni.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDECDECEnvelopeAndLfoViewDELDELEnvelopeAndLfoViewZanikanie:Decay:EnvelopeAndLfoViewfPrzecignij prbk skdkolwiek i upu[ w tym oknie.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoViewFREQ x 100 FREQ x 100EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoViewWskazwkaHintEnvelopeAndLfoViewPrzetrzymanie:Hold:EnvelopeAndLfoViewOpznienie LFO: LFO predelay:EnvelopeAndLfoViewSzybko[ LFO: LFO speed:EnvelopeAndLfoViewAtak LFO: LFO- attack:EnvelopeAndLfoView:MODULUJ WSPACZYNNIK OBWIEDNIMODULATE ENV-AMOUNTEnvelopeAndLfoView.WspBczynnik modulacji:Modulation amount:EnvelopeAndLfoViewOpznienie: Predelay:EnvelopeAndLfoViewRELRELEnvelopeAndLfoViewWybrzmiewanie:Release:EnvelopeAndLfoViewSPDSPDEnvelopeAndLfoViewSUSTSUSTEnvelopeAndLfoViewPodtrzymanie:Sustain:EnvelopeAndLfoView\U|yj tego pokrtBa aby ustawi czas ataku LFO.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewfU|yj tego pokrtBa aby ustawi czas ataku obwiedni.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewnU|yj tego pokrtBa aby ustawi czas zanikania obwiedni.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewvU|yj tego pokrtBa aby ustawi czas przetrzymania obwiedni.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewU|yj tego pokrtBa aby ustawi wspBczynnik modulacji sygnaBu przez Generator Przebiegw Wolnozmiennych (LFO).Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoViewU|yj tego pokrtBa aby ustawi wspBczynnik modulacji sygnaBu przez generator obwiedni.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoViewU|yj tego pokrtBa aby ustawi czas wstpnego opznienia dla obwiedni sygnaBu.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoViewfU|yj tego pokrtBa aby ustawi czas opznienia LFO.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewvU|yj tego pokrtBa aby ustawi czas wybrzmiewania obwiedni.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewlU|yj tego pokrtBa aby ustawi prdko[ oscylacji LFO.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoViewxU|yj tego pokrtBa aby ustawi poziom podtrzymania obwiedni.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoViewZkontroluj wspBczynnik obwiedni przez ten LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoView4czstotliwo[ LFO razy 100multiply LFO-frequency by 100EnvelopeAndLfoView128 KBit/s 128 KBit/sExportProjectDialog16 Bit Integer16 Bit IntegerExportProjectDialog160 KBit/s 160 KBit/sExportProjectDialog192 KBit/s 192 KBit/sExportProjectDialog192000 Hz 192000 HzExportProjectDialog1x (Brak) 1x (None)ExportProjectDialog256 KBit/s 256 KBit/sExportProjectDialog2x2xExportProjectDialog32 Bit Float 32 Bit FloatExportProjectDialog320 KBit/s 320 KBit/sExportProjectDialog44100 Hz44100 HzExportProjectDialog48000 Hz48000 HzExportProjectDialog4x4xExportProjectDialog64 KBit/s 64 KBit/sExportProjectDialog88200 Hz88200 HzExportProjectDialog8x8xExportProjectDialog96000 Hz96000 HzExportProjectDialog,Oscylatory bez aliaswAlias-free oscillatorsExportProjectDialogPrzepBywno[:Bitrate:ExportProjectDialog AnulujCancelExportProjectDialog*Rozdzielczo[ bitowa:Depth:ExportProjectDialog"Eksportuj projektExport projectExportProjectDialogFormat pliku: File format:ExportProjectDialogInterpolacja:Interpolation:ExportProjectDialogWyj[cieOutputExportProjectDialogFNadprbkowanie (u|ywa ostro|nie!):Oversampling (use with care!):ExportProjectDialogZauwa|, |e nie wszystkie powy|sze parametry odnosz si do wszystkich formatw zapisu.LPlease note that not all of the parameters above apply for all file formats.ExportProjectDialog$Ustawienia jako[ciQuality settingsExportProjectDialog2Kontrolery 'Sample-exact'Sample-exact controllersExportProjectDialog4Czstotliwo[ prbkowania: Samplerate:ExportProjectDialogDSinc Najlepsza (koszmarnie wolna!)Sinc Best (very slow!)ExportProjectDialogSinc Najszybsza Sinc FastestExportProjectDialog.Sinc Zrednia (zalecana)Sinc Medium (recommended)ExportProjectDialogRozpocznijStartExportProjectDialogBPodtrzymanie Zerowego Rzdu (ZOH)Zero Order HoldExportProjectDialog FX %1FX %1FxMixer MasterMasterFxMixerTWprowadz now nazw tego kanaBu efektowego&Enter the new name for this FX channel FxMixerViewFX Fader %1 FX Fader %1 FxMixerViewFX-MixerFX-Mixer FxMixerViewWyciszenieMute FxMixerView2Wycisz ten kanaB efektowyMute this FX channel FxMixerView:ZmieD nazw kanaBu efektowegoRename FX channel FxMixerView KANAACHANNELInstrumentMidiIOView$WACZ WEJZCIE MIDIENABLE MIDI INPUTInstrumentMidiIOView$WACZ WYJZCIE MIDIENABLE MIDI OUTPUTInstrumentMidiIOViewNUrzdzenia MIDI odbierajce zdarzenia z(MIDI devices to receive MIDI events fromInstrumentMidiIOViewNUrzdzenia MIDI wysyBajce zdarzenia do#MIDI devices to send MIDI events toInstrumentMidiIOViewPROGRAMPROGRAMInstrumentMidiIOView$PRDKOZ UDERZENIAVELOCITYInstrumentMidiIOView$2xDolnoprzepustowy 2x LowPassInstrumentSoundShaping"WszechprzepustowyAllpassInstrumentSoundShaping,Pasmowoprzepustowy csg BandPass csgInstrumentSoundShaping.Pasmowoprzepustowy czpg BandPass czpgInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShaping.Czstotliwo[ granicznaCutoff frequencyInstrumentSoundShaping0Obwiednie/Oscylatory LFOEnvelopes/LFOsInstrumentSoundShapingRodzaj filtru Filter typeInstrumentSoundShaping GrnoprzepustowyHiPassInstrumentSoundShaping DolnoprzepustowyLowPassInstrumentSoundShapingMoogMoogInstrumentSoundShapingPasmowozaporowyNotchInstrumentSoundShapingDDobro/Zafalowanie charakterystyki Q/ResonanceInstrumentSoundShapingRESORESOInstrumentSoundShaping6Zafalowanie charakterystyki ResonanceInstrumentSoundShapingGAOZNOZVOLUMEInstrumentSoundShapingGBo[no[VolumeInstrumentSoundShaping CUTOFFCUTOFFInstrumentSoundShapingView FILTRFILTERInstrumentSoundShapingViewJW tym miejscu mo|esz wybra wbudowany filtr, ktry chcesz naBo|y na t [cie|k instrumentu. Filtry s bardzo istotne z punktu ksztaBtowania charakterystyki dzwiku.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewHzHzInstrumentSoundShapingViewRESORESOInstrumentSoundShapingView8Zafalowanie charakterystyki: Resonance:InstrumentSoundShapingView TARGETTARGETInstrumentSoundShapingViewTe zakBadki zawieraj obwiednie. S bardzo wa|ne przy modyfikacji dzwiku. Praktycznie zawsze s konieczne przy syntezie subtraktywnej. PrzykBadowo je[li mamy do czynienia z obwiedni amplitudy mo|esz ustali w ktrych momentach dzwik ma mie okre[lon gBo[no[. Je[li chcesz stworzy parti Bagodnych smykw ich dzwik powinien narasta i opada bardzo powoli. Mo|esz to uzyska przez ustawienie dBugich czasw ataku i wybrzmiewania. Podobnie jest w przypadku obwiedni innych parametrw jak panoramowanie czy czstotliwo[ graniczna. Mo|esz uzyska atrakcyjne dzwiki modyfikujc brzmienie ju| samej fali piBoksztaBtnej za pomoc r|nych obwiedni!_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingViewPU|yj tego pokrtBa aby ustawi dobro albo zafalowanie charakterystyki wybranego filtru. Te parametry okre[laj zachowanie filtru w okolicach czstotliwo[ci granicznej.Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingView~U|yj tego pokrtBa aby ustawi czstotliwo[ graniczn wybranego filtru. Czstotliwo[ ta okre[la ktre czstotliwo[ci bd wycinane przez filtr. PrzykBadowo filtr dolnoprzepustowy wycina caBe pasmo czstotliwo[ciowe powy|ej czstotliwo[ci granicznej. W przypadku filtru grnoprzepustowego jest odwrotnie i tak dalej...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView0czstotliwo[ graniczna:cutoff-frequency:InstrumentSoundShapingViewNuta bazowa Base noteInstrumentTrack&Ustawienia domy[lneDefault presetInstrumentTrackKanaB FX FX channelInstrumentTrackPanoramowaniePanningInstrumentTrackOdstrojeniePitchInstrumentTrackGBo[no[VolumeInstrumentTrackZa pomoc tego pokrtBa mo|esz okre[li gBo[no[ otwartego kanaBu.Poka|/ukryj notatki do projektuShow/hide project notes MainWindowKatalog roboczy LMMSa %1 nie istnieje. Stworzy go teraz? Mo|esz zmieni katalog pzniej poprzez Edycja -> Ustawienia.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowBie|cy projekt zostaB zmodyfikowany od ostatniego zapisu. Czy chcesz go zapisa teraz?OThe current project was modified since last saving. Do you want to save it now? MainWindow CofnijUndo MainWindowNienazwaneUntitled MainWindowCo to jest? What's this? MainWindowKatalog roboczyWorking directory MainWindow*Denominator MetrycznyMeter Denominator MeterDialog&Numerator MetrycznyMeter Numerator MeterDialog METRUMTIME SIG MeterDialogDenominator Denominator MeterModelNumerator Numerator MeterModelURZDZENIEDEVICEMidiAlsaRaw::setupWidgetURZDZENIEDEVICEMidiAlsaSeq::setupWidgetKontroler MIDIMIDI ControllerMidiController0kontroler midi bez nazwyunnamed_midi_controllerMidiController2Konfiguracja niekompletnaSetup incomplete MidiImportTego LMMS nie skompilowano ze wsparciem odtwarzacza SoundFont2, ktry jest wykorzystywany do dodawania domy[lnych dzwikw do zaimportowanych plikw MIDI. Wskutek tego po zaimportowaniu pliku MIDI nie usByszysz |adnego dzwiku.You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiImportNie masz skonfigurowanego domy[lnego soundfonta w oknie dialogowym (Edycja->Ustawienia). Bdzie to skutkowa brakiem dzwiku po zaimportowaniu pliku MIDI. Powiniene[ pobra soundfonty General MIDI, dokona zmiany ustawieD i sprbowa ponownie.You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. MidiImportURZDZENIEDEVICEMidiOss::setupWidget<Zafiksowana prdko[ wej[ciowaFixed input velocityMidiPort<Zafiksowana prdko[ wyj[ciowaFixed output velocityMidiPortKanaB wej[ciowy Input channelMidiPort&Kontroler wej[ciowyInput controllerMidiPort,Wyj[ciowy program MIDIOutput MIDI programMidiPortKanaB wyj[ciowyOutput channelMidiPort&Kontroler wyj[ciowyOutput controllerMidiPort0Odbieraj komunikaty MIDIReceive MIDI-eventsMidiPort.WysyBaj komunikaty MIDISend MIDI-eventsMidiPort&Rodzaj modulacji %1Modulation type %1OscillatorObject4Osc %1 zgrubne odstrojenieOsc %1 coarse detuningOscillatorObject@Osc %1 dokBadne odstrojenie lewoOsc %1 fine detuning leftOscillatorObjectBOsc %1 dokBadne odstrojenie prawoOsc %1 fine detuning rightOscillatorObject(Osc %1 panoramowanieOsc %1 panningOscillatorObject4Osc %1 przesunicie fazoweOsc %1 phase-offsetOscillatorObject<Osc %1 odstrojenie fazy stereoOsc %1 stereo phase-detuningOscillatorObjectOsc %1 gBo[no[ Osc %1 volumeOscillatorObject&Osc %1 ksztaBt faliOsc %1 wave shapeOscillatorObjectOsc %1 przebiegOsc %1 waveformOscillatorObjectKliknij tutaj, aby otworzy inny plik Patch. Ustawienia ptli i dostrojenia nie zostan zresetowane.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanViewW tym miejscu mo|esz uruchomi tryb zaptlenia. Je[li to zrobisz PatMan bdzie u|ywaB informacji o ptli dostpnych w pliku.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanViewW tym miejscu mo|esz uruchomi tryb dostrojenia. Patman dostroi prbk do czstotliwo[ci nut.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanView PtlaLoop PatmanViewTryb zaptlenia Loop mode PatmanView2Nie wybrano |adnego plikuNo file selected PatmanView,Otwrz inny plik PatchOpen other patch PatmanView"Otwrz plik PatchOpen patch file PatmanView&Pliki Patch (*.pat)Patch-Files (*.pat) PatmanViewDostrojenieTune PatmanView Tryb dostrojenia Tune mode PatmanViewPeak KontrolerPeak ControllerPeakControllerKontroler LFOLFO ControllerPeakControllerDialogPEAKPEAKPeakControllerDialogWSPACZYNNIKAMT!PeakControllerEffectControlDialogATAKATTACK!PeakControllerEffectControlDialog Atak:Attack:!PeakControllerEffectControlDialogBAZABASE!PeakControllerEffectControlDialog$WspBczynnik bazy: Base amount:!PeakControllerEffectControlDialogZANIKANIEDECAY!PeakControllerEffectControlDialog.WspBczynnik modulacji:Modulation amount:!PeakControllerEffectControlDialogWybrzmiewanie:Release:!PeakControllerEffectControlDialogNarastanieAttackPeakControllerEffectControlsWarto[ bazowa Base valuePeakControllerEffectControls,WspBczynnik modulacjiModulation amountPeakControllerEffectControlsWycisz wyj[cie Mute outputPeakControllerEffectControlsWybrzmiewanieReleasePeakControllerEffectControlsNuta podstawowa Base note PianoViewNWystpiB bBd podczas Badowania wtyczkiError while loading pluginPluginBNie mo|na zaBadowa wtyczki "%1"!Failed to load plugin "%1"!Plugin,Nie znaleziono wtyczkiPlugin not foundPluginWtyczka "%1" Nie zostaBa odnaleziona albo nie mo|e zosta zaBadowana! Powd: "%2"AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin<Skompresowany plik OGG (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer Plik WAV (*.wav)WAV-File (*.wav)ProjectRenderer$KanaBy wej[ciowe:  Channels In: QWidget$KanaBy wyj[ciowe: Channels Out: QWidget"Prawa autorskie:  Copyright: QWidget Plik: File: QWidgetTwrca: Maker: QWidgetNazwa: Name: QWidgetNieNoQWidgetRZdolno[ do pracy w czasie rzeczywistym: Real Time Capable: QWidget8Wymaga czasu rzeczywistego: Requires Real Time: QWidgetTakYesQWidget &Pomoc&Help TempoSyncKnobSzesnastka 16th note TempoSyncKnob&Trzydziestka dwjka 32nd note TempoSyncKnob semka8th note TempoSyncKnob WBasneCustom  TempoSyncKnobWBasne... Custom... TempoSyncKnobOsiem uderzeD Eight beats TempoSyncKnobPBnuta Half note TempoSyncKnob&Brak synchronizacjiNo Sync TempoSyncKnobwiernuta Quarter note TempoSyncKnob<Zsynchronizowane do szesnastkiSynced to 16th Note TempoSyncKnobNZsynchronizowane do trzydziestki dwjkiSynced to 32nd Note TempoSyncKnob4Zsynchronizowane do semkiSynced to 8th Note TempoSyncKnobBZsynchronizowane do o[miu uderzeDSynced to Eight Beats TempoSyncKnob6Zsynchronizowane do pBnutySynced to Half Note TempoSyncKnob<Zsynchronizowane do wiernutySynced to Quarter Note TempoSyncKnob<Zsynchronizowane do caBej nutySynced to Whole Note TempoSyncKnob(Synchronizacja tempa Tempo Sync TempoSyncKnobCaBa nuta Whole note TempoSyncKnob@Miksuj wyj[cia oscylatorw 1 & 2Mix output of oscillator 1 & 2TripleOscillatorView@Miksuj wyj[cia oscylatorw 2 & 3Mix output of oscillator 2 & 3TripleOscillatorView:Osc %1 - zgrubne odstrojenie:Osc %1 coarse detuning:TripleOscillatorViewJOsc %1 - dokBadne odstrojenie w lewo:Osc %1 fine detuning left:TripleOscillatorViewLOsc %1 - dokBadne odstrojenie w prawo:Osc %1 fine detuning right:TripleOscillatorView.Osc %1 - panoramowanie:Osc %1 panning:TripleOscillatorView:Osc %1 - przesunicie fazowe:Osc %1 phase-offset:TripleOscillatorViewBOsc %1 - odstrojenie fazy stereo:Osc %1 stereo phase-detuning:TripleOscillatorView$Osc %1 - gBo[no[:Osc %1 volume:TripleOscillatorViewPSynchronizuj oscylator 1 z oscylatorem 2*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewPSynchronizuj oscylator 2 z oscylatorem 3*Synchronize oscillator 2 with oscillator 3TripleOscillatorView|U|yj piBoksztaBtnego przebiegu mooga dla bie|cego oscylatora.0Use a moog-like saw-wave for current oscillator.TripleOscillatorViewdU|yj fali piBoksztaBtnej dla bie|cego oscylatora.&Use a saw-wave for current oscillator.TripleOscillatorViewbU|yj fali sinusoidalnej dla bie|cego oscylatora.'Use a sine-wave for current oscillator.TripleOscillatorView`U|yj fali prostoktnej dla bie|cego oscylatora.)Use a square-wave for current oscillator.TripleOscillatorView\U|yj fali trjktnej dla bie|cego oscylatora.+Use a triangle-wave for current oscillator.TripleOscillatorViewTU|yj fali zdefiniowanej przez u|ytkownika.3Use a user-defined waveform for current oscillator.TripleOscillatorViewU|yj modulacji amplitudowej aby zmodulowa oscylator 2 oscylatorem 1FUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewU|yj modulacji amplitudowej aby zmodulowa oscylator 3 oscylatorem 2FUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorView`U|yj fali wykBadniczej dla bie|cego oscylatora./Use an exponential wave for current oscillator.TripleOscillatorViewU|yj modulacji czstotliwo[ciowej aby zmodulowa oscylator 2 oscylatorem 1FUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewU|yj modulacji czstotliwo[ciowej aby zmodulowa oscylator 3 oscylatorem 2FUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorView~U|yj modulacji fazowej aby zmodulowa oscylator 2 oscylatorem 1BUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorView~U|yj modulacji fazowej aby zmodulowa oscylator 3 oscylatorem 2BUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewXU|yj biaBego szumu dla bie|cego oscylatora.'Use white-noise for current oscillator.TripleOscillatorView$Za pomoc tego pokrtBa mo|esz ustawi zgrubne odstrojenie oscylatora %1. Mo|esz odstraja oscylator o 12 pBtonw (caB oktaw) w gr lub w dB.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorView:Za pomoc tego pokrtBa mo|esz ustawi dokBadne odstrojenie oscylatora %1 dla lewego kanaBu. Zakres regulacji mie[ci si w przedziale od -100 do +100 centw.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorView<Za pomoc tego pokrtBa mo|esz ustawi dokBadne odstrojenie oscylatora %1 dla prawego kanaBu. Zakres regulacji mie[ci si w przedziale od -100 do +100 centw.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewZa pomoc tego pokrtBa mo|esz ustawi panoramowanie oscylatora %1. Warto[ -100 przesuwa oscylator 100% w lewo, warto[ 100 - 100% w prawo.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorView`Za pomoc tego pokrtBa mo|esz ustawi przesunicie fazowe oscylatora %1. Oznacza to, |e mo|esz przemie[ci w czasie moment w ktrym oscylator rozpoczyna drgania. Na przykBad je[li mamy do czynienie z fal sinusoidaln, wprowadzenie przesunicia fazowego o warto[ci 180 stopni spowoduje, |e pierwsza poBwka fali zacznie by generowana w stron warto[ci ujemnych, odwrotnie ni| w przypadku przesunicia fazowego o warto[ci 0 stopni.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorViewZa pomoc tego pokrtBa mo|esz ustawi odstrojenie fazy stereo oscylatora %1. Oznacza to, |e masz wpByw na r|nic fazy pomidzy lewym i prawym kanaBem. Ta gaBka pomo|e Ci stworzy szeroko brzmice dzwiki.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorViewZa pomoc tego pokrtBa mo|esz ustawi gBo[no[ oscylatora %1. Je[li zadasz warto[ 0 oscylator zostanie wyBczony.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorView centycentsTripleOscillatorView stopnidegreesTripleOscillatorViewpBtony semitonesTripleOscillatorViewKliknij tutaj, aby zaznaczy presety aktualnie zaBadowane do wtyczki VST.>Click here to select presets that are currently loaded in VST.VestigeInstrumentViewKliknij tutaj aby pokaza graficzny interfejs u|ytkownika (GUI) wtyczki VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentViewKliknij tutaj, je[li chcesz kontrolowa wtyczk VST z hosta LMMS.8Click here, if you want to control VST-plugin from host.VestigeInstrumentViewKliknij tutaj, je[li chcesz otworzy inny preset wtyczki VST w formacie *.fxp lub *.fxb.GClick here, if you want to open another *.fxp, *.fxb VST-plugin preset.VestigeInstrumentViewKliknij tutaj je[li chcesz otworzy inn wtyczk VST. Po klikniciu otworzy si okno dialogowe w ktrym bdziesz mgB zaznaczy wybrany plik.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentViewKliknij tutaj, je[li chcesz zapisa bie|ce ustawienia wtyczki VST.CClick here, if you want to save current VST-plugin presset program.VestigeInstrumentViewKliknij tutaj, je[li chcesz przeBczy na inny preset wtyczki VST.HClick here, if you want to switch to another VST-plugin presset program.VestigeInstrumentViewDKontroluj wtyczk VST z hosta LMMS!Control VST-plugin from LMMS hostVestigeInstrumentView"Pliki DLL (*.dll)DLL-files (*.dll)VestigeInstrumentView"Pliki EXE (*.exe)EXE-files (*.exe)VestigeInstrumentViewNastpny (+)Next (+)VestigeInstrumentView4Nie zaBadowano wtyczki VSTNo VST-plugin loadedVestigeInstrumentView$Otwrz wtyczk VSTOpen VST-pluginVestigeInstrumentView2Otwrz preset wtyczki VSTOpen VST-plugin presetVestigeInstrumentView.Otwrz inn wtyczk VSTOpen other VST-pluginVestigeInstrumentView PresetPresetVestigeInstrumentViewPoprzedni (-) Previous (-)VestigeInstrumentViewZapisz preset Save presetVestigeInstrumentViewPoka|/ukryj GUI Show/hide GUIVestigeInstrumentView*Wycisz wszystkie nutyTurn off all notesVestigeInstrumentView przezbyVestigeInstrumentViewKliknij tutaj, je[li chcesz zaznaczy presety aktualnie zaBadowane do wtyczki VST.>Click here to select presets that are currently loaded in VST.VstEffectControlDialogKliknij tutaj, je[li chcesz kontrolowa wtyczk VST z hosta LMMS.8Click here, if you want to control VST-plugin from host.VstEffectControlDialogKliknij tutaj, je[li chcesz otworzy inny preset wtyczki VST w formacie *.fxp lub *.fxb.GClick here, if you want to open another *.fxp, *.fxb VST-plugin preset.VstEffectControlDialogKliknij tutaj, je[li chcesz zapisa bie|ce ustawienia wtyczki VST.CClick here, if you want to save current VST-plugin presset program.VstEffectControlDialogKliknij tutaj, je[li chcesz przeBczy na inny preset wtyczki VST.HClick here, if you want to switch to another VST-plugin presset program.VstEffectControlDialogDKontroluj wtyczk VST z hosta LMMS!Control VST-plugin from LMMS hostVstEffectControlDialogNastpny (+)Next (+)VstEffectControlDialog2Otwrz preset wtyczki VSTOpen VST-plugin presetVstEffectControlDialogPoprzedni (-) Previous (-)VstEffectControlDialogZapisz preset Save presetVstEffectControlDialog,Poka|/ukryj VST FX GUIShow/hide VST FX GUIVstEffectControlDialog.FXB.FXB VstPlugin.FXP.FXP VstPlugin.fxb.fxb VstPlugin.fxp.fxp VstPlugin: domy[lne : default VstPluginLAadowanie wtyczki VST nie powiodBo siFailed loading VST-plugin VstPlugin"Aadowanie wtyczkiLoading plugin VstPluginOtwrz Preset Open Preset VstPluginNAadowanie wtyczki VST. Prosz czeka...'Please wait while loading VST-plugin... VstPluginZapisz Preset Save Preset VstPluginjWtyczka VST %1 nie mo|e zosta zaBadowana z jakiego[ powodu. Je[li pracuje normalnie z innym oprogramowaniem VST pod Linuksem prosz koniecznie skontaktowa si z developerami LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPlugin@Preset wtyczki VST (*.fxp *.fxb)Vst Plugin Preset (*.fxp *.fxb) VstPluginSzeroko[ Pasma BandwidthZynAddSubFxInstrumentWzmocnienie FMFM GainZynAddSubFxInstrument(Czstotliwo[ FiltraFilter FrequencyZynAddSubFxInstrument$Zafalowanie FiltraFilter ResonanceZynAddSubFxInstrumentTPrzeka| Zdarzenia MIDI typu Control Change"Forward MIDI Control Change EventsZynAddSubFxInstrumentPortamento PortamentoZynAddSubFxInstrument6Szeroko[ Pasma ZafalowaniaResonance BandwidthZynAddSubFxInstrumentDCzstotliwo[ Zrodkowa ZafalowaniaResonance Center FrequencyZynAddSubFxInstrumentBWBWZynAddSubFxView Szeroko[ Pasma: Bandwidth:ZynAddSubFxViewKliknij tutaj, aby pokaza lub ukry graficzny interfejs u|ytkownika (GUI) syntezatora ZynAddSubFX.MClick here to show or hide the graphical user interface (GUI) of ZynAddSubFX.ZynAddSubFxViewFM GAINFM GAINZynAddSubFxViewWzmocnienie FM:FM Gain:ZynAddSubFxViewFREQFREQZynAddSubFxView*Czstotliwo[ Filtra:Filter Frequency:ZynAddSubFxView&Zafalowanie Filtra:Filter Resonance:ZynAddSubFxViewTPrzeka| zdarzenia MIDI typu Control ChangeForward MIDI Control ChangesZynAddSubFxViewPORTPORTZynAddSubFxViewPortamento: Portamento:ZynAddSubFxViewRESRESZynAddSubFxView RES BWRES BWZynAddSubFxView RES-CFRES CFZynAddSubFxView8Szeroko[ pasma zafalowania:Resonance bandwidth:ZynAddSubFxViewFCzstotliwo[ [rodkowa zafalowania:Resonance center frequency:ZynAddSubFxViewPoka| GUIShow GUIZynAddSubFxViewWzmacniajAmplifyaudioFileProcessorKoniec sampla End of sampleaudioFileProcessor PtlaLoopaudioFileProcessorOdwr prbkReverse sampleaudioFileProcessorPocztek samplaStart of sampleaudioFileProcessorFREQFREQbassBoosterControlDialogCzstotliwo[: Frequency:bassBoosterControlDialogGAINGAINbassBoosterControlDialogWzmocnienie:Gain:bassBoosterControlDialog RATIORATIObassBoosterControlDialogWspBczynnik:Ratio:bassBoosterControlDialogCzstotliwo[ FrequencybassBoosterControlsWzmocnienieGainbassBoosterControlsWspBczynnikRatiobassBoosterControls0Dodaj [cie|k automatykiAdd automation-trackbbEditor:Dodaj lini perkusyjn/basowAdd beat/basslinebbEditor,Edytor Perkusji i BasuBeat+Bassline EditorbbEditorKliknij tutaj, aby odtworzy bie|c lini perkusyjn/basow. Zostanie ona automatycznie zaptlona.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorKliknij tutaj, aby zatrzyma odtwarzanie bie|cej linii perkusyjnej/basowej.4Click here to stop playing of current beat/bassline.bbEditorrOdtwrz/ZapaBzuj bie|c lini perkusyjn/basow (Spacja)(Play/pause current beat/bassline (Space)bbEditorZatrzymaj odtwarzanie bie|cej linii perkusyjnej/basowej (Spacja).Stop playback of current beat/bassline (Space)bbEditorZmieD kolor Change color bbTCOViewZmieD nazw Change name bbTCOViewBOtwrz w Edytorze Perkusji i BasuOpen in Beat+Bassline-Editor bbTCOViewZresetuj nazw Reset name bbTCOViewPerkusja/Bas %1Beat/Bassline %1bbTrackDuplikat %1 Clone of %1bbTrackDBugo[ prbki Samplelength bitInvader`Kliknij aby przeBczy na przebieg sinusoidalny.Click for a sine-wave.bitInvaderViewbKliknij aby przeBczy na przebieg piBoksztaBtny.Click here for a saw-wave.bitInvaderView^Kliknij aby przeBczy na przebieg prostoktny.Click here for a square-wave.bitInvaderViewZKliknij aby przeBczy na przebieg trjktny.Click here for a triangle-wave.bitInvaderViewKliknij aby przeBczy na przebieg zdefiniowany przez u|ytkownika.$Click here for a user-defined shape.bitInvaderViewbKliknij aby przeBczy na przebieg stochastyczny.Click here for white-noise.bitInvaderViewLKliknij tutaj, aby wygBadzi przebieg.Click here to smooth waveform.bitInvaderViewNarysuj swj wBasny przebieg przecigajc kursorem po tym wykresie.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderViewInterpolacja InterpolationbitInvaderViewNormalizacja NormalizebitInvaderViewDBugo[ Prbki Sample LengthbitInvaderView$Fala piBoksztaBtnaSaw wavebitInvaderView"Fala sinusoidalna Sine wavebitInvaderViewWygBadzanieSmoothbitInvaderView Fala prostoktna Square wavebitInvaderViewFala trjktna Triangle wavebitInvaderViewNPrzebieg zdefiniowany przez u|ytkownikaUser defined wavebitInvaderViewBiaBy szumWhite noise wavebitInvaderView0Nie mo|na otworzy plikuCould not open fileexportProjectDialog8Nie da si otworzy pliku %1 do zapisu. Upewnij si, |e masz uprawnienia zapisu do tego pliku i katalogu w ktrym si znajduje a nastpnie sprbuj ponownie!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialogBBdErrorexportProjectDialogWystpiB bBd podczas okre[lania enkodera. Sprbuj wybra inny format wyj[ciowy.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog,Eksport projektu do %1Export project to %1exportProjectDialogRendering: %1%Rendering: %1%exportProjectDialogPrzegldarkaBrowser fileBrowser8--- Pliki preinstalowane ------ Factory files ---fileBrowserTreeWidget Aadowanie prbkiLoading samplefileBrowserTreeWidget^Otwrz na nowej [cie|ce Edytora Perkusji i Basu'Open in new instrument-track/B+B EditorfileBrowserTreeWidgetPOtwrz na nowej [cie|ce Edytora Piosenki(Open in new instrument-track/Song-EditorfileBrowserTreeWidgetVAadowanie podgldu prbki, prosz czeka...*Please wait, loading sample for preview...fileBrowserTreeWidgetJWy[lij na aktywn [cie|k instrumentuSend to active instrument-trackfileBrowserTreeWidget WykresGraph graphModelZanikanieDecaykickerInstrumentZnieksztaBcenie DistortionkickerInstrument*Czstotliwo[ koDcowa End frequencykickerInstrumentWzmocnienieGainkickerInstrument0Czstotliwo[ pocztkowaStart frequencykickerInstrumentZanikanie:Decay:kickerInstrumentView ZnieksztaBcenie: Distortion:kickerInstrumentView,Czstotliwo[ koDcowa:End frequency:kickerInstrumentViewWzmocnienie:Gain:kickerInstrumentView2Czstotliwo[ pocztkowa:Start frequency:kickerInstrumentView &Pomoc&HelpknobNWprowadz now warto[ pomidzy %1 a %2:+Please enter a new value between %1 and %2:knobfWprowadz now warto[ pomidzy -96.0 dBV a 6.0 dBV:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob*Narzdzia AnalizujceAnalysis ToolsladspaBrowserViewDostpne EfektyAvailable EffectsladspaBrowserViewNieznane Don't knowladspaBrowserViewInstrumenty InstrumentsladspaBrowserViewTo okno dialogowe wy[wietla informacje o wszystkich wtyczkach LADSPA jakie LMMS byB w stanie zlokalizowa. Wtyczki s podzielone na pi kategorii bazujcych na intepretacji ich portw i nazw. Efekty dostpne to te, ktre mog zosta u|yte przez LMMS. Aby wtyczka efektowa mogBa zosta wykorzystana musi posiada zarwno kanaBy wej[ciowe jak i wyj[ciowe. KanaBy wej[ciowe s identyfikowane jako zawierajce wyraz 'in' w nazwie kanaBu, kanaBy wyj[ciowe natomiast powinny w nazwie zawiera sBowo 'out'. Ponadto efekt musi posiada tak sam liczb wej[ i wyj[ a tak|e obsBugiwa tryb pracy w czasie rzeczywistym. Efekty niedostpne to takie, ktre posiadaj r|n liczb wej[ i wyj[ albo nie potrafi pracowa w czasie rzeczywistym. Instrumenty to wtyczki, w ktrych udaBo si zidentyfikowa jedynie kanaBy wyj[ciowe. Narzdzia Analizujce to wtyczki, w ktrych rozpoznano tylko kanaBy wej[ciowe. Nieznane to wtyczki, ktrych kanaBy zarwno wej[ciowe jak i wyj[ciowe pozostaj niezidentyfikowane. Podwjne kliknicie na ktrejkolwiek wtyczce otworzy okienko z informacjami o dostpnych portach.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserViewRodzaj:Type:ladspaBrowserView$Niedostpne EfektyUnavailable EffectsladspaBrowserViewOpis DescriptionladspaDescriptionWtyczkiPluginsladspaDescription AudioAudioladspaPortDialogRegulatorControlladspaPortDialogKierunek DirectionladspaPortDialog$ZmiennoprzecinkoweFloatladspaPortDialogWej[cieInputladspaPortDialogCaBkowiteIntegerladspaPortDialogLogarytmiczny LogarithmicladspaPortDialog(Min < Domy[lne < MaxMin < Default < MaxladspaPortDialog NazwaNameladspaPortDialogWyj[cieOutputladspaPortDialog PortyPortsladspaPortDialog TempoRateladspaPortDialogZale|ny od SR SR DependentladspaPortDialogPrzeBczalneToggledladspaPortDialog RodzajTypeladspaPortDialogTakYesladspaPortDialogFiltr 24dB/okt24dB/oct Filter lb302Synth AkcentAccent lb302Synth MartwyDead lb302SynthZnieksztaBcenie Distortion lb302SynthZlizganieSlide lb302Synth(Zlizgajce Zanikanie Slide Decay lb302Synth4Czstotliwo[ Odcicia VCFVCF Cutoff Frequency lb302Synth,Zanikanie Obwiedni VCFVCF Envelope Decay lb302Synth0Modyfikacja Obwiedni VCFVCF Envelope Mod lb302SynthRezonans VCF VCF Resonance lb302Synth"KsztaBt PrzebieguWaveform lb302SynthP303-es-que, 24dB/oktaw, filtr III rzdu&303-es-que, 24dB/octave, 3 pole filterlb302SynthViewCUTCUTlb302SynthViewnKliknij tutaj, aby przeBczy na przebieg sinusoidalny.Click for a sine-wave.lb302SynthView`Kliknij tutaj, aby przeBczy na przebieg mooga. Click here for a moog-like wave.lb302SynthViewpKliknij tutaj, aby przeBczy na przebieg piBoksztaBtny.Click here for a saw-wave.lb302SynthViewKliknij tutaj, aby przeBczy na przebieg prostoktny z zaokrglonymi naro|ami.0Click here for a square-wave with a rounded end.lb302SynthViewlKliknij tutaj, aby przeBczy na przebieg prostoktny.Click here for a square-wave.lb302SynthViewhKliknij tutaj, aby przeBczy na przebieg trjktny.Click here for a triangle-wave.lb302SynthViewlKliknij tutaj, aby przeBczy na przebieg wykBadniczy.#Click here for an exponential wave.lb302SynthViewpKliknij tutaj, aby przeBczy na przebieg stochastyczny.Click here for white-noise.lb302SynthViewCzst. Odc.: Cutoff Freq:lb302SynthViewDECDEClb302SynthViewDISTDISTlb302SynthView DIST:DIST:lb302SynthViewZanikanie:Decay:lb302SynthViewENV MODENV MODlb302SynthViewMod. Obw.:Env Mod:lb302SynthViewFala Mooga Moog wavelb302SynthViewRESRESlb302SynthViewRezonans: Resonance:lb302SynthView:Fala prostoktna, zaokrglonaRounded square wavelb302SynthView SLIDESLIDElb302SynthView$Fala piBoksztaBtnaSaw wavelb302SynthView"Fala sinusoidalna Sine wavelb302SynthView.Zanikanie z po[lizgiem: Slide Decay:lb302SynthView Fala prostoktna Square wavelb302SynthViewFala trjktna Triangle wavelb302SynthViewBiaBy szumWhite noise wavelb302SynthViewFiltr 24dB/okt24dB/oct Filter lb303Synth AkcentAccent lb303Synth MartwyDead lb303SynthZnieksztaBcenie Distortion lb303SynthPo[lizgSlide lb303Synth,Zanikanie z po[lizgiem Slide Decay lb303Synth4Czstotliwo[ Odcicia VCFVCF Cutoff Frequency lb303Synth,Zanikanie Obwiedni VCFVCF Envelope Decay lb303Synth0Modyfikacja Obwiedni VCFVCF Envelope Mod lb303SynthRezonans VCF VCF Resonance lb303Synth"KsztaBt PrzebieguWaveform lb303SynthP303-es-que, 24dB/oktaw, filtr III rzdu&303-es-que, 24dB/octave, 3 pole filterlb303SynthViewCUTCUTlb303SynthViewCzst. Odc.: Cutoff Freq:lb303SynthViewDECDEClb303SynthViewDISTDISTlb303SynthView DIST:DIST:lb303SynthViewZanikanie:Decay:lb303SynthViewENV MODENV MODlb303SynthViewMod. Obw.:Env Mod:lb303SynthViewRESRESlb303SynthViewRezonans: Resonance:lb303SynthView SLIDESLIDElb303SynthView.Zanikanie z po[lizgiem: Slide Decay:lb303SynthViewFALAWAVElb303SynthView FALA:WAVE:lb303SynthViewADSRADSRmalletsInstrument AgogoAgogomalletsInstrumentUderzeniaBeatsmalletsInstrumentPochylenieBowedmalletsInstrumentStpnicieClumpmalletsInstrumentCrossfade CrossfademalletsInstrumentHarfa SzklanaGlassmalletsInstrumentTwardo[HardnessmalletsInstrumentLFO - GBboko[ LFO DepthmalletsInstrumentLFO - Szybko[ LFO SpeedmalletsInstrumentMarimbaMarimbamalletsInstrumentPominite pliki Missing filesmalletsInstrumentModulator ModulatormalletsInstrumentRuchMotionmalletsInstrumentPozycjaPositionmalletsInstrumentCi[nieniePressuremalletsInstrumentRezonansResomalletsInstrumentPrdko[SpeedmalletsInstrumentRozstrzaBSpreadmalletsInstrumentStick Mix Stick MixmalletsInstrument Misy TybetaDskie Tibetan BowlmalletsInstrumentDzwony Rurowe Tubular BellsmalletsInstrumentDwa Zafiksowane Two FixedmalletsInstrumentWibrafon VibraphonemalletsInstrument.Vibrato - Czstotliwo[ Vibrato FreqmalletsInstrument*Vibrato - Wzmocnienie Vibrato GainmalletsInstrument Wood1Wood1malletsInstrument Wood2Wood2malletsInstrumentWyglda na to, |e Twoja instalacja Stk jest niekompletna. Upewnij si, |e caBa paczka Stk zostaBa zainstalowana!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrumentADSRADSRmalletsInstrumentView ADSR:ADSR:malletsInstrumentViewPochylenieBowedmalletsInstrumentViewCrossfade CrossfademalletsInstrumentViewCrossfade: Crossfade:malletsInstrumentViewTwardo[HardnessmalletsInstrumentViewTwardo[: Hardness:malletsInstrumentViewInstrument InstrumentmalletsInstrumentViewLFO - GBboko[ LFO DepthmalletsInstrumentView LFO - GBboko[: LFO Depth:malletsInstrumentViewLFO - Szybko[ LFO SpeedmalletsInstrumentViewLFO - Szybko[: LFO Speed:malletsInstrumentViewModulator ModulatormalletsInstrumentViewModulator: Modulator:malletsInstrumentViewRuchMotionmalletsInstrumentView Ruch:Motion:malletsInstrumentViewPozycjaPositionmalletsInstrumentViewPozycja: Position:malletsInstrumentViewCi[nieniePressuremalletsInstrumentViewCi[nienie: Pressure:malletsInstrumentViewPrdko[SpeedmalletsInstrumentViewPrdko[:Speed:malletsInstrumentViewRozstrzaBSpreadmalletsInstrumentViewRozstrzaB:Spread:malletsInstrumentViewStick Mix Stick MixmalletsInstrumentViewStick Mix: Stick Mix:malletsInstrumentViewVib-CzstVib FreqmalletsInstrumentViewVib-Czst: Vib Freq:malletsInstrumentViewVib-WzmVib GainmalletsInstrumentViewVib-Wzm: Vib Gain:malletsInstrumentViewVibratoVibratomalletsInstrumentViewVibrato:Vibrato:malletsInstrumentViewKliknij tutaj, je[li chcesz zsynchronizowa wszystkie parametry z wtyczk VST.EClick here if you want to synchronize all parameters with VST plugin.manageVSTEffectView$Synchronizacja VSTVST SyncmanageVSTEffectViewKliknij tutaj, je[li chcesz zsynchronizowa wszystkie parametry z wtyczk VST.EClick here if you want to synchronize all parameters with VST plugin.manageVestigeInstrumentView$Synchronizacja VSTVST SyncmanageVestigeInstrumentViewPomoc [&H]&HelpnineButtonSelectorZnieksztaBcenie DistortionorganicInstrumentGBo[no[VolumeorganicInstrument ZnieksztaBcenie: Distortion:organicInstrumentView>Osc %1 dokBadne strojenie lewo:Osc %1 fine detuning left:organicInstrumentView*Osc %1 panoramowanie:Osc %1 panning:organicInstrumentView Osc %1 gBo[no[:Osc %1 volume:organicInstrumentView Osc %1 przebieg:Osc %1 waveform:organicInstrumentViewRandomizuj RandomiseorganicInstrumentViewGBo[no[:Volume:organicInstrumentViewcent(y)centsorganicInstrumentViewBasyBasspapuInstrument"GBo[no[ kanaBu 1Channel 1 volumepapuInstrument"GBo[no[ kanaBu 2Channel 2 volumepapuInstrument"GBo[no[ kanaBu 3Channel 3 volumepapuInstrument"GBo[no[ kanaBu 4Channel 4 volumepapuInstrument*Poziom Wyj[cia LewegoLeft Output levelpapuInstrument>DBugo[ ka|dego kroku wobulacjiLength of each step in sweeppapuInstrument,Poziom Wyj[cia PrawegoRight Output levelpapuInstrument$Kierunek wobulacjiSweep directionpapuInstrumentOkres wobulacji Sweep timepapuInstrumentSopranyTreblepapuInstrument8Kierunek wobulacji gBo[no[ciVolume sweep directionpapuInstrumentBasyBasspapuInstrumentView Basy:Bass:papuInstrumentView Narysuj przebiegDraw the wave herepapuInstrumentView>DBugo[ ka|dego kroku wobulacjiLength of each step in sweeppapuInstrumentView@DBugo[ ka|dego kroku wobulacji:Length of each step in sweep:papuInstrumentView$Kierunek wobulacjiSweep DirectionpapuInstrumentViewOkres wobulacji Sweep TimepapuInstrumentView Okres wobulacji: Sweep Time:papuInstrumentViewSopranyTreblepapuInstrumentViewSoprany:Treble:papuInstrumentView8Kierunek wobulacji gBo[no[ciVolume Sweep DirectionpapuInstrumentView6Nie mo|na zamrozi patternuCannot freeze patternpatternW tej chwili pattern nie mo|e zosta zamro|ony poniewa| znajdujesz si w trybie odtwarzania. Zatrzymaj i sprbuj ponownie!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!pattern AnulujCancelpatternFreezeStatusDialog,Zamra|anie patternu...Freezing pattern...patternFreezeStatusDialog%1 krokw%1 steps patternView 1 krok1 step patternViewDodaj kroki Add steps patternViewZmieD nazw Change name patternView,Wyczy[ wszystkie nutyClear all notes patternView ZamrzFreeze patternView8Otwrz w Edytorze PianolowymOpen in piano-roll patternViewZamrz ponownieRefreeze patternViewUsuD kroki Remove steps patternViewZresetuj nazw Reset name patternViewRozmrzUnfreeze patternViewPodwjne kliknicie otwiera pattern w Edytorze Pianolowym u|yj kBka myszy aby ustawi gBo[no[ poszczeglnych krokwWdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternViewKliknij tutaj, aby przej[ do trybu odstrojenia. W tym trybie mo|esz odstraja nuty w oknie, ktre otworzy si po klikniciu na nich. Ten tryb mo|esz aktywowa z poziomu klawiatury przez wci[nicie kombinacji 'Shift+T'.Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. pianoRollrKliknij tutaj, aby przej[ do trybu rysowania. W tym trybie mo|esz dodawa, przemieszcza i zmienia rozmiar nut To domy[lny tryb, ktry bdziesz u|ywa przez wikszo[ czasu. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+D'. Przytrzymaj klawisz 'Ctrl' aby czasowo przej[ do trybu zaznaczenia.Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. pianoRoll(Kliknij tutaj, aby przej[ do trybu kasowania. W tym trybie mo|esz usuwa nuty. Mo|esz go aktywowa z poziomu klawiatury za pomoc skrtu 'Shift+E'.Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. pianoRollKliknij tutaj, aby przej[ do trybu zaznaczania. W tym trybie mo|esz zaznacza pojedyncze nuty lub caBe ich grupy. Alternatywnie mo|esz przytrzyma klawisz 'Ctrl' w trybie rysowania aby tymczasowo przej[ do trybu zaznaczania.Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. pianoRollKliknij tutaj a nuty ze schowka zostan przeklejone w miejsce zaznaczenia.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRollKliknij tutaj a zaznaczone nuty zostan skopiowane do schowka. Mo|esz wklei je gdziekolwiek w dowolnym patternie za pomoc przycisku 'Wklej'.Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll0Kliknij tutaj a zaznaczone nuty zostan wycite i umieszczone w schowku. Mo|esz wklei je gdziekolwiek w dowolnym patternie za pomoc przycisku 'Wklej'.Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRollKliknij tutaj je[li chcesz odtworzy bie|cy pattern. Pattern zostanie automatycznie zaptlony.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollKliknij tutaj, aby nagra nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanaBu. Podczas nagrywania wszystkie nuty ktre zagrasz zostan zapisane na pattern i bdziesz mgB odtworzy i edytowa je pzniej.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRollKliknij tutaj, aby nagra nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanaBu. Podczas nagrywania bdziesz sBysze utwr lub lini perkusyjn/basow a wszystkie nuty ktre zagrasz zostan zapisane na pattern.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRollKliknij tutaj je[li chcesz zatrzyma odtwarzanie bie|cego patternu./Click here to stop playback of current pattern. pianoRoll@Skopiuj zaznaczone nuty (Ctrl+C)Copy selected notes (Ctrl+C) pianoRoll>Wytnij zaznaczone nuty (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll4Tryb odstrojenia (Shift+T)Detune mode (Shift+T) pianoRoll0Tryb rysowania (Shift+D)Draw mode (Shift+D) pianoRoll4Tryb wymazywania (Shift+E)Erase mode (Shift+E) pianoRollOstatnia nuta Last note pianoRoll$Panoramowanie Nuty Note Panning pianoRollGBo[no[ Nuty Note Volume pianoRollBlokada nuty Note lock pianoRoll<Wklej nuty ze schowka (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRoll*Edytor Pianolowy - %1Piano-Roll - %1 pianoRoll@Edytor Pianolowy - brak patternuPiano-Roll - no pattern pianoRollVOdtwrz/zatrzymaj aktualny pattern (Spacja)"Play/pause current pattern (Space) pianoRollJOtwrz pattern podwjnym klikniciem!/Please open a pattern by double-clicking on it! pianoRolldNagraj nuty za pomoc zewntrznego kontrolera MIDI+Record notes from MIDI-device/channel-piano pianoRollNagraj nuty za pomoc zewntrznego kontrolera MIDI w trakcie odtwarzania podkBadu dzwikowegoJRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll4Tryb zaznaczania (Shift+S)Select mode (Shift+S) pianoRollbZatrzymaj odtwarzanie bie|cego patternu (Spacja)'Stop playing of current pattern (Space) pianoRollSyntezator Addytywny umo|liwiajcy stworzenie dzwikw zbli|onych brzmieniem do organw.*Additive Synthesizer for organ-like sounds pluginBrowser`Konfigurowalny syntezator tablicowy (wavetable)."Customizable wavetable synthesizer pluginBrowserPrzecignij instrument do Edytora Piosenki, Edytora Perkusji i Basu lub na wybran [cie|k.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowserBWbudowany syntezator ZynAddSubFX.Embedded ZynAddSubFX pluginBrowserFEmulator ukBadu APU GameBoy'a (TM).Emulation of GameBoy (TM) APU pluginBrowserEmulator ukBadu dzwikowego SID (MOS6581 i MOS8580) Te ukBady scalone byBy stosowane w komputerach Commodore 64.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserbFiltr do importowania projektw FL Studio w LMMS.1Filter for importing FL Studio projects into LMMS pluginBrowserTFiltr do importowania plikw MIDI do LMMS.)Filter for importing MIDI-files into LMMS pluginBrowser`Instrument kompatybilny z standardem sampli GUS.GUS-compatible patch instrument pluginBrowserfNiezupeBna monofoniczna emulacja syntezatora tb303.%Incomplete monophonic imitation tb303 pluginBrowser2Przegldarka instrumentwInstrument browser pluginBrowser*Instrumenty wtyczkoweInstrument plugins pluginBrowserDPoka| zainstalowane wtyczki LADSPAList installed LADSPA plugins pluginBrowser8Odtwarzacz plikw SoundFont.Player for SoundFont files pluginBrowserWtyczka do kontrolowania regulatorw za po[rednictwem szczytw dzwiku.-Plugin for controlling knobs with sound peaks pluginBrowserDWtyczka rozszerzajca baz stereo.=Plugin for enhancing stereo separation of a stereo input file pluginBrowserWtyczka do nieograniczonego manipulowania wyj[ciami stereofonicznymi.,Plugin for freely manipulating stereo output pluginBrowser@Melodyjny instrument paBeczkowy.Tuneful things to bang on pluginBrowserjHost VST pozwalajcy na u|ycie wtyczek VST(i) w LMMS.-VST-host for using VST(i)-plugins within LMMS pluginBrowser6Symulator drgajcej struny.Vibrating string modeler pluginBrowserbrak opisuno description pluginBrowserHWtyczka polepszajca brzmienie basu.plugin for boosting bass pluginBrowserWtyczka umo|liwiajca zaBadowanie dowolnego efektu LADSPA wewntrz LMMS.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowserWtyczka umo|liwiajca zaBadowanie dowolnego efektu VST wewntrz LMMS.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowserProsty sampler z r|nymi ustawieniami pozwalajcy na wstawienie sampli bezpo[rednio na [cie|ki.Zsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserTrzy pot|ne oscylatory, ktre mo|esz modulowa na kilka r|nych sposobw.;three powerful oscillators you can modulate in several ways pluginBrowsernWszechstronny syntezator do kick'u i stopy perkusyjnej.&versatile kick- & bassdrum-synthesizer pluginBrowserWytBu[ [&B]&Bold projectNotesKolor... &Color... projectNotes&Kopiuj&Copy projectNotesKursywa [&I]&Italic projectNotesJustowanie [&J]&Justify projectNotesLewo [&L]&Left projectNotes &Wklej&Paste projectNotesPowtrz [&R]&Redo projectNotesPrawo [&R]&Right projectNotes"Podkre[lenie [&U] &Underline projectNotesCofnij [&U]&Undo projectNotes Centrowanie [&E]C&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotesWy&tnijCu&t projectNotesEdytuj Akcje Edit Actions projectNotesFormatowanieFormat Actions projectNotes Notatki projektu Project notes projectNotes\Umie[ tutaj swoje zapiski dotyczce projektu.!Put down your project notes here. projectNotesZmieD nazw... Rename... renameDialog2Pliki AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBufferPliki AU (*.au)AU-Files (*.au) sampleBufferWszystkie pliki Audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer,Pliki DrumSynth (*.ds)DrumSynth-Files (*.ds) sampleBuffer&Pliki FLAC (*.flac)FLAC-Files (*.flac) sampleBuffer"Pliki MP3 (*.mp3)MP3-Files (*.mp3) sampleBuffer"Pliki OGG (*.ogg)OGG-Files (*.ogg) sampleBuffer"Otwrz plik audioOpen audio file sampleBuffer"Pliki RAW (*.raw)RAW-Files (*.raw) sampleBuffer&Pliki SPEEX (*.spx)SPEEX-Files (*.spx) sampleBuffer"Pliki VOC (*.voc)VOC-Files (*.voc) sampleBuffer"Pliki WAV (*.wav)Wave-Files (*.wav) sampleBuffer KopiujCopy sampleTCOView WytnijCut sampleTCOView:Skasuj (naci[nij rolk myszy)Delete (middle mousebutton) sampleTCOViewnWycisz/anuluj wyciszenie (<Ctrl> + kliknij rolk myszy)#Mute/unmute ( + middle click) sampleTCOView WklejPaste sampleTCOView,Ustaw/wyczy[ nagranieSet/clear record sampleTCOViewHwybierz sampla podwjnym klikniciemdouble-click to select sample sampleTCOViewZcie|ka audio Sample track sampleTrackGBo[no[Volume sampleTrack GBo[no[ kanaBu:Channel volume:sampleTrackView GBo[no[ [cie|ki Track volumesampleTrackViewVOLVOLsampleTrackViewINTERFEJS AUDIOAUDIO INTERFACE setupDialog"Katalog z grafikArtwork directory setupDialog Ustawienia audioAudio settings setupDialogROZMIAR BUFORA BUFFER SIZE setupDialogGrafika tBaBackground artwork setupDialog AnulujCancel setupDialogLWybierz katalog z instalacj FL Studio'Choose FL Studio installation directory setupDialog<Wybierz katalog wtyczek LADSPAChoose LADSPA plugin directory setupDialog8Wybierz katalog roboczy LMMSChoose LMMS working directory setupDialog6Wybierz katalog STK rawwaveChoose STK rawwave directory setupDialog2Wybierz katalog z grafikChoose artwork-theme directory setupDialog&Wybierz grafik tBaChoose background artwork setupDialog4Wybierz domy[lny SoundFontChoose default SoundFont setupDialog6Wybierz katalog wtyczek VST Choose your VST-plugin directory setupDialogDDomy[lnie kompresuj pliki projektu"Compress project files per default setupDialog.Domy[lny plik SoundfontDefault Soundfont File setupDialogFWyBcz wskazniki aktywno[ci kanaBw#Disable channel activity indicators setupDialogGBo[no[ w dBVDisplay volume as dBV  setupDialog"WBcz podpowiedziEnable tooltips setupDialog8Katalog instalacji FL Studio FL Studio installation directory setupDialog2Ramki: %1 Latencja: %2 msFrames: %1 Latency: %2 ms setupDialog*Podstawowe ustawieniaGeneral settings setupDialog\Tryb wysokiej jako[ci wyj[cia urzdzenia audioHQ-mode for output audio-device setupDialogTutaj mo|esz wybra preferowany interfejs MIDI. W zale|no[ci od konfiguracji systemu podczas kompilacji mo|esz wybiera pomidzy ALSA, OSS i innymi. Poni|ej znajduje si sekcja w ktrej mo|esz zmieni ustawienia wybranego interfejsu.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogTutaj mo|esz wybra preferowany interfejs audio. W zale|no[ci od konfiguracji Twojego systemu podczas kompilacji mo|esz wybiera pomidzy ALSA, JACK, OSS i innymi. Poni|ej znajduje si sekcja w ktrej mo|esz zmieni ustawienia wybranego interfejsu.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog Tutaj mo|esz ustawi rozmiar wewntrznego bufora u|ywanego przez LMMS. Ni|sze warto[ci skutkuj mniejsz latencj ale mog powodowa znieksztaBcenia dzwiku lub kiepsk wydajno[, zwBaszcza na starszych komputerach lub kernelach bez obsBugi czasu rzeczywistego.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog2Zcie|ki do wtyczek LADSPALADSPA plugin paths setupDialog(Katalog roboczy LMMSLMMS working directory setupDialogINTERFEJS MIDIMIDI INTERFACE setupDialogUstawienia MIDI MIDI settings setupDialogDODATKOWEMISC setupDialogOKOK setupDialogpTryb jednego, wsplnego okna dla wszystkich instrumentw One instrument track window mode setupDialog~Reakcja klawiatury muzycznej kanaBu tylko na bezpo[redni nacisk)Only press keys on channel-piano manually setupDialogZcie|kiPaths setupDialog*Ustawienia wydajno[ciPerformance settings setupDialogpWikszo[ zmian da efekt dopiero po zrestartowaniu LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog<Zresetuj do warto[ci domy[lnejReset to default-value setupDialogRestart LMMS Restart LMMS setupDialog&Katalog STK rawwaveSTK rawwave directory setupDialog"Konfiguracja LMMS Setup LMMS setupDialogrOstrze|enie o konieczno[ci restartu po zmianie parametrw,Show restart warning after changing settings setupDialogLPBynne przewijanie w Edytorze PiosenkiSmooth scroll in Song Editor setupDialog<Efekty interfejsu vs wydajno[UI effects vs. performance setupDialog&Katalog wtyczek VSTVST-plugin directory setupDialogBankBank sf2Instrument ChorusChorus sf2Instrument"GBboko[ chorusu Chorus Depth sf2InstrumentPoziom chorusu Chorus Level sf2InstrumentLinie chorusu Chorus Lines sf2Instrument Prdko[ chorusu Chorus Speed sf2InstrumentWzmocnienieGain sf2Instrument PrbkaPatch sf2Instrument PogBosReverb sf2Instrument"TBumienie pogBosuReverb Damping sf2InstrumentPoziom pogBosu Reverb Level sf2Instrument*Rozmiar pomieszczeniaReverb Roomsize sf2Instrument$Rozpito[ pogBosu Reverb Width sf2Instrument<NaB| chorus (je[li wspierane)Apply chorus (if supported)sf2InstrumentView<NaB| pogBos (je[li wspierane)Apply reverb (if supported)sf2InstrumentViewWybierz prbkChoose the patchsf2InstrumentView$GBboko[ chorusu: Chorus Depth:sf2InstrumentViewPoziom chorusu: Chorus Level:sf2InstrumentViewLinie chorusu: Chorus Lines:sf2InstrumentView"Prdko[ chorusu: Chorus Speed:sf2InstrumentViewRKliknij tutaj, aby otworzy inny plik SF2#Click here to open another SF2 filesf2InstrumentViewWzmocnienieGainsf2InstrumentView*Otwrz plik SoundFontOpen SoundFont filesf2InstrumentView4Otwrz inny plik SoundFontOpen other SoundFont filesf2InstrumentView$TBumienie pogBosu:Reverb Damping:sf2InstrumentViewPoziom pogBosu: Reverb Level:sf2InstrumentView,Rozmiar pomieszczenia:Reverb Roomsize:sf2InstrumentView&Rozpito[ pogBosu: Reverb Width:sf2InstrumentView0Pliki SoundFont2 (*.sf2)SoundFont2 Files (*.sf2)sf2InstrumentViewTen przycisk wBcza chorus. DziaBa tylko na plikach, ktre wspieraj t funkcj.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentViewTen przycisk wBcza pogBos. DziaBa tylko na plikach, ktre wspieraj t funkcj.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentViewRodzaj scalaka Chip model sidInstrument.Czstotliwo[ granicznaCutoff sidInstrumentRodzaj filtru Filter type sidInstrument6Zafalowanie charakterystyki Resonance sidInstrumentWyBcz gBos 3 Voice 3 off sidInstrumentGBo[no[Volume sidInstrumentWarto[ ataku (Attack) okre[la jak szybko sygnaB wyj[ciowy gBosu %1 narasta od zera do warto[ci szczytowej.\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentView Atak:Attack:sidInstrumentView2Filtr pasmowoprzepustowy Band-Pass filter sidInstrumentView(Zgrubne odstrojenie:Coarse:sidInstrumentView0Czstotliwo[ graniczna:Cutoff frequency:sidInstrumentViewWarto[ zanikania (Decay) decyduje jak szybko sygnaB wyj[ciowy opada od warto[ci szczytowej do ustalonego poziomu podtrzymania (Sustain).iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentViewZanikanie:Decay:sidInstrumentViewFiltrowanyFilteredsidInstrumentView.Filtr grnoprzepustowy High-Pass filter sidInstrumentView.Filtr dolnoprzepustowy Low-Pass filter sidInstrumentViewMOS6581 SID  MOS6581 SID sidInstrumentViewMOS8580 SID  MOS8580 SID sidInstrumentViewSzumNoisesidInstrumentViewBSygnaB wyj[ciowy gBosu %1 bdzie utrzymywaB poziom podtrzymania (Sustain) tak dBugo, jak nuta bdzie odtwarzania (klawisz klawiatury muzycznej bdzie wci[nity).]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentView(Przebieg Prostoktny Pulse WavesidInstrumentViewBWspBczynnik wypeBnienia impulsu: Pulse Width:sidInstrumentViewZwolnienie:Release:sidInstrumentView8Zafalowanie charakterystyki: Resonance:sidInstrumentView.Modulacja Pier[cieniowaRing-ModsidInstrumentView"Modulacja Pier[cieniowa (koBowa) podmienia sygnaB trjktny na wyj[ciu oscylatora %1 na pier[cieniowo zmodulowan kombinacj oscylatorw %1 i %2.}Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.sidInstrumentView,Przebieg PiBoksztaBtnySawToothsidInstrumentViewPodtrzymanie:Sustain:sidInstrumentViewSynchronizacjaSyncsidInstrumentViewSynchronizacja koordynuje w czasie fundamentalne czstotliwo[ci oscylatorw %1 i %2 tworzc efekty "Hard Sync".Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.sidInstrumentViewTestTestsidInstrumentViewKiedy wBczony jest Test, oscylator %1 zostanie czasowo zresetowany i zablokowany.PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentViewZgrubne odstrojenie pozwala zmieni wysoko[ gBosu %1 o oktaw w gr lub w dB.DThe Coarse detuning allows to detune Voice %1 one octave up or down.sidInstrumentView*WspBczynnik wypeBnienia impulsu okre[la stosunek czasu trwania impulsu do okresu tego impulsu. Pozwala na pBynn zmian wysoko[ci tonu bez dostrzegalnego przej[cia midzy dzwikami. Nale|y wybra prostoktny ksztaBt fali oscylatora %1 aby dostrzec jakikolwiek sByszalny efekt.The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.sidInstrumentView(SygnaB wyj[ciowy gBosu %1 opadnie od poziomu podtrzymania (Sustain) do poziomu zerowego po czasie okre[lonym przez parametr wybrzmiewania (Release).jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentView$Przebieg Trjktny Triangle WavesidInstrumentViewWyBcz gBos 3  Voice3 Off sidInstrumentViewGBo[no[:Volume:sidInstrumentViewDKiedy wBczona jest filtracja, gBos %1 bdzie przetwarzany przez filtr. Kiedy filtracja jest wyBczona, gBos %1 pojawi si bezpo[rednio na wyj[ciu, bez filtracji.When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentViewwszystkie plikiAll file typessongPusty projekt Empty projectsong$projekty FL StudioFL Studio projectssongImportuj plik Import filesongsekwencje MIDIMIDI sequencessong$GBwne odstrojenie Master pitchsongGBwna gBo[no[ Master volumesong4Projekt NIE JEST zapisany.Project NOT saved.song Projekt zapisany Project savedsongRWybierz plik aby wyeksportowa projekt...!Select file for project-export...song TempoTemposongFProjekt %1 zostaB wBa[nie zapisany.The project %1 is now saved.song:Projekt %1 nie jest zapisany!The project %1 was not saved!songTen projekt jest pusty wic eksportowanie go nie ma najmniejszego sensu. Najpierw umie[ kilka elementw w Edytorze Piosenki!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!songniezatytuBowaneuntitledsong0Dodaj [cie|k automatykiAdd automation-track songEditor:Dodaj lini basow/perkusyjnAdd beat/bassline songEditor0Dodaj [cie|k z samplamiAdd sample-track songEditor<Kliknij tutaj, je[li chcesz odtworzy caB piosenk. Odtwarzanie rozpocznie si od zielonego znacznika pozycji. Mo|esz go przemieszcza w trakcie odtwarzania.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorKliknij tutaj, je[li chcesz zatrzyma odtwarzanie piosenki. Znacznik pozycji zostanie ustawiony na pocztek utworu.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor0Nie mo|na otworzy plikuCould not open file songEditortNie da si otworzy pliku %1. Prawdopodobnie nie posiadasz uprawnieD do odczytu tego pliku. Upewnij si, |e masz przynajmniej uprawnienia odczytu tego pliku a nastpnie sprbuj ponownie.Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. songEditor.Nie mo|na zapisa plikuCould not write file songEditor8Nie mo|na zapisa pliku %1. Prawdopodobnie nie posiadasz uprawnieD zapisu do tego pliku. Upewnij si, |e masz prawo zapisu do tego pliku i sprbuj ponownie.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditorTryb rysowania Draw mode songEditorVTryb edycji (zaznaczanie i przemieszczanie)Edit mode (select and move) songEditorBBd w pliku Error in file songEditor*Tryb wysokiej jako[ciHigh quality mode songEditor$Odstrojenie gBwne Master pitch songEditorGBo[no[ gBwna Master volume songEditor2Odtwrz piosenk (Spacja)Play song (Space) songEditor@Nagraj sample z urzdzenia audio Record samples from Audio-device songEditorNagrywa sample z urzdzenia audio podczas odtwarzania piosenki lub [cie|ki perkusji/basu?Record samples from Audio-device while playing song or BB track songEditor"Edytor Kompozycji Song-Editor songEditorNZatrzymaj odtwarzanie piosenki (Spacja)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorWyglda na to, |e plik %1 zawiera bBdy i nie mo|e zosta zaBadowany.BThe file %1 seems to contain errors and therefore can't be loaded. songEditorTempo piosenki jest wyra|ane w uderzeniach na minut (BPM, Beats Per Minute). Je[li chcesz zmieni szybko[ swojej piosenki zmodyfikuj t warto[. Ka|dy takt zawiera cztery uderzenia, std tempo w BPM wyra|a jak wiele taktw / 4 powinno by odtworzone w cigu minuty (albo - je[li wolisz - jak wiele taktw ma by odtworzonych w cigu 4 minut).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor(Warto[: %1 pBtonwValue: %1 semitones songEditorWarto[: %1% Value: %1% songEditor$odstrojenie gBwne master pitch songEditorgBo[no[ gBwna master volume songEditortempo piosenki tempo of song songEditor,O[ Y skalowana liniowo Linear Y axisspectrumAnalyzerControlDialog4Spektrum skalowane liniowoLinear spectrumspectrumAnalyzerControlDialogTryb kanaBu Channel modespectrumAnalyzerControls,O[ Y skalowana liniowo Linear Y-axisspectrumAnalyzerControls4Spektrum skalowane liniowoLinear spectrumspectrumAnalyzerControlsROZSZERZWIDEstereoEnhancerControlDialogSzeroko[:Width:stereoEnhancerControlDialogSzeroko[WidthstereoEnhancerControls4GBo[no[ Lewy IN Lewy OUT:Left to Left Vol:stereoMatrixControlDialog6GBo[no[ Lewy IN Prawy OUT:Left to Right Vol:stereoMatrixControlDialog6GBo[no[ Prawy IN Lewy OUT:Right to Left Vol:stereoMatrixControlDialog8GBo[no[ Prawy IN Prawy OUT:Right to Right Vol:stereoMatrixControlDialog&Lewy IN >> Lewy OUT Left to LeftstereoMatrixControls(Lewy IN >> Prawy OUT Left to RightstereoMatrixControls(Prawy IN >> Lewy OUT Right to LeftstereoMatrixControls*Prawy IN >> Prawy OUTRight to RightstereoMatrixControlsBPo zatrzymaniu powr do pocztkuAfter stopping go back to begintimeLinePo zatrzymaniu powr do pozycji z ktrej rozpoczto odtwarzanie?After stopping go back to position at which playing was startedtimeLine>Po zatrzymaniu utrzymaj pozycjAfter stopping keep positiontimeLine8WBcz/wyBcz autoprzewijanieEnable/disable auto-scrollingtimeLine8WBcz/wyBcz znaczniki ptliEnable/disable loop-pointstimeLineWskazwkaHinttimeLinevNaci[nij <Ctrl> aby wyBczy przyciganie znacznikw ptli.-Press to disable magnetic loop-points.timeLineWyciszoneMutedtrackSoloSolotrack AnulujCanceltrackContainerDNie mo|na odnalez filtra do zaimportowania pliku %1. Powinienie[ przekonwertowa ten plik do formatu wspieranego przez LMMS z pomoc zewntrznego oprogramowania.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer8Nie mo|na zaimportowa plikuCouldn't import filetrackContainer0Nie mo|na otworzy plikuCouldn't open filetrackContainer6Nie da si otworzy pliku %1 do odczytu. Upewnij si, |e masz uprawnienia do odczytu tego pliku i katalogu zawierajcego plik a nastpnie sprbuj ponownie!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer2Importowanie pliku FLP...Importing FLP-file...trackContainer4Importowanie pliku MIDI...Importing MIDI-file...trackContainer*Aadowanie projektu...Loading project...trackContainer Prosz czeka...Please wait...trackContainerWyciszoneMutedtrackContentObject,%1:%2 (%3:%4 do %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView KopiujCopytrackContentObjectView Aktualna dBugo[Current lengthtrackContentObjectViewBie|ca pozycjaCurrent positiontrackContentObjectView WytnijCuttrackContentObjectView8Kasuj (naci[nij rolk myszy)Delete (middle mousebutton)trackContentObjectViewWskazwkaHinttrackContentObjectViewtWycisz/anuluj wyciszenie (<Ctrl> + kliknicie rolk myszy)#Mute/unmute ( + middle click)trackContentObjectView WklejPastetrackContentObjectViewbNaci[nij <Ctrl> i przecignij aby stworzy kopi.%Press and drag to make a copy.trackContentObjectViewHNaci[nij <Ctrl> aby zmieni rozmiar.Press for free resizing.trackContentObjectView*Akcje dla tej [cie|kiActions for this tracktrackOperationsWidget"Klonuj t [cie|kClone this tracktrackOperationsWidgetWyciszenieMutetrackOperationsWidget"Wycisz t [cie|kMute this tracktrackOperationsWidgetNaci[nij <Ctrl> podczas przecigania elementu kursorem aby rozpocz now akcj 'przecignij i upu['.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidgetUsuD t [cie|kRemove this tracktrackOperationsWidgetSoloSolotrackOperationsWidgetLAadowanie wtyczki VST nie powiodBo siFailed loading VST-pluginvestigeInstrument"Aadowanie wtyczkiLoading pluginvestigeInstrumentNAadowanie wtyczki VST. Prosz czeka...'Please wait while loading VST-plugin...vestigeInstrumentjWtyczka VST %1 nie mo|e zosta zaBadowana z jakiego[ powodu. Je[li pracuje normalnie z innym oprogramowaniem VST pod Linuksem prosz koniecznie skontaktowa si z developerami LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrumentOdstrojenie %1 Detune %1vibedRozmycie %1 Fuzziness %1 vibedImpuls %1 Impulse %1vibedDBugo[ %1 Length %1vibedOktawa %1 Octave %1vibed Panoramowanie %1Pan %1vibed&Punkt Wymuszenia %1Pick %1 positionvibed,Punkt Monitorowania %1Pickup %1 positionvibed*String %1 - sztywno[String %1 stiffnessvibed(String %1 - gBo[no[String %1 volumevibed &Pomoc&Help vibedViewZKliknij tutaj, aby wBczy/wyBczy przebieg.&Click here to enable/disable waveform. vibedViewTKliknij tutaj, aby znormalizowa przebieg.!Click here to normalize waveform. vibedViewLKliknij tutaj, aby wygBadzi przebieg.Click here to smooth waveform. vibedViewOdstrojenie:Detune: vibedViewWBcz przebiegEnable waveform vibedViewRozmycie: Fuzziness: vibedViewEdytor ImpulsuImpulse Editor vibedView<Wymuszenie lub stan pocztkowyImpulse or initial state vibedViewDBugo[:Length: vibedViewNormalizacja Normalize vibedView OktawaOctave vibedViewPanoramowanie:Pan: vibedView"Punkt Wymuszenia:Pick position: vibedView(Punkt Monitorowania:Pickup position: vibedView,Przebieg PiBoksztaBtnySaw wave vibedView*Przebieg Sinusoidalny Sine wave vibedViewWygBadzanieSmooth vibedView(Przebieg Prostoktny Square wave vibedView StrunaString vibedView"Sztywno[ struny:String stiffness: vibedViewPrzeBcznik 'Imp' okre[la czy przebieg z wykresu ma by wymuszeniem przyBo|onym struny czy ma odpowiada za pocztkowy jej stan (ksztaBt).The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedViewPokrtBo 'P' ustala pozycj punktu w ktrym wymuszenie zostanie przyBo|one do struny.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedViewPokrtBo 'PU' ustala pozycj punktu w ktrym bd monitorowane (nasBuchiwane) drgania struny.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewPokrtBo 'S' ustala sztywno[ wybranej struny. Sztywno[ struny okre[la jak dBugo bdzie ona drga. Ni|sze sztywno[ci wydBu|aj czas drgaD.The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewZPokrtBo 'V' ustala gBo[no[ wybranej struny.4The 'V' knob sets the volume of the selected string. vibedViewbPokrtBo 'Odstrojenie' modyfikuje wysoko[ tonu wybranej struny. Warto[ci ni|sze ni| zero powoduj spBaszczenie brzmienia. Warto[ci powy|ej zera skutkuj wyostrzeniem brzmienia.The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedView8PokrtBo dBugo[ci sBu|y do zmiany dBugo[ci wybranej struny. DBu|sza struna bdzie drga dBu|ej i ja[niej, jednak zu|yje wicej mocy obliczeniowej procesora.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewPrzeBcznik oktawy sBu|y do wyboru, na jakich czstotliwo[ciach harmonicznych bdzie drga struna. Na przykBad ustawienie warto[ci -2 sprawi, |e otrzymamy dzwik dwie oktawy ni|szy od czstotliwo[ci podstawowej struny, warto[ 'F' oznacza, |e otrzymany dzwik bdzie miaB czstotliwo[ zgodn z czstotliwo[ci fundamentaln za[ warto[ '6' przesunie czstotliwo[ drgaD o 6 oktaw w gr.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewPokrtBo 'Pan' determinuje poBo|enie wybranej struny w przestrzeni stereo.PThe Pan knob determines the location of the selected string in the stereo field. vibedViewTPokrtBo Slap dodaje nieco efektu fuzz do wybranej struny, sByszalnego zwBaszcza podczas fazy ataku. Mo|e by u|ywane aby uczyni brzmienie struny bardziej 'metalicznym'.The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedViewPrzeBcznik struny sBu|y wyboru struny, ktr bdziemy modyfikowa. Instrument Vibed mo|e zawiera do 9 niezale|nych ukBadw drgajcych. Kontrolka LED w prawym dolnym rogu edytora ksztaBtu fali pokazuje, czy wybrana struna jest aktywna.The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedViewEdytor ksztaBtu przebiegu pozwala kontrolowa struktur impulsu, ktry powoduje wzbudzenie drgaD struny. Przycisk po prawej umo|liwia wybr ksztaBtu fali. Przycisk '?' zaBaduje przebieg z pliku - jedynie pierwsze 128 prbek zostanie zaBadowanych. Przebieg mo|e zosta narysowany rcznie. Przycisk 'S' wygBadza przebieg. Przycisk 'N' normalizuje przebieg.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView$Przebieg Trjktny Triangle wave vibedViewdU|yj fali piBoksztaBtnej dla bie|cego oscylatora.&Use a saw-wave for current oscillator. vibedViewbU|yj fali sinusoidalnej dla bie|cego oscylatora.'Use a sine-wave for current oscillator. vibedView`U|yj fali prostoktnej dla bie|cego oscylatora.)Use a square-wave for current oscillator. vibedView\U|yj fali trjktnej dla bie|cego oscylatora.+Use a triangle-wave for current oscillator. vibedViewU|yj fali zdefiniowanej przez u|ytkownika dla bie|cego oscylatora.3Use a user-defined waveform for current oscillator. vibedViewXU|yj biaBego szumu dla bie|cego oscylatora.'Use white-noise for current oscillator. vibedViewNPrzebieg zdefiniowany przez u|ytkownikaUser defined wave vibedViewDSymulator do dziewiciu niezale|nych, wibrujcych strun. PrzeBcznik struny umo|liwia wybr strun, ktre maj by edytowane. PrzeBcznik oktawy okre[la czstotliwo[ci harmoniczne, na ktrych bdzie drga struna. Wykres umo|liwia zadanie ksztaBtu wymuszenia, ktre wprawia strun w drgania. PokrtBo 'V' reguluje gBo[no[. GaBka 'S' modyfikuje sztywno[ struny. PokrtBo 'P' zmienia poBo|enie Punktu Wymuszenia. GaBka 'PU' zmienia poBo|enie Punktu Monitorowania. PokrtBo 'Slap' dodaje do dzwiku struny troch efektu fuzz. PokrtBo 'DBugo[' reguluje dBugo[ struny. Kontrolka LED w prawym dolnym rogu edytora ksztaBtu fali pokazuje, czy wybrana struna jest aktywna.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedViewGBo[no[:Volume: vibedViewBiaBy SzumWhite noise wave vibedView&Kliknij aby wBczyClick to enablevisualizationWidget|Kliknij tutaj, aby wBczy/wyBczy wizualizacj kanaBu master6click to enable/disable visualization of master-outputvisualizationWidgetAtak gBosu %1Voice %1 attack voiceObject8Zgrubne odstrojenie gBosu %1Voice %1 coarse detuning voiceObject$Zanikanie gBosu %1Voice %1 decay voiceObject(Filtrowanie gBosu %1Voice %1 filtered voiceObjectRWspBczynnik wypeBnienia impulsu gBosu %1Voice %1 pulse width voiceObject,Wybrzmiewanie gBosu %1Voice %1 release voiceObject@Modulacja pier[cieniowa gBosu %1Voice %1 ring modulate voiceObject*Podtrzymanie gBosu %1Voice %1 sustain voiceObject.Synchronizacja gBosu %1 Voice %1 sync voiceObjectTest gBosu %1 Voice %1 test voiceObject*KsztaBt fali gBosu %1Voice %1 wave shape voiceObject , lmms-1.0.0+bzr2569/data/locale/pl.ts0000644000000000000000000076016312307165142015076 0ustar 00000000000000 AboutDialog About LMMS O programie LMMS LMMS (Linux MultiMedia Studio) LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) Wersja %1 (%2/%3, Qt %4, %5) About Informacje LMMS - easy music production for everyone LMMS - łatwa produkcja muzyczna dla każdego Authors Autorzy Translation Tłumaczenie Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! Spolszczenie LMMS: Radek Słowik Podziękowania dla: Marii Słowik - za wstępną korektę, Tomasza Gradowskiego - za cenne uwagi i sugestie zmian. Zauważone błędy i propozycje zmian tłumaczenia proszę zgłaszać na e-mail: radek[małpka]vibender[kropka]com License Licencja Copyright (c) 2004-2014, LMMS developers Copyright (c) 2004-2010, LMMS developers {2004-2014,?} <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE URZĄDZENIE CHANNELS KANAŁY AudioFileProcessorView Open other sample Otwórz inną próbkę Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Kliknij w tym miejscu jeśli chcesz załadować inny plik audio. Otworzy się okno gdzie będziesz mógł zaznaczyć wybrany plik. Ustawienia takie jak tryb pętli, punkty początku i końca, wartość wzmocnienia i inne nie zostaną zresetowane więc to co uzyskasz może brzmieć inaczej niż oryginalna próbka. Reverse sample Odwróć próbkę If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Jeśli uaktywnisz tę kontrolkę cała próbka będzie odtwarzana wstecz. Może to być przydatne do stworzenia efektów dźwiękowych np. puszczonej wstecz blachy crash. Loop sample at start- and end-point Zapętl próbkę od znacznika początkowego do końcowego Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Jeśli uaktywnisz tę kontrolkę próbka będzie odtwarzana w zakresie od znacznika początkowego do końcowego podczas gdy klawisz instrumentu jest naciśnięty. Może być to przydatne w przypadku sampli instrumentów strunowych czy chórków. Amplify: Wzmocnienie: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Za pomocą tego pokrętła możesz ustawić współczynnik wzmocnienia. Domyślną wartością jest 100%. Poniżej próbka jest ściszana a powyżej podgłaśniana (zmiany nie mają wpływu na sam plik sampla!) Startpoint: Znacznik-początkowy: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Za pomocą tego pokrętła możesz ustawić położenie znacznika początku odtwarzania, czyli miejsca, od którego próbka ma być odtwarzana. Gdy uaktywnisz tryb zapętlenia będzie to punkt do którego Sampler będzie powracał jeśli nuta jest dłuższa niż wycinek próbki pomiędzy znacznikami początku i końca. Endpoint: Znacznik końcowy: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Za pomocą tego pokrętła możesz ustawić położenie znacznika końca odtwarzania, czyli miejsca gdzie kończy się odtwarzanie próbki. Gdy uaktywnisz tryb zapętlenia będzie to punkt z którego Sampler będzie przeskakiwał do znacznika początkowego jeśli nuta jest dłuższa niż wycinek próbki pomiędzy znacznikami początku i końca. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted Klient JACK zrestartowany LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. LMMS został odrzucony przez JACK z jakiegoś powodu. Back-end LMMSa został zrestartowany więc możesz ponownie dokonać ręcznych połączeń. JACK server down Serwer JACK wyłączony The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. Wydaje się, że serwer JACK został wyłączony i uruchomienie nowej instancji nie powiodło się więc LMMS nie może kontynuować pracy. Należy zapisać projekt i uruchomić serwer JACK i LMMSa ponownie. AudioJack::setupWidget CLIENT-NAME NAZWA-KLIENTA CHANNELS KANAŁY AudioOss::setupWidget DEVICE URZĄDZENIE CHANNELS KANAŁY AudioPortAudio::setupWidget BACKEND BACKEND DEVICE URZĄDZENIE AudioPulseAudio::setupWidget DEVICE URZĄDZENIE CHANNELS KANAŁY AudioSdl::setupWidget DEVICE URZĄDZENIE AutomatableModel &Reset (%1%2) &Resetuj (%1%2) &Copy value (%1%2) &Kopiuj wartość (%1%2) &Paste value (%1%2) &Wklej wartość (%1%2) Edit song-global automation Edytuj globalną automatykę utworu Connected to %1 Podłączony do %1 Connected to controller Podłączony do kontrolera Edit connection... Edytuj połączenie... Remove connection Usuń połączenie Connect to controller... Podłącz do kontrolera... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Odtwórz/zatrzymaj aktualny pattern (Spacja) Stop playing of current pattern (Space) Zatrzymaj odtwarzanie aktualnego patternu (Spacja) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Kliknij tutaj jeśli chcesz odtworzyć aktualny pattern. Ta opcja jest przydatna przy edytowaniu patternu - zostanie on automatycznie zapętlony. Click here if you want to stop playing of the current pattern. Kliknij tutaj jeśli chcesz zatrzymać odtwarzanie aktualnego patternu. Draw mode (Shift+D) Tryb rysowania (Shift+D) Erase mode (Shift+E) Tryb wymazywania (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Kliknij tutaj aby przejść do trybu rysowania. W tym trybie możesz dodawać i przemieszczać pojedyńcze wartości. To domyślny tryb, który będziesz wykorzystywać przez większość czasu. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+D'. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Kliknij tutaj aby przejść do trybu kasowania. W tym trybie możesz usuwać pojedyńcze wartości. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+E'. Cut selected values (Ctrl+X) Wytnij zaznaczone elementy (Ctrl+X) Copy selected values (Ctrl+C) Skopiuj zaznaczone elementy (Ctrl+C) Paste values from clipboard (Ctrl+V) Wklej zaznaczone elementy (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Kliknij tutaj a zaznaczone elementy zostaną wycięte i umieszczone w schowku. Możesz je wkleić gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Kliknij tutaj a zaznaczone elementy zostaną skopiowane do schowka. Możesz je wkleić gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. Click here and the values from the clipboard will be pasted at the first visible measure. Kliknij tutaj a elementy ze schowka zostaną przeklejone w miejsce zaznaczenia. Automation Editor - no pattern Edytor automatyki - brak patternu Automation Editor - %1 Edytor Automatyki - %1 Please open an automation pattern with the context menu of a control! Otwórz pattern automatyki za pomocą menu kontekstowego regulatora! Values copied Wartości skopiowane All selected values were copied to the clipboard. Wszystkie zaznaczone wartości zostały skopiowane do schowka. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> Przeciągnij trzymając wciśnięty klawisz <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Podwójne kliknięcie otwiera ten pattern w edytorze automatyki Open in Automation editor Otwórz w Edytorze Automatyki Clear Wyczyść Reset name Zresetuj nazwę Change name Zmień nazwę %1 Connections %1 Połączenia Disconnect "%1" Rozłącz "%1" AutomationTrack Automation track Ścieżka automatyki Controller Controller %1 Kontroler %1 ControllerConnectionDialog Connection Settings Ustawienia Połączenia MIDI CONTROLLER KONTROLER MIDI Input channel Kanał wejściowy CHANNEL KANAŁ Input controller Kontroler wejściowy CONTROLLER KONTROLER Auto Detect Autodetekcja MIDI-devices to receive MIDI-events from Urządzenia MIDI odbierające zdarzenia MIDI z USER CONTROLLER KONTROLER UŻYTKOWNIKA MAPPING FUNCTION FUNKCJA MAPOWANIA OK OK Cancel Anuluj LMMS LMMS Cycle Detected. Detekcja Cyklu. ControllerRackView Controller Rack Rack Kontrolerów Add Dodaj Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Ustaw Controllers are able to automate the value of a knob, slider, and other controls. Kontrolery umożliwiają automatyzację wartości pokręteł, suwaków i innych regulatorów. Rename controller Zmień nazwę kontrolera Enter the new name for this controller Wprowadź nową nazwę dla tego kontrolera &Remove this plugin &Usuń tę wtyczkę &Help &Pomoc Effect Effect enabled Efekt włączony Wet/Dry mix Miksowanie Suchy/Mokry Gate Bramka Decay Zanikanie EffectChain Effects enabled Efekty włączone EffectRackView EFFECTS CHAIN ŁAŃCUCH EFEKTOWY Add effect Dodaj efekt EffectSelectDialog Add effect Dodaj efekt Plugin description Opis wtyczki EffectView Toggles the effect on or off. Włącza/wyłącza efekt. On/Off On/Off W/D W/D Wet Level: Poziom 'Mokrego' (Wet): The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Pokrętło Mokry/Suchy (Wet/Dry) określa współczynnik pomiędzy sygnałem nieprzetworzonym a sygnałem po nałożeniu efektu. Wartości dodatnie domiksowywują sygnał przetworzony w fazie a ujemne w przeciwfazie do sygnału nieprzetworzonego. DECAY ZANIK. Time: Czas: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. Pokrętło zanikania określa jak długo będzie trwało przetwarzanie sygnału przez wtyczkę. Niższe wartości zmniejszają obciążenie procesora ale mogą skutkować obcinaniem ogona pogłosowego w deley'ach i reverb'ach. GATE BRAM. Gate: Bramka: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Pokrętło bramki określa poziom sygnału, który zostanie rozpoznany jako cisza aby zatrzymać przetwarzanie sygnału. Controls Ustaw Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Łańcuch wtyczek efektowych w którym sygnał przetwarzany jest od góry do dołu. Kontrolka 'On/Off' umożliwia pominięcie danej wtyczki w każdej chwili. Pokrętło 'Suchy/Mokry' (Wet/Dry) określa współczynnik mieszania sygnału wejściowego z sygnałem przetworzonym przez wtyczkę. Sygnał wyjściowy wtyczki jest równocześnie sygnałem wejściowym wtyczki następnej. Pokrętło 'Zanikanie' określa jak długo sygnał będzie przetwarzany przez wtyczkę po zakończeniu nuty. Wtyczka zakończy przetwarzanie gdy poziom sygnału zmniejszy się poniżej zadanego progu w danym okresie czasu. Ta gałka określa właśnie ten czas. Krótszy będzie skutkować mniejszym obciążeniem procesora ale w przypadku długo wybrzmiewających efektów - np. delay czy reverb - lepiej go zwiększyć. Pokrętło 'Bramka' określa próg sygnału przy którym wtyczka kończy działanie. Przycisk 'Regulatory' otwiera okno w którym można dostosować parametry wtyczki. Prawoklik otwiera menu kontekstowe z pomocą którego można zmienić porządek efektów w łańcuchu lub usunąć wybrane efekty. Move &up Przemieść w &górę Move &down Przemieść w &dół &Remove this plugin &Usuń tę wtyczkę &Help &Pomoc EnvelopeAndLfoParameters Predelay Opóźnienie Attack Atak Hold Przetrzymanie Decay Zanikanie Sustain Podtrzymanie Release Wybrzmiewanie Modulation Modulacja LFO Predelay Opóźnienie LFO LFO Attack Atak LFO LFO speed Szybkość LFO LFO Modulation Modulacja LFO LFO Wave Shape Kształt fali LFO Freq x 100 Częstotliwość x 100 Modulate Env-Amount Współczynnik modulacji obwiedni EnvelopeAndLfoView DEL DEL Predelay: Opóźnienie: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Użyj tego pokrętła aby ustawić czas wstępnego opóźnienia dla obwiedni sygnału. ATT ATT Attack: Atak: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Użyj tego pokrętła aby ustawić czas ataku obwiedni. HOLD HOLD Hold: Przetrzymanie: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Użyj tego pokrętła aby ustawić czas przetrzymania obwiedni. DEC DEC Decay: Zanikanie: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Użyj tego pokrętła aby ustawić czas zanikania obwiedni. SUST SUST Sustain: Podtrzymanie: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Użyj tego pokrętła aby ustawić poziom podtrzymania obwiedni. REL REL Release: Wybrzmiewanie: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Użyj tego pokrętła aby ustawić czas wybrzmiewania obwiedni. AMT AMT Modulation amount: Współczynnik modulacji: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Użyj tego pokrętła aby ustawić współczynnik modulacji sygnału przez generator obwiedni. LFO predelay: Opóźnienie LFO: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Użyj tego pokrętła aby ustawić czas opóźnienia LFO. LFO- attack: Atak LFO: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Użyj tego pokrętła aby ustawić czas ataku LFO. SPD SPD LFO speed: Szybkość LFO: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Użyj tego pokrętła aby ustawić prędkość oscylacji LFO. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Użyj tego pokrętła aby ustawić współczynnik modulacji sygnału przez Generator Przebiegów Wolnozmiennych (LFO). Click here for a sine-wave. Kliknij tutaj aby przełączyć na falę sinusoidalną. Click here for a triangle-wave. Kliknij tutaj aby przełączyć na falę trójkątną. Click here for a saw-wave for current. Kliknij tutaj aby przełączyć na falę piłokształtną. Click here for a square-wave. Kliknij tutaj aby przełączyć na falę prostokątną. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Kliknij tutaj aby przełączyć na kształt fali zdefiniowany przez użytkownika. Po tym fakcie przeciągnij do okna LFO próbkę ze zdefiniowanym wcześniej kształtem fali. FREQ x 100 FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. Kliknij tutaj aby 100-krotnie zwiększyć częstotliwość LFO. multiply LFO-frequency by 100 częstotliwość LFO razy 100 MODULATE ENV-AMOUNT MODULUJ WSPÓŁCZYNNIK OBWIEDNI Click here to make the envelope-amount controlled by this LFO. Kliknij tutaj aby LFO kontrolował współczynnik modulacji sygnału przez obwiednię. control envelope-amount by this LFO kontroluj współczynnik obwiedni przez ten LFO ms/LFO: ms/LFO: Hint Wskazówka Drag a sample from somewhere and drop it in this window. Przeciągnij próbkę skądkolwiek i upuść w tym oknie. ExportProjectDialog Export project Eksportuj projekt Output Wyjście File format: Format pliku: Samplerate: Częstotliwość próbkowania: 44100 Hz 44100 Hz 48000 Hz 48000 Hz 88200 Hz 88200 Hz 96000 Hz 96000 Hz 192000 Hz 192000 Hz Bitrate: Przepływność: 64 KBit/s 64 KBit/s 128 KBit/s 128 KBit/s 160 KBit/s 160 KBit/s 192 KBit/s 192 KBit/s 256 KBit/s 256 KBit/s 320 KBit/s 320 KBit/s Depth: Rozdzielczość bitowa: 16 Bit Integer 16 Bit Integer 32 Bit Float 32 Bit Float Please note that not all of the parameters above apply for all file formats. Zauważ, że nie wszystkie powyższe parametry odnoszą się do wszystkich formatów zapisu. Quality settings Ustawienia jakości Interpolation: Interpolacja: Zero Order Hold Podtrzymanie Zerowego Rzędu (ZOH) Sinc Fastest Sinc Najszybsza Sinc Medium (recommended) Sinc Średnia (zalecana) Sinc Best (very slow!) Sinc Najlepsza (koszmarnie wolna!) Oversampling (use with care!): Nadpróbkowanie (używać ostrożnie!): 1x (None) 1x (Brak) 2x 2x 4x 4x 8x 8x Sample-exact controllers Nie mam pojęcia co oznacza i jak działa opcja 'sample-exact' Kontrolery 'Sample-exact' Alias-free oscillators Oscylatory bez aliasów Start Rozpocznij Cancel Anuluj Export as loop (remove end silence) FxMixer Master Master FX %1 FX %1 FxMixerView Rename FX channel Zmień nazwę kanału efektowego Enter the new name for this FX channel Wprowadź nową nazwę tego kanału efektowego FX-Mixer FX-Mixer FX Fader %1 FX Fader %1 Mute Wyciszenie Mute this FX channel Wycisz ten kanał efektowy InstrumentFunctionArpeggio Arpeggio Arpeggio Arpeggio type Rodzaj arpeggio Arpeggio range Zakres arpeggio Arpeggio time Okres arpeggio Arpeggio gate Bramkowanie arpeggio Arpeggio direction Kierunek arpeggio Arpeggio mode Tryb arpeggio Up W górę Down W dół Up and down Naprzemiennie Random Losowo Free Asynchroniczny Sort Posortowany Sync InstrumentFunctionArpeggioView ARPEGGIO ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Arpeggio jest metodą odtwarzania (zwłaszcza krótkobrzmiących) instrumentów, która czyni muzykę o wiele żywszą. W odróżnieniu od zwyczajnego wykonania akordu, gdzie dźwięki odtwarzane są równocześnie w przypadku wykonywania arpeggio nuty uderzane są sekwencyjnie jedna po drugiej. Typowe arpeggia składają się z trójdźwięków durowych lub molowych ale istnieje też wiele innych akordów, które możesz zastosować. RANGE ZAKRES Arpeggio range: Zakres arpeggio: octave(s) oktawa(y) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Użyj tego pokrętła do ustawienia rozpiętości arpeggio w oktawach. Wybrane arpeggio będzie odgrywane w zakresie określonej liczby oktaw. TIME OKRES Arpeggio time: Okres arpeggio: ms ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Użyj tego pokrętła do ustawienia okresu arpeggio w milisekundach. Okres arpeggio ustala jak długo będzie odtwarzany każdy dźwięk. GATE Arpeggio gate: Bramkowanie arpeggio: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Użyj tego pokrętła do ustawienia bramkowania arpeggio. Bramka arpeggio określa procentowo jak długo ma być odtwarzana każda nuta arpeggio. Za jej pomocą można dokonać artykulacji dźwięków w formie staccato. Chord: Direction: Kierunek: Mode: Tryb: InstrumentFunctionNoteStacking octave Major Majb5 minor minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Chord range Minor InstrumentFunctionNoteStackingView RANGE ZAKRES Chord range: Zakres akordu: octave(s) oktawa(y) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Użyj tego pokrętła aby ustawić zakres akordu w oktawach. Wybrany akord będzie odgrywany w ramach określonej liczby oktaw. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT WŁĄCZ WEJŚCIE MIDI CHANNEL KANAŁ VELOCITY PRĘDKOŚĆ UDERZENIA ENABLE MIDI OUTPUT WŁĄCZ WYJŚCIE MIDI PROGRAM PROGRAM MIDI devices to receive MIDI events from Urządzenia MIDI odbierające zdarzenia z MIDI devices to send MIDI events to Urządzenia MIDI wysyłające zdarzenia do NOTE InstrumentSoundShaping VOLUME GŁOŚNOŚĆ Volume Głośność CUTOFF CUTOFF Cutoff frequency Częstotliwość graniczna RESO RESO Resonance Zafalowanie charakterystyki Envelopes/LFOs Obwiednie/Oscylatory LFO Filter type Rodzaj filtru Q/Resonance Dobroć/Zafalowanie charakterystyki LowPass Dolnoprzepustowy HiPass Górnoprzepustowy BandPass csg Pasmowoprzepustowy csg BandPass czpg Pasmowoprzepustowy czpg Notch Pasmowozaporowy Allpass Wszechprzepustowy Moog Moog 2x LowPass 2xDolnoprzepustowy RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET TARGET These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Te zakładki zawierają obwiednie. Są bardzo ważne przy modyfikacji dźwięku. Praktycznie zawsze są konieczne przy syntezie subtraktywnej. Przykładowo jeśli mamy do czynienia z obwiednią amplitudy możesz ustalić w których momentach dźwięk ma mieć określoną głośność. Jeśli chcesz stworzyć partię łagodnych smyków ich dźwięk powinien narastać i opadać bardzo powoli. Możesz to uzyskać przez ustawienie długich czasów ataku i wybrzmiewania. Podobnie jest w przypadku obwiedni innych parametrów jak panoramowanie czy częstotliwość graniczna. Możesz uzyskać atrakcyjne dźwięki modyfikując brzmienie już samej fali piłokształtnej za pomocą różnych obwiedni! FILTER FILTR Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. W tym miejscu możesz wybrać wbudowany filtr, który chcesz nałożyć na tę ścieżkę instrumentu. Filtry są bardzo istotne z punktu kształtowania charakterystyki dźwięku. Hz Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Użyj tego pokrętła aby ustawić częstotliwość graniczną wybranego filtru. Częstotliwość ta określa które częstotliwości będą wycinane przez filtr. Przykładowo filtr dolnoprzepustowy wycina całe pasmo częstotliwościowe powyżej częstotliwości granicznej. W przypadku filtru górnoprzepustowego jest odwrotnie i tak dalej... RESO RESO Resonance: Zafalowanie charakterystyki: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Użyj tego pokrętła aby ustawić dobroć albo zafalowanie charakterystyki wybranego filtru. Te parametry określają zachowanie filtru w okolicach częstotliwości granicznej. FREQ FREQ cutoff frequency: InstrumentTrack unnamed_track nienazwana ścieżka Volume Głośność Panning Panoramowanie Pitch Odstrojenie FX channel Kanał FX Default preset Ustawienia domyślne With this knob you can set the volume of the opened channel. Za pomocą tego pokrętła możesz określić głośność otwartego kanału. Base note Nuta bazowa Pitch range InstrumentTrackView Volume Głośność Volume: Głośność: VOL VOL Panning Panoramowanie Panning: Panoramowanie: PAN PAN MIDI MIDI Input Wejście Output Wyjście InstrumentTrackWindow GENERAL SETTINGS GŁÓWNE USTAWIENIA Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Kliknij tutaj jeśli chcesz zachować ustawienia obecnego kanału w formie pliku presetu. Później możesz go wczytać poprzez dwuklik w przeglądarce presetów. Instrument volume Głośność instrumentu Volume: Głośność: VOL VOL Panning Panoramowanie Panning: Panoramowanie: PAN PAN Pitch Odstrojenie Pitch: Odstrojenie: cents cent(y) PITCH PITCH FX channel Kanał FX ENV/LFO ENV/LFO FUNC FUNC FX FX MIDI MIDI Save preset Zachowaj ustawienia XML preset file (*.xpf) Plik XML presetu (*.xpf) PLUGIN WTYCZKA Save current channel settings in a preset-file Zachowaj ustawienia bieżącego kanału w formie pliku presetu Pitch range (semitones) RANGE ZAKRES LadspaControl Link channels Połącz kanały LadspaControlDialog Link Channels Połącz kanały Channel Kanał LadspaControlView Link channels Połącz kanały Value: Wartość: Sorry, no help available. Przepraszamy, pomoc jest niedostępna. LadspaEffect Effect Efekt Unknown LADSPA plugin %1 requested. Nieznana wtyczka LADSPA %1 żądanie. LfoController LFO Controller Kontroler LFO Base value Wartość bazowa Oscillator speed Prędkość oscylatora Oscillator amount Współczynnik oscylatora Oscillator phase Faza oscylatora Oscillator waveform Kształt fali oscylatora Frequency Multiplier Mnożnik częstotliwości LfoControllerDialog LFO LFO LFO Controller Kontroler LFO BASE BASE Base amount: Współczynnik bazowy: todo do zrobienia SPD SPD LFO-speed: Prędkość LFO: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Użyj tego pokrętła aby ustawić szybkość LFO. Wyższe wartości przyspieszają drgania Generatora Przebiegów Wolnozmiennych. AMT AMT Modulation amount: Współczynnik modulacji: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Użyj tego pokrętła aby ustawić współczynnik modulacji sygnału przez LFO. Wyższe wartości zwiększają wpływ LFO na podłączone do niego regulatory (np. głośność lub częstotliwość graniczną). PHS PHS Phase offset: Przesunięcie fazowe: degrees stopni(e) With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Za pomocą tego pokrętła możesz ustawić przesunięcie fazowe LFO, czyli punkt w którym oscylator rozpoczyna przebieg. Przykładowo jeśli mamy do czynienia z falą sinusoidalną i wprowadzimy przesunięcie fazowe o wartości 180 stopni pierwsza połówka fali zostanie wygenerowana w dół a nie w górę jak bez przesunięcia. Click here for a sine-wave. Kliknij tutaj aby przestawić kształt fali na sinusoidalny. Click here for a triangle-wave. Kliknij tutaj aby przestawić kształt fali na trójkątny. Click here for a saw-wave. Kliknij tutaj aby przestawić kształt fali na piłokształtny. Click here for a square-wave. Kliknij tutaj aby przestawić kształt fali na prostokątny. Click here for a a moog saw-wave. Kliknij tutaj aby przestawić kształt fali na piłę Moog'a. Click here for an exponential wave. Kliknij tutaj aby przestawić kształt fali na wykładniczy. Click here for white-noise. Kliknij tutaj aby przestawić kształt fali na stochastyczny. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Katalog roboczy The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Katalog roboczy LMMSa %1 nie istnieje. Stworzyć go teraz? Możesz zmienić katalog później poprzez Edycja -> Ustawienia. Could not save config-file Nie można zapisać pliku konfiguracyjnego Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Nie można zapisać pliku konfiguracyjnego %1. Prawdopodobnie nie masz uprawnień zapisu do tego pliku. Upewnij się, że masz prawo zapisu do tego pliku i spróbuj ponownie. &Project &Projekt &New &Nowy &Open... &Otwórz... Recently opened projects Ostatnie projekty &Save &Zapisz Save &As... Zapisz &Jako... Import... Import... E&xport... Eksport [&X]... &Quit Zakończ [&Q] &Edit &Edycja Settings Ustawienia &Tools &Narzędzia &Help &Pomoc Online help Pomoc on-line Help Pomoc What's this? Co to jest? About O LMMS Create new project Stwórz nowy projekt Create new project from template Stwórz nowy projekt jako szablon Open existing project Otwórz istniejący projekt Recently opened project Ostatnio otwierane projekty Save current project Zapisz bieżący projekt Export current project Eksportuj bieżący projekt Show/hide Song-Editor Pokaż/ukryj Edytor Kompozycji By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Poprzez naciśnięcie tego przycisku możesz pokazać lub ukryć Edytor Kompozycji. Za pomocą Edytora Kompozycji możesz modyfikować playlistę utworu oraz określić gdzie i kiedy ścieżki będą odtwarzane. Możesz też wstawiać sample bezpośrednio na playlistę. Show/hide Beat+Bassline Editor Pokaż/ukryj Edytor Perkusji i Basu By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Poprzez naciśnięcie tego przycisku możesz pokazać lub ukryć Edytor Perkusji i Basu. Edytor Perkusji i Basu służy do stworzenia linii perkusyjnej i basowej utworu. Możesz wprowadzać w nim zmiany podobne jak w Edytorze Piosenki. Show/hide Piano-Roll Pokaż/ukryj Edytor Pianolowy Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Kliknij tutaj aby pokazać lub ukryć Edytor Pianolowy. Za jego pomocą możesz w prosty sposób modyfikować melodię. Show/hide Automation Editor Pokaż/ukryj Edytor Automatyki Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Kliknij tutaj aby pokazać lub ukryć Edytor Automatyki. Za jego pomocą możesz w prosty sposób modyfikować dynamiczne wartości wszelkich regulatorów. Show/hide FX Mixer Pokaż/ukryj Mikser Efektów Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Kliknij tutaj aby pokazać lub ukryć Mikser Efektów. Mikser Efektów jest potężnym narzędziem wspomagającym zarządzanie efektami i ścieżkami w Twojej produkcji. Możesz wstawiać wtyczki efektowe na różne kanały dodatkowo wzbogacając brzmienie utworu. Show/hide project notes Pokaż/ukryj notatki do projektu Click here to show or hide the project notes window. In this window you can put down your project notes. Kliknij tutaj aby pokazać lub ukryć okno z notatkami do projektu. W tym oknie możesz zapisywać wszystko co przychodzi Ci na myśl w związku z projektem. Show/hide controller rack Pokaż/ukryj rack kontrolerów Untitled Nienazwane LMMS %1 LMMS %1 Project not saved Projekt nie zapisany The current project was modified since last saving. Do you want to save it now? Bieżący projekt został zmodyfikowany od ostatniego zapisu. Czy chcesz go zapisać teraz? Open project Otwórz projekt Save project Zapisz projekt Help not available Pomoc niedostępna Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Aktualnie pomoc dla LMMS jest niedostępna. Odwiedź witrynę http://lmms.sf.net/wiki for documentation on LMMS. My projects Projekty My samples Sample My presets Presety My home Katalog domowy My computer Mój komputer Root directory Katalog główny Project recovery Odzyskiwanie projektu It looks like the last session did not end properly. Do you want to recover the project of this session? Wygląda na to, że ostatnia sesja nie została zakończona poprawnie. Czy chcesz ją teraz przywrócić? Configuration file Plik konfiguracyjny Error while parsing configuration file at line %1:%2: %3 Błąd podczas parsowania pliku konfiguracyjnego w linii %1:%2: %3 Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 MeterDialog Meter Numerator Numerator Metryczny Meter Denominator Denominator Metryczny TIME SIG METRUM MeterModel Numerator Numerator Denominator Denominator MidiAlsaRaw::setupWidget DEVICE URZĄDZENIE MidiAlsaSeq::setupWidget DEVICE URZĄDZENIE MidiController MIDI Controller Kontroler MIDI unnamed_midi_controller kontroler midi bez nazwy MidiImport Setup incomplete Konfiguracja niekompletna You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. Nie masz skonfigurowanego domyślnego soundfonta w oknie dialogowym (Edycja->Ustawienia). Będzie to skutkować brakiem dźwięku po zaimportowaniu pliku MIDI. Powinieneś pobrać soundfonty General MIDI, dokonać zmiany ustawień i spróbować ponownie. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. Tego LMMS nie skompilowano ze wsparciem odtwarzacza SoundFont2, który jest wykorzystywany do dodawania domyślnych dźwięków do zaimportowanych plików MIDI. Wskutek tego po zaimportowaniu pliku MIDI nie usłyszysz żadnego dźwięku. MidiOss::setupWidget DEVICE URZĄDZENIE MidiPort Input channel Kanał wejściowy Output channel Kanał wyjściowy Input controller Kontroler wejściowy Output controller Kontroler wyjściowy Fixed input velocity Zafiksowana prędkość wejściowa Fixed output velocity Zafiksowana prędkość wyjściowa Output MIDI program Wyjściowy program MIDI Receive MIDI-events Odbieraj komunikaty MIDI Send MIDI-events Wysyłaj komunikaty MIDI Fixed output note OscillatorObject Osc %1 volume Osc %1 głośność Osc %1 panning Osc %1 panoramowanie Osc %1 coarse detuning Osc %1 zgrubne odstrojenie Osc %1 fine detuning left Osc %1 dokładne odstrojenie lewo Osc %1 fine detuning right Osc %1 dokładne odstrojenie prawo Osc %1 phase-offset Osc %1 przesunięcie fazowe Osc %1 stereo phase-detuning Osc %1 odstrojenie fazy stereo Osc %1 wave shape Osc %1 kształt fali Modulation type %1 Rodzaj modulacji %1 Osc %1 waveform Osc %1 przebieg PatmanView Open other patch Otwórz inny plik Patch Click here to open another patch-file. Loop and Tune settings are not reset. Kliknij tutaj, aby otworzyć inny plik Patch. Ustawienia pętli i dostrojenia nie zostaną zresetowane. Loop Pętla Loop mode Tryb zapętlenia Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. W tym miejscu możesz uruchomić tryb zapętlenia. Jeśli to zrobisz PatMan będzie używał informacji o pętli dostępnych w pliku. Tune Dostrojenie Tune mode Tryb dostrojenia Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. W tym miejscu możesz uruchomić tryb dostrojenia. Patman dostroi próbkę do częstotliwości nut. No file selected Nie wybrano żadnego pliku Open patch file Otwórz plik Patch Patch-Files (*.pat) Pliki Patch (*.pat) PeakController Peak Controller Peak Kontroler Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK PEAK LFO Controller Kontroler LFO PeakControllerEffectControlDialog BASE BAZA Base amount: Współczynnik bazy: Modulation amount: Współczynnik modulacji: Attack: Atak: Release: Wybrzmiewanie: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Wartość bazowa Modulation amount Współczynnik modulacji Mute output Wycisz wyjście Attack Narastanie Release Wybrzmiewanie Abs Value Amount Multiplicator PianoView Base note Nuta podstawowa Plugin Plugin not found Nie znaleziono wtyczki The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Wtyczka "%1" Nie została odnaleziona albo nie może zostać załadowana! Powód: "%2" Error while loading plugin Wystąpił błąd podczas ładowania wtyczki Failed to load plugin "%1"! Nie można załadować wtyczki "%1"! ProjectRenderer WAV-File (*.wav) Plik WAV (*.wav) Compressed OGG-File (*.ogg) Skompresowany plik OGG (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Nazwa: Maker: Twórca: Copyright: Prawa autorskie: Requires Real Time: Wymaga czasu rzeczywistego: Yes Tak No Nie Real Time Capable: Zdolność do pracy w czasie rzeczywistym: In Place Broken: Channels In: Kanały wejściowe: Channels Out: Kanały wyjściowe: File: Plik: SampleBuffer Open audio file Otwórz plik audio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wszystkie pliki Audio (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Pliki WAV (*.wav) OGG-Files (*.ogg) Pliki OGG (*.ogg) DrumSynth-Files (*.ds) Pliki DrumSynth (*.ds) FLAC-Files (*.flac) Pliki FLAC (*.flac) SPEEX-Files (*.spx) Pliki SPEEX (*.spx) MP3-Files (*.mp3) Pliki MP3 (*.mp3) VOC-Files (*.voc) Pliki VOC (*.voc) AIFF-Files (*.aif *.aiff) Pliki AIFF (*.aif *.aiff) AU-Files (*.au) Pliki AU (*.au) RAW-Files (*.raw) Pliki RAW (*.raw) SampleTCOView double-click to select sample wybierz sampla podwójnym kliknięciem Delete (middle mousebutton) Cut Wytnij Copy Kopiuj Paste Wklej Mute/unmute (<Ctrl> + middle click) Set/clear record Ustaw/wyczyść nagranie SampleTrack Sample track Ścieżka audio Volume Głośność SampleTrackView Track volume Głośność ścieżki Channel volume: Głośność kanału: VOL VOL TempoSyncKnob Tempo Sync Synchronizacja tempa No Sync Brak synchronizacji Eight beats Osiem uderzeń Whole note Cała nuta Half note Półnuta Quarter note Ćwierćnuta 8th note Ósemka 16th note Szesnastka 32nd note Trzydziestka dwójka Custom... Własne... &Help &Pomoc Custom Własne Synced to Eight Beats Zsynchronizowane do ośmiu uderzeń Synced to Whole Note Zsynchronizowane do całej nuty Synced to Half Note Zsynchronizowane do półnuty Synced to Quarter Note Zsynchronizowane do ćwierćnuty Synced to 8th Note Zsynchronizowane do ósemki Synced to 16th Note Zsynchronizowane do szesnastki Synced to 32nd Note Zsynchronizowane do trzydziestki dwójki TimeDisplayWidget click to change time units TrackContainer Couldn't import file Nie można zaimportować pliku Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Nie można odnaleźć filtra do zaimportowania pliku %1. Powinienieś przekonwertować ten plik do formatu wspieranego przez LMMS z pomocą zewnętrznego oprogramowania. Couldn't open file Nie można otworzyć pliku Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Nie da się otworzyć pliku %1 do odczytu. Upewnij się, że masz uprawnienia do odczytu tego pliku i katalogu zawierającego plik a następnie spróbuj ponownie! Loading project... Ładowanie projektu... Cancel Anuluj Please wait... Proszę czekać... Importing MIDI-file... Importowanie pliku MIDI... Importing FLP-file... Importowanie pliku FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Użyj modulacji fazowej aby zmodulować oscylator 2 oscylatorem 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Użyj modulacji amplitudowej aby zmodulować oscylator 2 oscylatorem 1 Mix output of oscillator 1 & 2 Miksuj wyjścia oscylatorów 1 & 2 Synchronize oscillator 1 with oscillator 2 Synchronizuj oscylator 1 z oscylatorem 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Użyj modulacji częstotliwościowej aby zmodulować oscylator 2 oscylatorem 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Użyj modulacji fazowej aby zmodulować oscylator 3 oscylatorem 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Użyj modulacji amplitudowej aby zmodulować oscylator 3 oscylatorem 2 Mix output of oscillator 2 & 3 Miksuj wyjścia oscylatorów 2 & 3 Synchronize oscillator 2 with oscillator 3 Synchronizuj oscylator 2 z oscylatorem 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Użyj modulacji częstotliwościowej aby zmodulować oscylator 3 oscylatorem 2 Osc %1 volume: Osc %1 - głośność: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Za pomocą tego pokrętła możesz ustawić głośność oscylatora %1. Jeśli zadasz wartość 0 oscylator zostanie wyłączony. Osc %1 panning: Osc %1 - panoramowanie: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Za pomocą tego pokrętła możesz ustawić panoramowanie oscylatora %1. Wartość -100 przesuwa oscylator 100% w lewo, wartość 100 - 100% w prawo. Osc %1 coarse detuning: Osc %1 - zgrubne odstrojenie: semitones półtony With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Za pomocą tego pokrętła możesz ustawić zgrubne odstrojenie oscylatora %1. Możesz odstrajać oscylator o 12 półtonów (całą oktawę) w górę lub w dół. Osc %1 fine detuning left: Osc %1 - dokładne odstrojenie w lewo: cents centy With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Za pomocą tego pokrętła możesz ustawić dokładne odstrojenie oscylatora %1 dla lewego kanału. Zakres regulacji mieści się w przedziale od -100 do +100 centów. Osc %1 fine detuning right: Osc %1 - dokładne odstrojenie w prawo: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Za pomocą tego pokrętła możesz ustawić dokładne odstrojenie oscylatora %1 dla prawego kanału. Zakres regulacji mieści się w przedziale od -100 do +100 centów. Osc %1 phase-offset: Osc %1 - przesunięcie fazowe: degrees stopni With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Za pomocą tego pokrętła możesz ustawić przesunięcie fazowe oscylatora %1. Oznacza to, że możesz przemieścić w czasie moment w którym oscylator rozpoczyna drgania. Na przykład jeśli mamy do czynienie z falą sinusoidalną, wprowadzenie przesunięcia fazowego o wartości 180 stopni spowoduje, że pierwsza połówka fali zacznie być generowana w stronę wartości ujemnych, odwrotnie niż w przypadku przesunięcia fazowego o wartości 0 stopni. Osc %1 stereo phase-detuning: Osc %1 - odstrojenie fazy stereo: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Za pomocą tego pokrętła możesz ustawić odstrojenie fazy stereo oscylatora %1. Oznacza to, że masz wpływ na różnicę fazy pomiędzy lewym i prawym kanałem. Ta gałka pomoże Ci stworzyć szeroko brzmiące dźwięki. Use a sine-wave for current oscillator. Użyj fali sinusoidalnej dla bieżącego oscylatora. Use a triangle-wave for current oscillator. Użyj fali trójkątnej dla bieżącego oscylatora. Use a saw-wave for current oscillator. Użyj fali piłokształtnej dla bieżącego oscylatora. Use a square-wave for current oscillator. Użyj fali prostokątnej dla bieżącego oscylatora. Use a moog-like saw-wave for current oscillator. Użyj piłokształtnego przebiegu mooga dla bieżącego oscylatora. Use an exponential wave for current oscillator. Użyj fali wykładniczej dla bieżącego oscylatora. Use white-noise for current oscillator. Użyj białego szumu dla bieżącego oscylatora. Use a user-defined waveform for current oscillator. Użyj fali zdefiniowanej przez użytkownika. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Otwórz inną wtyczkę VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Kliknij tutaj jeśli chcesz otworzyć inną wtyczkę VST. Po kliknięciu otworzy się okno dialogowe w którym będziesz mógł zaznaczyć wybrany plik. Show/hide GUI Pokaż/ukryj GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Kliknij tutaj aby pokazać graficzny interfejs użytkownika (GUI) wtyczki VST. Turn off all notes Wycisz wszystkie nuty Open VST-plugin Otwórz wtyczkę VST DLL-files (*.dll) Pliki DLL (*.dll) EXE-files (*.exe) Pliki EXE (*.exe) No VST-plugin loaded Nie załadowano wtyczki VST Control VST-plugin from LMMS host Kontroluj wtyczkę VST z hosta LMMS Click here, if you want to control VST-plugin from host. Kliknij tutaj, jeśli chcesz kontrolować wtyczkę VST z hosta LMMS. Open VST-plugin preset Otwórz preset wtyczki VST Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Kliknij tutaj, jeśli chcesz otworzyć inny preset wtyczki VST w formacie *.fxp lub *.fxb. Previous (-) Poprzedni (-) Save preset Zapisz preset Next (+) Następny (+) Click here to select presets that are currently loaded in VST. Kliknij tutaj, aby zaznaczyć presety aktualnie załadowane do wtyczki VST. Preset Preset Click here, if you want to switch to another VST-plugin preset program. Click here, if you want to save current VST-plugin preset program. by - VST plugin control VstEffectControlDialog Control VST-plugin from LMMS host Kontroluj wtyczkę VST z hosta LMMS Click here, if you want to control VST-plugin from host. Kliknij tutaj, jeśli chcesz kontrolować wtyczkę VST z hosta LMMS. Open VST-plugin preset Otwórz preset wtyczki VST Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Kliknij tutaj, jeśli chcesz otworzyć inny preset wtyczki VST w formacie *.fxp lub *.fxb. Previous (-) Poprzedni (-) Next (+) Następny (+) Click here to select presets that are currently loaded in VST. Kliknij tutaj, jeśli chcesz zaznaczyć presety aktualnie załadowane do wtyczki VST. Save preset Zapisz preset Show/hide Click here, if you want to switch to another VST-plugin preset program. Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Ładowanie wtyczki Please wait while loading VST-plugin... Ładowanie wtyczki VST. Proszę czekać... Failed loading VST-plugin Ładowanie wtyczki VST nie powiodło się The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Wtyczka VST %1 nie może zostać załadowana z jakiegoś powodu. Jeśli pracuje normalnie z innym oprogramowaniem VST pod Linuksem proszę koniecznie skontaktować się z developerami LMMS! Open Preset Otwórz Preset Vst Plugin Preset (*.fxp *.fxb) Preset wtyczki VST (*.fxp *.fxb) : default : domyślne Save Preset Zapisz Preset .fxp .fxp .FXP .FXP .FXB .FXB .fxb .fxb " ' ZynAddSubFxInstrument Portamento Portamento Filter Frequency Częstotliwość Filtra Filter Resonance Zafalowanie Filtra Bandwidth Szerokość Pasma FM Gain Wzmocnienie FM Resonance Center Frequency Częstotliwość Środkowa Zafalowania Resonance Bandwidth Szerokość Pasma Zafalowania Forward MIDI Control Change Events Przekaż Zdarzenia MIDI typu Control Change ZynAddSubFxView Show GUI Pokaż GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Kliknij tutaj, aby pokazać lub ukryć graficzny interfejs użytkownika (GUI) syntezatora ZynAddSubFX. Portamento: Portamento: PORT PORT Filter Frequency: Częstotliwość Filtra: FREQ FREQ Filter Resonance: Zafalowanie Filtra: RES RES Bandwidth: Szerokość Pasma: BW BW FM Gain: Wzmocnienie FM: FM GAIN FM GAIN Resonance center frequency: Częstotliwość środkowa zafalowania: RES CF RES-CF Resonance bandwidth: Szerokość pasma zafalowania: RES BW RES BW Forward MIDI Control Changes Przekaż zdarzenia MIDI typu Control Change audioFileProcessor Amplify Wzmacniaj Start of sample Początek sampla End of sample Koniec sampla Reverse sample Odwróć próbkę Loop Pętla Stutter bassBoosterControlDialog FREQ FREQ Frequency: Częstotliwość: GAIN GAIN Gain: Wzmocnienie: RATIO RATIO Ratio: Współczynnik: bassBoosterControls Frequency Częstotliwość Gain Wzmocnienie Ratio Współczynnik bbEditor Beat+Bassline Editor Edytor Perkusji i Basu Play/pause current beat/bassline (Space) Odtwórz/Zapałzuj bieżącą linię perkusyjną/basową (Spacja) Add beat/bassline Dodaj linię perkusyjną/basową Add automation-track Dodaj ścieżkę automatyki Stop playback of current beat/bassline (Space) Zatrzymaj odtwarzanie bieżącej linii perkusyjnej/basowej (Spacja) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Kliknij tutaj, aby odtworzyć bieżącą linię perkusyjną/basową. Zostanie ona automatycznie zapętlona. Click here to stop playing of current beat/bassline. Kliknij tutaj, aby zatrzymać odtwarzanie bieżącej linii perkusyjnej/basowej. Remove steps Usuń kroki Add steps Dodaj kroki bbTCOView Open in Beat+Bassline-Editor Otwórz w Edytorze Perkusji i Basu Reset name Zresetuj nazwę Change name Zmień nazwę Change color Zmień kolor bbTrack Beat/Bassline %1 Perkusja/Bas %1 Clone of %1 Duplikat %1 bitInvader Samplelength Długość próbki bitInvaderView Sample Length Długość Próbki Sine wave Fala sinusoidalna Triangle wave Fala trójkątna Saw wave Fala piłokształtna Square wave Fala prostokątna White noise wave Biały szum User defined wave Przebieg zdefiniowany przez użytkownika Smooth Wygładzanie Click here to smooth waveform. Kliknij tutaj, aby wygładzić przebieg. Interpolation Interpolacja Normalize Normalizacja Draw your own waveform here by dragging your mouse on this graph. Narysuj swój własny przebieg przeciągając kursorem po tym wykresie. Click for a sine-wave. Kliknij aby przełączyć na przebieg sinusoidalny. Click here for a triangle-wave. Kliknij aby przełączyć na przebieg trójkątny. Click here for a saw-wave. Kliknij aby przełączyć na przebieg piłokształtny. Click here for a square-wave. Kliknij aby przełączyć na przebieg prostokątny. Click here for white-noise. Kliknij aby przełączyć na przebieg stochastyczny. Click here for a user-defined shape. Kliknij aby przełączyć na przebieg zdefiniowany przez użytkownika. exportProjectDialog Could not open file Nie można otworzyć pliku Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Nie da się otworzyć pliku %1 do zapisu. Upewnij się, że masz uprawnienia zapisu do tego pliku i katalogu w którym się znajduje a następnie spróbuj ponownie! Error Błąd Error while determining file-encoder device. Please try to choose a different output format. Wystąpił błąd podczas określania enkodera. Spróbuj wybrać inny format wyjściowy. Rendering: %1% Rendering: %1% Export project to %1 Eksport projektu do %1 fader Please enter a new value between %1 and %2: Wprowadź nową wartość pomiędzy %1 a %2: fileBrowser Browser Przeglądarka fileBrowserTreeWidget Send to active instrument-track Wyślij na aktywną ścieżkę instrumentu Open in new instrument-track/Song-Editor Otwórz na nowej ścieżce Edytora Piosenki Open in new instrument-track/B+B Editor Otwórz na nowej ścieżce Edytora Perkusji i Basu Loading sample Ładowanie próbki Please wait, loading sample for preview... Ładowanie podglądu próbki, proszę czekać... --- Factory files --- --- Pliki preinstalowane --- graphModel Graph Wykres kickerInstrument Start frequency Częstotliwość początkowa End frequency Częstotliwość końcowa Decay Zanikanie Distortion Zniekształcenie Gain Wzmocnienie kickerInstrumentView Start frequency: Częstotliwość początkowa: End frequency: Częstotliwość końcowa: Decay: Zanikanie: Distortion: Zniekształcenie: Gain: Wzmocnienie: knob &Help &Pomoc Please enter a new value between -96.0 dBV and 6.0 dBV: Wprowadź nową wartość pomiędzy -96.0 dBV a 6.0 dBV: Please enter a new value between %1 and %2: Wprowadź nową wartość pomiędzy %1 a %2: ladspaBrowserView Available Effects Dostępne Efekty Unavailable Effects Niedostępne Efekty Instruments Instrumenty Analysis Tools Narzędzia Analizujące Don't know Nieznane This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. To okno dialogowe wyświetla informacje o wszystkich wtyczkach LADSPA jakie LMMS był w stanie zlokalizować. Wtyczki są podzielone na pięć kategorii bazujących na intepretacji ich portów i nazw. Efekty dostępne to te, które mogą zostać użyte przez LMMS. Aby wtyczka efektowa mogła zostać wykorzystana musi posiadać zarówno kanały wejściowe jak i wyjściowe. Kanały wejściowe są identyfikowane jako zawierające wyraz 'in' w nazwie kanału, kanały wyjściowe natomiast powinny w nazwie zawierać słowo 'out'. Ponadto efekt musi posiadać taką samą liczbę wejść i wyjść a także obsługiwać tryb pracy w czasie rzeczywistym. Efekty niedostępne to takie, które posiadają różną liczbę wejść i wyjść albo nie potrafią pracować w czasie rzeczywistym. Instrumenty to wtyczki, w których udało się zidentyfikować jedynie kanały wyjściowe. Narzędzia Analizujące to wtyczki, w których rozpoznano tylko kanały wejściowe. Nieznane to wtyczki, których kanały zarówno wejściowe jak i wyjściowe pozostają niezidentyfikowane. Podwójne kliknięcie na którejkolwiek wtyczce otworzy okienko z informacjami o dostępnych portach. Type: Rodzaj: ladspaDescription Plugins Wtyczki Description Opis ladspaPortDialog Ports Porty Name Nazwa Rate Tempo Direction Kierunek Type Rodzaj Min < Default < Max Min < Domyślne < Max Logarithmic Logarytmiczny SR Dependent Zależny od SR Audio Audio Control Regulator Input Wejście Output Wyjście Toggled Przełączalne Integer Całkowite Float Zmiennoprzecinkowe Yes Tak lb302Synth VCF Cutoff Frequency Częstotliwość Odcięcia VCF VCF Resonance Rezonans VCF VCF Envelope Mod Modyfikacja Obwiedni VCF VCF Envelope Decay Zanikanie Obwiedni VCF Distortion Zniekształcenie Waveform Kształt Przebiegu Slide Decay Ślizgające Zanikanie Slide Ślizganie Accent Akcent Dead Martwy 24dB/oct Filter Filtr 24dB/okt lb302SynthView Cutoff Freq: Częst. Odc.: Resonance: Rezonans: Env Mod: Mod. Obw.: Decay: Zanikanie: 303-es-que, 24dB/octave, 3 pole filter 303-es-que, 24dB/oktawę, filtr III rzędu Slide Decay: Zanikanie z poślizgiem: DIST: DIST: Saw wave Fala piłokształtna Click here for a saw-wave. Kliknij tutaj, aby przełączyć na przebieg piłokształtny. Triangle wave Fala trójkątna Click here for a triangle-wave. Kliknij tutaj, aby przełączyć na przebieg trójkątny. Square wave Fala prostokątna Click here for a square-wave. Kliknij tutaj, aby przełączyć na przebieg prostokątny. Rounded square wave Fala prostokątna, zaokrąglona Click here for a square-wave with a rounded end. Kliknij tutaj, aby przełączyć na przebieg prostokątny z zaokrąglonymi narożami. Moog wave Fala Mooga Click here for a moog-like wave. Kliknij tutaj, aby przełączyć na przebieg mooga. Sine wave Fala sinusoidalna Click for a sine-wave. Kliknij tutaj, aby przełączyć na przebieg sinusoidalny. White noise wave Biały szum Click here for an exponential wave. Kliknij tutaj, aby przełączyć na przebieg wykładniczy. Click here for white-noise. Kliknij tutaj, aby przełączyć na przebieg stochastyczny. lb303Synth VCF Cutoff Frequency Częstotliwość Odcięcia VCF VCF Resonance Rezonans VCF VCF Envelope Mod Modyfikacja Obwiedni VCF VCF Envelope Decay Zanikanie Obwiedni VCF Distortion Zniekształcenie Waveform Kształt Przebiegu Slide Decay Zanikanie z poślizgiem Slide Poślizg Accent Akcent Dead Martwy 24dB/oct Filter Filtr 24dB/okt lb303SynthView Cutoff Freq: Częst. Odc.: CUT CUT Resonance: Rezonans: RES RES Env Mod: Mod. Obw.: ENV MOD ENV MOD Decay: Zanikanie: DEC DEC 303-es-que, 24dB/octave, 3 pole filter 303-es-que, 24dB/oktawę, filtr III rzędu Slide Decay: Zanikanie z poślizgiem: SLIDE SLIDE DIST: DIST: DIST DIST WAVE: FALA: WAVE FALA malletsInstrument Hardness Twardość Position Pozycja Vibrato Gain Vibrato - Wzmocnienie Vibrato Freq Vibrato - Częstotliwość Stick Mix Stick Mix Modulator Modulator Crossfade Crossfade LFO Speed LFO - Szybkość LFO Depth LFO - Głębokość ADSR ADSR Pressure Ciśnienie Motion Ruch Speed Prędkość Bowed Pochylenie Spread Rozstrzał Marimba Marimba Vibraphone Wibrafon Agogo Agogo Wood1 Wood1 Reso Rezonans Wood2 Wood2 Beats Uderzenia Two Fixed Dwa Zafiksowane Clump Stąpnięcie Tubular Bells Dzwony Rurowe Uniform Bar Tuned Bar Glass Harfa Szklana Tibetan Bowl Misy Tybetańskie Missing files Pominięte pliki Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Wygląda na to, że Twoja instalacja Stk jest niekompletna. Upewnij się, że cała paczka Stk została zainstalowana! malletsInstrumentView Instrument Instrument Spread Rozstrzał Spread: Rozstrzał: Hardness Twardość Hardness: Twardość: Position Pozycja Position: Pozycja: Vib Gain Vib-Wzm Vib Gain: Vib-Wzm: Vib Freq Vib-Częst Vib Freq: Vib-Częst: Stick Mix Stick Mix Stick Mix: Stick Mix: Modulator Modulator Modulator: Modulator: Crossfade Crossfade Crossfade: Crossfade: LFO Speed LFO - Szybkość LFO Speed: LFO - Szybkość: LFO Depth LFO - Głębokość LFO Depth: LFO - Głębokość: ADSR ADSR ADSR: ADSR: Bowed Pochylenie Pressure Ciśnienie Pressure: Ciśnienie: Motion Ruch Motion: Ruch: Speed Prędkość Speed: Prędkość: Vibrato Vibrato Vibrato: Vibrato: manageVSTEffectView VST Sync Synchronizacja VST Click here if you want to synchronize all parameters with VST plugin. Kliknij tutaj, jeśli chcesz zsynchronizować wszystkie parametry z wtyczką VST. - VST parameter control Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView VST Sync Synchronizacja VST Click here if you want to synchronize all parameters with VST plugin. Kliknij tutaj, jeśli chcesz zsynchronizować wszystkie parametry z wtyczką VST. - VST plugin control Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help Pomoc [&H] opl2instrument Patch Próbka Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Zniekształcenie Volume Głośność organicInstrumentView Distortion: Zniekształcenie: Volume: Głośność: Randomise Randomizuj Osc %1 waveform: Osc %1 przebieg: Osc %1 volume: Osc %1 głośność: Osc %1 panning: Osc %1 panoramowanie: Osc %1 fine detuning left: Osc %1 dokładne strojenie lewo: cents cent(y) papuInstrument Sweep time Okres wobulacji Sweep direction Kierunek wobulacji Sweep RtShift amount Wave Pattern Duty Channel 1 volume Głośność kanału 1 Volume sweep direction Kierunek wobulacji głośności Length of each step in sweep Długość każdego kroku wobulacji Channel 2 volume Głośność kanału 2 Channel 3 volume Głośność kanału 3 Channel 4 volume Głośność kanału 4 Right Output level Poziom Wyjścia Prawego Left Output level Poziom Wyjścia Lewego Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Soprany Bass Basy Shift Register width papuInstrumentView Sweep Time: Okres wobulacji: Sweep Time Okres wobulacji Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Długość każdego kroku wobulacji: Length of each step in sweep Długość każdego kroku wobulacji Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Soprany: Treble Soprany Bass: Basy: Bass Basy Sweep Direction Kierunek wobulacji Volume Sweep Direction Kierunek wobulacji głośności Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here Narysuj przebieg pattern Cannot freeze pattern Nie można zamrozić patternu The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! W tej chwili pattern nie może zostać zamrożony ponieważ znajdujesz się w trybie odtwarzania. Zatrzymaj i spróbuj ponownie! patternFreezeStatusDialog Freezing pattern... Zamrażanie patternu... Cancel Anuluj patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Podwójne kliknięcie otwiera pattern w Edytorze Pianolowym użyj kółka myszy aby ustawić głośność poszczególnych kroków Open in piano-roll Otwórz w Edytorze Pianolowym Clear all notes Wyczyść wszystkie nuty Reset name Zresetuj nazwę Change name Zmień nazwę Refreeze Zamróź ponownie Freeze Zamróź Unfreeze Rozmróź Add steps Dodaj kroki Remove steps Usuń kroki PianoRoll Play/pause current pattern (Space) Odtwórz/zatrzymaj aktualny pattern (Spacja) Stop playing of current pattern (Space) Zatrzymaj odtwarzanie bieżącego patternu (Spacja) Cut selected notes (Ctrl+X) Wytnij zaznaczone nuty (Ctrl+X) Copy selected notes (Ctrl+C) Skopiuj zaznaczone nuty (Ctrl+C) Paste notes from clipboard (Ctrl+V) Wklej nuty ze schowka (Ctrl+V) Piano-Roll - no pattern Edytor Pianolowy - brak patternu Piano-Roll - %1 Edytor Pianolowy - %1 Please open a pattern by double-clicking on it! Otwórz pattern podwójnym kliknięciem! Record notes from MIDI-device/channel-piano Nagraj nuty za pomocą zewnętrznego kontrolera MIDI Record notes from MIDI-device/channel-piano while playing song or BB track Nagraj nuty za pomocą zewnętrznego kontrolera MIDI w trakcie odtwarzania podkładu dźwiękowego Draw mode (Shift+D) Tryb rysowania (Shift+D) Erase mode (Shift+E) Tryb wymazywania (Shift+E) Select mode (Shift+S) Tryb zaznaczania (Shift+S) Last note Ostatnia nuta Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Kliknij tutaj jeśli chcesz odtworzyć bieżący pattern. Pattern zostanie automatycznie zapętlony. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Kliknij tutaj, aby nagrać nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanału. Podczas nagrywania wszystkie nuty które zagrasz zostaną zapisane na pattern i będziesz mógł odtworzyć i edytować je później. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Kliknij tutaj, aby nagrać nuty z kontrolera MIDI lub wirtualnego pianina przypisanego do tego kanału. Podczas nagrywania będziesz słyszeć utwór lub linię perkusyjną/basową a wszystkie nuty które zagrasz zostaną zapisane na pattern. Click here to stop playback of current pattern. Kliknij tutaj jeśli chcesz zatrzymać odtwarzanie bieżącego patternu. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Kliknij tutaj a zaznaczone nuty zostaną wycięte i umieszczone w schowku. Możesz wkleić je gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Kliknij tutaj a zaznaczone nuty zostaną skopiowane do schowka. Możesz wkleić je gdziekolwiek w dowolnym patternie za pomocą przycisku 'Wklej'. Click here and the notes from the clipboard will be pasted at the first visible measure. Kliknij tutaj a nuty ze schowka zostaną przeklejone w miejsce zaznaczenia. Note lock Blokada nuty Note Volume Głośność Nuty Note Panning Panoramowanie Nuty Detune mode (Shift+T) Tryb odstrojenia (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Kliknij tutaj, aby przejść do trybu rysowania. W tym trybie możesz dodawać, przemieszczać i zmieniać rozmiar nut To domyślny tryb, który będziesz używać przez większość czasu. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+D'. Przytrzymaj klawisz 'Ctrl' aby czasowo przejść do trybu zaznaczenia. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Kliknij tutaj, aby przejść do trybu kasowania. W tym trybie możesz usuwać nuty. Możesz go aktywować z poziomu klawiatury za pomocą skrótu 'Shift+E'. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Kliknij tutaj, aby przejść do trybu zaznaczania. W tym trybie możesz zaznaczać pojedyncze nuty lub całe ich grupy. Alternatywnie możesz przytrzymać klawisz 'Ctrl' w trybie rysowania aby tymczasowo przejść do trybu zaznaczania. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Kliknij tutaj, aby przejść do trybu odstrojenia. W tym trybie możesz odstrajać nuty w oknie, które otworzy się po kliknięciu na nich. Ten tryb możesz aktywować z poziomu klawiatury przez wciśnięcie kombinacji 'Shift+T'. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description brak opisu Instrument plugins Instrumenty wtyczkowe Incomplete monophonic imitation tb303 Niezupełna monofoniczna emulacja syntezatora tb303. Plugin for freely manipulating stereo output Wtyczka do nieograniczonego manipulowania wyjściami stereofonicznymi. Plugin for controlling knobs with sound peaks Wtyczka do kontrolowania regulatorów za pośrednictwem szczytów dźwięku. Plugin for enhancing stereo separation of a stereo input file Wtyczka rozszerzająca bazę stereo. List installed LADSPA plugins Pokaż zainstalowane wtyczki LADSPA three powerful oscillators you can modulate in several ways Trzy potężne oscylatory, które możesz modulować na kilka różnych sposobów. Filter for importing FL Studio projects into LMMS Filtr do importowania projektów FL Studio w LMMS. versatile kick- & bassdrum-synthesizer Wszechstronny syntezator do kick'u i stopy perkusyjnej. GUS-compatible patch instrument Instrument kompatybilny z standardem sampli GUS. plugin for using arbitrary VST-effects inside LMMS. Wtyczka umożliwiająca załadowanie dowolnego efektu VST wewnątrz LMMS. Additive Synthesizer for organ-like sounds Syntezator Addytywny umożliwiający stworzenie dźwięków zbliżonych brzmieniem do organów. plugin for boosting bass Wtyczka polepszająca brzmienie basu. Tuneful things to bang on Melodyjny instrument pałeczkowy. simple sampler with various settings for using samples (e.g. drums) in an instrument-track Prosty sampler z różnymi ustawieniami pozwalający na wstawienie sampli bezpośrednio na ścieżki. VST-host for using VST(i)-plugins within LMMS Host VST pozwalający na użycie wtyczek VST(i) w LMMS. Vibrating string modeler Symulator drgającej struny. plugin for using arbitrary LADSPA-effects inside LMMS. Wtyczka umożliwiająca załadowanie dowolnego efektu LADSPA wewnątrz LMMS. Filter for importing MIDI-files into LMMS Filtr do importowania plików MIDI do LMMS. Instrument browser Przeglądarka instrumentów Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Przeciągnij instrument do Edytora Piosenki, Edytora Perkusji i Basu lub na wybraną ścieżkę. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Emulator układu dźwiękowego SID (MOS6581 i MOS8580) Te układy scalone były stosowane w komputerach Commodore 64. Player for SoundFont files Odtwarzacz plików SoundFont. Emulation of GameBoy (TM) APU Emulator układu APU GameBoy'a (TM). Customizable wavetable synthesizer Konfigurowalny syntezator tablicowy (wavetable). Embedded ZynAddSubFX Wbudowany syntezator ZynAddSubFX. 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Notatki projektu Put down your project notes here. Umieść tutaj swoje zapiski dotyczące projektu. Edit Actions Edytuj Akcje &Undo Cofnij [&U] Ctrl+Z Ctrl+Z &Redo Powtórz [&R] Ctrl+Y Ctrl+Y &Copy &Kopiuj Ctrl+C Ctrl+C Cu&t Wy&tnij Ctrl+X Ctrl+X &Paste &Wklej Ctrl+V Ctrl+V Format Actions Formatowanie &Bold Wytłuść [&B] Ctrl+B Ctrl+B &Italic Kursywa [&I] Ctrl+I Ctrl+I &Underline Podkreślenie [&U] Ctrl+U Ctrl+U &Left Lewo [&L] Ctrl+L Ctrl+L C&enter Centrowanie [&E] Ctrl+E Ctrl+E &Right Prawo [&R] Ctrl+R Ctrl+R &Justify Justowanie [&J] Ctrl+J Ctrl+J &Color... Kolor... renameDialog Rename... Zmień nazwę... setupDialog Setup LMMS Konfiguracja LMMS General settings Podstawowe ustawienia BUFFER SIZE ROZMIAR BUFORA Reset to default-value Zresetuj do wartości domyślnej MISC DODATKOWE Enable tooltips Włącz podpowiedzi Show restart warning after changing settings Ostrzeżenie o konieczności restartu po zmianie parametrów Display volume as dBV Głośność w dBV Compress project files per default Domyślnie kompresuj pliki projektu HQ-mode for output audio-device Tryb wysokiej jakości wyjścia urządzenia audio LMMS working directory Katalog roboczy LMMS VST-plugin directory Katalog wtyczek VST Artwork directory Katalog z grafiką FL Studio installation directory Katalog instalacji FL Studio STK rawwave directory Katalog STK rawwave Performance settings Ustawienia wydajności UI effects vs. performance Efekty interfejsu vs wydajność Audio settings Ustawienia audio AUDIO INTERFACE INTERFEJS AUDIO MIDI settings Ustawienia MIDI MIDI INTERFACE INTERFEJS MIDI OK OK Cancel Anuluj Restart LMMS Restart LMMS Please note that most changes won't take effect until you restart LMMS! Większość zmian da efekt dopiero po zrestartowaniu LMMS! Frames: %1 Latency: %2 ms Ramki: %1 Latencja: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Tutaj możesz ustawić rozmiar wewnętrznego bufora używanego przez LMMS. Niższe wartości skutkują mniejszą latencją ale mogą powodować zniekształcenia dźwięku lub kiepską wydajność, zwłaszcza na starszych komputerach lub kernelach bez obsługi czasu rzeczywistego. Choose LMMS working directory Wybierz katalog roboczy LMMS Choose your VST-plugin directory Wybierz katalog wtyczek VST Choose artwork-theme directory Wybierz katalog z grafiką Choose FL Studio installation directory Wybierz katalog z instalacją FL Studio Choose LADSPA plugin directory Wybierz katalog wtyczek LADSPA Choose STK rawwave directory Wybierz katalog STK rawwave Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Tutaj możesz wybrać preferowany interfejs audio. W zależności od konfiguracji Twojego systemu podczas kompilacji możesz wybierać pomiędzy ALSA, JACK, OSS i innymi. Poniżej znajduje się sekcja w której możesz zmienić ustawienia wybranego interfejsu. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Tutaj możesz wybrać preferowany interfejs MIDI. W zależności od konfiguracji systemu podczas kompilacji możesz wybierać pomiędzy ALSA, OSS i innymi. Poniżej znajduje się sekcja w której możesz zmienić ustawienia wybranego interfejsu. Paths Ścieżki LADSPA plugin paths Ścieżki do wtyczek LADSPA Default Soundfont File Domyślny plik Soundfont Background artwork Grafika tła Choose default SoundFont Wybierz domyślny SoundFont Choose background artwork Wybierz grafikę tła One instrument track window mode Tryb jednego, wspólnego okna dla wszystkich instrumentów Smooth scroll in Song Editor Płynne przewijanie w Edytorze Piosenki Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Bank Patch Próbka Gain Wzmocnienie Reverb Pogłos Reverb Roomsize Rozmiar pomieszczenia Reverb Damping Tłumienie pogłosu Reverb Width Rozpiętość pogłosu Reverb Level Poziom pogłosu Chorus Chorus Chorus Lines Linie chorusu Chorus Level Poziom chorusu Chorus Speed Prędkość chorusu Chorus Depth Głębokość chorusu sf2InstrumentView Open other SoundFont file Otwórz inny plik SoundFont Click here to open another SF2 file Kliknij tutaj, aby otworzyć inny plik SF2 Choose the patch Wybierz próbkę Gain Wzmocnienie Apply reverb (if supported) Nałóż pogłos (jeśli wspierane) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Ten przycisk włącza pogłos. Działa tylko na plikach, które wspierają tę funkcję. Reverb Roomsize: Rozmiar pomieszczenia: Reverb Damping: Tłumienie pogłosu: Reverb Width: Rozpiętość pogłosu: Reverb Level: Poziom pogłosu: Apply chorus (if supported) Nałóż chorus (jeśli wspierane) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Ten przycisk włącza chorus. Działa tylko na plikach, które wspierają tę funkcję. Chorus Lines: Linie chorusu: Chorus Level: Poziom chorusu: Chorus Speed: Prędkość chorusu: Chorus Depth: Głębokość chorusu: Open SoundFont file Otwórz plik SoundFont SoundFont2 Files (*.sf2) Pliki SoundFont2 (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Częstotliwość graniczna Resonance Zafalowanie charakterystyki Filter type Rodzaj filtru Voice 3 off Wyłącz głos 3 Volume Głośność Chip model Rodzaj scalaka sidInstrumentView Volume: Głośność: Resonance: Zafalowanie charakterystyki: Cutoff frequency: Częstotliwość graniczna: High-Pass filter Filtr górnoprzepustowy Band-Pass filter Filtr pasmowoprzepustowy Low-Pass filter Filtr dolnoprzepustowy Voice3 Off Wyłącz głos 3 MOS6581 SID MOS6581 SID MOS8580 SID MOS8580 SID Attack: Atak: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Wartość ataku (Attack) określa jak szybko sygnał wyjściowy głosu %1 narasta od zera do wartości szczytowej. Decay: Zanikanie: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Wartość zanikania (Decay) decyduje jak szybko sygnał wyjściowy opada od wartości szczytowej do ustalonego poziomu podtrzymania (Sustain). Sustain: Podtrzymanie: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Sygnał wyjściowy głosu %1 będzie utrzymywał poziom podtrzymania (Sustain) tak długo, jak nuta będzie odtwarzania (klawisz klawiatury muzycznej będzie wciśnięty). Release: Zwolnienie: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Sygnał wyjściowy głosu %1 opadnie od poziomu podtrzymania (Sustain) do poziomu zerowego po czasie określonym przez parametr wybrzmiewania (Release). Pulse Width: Współczynnik wypełnienia impulsu: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Współczynnik wypełnienia impulsu określa stosunek czasu trwania impulsu do okresu tego impulsu. Pozwala na płynną zmianę wysokości tonu bez dostrzegalnego przejścia między dźwiękami. Należy wybrać prostokątny kształt fali oscylatora %1 aby dostrzec jakikolwiek słyszalny efekt. Coarse: Zgrubne odstrojenie: The Coarse detuning allows to detune Voice %1 one octave up or down. Zgrubne odstrojenie pozwala zmienić wysokość głosu %1 o oktawę w górę lub w dół. Pulse Wave Przebieg Prostokątny Triangle Wave Przebieg Trójkątny SawTooth Przebieg Piłokształtny Noise Szum Sync Synchronizacja Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Synchronizacja koordynuje w czasie fundamentalne częstotliwości oscylatorów %1 i %2 tworząc efekty "Hard Sync". Ring-Mod Modulacja Pierścieniowa Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Modulacja Pierścieniowa (kołowa) podmienia sygnał trójkątny na wyjściu oscylatora %1 na pierścieniowo zmodulowaną kombinację oscylatorów %1 i %2. Filtered Filtrowany When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Kiedy włączona jest filtracja, głos %1 będzie przetwarzany przez filtr. Kiedy filtracja jest wyłączona, głos %1 pojawi się bezpośrednio na wyjściu, bez filtracji. Test Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Kiedy włączony jest Test, oscylator %1 zostanie czasowo zresetowany i zablokowany. song Tempo Tempo Master volume Główna głośność Master pitch Główne odstrojenie Project saved Projekt zapisany The project %1 is now saved. Projekt %1 został właśnie zapisany. Project NOT saved. Projekt NIE JEST zapisany. The project %1 was not saved! Projekt %1 nie jest zapisany! Import file Importuj plik untitled niezatytułowane Select file for project-export... Wybierz plik aby wyeksportować projekt... Empty project Pusty projekt This project is empty so exporting makes no sense. Please put some items into Song Editor first! Ten projekt jest pusty więc eksportowanie go nie ma najmniejszego sensu. Najpierw umieść kilka elementów w Edytorze Piosenki! MIDI sequences sekwencje MIDI FL Studio projects projekty FL Studio All file types wszystkie pliki Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Edytor Kompozycji Play song (Space) Odtwórz piosenkę (Spacja) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Kliknij tutaj, jeśli chcesz odtworzyć całą piosenkę. Odtwarzanie rozpocznie się od zielonego znacznika pozycji. Możesz go przemieszczać w trakcie odtwarzania. Stop song (Space) Zatrzymaj odtwarzanie piosenki (Spacja) Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Kliknij tutaj, jeśli chcesz zatrzymać odtwarzanie piosenki. Znacznik pozycji zostanie ustawiony na początek utworu. Add beat/bassline Dodaj linię basową/perkusyjną Add sample-track Dodaj ścieżkę z samplami Could not open file Nie można otworzyć pliku Could not write file Nie można zapisać pliku Add automation-track Dodaj ścieżkę automatyki Draw mode Tryb rysowania Edit mode (select and move) Tryb edycji (zaznaczanie i przemieszczanie) Record samples from Audio-device Nagraj sample z urządzenia audio Record samples from Audio-device while playing song or BB track Nagrywa sample z urządzenia audio podczas odtwarzania piosenki lub ścieżki perkusji/basu Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Nie da się otworzyć pliku %1. Prawdopodobnie nie posiadasz uprawnień do odczytu tego pliku. Upewnij się, że masz przynajmniej uprawnienia odczytu tego pliku a następnie spróbuj ponownie. Error in file Błąd w pliku The file %1 seems to contain errors and therefore can't be loaded. Wygląda na to, że plik %1 zawiera błędy i nie może zostać załadowany. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo piosenki The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Tempo piosenki jest wyrażane w uderzeniach na minutę (BPM, Beats Per Minute). Jeśli chcesz zmienić szybkość swojej piosenki zmodyfikuj tę wartość. Każdy takt zawiera cztery uderzenia, stąd tempo w BPM wyraża jak wiele taktów / 4 powinno być odtworzone w ciągu minuty (albo - jeśli wolisz - jak wiele taktów ma być odtworzonych w ciągu 4 minut). High quality mode Tryb wysokiej jakości Master volume Głośność główna master volume głośność główna Master pitch Odstrojenie główne master pitch odstrojenie główne Value: %1% Wartość: %1% Value: %1 semitones Wartość: %1 półtonów Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Spektrum skalowane liniowo Linear Y axis Oś Y skalowana liniowo spectrumAnalyzerControls Linear spectrum Spektrum skalowane liniowo Linear Y-axis Oś Y skalowana liniowo Channel mode Tryb kanału stereoEnhancerControlDialog WIDE ROZSZERZ Width: Szerokość: stereoEnhancerControls Width Szerokość stereoMatrixControlDialog Left to Left Vol: Głośność Lewy IN Lewy OUT: Left to Right Vol: Głośność Lewy IN Prawy OUT: Right to Left Vol: Głośność Prawy IN Lewy OUT: Right to Right Vol: Głośność Prawy IN Prawy OUT: stereoMatrixControls Left to Left Lewy IN >> Lewy OUT Left to Right Lewy IN >> Prawy OUT Right to Left Prawy IN >> Lewy OUT Right to Right Prawy IN >> Prawy OUT timeLine Enable/disable auto-scrolling Włącz/wyłącz autoprzewijanie Enable/disable loop-points Włącz/wyłącz znaczniki pętli After stopping go back to begin Po zatrzymaniu powróć do początku After stopping go back to position at which playing was started Po zatrzymaniu powróć do pozycji z której rozpoczęto odtwarzanie After stopping keep position Po zatrzymaniu utrzymaj pozycję Hint Wskazówka Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Wyciszone Solo Solo trackContentObject Muted Wyciszone trackContentObjectView Current position Bieżąca pozycja Hint Wskazówka Press <Ctrl> and drag to make a copy. Naciśnij <Ctrl> i przeciągnij aby stworzyć kopię. Current length Aktualna długość Press <Ctrl> for free resizing. Naciśnij <Ctrl> aby zmienić rozmiar. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 do %5:%6) Delete (middle mousebutton) Kasuj (naciśnij rolkę myszy) Cut Wytnij Copy Kopiuj Paste Wklej Mute/unmute (<Ctrl> + middle click) Wycisz/anuluj wyciszenie (<Ctrl> + kliknięcie rolką myszy) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Naciśnij <Ctrl> podczas przeciągania elementu kursorem aby rozpocząć nową akcję 'przeciągnij i upuść'. Actions for this track Akcje dla tej ścieżki Mute Wyciszenie Mute this track Wycisz tę ścieżkę Solo Solo Clone this track Klonuj tę ścieżkę Remove this track Usuń tę ścieżkę vestigeInstrument Loading plugin Ładowanie wtyczki Please wait while loading VST-plugin... Ładowanie wtyczki VST. Proszę czekać... Failed loading VST-plugin Ładowanie wtyczki VST nie powiodło się The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Wtyczka VST %1 nie może zostać załadowana z jakiegoś powodu. Jeśli pracuje normalnie z innym oprogramowaniem VST pod Linuksem proszę koniecznie skontaktować się z developerami LMMS! vibed String %1 volume String %1 - głośność String %1 stiffness String %1 - sztywność Pick %1 position Punkt Wymuszenia %1 Pickup %1 position Punkt Monitorowania %1 Pan %1 Panoramowanie %1 Detune %1 Odstrojenie %1 Fuzziness %1 Rozmycie %1 Length %1 Długość %1 Impulse %1 Impuls %1 Octave %1 Oktawa %1 vibedView Volume: Głośność: The 'V' knob sets the volume of the selected string. Pokrętło 'V' ustala głośność wybranej struny. String stiffness: Sztywność struny: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pokrętło 'S' ustala sztywność wybranej struny. Sztywność struny określa jak długo będzie ona drgać. Niższe sztywności wydłużają czas drgań. Pick position: Punkt Wymuszenia: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pokrętło 'P' ustala pozycję punktu w którym wymuszenie zostanie przyłożone do struny. Pickup position: Punkt Monitorowania: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pokrętło 'PU' ustala pozycję punktu w którym będą monitorowane (nasłuchiwane) drgania struny. Pan: Panoramowanie: The Pan knob determines the location of the selected string in the stereo field. Pokrętło 'Pan' determinuje położenie wybranej struny w przestrzeni stereo. Detune: Odstrojenie: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Pokrętło 'Odstrojenie' modyfikuje wysokość tonu wybranej struny. Wartości niższe niż zero powodują spłaszczenie brzmienia. Wartości powyżej zera skutkują wyostrzeniem brzmienia. Fuzziness: Rozmycie: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Pokrętło Slap dodaje nieco efektu fuzz do wybranej struny, słyszalnego zwłaszcza podczas fazy ataku. Może być używane aby uczynić brzmienie struny bardziej 'metalicznym'. Length: Długość: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Pokrętło długości służy do zmiany długości wybranej struny. Dłuższa struna będzie drgać dłużej i jaśniej, jednak zużyje więcej mocy obliczeniowej procesora. Impulse or initial state Wymuszenie lub stan początkowy The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Przełącznik 'Imp' określa czy przebieg z wykresu ma być wymuszeniem przyłożonym struny czy ma odpowiadać za początkowy jej stan (kształt). Octave Oktawa The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Przełącznik oktawy służy do wyboru, na jakich częstotliwościach harmonicznych będzie drgać struna. Na przykład ustawienie wartości -2 sprawi, że otrzymamy dźwięk dwie oktawy niższy od częstotliwości podstawowej struny, wartość 'F' oznacza, że otrzymany dźwięk będzie miał częstotliwość zgodną z częstotliwością fundamentalną zaś wartość '6' przesunie częstotliwość drgań o 6 oktaw w górę. Impulse Editor Edytor Impulsu The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Edytor kształtu przebiegu pozwala kontrolować strukturę impulsu, który powoduje wzbudzenie drgań struny. Przycisk po prawej umożliwia wybór kształtu fali. Przycisk '?' załaduje przebieg z pliku - jedynie pierwsze 128 próbek zostanie załadowanych. Przebieg może zostać narysowany ręcznie. Przycisk 'S' wygładza przebieg. Przycisk 'N' normalizuje przebieg. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Symulator do dziewięciu niezależnych, wibrujących strun. Przełącznik struny umożliwia wybór strun, które mają być edytowane. Przełącznik oktawy określa częstotliwości harmoniczne, na których będzie drgać struna. Wykres umożliwia zadanie kształtu wymuszenia, które wprawia strunę w drgania. Pokrętło 'V' reguluje głośność. Gałka 'S' modyfikuje sztywność struny. Pokrętło 'P' zmienia położenie Punktu Wymuszenia. Gałka 'PU' zmienia położenie Punktu Monitorowania. Pokrętło 'Slap' dodaje do dźwięku struny trochę efektu fuzz. Pokrętło 'Długość' reguluje długość struny. Kontrolka LED w prawym dolnym rogu edytora kształtu fali pokazuje, czy wybrana struna jest aktywna. Enable waveform Włącz przebieg Click here to enable/disable waveform. Kliknij tutaj, aby włączyć/wyłączyć przebieg. String Struna The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Przełącznik struny służy wyboru struny, którą będziemy modyfikować. Instrument Vibed może zawierać do 9 niezależnych układów drgających. Kontrolka LED w prawym dolnym rogu edytora kształtu fali pokazuje, czy wybrana struna jest aktywna. Sine wave Przebieg Sinusoidalny Triangle wave Przebieg Trójkątny Saw wave Przebieg Piłokształtny Square wave Przebieg Prostokątny White noise wave Biały Szum User defined wave Przebieg zdefiniowany przez użytkownika Smooth Wygładzanie Click here to smooth waveform. Kliknij tutaj, aby wygładzić przebieg. Normalize Normalizacja Click here to normalize waveform. Kliknij tutaj, aby znormalizować przebieg. &Help &Pomoc Use a sine-wave for current oscillator. Użyj fali sinusoidalnej dla bieżącego oscylatora. Use a triangle-wave for current oscillator. Użyj fali trójkątnej dla bieżącego oscylatora. Use a saw-wave for current oscillator. Użyj fali piłokształtnej dla bieżącego oscylatora. Use a square-wave for current oscillator. Użyj fali prostokątnej dla bieżącego oscylatora. Use white-noise for current oscillator. Użyj białego szumu dla bieżącego oscylatora. Use a user-defined waveform for current oscillator. Użyj fali zdefiniowanej przez użytkownika dla bieżącego oscylatora. visualizationWidget click to enable/disable visualization of master-output Kliknij tutaj, aby włączyć/wyłączyć wizualizację kanału master Click to enable Kliknij aby włączyć voiceObject Voice %1 pulse width Współczynnik wypełnienia impulsu głosu %1 Voice %1 attack Atak głosu %1 Voice %1 decay Zanikanie głosu %1 Voice %1 sustain Podtrzymanie głosu %1 Voice %1 release Wybrzmiewanie głosu %1 Voice %1 coarse detuning Zgrubne odstrojenie głosu %1 Voice %1 wave shape Kształt fali głosu %1 Voice %1 sync Synchronizacja głosu %1 Voice %1 ring modulate Modulacja pierścieniowa głosu %1 Voice %1 filtered Filtrowanie głosu %1 Voice %1 test Test głosu %1 lmms-1.0.0+bzr2569/data/locale/pt_br.qm0000644000000000000000000013431111517317720015551 0ustar 00000000000000+į6un93GG>JGHCZI;BObzeSbRT.Uj6GVbVbtV/VxWl7W\sių;iųc+iųutbv=G|}Q|}th}UO;yvEeJNTH){;- #unG"R@E9; @۴@yaUHuʭi8ՙߺ4ota39 B.BRor%FtQ%MG5g~Ar@zv%7x:) OXR]Y.lh5o3zxQ|ZR|Zt}"yOxG#t~wքkܗjSuv9mչk[(Kr10C19h;:CYZ7d Z3Ig5L[hDHjzt? rJd}F9x 5g6uu *u pu u NuEcuEuEI*I3IwIIZ;1d0c  /rs~s7~JՔJJEغ{ؽyh5V uo u @]MPT5%0-U{Ez*Pff}o.Jk7_ltÞEU`ZsnDyElj;N}/ESEu9EMifxf#ECL1Ur6{:gNcM9.8Z+o}l=zzx'"#?Fi9F:h{2At P [:B*GVIUI QUI}ZczR<hFw, =223d S U: U~$Ϟ3h4TG/jjDKnq>xvSge5/d?^yJyI;y{eNB % )8P_ 6E~ T p,N / B1i B1 w M E5 # LU6 :_` Fy SQU ]0] u wJS   D ry UUL uL 1| < ci ~X ˔O DM 'm8 + -  Om  STnh STnq \ \k `u u: }l: Jn 4k< غz8 Y: Y:!]k~& k7WG|CgU&gE` q2LƳ}iw SobreAbout AboutDialog"Portal de harpeio Arpeggio gate Arpeggiator"Escala de harpeioArpeggio range Arpeggiator Tempo de harpeio Arpeggio time ArpeggiatorHARPEIOARPEGGIOArpeggiatorView$Portal de harpeio:Arpeggio gate:ArpeggiatorView$Escala de harpeio:Arpeggio range:ArpeggiatorView"Tempo de harpeio:Arpeggio time:ArpeggiatorView PORTALGATEArpeggiatorView ESCALARANGEArpeggiatorView TEMPOTIMEArpeggiatorViewUse este boto para ajustar o tempo de harpeio em milesegundos. O tempo de harpeio especifica qual longo cada ton de herpeio ser.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorViewoitava(s) octave(s)ArpeggiatorView CANAISCHANNELSAudioAlsa::setupWidgetDISPOSITIVODEVICEAudioAlsa::setupWidgetAmplificar:Amplify:AudioFileProcessorViewPonto final: Endpoint:AudioFileProcessorViewSe voc ativar este boto, toda a amostra ser invertida. Isto til para fazer uns efeitos legais, ex. um rudo eltrico ao contrrio.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorViewXAmostra em loop do ponto de incio ao de fim#Loop sample at start- and end-pointAudioFileProcessorView&Abrir outra amostraOpen other sampleAudioFileProcessorViewAmostra reversaReverse sampleAudioFileProcessorView Ponto de incio: Startpoint:AudioFileProcessorView CANAISCHANNELSAudioJack::setupWidgetNOME-DO-CLIENTE CLIENT-NAMEAudioJack::setupWidget CANAISCHANNELSAudioOss::setupWidgetDISPOSITIVODEVICEAudioOss::setupWidgetDISPOSITIVODEVICEAudioPortAudio::setupWidget CANAISCHANNELSAudioPulseAudio::setupWidgetDISPOSITIVODEVICEAudioPulseAudio::setupWidgetDISPOSITIVODEVICEAudioSdl::setupWidget(&Copiar valor (%1%2)&Copy value (%1%2)AutomatableModel&C&olar valor (%1%2)&Paste value (%1%2)AutomatableModelDTocar/pausar padro atual (Espao)"Play/pause current pattern (Space)AutomationEditorLParar de tocar o padro atual (Espao)'Stop playing of current pattern (Space)AutomationEditorMudar nome Change nameAutomationPatternViewRestaurar nome Reset nameAutomationPatternViewArbicoArabic ChordCreator BluesBlues ChordCreator"Escala de acordes Chord range ChordCreatorDiminudo Diminished ChordCreatorBebop dominanteDominant bebop ChordCreator DricoDorian ChordCreatorEnigmtico Enigmatic ChordCreatorHarmonico menorHarmonic minor ChordCreatorHngaro menorHungarian minor ChordCreator MaiorMajor ChordCreatorBebop maior Major bebop ChordCreator"Pentatnico maiorMajor pentatonic ChordCreatorMeldico menor Melodic minor ChordCreator"Pentatnico menorMinor pentatonic ChordCreatorNapolitano Neopolitan ChordCreator"Neopolitano menorNeopolitan minor ChordCreatorTodo o tom Whole tone ChordCreator menorminor ChordCreator oitavaoctave ChordCreator ACORDECHORDSChordCreatorView$Escala de acordes: Chord range:ChordCreatorView ESCALARANGEChordCreatorViewoitava(s) octave(s)ChordCreatorView CANALCHANNELControllerConnectionDialogCancelarCancelControllerConnectionDialog\Dispositivos MIDI para receber eventos MIDI de(MIDI-devices to receive MIDI-events fromControllerConnectionDialogOKOKControllerConnectionDialog Aj&uda&HelpControllerView Aj&uda&Help EffectView PORTALGATE EffectViewQNTAMTEnvelopeAndLfoViewATQATTEnvelopeAndLfoViewAtaque:Attack:EnvelopeAndLfoViewClique aqui para que a quantidade do envelope seja controlada por este LFO.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoViewDETDECEnvelopeAndLfoView APAGARDELEnvelopeAndLfoViewDeteriorao:Decay:EnvelopeAndLfoView ESPERAHOLDEnvelopeAndLfoViewEspera:Hold:EnvelopeAndLfoView,MODULAR QUANTIDADE-ENVMODULATE ENV-AMOUNTEnvelopeAndLfoView0Quantidade de modulao:Modulation amount:EnvelopeAndLfoViewPr-atraso: Predelay:EnvelopeAndLfoViewLIBRELEnvelopeAndLfoViewLibera:Release:EnvelopeAndLfoViewVELSPDEnvelopeAndLfoViewSustentao:Sustain:EnvelopeAndLfoViewUse este boto para ajustar o tempo de ataque do LFO atual. Quanto maior este valor, mais o tempo o LFO leva para atingir sua amplitude mxima.Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.EnvelopeAndLfoViewLUse este boto para ajustar o tempo de ataque do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisar para aumentar o nvel de ataque.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoViewUse este boto para ajustar o tempo de deteriorao do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nvel de ataque para o nvel sustentvel. Escolha um valor pequeno para instrumentos como piano.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoViewUse este boto para ajustar o tempo de espera do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope segura o nvel de ataque antes de diminuir para o nvel sustentvel.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoViewVUse este boto para ajustar a quantidade de modulao do LFO atual. Quanto maior este valor, mais o tamanho (ex. volume ou frequncia de corte) ser influnciado pelo LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoView~Use este boto para ajustar a quantidade de modulao do envelope atual. Quanto maior este valor, mais o tamanho do acorde (ex. volume ou frequncia de corte) ser influnciado pelo envelope.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoViewUse este boto para ajustar o pr-atraso do envelope atual. Quanto maior este valor, mais longo o tempo antes de iniciar o envelope atual.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView Use este boto para ajustar o tempo de pr-atraso do LFO atual. Quanto maior este valor, maior o tempo ontes do LFO comear a oscilar.Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoViewUse este boto para ajustar o tempo de liberao do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nvel de sustentao para zero. Escolha um valor grande para instrumentos com cordas.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewUse este boto para ajustar a velocidade do LFO atual. Quanto maior este valor, mais rapidamente o LFO oscila e mais rpido ser seu efeito.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView:Use este boto para ajustar o nvel de sustentao do envelope atual. Quanto maior este valor, maio ser o nvel que o envelope espera antes de ir para zero.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoView\controla a quantidade do envelope por este LFO#control envelope-amount by this LFOEnvelopeAndLfoViewms/LFO:ms/LFO:EnvelopeAndLfoViewCancelarCancelExportProjectDialog CANALCHANNELInstrumentMidiIOView"2x Passagem Baixa 2x LowPassInstrumentSoundShapingPassagem TotalAllpassInstrumentSoundShaping*Passagem da Faixa csg BandPass csgInstrumentSoundShaping,Passagem da Faixa czpg BandPass czpgInstrumentSoundShapingINTERRUPOCUTOFFInstrumentSoundShapingPassagem AltaHiPassInstrumentSoundShapingPassagem BaixaLowPassInstrumentSoundShapingEntalheNotchInstrumentSoundShapingQ/Resonncia Q/ResonanceInstrumentSoundShapingINTERRUPOCUTOFFInstrumentSoundShapingView FILTROFILTERInstrumentSoundShapingViewALVOTARGETInstrumentSoundShapingView(freqncia de corte:cutoff-frequency:InstrumentSoundShapingViewtCom este boto voc pode ajustar o volume do canal aberto.Sincronizado com a Nota InteiraSynced to Whole Note TempoSyncKnobSincronia Tempo Sync TempoSyncKnobNota inteira Whole note TempoSyncKnob.Detom grosseiro Osc %1:Osc %1 coarse detuning:TripleOscillatorView6Detom fino esquerdo Osc %1:Osc %1 fine detuning left:TripleOscillatorView,Detom fino direito %1:Osc %1 fine detuning right:TripleOscillatorViewPanning Osc %1:Osc %1 panning:TripleOscillatorView6Compensador de fase Osc %1:Osc %1 phase-offset:TripleOscillatorView:Detom de fase estreo Osc %1:Osc %1 stereo phase-detuning:TripleOscillatorViewVolume Osc %1:Osc %1 volume:TripleOscillatorViewCom este boto voc pode ajustar o detom grosseiro do oscilador %1. Voc pode descer o tom do oscilador 12 semitons (1 oitava) para cima e para baixo. Isto til para criar sons com um acorde.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewdCom este boto voc pode ajustar o detom fino do oscilador %1 para o canal esquerdo. O detom fino varia entre -100 centavos e +100 centavos. Isto til para criar sons 'gordos'.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewbCom este boto voc pode ajustar o detom fino do oscilador %1 para o canal direito. O detom fino varia entre -100 centavos e +100 centavos. Isto til para criar sons 'gordos'.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorView$Com este boto voc pode ajustar o panning do oscilador %1. O valor -100 significa 100% esquerda e 100 move a saida do oscilador para a direita.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorViewbCom este boto voc pode ajustar o compensador de fase do oscilador %1. Isso significa que voc pode move o ponto de uma oscilao onde o oscilador comea oscilar. Por exemplo, se voc tem uma onda-seno e tem uma compensao de fase de 180 graus, a onda vai primeiro descer. o mesmo com onda-quadrada.)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorViewCom este boto voc pode ajustar o volume do oscilador %1. Quando voc seleciona o valor 0, o oscilador desligado. Com outros valores voc vai escutar o oscilador to alto quanto voc o ajustar.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorViewcentavoscentsTripleOscillatorView grausdegreesTripleOscillatorViewClique aqui para mostrar ou esconder a interface grfica do usurio (GUI) do plugin VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentViewClique aqui se voc quer abrir outro plugin VST. clicando neste boto, voc ver uma caixa da seleo para escolher o arquivo.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView(Arquivos DLL (*.dll)DLL-files (*.dll)VestigeInstrumentView(Arquivos EXE (*.exe)EXE-files (*.exe)VestigeInstrumentView4Nenhum plgin VST carregadoNo VST-plugin loadedVestigeInstrumentView Abrir plugin VSTOpen VST-pluginVestigeInstrumentView,Abrir outro plugin VSTOpen other VST-pluginVestigeInstrumentViewporbyVestigeInstrumentView8Falha ao carregar plugin VSTFailed loading VST-plugin VstPlugin8O plugin VST no pode ser carregado por alguma razo. Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPluginAmplificarAmplifyaudioFileProcessorFim da amostra End of sampleaudioFileProcessorAmostra reversaReverse sampleaudioFileProcessor"Incio da amostraStart of sampleaudioFileProcessor,Adicionar batida/baixoAdd beat/basslinebbEditor,Editor de Batida+BaixoBeat+Bassline EditorbbEditorTTocar/pausar a batida/baixo atual (Espao)(Play/pause current beat/bassline (Space)bbEditorMudar cor Change color bbTCOViewMudar nome Change name bbTCOView>Abrir no editor de Batida/BaixoOpen in Beat+Bassline-Editor bbTCOViewRestaurar nome Reset name bbTCOViewBatida/Baixo %1Beat/Bassline %1bbTrack<No possvel abrir o arquivoCould not open fileexportProjectDialogfNo possvel abrir o arquivo %1 para gravao. Por favor certifique-se que voc tem permisso para gravao no arquivo e se o arquivo se encontra no diretrio e tente novamente!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog0Exportar projeto para %1Export project to %1exportProjectDialogDeteriorao:Decay:kickerInstrumentView Aj&uda&Helpknob`Por favor entre com um novo valor entre %1 e %2:+Please enter a new value between %1 and %2:knob Tipo:Type:ladspaBrowserViewDETDEClb302SynthViewDeteriorao:Decay:lb302SynthViewDETDEClb303SynthViewDeteriorao:Decay:lb303SynthView Aj&uda&HelpnineButtonSelector6Detom fino esquerdo Osc %1:Osc %1 fine detuning left:organicInstrumentViewPanning Osc %1:Osc %1 panning:organicInstrumentViewVolume Osc %1:Osc %1 volume:organicInstrumentViewcentavoscentsorganicInstrumentView<No possvel congelar padroCannot freeze patternpatternO padro atualmente no pode ser congelado porque voc est no modo tocar (play-mode). Por favor pare e tente novamente!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternCancelarCancelpatternFreezeStatusDialog(Congelando padro...Freezing pattern...patternFreezeStatusDialog%1 passos%1 steps patternView1 passo1 step patternViewAdicionar passo Add steps patternViewMudar nome Change name patternView*Limpar todas as notasClear all notes patternViewCongelarFreeze patternView2Abrir nas teclas do pianoOpen in piano-roll patternViewRe-congelarRefreeze patternViewRemover passo Remove steps patternViewRestaurar nome Reset name patternViewDescongelarUnfreeze patternViewDCopiar notas selecionadas (Ctrl+C)Copy selected notes (Ctrl+C) pianoRollHRecortar notas selecionadas (Ctrl+X)Cut selected notes (Ctrl+X) pianoRollZColar notas da rea de transferncia (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRoll(Teclas do piano - %1Piano-Roll - %1 pianoRoll>Teclas do piano - nenhum padroPiano-Roll - no pattern pianoRollDTocar/pausar padro atual (Espao)"Play/pause current pattern (Space) pianoRollnPor favor abra um padro com um duplo clique sobre ele!/Please open a pattern by double-clicking on it! pianoRoll^Gravar notas do dispositivo MIDI/canal do piano+Record notes from MIDI-device/channel-piano pianoRollLParar de tocar o padro atual (Espao)'Stop playing of current pattern (Space) pianoRoll.Plugins de instrumentosInstrument plugins pluginBrowsertrs osciladores poderosos que voc pode modular de vrias maneiras;three powerful oscillators you can modulate in several ways pluginBrowser&Negrito&Bold projectNotes&Cor... &Color... projectNotes&Copiar&Copy projectNotes&Itlico&Italic projectNotes&Justificar&Justify projectNotes&Esquerda&Left projectNotes C&olar&Paste projectNotes&Refazer&Redo projectNotesDi&reita&Right projectNotesS&ublinhado &Underline projectNotesDes&fazer&Undo projectNotesC&entroC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotesRecor&tarCu&t projectNotesAes de edio Edit Actions projectNotes&Aes de formataoFormat Actions projectNotes Notas do projeto Project notes projectNotes2Faa suas anotaes aqui.!Put down your project notes here. projectNotesRenomear... Rename... renameDialog8Arquivos AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer$Arquivos AU (*.au)AU-Files (*.au) sampleBuffer(Arquivos OGG (*.ogg)OGG-Files (*.ogg) sampleBuffer,Abrir arquivo de udioOpen audio file sampleBuffer(Arquivos RAW (*.raw)RAW-Files (*.raw) sampleBuffer(Arquivos VOC (*.voc)VOC-Files (*.voc) sampleBuffer*Arquivos Wave (*.wav)Wave-Files (*.wav) sampleBuffer CopiarCopy sampleTCOViewRecortarCut sampleTCOView ColarPaste sampleTCOViewHDuplo clique para selecionar amostradouble-click to select sample sampleTCOView"Trilha de amostra Sample track sampleTrack Volume do canal:Channel volume:sampleTrackView$INTERFACE DE UDIOAUDIO INTERFACE setupDialog,Configuraes de udioAudio settings setupDialog"TAMANHO DO BUFFER BUFFER SIZE setupDialogCancelarCancel setupDialog(Configuraes geraisGeneral settings setupDialog Aqui voc pode selecionar sua interface de MIDI preferida. Dependendo das configuraes do sistema durante a compilao, voc poder escolher entre ALSA, OSS e outros. Abaixo voc ver uma caixa que oferece controles para ajustar a interface de MIDI selecionada.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialogAqui voc pode selecionar sua interface de udio preferida. Dependendo das configuraes do sistema durante a compilao, voc poder escolher entre ALSA, JACK, OSS e outros. Abaixo voc ver uma caixa que oferece controles para ajustar a interface de udio selecionada.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialogAqui voc pode ajustar o tamanho do buffer interno usado pelo LMMS. Valores menores resultam em menor latncia mas talvez causem soms inscutveis ou m performance, especialmente em computadores atigos ou sistema com kernel no compilados para trabalhar em tempo real.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog"INTERFACE DO MIDIMIDI INTERFACE setupDialog*Configuraes do MIDI MIDI settings setupDialogMISCMISC setupDialogOKOK setupDialogPor favor note que a maioria das mudanas no tero efeito antes de reiniciar o LMMS!GPlease note that most changes won't take effect until you restart LMMS! setupDialog0Restaurar o valor padroReset to default-value setupDialogReiniciar LMMS Restart LMMS setupDialogConfigurar LMMS Setup LMMS setupDialogAtaque:Attack:sidInstrumentViewDeteriorao:Decay:sidInstrumentViewLibera:Release:sidInstrumentViewSustentao:Sustain:sidInstrumentView Importar arquivo Import filesong$Projeto NO salvo.Project NOT saved.song\Selecione o arquivo para exportar o projeto...!Select file for project-export...songsem nomeuntitledsong,Adicionar batida/baixoAdd beat/bassline songEditor4Adicionar trlha de amostraAdd sample-track songEditorClique aqui se voc quer tocar toda a msica. A msica iniciar no posio do marcador (verde). Voc pode move-lo enquanto estiver tocando.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditorClique aqui se voc quer parar de tocar a msica. O marcador de posio (verde), ser ajustado para o incio da msica.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor<No possvel abrir o arquivoCould not open file songEditor>No possivel gravar o arquivoCould not write file songEditor,Modo de alta qualidadeHigh quality mode songEditor*Tocar msica (Espao)Play song (Space) songEditor Editor de msica Song-Editor songEditor*Parar msica (Espao)Stop song (Space) songEditorTEMPO/BPM TEMPO/BPM songEditor(lance (pitch) mestre master pitch songEditortempo da msica tempo of song songEditor@Quando parar volta para o comeoAfter stopping go back to begintimeLineQuando parar volta para a posio que estava quando comeou a tocar?After stopping go back to position at which playing was startedtimeLine:Quando parar mantm a posioAfter stopping keep positiontimeLine6Ativa/desativa auto-rolagemEnable/disable auto-scrollingtimeLine:Ativa/desativa pontos de loopEnable/disable loop-pointstimeLineCancelarCanceltrackContainer4Importando arquivo MIDI...Importing MIDI-file...trackContainer*Carregando projeto...Loading project...trackContainer(Por favor aquarde...Please wait...trackContainer CopiarCopytrackContentObjectViewRecortarCuttrackContentObjectView ColarPastetrackContentObjectView$Clonar esta trilhaClone this tracktrackOperationsWidget&Remover esta trilhaRemove this tracktrackOperationsWidget8Falha ao carregar plugin VSTFailed loading VST-pluginvestigeInstrument8O plugin VST no pode ser carregado por alguma razo. Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrument Aj&uda&Help vibedView"Escolher posio:Pick position: vibedView Coletar posio:Pickup position: vibedViewClique para habilitar/desabilitar a visualizao da sada mestre6click to enable/disable visualization of master-outputvisualizationWidgetlmms-1.0.0+bzr2569/data/locale/pt_br.ts0000644000000000000000000071723112307165142015567 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About Sobre LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE DISPOSITIVO CHANNELS CANAIS AudioFileProcessorView Open other sample Abrir outra amostra Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample Amostra reversa If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Se você ativar este botão, toda a amostra será invertida. Isto é útil para fazer uns efeitos legais, ex. um ruído elétrico ao contrário. Loop sample at start- and end-point Amostra em loop do ponto de início ao de fim Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Amplificar: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Ponto de início: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: Ponto final: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME NOME-DO-CLIENTE CHANNELS CANAIS AudioOss::setupWidget DEVICE DISPOSITIVO CHANNELS CANAIS AudioPortAudio::setupWidget BACKEND DEVICE DISPOSITIVO AudioPulseAudio::setupWidget DEVICE DISPOSITIVO CHANNELS CANAIS AudioSdl::setupWidget DEVICE DISPOSITIVO AutomatableModel &Reset (%1%2) &Copy value (%1%2) &Copiar valor (%1%2) &Paste value (%1%2) C&olar valor (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Tocar/pausar padrão atual (Espaço) Stop playing of current pattern (Space) Parar de tocar o padrão atual (Espaço) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Erase mode (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) Copy selected values (Ctrl+C) Paste values from clipboard (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation Editor - %1 Please open an automation pattern with the context menu of a control! Values copied All selected values were copied to the clipboard. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name Restaurar nome Change name Mudar nome %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel CHANNEL CANAL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from Dispositivos MIDI para receber eventos MIDI de USER CONTROLLER MAPPING FUNCTION OK OK Cancel Cancelar LMMS Cycle Detected. ControllerRackView Controller Rack Add Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Help Aj&uda Effect Effect enabled Wet/Dry mix Gate Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE PORTAL Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Move &down &Remove this plugin &Help Aj&uda EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL APAGAR Predelay: Pré-atraso: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Use este botão para ajustar o pré-atraso do envelope atual. Quanto maior este valor, mais longo o tempo antes de iniciar o envelope atual. ATT ATQ Attack: Ataque: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Use este botão para ajustar o tempo de ataque do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisará para aumentar o nível de ataque. HOLD ESPERA Hold: Espera: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Use este botão para ajustar o tempo de espera do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope segura o nível de ataque antes de diminuir para o nível sustentável. DEC DET Decay: Deterioração: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Use este botão para ajustar o tempo de deterioração do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de ataque para o nível sustentável. Escolha um valor pequeno para instrumentos como piano. SUST Sustain: Sustentação: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Use este botão para ajustar o nível de sustentação do envelope atual. Quanto maior este valor, maio será o nível que o envelope espera antes de ir para zero. REL LIB Release: Libera: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Use este botão para ajustar o tempo de liberação do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de sustentação para zero. Escolha um valor grande para instrumentos com cordas. AMT QNT Modulation amount: Quantidade de modulação: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Use este botão para ajustar a quantidade de modulação do envelope atual. Quanto maior este valor, mais o tamanho do acorde (ex. volume ou frequência de corte) será influênciado pelo envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Use este botão para ajustar o tempo de pré-atraso do LFO atual. Quanto maior este valor, maior o tempo ontes do LFO começar a oscilar. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. Use este botão para ajustar o tempo de ataque do LFO atual. Quanto maior este valor, mais o tempo o LFO leva para atingir sua amplitude máxima. SPD VEL LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use este botão para ajustar a velocidade do LFO atual. Quanto maior este valor, mais rapidamente o LFO oscila e mais rápido será seu efeito. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Use este botão para ajustar a quantidade de modulação do LFO atual. Quanto maior este valor, mais o tamanho (ex. volume ou frequência de corte) será influênciado pelo LFO. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT MODULAR QUANTIDADE-ENV Click here to make the envelope-amount controlled by this LFO. Clique aqui para que a quantidade do envelope seja controlada por este LFO. control envelope-amount by this LFO controla a quantidade do envelope por este LFO ms/LFO: ms/LFO: Hint Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Cancelar Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Arpeggio range Escala de harpeio Arpeggio time Tempo de harpeio Arpeggio gate Portal de harpeio Arpeggio direction Arpeggio mode Up Down Up and down Random Free Sort Sync InstrumentFunctionArpeggioView ARPEGGIO HARPEIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE ESCALA Arpeggio range: Escala de harpeio: octave(s) oitava(s) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME TEMPO Arpeggio time: Tempo de harpeio: ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Use este botão para ajustar o tempo de harpeio em milesegundos. O tempo de harpeio especifica qual longo cada ton de herpeio será. GATE PORTAL Arpeggio gate: Portal de harpeio: % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Mode: InstrumentFunctionNoteStacking octave oitava Major Maior Majb5 minor menor minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Harmonico menor Melodic minor Melódico menor Whole tone Todo o tom Diminished Diminuído Major pentatonic Pentatônico maior Minor pentatonic Pentatônico menor Jap in sen Major bebop Bebop maior Dominant bebop Bebop dominante Blues Blues Arabic Arábico Enigmatic Enigmático Neopolitan Napolitano Neopolitan minor Neopolitano menor Hungarian minor Húngaro menor Dorian Dórico Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type Chord range Escala de acordes Minor InstrumentFunctionNoteStackingView RANGE ESCALA Chord range: Escala de acordes: octave(s) oitava(s) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL CANAL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME Volume CUTOFF INTERRUPÇÃO Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Q/Resonance Q/Resonância LowPass Passagem Baixa HiPass Passagem Alta BandPass csg Passagem da Faixa csg BandPass czpg Passagem da Faixa czpg Notch Entalhe Allpass Passagem Total Moog 2x LowPass 2x Passagem Baixa RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET ALVO These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER FILTRO Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. Com este botão você pode ajustar o volume do canal aberto. Base note Pitch range InstrumentTrackView Volume Volume: VOL Panning Panning: PAN MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS AJUSTES GERAIS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Clique aqui se você quer salvar os ajustes do canal atual em um preset-file. Depois você pode carregar estes ajustes dando um duplo clique nele no navegador de pré-ajustes. Instrument volume Volume: VOL Panning Panning: PAN Pitch Pitch: cents centavos PITCH FX channel ENV/LFO FUNC FX MIDI Save preset XML preset file (*.xpf) PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE ESCALA LadspaControl Link channels LadspaControlDialog Link Channels Channel LadspaControlView Link channels Value: Sorry, no help available. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD VEL LFO-speed: Velocidade do LFO: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT QNT Modulation amount: Quantidade de modulação: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees graus With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file O arquivo de configuração não pode ser salvo Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &Projeto &New &Novo &Open... &Abrir... Recently opened projects &Save &Salvar Save &As... Salvar &como... Import... E&xport... &Quit Sai&r &Edit Settings &Tools &Help Aj&uda Online help Help Ajuda What's this? O que é isso? About Sobre Create new project Criar novo projeto Create new project from template Open existing project Abrir projeto existente Recently opened project Save current project Salvar projeto atual Export current project Exportar projeto atual Show/hide Song-Editor Mostrar/esconder Editor de música By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor Mostrar/esconder Editor de Batida+Baixo By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Mostrar/esconder Teclas do piano Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Mostrar/esconder notas do projeto Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 LMMS %1 Project not saved Projeto não salvo The current project was modified since last saving. Do you want to save it now? O projeto atual foi modificado. Quer salvá-lo agora? Open project Abrir projeto Save project Salvar projeto Help not available Ajuda não disponível Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE DISPOSITIVO MidiAlsaSeq::setupWidget DEVICE DISPOSITIVO MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE DISPOSITIVO MidiPort Input channel Output channel Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Fixed output note OscillatorObject Osc %1 volume Volume Osc %1 Osc %1 panning Panning Osc %1 Osc %1 coarse detuning Detom grosseiro Osc %1 Osc %1 fine detuning left Detom fino esquerdo Osc %1 Osc %1 fine detuning right Detom fino direito %1 Osc %1 phase-offset Compensador de fase Osc %1 Osc %1 stereo phase-detuning Detom de fase estéreo Osc %1 Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Quantidade de modulação: Attack: Ataque: Release: Libera: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Quantidade de modulação Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Plugin Plugin not found Plugin não encontrado The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Erro ao carregar plugin Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) Arquivo OGG compactado (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Maker: Copyright: Requires Real Time: Yes No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file Abrir arquivo de áudio All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Arquivos Wave (*.wav) OGG-Files (*.ogg) Arquivos OGG (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) Arquivos VOC (*.voc) AIFF-Files (*.aif *.aiff) Arquivos AIFF (*.aif *.aiff) AU-Files (*.au) Arquivos AU (*.au) RAW-Files (*.raw) Arquivos RAW (*.raw) SampleTCOView double-click to select sample Duplo clique para selecionar amostra Delete (middle mousebutton) Cut Recortar Copy Copiar Paste Colar Mute/unmute (<Ctrl> + middle click) Set/clear record SampleTrack Sample track Trilha de amostra Volume SampleTrackView Track volume Channel volume: Volume do canal: VOL TempoSyncKnob Tempo Sync Sincronia No Sync Sem Sincronia Eight beats Oito batidas Whole note Nota inteira Half note Meia nota Quarter note 1/4 de nota 8th note 8o nota 16th note 16o nota 32nd note 32o nota Custom... &Help Aj&uda Custom Synced to Eight Beats Sincronizado com Oito Batidas Synced to Whole Note Sincronizado com a Nota Inteira Synced to Half Note Sincronizado com Meia Nota Synced to Quarter Note Sincronizado com 1/4 de Nota Synced to 8th Note Sincronizado com a 8o Nota Synced to 16th Note Sincronizado com a 16o Nota Synced to 32nd Note Sincronizado com a 32o Nota TimeDisplayWidget click to change time units TrackContainer Couldn't import file Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Couldn't open file Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Loading project... Carregando projeto... Cancel Cancelar Please wait... Por favor aquarde... Importing MIDI-file... Importando arquivo MIDI... Importing FLP-file... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: Volume Osc %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Com este botão você pode ajustar o volume do oscilador %1. Quando você seleciona o valor 0, o oscilador é desligado. Com outros valores você vai escutar o oscilador tão alto quanto você o ajustar. Osc %1 panning: Panning Osc %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Com este botão você pode ajustar o panning do oscilador %1. O valor -100 significa 100% à esquerda e 100 move a saida do oscilador para a direita. Osc %1 coarse detuning: Detom grosseiro Osc %1: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Com este botão você pode ajustar o detom grosseiro do oscilador %1. Você pode descer o tom do oscilador 12 semitons (1 oitava) para cima e para baixo. Isto é útil para criar sons com um acorde. Osc %1 fine detuning left: Detom fino esquerdo Osc %1: cents centavos With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Com este botão você pode ajustar o detom fino do oscilador %1 para o canal esquerdo. O detom fino varia entre -100 centavos e +100 centavos. Isto é útil para criar sons 'gordos'. Osc %1 fine detuning right: Detom fino direito %1: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Com este botão você pode ajustar o detom fino do oscilador %1 para o canal direito. O detom fino varia entre -100 centavos e +100 centavos. Isto é útil para criar sons 'gordos'. Osc %1 phase-offset: Compensador de fase Osc %1: degrees graus With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Com este botão você pode ajustar o compensador de fase do oscilador %1. Isso significa que você pode move o ponto de uma oscilação onde o oscilador começa à oscilar. Por exemplo, se você tem uma onda-seno e tem uma compensação de fase de 180 graus, a onda vai primeiro descer. É o mesmo com onda-quadrada. Osc %1 stereo phase-detuning: Detom de fase estéreo Osc %1: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Abrir outro plugin VST Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Clique aqui se você quer abrir outro plugin VST. clicando neste botão, você verá uma caixa da seleção para escolher o arquivo. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Clique aqui para mostrar ou esconder a interface gráfica do usuário (GUI) do plugin VST. Turn off all notes Open VST-plugin Abrir plugin VST DLL-files (*.dll) Arquivos DLL (*.dll) EXE-files (*.exe) Arquivos EXE (*.exe) No VST-plugin loaded Nenhum plgin VST carregado Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Please wait while loading VST-plugin... Failed loading VST-plugin Falha ao carregar plugin VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! O plugin VST não pode ser carregado por alguma razão. Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Reverse sample Amostra reversa Amplify Amplificar Start of sample Início da amostra End of sample Fim da amostra Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Beat+Bassline Editor Editor de Batida+Baixo Play/pause current beat/bassline (Space) Tocar/pausar a batida/baixo atual (Espaço) Add beat/bassline Adicionar batida/baixo Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Remover passo Add steps Adicionar passo bbTCOView Open in Beat+Bassline-Editor Abrir no editor de Batida/Baixo Reset name Restaurar nome Change name Mudar nome Change color Mudar cor bbTrack Beat/Bassline %1 Batida/Baixo %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Interpolation Normalize Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file Não é possível abrir o arquivo Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Não é possível abrir o arquivo %1 para gravação. Por favor certifique-se que você tem permissão para gravação no arquivo e se o arquivo se encontra no diretório e tente novamente! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 Exportar projeto para %1 fader Please enter a new value between %1 and %2: Por favor entre com um novo valor entre %1 e %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: Deterioração: Distortion: Gain: knob &Help Aj&uda Please enter a new value between %1 and %2: Por favor entre com um novo valor entre %1 e %2: Please enter a new value between -96.0 dBV and 6.0 dBV: ladspaBrowserView Available Effects Unavailable Effects Instruments Analysis Tools Don't know This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: Tipo: ladspaDescription Plugins Description ladspaPortDialog Ports Name Rate Direction Type Min < Default < Max Logarithmic SR Dependent Audio Control Input Output Toggled Integer Float Yes lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: Deterioração: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. Triangle wave Click here for a triangle-wave. Square wave Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Click for a sine-wave. White noise wave Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: Deterioração: DEC DET 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help Aj&uda opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume organicInstrumentView Distortion: Volume: Randomise Osc %1 waveform: Osc %1 volume: Volume Osc %1: Osc %1 panning: Panning Osc %1: Osc %1 fine detuning left: Detom fino esquerdo Osc %1: cents centavos papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern Não é possível congelar padrão The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! O padrão atualmente não pode ser congelado porque você está no modo tocar (play-mode). Por favor pare e tente novamente! patternFreezeStatusDialog Freezing pattern... Congelando padrão... Cancel Cancelar patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Open in piano-roll Abrir nas teclas do piano Clear all notes Limpar todas as notas Reset name Restaurar nome Change name Mudar nome Refreeze Re-congelar Freeze Congelar Unfreeze Descongelar Add steps Adicionar passo Remove steps Remover passo PianoRoll Play/pause current pattern (Space) Tocar/pausar padrão atual (Espaço) Record notes from MIDI-device/channel-piano Gravar notas do dispositivo MIDI/canal do piano Stop playing of current pattern (Space) Parar de tocar o padrão atual (Espaço) Cut selected notes (Ctrl+X) Recortar notas selecionadas (Ctrl+X) Copy selected notes (Ctrl+C) Copiar notas selecionadas (Ctrl+C) Paste notes from clipboard (Ctrl+V) Colar notas da área de transferência (Ctrl+V) Piano-Roll - no pattern Teclas do piano - nenhum padrão Piano-Roll - %1 Teclas do piano - %1 Please open a pattern by double-clicking on it! Por favor abra um padrão com um duplo clique sobre ele! Record notes from MIDI-device/channel-piano while playing song or BB track Draw mode (Shift+D) Erase mode (Shift+E) Select mode (Shift+S) Last note Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser Instrument plugins Plugins de instrumentos three powerful oscillators you can modulate in several ways três osciladores poderosos que você pode modular de várias maneiras no description Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins Filter for importing FL Studio projects into LMMS versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. Additive Synthesizer for organ-like sounds plugin for boosting bass Tuneful things to bang on simple sampler with various settings for using samples (e.g. drums) in an instrument-track VST-host for using VST(i)-plugins within LMMS Vibrating string modeler plugin for using arbitrary LADSPA-effects inside LMMS. Filter for importing MIDI-files into LMMS Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Notas do projeto Put down your project notes here. Faça suas anotações aqui. Edit Actions Ações de edição &Undo Des&fazer Ctrl+Z Ctrl+Z &Redo &Refazer Ctrl+Y Ctrl+Y &Copy &Copiar Ctrl+C Ctrl+C Cu&t Recor&tar Ctrl+X Ctrl+X &Paste C&olar Ctrl+V Ctrl+V Format Actions Ações de formatação &Bold &Negrito Ctrl+B Ctrl+B &Italic &Itálico Ctrl+I Ctrl+I &Underline S&ublinhado Ctrl+U Ctrl+U &Left &Esquerda Ctrl+L Ctrl+L C&enter C&entro Ctrl+E Ctrl+E &Right Di&reita Ctrl+R Ctrl+R &Justify &Justificar Ctrl+J Ctrl+J &Color... &Cor... renameDialog Rename... Renomear... setupDialog Setup LMMS Configurar LMMS General settings Configurações gerais BUFFER SIZE TAMANHO DO BUFFER Reset to default-value Restaurar o valor padrão MISC MISC Audio settings Configurações de Áudio AUDIO INTERFACE INTERFACE DE ÁUDIO MIDI settings Configurações do MIDI MIDI INTERFACE INTERFACE DO MIDI OK OK Cancel Cancelar Restart LMMS Reiniciar LMMS Please note that most changes won't take effect until you restart LMMS! Por favor note que a maioria das mudanças não terão efeito antes de reiniciar o LMMS! Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Aqui você pode ajustar o tamanho do buffer interno usado pelo LMMS. Valores menores resultam em menor latência mas talvez causem soms inscutáveis ou má performance, especialmente em computadores atigos ou sistema com kernel não compilados para trabalhar em tempo real. Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Aqui você pode selecionar sua interface de áudio preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, JACK, OSS e outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de áudio selecionada. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Aqui você pode selecionar sua interface de MIDI preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, OSS e outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de MIDI selecionada. Enable tooltips Show restart warning after changing settings Display volume as dBV Compress project files per default HQ-mode for output audio-device LMMS working directory VST-plugin directory Artwork directory FL Studio installation directory STK rawwave directory Performance settings UI effects vs. performance Frames: %1 Latency: %2 ms Choose LMMS working directory Choose your VST-plugin directory Choose artwork-theme directory Choose FL Studio installation directory Choose LADSPA plugin directory Choose STK rawwave directory Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Voice 3 off Volume Chip model sidInstrumentView Volume: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Ataque: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Deterioração: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Sustentação: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: Libera: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Master volume Master pitch Project saved The project %1 is now saved. Project NOT saved. Projeto NÃO salvo. The project %1 was not saved! Import file Importar arquivo untitled sem nome Select file for project-export... Selecione o arquivo para exportar o projeto... Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Editor de música Play song (Space) Tocar música (Espaço) Stop song (Space) Parar música (Espaço) Add beat/bassline Adicionar batida/baixo Add sample-track Adicionar trlha de amostra Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Clique aqui se você quer tocar toda a música. A música iniciará no posição do marcador (verde). Você pode move-lo enquanto estiver tocando. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Clique aqui se você quer parar de tocar a música. O marcador de posição (verde), será ajustado para o início da música. Could not open file Não é possível abrir o arquivo Could not write file Não é possivel gravar o arquivo Add automation-track Draw mode Edit mode (select and move) Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo TEMPO/BPM TEMPO/BPM tempo of song tempo da música The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Modo de alta qualidade Master volume master volume Master pitch master pitch lance (pitch) mestre Value: %1% Value: %1 semitones Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Ativa/desativa auto-rolagem Enable/disable loop-points Ativa/desativa pontos de loop After stopping go back to begin Quando parar volta para o começo After stopping go back to position at which playing was started Quando parar volta para a posição que estava quando começou a tocar After stopping keep position Quando parar mantém a posição Hint Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Hint Press <Ctrl> and drag to make a copy. Current length Press <Ctrl> for free resizing. %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) Cut Recortar Copy Copiar Paste Colar Mute/unmute (<Ctrl> + middle click) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Mute Mute this track Solo Clone this track Clonar esta trilha Remove this track Remover esta trilha vestigeInstrument Failed loading VST-plugin Falha ao carregar plugin VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! O plugin VST não pode ser carregado por alguma razão. Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS! Loading plugin Please wait while loading VST-plugin... vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: Escolher posição: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: Coletar posição: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Triangle wave Saw wave Square wave White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Click here to normalize waveform. &Help Aj&uda Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. visualizationWidget click to enable/disable visualization of master-output Clique para habilitar/desabilitar a visualização da saída mestre Click to enable voiceObject Voice %1 pulse width Voice %1 attack Voice %1 decay Voice %1 sustain Voice %1 release Voice %1 coarse detuning Voice %1 wave shape Voice %1 sync Voice %1 ring modulate Voice %1 filtered Voice %1 test lmms-1.0.0+bzr2569/data/locale/ru.qm0000644000000000000000000046406511517317720015105 0ustar 00000000000000Ea/N0+.+un!"R/V72s7"9}]9; ;=lP@۴@CFzWFz[UOX|OXmV Z;eZ;jaUm np>w80z;mS~#o>uhɄy:ʭiՙqE8BJ<͵lD1ߺ`oo;mCBLA 1DXa3"G F(^'(^,´.64Nׂ: gRo_/rBtuxż9o%A8n(CGtGGxGw'Gu?XA?`k"f3-9>,tѻGt>V+g~هת|s;s_UsCODB%FuIΌ% :2Q%84e7}8JMi:)!s@VCBHH> NOXPP~7aP~Wa+] ]Yl3'lhsly uDz}m|Z|Zp}"~v0~k[Őe[ĩ##6iyYw.v>tNs<x|g#iA~s~F+WBĽ>Pϯѫs6:6~}Nքܗj'S왞!6{S2gBB =!Nչ3MY9. @ 0((10ݻ:^<<X<<`A UCYZFA> JѻM$nMtMкmPJPJ5PJYQq.(Qq.j`9``%`%d Zg5hߡjztbrJ8w~e!w9w^wxYZ/{ }FF96[ NͯJuu" u"u#1u#|uxuuVjkyl{VkIJII|IIhEZTq/V}  @u(A])bE=xrFˤž9ՔO}wͥ(Kغ ؽ~`I7Ah<fnGOVr t1  u;S u @|TΎ$0T%.-UyEzH8Pe6Q.QrZ\\C.caEcXa*fzhh93FlllUpA}o.A]AbkK]*-~͇̂F6w%/HDjkEN}f:fzmqG,tftÞs%y%zwo^6#ع;EUZW<5<52<5<5o<5e<5s3D~e}ilj`ZCRNb^% E=EqdEi%5x$#EC'vb1UE1^*r6{:gN!?[@^C*C*^%C*cAC*GkDM9.nN9Q)&aWj?Wd"OZ+;[P[T l=xlSmB rg8z}'i"U-q#ԐFiE.f0.l 95d5j-hj>2C7+RS;(c7B2Aip2ޔrںti>/gtCrU Ů% 1/ YW' )X' )`*)b*G,D5np8};s;Sx>Zp? ~$IUI>UIZFX[tE\X.8cziANm.ӡwFy %y %p2 j>),jw2I2L]ud#)2K}#ovS : Uiٚ\$Ϟ-SE::-SE^-SE;PZG/*Gx!I QS6NJU=UW~-\Bc?ExeE jDynqvS&e55 UW;g$5S#O0dQn&c%aU9U^dU\=dJCcyoyy֕nR^T%PP ,¸n¸ʩfpʩlc86]X]ae~࣓A?`YJRW DI $ $s % )8 .5n9 6E@ 8e8 8e 9I GL ItY IH MgS7 OEl T  YAN YsU hI. hI.58 k; p, w%( w%k xI |b% > >7 %  B1( B1 ^F `4d `YE 9 K' n7 F w KnF N jn   UU" u Rh 1 Nh e S ! ~l ·~- * ʧn ʵd ˔ X J\ Dk NB ؋/ ہ1B DKR k *f- _w? I9 ".ϋ $ r 'm= )x3 + - x5 N Om_ STn'Z STn \ \+ ]V `z eE { m ? m Wp m _ m o u: y  $n z $ d ?j }l NN NS Jx V h 2e 2k 8A Ɵ Ƶ8Q ^7 4+ ӗ` Ӱ غ8 <@ <5 Y:x Y: Y: ~ i m  v .qL . .5 .Zg ʓJa "} $&yV + yf +  + ے -# -n -k pGkP>Q>Y ]zad^cgDndyOpN?٬<98a`9W`9_Ș8PoNm + |[ I"Н$eš()37WkCgD>n:DmIU&%XҾEZ [x*[c^ E6` m4my>o 7K3 4!x~~6tgiiGq ?@>3@0<<5About AboutDialog@?5468>Arpeggio Arpeggiator(0?@02;5=85 0@?5468>Arpeggio direction Arpeggiator&0?>;=5=85 0@?5468> Arpeggio gate Arpeggiator 568< 0@?5468> Arpeggio mode Arpeggiator6'0AB>B=K9 480?07>= 0@?5468>Arpeggio range Arpeggiator5@8>4 0@?5468> Arpeggio time Arpeggiator"8? 0@?5468> Arpeggio type Arpeggiator=87Down Arpeggiator!2>1>4=>Free Arpeggiator!;CG09=>Random Arpeggiator#?>@O4>G8BLSort Arpeggiator !8=E@>=878@>20BLSync Arpeggiator 25@EUp Arpeggiator25@E 8 2=87 Up and down Arpeggiator ARPEGGIOArpeggiatorView@?468>  @07=>284=>ABL 8A?>;=5=8O 0::>@4>2 =0 D>@B5?80=> 8 AB@C==KE 8=AB@C<5=B0E, :0: =0 0@D5, :>340 72C:8 0::>@40 A;54CNB >48= 70 4@C38<.An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.ArpeggiatorView.>MDD8F85=B 70?>;=5=8O:Arpeggio gate:ArpeggiatorView$80?07>= 0@?5468>:Arpeggio range:ArpeggiatorView 5@8>4 0@?5468>:Arpeggio time:ArpeggiatorView0?@02;5=85: Direction:ArpeggiatorViewGATEArpeggiatorView  568<:Mode:ArpeggiatorViewRANGEArpeggiatorView  /TIMEArpeggiatorView: 53C;8@>2:0 70?>;=5=8O 4;O 0@?5468>. >MDD8F85=B 70?>;=5=8O ?>:07K205B, :0:0O G0ABL :064>3> B>=0 1C45B ?@>83@0=0. @>AB>9 A?>A>1 A>74020BL AB0::0B>->@?5468>.Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.ArpeggiatorView A?>;L7C9B5 @CG:C, GB>1K CAB0=>28BL 480?07>= 0@?5468> (2 >:B020E). K1@0==K9 B8? 0@?5468> 1C45B >E20BK20BL C:070==>5 :>;8G5AB2> >:B02.Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.ArpeggiatorView 53C;8@>2:0 ?5@8>40 0@?5468> - 2@5<O (2 <8;;8A5:C=40E), :>B>@>5 4>;6=5= 72CG0BL :064K9 B>= 0@?5468>.Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.ArpeggiatorView<AmsArpeggiatorView:B02[0/K] octave(s)ArpeggiatorView'! CHANNELSAudioAlsa::setupWidget#!" !"DEVICEAudioAlsa::setupWidget#A8;5=85:Amplify:AudioFileProcessorView06<8B5 745AL, GB>1K >B:@KBL 4@C3>9 72C:>2>9 D09;. @8 MB>< ?>O28BAO AB0=40@B=K9 480;>3 2K1>@0 D09;0. @8 MB>< A>E@0=ONBAO 2A5 =0AB@>9:8, B0:85 :0: @568< ?>2B>@0, B>G:8 =0G0;0/:>=F0, CA8;5=85.Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.AudioFileProcessorView>=5G=0O B>G:0: Endpoint:AudioFileProcessorView45AL 2K <>65B5 C:070BL, A;54C5B ;8 ?>2B>@OBL 72C: ?@8 4>AB865=88 :>=F0 D09;0. A;8 2:;NG5=>, B> AudioFileProcessor 1C45B ?>2B>@OBL G0ABL 72C:0 <564C =0G0;L=>9 8 :>=5G=>9 B>G:0<8. -B> <>65B 1KBL ?>;57=K< 4;O G53>-=81C4L 2@>45 AB@C==KE 8;8 >1@07F>2 0::>@4>2.Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.AudioFileProcessorView5@525@=CBL >1@075F. >6=> ?>;CG0BL 70102=K5 MDD5:BK - =0?@8<5@, ?5@52Q@=CBK9 27@K2.pIf you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.AudioFileProcessorView>AB>O==> 2>A?@>872>48BL CG0AB>: >1@07F0 <564C =0G0;L=>9 8 :>=5G=>9 B>G:0<8#Loop sample at start- and end-pointAudioFileProcessorView,B:@KBL 4@C3>9 >1@075FOpen other sampleAudioFileProcessorView&5@525@=CBL >1@075FReverse sampleAudioFileProcessorView 0G0;L=0O B>G:0: Startpoint:AudioFileProcessorView-B0 @CG:0 7040QB :>MDD8F85=B CA8;5=8O. @8 7=0G5=88 100% 8AE>4=K9 72C: =5 <5=O5BAO, 5A;8 65 =5B  >= 1C45B >A;01;5= 8;8 CA8;5=. (1@0B8B5 2=8<0=85, GB> 2K1@0==K9 D09; ?@8 MB>< >AB0=5BAO =5B@>=CBK<.)With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)AudioFileProcessorView-B0 @CG:0 CAB0=02;8205B B>G:C, A :>B>@>9 1C45B =0G8=0BLAO 2>A?@>872545=85 >1@07F0. @8 2:;NGQ==>< ?>2B>@5 <>4C;L 2>A?@>872545=8O 1C45B 2>72@0I0BLAO : MB>9 B>G:5, 5A;8 =>B0 4;8B5;L=59 G0AB8 >1@07F0 <56 =0G0;L=>9 8 :>=5G=>9 B>G:0<8.With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView-B0 @CG:0 CAB0=02;8205B B>G:C, 345 1C45B 70:0=G820BLAO 2>A?@>872545=85 >1@07F0. @8 2:;NGQ==>< ?>2B>@5 <>4C;L 2>A?@>872545=8O ?> 4>AB865=88 MB>3> <5AB0 2>72@0B8BAO : =0G0;L=>9 B>G:5, 5A;8 =>B0 4;8B5;L=59 G0AB8 >1@07F0 <56 =0G0;L=>9 8 :>=5G=>9 B>G:0<8.With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.AudioFileProcessorView'! CHANNELSAudioJack::setupWidget/ " CLIENT-NAMEAudioJack::setupWidget'! CHANNELSAudioOss::setupWidget#!" !"DEVICEAudioOss::setupWidget@0925@BACKENDAudioPortAudio::setupWidget#!" !"DEVICEAudioPortAudio::setupWidget'! CHANNELSAudioPulseAudio::setupWidget#!" !"DEVICEAudioPulseAudio::setupWidget#!" !"DEVICEAudioSdl::setupWidget$&>?8@>20BL (%1%2)&Copy value (%1%2)AutomatableModel &AB028BL (%1%2)&Paste value (%1%2)AutomatableModel &!1@>A8BL (%1%2) &Reset (%1%2)AutomatableModel6!>548=8BL A :>=B@>;;5@><...Connect to controller...AutomatableModel">4A>548=5=> : %1Connected to %1AutomatableModel4?>4A>548=5=> : :>=B@>;;5@CConnected to controllerAutomatableModel.0AB@>8BL A>548=5=85...Edit connection...AutomatableModel$#40;8BL A>548=5=85Remove connectionAutomatableModel\K1@0==K5 7=0G5=8O A:>?8@>20=K 2 1CD5@ >1<5=0.1All selected values were copied to the clipboard.AutomationEditorH 540:B>@ 2@5<5==KE 7028A8<>AB59  %1Automation Editor - %1AutomationEditorZ 540:B>@ 2@5<5==KE 7028A8<>AB59  =5B H01;>=0Automation Editor - no patternAutomationEditorH@8 =060B88 =0 MBC :=>?:C 0:B828@C5BAO @568< @8A>20=8O =>B, :>B>@K9 O2;O5BAO @568<>< ?> C<>;G0=8N 8 8A?>;L7C5BAO 1>;LHCN G0ABL 2@5<5=8.  MB>< @568<5 2K <>65B5 4>102;OBL/?5@5<5I0BL 8 87<5=OBL 4;8B5;L=>ABL >48=>G=KE =>B. ;O 2:;NG5=8O MB>3> @568<0 <>6=> 8A?>;L7>20BL :><18=0F8N :;028H Shift+D.Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.AutomationEditor\@8 =060B88 =0 MBC :=>?:C 0:B828@C5BAO @568< AB8@0=8O.  MB>< @568<5 2K <>65B5 AB8@0BL =>BK ?> >4=>9. ;O 2:;NG5=8O MB>3> @568<0 <>6=> 8A?>;L7>20BL :><18=0F8N :;028H Shift+E.Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.AutomationEditorH@8 =060B88 =0 MBC :=>?:C 0:B828@C5BAO @568< 2K1>@0 =>B.  MB>< @568<5 2K <>65B5 2K18@0BL =>BK 4;O ?>A;54CNI8E 459AB289. -B> =5>1E>48<>, 5A;8 2K E>B8B5 2K@570BL, :>?8@>20BL, 2AB02;OBL 8;8 ?5@5<5I0BL A@07C =5A:>;L:> =>B. ;O 2:;NG5=8O MB>3> @568<0 <>6=> 8A?>;L7>20BL :><18=0F8N :;028H Shift+S.Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode.AutomationEditor2@8 =060B88 =0 MBC :=>?:C 2K45;5=K5 =>BK 1C4CB A:>?8@>20=K 2 1CD5@. >765 2K <>65B5 2AB028BL 8E 2 ;N1>5 <5AB> ;N1>3> H01;>=0 A ?><>ILN :=>?:8 "AB028BL".Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor0@8 =060B88 =0 MBC :=>?:C 2K45;5=K5 =>BK 1C4CB ?5@5<5I5=K 2 1CD5@. >765 2K <>65B5 2AB028BL 8E 2 ;N1>5 <5AB> ;N1>3> H01;>=0 A ?><>ILN :=>?:8 "AB028BL".Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.AutomationEditor@8 =060B88 =0 MBC :=>?:C =>BK 87 1CD5@0 1C4CB 2AB02;5=K 2 ?@52K9 2848<K9 B0:B.YClick here and the values from the clipboard will be pasted at the first visible measure.AutomationEditor$06<8B5 745AL GB>1K ?@>83@0BL B5:CI89 H01;>=. -B> <>65B ?@83>48BLAO ?@8 53> @540:B8@>20=88. (01;>= 02B><0B8G5A:8 ?>2B>@O5BAO ?@8 4>AB865=88 :>=F0.Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.AutomationEditor06<8B5 745AL, 5A;8 2K E>B8B5 ?@8>AB0=>28BL/?@>4>;68BL 2>A?@>872545=85 B5:CI53> H01;>=0.>Click here if you want to stop playing of the current pattern.AutomationEditorT>?8@>20BL 2K1@0==K5 =>BK 2 1CD5@ (Ctrl+C)Copy selected values (Ctrl+C)AutomationEditor@K@570BL 2K1@0==K5 =>BK (Ctrl+X)Cut selected values (Ctrl+X)AutomationEditor2 568< @8A>20=8O (Shift+D)Draw mode (Shift+D)AutomationEditor8 568< AB8@0=8O =>B (Shift+E)Erase mode (Shift+E)AutomationEditor@8 =060B88 =0 MBC :=>?:C 0:B828@C5BAO @568< ?5@5<5I5=8O.  MB>< @568<5 2K <>65B5 ?5@5<5I0BL 2K1@0==K5 @0=55 (2 @568<5 2K1>@0) =>BK. ;O 2:;NG5=8O MB>3> @568<0 <>6=> 8A?>;L7>20BL :><18=0F8N :;028H Shift+E.If you click here, move-mode will be activated. In this mode you can move the values you selected in select-mode. You can also press 'Shift+M' on your keyboard to activate this mode.AutomationEditorT 568< ?5@5<5I5=8O 2K1@0==KE =>B (Shift+M)Move selection mode (Shift+M)AutomationEditorHAB028BL 7=0G5=8O 87 1CD5@0 (Ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditor\>A?@>872545=85 B:CI53> H01;>=0/?0C70 (@>15;)"Play/pause current pattern (Space)AutomationEditorB:@K209B5 @540B>@ 2@5<5==KE 7028A8<>AB59 G5@57 :>=B5:AB=>5 <5=N @53C;OB>@0!EPlease open an automation pattern with the context menu of a control!AutomationEditor4 568< 2K1>@0 =>B (Shift+S)Select mode (Shift+S)AutomationEditorTAB0=>28BL 2>A?@>87245=85 H01;>=0 (@>15;)'Stop playing of current pattern (Space)AutomationEditor(=0G5=8O A:>?8@>20=K Values copiedAutomationEditor!>548=5=8O %1%1 ConnectionsAutomationPatternView5@58<5=>20BL Change nameAutomationPatternViewG8AB8BLClearAutomationPatternView BA>548=8BL %1Disconnect "%1"AutomationPatternView@0AB@>9:0 7028A8<>AB8 >B 2@5<5=8Open in Automation editorAutomationPatternView"!1@>A8BL =0720=85 Reset nameAutomationPatternView2064K IQ;:=8B5 <KHLN GB>1K =0AB@>8BL 7028A8<>ABL >B 2@5<5=8 4;O MB>3> H01;>=06double-click to open this pattern in automation editorAutomationPatternView*>@>6:0 02B><0B870F88Automation trackAutomationTrack4'0AB>B=K9 480?07>= 0::>@40 Chord range ChordCreator"8? 0::>@40 Chord type ChordCreator ::>@4Chords ChordCreator06>@=K9Major ChordCreator8=>@=K9minor ChordCreator :B020octave ChordCreator  CHORDSChordCreatorView"80?07>= 0::>@40: Chord range:ChordCreatorViewRANGEChordCreatorView-B>B @53C;OB>@ 87<5=O5B G0AB>B=K9 480?07>= 0:>@40: 0::>@4 1C45B A>45@60BL C:070==>5 G8A;> >:B02.{Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.ChordCreatorView:B02[0/K] octave(s)ChordCreatorView>=B@>;;5@ %1 Controller %1 Controller2B>>?@545;5=85 Auto DetectControllerConnectionDialog CHANNELControllerConnectionDialog"   CONTROLLERControllerConnectionDialogB<5=8BLCancelControllerConnectionDialog(0@0<5B@K A>548=5=8OConnection SettingsControllerConnectionDialog1=0@C65= F8:;.Cycle Detected.ControllerConnectionDialogE>4=>9 :0=0; Input channelControllerConnectionDialog$E>4=>9 :>=B@>;;5@Input controllerControllerConnectionDialogLMMSLMMSControllerConnectionDialog>=B@>;;5@ MIDIMIDI CONTROLLERControllerConnectionDialogd#AB@>9AB20 MIDI, A :>B>@KE =C6=> ?@8=8<0BL A>1KB8O(MIDI-devices to receive MIDI-events fromControllerConnectionDialog##OKControllerConnectionDialog",. "  USER CONTROLLERControllerConnectionDialog>1028BLAddControllerRackView>=B@>;;5@KController RackControllerRackView&!?@02:0&HelpControllerView&#1@0BL D8;LB@&Remove this pluginControllerView>=B@>;;5@K A;C60BL 4;O 02B><0B870F88 87<5=5=89 7=0G5=8O @53C;OB>@>2, ?>;7C=:>2 8;8 4@C38E :>=B@>;;5@>2.QControllers are able to automate the value of a knob, slider, and other controls.ControllerView0@0<5B@KControlsControllerViewL2548B5 =>2>5 =0720=85 4;O :>=B@>;;5@0&Enter the new name for this controllerControllerView05@58<5=>20BL :>=B@>;;5@Rename controllerControllerView;8B. A?040DecayEffect-DD5:B 2:;NGQ=Effect enabledEffect "8H8=0GateEffect8 53C;OB>@ 3;C18=K D8;LB@0F88 Wet/Dry mixEffect -DD5:BK 2:;NGQ=KEffects enabled EffectChain>1028BL D8;LB@ Add effectEffectRackView&, $,"  EFFECTS CHAINEffectRackView>1028BL D8;LB@ Add effectEffectSelectDialog&!?@02:0&Help EffectView&#1@0BL D8;LB@&Remove this plugin EffectView0@0<5B@KControls EffectView!DECAY EffectViewh!83=0; ?@>E>48B ?>A;54>20B5;L=> G5@57 2A5 CAB0=>2;5==K5 D8;LB@K (A5@EC 2=87). 5@5:;NG0B5;L :;/K:; ?>72>;O5B 2 ;N1>9 <><5=B 2:;NG0BL/2K:;NG0BL D8;LB@.  53C;OB>@ 3;C18=K D8;LB@0F88 >?@545;O5B 4>;N A83=0;0, 87<5=O5<CN D8;LB@><. E>4=>9 A83=0; :064>3> D8;LB@0 O2;O5BAO 2KE>4>< ?@54K4CI53>, B0: GB> 4>;O =5D8;LB@>20==>3> A83=0;0 ?@8 ?@>E>645=88 ?> F5?>G:5 ?>AB>O==> ?0405B.  53C;OB>@ 4;8B5;L=>AB8 ?>A;5459AB28O D8;LB@0 >?@545;O5B 2@5<O, :>B>@>5 1C45B 459AB2>20BL D8;LB@ ?>A;5 >:>=G0=8O ?>A;54=59 =>BK. '5< <5=LH5 7=0G5=85, B5< <5=LH5 B@51>20=8O : &, >4=0:> MB> <>65B 2K720BL >1@57:C 72C:0 ?@8 8A?>;L7>20=88 MDD5:B>2 7045@6:8. ;O 1>;LH8=AB20 65 MDD5:B>2 53> <>6=> 2K18@0BL 4>AB0B>G=> <0;K<.  53C;OB>@ C@>2=O B8H8=K A;C68B 4;O C:070=8O =08<5=LH53> C@>2=O A83=0;0, :>B>@K9 5IQ 1C45B ?>AK;0BLAO D8;LB@0<; 2AQ, GB> =865 MB>3> C@>2=O, @0AA<0B@805BAO :0: B8H8=0  8 =5 >1@010BK205BAO. =>?:0 0@0<5B@K  >B:@K205B >:=>, 345 2K <>65B5 ?5@540BL ?0@0<5B@K <>4C;N. >=B5:AB=>5 <5=N, 2K7K205<>5 I5;G:>< ?@02>9 :=>?:>9 <KH8, ?>72>;O5B <5=OBL ?>@O4>: A;54>20=8O D8;LB@>2 8 C40;OBL 8E.SEffect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. EffectViewGATE EffectView#@>25=L B8H8=K:Gate: EffectView"5@5<5AB8BL &=865 Move &down EffectView"5@5<5AB8BL &2KH5Move &up EffectView:;/K:;On/Off EffectView -B>B @53C;OB>@ CAB0=02;8205B 2@5<O, :>B>@>5 1C45B 459AB2>20BL D8;LB@ ?>A;5 ?>A;54=59 =>BK. '5< <5=LH5 7=0G5=85, B5< <5=LH5 B@51>20=8O : &, >4=0:> MB> <>65B 2K720BL >1@57:C 72C:0 ?@8 8A?>;L7>20=88 MDD5:B>2 7045@6:8.The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. EffectViewR-B>B @53C;OB>@ >?@545;O5B =08<5=LH89 C@>25=L A83=0;0, :>B>@K9 5IQ 1C45B ?>AK;0BLAO D8;LB@0<; 2AQ, GB> =865 MB>3> C@>2=O, @0AA<0B@805BAO :0: B8H8=0  8 =5 >1@010BK205BAO.zThe Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. EffectView 53C;OB>@ 3;C18=K D8;LB@0F88 >?@545;O5B 4>;N A83=0;0, 87<5=O5<CN D8;LB@><, B. 5. :>B>@0O G0ABL 2KE>4=>3> A83=0;0 ?@>H;0 G5@57 MB>B D8;LB@.eThe Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. EffectView:045@6:0 C=8GB>65=8O D8;LB@0:Time: EffectView4:;NG05B/2K:;NG05B D8;LB@.Toggles the effect on or off. EffectView0 D8;LB@W/D EffectView.;8B5;L=>ABL =0@0AB0=8OAttackEnvelopeAndLfoParameters;8B. A?040DecayEnvelopeAndLfoParameters'!" x 100 Freq x 100EnvelopeAndLfoParameters&;8B5;L=>ABL 3@51=OHoldEnvelopeAndLfoParameters0@0AB0=85 LFO LFO AttackEnvelopeAndLfoParameters>4C;OF8O LFOLFO ModulationEnvelopeAndLfoParameters045@6:0 LFO LFO PredelayEnvelopeAndLfoParameters"$>@<0 A83=0;0 LFOLFO Wave ShapeEnvelopeAndLfoParameters!:>@>ABL LFO LFO speedEnvelopeAndLfoParameters(>4C;8@>20BL >1;>6:CModulate Env-AmountEnvelopeAndLfoParameters>4C;OF8O ModulationEnvelopeAndLfoParameters045@6:0PredelayEnvelopeAndLfoParameters2;8B5;L=>ABL 8AG57=>25=8OReleaseEnvelopeAndLfoParameters$AB0B>G=K9 C@>25=LSustainEnvelopeAndLfoParametersAMTEnvelopeAndLfoView !"ATTEnvelopeAndLfoView0;8B5;L=>ABL =0@0AB0=8O:Attack:EnvelopeAndLfoViewB5=5@8@>20BL ?8;>>1@07=K9 A83=0;.&Click here for a saw-wave for current.EnvelopeAndLfoViewf5=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.Click here for a sine-wave.EnvelopeAndLfoView*!35=5@8@>20BL <50=4@.Click here for a square-wave.EnvelopeAndLfoViewB!35=5@8@>20BL B@5C3>;L=K9 A83=0;.Click here for a triangle-wave.EnvelopeAndLfoView<040BL D>@<C A83=0;0 87 D09;0.aClick here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.EnvelopeAndLfoViewj06<8B5, GB>1K C25;8G8BL G0AB>BC MB>3> LFO 2 AB> @07.DClick here if the frequency of this LFO should be multiplied by 100.EnvelopeAndLfoView06<8B5 AN40, GB>1K 3;C18=0 <>4C;OF88 >1;>6:8 704020;0AL MB8< LFO.>Click here to make the envelope-amount controlled by this LFO.EnvelopeAndLfoView!DECEnvelopeAndLfoView DELEnvelopeAndLfoView&;8B5;L=>ABL A?040:Decay:EnvelopeAndLfoViewV5@5B0I8B5 2 MB> >:=> :0:>9-=81C4L >1@075F.8Drag a sample from somewhere and drop it in this window.EnvelopeAndLfoView'!"" x 100 FREQ x 100EnvelopeAndLfoViewHOLDHOLDEnvelopeAndLfoView>4A:07:0HintEnvelopeAndLfoView(;8B5;L=>ABL 3@51=O:Hold:EnvelopeAndLfoView&@54. 7045@6:0 LFO: LFO predelay:EnvelopeAndLfoView!:>@>ABL LFO: LFO speed:EnvelopeAndLfoView0@0AB0=85 LFO: LFO- attack:EnvelopeAndLfoView(# ", #MODULATE ENV-AMOUNTEnvelopeAndLfoView$;C18=0 <>4C;OF88:Modulation amount:EnvelopeAndLfoView045@6:0: Predelay:EnvelopeAndLfoView!'RELEnvelopeAndLfoView4;8B5;L=>ABL 8AG57=>25=8O:Release:EnvelopeAndLfoView! SPDEnvelopeAndLfoView!"SUSTEnvelopeAndLfoView&AB0B>G=K9 C@>25=L:Sustain:EnvelopeAndLfoView-B>B @53C;OB>@ CAB0=02;8205B 2@5<O 2>7@0AB0=8O 4;O B5:CI59 >1;>6:8. '5< 1>;LH5 7=0G5=85, B5< 4>;LH5 E0@0:B5@8AB8:0 (=-@, 3@><:>ABL) 2>7@0AB05B 4> <0:A8<C<0. ;O 8=AB@C<5=>2 2@>45 ?80=8=> E0@0:B5@=K <0;K5 2@5<5=0 =0@0AB0=8O, 0 4;O AB@C==KE - 1>;LH85.Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.EnvelopeAndLfoView-B>B @53C;OB>@ CAB0=02;8205B 2@5<O A?040 4;O B5:CI59 >1;>6:8. '5< 1>;LH5 7=0G5=85, B5< 4>;LH5 C@>25=L C<5=LH05BAO >B <0:A8<0;L=>3> 4> >AB0B>G=>3>. ;O 8=AB@C<5=B>2 2@>45 ?80=8=> A;54C5B 2K18@0BL =51>;LH85 7=0G5=8O.Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.EnvelopeAndLfoView-B0 @CG:0 CAB0=02;8205B 4;8B5;L=>ABL 3@51=O 2>;=K B5:CI59 >1;>6:8. '5< 1>;LH5 7=0G5=85, B5< 4>;LH5 >1;>6:0 C45@68205B =081>;LH89 C@>25=L.Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.EnvelopeAndLfoView|-B>B @53C;OB>@ CAB0=02;8205B 3;C18=C <>4C;OF88 4;O B5:CI53> LFO. '5< 1>;LH5 7=0G5=85, B5< 2 1>;LH59 AB5?5=8 2K1@0==0O E0@0:B5@8AB8:0 (=-@, 3@><:>ABL 8;8 G0AB>B0 A@570) 1C45B 7028A5BL >B LFO.Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.EnvelopeAndLfoView-B>B @53C;OB>@ CAB0=02;8205B 3;C18=C <>4C;OF88 4;O B5:CI59 >1;>6:8. '5< 1>;LH5 7=0G5=85, B5< 2 1>;LH59 AB5?5=8 2K1@0==0O E0@0:B5@8AB8:0 (=-@, 3@><:>ABL 8;8 G0AB>B0 A@570) 1C45B 7028A5BL >B >1;>6:8.Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.EnvelopeAndLfoView-B>B @53C;OB>@ >?@545;O5B 7045@6:C ?5@54 2>A?@>872545=85< 72C:0.Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.EnvelopeAndLfoView-B>B @53C;OB>@ >?@545;O5B 7045@6:C ?5@54 70?CA:>< LFO (LFO==87:>G0AB>B=K9 35=5@0B>@).Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.EnvelopeAndLfoView-B>B @53C;OB>@ CAB0=02;8205B 2@5<O 8AG57=>25=8O 4;O B5:CI59 >1;>6:8. '5< 1>;LH5 7=0G5=85, B5< 4>;LH5 E0@0:B5@8AB8:0 (=-@, 3@><:>ABL) C<5=LH05BAO >B >AB0B>G=>3> C@>2=O 4> =C;O. ;O AB@C==KE 8=AB@C<5=B>2 A;54C5B 2K18@0BL 1>;LH85 7=0G5=8O.Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.EnvelopeAndLfoViewf-B>B @53C;OB>@ CAB0=02;O205B A:>@>ABL B5:CI53> LFO.Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.EnvelopeAndLfoView-B>B @53C;OB>@ CAB0=02;8205B >AB0B>G=K9 C@>25=L. -B0 25;8G8=0 ?>:07K205B, A :0:>3> C@>2=O A>>B25BAB2CNI0O E0@0:B5@8AB8:0 A=8605BAO 4> =C;O.Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.EnvelopeAndLfoViewl 07@5H8BL MB><C LFO 704020BL 3;C18=C <>4C;OF88 >1;>6:8#control envelope-amount by this LFOEnvelopeAndLfoView5@8>4:ms/LFO:EnvelopeAndLfoView>#25;8G8BL G0AB>BC LFO 2 100 @07multiply LFO-frequency by 100EnvelopeAndLfoViewB<5=8BLCancelExportProjectDialog KE>4OutputExportProjectDialogB2548B5 =>2>5 =0720=85 4;O :0=0;0&Enter the new name for this FX channel FxMixerView8:H5@ FXFX-Mixer FxMixerView03;CH8BLMute FxMixerView,5@58<5=>20BL :0=0; FXRename FX channel FxMixerView CHANNELInstrumentMidiIOView$ csg BandPass csgInstrumentSoundShaping$ czpg BandPass czpgInstrumentSoundShaping! CUTOFFInstrumentSoundShaping'0AB>B0 A@570Cutoff frequencyInstrumentSoundShaping1;>6:8/LFOEnvelopes/LFOsInstrumentSoundShaping"8? D8;LB@0 Filter typeInstrumentSoundShaping$'HiPassInstrumentSoundShaping$'LowPassInstrumentSoundShaping(>;>A=>-703@0640NI89NotchInstrumentSoundShaping#A8;5=85 Q/ResonanceInstrumentSoundShaping#!RESOInstrumentSoundShaping#A8;5=85 ResonanceInstrumentSoundShaping !",VOLUMEInstrumentSoundShaping@><:>ABLVolumeInstrumentSoundShaping! CUTOFFInstrumentSoundShapingView $," FILTERInstrumentSoundShapingView45AL 2K <>65B5 2K1@0BL D8;LB@ 4;O MB>3> 8=AB@C<5=B0. $8;LB@K <>3CB 4>2>;L=> A8;L=> <5=OBL 72CG0=85.Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.InstrumentSoundShapingViewFHzInstrumentSoundShapingView#!RESOInstrumentSoundShapingView#A8;5=85: Resonance:InstrumentSoundShapingView% " !"TARGETInstrumentSoundShapingViewF-B0 2:;04:0 ?>72>;O5B 20< =0AB@>8BL >1;>6:8. =8 >G5=L 206=K 4;O =0AB@>9:8 72CG0=8O. 0?@8<5@, A ?><>ILN >1;>6:8 3@><:>AB8 2K <>65B5 7040BL 7028A8<>ABL 3@><:>AB8 72CG0=8O >B 2@5<5=8. A;8 20< ?>=04>18BAO M<C;8@>20BL <O3:85 AB@C==K5, ?@>AB> 70409B5 1>;LH85 2@5<5=0 =0@0AB0=8O 8 8AG57=>25=8O 72C:0. ! ?><>ILN >1;>65: 8 =87:>G0AB>B=>3> 35=5@0B>@0 (LFO) 2K 2 =5A:>;L:> I5;G:>2 <KH8 A<>65B5 A>740BL ?@>AB> =525@>OB=K5 72C:8!_These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!InstrumentSoundShapingView-B0 @CG:0 7040QB CA8;5=85 A83=0;0 =0 G0AB>B0 A@570 (@57>=0=A=>9 G0AB>B5).Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.InstrumentSoundShapingView-B>B @53C;OB>@ CAB0=02;8205B G0AB>BC A@570 4;O 2K1@0==>3> D8;LB@0.  ?@8<5@C, $' 1C45B A@570BL A83=0; =0 G0AB>B0E 2KH5 G0AB>BK A@570, ?>;>A=>-?@>?CA:0NI89 D8;LB@ 1C45B E>@>H> ?@>?CA:0BL A83=0; B>;L:> =0 7040==>9 G0AB>B5 8 B0: 40;55...2Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...InstrumentSoundShapingView'0AB>B0 A@570:cutoff-frequency:InstrumentSoundShapingView?>@=0O =>B0 Base noteInstrumentTrack5 =0720=>Default presetInstrumentTrack0=0; FX FX channelInstrumentTrack!4283 2KA>BKPitchInstrumentTrack@><:>ABLVolumeInstrumentTrackL 53C;8@>2:0 3@><:>AB8 B5:CI53> :0=0;0.4InputInstrumentTrackViewMIDIMIDIInstrumentTrackView KE>4OutputInstrumentTrackViewPANInstrumentTrackView!B5@5>10;0=A:Panning:InstrumentTrackView VOLInstrumentTrackView@><:>ABLVolumeInstrumentTrackView@><:>ABL:Volume:InstrumentTrackView06<8B5 AN40, GB>1K A>E@0=8BL =0AB@>9:8 B5:CI53> :0=0;0 2 D09; ?@54CAB0=>2>:. >765 2K A<>65B5 703@C78BL MB8 =0AB@>9:8 G5@57 ?@>A<>B@I8:.Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser.InstrumentTrackWindow/LFOENV/LFOInstrumentTrackWindow /  FUNCInstrumentTrackWindow FXFX CHNLInstrumentTrackWindow0=0; FX FX channelInstrumentTrackWindow)  " +GENERAL SETTINGSInstrumentTrackWindow*@><:>ABL 8=AB@C<5=B0Instrument volumeInstrumentTrackWindowMIDIMIDIInstrumentTrackWindowPANInstrumentTrackWindow !PITCHInstrumentTrackWindow #,PLUGINInstrumentTrackWindow!B5@5>10;0=A:Panning:InstrumentTrackWindow!4283 2KA>BKPitchInstrumentTrackWindow!4283 2KA>BK:Pitch:InstrumentTrackWindow VOLInstrumentTrackWindow@><:>ABL:Volume:InstrumentTrackWindow F5=B>2centsInstrumentTrackWindow!2O70BL :0=0;K Link channels LadspaControl 0=0; Channel LadspaControlDialog!2O70BL :0=0;K Link ChannelsLadspaControlDialog!2O70BL :0=0;K Link channelsLadspaControlView,728=8B5, A?@02:8 =5B.Sorry, no help available.LadspaControlView=0G5=85: Value:LadspaControlView -DD5:BEffect LadspaEffectP0?@>H5= =58725AB=K9 <>4C;L LADSPA %1.#Unknown LADSPA plugin %1 requested. LadspaEffect ?>@=>5 7=0G5=85 Base value LfoController"=>68B5;L G0AB>BKFrequency Multiplier LfoController>=B@>;;5@ LFOLFO Controller LfoController$070 35=5@0B>@0Oscillator phase LfoController&!:>@>ABL 35=5@0B>@0Oscillator speed LfoController8$>@<0 A83=0;0 4;O 35=5@0B>@0Oscillator waveform LfoControllerAMTLfoControllerDialogT5=5@8@>20BL ?8;>>1@07=K9 A83=0; :0: moog.!Click here for a a moog saw-wave.LfoControllerDialogD!35=5@8@>20BL ?8;>>1@07=K9 A83=0;.Click here for a saw-wave.LfoControllerDialogf5=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.Click here for a sine-wave.LfoControllerDialog*!35=5@8@>20BL <50=4@.Click here for a square-wave.LfoControllerDialogB!35=5@8@>20BL B@5C3>;L=K9 A83=0;.Click here for a triangle-wave.LfoControllerDialog8040BL D>@<C A83=0;0 A0<><C.$Click here for a user-defined shape.LfoControllerDialogJ5=5@8@>20BL M:A?>=5=F80;L=K9 A83=0;.#Click here for an exponential wave.LfoControllerDialog0!35=5@8@>20BL 15;K9 HC<.Click here for white-noise.LfoControllerDialog>=B@>;;5@ LFOLFO ControllerLfoControllerDialog!:>@>ABL LFO: LFO-speed:LfoControllerDialog$;C18=0 <>4C;OF88:Modulation amount:LfoControllerDialog!$PHSLfoControllerDialog!4283 D07K: Phase offset:LfoControllerDialog! SPDLfoControllerDialogj-B>B @53C;OB>@ CAB0=02;8205B 3;C18=C <>4C;OF88 4;O LFO. '5< 1>;LH5 7=0G5=85, B5< 2 1>;LH59 AB5?5=8 2K1@0==0O E0@0:B5@8AB8:0 (=-@, 3@><:>ABL 8;8 G0AB>B0 A@570) 1C45B 7028A5BL >B LFO.Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO.LfoControllerDialog-B>B @53C;OB>@ CAB0=02;O205B A:>@>ABL LFO. '5< 1>;LH5 7=0G5=85, B5< 1>;LH5 G0AB>B0 35=5@0B>@0.zUse this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect.LfoControllerDialog`-B>B @53C;OB>@ CAB0=02;8205B =0G0;L=CN D07C 35=5@0B>@0 =87:>9 G0BA>BK (LFO), B. 5. B>G:C, A :>B>@>9 35=5@0B>@ =0G8=05B 2K@010BK20BL A83=0;. 0?@8<5@, 5A;8 2K 7040;8 A8=CA>840;L=CN D>@<C A83=0;0 8 =0G0;L=CN D07C 180, 2>;=0 A=0G0;0 ?>94QB 2=87, 0 =5 225@E. "> 65 4;O <50=4@0 (A83=0;0 ?@O<>C3>;L=>9 D>@<K).#With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.LfoControllerDialogdegreesLfoControllerDialogA45;0BLtodoLfoControllerDialog&@02:0&Edit MainWindow&!?@02:0&Help MainWindow &>2K9&New MainWindow&B:@KBL...&Open... MainWindow&@>5:B&Project MainWindow &K9B8&Quit MainWindow&!>E@0=8BL&Save MainWindow&!5@28A&Tools MainWindow ?@>3@0<<5About MainWindown> =060B8N MB>9 :=>?:8 70?CA:05BAO ?>H03>2K9 A5:25=A>@ ?@>872545=8O. = =5>1E>48< 4;O CAB0=>2:8 @8B<0, 4>102;5=8O 8 C40;5=8O :0=0;>2, 2K@570=8O, :>?8@>20=8O 8 2AB02:8 H01;>=>2 8 B. ?.By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. MainWindow> =060B8N MB>9 :=>?:8 70?CA:05BAO D8=0;L=K9 A5:25=A>@. ! 53> ?><>ILN 2K <>65B5 @540:B8@>20BL :><?>78F8N 8 CAB0=02;820BL 2@5<O 2>A?@>872545=8O 4;O 2A5E 4>@>65:. "0:65 2K <>65B5 2AB02;OBL 8 ?5@542830BL >1@07FK =5?>A@54AB25==> 2 A?8A:5 2>A?@>872545=8O.By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. MainWindowP060B85< MB>9 :=>?:8 ?>:07K205BAO/C18@05BAO >:=> @540:B>@0 2@5<5==<b>K</b>E 7028A8<>AB59. ! 53> ?><>ILN 2K <>65B5 @540:B8@>20BL 87<5=5=8O 2K1@0==KE 25;8G8= A> 2@5<5=5<.Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. MainWindowB06<8B5 745AL GB>1K A:@KBL/?>:070BL <8:H5@ FX. = O2;O5BAO <>I=K< 8=AB@C<5=B>< 4;O C?@02;5=8O MDD5:B0<8. K <>65B5 2AB02;OBL MDD5:BK 2 @07;8G=K5 :0=0;K MDD5:B>2.Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. MainWindow> =060B8N MB>9 :=>?:8 70?CA:05BAO A5:25=A>@ LMMS. ! 53> ?><>ILN 2K <>65B5 ;53:> @540:B8@>20BL H01;>=K <5;>488.pClick here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. MainWindow-B0 :=>?:0 ?>:07K205B/?@OG5B >:=> A 70<5B:0<8.  MB>< >:=5 2K <>65B5 ?><5I0BL ;N1K5 :><<5=B0@88 : A2>59 :><?>78F88.hClick here to show or hide the project notes window. In this window you can put down your project notes. MainWindow65 <>3C A>E@0=8BL =0AB@>9:8Could not save config-file MainWindow5 <>3C 70?8A0BL =0AB@>9:8 2 D09; %1. >7<>6=>, 2K =5 >1;0405B5 ?@020<8 =0 70?8AL 2 =53>. >60;C9AB0, ?@>25@LB5 A2>8 ?@020 8 ?>?@>1C9B5 A=>20.Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. MainWindow(!>740BL =>2K9 ?@>5:BCreate new project MainWindow>!>740BL =>2K9 ?@>5:B ?> H01;>=C Create new project from template MainWindow>:0 GB> A?@02:0 4;O LMMS =5 =0?8A0=0. 5@>OB=>, K A<>65B5 =09B8 =C6=K5 <0B5@80;K =0 http://lmms.sf.net/wiki .lCurrently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. MainWindow&-:A?>@B... E&xport... MainWindowJ-:A?>@B8@>20BL ?@>5:B 2 72C:>2>9 D09;Export current project MainWindow!?@02:0Help MainWindow$!?@02:0 =54>ABC?=0Help not available MainWindow<?>@B... Import... MainWindowLMMS %1LMMS %1 MainWindowTC;LB8<5489=K9 ?@>5:B (*.mmp *.mmpz *.xml)'MultiMedia Project (*.mmp *.mmpz *.xml) MainWindowC;LB8<5489=K9 ?@>5:B (*.mmp *.mmpz *.xml);;(01;>= <C;LB8<5489=9=>3> ?@>5:B0 (*.mpt)FMultiMedia Project (*.mmp *.mmpz);;MultiMedia Project Template (*.mpt) MainWindow!?@02:0 2 A5B8 Online help MainWindow6B:@KBL ACI5AB2CNI89 ?@>5:BOpen existing project MainWindowB:@KBL ?@>5:B Open project MainWindow$@>5:B =5 A>E@0=Q=Project not saved MainWindow>>A;54=85 >B:@K202H85AO ?@>5:BKRecently opened project MainWindow>>A;54=85 >B:@K202H85AO ?@>5:BKRecently opened projects MainWindow65@=CBL >B<5=Q==>5 459AB285Redo MainWindow"!>E@0=8BL &:0:... Save &As... MainWindow0!>E@0=8BL B5:CI89 ?@>5:BSave current project MainWindow !>E@0=8BL ?@>5:B Save project MainWindow0@0<5B@KSettings MainWindowl>:070BL/A:@KBL @540:B>@ 2@5<5==<b>K</b>E 7028A8<>AB59Show/hide Automation Editor MainWindowF>:070BL/A:@KBL ?>H03>2K9 A5:25=A>@Show/hide Beat+Bassline Editor MainWindow2>:070BL/A:@KBL <8:H5@ FXShow/hide FX Mixer MainWindow@>:070BL/A:@KBL =>B=K9 A5:25=A>@Show/hide Piano-Roll MainWindowF>:070BL/A:@KBL D8=0;L=K9 A5:25=A>@Show/hide Song-Editor MainWindowP>:070BL/A:@KBL C?@02;5=85 :>=B@>;;5@0<8Show/hide controller rack MainWindowB>:070BL/A:@KBL 70<5B:8 : ?@>5:BCShow/hide project notes MainWindow 01>G89 :0B0;>3 LMMS (%1) =5 ACI5AB2C5B. !>740BL 53>? >765 2K A<>65B5 A<5=8BL 53> G5@57 @02:0 -> 0@0<5B@K.uThe LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. MainWindowR@>5:B 1K; 87<5=Q=. !>E@0=8BL 53> A59G0A?OThe current project was modified since last saving. Do you want to save it now? MainWindow"B<5=8BL 459AB285Undo MainWindow5=0720==K9Untitled MainWindow'B> MB>? What's this? MainWindow( 01>G89 :0B0;>3 LMMSWorking directory MainWindow=0<5=0B5;LMeter Denominator MeterDialog'8A;8B5;LMeter Numerator MeterDialog=0<5=0B5;L Denominator MeterModel'8A;8B5;L Numerator MeterModel#!" !"DEVICEMidiAlsaRaw::setupWidget#!" !"DEVICEMidiAlsaSeq::setupWidget>=B@>;;5@ MIDIMIDI ControllerMidiController#!" !"DEVICEMidiOss::setupWidgetE>4=>9 :0=0; Input channelMidiPort$E>4=>9 :>=B@>;;5@Input controllerMidiPortKE>4=>9 :0=0;Output channelMidiPort&KE>4=>9 :>=B@>;;5@Output controllerMidiPort,@8=8<0BL A>1KB8O MIDIReceive MIDI-eventsMidiPort.B?@02;OBL A>1KB8O MIDISend MIDI-eventsMidiPort""8? <>4C;OF88: %1Modulation type %1OscillatorObject@ 0AAB@>9:0 35=5@0B>@0 %1 (3@C1>)Osc %1 coarse detuningOscillatorObjectL 0AAB@>9:0 ;52>3> :0=0;0 35=5@0B>@0 %1Osc %1 fine detuning leftOscillatorObjectN 0AAB@>9:0 ?@02>3> :0=0;0 35=5@0B>@0 %1Osc %1 fine detuning rightOscillatorObject<!B5@5>10;0=A 4;O 35=5@0B>@0 %1Osc %1 panningOscillatorObject8!4283 D07K 4;O 35=5@0B>@0 %1Osc %1 phase-offsetOscillatorObject^$07>20O @0AAB@>9:0 35=5@0B>@0 %1 <564C :0=0;0<8Osc %1 stereo phase-detuningOscillatorObject.@><:>ABL 35=5@0B>@0 %1 Osc %1 volumeOscillatorObject<$>@<0 A83=0;0 35=5@0B>@0 No %1Osc %1 wave shapeOscillatorObject>$>@<0 A83=0;0 4;O 35=5@0B>@0 %1Osc %1 waveformOscillatorObject06<8B5 GB>1K >B:@KBL 4@C3>9 ?0BG-D09;. 0AB@>9:8 ?@8 MB>< A>E@0=OBAO.LClick here to open another patch-file. Loop and Tune settings are not reset. PatmanView45AL 2:;NG05BAO/2K:;NG05BAO @568< ?>2B>@0. A;8 >= 2:;NGQ=, B> PatMan 1C45B 8A?>;L7>20BL 8=D>@<0F8N > ?>2B>@5 87 D09;0.jHere you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. PatmanView45AL 2:;NG05BAO/2K:;NG05BAO @568< ?>4AB@>9:8. A;8 >= 2:;NGQ=, B> PatMan 87<5=8B >1@075F B0:, GB>1K >= A>2?040; ?> G0AB>B5 A =>B>9.iHere you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. PatmanView>2B>@OBLLoop PatmanView 568< ?>2B>@0 Loop mode PatmanView5 2K1@0= D09;No file selected PatmanView&B:@KBL 4@C3>9 ?0BGOpen other patch PatmanView"B:@KBL ?0BG-D09;Open patch file PatmanView$0BG-D09;K (*.pat)Patch-Files (*.pat) PatmanView>4AB@>8BLTune PatmanView&>4AB@>8BL ?>4 =>BC Tune mode PatmanView>=B@>;;5@ LFOLFO ControllerPeakControllerDialogAMT!PeakControllerEffectControlDialog0;8B5;L=>ABL =0@0AB0=8O:Attack:!PeakControllerEffectControlDialog!DECAY!PeakControllerEffectControlDialog$;C18=0 <>4C;OF88:Modulation amount:!PeakControllerEffectControlDialog4;8B5;L=>ABL 8AG57=>25=8O:Release:!PeakControllerEffectControlDialog.;8B5;L=>ABL =0@0AB0=8OAttackPeakControllerEffectControls ?>@=>5 7=0G5=85 Base valuePeakControllerEffectControls";C18=0 <>4C;OF88Modulation amountPeakControllerEffectControls03;CH8BL Mute outputPeakControllerEffectControls2;8B5;L=>ABL 8AG57=>25=8OReleasePeakControllerEffectControls?>@=0O =>B0 Base note PianoView,H81:0 703@C7:8 <>4C;OError while loading pluginPlugin8H81:0 703@C7:8 <>4C;O %1!Failed to load plugin "%1"!Plugin >4C;L =5 =0945=Plugin not foundPlugin>4C;L %1 >BACBAB2C5B ;81> =5 <>65B 1KBL 703@C65=! @8G8=0: %2AThe plugin "%1" wasn't found or could not be loaded! Reason: "%2"Plugin.!60BK9 D09; OGG (*.ogg)Compressed OGG-File (*.ogg)ProjectRenderer $09; WAV (*.wav)WAV-File (*.wav)ProjectRenderer"E>4=KE :0=0;>2:  Channels In: QWidget$KE>4=KE :0=0;>2: Channels Out: QWidget&@020 ?@8=04;560B:  Copyright: QWidget $09;: File: QWidget:E>4 8 2KE>4 <>3CB A>2?040BL:In Place Broken: QWidget!>740;: Maker: QWidget0720=85: Name: QWidget5BNoQWidget4 01>B0 2 @50;L=>< 2@5<5=8:Real Time Capable: QWidgetN"@51C5BAO >1@01>B:0 2 @50;L=>< 2@5<5=8:Requires Real Time: QWidget0YesQWidget&!?@02:0&Help TempoSyncKnob1/16 =>BK 16th note TempoSyncKnob1/32 =>BK 32nd note TempoSyncKnob>AL<0O =>BK8th note TempoSyncKnob0AB@>8BL Custom  TempoSyncKnob0AB@>8BL... Custom... TempoSyncKnob0>A5<L C40@>2 (425 =>BK) Eight beats TempoSyncKnob>;C=>B0 Half note TempoSyncKnob"!8=E@>=870F88 =5BNo Sync TempoSyncKnob'5B25@BL =>BK Quarter note TempoSyncKnob:!8=E@>=878@>20=> ?> 1/16 =>BKSynced to 16th Note TempoSyncKnob:!8=E@>=878@>20=> ?> 1/32 =>BKSynced to 32nd Note TempoSyncKnob8!8=E@>=878@>20=> ?> 1/8 =>BKSynced to 8th Note TempoSyncKnob<!8=E@>=878@>20=> ?> 42C< =>B0<Synced to Eight Beats TempoSyncKnobB!8=E@>=878@>20=> ?> ?>;>28=5 =>BKSynced to Half Note TempoSyncKnobB!8=E@>=878@>20=> ?> G5B25@B8 =>BKSynced to Quarter Note TempoSyncKnob<!8=E@>=878@>20=> ?> F5;>9 =>B5Synced to Whole Note TempoSyncKnob!8=E@>=870F8O Tempo Sync TempoSyncKnob&5;0O =>B0 Whole note TempoSyncKnob\&!<5H0BL A83=0;K ?5@2>3> 8 2B>@>3> 35=5@0B>@>2Mix output of oscillator 1 & 2TripleOscillatorViewd&!<5H0==K9 2KE>4 >B 2B>@>3> 8 B@5BL53> 35=5@0B>@>2Mix output of oscillator 2 & 3TripleOscillatorViewB 0AAB@>9:0 35=5@0B>@0 %1 (3@C1>):Osc %1 coarse detuning:TripleOscillatorViewN 0AAB@>9:0 ;52>3> :0=0;0 35=5@0B>@0 %1:Osc %1 fine detuning left:TripleOscillatorViewP 0AAB@>9:0 ?@02>3> :0=0;0 35=5@0B>@0 %1:Osc %1 fine detuning right:TripleOscillatorView>!B5@5>10;0=A 4;O 35=5@0B>@0 %1:Osc %1 panning:TripleOscillatorView:!4283 D07K 4;O 35=5@0B>@0 %1:Osc %1 phase-offset:TripleOscillatorView`$07>20O @0AAB@>9:0 35=5@0B>@0 %1 <564C :0=0;0<8:Osc %1 stereo phase-detuning:TripleOscillatorView0@><:>ABL 35=5@0B>@0 %1:Osc %1 volume:TripleOscillatorViewX!8=E@>=878@>20BL ?5@2K9 35=5@0B>@ ?> 2B>@><C*Synchronize oscillator 1 with oscillator 2TripleOscillatorViewZ!8=E@>=878@>20BL 2B>@>9 35=5@0B>@ ?> B@5BL5<C*Synchronize oscillator 2 with oscillator 3TripleOscillatorViewZ5=5@8@>20BL ?8;>>1@07=K9 A83=0;, :0: 2 moog.0Use a moog-like saw-wave for current oscillator.TripleOscillatorViewB5=5@8@>20BL ?8;>>1@07=K9 A83=0;.&Use a saw-wave for current oscillator.TripleOscillatorViewf5=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.'Use a sine-wave for current oscillator.TripleOscillatorView(5=5@8@>20BL <50=4@.)Use a square-wave for current oscillator.TripleOscillatorView@5=5@8@>20BL B@5C3>;L=K9 A83=0;.+Use a triangle-wave for current oscillator.TripleOscillatorView*040BL D>@<C A83=0;0.3Use a user-defined waveform for current oscillator.TripleOscillatorView>4C;8@>20BL 0<?;8BC4C 35=5@0B>@0 2 A83=0;>< A ?5@2>3> 35=5@0B>@0FUse amplitude modulation for modulating oscillator 2 with oscillator 1TripleOscillatorView>4C;8@>20BL 0<?;8BC4C 35=5@0B>@0 3 A83=0;>< A> 2B>@>3> 35=5@0B>@0FUse amplitude modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewJ5=5@8@>20BL M:A?>=5=F80;L=K9 A83=0;./Use an exponential wave for current oscillator.TripleOscillatorView~>4C;8@>20BL G0AB>BC 35=5@0B>@0 2 A83=0;>< A ?5@2>3> 35=5@0B>@0FUse frequency modulation for modulating oscillator 2 with oscillator 1TripleOscillatorView>4C;8@>20BL G0AB>BC 35=5@0B>@0 3 A83=0;>< A> 2B>@>3> 35=5@0B>@0FUse frequency modulation for modulating oscillator 3 with oscillator 2TripleOscillatorViewn>4C;8@>20BL D07C 2B>@>3> 35=5@0B>@0 A83=0;>< A ?5@2>3>BUse phase modulation for modulating oscillator 2 with oscillator 1TripleOscillatorViewr>4C;8@>20BL D07C B@5BL53> 35=5@0B>@0 A83=0;>< A> 2B>@>3>BUse phase modulation for modulating oscillator 3 with oscillator 2TripleOscillatorView.5=5@8@>20BL 15;K9 HC<.'Use white-noise for current oscillator.TripleOscillatorView@C10O @53C;8@>2:0 @0AAB@>9:8 35=5@0B>@0 %1. >7<>6=0 @0AAB@>9:0 4> 12 ?>;CB>=>2 (4> >4=>9 >:B02K) 225@E 8 2=87. >;57=> 4;O A>740=8O 0::>@4>2.With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.TripleOscillatorViewl-B>B @53C;OB>@ CAB0=02;8205B B>G=CN @0AAB>9:C 4;O ;52>3> :0=0;0 35=5@0B>@0 %1.  0AAB@>9:0 7040QBAO 2 480?07>=5 >B -100 A>BKE 4> +100 A>BKE. -B> ?>;57=> 4;O A>740=8O "B>;ABKE" 72C:>2.With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorViewn-B>B @53C;OB>@ CAB0=02;8205B B>G=CN @0AAB>9:C 4;O ?@02>3> :0=0;0 35=5@0B>@0 %1.  0AAB@>9:0 7040QBAO 2 480?07>=5 >B -100 A>BKE 4> +100 A>BKE. -B> ?>;57=> 4;O A>740=8O "B>;ABKE" 72C:>2.With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.TripleOscillatorView 53C;OB>@ AB5@5>10;0=A0 35=5@0B>@0 %1. 5;8G8=0 -100 >7=0G05B, GB> A83=0; 84QB B>;L:> 2 ;52K9 :0=0;, 0 100 - 2 ?@02K9.With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.TripleOscillatorView>-B>B @53C;OB>@ CAB0=02;8205B =0G0;L=CN D07C 35=5@0B>@0 !%1, B. 5. B>G:C, A :>B>@>9 35=5@0B>@ =0G8=05B 2K@010BK20BL A83=0;. 0?@8<5@, 5A;8 2K 7040;8 A8=CA>840;L=CN D>@<C A83=0;0 8 =0G0;L=CN D07C 180, 2>;=0 A=0G0;0 ?>94QB 2=87, 0 =5 225@E. "> 65 4;O <50=4@0 (A83=0;0 ?@O<>C3>;L=>9 D>@<K).)With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.TripleOscillatorViewR-B>B @53C;OB>@ CAB0=02;8205B D07>2CN @0AAB@>9:C 35=5@0B>@0 %1 <564C :0=0;0<8, B> 5ABL @07=>ABL D07 <564C ;52K< 8 ?@02K< :0=0;0<8. -B> C4>1=> 4;O A>740=8O AB5@5>MDD5:B>2.With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.TripleOscillatorView-B>B @53C;OB>@ CAB0=02;8205B 3@><:>ABL 35=5@0B>@0 %1. A;8 0, B> 35=5@0B>@ 2K:;NG05BAO.With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.TripleOscillatorView F5=B>2centsTripleOscillatorViewdegreesTripleOscillatorView?>;CB>=[0,>2] semitonesTripleOscillatorView-B0 :=>?:0 A:@K205B/?>:07K205B 3@0D8G5A:89 ?>;L7>20B5;LA:89 8=B5@D59A (GUI) 2K1@0==>3> <>4C;O VST.QClick here to show or hide the graphical user interface (GUI) of your VST-plugin.VestigeInstrumentView>06<8B5 AN40, 5A;8 2K E>B8B5 >B:@KBL 4@C3>9 <>4C;L VST. >A;5 =060B8O =0 :=>?:C ?>O28BAO AB0=40@B=K9 480;>3 2K1>@0 D09;0, 345 2K A<>65B5 2K1@0BL =C6=K9 <>4C;L.Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.VestigeInstrumentView.818;8>B5:8 DLL (*.dll)DLL-files (*.dll)VestigeInstrumentView*@>3@0<<K EXE (*.exe)EXE-files (*.exe)VestigeInstrumentView,>4C;L VST =5 703@C65=No VST-plugin loadedVestigeInstrumentView$B:@KBL <>4C;L VSTOpen VST-pluginVestigeInstrumentView2>:070BL/A:@KBL 8=B5@D59A Show/hide GUIVestigeInstrumentView$K:;NG8BL 2A5 =>BKTurn off all notesVestigeInstrumentView>BbyVestigeInstrumentView85 A<>3 703@C78BL <>4C;L VSTFailed loading VST-plugin VstPlugin03@C7:0 <>4C;OLoading plugin VstPluginR>4>648B5, ?>:0 703@C605BAO <>4C;L VST...'Please wait while loading VST-plugin... VstPlugin$BG53>-B> <>4C;L VST %1 =5 <>3 1KBL 703@C65=. A;8 4@C3>5 ?@>3@0<<=>5 >15A?5G5=85 VST @01>B05B C 0A ?>4 Linux'><, A2O68B5AL A @07@01>BG8:>< LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! VstPlugin'!"FREQZynAddSubFxView#!RESZynAddSubFxView#A8;5=85AmplifyaudioFileProcessor>=5F >1@07F0 End of sampleaudioFileProcessor>2B>@OBLLoopaudioFileProcessor&5@525@=CBL >1@075FReverse sampleaudioFileProcessor0G0;> >1@07F0Start of sampleaudioFileProcessor'!"FREQbassBoosterControlDialog'0AB>B0: Frequency:bassBoosterControlDialog#!GAINbassBoosterControlDialog#A8;5=85:Gain:bassBoosterControlDialog"RATIObassBoosterControlDialogB=>H5=85:Ratio:bassBoosterControlDialog'0AB>B0 FrequencybassBoosterControls#A8;5=85GainbassBoosterControlsB=>H5=85RatiobassBoosterControls<>1028BL 4>@>6:C 02B><0B870F88Add automation-trackbbEditor.>1028BL @8B</;59B<>B82Add beat/basslinebbEditor&>H03>2K9 A5:25=A>@Beat+Bassline EditorbbEditor06<8B5 GB>1K ?@>83@0BL 70?8AL ;59B<B>820. 0?8AL 1C45B ?>2B>@OBLAO ?>A;5 >:>=G0=8O.qClick here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.bbEditorHAB0=>28BL 2>A?@>872545=85 (@>15;).4Click here to stop playing of current beat/bassline.bbEditor*>A?@>872545=85/?0C70(Play/pause current beat/bassline (Space)bbEditornAB0=>28BL 2>A?@>872545=85 B5:CI53> ;59B<>B820 ( ).Stop playback of current beat/bassline (Space)bbEditor7<5=8BL F25B Change color bbTCOView5@58<5=>20BL Change name bbTCOView<B:@KBL 2 ?>H03>2>< A5:25=A>@5Open in Beat+Bassline-Editor bbTCOView"!1@>A8BL =0720=85 Reset name bbTCOView59B<>B82 %1Beat/Bassline %1bbTrack;8B5;L=>ABL Samplelength bitInvaderh!35=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.Click for a sine-wave.bitInvaderViewD!35=5@8@>20BL ?8;>>1@07=K9 A83=0;.Click here for a saw-wave.bitInvaderView*!35=5@8@>20BL <50=4@.Click here for a square-wave.bitInvaderViewB!35=5@8@>20BL B@5C3>;L=K9 A83=0;.Click here for a triangle-wave.bitInvaderView8040BL D>@<C A83=0;0 A0<><C.$Click here for a user-defined shape.bitInvaderView0!35=5@8@>20BL 15;K9 HC<.Click here for white-noise.bitInvaderViewL)Q;:=8B5 GB>1K A3;048BL D>@<C A83=0;0.Click here to smooth waveform.bitInvaderViewX45AL 2K <>65B5 @8A>20BL A>1AB25==K9 A83=0;.ADraw your own waveform here by dragging your mouse on this graph.bitInvaderView=B5@?>;OF8O InterpolationbitInvaderView>@<0;87>20BL NormalizebitInvaderView(;8B5;L=>ABL >1@07F0 Sample LengthbitInvaderView8;0Saw wavebitInvaderView!8=CA>840 Sine wavebitInvaderView!3;048BLSmoothbitInvaderView 50=4@ Square wavebitInvaderView"@5C3>;L=8: Triangle wavebitInvaderView >;L7>20B5;LA:0OUser defined wavebitInvaderView5;K9 HC<White noise wavebitInvaderView(5 <>3C >B:@KBL D09;Could not open fileexportProjectDialog5 <>3C >B:@KBL D09; %1 4;O 70?8A8. @>25@LB5, >1;0405B5 ;8 2K ?@020<8 =0 70?8AL 2 2K1@0==K9 D09; 8 A>45@60I89 53> :0B0;>3 8 ?>?@>1C9B5 A=>20!Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again!exportProjectDialog H81:0ErrorexportProjectDialogH81:0 ?@8 >?@545;5=88 :>48@>2I8:0 D09;0. >?@>1C9B5 2K1@0BL 4@C3>9 F5;52>9 D>@<0B.\Error while determining file-encoder device. Please try to choose a different output format.exportProjectDialog8-:A?>@B :><?>78F88 2 D09; %1Export project to %1exportProjectDialog1@01>B:0: %1%Rendering: %1%exportProjectDialog;8B. A?040DecaykickerInstrumentA:065=85 DistortionkickerInstrument >=5G=0O G0AB>B0 End frequencykickerInstrument#A8;5=85GainkickerInstrument"0G0;L=0O G0AB>B0Start frequencykickerInstrument&;8B5;L=>ABL A?040:Decay:kickerInstrumentViewA:065=85: Distortion:kickerInstrumentView">=5G=0O G0AB>B0:End frequency:kickerInstrumentView#A8;5=85:Gain:kickerInstrumentView$0G0;L=0O G0AB>B0:Start frequency:kickerInstrumentView&!?@02:0&HelpknobJ2548B5 =>2>5 7=0G5=85 <564C %1 8 %2:+Please enter a new value between %1 and %2:knob~2548B5 =>2>5 7=0G5=85 <564C 96,0 4 8 6,0 4 (?> =0?@O65=8N):7Please enter a new value between -96.0 dBV and 6.0 dBV:knob=0;870B>@KAnalysis ToolsladspaBrowserView">ABC?=K5 MDD5:BKAvailable EffectsladspaBrowserView58725AB=K5 Don't knowladspaBrowserView=AB@C<5=BK InstrumentsladspaBrowserView MB>< >:=5 ?>:070=0 8=D>@<0F8O >1> 2A5E <>4C;OE LADSPA, :>B>@K5 >1=0@C68;0 LMMS. =8 @0745;5=K =0 ?OBL :0B53>@89, 2 7028A8<>AB8 >B =0720=89 8 B8?>2 ?>@B>2. >ABC?=K5 MDD5:BK  MB> B5, :>B>@K5 <>3CB 1KBL 8A?>;L7>0=K 2 LMMS. 'B>1K MDD5:B LADSPA <>3 1KBL 8A?>;L7>20=, >= 4>;65=, 2>-?5@2KE, 1KBL A>1AB25==> MDD5:B><, B. 5. 8<5BL :0: 2E>4=K5 B0: 8 2KE>4=K5 :0=0;K. LMMS 2 :0G5AB25 2E>4=>3> :0=0;0 2>A?@8=8<05B 0C48>?>@B, A>45@60I89 2 =0720=88 in , 0 2KE>4=K5 C7=0QB ?> ?>4AB@>:5 out . ;O 8A?>;L7>20=8O 2 LMMS G8A;> 2E>4=KE :0=0;>2 4>;6=> A>2?040BL A G8A;>< 2KE>4=KE, 8 MDD5:B 4>;65= 8<5BL 2>7<>6=>ABL 8A?>;L7>20=8O 2 @50;L=>< 2@5<5=8. 54>ABC?=K5 MDD5:BK  MB> <>4C;8 LADSPA, >?>7=0==K5 2 :0G5AB25 MDD5:B>2, >4=0:> ;81> A =5A>2?040NI8<8 :>;8G5AB0<8 2E>4=KE/2KE>4=KE :0=0;>2, ;81> =5 ?@54=07=0G5==K5 4;O 8A?>;L7>20=8O 2 @50;L=>< 2@5<5=8. =AB@C<5=BK  MB> <>4C;8, C :>B>@KE 5ABL B>;L:> 2KE>4=K5 :0=0;K. =0;870B>@K  MB> <>4C;8, >1;040NI85 ;8HL 2E>4=K<8 :0=0;0<8. 58725AB=K5  <>4C;8, C :>B>@KE =5 1K;> >1=0@C65=> =8 2E>4=KE, =8 2KE>4=KE :0=0;>2. 2>9=>9 I5;G>: ;C2>9 :=>?:>9 <KH8 ?> <>4C;N 40AB 8=D>@<0F8N > 53> ?>@B0E.TThis dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports.ladspaBrowserView"8?:Type:ladspaBrowserView&54>ABC?=K5 MDD5:BKUnavailable EffectsladspaBrowserView?8A0=85 DescriptionladspaDescription >4C;8PluginsladspaDescription C48>AudioladspaPortDialog#?@02;5=85ControlladspaPortDialog0?@02;5=85 DirectionladspaPortDialog@>1=>5FloatladspaPortDialogE>4InputladspaPortDialog &5;>5IntegerladspaPortDialog>30@8D<8G5A:89 LogarithmicladspaPortDialog008<. < !B0=40@B < 081.Min < Default < MaxladspaPortDialog0720=85NameladspaPortDialog KE>4OutputladspaPortDialog >@BKPortsladspaPortDialog'0AB>B0 2K1>@:8RateladspaPortDialog SR DependentladspaPortDialog:;NG5=>ToggledladspaPortDialog"8?TypeladspaPortDialog0YesladspaPortDialogA:065=85 Distortion lb302Synth"'0AB>B0 A@570 VCFVCF Cutoff Frequency lb302Synth!?04 VCFVCF Envelope Decay lb302Synth*;C18=0 <>4C;OF88 VCFVCF Envelope Mod lb302Synth#A8;5=85 VCF Resonance lb302Synth$>@<0 A83=0;0Waveform lb302Synth! CUTlb302SynthViewh!35=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.Click for a sine-wave.lb302SynthViewD!35=5@8@>20BL ?8;>>1@07=K9 A83=0;.Click here for a saw-wave.lb302SynthView*!35=5@8@>20BL <50=4@.Click here for a square-wave.lb302SynthViewB!35=5@8@>20BL B@5C3>;L=K9 A83=0;.Click here for a triangle-wave.lb302SynthViewJ5=5@8@>20BL M:A?>=5=F80;L=K9 A83=0;.#Click here for an exponential wave.lb302SynthView0!35=5@8@>20BL 15;K9 HC<.Click here for white-noise.lb302SynthView'0AB>B0 A@570: Cutoff Freq:lb302SynthView!DEClb302SynthView!DISTlb302SynthView!:DIST:lb302SynthView&;8B5;L=>ABL A?040:Decay:lb302SynthViewENV MODlb302SynthView$;C18=0 <>4C;OF88:Env Mod:lb302SynthView#!RESlb302SynthView#A8;5=85: Resonance:lb302SynthView8;0Saw wavelb302SynthView!8=CA>840 Sine wavelb302SynthView 50=4@ Square wavelb302SynthView"@5C3>;L=8: Triangle wavelb302SynthView5;K9 HC<White noise wavelb302SynthViewA:065=85 Distortion lb303Synth"'0AB>B0 A@570 VCFVCF Cutoff Frequency lb303Synth!?04 VCFVCF Envelope Decay lb303Synth*;C18=0 <>4C;OF88 VCFVCF Envelope Mod lb303Synth#A8;5=85 VCF Resonance lb303Synth$>@<0 A83=0;0Waveform lb303Synth! CUTlb303SynthView'0AB>B0 A@570: Cutoff Freq:lb303SynthView!DEClb303SynthView!DISTlb303SynthView!:DIST:lb303SynthView&;8B5;L=>ABL A?040:Decay:lb303SynthViewENV MODlb303SynthView$;C18=0 <>4C;OF88:Env Mod:lb303SynthView#!RESlb303SynthView#A8;5=85: Resonance:lb303SynthView $>@<0WAVElb303SynthView $>@<0:WAVE:lb303SynthView8A:>B5:0AgogomalletsInstrument #40@KBeatsmalletsInstrument"O6Q;0O ?>ABC?LClumpmalletsInstrument5@5E>4 CrossfademalletsInstrument !B5:;>GlassmalletsInstrument!:>@>ABL LFO LFO SpeedmalletsInstrument0@8<10MarimbamalletsInstrument&BACBAB2CNI85 D09;K Missing filesmalletsInstrument>4C;OB>@ ModulatormalletsInstrument>;>65=85PositionmalletsInstrument02;5=85PressuremalletsInstrument#!ResomalletsInstrument!:>@>ABLSpeedmalletsInstrument"815BA:85 H0@K Tibetan BowlmalletsInstrument,"@C1G0BK5 :>;>:>;LG8:8 Tubular BellsmalletsInstrument81@0D>= VibraphonemalletsInstrument'0AB>B0 281@0B> Vibrato FreqmalletsInstrument #A8;5=85 281@0B> Vibrato GainmalletsInstrument5@52>1Wood1malletsInstrument5@52>2Wood2malletsInstrument>E>65, GB> CAB0=>2;5=K =5 2A5 ?0:5BK STK. 0< A;54C5B MB> ?@>25@8BL!aYour Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!malletsInstrument5@5E>4 CrossfademalletsInstrumentView5@5E>4: Crossfade:malletsInstrumentView=AB@C<5=B InstrumentmalletsInstrumentView!:>@>ABL LFO LFO SpeedmalletsInstrumentView!:>@>ABL LFO: LFO Speed:malletsInstrumentView>4C;OB>@ ModulatormalletsInstrumentView>4C;OB>@: Modulator:malletsInstrumentView>;>65=85PositionmalletsInstrumentView>;>65=85: Position:malletsInstrumentView02;5=85PressuremalletsInstrumentView02;5=85: Pressure:malletsInstrumentView!:>@>ABLSpeedmalletsInstrumentView!:>@>ABL:Speed:malletsInstrumentView'0AB. 281Vib FreqmalletsInstrumentView81@0B>: Vib Freq:malletsInstrumentView#A8;. 281@0B>Vib GainmalletsInstrumentView#A8;. 281@0B>: Vib Gain:malletsInstrumentView81@0B>VibratomalletsInstrumentView81@0B>:Vibrato:malletsInstrumentView&!?@02:0&HelpnineButtonSelectorA:065=85 DistortionorganicInstrument@><:>ABLVolumeorganicInstrumentA:065=85: Distortion:organicInstrumentViewN 0AAB@>9:0 ;52>3> :0=0;0 35=5@0B>@0 %1:Osc %1 fine detuning left:organicInstrumentView>!B5@5>10;0=A 4;O 35=5@0B>@0 %1:Osc %1 panning:organicInstrumentView0@><:>ABL 35=5@0B>@0 %1:Osc %1 volume:organicInstrumentView@$>@<0 A83=0;0 4;O 35=5@0B>@0 %1:Osc %1 waveform:organicInstrumentView!;CG09=> RandomiseorganicInstrumentView@><:>ABL:Volume:organicInstrumentView F5=B>2centsorganicInstrumentView 86=85BasspapuInstrumentLB ?5@2>3> :0=0;0 : SO1 (?@02K9 :0=0;)Channel 1 to SO1 (Right)papuInstrumentJB ?5@2>3> :0=0;0 : SO2 (;52K9 :0=0;)Channel 1 to SO2 (Left)papuInstrument0@><:>ABL ?5@2>3> :0=0;0Channel 1 volumepapuInstrumentLB 2B>@>3> :0=0;0 : SO1 (?@02K9 :0=0;)Channel 2 to SO1 (Right)papuInstrumentJB 2B>@>3> :0=0;0 : SO2 (;52K9 :0=0;)Channel 2 to SO2 (Left)papuInstrument0@><:>ABL 2B>@>3> :0=0;0Channel 2 volumepapuInstrumentNB B@5BL53> :0=0;0 : SO1 (?@02K9 :0=0;)Channel 3 to SO1 (Right)papuInstrumentLB B@5BL53> :0=0;0 : SO2 (;52K9 :0=0;)Channel 3 to SO2 (Left)papuInstrument2@><:>ABL B@5BL53> :0=0;0Channel 3 volumepapuInstrumentRB G5B2Q@B>3> :0=0;0 : SO1 (?@02K9 :0=0;)Channel 4 to SO1 (Right)papuInstrumentPB G5B2Q@B>3> :0=0;0 : SO2 (;52K9 :0=0;)Channel 4 to SO2 (Left)papuInstrument6@><:>ABL G5B2Q@B>3> :0=0;0Channel 4 volumepapuInstrument,KE>4=>9 C@>25=L A;520Left Output levelpapuInstrument.KE>4=>9 C@>25=L A?@020Right Output levelpapuInstrument5@E=85TreblepapuInstrument 86=85BasspapuInstrumentView86=85:Bass:papuInstrumentView5@E=85TreblepapuInstrumentView5@E=85:Treble:papuInstrumentView25 <>3C 70<>@>78BL H01;>=Cannot freeze patternpattern(01;>= =5 <>65B 1KBL 70<>@>65=, B0: :0: >= ?@>83@K205BAO 2 40==K9 <><5=B. AB0=>28B5 2>A?@>872545=85 8 ?>?@>1C9B5 A=>20!_The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!patternB<5=8BLCancelpatternFreezeStatusDialog*0<>@06820N H01;>=...Freezing pattern...patternFreezeStatusDialog%1 H03(0/>2)%1 steps patternView 1 H031 step patternView>1028BL H038 Add steps patternView5@58<5=>20BL Change name patternViewG8AB8BLClear all notes patternView0<>@>78BLFreeze patternView(B:@KBL 2 A5:25=A>@5Open in piano-roll patternView5@570<>@>78BLRefreeze patternView#40;8BL H038 Remove steps patternView"!1@>A8BL =0720=85 Reset name patternView 07<>@>78BLUnfreeze patternView'B>1K >B:@KBL MB>B H01;>= 2 A5:25=A>@5, 42064K =0 =Q< IQ;:=8B5 A?>;L7C9B5 :>;QA8:> <KH8 4;O CAB0=>2:8 3@><:>AB8 >B45;L=>3> H030Wdouble-click to open this pattern in piano-roll use mouse wheel to set volume of a step patternView@8 =060B88 =0 MBC :=>?:C =>BK 87 1CD5@0 1C4CB 2AB02;5=K 2 ?@52K9 2848<K9 B0:B.XClick here and the notes from the clipboard will be pasted at the first visible measure. pianoRoll0@8 =060B88 =0 MBC :=>?:C 2K45;5=K5 =>BK 1C4CB ?5@5<5I5=K 2 1CD5@. >765 2K <>65B5 2AB028BL 8E 2 ;N1>5 <5AB> ;N1>3> H01;>=0 A ?><>ILN :=>?:8 "AB028BL".Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll0@8 =060B88 =0 MBC :=>?:C 2K45;5=K5 =>BK 1C4CB ?5@5<5I5=K 2 1CD5@. >765 2K <>65B5 2AB028BL 8E 2 ;N1>5 <5AB> ;N1>3> H01;>=0 A ?><>ILN :=>?:8 "AB028BL".Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. pianoRoll$06<8B5 745AL GB>1K ?@>83@0BL B5:CI89 H01;>=. -B> <>65B ?@83>48BLAO ?@8 53> @540:B8@>20=88. > >:>=G0=88 H01;>=0 2>A?@>872545=85 =0G=QBAO A=0G0;0.Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. pianoRollX06<8B5 MBC :=>?:C, 5A;8 2K E>B8B5 70?8A0BL =>BK A CAB@>9AB20 MIDI 8;8 28@BC0;L=>3> A8=B570B>@0 A>>B25BAB2CNI53> :0=0;0. >765 2K A<>65B5 >B@540:B8@>20BL 70?8A0==K9 H01;>=.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. pianoRoll06<8B5 MBC :=>?:C, 5A;8 2K E>B8B5 70?8A0BL =>BK A CAB@>9AB20 MIDI 8;8 28@BC0;L=>3> A8=B570B>@0 A>>B25BAB2CNI53> :0=0;0. > 2@5<O 70?8A8 2A5 =>BK 70?8AK20NBAO 2 MB>B H01;>=, 8 2K 1C45B5 A;KH0BL :><?>78F8N 8;8 ;59B<>B82.Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. pianoRoll06<8B5 745AL, 5A;8 2K E>B8B5 >AB0=>28BL 2>A?@>872545=85 B5:CI53> H01;>=0./Click here to stop playback of current pattern. pianoRollV>?8@>20BL 2K45;5==K5 =>BK 2 1CD5@ (Ctrl+X)Copy selected notes (Ctrl+C) pianoRollX5@5<5AB8BL 2K45;5==K5 =>BK 2 1CD5@ (Ctrl+X)Cut selected notes (Ctrl+X) pianoRoll2 568< @8A>20=8O (Shift+D)Draw mode (Shift+D) pianoRoll8 568< AB8@0=8O =>B (Shift+E)Erase mode (Shift+E) pianoRoll> ?>A;. =>B5 Last note pianoRoll@AB028BL =>BK 87 1CD5@0 (Ctrl+V)#Paste notes from clipboard (Ctrl+V) pianoRoll!5:25=A>@ - %1Piano-Roll - %1 pianoRoll.!5:25=A>@ - 157 H01;>=0Piano-Roll - no pattern pianoRoll\>A?@>872545=85 B:CI53> H01;>=0/?0C70 (@>15;)"Play/pause current pattern (Space) pianoRoll`B:@>9B5 H01;>= A ?><>ILN 42>9=>3> I5;G:0 <KHLN!/Please open a pattern by double-clicking on it! pianoRollr0?8A0BL =>BK A F8D@>2>3> <C7K:0;L=>3> 8=AB@C<5=B0 (MIDI)+Record notes from MIDI-device/channel-piano pianoRoll0?8A0BL =>BK A F8D@>2>3> <C7K:0;L=>3> 8=AB@C<5=B0 (MIDI) 2> 2@5<O 2>A?@>872545=8O :><?>78F88 8;8 ;59B<>B820JRecord notes from MIDI-device/channel-piano while playing song or BB track pianoRoll4 568< 2K1>@0 =>B (Shift+S)Select mode (Shift+S) pianoRollTAB0=>28BL 2>A?@>87245=85 H01;>=0 (@>15;)'Stop playing of current pattern (Space) pianoRoll<!8=B570B>@ 72C:>2 2@>45 >@30=0*Additive Synthesizer for organ-like sounds pluginBrowserK <>65B5 ?5@5=>A8BL =C6=K5 20< 8=AB@C<5=BK 87 MB>9 ?0=5;8 2 D8=0;L=K9 8;8 ?>H03>2K9 A5:25=A>@.nDrag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. pluginBrowserJ-<C;OF8O 0C48>?@>F5AA>@0 GameBoy (TM)Emulation of GameBoy (TM) APU pluginBrowser-<C;OF8O MOS6581 8 MOS8580. A?>;L7>20;>AL =0 :><?LNB5@5 Commodore 64.ZEmulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. pluginBrowserR$8;LB@ 4;O 8<?>@B8@>20=8O D09;>2 FL Stuio1Filter for importing FL Studio projects into LMMS pluginBrowserZ$8;LB@ 4;O 2:;NG5=85 D09;0 MIDI 2 ?@>5:B LMMS)Filter for importing MIDI-files into LMMS pluginBrowserD0BG-8=AB@C<5=B, A>2<5AB8<K9 A GUSGUS-compatible patch instrument pluginBrowserV57025@HQ==0O <>=>D>=8G5A:0O 8<8B0F8O tb303%Incomplete monophonic imitation tb303 pluginBrowser=AB@C<5=BKInstrument browser pluginBrowser=AB@C<5=BKInstrument plugins pluginBrowserH>:070BL CAB0=>2;5==K5 <>4C;8 LADSPAList installed LADSPA plugins pluginBrowser<@>83@K20B5;L D09;>2 SoundFontPlayer for SoundFont files pluginBrowserx>4C;L 4;O CAB0=>2:8 7=0G5=89 @53C;OB>@>2 ?> ?8:0< 3@><:>AB8-Plugin for controlling knobs with sound peaks pluginBrowsern>4C;L, CA8;820NI89 @07=8FC <564C :0=0;0<8 AB5@5>70?8A8=Plugin for enhancing stereo separation of a stereo input file pluginBrowserb>4C;L 4;O ?@>872>;L=>3> C?@02;5=8O AB5@5>2KE>4><,Plugin for freely manipulating stereo output pluginBrowser$5;>48G=K5 C40@=K5Tuneful things to bang on pluginBrowser>>445@6:0 <>4C;59 VST(i) 2 LMMS-VST-host for using VST(i)-plugins within LMMS pluginBrowser-<C;OF8O AB@C=Vibrating string modeler pluginBrowser(>?8A0=85 >BACBAB2C5Bno description pluginBrowser0>4C;L, CA8;820NI89 10AKplugin for boosting bass pluginBrowserz>4C;L, ?>72>;ONI89 8A?>;L7>20BL 2 LMMS ;N1K5 MDD5:BK LADSPA.6plugin for using arbitrary LADSPA-effects inside LMMS. pluginBrowsert>4C;L, ?>72>;ONI89 8A?>;L7>20BL 2 LMMS ;N1K5 MDD5:BK VST.3plugin for using arbitrary VST-effects inside LMMS. pluginBrowser>4:;NG5=85 ?@>872>;L=>3> 72C:>2>3> >1@07F0 A =5:>B>@>9 2>7<>6=>ABLN =0AB@>9:8Zsimple sampler with various settings for using samples (e.g. drums) in an instrument-track pluginBrowserl"@8 35=5@0B>@0, :>B>@K5 K <>65B5 =0AB@0820BL ?> 2:CAC;three powerful oscillators you can modulate in several ways pluginBrowser>=>3>F5;52>9 A8=B570B>@ C40@=KE&versatile kick- & bassdrum-synthesizer pluginBrowser>;C&68@=K9&Bold projectNotes&&25B... &Color... projectNotes&>?8@>20BL&Copy projectNotes&C@A82&Italic projectNotes> &H8@8=5&Justify projectNotes> &;52><C :@0N&Left projectNotes&AB028BL&Paste projectNotes&>2B>@8BL&Redo projectNotes > &?@02><C :@0N&Right projectNotes&>4G5@:=CBL &Underline projectNotes&B<5=8BL&Undo projectNotes> &F5=B@CC&enter projectNotesCtrl+B projectNotesCtrl+C projectNotesCtrl+E projectNotesCtrl+I projectNotesCtrl+J projectNotesCtrl+L projectNotesCtrl+R projectNotesCtrl+U projectNotesCtrl+V projectNotesCtrl+X projectNotesCtrl+Y projectNotesCtrl+Z projectNotes&K@570BLCu&t projectNotes @02:0 Edit Actions projectNotes$>@<0B8@>20=85Format Actions projectNotes"0<5B:8 : ?@>5:BC Project notes projectNotesb45AL 2K <>65B5 45@60BL 70<5B:8 : A2>5<C ?@>5:BC.!Put down your project notes here. projectNotes 5@58<5=>20BL... Rename... renameDialog2$09;K AIFF (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBuffer$09;K AU (*.au)AU-Files (*.au) sampleBufferA5 72C:>2K5 D09;K (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)SAll Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) sampleBuffer,$09;K DrumSynth (*.ds)DrumSynth-Files (*.ds) sampleBuffer&$09;K FLAC (*.flac)FLAC-Files (*.flac) sampleBuffer,$09;K MPEG1 L3 (*.mp3)MP3-Files (*.mp3) sampleBuffer"$09;K OGG (*.ogg)OGG-Files (*.ogg) sampleBuffer*B:@KBL 72C:>2>9 D09;Open audio file sampleBuffer"$09;K RAW (*.raw)RAW-Files (*.raw) sampleBuffer&$09;K SPEEX (*.spx)SPEEX-Files (*.spx) sampleBuffer"$09;K VOC (*.voc)VOC-Files (*.voc) sampleBuffer$$09;K Wave (*.wav)Wave-Files (*.wav) sampleBuffer>?8@>20BLCopy sampleTCOViewK@570BLCut sampleTCOView:#40;8BL (A@54=OO :=>?:0 <KH8)Delete (middle mousebutton) sampleTCOView\03;CH8BL/2:;NG8BL (Crl + A@54=OO :=>?:0 <KH8)#Mute/unmute ( + middle click) sampleTCOViewAB028BLPaste sampleTCOView4#AB0=>28BL/>G8AB8BL 70?8ALSet/clear record sampleTCOViewl;O 2K1>@0 D09;0->1@07F0 A45;09B5 42>9=>9 I5;G>: <KHLNdouble-click to select sample sampleTCOView>@>6:0 Sample track sampleTrack@><:>ABLVolume sampleTrack"@><:>ABL :0=0;0:Channel volume:sampleTrackView"@><:>ABL 4>@>6:8 Track volumesampleTrackView VOLsampleTrackView #/ !!"AUDIO INTERFACE setupDialog>0B0;>3 A M;5<5=B0<8 >D>@<;5=8OArtwork directory setupDialog0@0<5B@K 72C:0Audio settings setupDialog  #$  BUFFER SIZE setupDialogB<5=8BLCancel setupDialog0K1>@ :0B0;>30 FL Studio'Choose FL Studio installation directory setupDialogBK1>@ :0B0;>30 A <>4C;O<8 LADSPA Choose LADSPA plugin directory setupDialog8K1>@ @01>G53> :0B0;>30 LMMSChoose LMMS working directory setupDialog$K1>@ :0B0;>30 STKChoose STK rawwave directory setupDialogTK1>@ :0B0;>30 A B5<>9 >D>@<;5=8O 4;O LMMSChoose artwork-theme directory setupDialog<K1>@ :0B0;>30 4;O <>4C;59 VST Choose your VST-plugin directory setupDialogF> C<>;G0=8N A68<0BL D09;K ?@>5:B>2"Compress project files per default setupDialogNB:;NG8BL 8=48:0B>@K 0:B82=>AB8 :0=0;>2#Disable channel activity indicators setupDialogRB>1@060BL 3@><:>AB8 2 45F815;0E (=0?@.) Display volume as dBV  setupDialog<:;NG8BL 2A?;K20NI85 ?>4A:07:8Enable tooltips setupDialog60B0;>3 CAB0=>2:8 FL Studio FL Studio installation directory setupDialog2$@03<5=B>2: %1 B:;8:: %2Frames: %1 Latency: %2 ms setupDialog1I85 ?0@0<5B@KGeneral settings setupDialogP 568< 2KA>:>3> :0G5AB20 4;O 2K2>40 72C:0HQ-mode for output audio-device setupDialog>60;C9AB0, 2K15@8B5 8=B5@D59A MIDI.  7028A8<>AB8 >B :>=D83C@0F88 2> 2@5<O :><?8;8@>20=8O ?@>3@0<<K, 2K <>65B5 8A?>;L7>20BL ALSA, OSS 8 4@C385.  =86=59 G0AB8 >:=0 =0AB@>9:8 <>6=> 7040BL A?5F8D8G5A:85 ?0@0<5B@K 2K1@0==>3> 8=B5@D59A0.Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. setupDialog>60;C9AB0, 2K15@8B5 72C:>2CN A8AB5<C.  7028A8<>AB8 >B :>=D83C@0F88 2> 2@5<O :><?8;8@>20=8O ?@>3@0<<K, 2K <>65B5 8A?>;L7>20BL ALSA, JACK, OSS 8 4@C385.  =86=59 G0AB8 >:=0 =0AB@>9:8 <>6=> 7040BL A?5F8D8G5A:85 ?0@0<5B@K 2K1@0==>9 A8AB5<K.Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. setupDialog45AL 2K <>65B5 =0AB@>8BL @07<5@ 2=CB@5==53> 72C:>2>3> 1CD5@0 LMMS. 5=LH85 7=0G5=8O 40NB <5=LH55 2@5<O >B:;8:0 ?@>3@0<<K, => ?>2KH0NB ?>B@51;5=85 @5AC@A>2 - MB> >A>15==> 70<5B=> =0 AB0@KE <0H8=0E 8 A8AB5<0E, O4@> :>B>@KE =5 ?>445@68205B ?@8>@8B5B0 @50;L=>3> 2@5<5=8. A;8 =01;N405BAO ?@5@K28ABK9 72C:, ?>?@>1C9B5 C25;8G8BL @07<5@ 1CD5@0.Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. setupDialog( 01>G89 :0B0;>3 LMMSLMMS working directory setupDialog" $! MIDIMIDI INTERFACE setupDialog0@0<5B@K MIDI MIDI settings setupDialog  MISC setupDialogOK setupDialogV=>?:8 =0 "@>O;5" =068<0NBAO B>;L:> 2@CG=CN)Only press keys on channel-piano manually setupDialog80@0<5B@K ?@>872>48B5;L=>AB8Performance settings setupDialog#GB8B5, GB> 1>;LH8=AB2> =0AB@>5: =5 2ABC?OB 2 A8;C 4> ?5@570?CA:0 ?@>3@0<<K!GPlease note that most changes won't take effect until you restart LMMS! setupDialogD>AAB0=>28BL 7=0G5=85 ?> C<>;G0=8NReset to default-value setupDialog$5@570?CAB8B5 LMMS Restart LMMS setupDialog0B0;>3 STKSTK rawwave directory setupDialog0AB@>9:0 LMMS Setup LMMS setupDialogd>:07K20BL ?@54C?@5645=85 ?>A;5 87<5=5=8O =0AB@>5:,Show restart warning after changing settings setupDialogJ87C0;L=K5 MDD5:BK/?@>872>48B5;L=>ABLUI effects vs. performance setupDialog&0B0;>3 <>4C;59 VSTVST-plugin directory setupDialog#A8;5=85Gain sf2Instrument-E>Reverb sf2Instrument#@>25=L ME0 Reverb Level sf2InstrumentR!>740BL MDD5:B E>@0 (5A;8 ?>445@68205BAO)Apply chorus (if supported)sf2InstrumentViewB!>740BL ME> (5A;8 ?>445@68205BAO)Apply reverb (if supported)sf2InstrumentViewK1@0BL ?0BGChoose the patchsf2InstrumentViewV06<8B5 745AL GB>1K >B:@KBL 4@C3>9 D09; SF2#Click here to open another SF2 filesf2InstrumentView#A8;5=85Gainsf2InstrumentView.B:@KBL D09; SoundFrontOpen SoundFont filesf2InstrumentView<B:@KBL 4@C3>9 D09; SoundFrontOpen other SoundFont filesf2InstrumentView" 07<5@ ?><5I5=8O:Reverb Roomsize:sf2InstrumentView-B0 :=>?:0 2:;NG05B MDD5:B E>@0. -B> <>65B ?@83>48BLAO, => @01>B05B =5 4;O 2A5E D09;>2.uThis button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.sf2InstrumentView-B0 :=>?:0 2:;NG05B MDD5:B ME0. -B> <>65B ?@83>48BLAO, => @01>B05B =5 4;O 2A5E D09;>2.pThis button enables the reverb effect. This is useful for cool effects, but only works on files that support it.sf2InstrumentView>45;L G8?0 Chip model sidInstrument!@57Cutoff sidInstrument"8? D8;LB@0 Filter type sidInstrument#A8;5=85 Resonance sidInstrument@><:>ABLVolume sidInstrument;8B5;L=>ABL =0@0AB0=8O >?@545;O5B, =0A:>;L:> 1KAB@> 3@><:>ABL %1-3> 3>;>A0 2>7@0AB05B >B =C;O 4> =081>;LH53> 7=0G5=8O.\Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.sidInstrumentView0;8B5;L=>ABL =0@0AB0=8O:Attack:sidInstrumentView$Band-Pass filter sidInstrumentView'0AB>B0 A@570:Cutoff frequency:sidInstrumentView;8B5;L=>ABL A?040 >?@545;O5B, =0A:>;L:> 1KAB@> 3@><:>ABL ?0405B >B <0:A8<C<0 4> >AB0B>G=>3> C@>2=O.iDecay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.sidInstrumentView&;8B5;L=>ABL A?040:Decay:sidInstrumentView$8;LB@>20BLFilteredsidInstrumentView$'High-Pass filter sidInstrumentView$'Low-Pass filter sidInstrumentView MOS6581 SID sidInstrumentView MOS8580 SID sidInstrumentView(C<NoisesidInstrumentView@><:>ABL %1-3> 3>;>A0 1C45B >AB020BLAO =0 MB>< C@>2=5, ?>:0 4;8BAO =>B0.]Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.sidInstrumentView4;8B5;L=>ABL 8AG57=>25=8O:Release:sidInstrumentView#A8;5=85: Resonance:sidInstrumentView 8;0 SawToothsidInstrumentView&AB0B>G=K9 C@>25=L:Sustain:sidInstrumentView !8=E@>=878@>20BLSyncsidInstrumentView $;06>:TestsidInstrumentViewA;8 D;06>: CAB0=>2;5=, B> %1-9 35=5@0B>@ 2K40QB =C;52>9 A83=0; (?>:0 D;06>: =5 A=8<5BAO).PTest, when set, resets and locks Oscillator %1 at zero until Test is turned off.sidInstrumentView@><:>ABL %1-3> 3>;>A0 1C45B ?040BL >B >AB0B>G=>3> C@>2=O 4> =C;O A C:070==>9 745AL A:>@>ABLN.jThe output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.sidInstrumentView"@5C3>;L=8: Triangle WavesidInstrumentView@><:>ABL:Volume:sidInstrumentViewA;8 MB>B D;06>: CAB0=>2;5=, B> %1-9 3>;>A 1C45B ?@>E>48BL G5@57 D8;LB@. =0G5 3>;>A !%1 1C45B ?>4020BLAO ?@O<> =0 2KE>4.When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.sidInstrumentView@>5:B ?CAB Empty projectsong<?>@B D09;0 Import filesong"1I0O 2KA>B0 B>=0 Master pitchsong1I0O 3@><:>ABL Master volumesong&@>5:B  !% .Project NOT saved.song@>5:B A>E@0=Q= Project savedsongFK1>@ D09;0 4;O M:A?>@B0 ?@>5:B0...!Select file for project-export...song"5<?Temposong&@>5:B %1 A>E@0=Q=.The project %1 is now saved.song,@>5:B %1 =5 A>E@0=Q=!The project %1 was not saved!song@>5:B =8G53> =5 A>45@68B, B0: GB> 8 M:A?>@B8@>20BL =5G53>. !=0G0;0 4>102LB5 E>BO 1K >4=C 4>@>6:C A ?><>ILN A5:25=A>@0!`This project is empty so exporting makes no sense. Please put some items into Song Editor first!song5=0720==>5untitledsong<>1028BL 4>@>6:C 02B><0B870F88Add automation-track songEditor$>1028BL @8B</10AKAdd beat/bassline songEditor>1028BL D09;Add sample-track songEditor606<8B5, GB>1K ?@>A;CH0BL A>740==CN <5;>48N. >A?@>872545=85 =0G=QBAO A ?>78F88 :C@A>@0 (75;Q=K9 B@5C3>;L=8:); 2K <>65B5 42830BL 53> 2> 2@5<O ?@>83@K20=8O.Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. songEditor06<8B5 AN40, 5A;8 2K E>B8B5 >AB0=>28BL 2>A?@>872545=85 <5;>488. C@A>@ ?@8 MB>< 1C45B CAB0=>2;5= =0 =0G0;> :><?>78F88.uClick here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. songEditor(5 <>3C >B:@KBL D09;Could not open file songEditor*5 <>3C 70?8A0BL D09;Could not write file songEditor5 A<>3 70?8A0BL D09; %1. >7<>6=>, C 20A =5B =5>1E>48<KE 4;O MB>3> ?@02. @>25@LB5 20H8 ?@020 =0 70?8AL 2 MB>B D09;.Could not write file %1. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. songEditor 568< @8A>20=8O Draw mode songEditor<@02:0 (2K45;5=85/?5@5<5I5=85)Edit mode (select and move) songEditor KA>:>5 :0G5AB2>High quality mode songEditor"1I0O 2KA>B0 B>=0 Master pitch songEditor1I0O 3@><:>ABL Master volume songEditor>0G0BL 2>A?@>872545=85 (@>15;)Play song (Space) songEditorP0?8A0BL >1@075F A> 72C:>2>3> CAB@>9AB20 Record samples from Audio-device songEditor0?8A0BL =>BK A> 72C:>2>9 ?;0BK 2> 2@5<O 2>A?@>872545=8O :><?>78F88 8;8 ;59B<>B820?Record samples from Audio-device while playing song or BB track songEditor&$8=0;L=K9 A5:25=A>@ Song-Editor songEditorFAB0=>28BL 2>A?@>872545=85 (@>15;)Stop song (Space) songEditor"/BPM TEMPO/BPM songEditor"5<?Tempo songEditor.-B> 7=0G5=85 7040QB B5<? <5;>488 2 C40@0E 2 <8=CBC (0=3;. 011@. BPM). 0 :064K9 B0:B ?@8E>48BAO G5BK@5 C40@0, B0: GB> B5<? 2 C40@0E 2 <8=CBC D0:B8G5A:8 C:07K205B, A:>;L:> G5B25@B59 B0:B0 ?@>83@K205BAO 70 <8=CBC (8;8, GB> B> 65, :>;8G5AB2> B0:B>2, ?@>83@K205<KE 70 G5BK@5 <8=CBK).-The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). songEditor4=0G5=85: %1 ?>;CB>=(0/>2)Value: %1 semitones songEditor=0G5=85: %1% Value: %1% songEditor"1I0O 2KA>B0 B>=0 master pitch songEditor1I0O 3@><:>ABL master volume songEditor"5<? <5;>488 tempo of song songEditor(8=59=0O >AL >@48=0B Linear Y axisspectrumAnalyzerControlDialog8=59=K9 A?5:B@Linear spectrumspectrumAnalyzerControlDialog 568< :0=0;0 Channel modespectrumAnalyzerControls(8=59=0O >AL >@48=0B Linear Y-axisspectrumAnalyzerControls8=59=K9 A?5:B@Linear spectrumspectrumAnalyzerControls&B ;52>3> =0 ;52K9:Left to Left Vol:stereoMatrixControlDialog(B ;52>3> =0 ?@02K9:Left to Right Vol:stereoMatrixControlDialog(B ?@02>3> =0 ;52K9:Right to Left Vol:stereoMatrixControlDialog*B ?@02>3> =0 ?@02K9:Right to Right Vol:stereoMatrixControlDialog$B ;52>3> =0 ;52K9 Left to LeftstereoMatrixControls&B ;52>3> =0 ?@02K9 Left to RightstereoMatrixControls&B ?@02>3> =0 ;52K9 Right to LeftstereoMatrixControls(B ?@02>3> =0 ?@02K9Right to RightstereoMatrixControlsD>A;5 >AB0=>20 ?5@5E>48BL : =0G0;CAfter stopping go back to begintimeLine>A;5 >AB0=>20 ?5@5E>48BL : <5ABC, A :>B>@>3> =0G0;>AL 2>A?@>872545=85?After stopping go back to position at which playing was startedtimeLine8AB020BLAO =0 <5AB5 >AB0=>20After stopping keep positiontimeLine,:;/2K:; 02B>?@>:@CB:CEnable/disable auto-scrollingtimeLine0:;/2K:; B>G:8 ?5@5<>B:8Enable/disable loop-pointstimeLine>4A:07:0HinttimeLine06<8B5 [CTRL] GB>1K >B:;NG8BL ?@82O7:C B>G5: ?5@5E>40 : B0:B0<.-Press to disable magnetic loop-points.timeLine03;CHQ=Mutedtrack>=>SolotrackB<5=8BLCanceltrackContainer5 <>3C =09B8 D8;LB@ 4;O D09;0 %1. ;O ?>4:;NG5=8O MB>3> D09;0 ?@5>1@07C9B5 53> 2 D>@<0B, ?>445@68205<K9 LMMS.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer45 <>3C 8<?>@B8@>20BL D09;Couldn't import filetrackContainer(5 <>3C >B:@KBL D09;Couldn't open filetrackContainer5 <>3C >B:@KBL D09; %1 4;O 70?8A8. @>25@LB5, >1;0405B5 ;8 2K ?@020<8 =0 70?8AL 2 2K1@0==K9 D09; 8 A>45@60I89 53> :0B0;>3 8 ?>?@>1C9B5 A=>20!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer,<?>@B8@CN D09; FLP...Importing FLP-file...trackContainer.<?>@B8@CN D09; MIDI...Importing MIDI-file...trackContainer"'B5=85 ?@>5:B0...Loading project...trackContainer0>4>648B5, ?>60;C9AB0...Please wait...trackContainer03;CHQ=MutedtrackContentObject2%1:%2 (>B %3:%4 4> %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectView>?8@>20BLCopytrackContentObjectView;8B5;L=>ABLCurrent lengthtrackContentObjectView>78F8OCurrent positiontrackContentObjectViewK@570BLCuttrackContentObjectView:#40;8BL (A@54=OO :=>?:0 <KH8)Delete (middle mousebutton)trackContentObjectView>4A:07:0HinttrackContentObjectView\03;CH8BL/2:;NG8BL (Crl + A@54=OO :=>?:0 <KH8)#Mute/unmute ( + middle click)trackContentObjectViewAB028BLPastetrackContentObjectView`06<8B5 <Ctrl> 8 >B?CAB8B5, GB>1K A>740BL :>?8N.%Press and drag to make a copy.trackContentObjectViewT;O A2>1>4=>3> ?5@5<5I5=8O =06<8B5 <Ctrl>.Press for free resizing.trackContentObjectView259AB28O 4;O MB>9 4>@>6:8Actions for this tracktrackOperationsWidget$>?8@>20BL 4>@>6:CClone this tracktrackOperationsWidget03;CH8BLMutetrackOperationsWidget"B:;NG8BL 4>@>6:CMute this tracktrackOperationsWidget;O ?5@5B0A:820=8O 2 4@C3>5 >:=> =06<8B5 <Ctrl> ?@8 =060B88 =0 MBC ?>;>A:C.KPress while clicking on move-grip to begin a new drag'n'drop-action.trackOperationsWidget#40;8BL 4>@>6:CRemove this tracktrackOperationsWidget>=>SolotrackOperationsWidget85 A<>3 703@C78BL <>4C;L VSTFailed loading VST-pluginvestigeInstrument03@C7:0 <>4C;OLoading pluginvestigeInstrumentR>4>648B5, ?>:0 703@C605BAO <>4C;L VST...'Please wait while loading VST-plugin...vestigeInstrument$BG53>-B> <>4C;L VST %1 =5 <>3 1KBL 703@C65=. A;8 4@C3>5 ?@>3@0<<=>5 >15A?5G5=85 VST @01>B05B C 0A ?>4 Linux'><, A2O68B5AL A @07@01>BG8:>< LMMS!The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer!vestigeInstrument 0AAB@>9:0 %1 Detune %1vibed5GQB:>ABL %1 Fuzziness %1 vibed<?C;LA %1 Impulse %1vibed;8=0 %1 Length %1vibed:B020 %1 Octave %1vibed!B5@5>10;0=A %1Pan %1vibed 04 %1Pick %1 positionvibed<>;>65=85 %1-3> 72C:>A=8<0B5;OPickup %1 positionvibed*QAB:>ABL %1-9 AB@C=KString %1 stiffnessvibed*@><:>ABL %1-9 AB@C=KString %1 volumevibed&!?@02:0&Help vibedViewR06<8B5, GB>1K 2:;NG8BL/2K:;NG8BL A83=0;.&Click here to enable/disable waveform. vibedViewH06<8B5, GB>1K =>@<0;87>20BL A83=0;.!Click here to normalize waveform. vibedViewL)Q;:=8B5 GB>1K A3;048BL D>@<C A83=0;0.Click here to smooth waveform. vibedView 0AAB@>9:0:Detune: vibedView:;NG8BLEnable waveform vibedView5GQB:>ABL: Fuzziness: vibedView. 540:B>@ D>@<K 8<?C;LA0Impulse Editor vibedViewL0G0;L=0O A:>@>ABL/=0G0;L=>5 A>AB>O=85Impulse or initial state vibedView ;8=0:Length: vibedView>@<0;87>20BL Normalize vibedView :B020Octave vibedView!B5@5>10;0=A:Pan: vibedView04:Pick position: vibedView2>;>65=85 72C:>A=8<0B5;O:Pickup position: vibedView8;0Saw wave vibedView!8=CA>840 Sine wave vibedView!3;048BLSmooth vibedView 50=4@ Square wave vibedView !B@C=0String vibedViewQAB:>ABL:String stiffness: vibedView\5@5:;NG0B5;L Imp  CAB0=02;8205B @568< @01>BK AB@C=K: 5A;8 >= 2:;NGQ=, B> C:070==0O D>@<0 A83=0;0 8=B5@?@5B8@C5BAO :0: =0G0;L=K9 8<?C;LA, 8=0G5  :0: =0G0;L=0O D>@<0 AB@C=K.The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. vibedView 53C;OB>@ 'P' CAB0=02;8205B <5AB> AB@C=K, 345 >=0 1C45B ?@860B0 . '5< =865 7=0G5=85, B5< 1;865 MB> <5AB> 1C45B : :>1K;:5.The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. vibedView 53C;OB>@ 'PU' CAB0=02;8205B <5AB> AB@C=K, >B:C40 1C45B A=8<0BLAO 72C:. '5< =865 7=0G5=85, B5< 1;865 MB> <5AB> 1C45B : :>1K;:5.The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. vibedViewN 53C;OB>@ 'S' CAB0=02;8205B 6QAB:>ABL B5:CI59 AB@C=K. -B>B ?0@0<5B@ >B25G05B 70 4;8B5;L=>ABL 72CG0=8O AB@C=K (G5< 1>;LH5 7=0G5=85 6QAB:>AB8, B5< B>;LH5 725=8B AB@C=0).The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. vibedViewj 53C;OB>@ 'V' CAB0=02;8205B 3@><:>ABL B5:CI59 AB@C=K.4The 'V' knob sets the volume of the selected string. vibedView$ 53C;OB>@ @0AAB@>9:8 87<5=O5B A4283 G0AB>BK 4;O B5:CI59 AB@C=K. B@8F0B5;L=K5 7=0G5=8O 70AB02OB AB@C=C 72CG0BL 15<>;L=>, ?>;>68B5;L=K5  4857=>. The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. vibedView. 53C;OB>@ 4;8=K CAB0=02;8205B 4;8=C B5:CI59 AB@C=K. '5< 4;8==55 AB@C=0, B5< 1>;55 G8ABK9 8 4>;389 72C: >=0 40QB; >4=0:> MB> B@51C5B 1>;LH5 @5AC@A>2 &.The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. vibedViewn5@5:;NG0B5;L >:B02 ?>72>;O5B C:070BL 30@<>=8:C >A=>2=>9 G0AB>BK, =0 :>B>@>9 1C45B 72CG0BL AB@C=0. 0?@8<5@, -2  >7=0G05B, GB> AB@C=0 1C45B 72CG0BL 42C<O >:B020<8 =865 >A=>2=>9 G0AB>BK, F  70AB028B AB@C=C 725=5BL =0 >A=>2=>9 G0AB>B5 8=AB@C<5=B0, 0 6   =0 G0AB>B5, =0 H5ABL >:B02 1>;55 2KA>:>9, G5< >A=>2=0O.#The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. vibedViewz-B>B @53C;OB>@ CAB0=02;8205B AB5@5>10;0=A 4;O B5:CI59 AB@C=K.PThe Pan knob determines the location of the selected string in the stereo field. vibedView>-B>B @53C;OB>@ 4>102;O5B @07<KB>AB8 72C:C, GB> =081>;55 70<5B=> 2> 2@5<O =0@0AB0=8O, 2?@>G5< MB> <>65B 8A?>;L7>20BLAO GB>1K A45;0BL 72C: 1>;55 <5B0;;8G5A:8< .The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. vibedView5@5:;NG0B5;L AB@C= ?>72>;O5B 2K1@0BL AB@C=C, GL8 A2>9AB20 @540:B8@CNBAO. =AB@C<5=B Vibed A>45@68B 4> 452OB8 =57028A8<> 72CG0I8E AB@C=, 8=48:0B>@ 2 ;52>< =86=5< C3;C ?>:07K205B, 0:B82=0 ;8 B5:CI0O AB@C=0 (B. 5. 1C45B ;8 >=0 A;KH=0).The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. vibedView 540:B>@ D>@<K ?>72>;O5B O2=> C:070BL ?@>D8;L AB@C=K 2 =0G0;L=K9 <><5=B 2@5<5=8, ;81> 5Q =0G0;L=K9 8<?C;LA (2 708A8<>AB8 >B A>AB>O=8O ?5@5:;NG0B5;O Imp ). =>?:8 A?@020 >B @8AC=:0 ?>72>;ONB 704020BL =5:>B>@K5 AB0=40@B=K5 D>@<K, ?@8GQ< :=>?:0 '?' A;C68B 4;O 7040=8O D>@<K 87 ?@>872>;L=>3> 72C:>2>3> D09;0 (703@C60NBAO ?5@2K5 128 M;5<5=B>2 2K1>@:8). "0:65 D>@<0 A83=0;0 <>65B 1KBL ?@>AB> =0@8A>20=0 A ?><>ILN <KH8. =>?:0 'S' A3;048B B5:CICN D>@<C. =>?:0 'N' =>@<0;87C5B C@>25=L.The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. vibedView"@5C3>;L=8: Triangle wave vibedViewB5=5@8@>20BL ?8;>>1@07=K9 A83=0;.&Use a saw-wave for current oscillator. vibedViewf5=5@8@>20BL 30@<>=8G5A:89 (A8=CA>840;L=K9) A83=0;.'Use a sine-wave for current oscillator. vibedView(5=5@8@>20BL <50=4@.)Use a square-wave for current oscillator. vibedView@5=5@8@>20BL B@5C3>;L=K9 A83=0;.+Use a triangle-wave for current oscillator. vibedView*040BL D>@<C A83=0;0.3Use a user-defined waveform for current oscillator. vibedView.5=5@8@>20BL 15;K9 HC<.'Use white-noise for current oscillator. vibedView >;L7>20B5;LA:0OUser defined wave vibedView=AB@C<5=B Vibed  <>45;8@C5B 4> 452OB8 =57028A8<KE >4=>2@5<5==> 72CG0I8E AB@C=. 5@5:;NG0B5;L Strings  ?>72>;O5B 2K1@0BL AB@C=C, GL8 A2>9AB20 @540:B8@CNBAO. 5@5:;NG0B5;L Imp  CAB0=02;8205B @568< @01>BK AB@C=K: 5A;8 >= 2:;NGQ=, B> C:070==0O D>@<0 A83=0;0 8=B5@?@5B8@C5BAO :0: =0G0;L=K9 8<?C;LA, 8=0G5  :0: =0G0;L=0O D>@<0 AB@C=K. 5@5:;NG0B5;L Octave  ?>72>;O5B C:070BL 30@<>=8:C >A=>2=>9 G0AB>BK, =0 :>B>@>9 1C45B 72CG0BL AB@C=0.  540:B>@ D>@<K ?>72>;O5B O2=> C:070BL ?@>D8;L AB@C=K 2 =0G0;L=K9 <><5=B 2@5<5=8, ;81> 5Q =0G0;L=K9 8<?C;LA.  53C;OB>@ 'V' CAB0=02;8205B 3@><:>ABL B5:CI59 AB@C=K, 'S'  6QAB:>ABL, 'P'  <5AB>, 345 ?@860B0 AB@C=0, 0 'PU''  ?>;>65=85 72C:>A=8<0B5;O  53C;OB>@K @0AAB@>9:8 8 AB5@5>10;0=A0, 5ABL =045640, =5 =C640NBAO 2 >1JOA=5=8OE.  CG:0 ;8=0  @53C;8@C5B 4;8=C AB@C=K =48:0B>@-?5@5:;NG0B5;L A;520 A=87C >?@545;O5B, 2:;NG5=0 ;8 B5:CI0O AB@C=0.hVibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. vibedView@><:>ABL:Volume: vibedView5;K9 HC<White noise wave vibedView\06<8B5, GB>1K 2:;NG8BL/2K:;NG8BL 287C0;870F8N6click to enable/disable visualization of master-outputvisualizationWidget.0@0AB0=85 %1-3> 3>;>A0Voice %1 attack voiceObject> 0AAB@>9:0 %1-3> 3>;>A0 (3@C1>)Voice %1 coarse detuning voiceObject"!?04 %1-3> 3>;>A0Voice %1 decay voiceObject,$8;LB@>20BL %1-9 3>;>AVoice %1 filtered voiceObject2AG57=>25=8O %1-3> 3>;>A0Voice %1 release voiceObjectFAB0B>G=K9 C@>25=L 4;O %1-3> 3>;>A0Voice %1 sustain voiceObject4!8=E@>=870F8O %1-3> 3>;>A0 Voice %1 sync voiceObject<$>@<0 A83=0;0 4;O %1-3> 3>;>A0Voice %1 wave shape voiceObject ) , lmms-1.0.0+bzr2569/data/locale/ru.ts0000644000000000000000000105650512307165142015110 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About О программе LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE УСТРОЙСТВО CHANNELS ЧИСЛО КАНАЛОВ AudioFileProcessorView Open other sample Открыть другой образец Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Нажмите здесь, чтобы открыть другой звуковой файл. При этом появится стандартный диалог выбора файла. При этом сохраняются все настройки, такие как режим повтора, точки начала/конца, усиление. Reverse sample Перевернуть образец If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Перевернуть образец. Можно получать забавные эффекты - например, перевёрнутый взрыв. Loop sample at start- and end-point Постоянно воспроизводить участок образца между начальной и конечной точками Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Здесь вы можете указать, следует ли повторять звук при достижении конца файла. Если включено, то AudioFileProcessor будет повторять часть звука между начальной и конечной точками. Это может быть полезным для чего-нибудь вроде струнных или образцов аккордов. Amplify: Усиление: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Эта ручка задаёт коэффициент усиления. При значении 100% исходный звук не меняется, если же нет ― он будет ослаблен или усилен. (Обратите внимание, что выбранный файл при этом останется нетронутым.) Startpoint: Начальная точка: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Эта ручка устанавливает точку, с которой будет начинаться воспроизведение образца. При включённом повторе модуль воспроизведения будет возвращаться к этой точке, если нота длительней части образца меж начальной и конечной точками. Endpoint: Конечная точка: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Эта ручка устанавливает точку, где будет заканчиваться воспроизведение образца. При включённом повторе модуль воспроизведения по достижении этого места возвратится к начальной точке, если нота длительней части образца меж начальной и конечной точками. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME ИМЯ КЛИЕНТА CHANNELS ЧИСЛО КАНАЛОВ AudioOss::setupWidget DEVICE УСТРОЙСТВО CHANNELS ЧИСЛО КАНАЛОВ AudioPortAudio::setupWidget BACKEND Драйвер DEVICE УСТРОЙСТВО AudioPulseAudio::setupWidget DEVICE УСТРОЙСТВО CHANNELS ЧИСЛО КАНАЛОВ AudioSdl::setupWidget DEVICE УСТРОЙСТВО AutomatableModel &Reset (%1%2) &Сбросить (%1%2) &Copy value (%1%2) &Копировать (%1%2) &Paste value (%1%2) &Вставить (%1%2) Edit song-global automation Connected to %1 Подсоединено к %1 Connected to controller подсоединено к контроллеру Edit connection... Настроить соединение... Remove connection Удалить соединение Connect to controller... Соединить с контроллером... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Воспроизведение ткущего шаблона/пауза (Пробел) Stop playing of current pattern (Space) Остановить воспроизвдение шаблона (Пробел) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Нажмите здесь чтобы проиграть текущий шаблон. Это может пригодиться при его редактировании. Шаблон автоматически повторяется при достижении конца. Click here if you want to stop playing of the current pattern. Нажмите здесь, если вы хотите приостановить/продолжить воспроизведение текущего шаблона. Draw mode (Shift+D) Режим рисования (Shift+D) Erase mode (Shift+E) Режим стирания нот (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. При нажатии на эту кнопку активируется режим рисования нот, который является режимом по умолчанию и используется большую часть времени. В этом режиме вы можете добавлять/перемещать и изменять длительность одиночных нот. Для включения этого режима можно использовать комбинацию клавиш Shift+D. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. При нажатии на эту кнопку активируется режим стирания. В этом режиме вы можете стирать ноты по одной. Для включения этого режима можно использовать комбинацию клавиш Shift+E. Cut selected values (Ctrl+X) Вырезать выбранные ноты (Ctrl+X) Copy selected values (Ctrl+C) Копировать выбранные ноты в буфер (Ctrl+C) Paste values from clipboard (Ctrl+V) Вставить значения из буфера (Ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут перемещены в буфер. Позже вы можете вставить их в любое место любого шаблона с помощью кнопки "Вставить". Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут скопированы в буфер. Позже вы можете вставить их в любое место любого шаблона с помощью кнопки "Вставить". Click here and the values from the clipboard will be pasted at the first visible measure. При нажатии на эту кнопку ноты из буфера будут вставлены в превый видимый такт. Automation Editor - no pattern Редактор временных зависимостей — нет шаблона Automation Editor - %1 Редактор временных зависимостей — %1 Please open an automation pattern with the context menu of a control! Открывайте редатор временных зависимостей через контекстное меню регулятора! Values copied Значения скопированы All selected values were copied to the clipboard. Выбранные значения скопированы в буфер обмена. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Дважды щёлкните мышью чтобы настроить зависимость от времени для этого шаблона Open in Automation editor Настройка зависимости от времени Clear Очистить Reset name Сбросить название Change name Переименовать %1 Connections Соединения %1 Disconnect "%1" Отсоединить «%1» AutomationTrack Automation track Дорожка автоматизации Controller Controller %1 Контроллер %1 ControllerConnectionDialog Connection Settings Параметры соединения MIDI CONTROLLER Контроллер MIDI Input channel Входной канал CHANNEL КАНАЛ Input controller Входной контроллер CONTROLLER КОНТРОЛЛЕР Auto Detect Автоопределение MIDI-devices to receive MIDI-events from Устройства MIDI, с которых нужно принимать события USER CONTROLLER ПОЛЬЗ. КОНТРОЛЛЕР MAPPING FUNCTION OK УГУ Cancel Отменить LMMS LMMS Cycle Detected. Обнаружен цикл. ControllerRackView Controller Rack Контроллеры Add Добавить Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Параметры Controllers are able to automate the value of a knob, slider, and other controls. Контроллеры служать для автоматизации изменений значения регуляторов, ползунков или других контроллеров. Rename controller Переименовать контроллер Enter the new name for this controller Введите новое название для контроллера &Remove this plugin &Убрать фильтр &Help &Справка Effect Effect enabled Эффект включён Wet/Dry mix Регулятор глубины фильтрации Gate Тишина Decay Длит. спада EffectChain Effects enabled Эффекты включёны EffectRackView EFFECTS CHAIN ЦЕПЬ ФИЛЬТРОВ Add effect Добавить фильтр EffectSelectDialog Add effect Добавить фильтр Plugin description EffectView Toggles the effect on or off. Включает/выключает фильтр. On/Off Вкл/Выкл W/D На фильтр Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. Регулятор глубины фильтрации определяет долю сигнала, изменяемую фильтром, т. е. которая часть выходного сигнала прошла через этот фильтр. DECAY СПАД Time: Задержка уничтожения фильтра: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. Этот регулятор устанавливает время, которое будет действовать фильтр после последней ноты. Чем меньше значение, тем меньше требования к ЦП, однако это может вызвать обрезку звука при использовании эффектов задержки. GATE ЗАПОЛНЕНИЕ Gate: Уровень тишины: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Этот регулятор определяет наименьший уровень сигнала, который ещё будет посылаться фильтрам; всё, что ниже этого уровня, рассматриается как „тишина“ и не обрабатывается. Controls Параметры Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Сигнал проходит последовательно через все установленные фильтры (серху вниз). Переключатель Вкл/Выкл позволяет в любой момент включать/выключать фильтр. Регулятор глубины фильтрации определяет долю сигнала, изменяемую фильтром. Входной сигнал каждого фильтра является выходом предыдущего, так что доля нефильтрованного сигнала при прохождении по цепочке постоянно падает. Регулятор длительности последействия фильтра определяет время, которое будет действовать фильтр после окончания последней ноты. Чем меньше значение, тем меньше требования к ЦП, однако это может вызвать обрезку звука при использовании эффектов задержки. Для большинства же эффектов его можно выбирать достаточно малым. Регулятор уровня тишины служит для указания наименьшего уровня сигнала, который ещё будет посылаться фильтрам; всё, что ниже этого уровня, рассматриается как „тишина“ и не обрабатывается. Кнопка „Параметры“ открывает окно, где вы можете передать параметры модулю. Контекстное меню, вызываемое щелчком правой кнопкой мыши, позволяет менять порядок следования фильтров и удалять их. Move &up Переместить &выше Move &down Переместить &ниже &Remove this plugin &Убрать фильтр &Help &Справка EnvelopeAndLfoParameters Predelay Задержка Attack Длительность нарастания Hold Длительность гребня Decay Длит. спада Sustain Остаточный уровень Release Длительность исчезновения Modulation Модуляция LFO Predelay Задержка LFO LFO Attack Нарастание LFO LFO speed Скорость LFO LFO Modulation Модуляция LFO LFO Wave Shape Форма сигнала LFO Freq x 100 ЧАСТ x 100 Modulate Env-Amount Модулировать обложку EnvelopeAndLfoView DEL ЗДРЖ Predelay: Задержка: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. Этот регулятор определяет задержку перед воспроизведением звука. ATT НРСТ Attack: Длительность нарастания: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. Этот регулятор устанавливает время возрастания для текущей обложки. Чем больше значение, тем дольше характеристика (н-р, громкость) возрастает до максимума. Для инструменов вроде пианино характерны малые времена нарастания, а для струнных - большие. HOLD HOLD Hold: Длительность гребня: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. Эта ручка устанавливает длительность гребня волны текущей обложки. Чем больше значение, тем дольше обложка удерживает наибольший уровень. DEC СПАД Decay: Длительность спада: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. Этот регулятор устанавливает время спада для текущей обложки. Чем больше значение, тем дольше уровень уменьшается от максимального до остаточного. Для инструментов вроде пианино следует выбирать небольшие значения. SUST ОСТ Sustain: Остаточный уровень: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. Этот регулятор устанавливает остаточный уровень. Эта величина показывает, с какого уровня соответствующая характеристика снижается до нуля. REL ИСЧ Release: Длительность исчезновения: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. Этот регулятор устанавливает время исчезновения для текущей обложки. Чем больше значение, тем дольше характеристика (н-р, громкость) уменьшается от остаточного уровня до нуля. Для струнных инструментов следует выбирать большие значения. AMT МОД Modulation amount: Глубина модуляции: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. Этот регулятор устанавливает глубину модуляции для текущей обложки. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от обложки. LFO predelay: Пред. задержка LFO: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. Этот регулятор определяет задержку перед запуском LFO (LFO=низкочастотный генератор). LFO- attack: Нарастание LFO: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. SPD СКОР LFO speed: Скорость LFO: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Этот регулятор устанавлявает скорость текущего LFO. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Этот регулятор устанавливает глубину модуляции для текущего LFO. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от LFO. Click here for a sine-wave. Генерировать гармонический (синусоидальный) сигнал. Click here for a triangle-wave. Сгенерировать треугольный сигнал. Click here for a saw-wave for current. Генерировать пилообразный сигнал. Click here for a square-wave. Сгенерировать меандр. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. Задать форму сигнала из файла. FREQ x 100 ЧАСТОТА x 100 Click here if the frequency of this LFO should be multiplied by 100. Нажмите, чтобы увеличить частоту этого LFO в сто раз. multiply LFO-frequency by 100 Увеличить частоту LFO в 100 раз MODULATE ENV-AMOUNT МОДУЛИРОВАТЬ ОБЛОЖКУ Click here to make the envelope-amount controlled by this LFO. Нажмите сюда, чтобы глубина модуляции обложки задавалась этим LFO. control envelope-amount by this LFO Разрешить этому LFO задавать глубину модуляции обложки ms/LFO: Период: Hint Подсказка Drag a sample from somewhere and drop it in this window. Перетащите в это окно какой-нибудь образец. ExportProjectDialog Export project Output Выход File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Отменить Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Переименовать канал FX Enter the new name for this FX channel Введите новое название для канала FX-Mixer Микшер FX FX Fader %1 Mute Заглушить Mute this FX channel InstrumentFunctionArpeggio Arpeggio Арпеджио Arpeggio type Тип арпеджио Arpeggio range Частотный диапазон арпеджио Arpeggio time Период арпеджио Arpeggio gate Заполнение арпеджио Arpeggio direction Направление арпеджио Arpeggio mode Режим арпеджио Up Вверх Down Вниз Up and down Вверх и вниз Random Случайно Free Свободно Sort Упорядочить Sync Синхронизировать InstrumentFunctionArpeggioView ARPEGGIO АРПЕДЖИО An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. Арпджио — разновидность исполнения аккордов на фортепиано и струнных инструментах, как на арфе, когда звуки аккорда следуют один за другим. RANGE ДИАПАЗОН Arpeggio range: Диапазон арпеджио: octave(s) Октав[а/ы] Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. Используйте ручку, чтобы установить диапазон арпеджио (в октавах). Выбранный тип арпеджио будет охватывать указанное количество октав. TIME ВРЕМЯ Arpeggio time: Период арпеджио: ms мс Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. Регулировка периода арпеджио - время (в миллисекундах), которое должнен звучать каждый тон арпеджио. GATE ЗАПОЛНЕНИЕ Arpeggio gate: Коэффициент заполнения: % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Регулировка заполнения для арпеджио. Коэффициент заполнения показывает, какая часть каждого тона будет проиграна. Простой способ создавать стаккато-орпеджио. Chord: Direction: Направление: Mode: Режим: InstrumentFunctionNoteStacking octave Октава Major Мажорный Majb5 minor Минорный minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Arabic Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Аккорд Chord type Тип аккорда Chord range Частотный диапазон аккорда Minor InstrumentFunctionNoteStackingView RANGE ДИАПАЗОН Chord range: Диапазон аккорда: octave(s) Октав[а/ы] Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. Этот регулятор изменяет частотный диапазон акорда: аккорд будет содержать указанное число октав. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL КАНАЛ VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME ГРОМКОСТЬ Volume Громкость CUTOFF СРЕЗ Cutoff frequency Частота среза RESO УСИЛ Resonance Усиление Envelopes/LFOs Обложки/LFO Filter type Тип фильтра Q/Resonance Усиление LowPass ФНЧ HiPass ФВЧ BandPass csg ППФ csg BandPass czpg ППФ czpg Notch Полосно-заграждающий Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET ХАРАКТЕРИСТИКА These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Эта вкладка позволяет вам настроить обложки. Они очень важны для настройки звучания. Например, с помощью обложки громкости вы можете задать зависимость громкости звучания от времени. Если вам понадобится эмулировать мягкие струнные, просто задайте большие времена нарастания и исчезновения звука. С помощью обложек и низкочастотного генератора (LFO) вы в несколько щелчков мыши сможете создать просто невероятные звуки! FILTER ФИЛЬТР Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Здесь вы можете выбрать фильтр для этого инструмента. Фильтры могут довольно сильно менять звучание. Hz Гц Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... Этот регулятор устанавливает частоту среза для выбранного фильтра. К примеру, ФНЧ будет срезать сигнал на частотах выше частоты среза, полосно-пропускающий фильтр будет хорошо пропускать сигнал только на заданной частоте и так далее... RESO УСИЛ Resonance: Усиление: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. Эта ручка задаёт усиление сигнала на частота среза (резонансной частоте). FREQ ЧАСТ cutoff frequency: InstrumentTrack unnamed_track безымянный канал Volume Громкость Panning Pitch Сдвиг высоты FX channel Канал FX Default preset Не названо With this knob you can set the volume of the opened channel. Регулировка громкости текущего канала. Base note Опорная нота Pitch range InstrumentTrackView Volume Громкость Volume: Громкость: VOL ГРМК Panning Panning: Стереобаланс: PAN БАЛ MIDI MIDI Input Вход Output Выход InstrumentTrackWindow GENERAL SETTINGS ОБЩИЕ ПАРАМЕТРЫ Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Нажмите сюда, чтобы сохранить настройки текущего канала в файл предустановок. Позже вы сможете загрузить эти настройки через просмотрщик. Instrument volume Громкость инструмента Volume: Громкость: VOL ГРМК Panning Panning: Стереобаланс: PAN БАЛ Pitch Сдвиг высоты Pitch: Сдвиг высоты: cents центов PITCH СДВИГ FX channel Канал FX ENV/LFO ОБЛ/LFO FUNC АКК / АРП FX MIDI MIDI Save preset XML preset file (*.xpf) PLUGIN МОДУЛЬ Save current channel settings in a preset-file Pitch range (semitones) RANGE ДИАПАЗОН LadspaControl Link channels Связать каналы LadspaControlDialog Link Channels Связать каналы Channel Канал LadspaControlView Link channels Связать каналы Value: Значение: Sorry, no help available. Извините, справки нет. LadspaEffect Effect Эффект Unknown LADSPA plugin %1 requested. Запрошен неизвестный модуль LADSPA «%1». LfoController LFO Controller Контроллер LFO Base value Опорное значение Oscillator speed Скорость генератора Oscillator amount Oscillator phase Фаза генератора Oscillator waveform Форма сигнала для генератора Frequency Multiplier Множитель частоты LfoControllerDialog LFO LFO Controller Контроллер LFO BASE Base amount: todo сделать SPD СКОР LFO-speed: Скорость LFO: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. Этот регулятор устанавлявает скорость LFO. Чем больше значение, тем больше частота генератора. AMT МОД Modulation amount: Глубина модуляции: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. Этот регулятор устанавливает глубину модуляции для LFO. Чем больше значение, тем в большей степени выбранная характеристика (н-р, громкость или частота среза) будет зависеть от LFO. PHS СДФ Phase offset: Сдвиг фазы: degrees ˚ With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Этот регулятор устанавливает начальную фазу генератора низкой чатсоты (LFO), т. е. точку, с которой генератор начинает вырабатывать сигнал. Например, если вы задали синусоидальную форму сигнала и начальную фазу 180º, волна сначала пойдёт вниз, а не вверх. То же для меандра (сигнала прямоугольной формы). Click here for a sine-wave. Генерировать гармонический (синусоидальный) сигнал. Click here for a triangle-wave. Сгенерировать треугольный сигнал. Click here for a saw-wave. Сгенерировать пилообразный сигнал. Click here for a square-wave. Сгенерировать меандр. Click here for a a moog saw-wave. Генерировать пилообразный сигнал как moog. Click here for an exponential wave. Генерировать экспоненциальный сигнал. Click here for white-noise. Сгенерировать белый шум. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory Рабочий каталог LMMS The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Рабочий каталог LMMS (%1) не существует. Создать его? Позже вы сможете сменить его через Правка -> Параметры. Could not save config-file Не могу сохранить настройки Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. Не могу записать настройки в файл %1. Возможно, вы не обладаете правами на запись в него. Пожалуйста, проверьте свои права и попробуйте снова. &Project &Проект &New &Новый &Open... &Открыть... Recently opened projects Последние открывавшиеся проекты &Save &Сохранить Save &As... Сохранить &как... Import... Импорт... E&xport... &Экспорт... &Quit &Выйти &Edit &Правка Settings Параметры &Tools &Сервис &Help &Справка Online help Справка в сети Help Справка What's this? Что это? About О программе Create new project Создать новый проект Create new project from template Создать новый проект по шаблону Open existing project Открыть существующий проект Recently opened project Последние открывавшиеся проекты Save current project Сохранить текущий проект Export current project Экспортировать проект в звуковой файл Show/hide Song-Editor Показать/скрыть финальный секвенсор By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. По нажатию этой кнопки запускается финальный секвенсор. С его помощью вы можете редактировать композицию и устанавливать время воспроизведения для всех дорожек. Также вы можете вставлять и передвигать образцы непосредственно в списке воспроизведения. Show/hide Beat+Bassline Editor Показать/скрыть пошаговый секвенсор By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. По нажатию этой кнопки запускается пошаговый секвенсор произведения. Он необходим для установки ритма, добавления и удаления каналов, вырезания, копирования и вставки шаблонов и т. п. Show/hide Piano-Roll Показать/скрыть нотный секвенсор Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. По нажатию этой кнопки запускается секвенсор LMMS. С его помощью вы можете легко редактировать шаблоны мелодии. Show/hide Automation Editor Показать/скрыть редактор временн<b>ы</b>х зависимостей Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Нажатием этой кнопки показывается/убирается окно редактора временн<b>ы</b>х зависимостей. С его помощью вы можете редактировать изменения выбранных величин со временем. Show/hide FX Mixer Показать/скрыть микшер FX Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Нажмите здесь чтобы скрыть/показать микшер FX. Он является мощным инструментом для управления эффектами. Вы можете вставлять эффекты в различные каналы эффектов. Show/hide project notes Показать/скрыть заметки к проекту Click here to show or hide the project notes window. In this window you can put down your project notes. Эта кнопка показывает/прячет окно с заметками. В этом окне вы можете помещать любые комментарии к своей композиции. Show/hide controller rack Показать/скрыть управление контроллерами Untitled Неназванный LMMS %1 LMMS %1 Project not saved Проект не сохранён The current project was modified since last saving. Do you want to save it now? Проект был изменён. Сохранить его сейчас? Open project Открыть проект Save project Сохранить проект Help not available Справка недоступна Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. Пока что справка для LMMS не написана. Вероятно, Вы сможете найти нужные материалы на http://lmms.sf.net/wiki . My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Числитель Meter Denominator Знаменатель TIME SIG MeterModel Numerator Числитель Denominator Знаменатель MidiAlsaRaw::setupWidget DEVICE УСТРОЙСТВО MidiAlsaSeq::setupWidget DEVICE УСТРОЙСТВО MidiController MIDI Controller Контроллер MIDI unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE УСТРОЙСТВО MidiPort Input channel Входной канал Output channel Выходной канал Input controller Входной контроллер Output controller Выходной контроллер Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Принимать события MIDI Send MIDI-events Отправлять события MIDI Fixed output note OscillatorObject Osc %1 volume Громкость генератора %1 Osc %1 panning Стереобаланс для генератора %1 Osc %1 coarse detuning Расстройка генератора %1 (грубо) Osc %1 fine detuning left Расстройка левого канала генератора %1 Osc %1 fine detuning right Расстройка правого канала генератора %1 Osc %1 phase-offset Сдвиг фазы для генератора %1 Osc %1 stereo phase-detuning Фазовая расстройка генератора %1 между каналами Osc %1 wave shape Форма сигнала генератора No %1 Modulation type %1 Тип модуляции: %1 Osc %1 waveform Форма сигнала для генератора %1 PatmanView Open other patch Открыть другой патч Click here to open another patch-file. Loop and Tune settings are not reset. Нажмите чтобы открыть другой патч-файл. Настройки при этом сохранятся. Loop Повторять Loop mode Режим повтора Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Здесь включается/выключается режим повтора. Если он включён, то PatMan будет использовать информацию о повторе из файла. Tune Подстроить Tune mode Подстроить под ноту Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. Здесь включается/выключается режим подстройки. Если он включён, то PatMan изменит образец так, чтобы он совпадал по частоте с нотой. No file selected Не выбран файл Open patch file Открыть патч-файл Patch-Files (*.pat) Патч-файлы (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller Контроллер LFO PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Глубина модуляции: Attack: Длительность нарастания: Release: Длительность исчезновения: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Опорное значение Modulation amount Глубина модуляции Mute output Заглушить Attack Длительность нарастания Release Длительность исчезновения Abs Value Amount Multiplicator PianoView Base note Опорная нота Plugin Plugin not found Модуль не найден The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Модуль «%1» отсутствует либо не может быть загружен! Причина: «%2» Error while loading plugin Ошибка загрузки модуля Failed to load plugin "%1"! Ошибка загрузки модуля «%1»! ProjectRenderer WAV-File (*.wav) Файл WAV (*.wav) Compressed OGG-File (*.ogg) Сжатый файл OGG (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Название: File: Файл: Maker: Создал: Copyright: Права принадлежат: Requires Real Time: Требуется обработка в реальном времени: Yes Да No Нет Real Time Capable: Работа в реальном времени: In Place Broken: Вход и выход могут совпадать: Channels In: Входных каналов: Channels Out: Выходных каналов: SampleBuffer Open audio file Открыть звуковой файл All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Все звуковые файлы (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Файлы Wave (*.wav) OGG-Files (*.ogg) Файлы OGG (*.ogg) DrumSynth-Files (*.ds) Файлы DrumSynth (*.ds) FLAC-Files (*.flac) Файлы FLAC (*.flac) SPEEX-Files (*.spx) Файлы SPEEX (*.spx) MP3-Files (*.mp3) Файлы MPEG1 L3 (*.mp3) VOC-Files (*.voc) Файлы VOC (*.voc) AIFF-Files (*.aif *.aiff) Файлы AIFF (*.aif *.aiff) AU-Files (*.au) Файлы AU (*.au) RAW-Files (*.raw) Файлы RAW (*.raw) SampleTCOView double-click to select sample Для выбора файла-образца сделайте двойной щелчок мышью Delete (middle mousebutton) Удалить (средняя кнопка мыши) Cut Вырезать Copy Копировать Paste Вставить Mute/unmute (<Ctrl> + middle click) Заглушить/включить (Crl + средняя кнопка мыши) Set/clear record Установить/очистить запись SampleTrack Sample track Дорожка Volume Громкость SampleTrackView Track volume Громкость дорожки Channel volume: Громкость канала: VOL ГРМК TempoSyncKnob Tempo Sync Синхронизация No Sync Синхронизации нет Eight beats Восемь ударов (две ноты) Whole note Целая нота Half note Полунота Quarter note Четверть ноты 8th note Восьмая ноты 16th note 1/16 ноты 32nd note 1/32 ноты Custom... Настроить... &Help &Справка Custom Настроить Synced to Eight Beats Синхронизировано по двум нотам Synced to Whole Note Синхронизировано по целой ноте Synced to Half Note Синхронизировано по половине ноты Synced to Quarter Note Синхронизировано по четверти ноты Synced to 8th Note Синхронизировано по 1/8 ноты Synced to 16th Note Синхронизировано по 1/16 ноты Synced to 32nd Note Синхронизировано по 1/32 ноты TimeDisplayWidget click to change time units TrackContainer Couldn't import file Не могу импортировать файл Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Не могу найти фильтр для файла %1. Для подключения этого файла преобразуйте его в формат, поддерживаемый LMMS. Couldn't open file Не могу открыть файл Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Не могу открыть файл %1 для записи. Проверьте, обладаете ли вы правами на запись в выбранный файл и содержащий его каталог и попробуйте снова! Loading project... Чтение проекта... Cancel Отменить Please wait... Подождите, пожалуйста... Importing MIDI-file... Импортирую файл MIDI... Importing FLP-file... Импортирую файл FLP... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Модулировать фазу второго генератора сигналом с первого Use amplitude modulation for modulating oscillator 2 with oscillator 1 Модулировать амплитуду генератора 2 сигналом с первого генератора Mix output of oscillator 1 & 2 &Смешать сигналы первого и второго генераторов Synchronize oscillator 1 with oscillator 2 Синхронизировать первый генератор по второму Use frequency modulation for modulating oscillator 2 with oscillator 1 Модулировать частоту генератора 2 сигналом с первого генератора Use phase modulation for modulating oscillator 3 with oscillator 2 Модулировать фазу третьего генератора сигналом со второго Use amplitude modulation for modulating oscillator 3 with oscillator 2 Модулировать амплитуду генератора 3 сигналом со второго генератора Mix output of oscillator 2 & 3 &Смешанный выход от второго и третьего генераторов Synchronize oscillator 2 with oscillator 3 Синхронизировать второй генератор по третьему Use frequency modulation for modulating oscillator 3 with oscillator 2 Модулировать частоту генератора 3 сигналом со второго генератора Osc %1 volume: Громкость генератора %1: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Этот регулятор устанавливает громкость генератора %1. Если 0, то генератор выключается. Osc %1 panning: Стереобаланс для генератора %1: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Регулятор стереобаланса генератора %1. Величина -100 означает, что сигнал идёт только в левый канал, а 100 - в правый. Osc %1 coarse detuning: Расстройка генератора %1 (грубо): semitones полутон[а,ов] With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Грубая регулировка расстройки генератора %1. Возможна расстройка до 12 полутонов (до одной октавы) вверх и вниз. Полезно для создания аккордов. Osc %1 fine detuning left: Расстройка левого канала генератора %1: cents центов With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Этот регулятор устанавливает точную расстойку для левого канала генератора %1. Расстройка задаётся в диапазоне от -100 сотых до +100 сотых. Это полезно для создания "толстых" звуков. Osc %1 fine detuning right: Расстройка правого канала генератора %1: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Этот регулятор устанавливает точную расстойку для правого канала генератора %1. Расстройка задаётся в диапазоне от -100 сотых до +100 сотых. Это полезно для создания "толстых" звуков. Osc %1 phase-offset: Сдвиг фазы для генератора %1: degrees ˚ With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Этот регулятор устанавливает начальную фазу генератора №%1, т. е. точку, с которой генератор начинает вырабатывать сигнал. Например, если вы задали синусоидальную форму сигнала и начальную фазу 180º, волна сначала пойдёт вниз, а не вверх. То же для меандра (сигнала прямоугольной формы). Osc %1 stereo phase-detuning: Фазовая расстройка генератора %1 между каналами: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Этот регулятор устанавливает фазовую расстройку генератора %1 между каналами, то есть разность фаз между левым и правым каналами. Это удобно для создания стереоэффектов. Use a sine-wave for current oscillator. Генерировать гармонический (синусоидальный) сигнал. Use a triangle-wave for current oscillator. Генерировать треугольный сигнал. Use a saw-wave for current oscillator. Генерировать пилообразный сигнал. Use a square-wave for current oscillator. Генерировать меандр. Use a moog-like saw-wave for current oscillator. Генерировать пилообразный сигнал, как в moog. Use an exponential wave for current oscillator. Генерировать экспоненциальный сигнал. Use white-noise for current oscillator. Генерировать белый шум. Use a user-defined waveform for current oscillator. Задать форму сигнала. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Нажмите сюда, если вы хотите открыть другой модуль VST. После нажатия на кнопку появится стандартный диалог выбора файла, где вы сможете выбрать нужный модуль. Show/hide GUI Показать/скрыть интерфейс Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Эта кнопка скрывает/показывает графический пользовательский интерфейс (GUI) выбранного модуля VST. Turn off all notes Выключить все ноты Open VST-plugin Открыть модуль VST DLL-files (*.dll) Бибилиотеки DLL (*.dll) EXE-files (*.exe) Программы EXE (*.exe) No VST-plugin loaded Модуль VST не загружен Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Загрузка модуля Please wait while loading VST-plugin... Подождите, пока загружается модуль VST... Failed loading VST-plugin Не смог загрузить модуль VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Отчего-то модуль VST %1 не мог быть загружен. Если другое программное обеспечение VST работает у Вас под Linux'ом, свяжитесь с разработчиком LMMS! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ ЧАСТ Filter Resonance: RES УСИЛ Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Amplify Усиление Start of sample Начало образца End of sample Конец образца Reverse sample Перевернуть образец Loop Повторять Stutter bassBoosterControlDialog FREQ ЧАСТ Frequency: Частота: GAIN УСИЛ Gain: Усиление: RATIO ОТН Ratio: Отношение: bassBoosterControls Frequency Частота Gain Усиление Ratio Отношение bbEditor Play/pause current beat/bassline (Space) Воспроизведение/пауза Add beat/bassline Добавить ритм/лейтмотив Beat+Bassline Editor Пошаговый секвенсор Stop playback of current beat/bassline (Space) Остановить воспроизведение текущего лейтмотива (ПРОБЕЛ) Add automation-track Добавить дорожку автоматизации Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Нажмите чтобы проиграть запись лейтмтоива. Запись будет повторяться после окончания. Click here to stop playing of current beat/bassline. Остановить воспроизведение (Пробел). Remove steps Удалить шаги Add steps Добавить шаги bbTCOView Open in Beat+Bassline-Editor Открыть в пошаговом секвенсоре Reset name Сбросить название Change name Переименовать Change color Изменить цвет bbTrack Beat/Bassline %1 Лейтмотив %1 Clone of %1 bitInvader Samplelength Длительность bitInvaderView Sample Length Длительность образца Draw your own waveform here by dragging your mouse on this graph. Здесь вы можете рисовать собственный сигнал. Sine wave Синусоида Click for a sine-wave. Сгенерировать гармонический (синусоидальный) сигнал. Triangle wave Треугольник Click here for a triangle-wave. Сгенерировать треугольный сигнал. Saw wave Пила Click here for a saw-wave. Сгенерировать пилообразный сигнал. Square wave Меандр Click here for a square-wave. Сгенерировать меандр. White noise wave Белый шум Click here for white-noise. Сгенерировать белый шум. User defined wave Пользовательская Click here for a user-defined shape. Задать форму сигнала самому. Smooth Сгладить Click here to smooth waveform. Щёлкните чтобы сгладить форму сигнала. Interpolation Интерполяция Normalize Нормализовать exportProjectDialog Could not open file Не могу открыть файл Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Не могу открыть файл %1 для записи. Проверьте, обладаете ли вы правами на запись в выбранный файл и содержащий его каталог и попробуйте снова! Error Ошибка Error while determining file-encoder device. Please try to choose a different output format. Ошибка при определении кодировщика файла. Попробуйте выбрать другой целевой формат. Rendering: %1% Обработка: %1% Export project to %1 Экспорт композиции в файл %1 fader Please enter a new value between %1 and %2: Введите новое значение между %1 и %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency Начальная частота End frequency Конечная частота Decay Длит. спада Distortion Искажение Gain Усиление kickerInstrumentView Start frequency: Начальная частота: End frequency: Конечная частота: Decay: Длительность спада: Distortion: Искажение: Gain: Усиление: knob &Help &Справка Please enter a new value between %1 and %2: Введите новое значение между %1 и %2: Please enter a new value between -96.0 dBV and 6.0 dBV: Введите новое значение между –96,0 дБ и 6,0 дБ (по напряжению): ladspaBrowserView Available Effects Доступные эффекты Unavailable Effects Недоступные эффекты Instruments Инструменты Analysis Tools Анализаторы Don't know Неизвестные This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. В этом окне показана информация обо всех модулях LADSPA, которые обнаружила LMMS. Они разделены на пять категорий, в зависимости от названий и типов портов. Доступные эффекты — это те, которые могут быть использоаны в LMMS. Чтобы эффект LADSPA мог быть использован, он должен, во-первых, быть собственно эффектом, т. е. иметь как входные так и выходные каналы. LMMS в качестве входного канала воспринимает аудиопорт, содержащий в названии „in“, а выходные узнаёт по подстроке „out“. Для использования в LMMS число входных каналов должно совпадать с числом выходных, и эффект должен иметь возможность использования в реальном времени. Недоступные эффекты — это модули LADSPA, опознанные в качестве эффектов, однако либо с несовпадающими количестами входных/выходных каналов, либо не предназначенные для использования в реальном времени. Инструменты — это модули, у которых есть только выходные каналы. Анализаторы — это модули, обладающие лишь входными каналами. Неизвестные — модули, у которых не было обнаружено ни входных, ни выходных каналов. Двойной щелчок лувой кнопкой мыши по модулю даст информацию о его портах. Type: Тип: ladspaDescription Plugins Модули Description Описание ladspaPortDialog Name Название Rate Частота выборки Direction Направление Type Тип Min < Default < Max Наим. < Стандарт < Наиб. Logarithmic Логарифмический SR Dependent Audio Аудио Control Управление Input Вход Output Выход Toggled Включено Integer Целое Float Дробное Yes Да Ports Порты lb302Synth VCF Cutoff Frequency Частота среза VCF VCF Resonance Усиление VCF Envelope Mod Глубина модуляции VCF VCF Envelope Decay Спад VCF Slide Accent Dead Slide Decay Distortion Искажение Waveform Форма сигнала 24dB/oct Filter lb302SynthView Cutoff Freq: Частота среза: Resonance: Усиление: Env Mod: Глубина модуляции: Decay: Длительность спада: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: ИСК: Saw wave Пила Click here for a saw-wave. Сгенерировать пилообразный сигнал. Triangle wave Треугольник Click here for a triangle-wave. Сгенерировать треугольный сигнал. Square wave Меандр Click here for a square-wave. Сгенерировать меандр. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Синусоида Click for a sine-wave. Сгенерировать гармонический (синусоидальный) сигнал. White noise wave Белый шум Click here for an exponential wave. Генерировать экспоненциальный сигнал. Click here for white-noise. Сгенерировать белый шум. lb303Synth VCF Cutoff Frequency Частота среза VCF VCF Resonance Усиление VCF Envelope Mod Глубина модуляции VCF VCF Envelope Decay Спад VCF Distortion Искажение Waveform Форма сигнала Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: Частота среза: CUT СРЕЗ Resonance: Усиление: RES УСИЛ Env Mod: Глубина модуляции: ENV MOD МОД Decay: Длительность спада: DEC СПАД 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: ИСК: DIST ИСК WAVE: Форма: WAVE Форма malletsInstrument Hardness Position Положение Vibrato Gain Усиление вибрато Vibrato Freq Частота вибрато Stick Mix Modulator Модулятор Crossfade Переход LFO Speed Скорость LFO LFO Depth ADSR Pressure Давление Motion Speed Скорость Bowed Spread Missing files Отсутствующие файлы Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! Похоже, что установлены не все пакеты STK. Вам следует это проверить! Marimba Маримба Vibraphone Вибрафон Agogo Дискотека Wood1 Дерево1 Reso УСИЛ Wood2 Дерево2 Beats Удары Two Fixed Clump Тяжёлая поступь Tubular Bells Трубчатые колокольчики Uniform Bar Tuned Bar Glass Стекло Tibetan Bowl Тибетские шары malletsInstrumentView Instrument Инструмент Spread Spread: Hardness Hardness: Position Положение Position: Положение: Vib Gain Усил. вибрато Vib Gain: Усил. вибрато: Vib Freq Част. виб Vib Freq: Вибрато: Stick Mix Stick Mix: Modulator Модулятор Modulator: Модулятор: Crossfade Переход Crossfade: Переход: LFO Speed Скорость LFO LFO Speed: Скорость LFO: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Давление Pressure: Давление: Motion Motion: Speed Скорость Speed: Скорость: Vibrato Вибрато Vibrato: Вибрато: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Справка opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Искажение Volume Громкость organicInstrumentView Distortion: Искажение: Volume: Громкость: Randomise Случайно Osc %1 waveform: Форма сигнала для генератора %1: Osc %1 volume: Громкость генератора %1: Osc %1 panning: Стереобаланс для генератора %1: Osc %1 fine detuning left: Расстройка левого канала генератора %1: cents центов papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Громкость первого канала Volume sweep direction Length of each step in sweep Channel 2 volume Громкость второго канала Channel 3 volume Громкость третьего канала Channel 4 volume Громкость четвёртого канала Right Output level Выходной уровень справа Left Output level Выходной уровень слева Channel 1 to SO2 (Left) От первого канала к SO2 (левый канал) Channel 2 to SO2 (Left) От второго канала к SO2 (левый канал) Channel 3 to SO2 (Left) От третьего канала к SO2 (левый канал) Channel 4 to SO2 (Left) От четвёртого канала к SO2 (левый канал) Channel 1 to SO1 (Right) От первого канала к SO1 (правый канал) Channel 2 to SO1 (Right) От второго канала к SO1 (правый канал) Channel 3 to SO1 (Right) От третьего канала к SO1 (правый канал) Channel 4 to SO1 (Right) От четвёртого канала к SO1 (правый канал) Treble Верхние Bass Нижние Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Верхние: Treble Верхние Bass: Нижние: Bass Нижние Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern Не могу заморозить шаблон The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! Шаблон не может быть заморожен, так как он проигрывается в данный момент. Остановите воспроизведение и попробуйте снова! patternFreezeStatusDialog Freezing pattern... Замораживаю шаблон... Cancel Отменить patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Чтобы открыть этот шаблон в секвенсоре, дважды на нём щёлкните Используйте колёсико мыши для установки громкости отдельного шага Open in piano-roll Открыть в секвенсоре Clear all notes Очистить Reset name Сбросить название Change name Переименовать Refreeze Перезаморозить Freeze Заморозить Unfreeze Разморозить Add steps Добавить шаги Remove steps Удалить шаги PianoRoll Cut selected notes (Ctrl+X) Переместить выделенные ноты в буфер (Ctrl+X) Copy selected notes (Ctrl+C) Копировать выделенные ноты в буфер (Ctrl+X) Paste notes from clipboard (Ctrl+V) Вставить ноты из буфера (Ctrl+V) Play/pause current pattern (Space) Воспроизведение ткущего шаблона/пауза (Пробел) Stop playing of current pattern (Space) Остановить воспроизвдение шаблона (Пробел) Piano-Roll - no pattern Секвенсор - без шаблона Piano-Roll - %1 Секвенсор - %1 Please open a pattern by double-clicking on it! Откройте шаблон с помощью двойного щелчка мышью! Record notes from MIDI-device/channel-piano Записать ноты с цифрового музыкального инструмента (MIDI) Last note По посл. ноте Draw mode (Shift+D) Режим рисования (Shift+D) Erase mode (Shift+E) Режим стирания нот (Shift+E) Select mode (Shift+S) Режим выбора нот (Shift+S) Record notes from MIDI-device/channel-piano while playing song or BB track Записать ноты с цифрового музыкального инструмента (MIDI) во время воспроизведения композиции или лейтмотива Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Нажмите здесь чтобы проиграть текущий шаблон. Это может пригодиться при его редактировании. По окончании шаблона воспроизведение начнётся сначала. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Нажмите эту кнопку, если вы хотите записать ноты с устройства MIDI или виртуального синтезатора соответствующего канала. Позже вы сможете отредактировать записанный шаблон. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Нажмите эту кнопку, если вы хотите записать ноты с устройства MIDI или виртуального синтезатора соответствующего канала. Во время записи все ноты записываются в этот шаблон, и вы будете слышать композицию или лейтмотив. Click here to stop playback of current pattern. Нажмите здесь, если вы хотите остановить воспроизведение текущего шаблона. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут перемещены в буфер. Позже вы можете вставить их в любое место любого шаблона с помощью кнопки "Вставить". Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. При нажатии на эту кнопку выделеные ноты будут перемещены в буфер. Позже вы можете вставить их в любое место любого шаблона с помощью кнопки "Вставить". Click here and the notes from the clipboard will be pasted at the first visible measure. При нажатии на эту кнопку ноты из буфера будут вставлены в превый видимый такт. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser Instrument plugins Инструменты three powerful oscillators you can modulate in several ways Три генератора, которые Вы можете настраивать по вкусу no description описание отсутствует VST-host for using VST(i)-plugins within LMMS Поддержка модулей VST(i) в LMMS Additive Synthesizer for organ-like sounds Синтезатор звуков вроде органа simple sampler with various settings for using samples (e.g. drums) in an instrument-track Подключение произвольного звукового образца с некоторой возможностью настройки Filter for importing MIDI-files into LMMS Фильтр для включение файла MIDI в проект LMMS plugin for using arbitrary LADSPA-effects inside LMMS. Модуль, позволяющий использовать в LMMS любые эффекты LADSPA. Tuneful things to bang on Мелодичные ударные plugin for using arbitrary VST-effects inside LMMS. Модуль, позволяющий использовать в LMMS любые эффекты VST. Vibrating string modeler Эмуляция струн Filter for importing FL Studio projects into LMMS Фильтр для импортирования файлов FL Stuio Incomplete monophonic imitation tb303 Незавершённая монофоническая имитация tb303 versatile kick- & bassdrum-synthesizer Многоцелевой синтезатор ударных Instrument browser Инструменты Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Вы можете переносить нужные вам инструменты из этой панели в финальный или пошаговый секвенсор. Plugin for enhancing stereo separation of a stereo input file Модуль, усиливающий разницу между каналами стереозаписи plugin for boosting bass Модуль, усиливающий басы Emulation of GameBoy (TM) APU Эмуляция аудиопроцессора GameBoy (TM) Plugin for freely manipulating stereo output Модуль для произвольного управления стереовыходом Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Эмуляция MOS6581 и MOS8580. Использовалось на компьютере Commodore 64. List installed LADSPA plugins Показать установленные модули LADSPA Player for SoundFont files Проигрыватель файлов SoundFont Plugin for controlling knobs with sound peaks Модуль для установки значений регуляторов по пикам громкости GUS-compatible patch instrument Патч-инструмент, совместимый с GUS Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Put down your project notes here. Здесь вы можете держать заметки к своему проекту. Project notes Заметки к проекту Edit Actions Правка &Undo &Отменить Ctrl+Z &Redo &Повторить Ctrl+Y &Copy &Копировать Ctrl+C Cu&t &Вырезать Ctrl+X &Paste &Вставить Ctrl+V Format Actions Форматирование &Bold Полу&жирный Ctrl+B &Italic &Курсив Ctrl+I &Underline &Подчеркнуть Ctrl+U &Left По &левому краю Ctrl+L C&enter По &центру Ctrl+E &Right По &правому краю Ctrl+R &Justify По &ширине Ctrl+J &Color... &Цвет... renameDialog Rename... Переименовать... setupDialog Setup LMMS Настройка LMMS General settings Общие параметры BUFFER SIZE РАЗМЕР БУФЕРА Reset to default-value Восстановить значение по умолчанию MISC РАЗНОЕ Audio settings Параметры звука AUDIO INTERFACE ЗВУКОВАЯ СИСТЕМА MIDI settings Параметры MIDI MIDI INTERFACE ИНТЕРФЕЙС MIDI OK Cancel Отменить Restart LMMS Перезапустите LMMS Please note that most changes won't take effect until you restart LMMS! Учтите, что большинство настроек не вступят в силу до перезапуска программы! Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Здесь вы можете настроить размер внутреннего звукового буфера LMMS. Меньшие значения дают меньшее время отклика программы, но повышают потребление ресурсов - это особенно заметно на старых машинах и системах, ядро которых не поддерживает приоритета реального времени. Если наблюдается прерывистый звук, попробуйте увеличить размер буфера. Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Пожалуйста, выберите звуковую систему. В зависимости от конфигурации во время компилирования программы, вы можете использовать ALSA, JACK, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранной системы. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Пожалуйста, выберите интерфейс MIDI. В зависимости от конфигурации во время компилирования программы, вы можете использовать ALSA, OSS и другие. В нижней части окна настройки можно задать специфические параметры выбранного интерфейса. LMMS working directory Рабочий каталог LMMS VST-plugin directory Каталог модулей VST Choose LMMS working directory Выбор рабочего каталога LMMS Choose your VST-plugin directory Выбор каталога для модулей VST Performance settings Параметры производительности UI effects vs. performance Визуальные эффекты/производительность Frames: %1 Latency: %2 ms Фрагментов: %1 Отклик: %2 Artwork directory Каталог с элементами оформления Choose artwork-theme directory Выбор каталога с темой оформления для LMMS Display volume as dBV Отображать громкости в децибелах (напр.) FL Studio installation directory Каталог установки FL Studio STK rawwave directory Каталог STK Choose FL Studio installation directory Выбор каталога FL Studio Choose LADSPA plugin directory Выбор каталога с модулями LADSPA Choose STK rawwave directory Выбор каталога STK Enable tooltips Включить всплывающие подсказки Show restart warning after changing settings Показывать предупреждение после изменения настроек Compress project files per default По умолчанию сжимать файлы проектов HQ-mode for output audio-device Режим высокого качества для вывода звука Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Усиление Reverb Эхо Reverb Roomsize Reverb Damping Reverb Width Reverb Level Уровень эха Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Открыть другой файл SoundFront Click here to open another SF2 file Нажмите здесь чтобы открыть другой файл SF2 Choose the patch Выбрать патч Gain Усиление Apply reverb (if supported) Создать эхо (если поддерживается) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Эта кнопка включает эффект эха. Это может пригодиться, но работает не для всех файлов. Reverb Roomsize: Размер помещения: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) Создать эффект хора (если поддерживается) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Эта кнопка включает эффект хора. Это может пригодиться, но работает не для всех файлов. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file Открыть файл SoundFront SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Срез Resonance Усиление Filter type Тип фильтра Voice 3 off Volume Громкость Chip model Модель чипа sidInstrumentView Volume: Громкость: Resonance: Усиление: Cutoff frequency: Частота среза: High-Pass filter ФВЧ Band-Pass filter ППФ Low-Pass filter ФНЧ Voice3 Off MOS6581 SID MOS8580 SID Attack: Длительность нарастания: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Длительность нарастания определяет, насколько быстро громкость %1-го голоса возрастает от нуля до наибольшего значения. Decay: Длительность спада: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Длительность спада определяет, насколько быстро громкость падает от максимума до остаточного уровня. Sustain: Остаточный уровень: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Громкость %1-го голоса будет оставаться на этом уровне, пока длится нота. Release: Длительность исчезновения: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Громкость %1-го голоса будет падать от остаточного уровня до нуля с указанной здесь скоростью. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave Треугольник SawTooth Пила Noise Шум Sync Синхронизировать Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered Фильтровать When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Если этот флажок установлен, то %1-й голос будет проходить через фильтр. Иначе голос №%1 будет подаваться прямо на выход. Test Флажок Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. Если «флажок» установлен, то %1-й генератор выдаёт нулевой сигнал (пока флажок не снимется). song Tempo Темп Master volume Общая громкость Master pitch Общая высота тона Project saved Проект сохранён The project %1 is now saved. Проект %1 сохранён. Project NOT saved. Проект НЕ СОХРАНЁН. The project %1 was not saved! Проект %1 не сохранён! Import file Импорт файла Empty project Проект пуст This project is empty so exporting makes no sense. Please put some items into Song Editor first! Проект ничего не содержит, так что и экспортировать нечего. Сначала добавьте хотя бы одну дорожку с помощью секвенсора! untitled Неназванное Select file for project-export... Выбор файла для экспорта проекта... MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Нажмите сюда, если вы хотите остановить воспроизведение мелодии. Курсор при этом будет установлен на начало композиции. Could not open file Не могу открыть файл Could not write file Не могу записать файл Song-Editor Финальный секвенсор Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Нажмите, чтобы прослушать созданную мелодию. Воспроизведение начнётся с позиции курсора (зелёный треугольник); вы можете двигать его во время проигрывания. Play song (Space) Начать воспроизведение (Пробел) Stop song (Space) Остановить воспроизведение (Пробел) Add beat/bassline Добавить ритм/басы Add sample-track Добавить файл Draw mode Режим рисования Edit mode (select and move) Правка (выделение/перемещение) Record samples from Audio-device Записать образец со звукового устройства Record samples from Audio-device while playing song or BB track Записать ноты со звуковой платы во время воспроизведения композиции или лейтмотива Add automation-track Добавить дорожку автоматизации Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Темп TEMPO/BPM ТЕМП/BPM tempo of song Темп мелодии The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). Это значение задаёт темп мелодии в ударах в минуту (англ. аббр. BPM). На каждый такт приходится четыре удара, так что темп в ударах в минуту фактически указывает, сколько четвертей такта проигрывается за минуту (или, что то же, количество тактов, проигрываемых за четыре минуты). High quality mode Высокое качество Master volume Общая громкость master volume Общая громкость Master pitch Общая высота тона master pitch Общая высота тона Value: %1% Значение: %1% Value: %1 semitones Значение: %1 полутон(а/ов) Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Линейный спектр Linear Y axis Линейная ось ординат spectrumAnalyzerControls Linear spectrum Линейный спектр Linear Y-axis Линейная ось ординат Channel mode Режим канала stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: От левого на левый: Left to Right Vol: От левого на правый: Right to Left Vol: От правого на левый: Right to Right Vol: От правого на правый: stereoMatrixControls Left to Left От левого на левый Left to Right От левого на правый Right to Left От правого на левый Right to Right От правого на правый timeLine Enable/disable auto-scrolling Вкл/выкл автопрокрутку Enable/disable loop-points Вкл/выкл точки перемотки After stopping go back to begin После останова переходить к началу After stopping go back to position at which playing was started После останова переходить к месту, с которого началось воспроизведение After stopping keep position Оставаться на месте останова Hint Подсказка Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Заглушён Solo Моно trackContentObject Muted Заглушён trackContentObjectView Current position Позиция Hint Подсказка Press <Ctrl> and drag to make a copy. Нажмите <Ctrl> и отпустите, чтобы создать копию. Current length Длительность Press <Ctrl> for free resizing. Для свободного перемещения нажмите <Ctrl>. %1:%2 (%3:%4 to %5:%6) %1:%2 (от %3:%4 до %5:%6) Delete (middle mousebutton) Удалить (средняя кнопка мыши) Cut Вырезать Copy Копировать Paste Вставить Mute/unmute (<Ctrl> + middle click) Заглушить/включить (Crl + средняя кнопка мыши) trackOperationsWidget Clone this track Копировать дорожку Remove this track Удалить дорожку Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Для перетаскивания в другое окно нажмите <Ctrl> при нажатии на эту полоску. Actions for this track Действия для этой дорожки Mute Заглушить Mute this track Отключить дорожку Solo Моно vestigeInstrument Failed loading VST-plugin Не смог загрузить модуль VST The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Отчего-то модуль VST %1 не мог быть загружен. Если другое программное обеспечение VST работает у Вас под Linux'ом, свяжитесь с разработчиком LMMS! Loading plugin Загрузка модуля Please wait while loading VST-plugin... Подождите, пока загружается модуль VST... vibed String %1 volume Громкость %1-й струны String %1 stiffness Жёсткость %1-й струны Pick %1 position Лад %1 Pickup %1 position Положение %1-го звукоснимателя Pan %1 Стереобаланс %1 Detune %1 Расстройка %1 Fuzziness %1 Нечёткость %1 Length %1 Длина %1 Impulse %1 Импульс %1 Octave %1 Октава %1 vibedView Volume: Громкость: The 'V' knob sets the volume of the selected string. Регулятор 'V' устанавливает громкость текущей струны. String stiffness: Жёсткость: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Регулятор 'S' устанавливает жёсткость текущей струны. Этот параметр отвечает за длительность звучания струны (чем больше значение жёсткости, тем тольше звенит струна). Pick position: Лад: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Регулятор 'P' устанавливает место струны, где она будет „прижата“. Чем ниже значение, тем ближе это место будет к кобылке. Pickup position: Положение звукоснимателя: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Регулятор 'PU' устанавливает место струны, откуда будет сниматься звук. Чем ниже значение, тем ближе это место будет к кобылке. Pan: Стереобаланс: The Pan knob determines the location of the selected string in the stereo field. Этот регулятор устанавливает стереобаланс для текущей струны. Detune: Расстройка: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Регулятор расстройки изменяет сдвиг частоты для текущей струны. Отрицательные значения заставят струну звучать бемольно, положительные — диезно. Fuzziness: Нечёткость: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Этот регулятор добавляет размытости звуку, что наиболее заметно во время нарастания, впрочем это может использоваться чтобы сделать звук более „металлическим“. Length: Длина: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Регулятор длины устанавливает длину текущей струны. Чем длиннее струна, тем более чистый и долгий звук она даёт; однако это требует больше ресурсов ЦП. Impulse or initial state Начальная скорость/начальное состояние The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Переключатель „Imp“ устанавливает режим работы струны: если он включён, то указанная форма сигнала интерпретируется как начальный импульс, иначе — как начальная форма струны. Octave Октава The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Переключатель октав позволяет указать гармонику основной частоты, на которой будет звучать струна. Например, „-2“ означает, что струна будет звучать двумя октавами ниже основной частоты, „F“ заставит струну звенеть на основной частоте инструмента, а „6“ — на частоте, на шесть октав более высокой, чем основная. Impulse Editor Редактор формы импульса The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Редактор формы позволяет явно указать профиль струны в начальный момент времени, либо её начальный импульс (в заисимости от состояния переключателя „Imp“). Кнопки справа от рисунка позволяют задавать некоторые стандартные формы, причём кнопка '?' служит для задания формы из произвольного звукового файла (загружаются первые 128 элементов выборки). Также форма сигнала может быть просто нарисована с помощью мыши. Кнопка 'S' сгладит текущую форму. Кнопка 'N' нормализует уровень. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Инструмент „Vibed“ моделирует до девяти независимых одновременно звучащих струн. Переключатель „Strings“ позволяет выбрать струну, чьи свойства редактируются. Переключатель „Imp“ устанавливает режим работы струны: если он включён, то указанная форма сигнала интерпретируется как начальный импульс, иначе — как начальная форма струны. Переключатель „Octave“ позволяет указать гармонику основной частоты, на которой будет звучать струна. Редактор формы позволяет явно указать профиль струны в начальный момент времени, либо её начальный импульс. Регулятор 'V' устанавливает громкость текущей струны, 'S' — жёсткость, 'P' — место, где прижата струна, а 'PU'' — положение звукоснимателя Регуляторы расстройки и стереобаланса, есть надежда, не нуждаются в объяснениях. Ручка „Длина“ регулирует длину струны Индикатор-переключатель слева снизу определяет, включена ли текущая струна. Enable waveform Включить Click here to enable/disable waveform. Нажмите, чтобы включить/выключить сигнал. String Струна The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Переключатель струн позволяет выбрать струну, чьи свойства редактируются. Инструмент Vibed содержит до девяти независимо звучащих струн, индикатор в левом нижнем углу показывает, активна ли текущая струна (т. е. будет ли она слышна). Sine wave Синусоида Use a sine-wave for current oscillator. Генерировать гармонический (синусоидальный) сигнал. Triangle wave Треугольник Use a triangle-wave for current oscillator. Генерировать треугольный сигнал. Saw wave Пила Use a saw-wave for current oscillator. Генерировать пилообразный сигнал. Square wave Меандр Use a square-wave for current oscillator. Генерировать меандр. White noise wave Белый шум Use white-noise for current oscillator. Генерировать белый шум. User defined wave Пользовательская Use a user-defined waveform for current oscillator. Задать форму сигнала. Smooth Сгладить Click here to smooth waveform. Щёлкните чтобы сгладить форму сигнала. Normalize Нормализовать Click here to normalize waveform. Нажмите, чтобы нормализовать сигнал. &Help &Справка visualizationWidget click to enable/disable visualization of master-output Нажмите, чтобы включить/выключить визуализацию Click to enable voiceObject Voice %1 pulse width Voice %1 attack Нарастание %1-го голоса Voice %1 decay Спад %1-го голоса Voice %1 sustain Остаточный уровень для %1-го голоса Voice %1 release Исчезновения %1-го голоса Voice %1 coarse detuning Расстройка %1-го голоса (грубо) Voice %1 wave shape Форма сигнала для %1-го голоса Voice %1 sync Синхронизация %1-го голоса Voice %1 ring modulate Voice %1 filtered Фильтровать %1-й голос Voice %1 test lmms-1.0.0+bzr2569/data/locale/sv.qm0000644000000000000000000005377711517317720015113 0ustar 00000000000000TBTKY1H5'=XWe(Mį$ An*$/=*y/**0 *0 *0D*0S*0#*0)n*0M++0+0+ +A+į1:F|E^GGqH&HZI; eM5'0Sb TZUQVb#Vb V9IVK=Wi(Z'hZo>$Zo@[\%dtb 5vQ)+KunHP"R^@۴CB18Jo@HD=a34(^b(^L.: QRo@r% %0K0Mt>G~r4A:)}"6$Őĩ;6~* xչ87 Y(Z1019BQq.Qq.M`Q`@`%=U`%?jztrJAw!qw(wN95xx 0uuuuhuuuuI JIwI*|I:IB112 2?2r223 3>3q 3 3V4 u"7 u?PH8QgaE }o.kIt?!3;EU9Z1l<5n<5%<5<5)<5:<5<lj5ZC%i x6{/kN9HWjC&[ _[ .l'7j"6#Fi7( 2 :^) i5n-;&KUI,LZ c NM2 2-SE!-SE(-SENGx!Ec? jDnqvS=dkJ#^& $ K 6E= 8e!/ 8eN Mg& TK Ys' =D  , % \U! \U)( \UO U$~ #. %ӴI e& fy6r g$%, mb. u?  D #2 ˔0 N>L / N: Om STn STnLB `* N N V hI  iPJad^Icg$OpCgA0U&}` G"HiO}OmAbout AboutDialog FrittFree ArpeggiatorSorteraSort Arpeggiator%%ArpeggiatorViewRiktning: Direction:ArpeggiatorView Lge:Mode:ArpeggiatorView OMRDERANGEArpeggiatorViewTIDTIMEArpeggiatorViewoktav(er) octave(s)ArpeggiatorViewKANALERCHANNELSAudioAlsa::setupWidget ENHETDEVICEAudioAlsa::setupWidgetFrstrkning:Amplify:AudioFileProcessorViewStartpunkt: Startpoint:AudioFileProcessorViewKANALERCHANNELSAudioJack::setupWidgetKLIENT-NAMN CLIENT-NAMEAudioJack::setupWidgetKANALERCHANNELSAudioOss::setupWidget ENHETDEVICEAudioOss::setupWidget ENHETDEVICEAudioPortAudio::setupWidgetKANALERCHANNELSAudioPulseAudio::setupWidget ENHETDEVICEAudioPulseAudio::setupWidget ENHETDEVICEAudioSdl::setupWidget0&Klistra in vrde (%1%2)&Paste value (%1%2)AutomatableModel"&Nollstll (%1%2) &Reset (%1%2)AutomatableModel\Alla valda vrden blev kopierade till urklipp.1All selected values were copied to the clipboard.AutomationEditor:Kopiera valda vrden (ctrl+C)Copy selected values (Ctrl+C)AutomationEditor<klipp ut valda vrden (ctrl+X)Cut selected values (Ctrl+X)AutomationEditorLKlistra in vrden frn urklipp(ctrl+V)$Paste values from clipboard (Ctrl+V)AutomationEditor0Markeringslge (shift+s)Select mode (Shift+S)AutomationEditor Vrden kopierade Values copiedAutomationEditorByt namn Change nameAutomationPatternViewNollstll namn Reset nameAutomationPatternViewArabiskArabic ChordCreator BluesBlues ChordCreatorackordtyp Chord type ChordCreatordurMajor ChordCreator helnot Whole tone ChordCreatormolnminor ChordCreator oktavoctave ChordCreator OMRDERANGEChordCreatorViewoktav(er) octave(s)ChordCreatorView KANALCHANNELControllerConnectionDialog AvbrytCancelControllerConnectionDialogLgg tillAddControllerRackView &Hjlp&HelpControllerView.&Ta bort denna pluginen&Remove this pluginControllerViewKontrollerControlsControllerView &Hjlp&Help EffectView.&Ta bort denna pluginen&Remove this plugin EffectViewKontrollerControls EffectViewFlytta &ner Move &down EffectViewFlytta &upMove &up EffectView P/AvOn/Off EffectViewTid:Time: EffectViewLedtrdHintEnvelopeAndLfoView AvbrytCancelExportProjectDialog KANALCHANNELInstrumentMidiIOViewFiltertyp Filter typeInstrumentSoundShaping VOLYMVOLUMEInstrumentSoundShaping VolymVolumeInstrumentSoundShaping FILTERFILTERInstrumentSoundShapingViewMLTARGETInstrumentSoundShapingView VolymVolumeInstrumentTrackMIDIMIDIInstrumentTrackViewVOLVOLInstrumentTrackView VolymVolumeInstrumentTrackView Volym:Volume:InstrumentTrackViewMIDIMIDIInstrumentTrackWindow PLUGINPLUGINInstrumentTrackWindowVOLVOLInstrumentTrackWindow Volym:Volume:InstrumentTrackWindowKanalerChannel LadspaControlDialogFTyvrr, ingen hjlp r tillgnglig.Sorry, no help available.LadspaControlView Vrde:Value:LadspaControlView&Redigera&Edit MainWindow &Hjlp&Help MainWindow&Ny&New MainWindow&ppna...&Open... MainWindow&Projekt&Project MainWindow&Avsluta&Quit MainWindow &Spara&Save MainWindowOmAbout MainWindowDKunde inte spara konfigurationsfilCould not save config-file MainWindow$Skapa nytt projektCreate new project MainWindow4Exportera aktuellt projektExport current project MainWindow HjlpHelp MainWindow,Hjlp inte tillgngligHelp not available MainWindowLMMS %1LMMS %1 MainWindow2ppna existerande projektOpen existing project MainWindowppna projekt Open project MainWindowterstllRedo MainWindowSpara &Som... Save &As... MainWindow,Spara aktuellt projektSave current project MainWindowSpara projekt Save project MainWindow(Visa/gm Sng-EditorShow/hide Song-Editor MainWindow8Visa/gm projektanteckningarShow/hide project notes MainWindow ngraUndo MainWindowVad r detta? What's this? MainWindow ENHETDEVICEMidiAlsaRaw::setupWidget ENHETDEVICEMidiAlsaSeq::setupWidget ENHETDEVICEMidiOss::setupWidget&Snd MIDI-hndelserSend MIDI-eventsMidiPort6Fel vid inlsning av pluginError while loading pluginPlugin(Plugin hittades intePlugin not foundPlugin6Komprimerad OGG-Fil (*.ogg)Compressed OGG-File (*.ogg)ProjectRendererSkapare:Maker: QWidget Name: Name: QWidgetJaYesQWidget &Hjlp&Help TempoSyncKnobHalvnoter Half note TempoSyncKnob"DLL-filer (*.dll)DLL-files (*.dll)VestigeInstrumentView"EXE-filer (*.exe)EXE-files (*.exe)VestigeInstrumentView.Inget VST-plugin inlstNo VST-plugin loadedVestigeInstrumentView ppna VST-pluginOpen VST-pluginVestigeInstrumentView,ppna andra VST-pluginOpen other VST-pluginVestigeInstrumentViewAvbyVestigeInstrumentViewNMisslyckades med att lsa in VST_pluginFailed loading VST-plugin VstPluginLaddar pluginLoading plugin VstPluginFVnta medans VST-plugin lses in...'Please wait while loading VST-plugin... VstPlugin(Play/pause current beat/bassline (Space)bbEditorByt frg Change color bbTCOViewByt namn Change name bbTCOViewNollstll namn Reset name bbTCOViewNormalisera NormalizebitInvaderViewSinusvg Sine wavebitInvaderViewFyrkantsvg Square wavebitInvaderViewtriganelvg Triangle wavebitInvaderView(kunde inte ppna filCould not open fileexportProjectDialog2Exportera projekt till %1Export project to %1exportProjectDialog &Hjlp&HelpknobLSKriv ett nytt vrde mellan %1 och %2:+Please enter a new value between %1 and %2:knoblSkriv in ett nytt vrde mellan -96.0 dBV och 6.0 dBV:7Please enter a new value between -96.0 dBV and 6.0 dBV:knob*Tillgngliga EffekterAvailable EffectsladspaBrowserViewVet inte Don't knowladspaBrowserViewInstrument InstrumentsladspaBrowserViewTyp:Type:ladspaBrowserView4Icke Tillgngliga EffekterUnavailable EffectsladspaBrowserViewBeskrivning DescriptionladspaDescription PluginPluginsladspaDescriptionLjudAudioladspaPortDialogKontrollControlladspaPortDialogRiktning DirectionladspaPortDialogFlyttalFloatladspaPortDialog HeltalIntegerladspaPortDialogLogaritmisk LogarithmicladspaPortDialogNamnNameladspaPortDialog PortarPortsladspaPortDialogTypTypeladspaPortDialogJaYesladspaPortDialogSinusvg Sine wavelb302SynthViewFyrkantsvg Square wavelb302SynthViewtriganelvg Triangle wavelb302SynthView &Hjlp&HelpnineButtonSelector VolymVolumeorganicInstrument Volym:Volume:organicInstrumentView2Kunde inte frysa mnstretCannot freeze patternpattern AvbrytCancelpatternFreezeStatusDialogLs mnster...Freezing pattern...patternFreezeStatusDialogByt namn Change name patternViewNollstll namn Reset name patternView8Klipp ut valda noter(Ctrl+X)Cut selected notes (Ctrl+X) pianoRollSenaste noten Last note pianoRollRSpela/pausa aktuellt mnster (mellanslag)"Play/pause current pattern (Space) pianoRoll0Markeringslge (shift+s)Select mode (Shift+S) pianoRollTSluta spela aktuellt mnster (mellanslag)'Stop playing of current pattern (Space) pianoRollhFilter fr att importera FL Studio projekt till LMMS1Filter for importing FL Studio projects into LMMS pluginBrowser"Instrument pluginInstrument plugins pluginBrowser"ingen beskrivningno description pluginBrowser&Fet&Bold projectNotes&Frger... &Color... projectNotes&Kopiera&Copy projectNotes&Kursiv&Italic projectNotes&Vnster&Left projectNotes&Klistra in&Paste projectNotes&terstll&Redo projectNotes &Hger&Right projectNotes&Understruken &Underline projectNotes &ngra&Undo projectNotesC&entreraC&enter projectNotes Ctrl+BCtrl+B projectNotes Ctrl+CCtrl+C projectNotes Ctrl+ECtrl+E projectNotes Ctrl+ICtrl+I projectNotes Ctrl+JCtrl+J projectNotes Ctrl+LCtrl+L projectNotes Ctrl+RCtrl+R projectNotes Ctrl+UCtrl+U projectNotes Ctrl+VCtrl+V projectNotes Ctrl+XCtrl+X projectNotes Ctrl+YCtrl+Y projectNotes Ctrl+ZCtrl+Z projectNotesKlipp& utCu&t projectNotes"Editera hndelser Edit Actions projectNotes(Projekt anteckningar Project notes projectNotesPSkriv ner dina projekt anteckningar hr.!Put down your project notes here. projectNotesByt namn... Rename... renameDialog2AIFF-Filer (*.aif *.aiff)AIFF-Files (*.aif *.aiff) sampleBufferAU-Filer (*.au)AU-Files (*.au) sampleBuffer&FLAC-Filer (*.flac)FLAC-Files (*.flac) sampleBuffer"OGG-Filer (*.ogg)OGG-Files (*.ogg) sampleBufferppna ljudfilOpen audio file sampleBuffer"RAW-Filer (*.raw)RAW-Files (*.raw) sampleBuffer$VOC-Filer (*.voc)VOC-Files (*.voc) sampleBuffer$Wave-Filer (*.wav)Wave-Files (*.wav) sampleBufferKopieraCopy sampleTCOViewKlipp utCut sampleTCOView8Ta bort (musens mittenknapp)Delete (middle mousebutton) sampleTCOViewKlistra inPaste sampleTCOView>Dubbelklicka fr att vlja sprdouble-click to select sample sampleTCOView VolymVolume sampleTrackVOLVOLsampleTrackView"LjudinstllningarAudio settings setupDialog AvbrytCancel setupDialog Visa volym i dBVDisplay volume as dBV  setupDialog$LMMS arbetskatalogLMMS working directory setupDialog$MIDI instllningar MIDI settings setupDialogstarta om LMMS Restart LMMS setupDialogStll in LMMS Setup LMMS setupDialogFiltertyp Filter type sidInstrument VolymVolume sidInstrument Volym:Volume:sidInstrumentViewImportera fil Import filesongHuvudvolym Master volumesong(Projekt INTE sparat.Project NOT saved.songProjekt sparad Project savedsong TempoTemposong4Projektet %1 r nu sparad.The project %1 is now saved.song6Projektet %1 sparades inte!The project %1 was not saved!songnamnlsuntitledsong(kunde inte ppna filCould not open file songEditorHuvudvolym Master volume songEditor.Spela sng (mellanslag)Play song (Space) songEditorSng-Editor Song-Editor songEditorTEMPO/BPM TEMPO/BPM songEditor TempoTempo songEditorhuvudvolym master volume songEditorSngtempo tempo of song songEditorXEfter att ha stoppat g tillbaka till brjanAfter stopping go back to begintimeLineLedtrdHinttimeLinevTryck p <Ctrl> fr att avaktivera magnetiska loop-punkter.-Press to disable magnetic loop-points.timeLine AvbrytCanceltrackContainer,Kunde inte hitta ett filter fr att importera filen %1. Du br konvertera filen till ett format som std av lLMMS genom att anvnda ett annat program.Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software.trackContainer0Kunde inte importera filCouldn't import filetrackContainer,Kunde inte ppna filenCouldn't open filetrackContainerKunde inte ppna filen %1 fr lsning. Se till att du har lsningsrttigheter fr filen och katalogen som innehller filen och frsk igen!Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again!trackContainer,Importerar FLP-file...Importing FLP-file...trackContainer.Importerar MIDI-file...Importing MIDI-file...trackContainer&Lser in projekt...Loading project...trackContainerVnta...Please wait...trackContainer,%1:%2 (%3:%4 to %5:%6)%1:%2 (%3:%4 to %5:%6)trackContentObjectViewKopieraCopytrackContentObjectViewAktuell lngdCurrent lengthtrackContentObjectView Aktuell positionCurrent positiontrackContentObjectViewKlipp utCuttrackContentObjectView8Ta bort (musens mittenknapp)Delete (middle mousebutton)trackContentObjectViewLedtrdHinttrackContentObjectViewKlistra inPastetrackContentObjectView$Klona detta spretClone this tracktrackOperationsWidget(Ta bort detta spretRemove this tracktrackOperationsWidgetNMisslyckades med att lsa in VST_pluginFailed loading VST-pluginvestigeInstrumentLaddar pluginLoading pluginvestigeInstrumentFVnta medans VST-plugin lses in...'Please wait while loading VST-plugin...vestigeInstrument &Hjlp&Help vibedView Lngd:Length: vibedViewNormalisera Normalize vibedViewVlj position:Pick position: vibedViewSinusvg Sine wave vibedViewFyrkantsvg Square wave vibedViewtriganelvg Triangle wave vibedView Volym:Volume: vibedViewlmms-1.0.0+bzr2569/data/locale/sv.ts0000644000000000000000000070157712307165142015117 0ustar 00000000000000 AboutDialog About LMMS LMMS (Linux MultiMedia Studio) Version %1 (%2/%3, Qt %4, %5) About Om LMMS - easy music production for everyone Authors Translation Current language not translated (or native English). If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer! License Copyright (c) 2004-2014, LMMS developers <html><head/><body><p><a href="http://lmms.sourceforge.net"><span style=" text-decoration: underline; color:#0000ff;">http://lmms.sourceforge.net</span></a></p></body></html> AudioAlsa::setupWidget DEVICE ENHET CHANNELS KANALER AudioFileProcessorView Open other sample Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample. Reverse sample If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash. Loop sample at start- and end-point Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples. Amplify: Förstärkning: With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!) Startpoint: Startpunkt: With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Endpoint: With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points. Continue sample playback across notes Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz) AudioFileProcessorWaveView Sample length: AudioJack JACK client restarted LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again. JACK server down The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS. AudioJack::setupWidget CLIENT-NAME KLIENT-NAMN CHANNELS KANALER AudioOss::setupWidget DEVICE ENHET CHANNELS KANALER AudioPortAudio::setupWidget BACKEND DEVICE ENHET AudioPulseAudio::setupWidget DEVICE ENHET CHANNELS KANALER AudioSdl::setupWidget DEVICE ENHET AutomatableModel &Reset (%1%2) &Nollställ (%1%2) &Copy value (%1%2) &Paste value (%1%2) &Klistra in värde (%1%2) Edit song-global automation Connected to %1 Connected to controller Edit connection... Remove connection Connect to controller... Remove song-global automation Remove all linked controls AutomationEditor Play/pause current pattern (Space) Spela/pausa aktuellt mönster (mellanslag) Stop playing of current pattern (Space) Sluta spela aktuellt mönster (mellanslag) Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached. Click here if you want to stop playing of the current pattern. Draw mode (Shift+D) Erase mode (Shift+E) Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode. Cut selected values (Ctrl+X) klipp ut valda värden (ctrl+X) Copy selected values (Ctrl+C) Kopiera valda värden (ctrl+C) Paste values from clipboard (Ctrl+V) Klistra in värden från urklipp(ctrl+V) Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the values from the clipboard will be pasted at the first visible measure. Automation Editor - no pattern Automation Editor - %1 Please open an automation pattern with the context menu of a control! Values copied Värden kopierade All selected values were copied to the clipboard. Alla valda värden blev kopierade till urklipp. Discrete progression Linear progression Cubic Hermite progression Tension: Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached. Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change. Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys. Tension value for spline A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point. AutomationPattern Drag a control while pressing <Ctrl> AutomationPatternView double-click to open this pattern in automation editor Open in Automation editor Clear Reset name Nollställ namn Change name Byt namn %1 Connections Disconnect "%1" AutomationTrack Automation track Controller Controller %1 ControllerConnectionDialog Connection Settings MIDI CONTROLLER Input channel CHANNEL KANAL Input controller CONTROLLER Auto Detect MIDI-devices to receive MIDI-events from USER CONTROLLER MAPPING FUNCTION OK Cancel Avbryt LMMS Cycle Detected. ControllerRackView Controller Rack Add Lägg till Confirm Delete Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo. ControllerView Controls Kontroller Controllers are able to automate the value of a knob, slider, and other controls. Rename controller Enter the new name for this controller &Remove this plugin &Ta bort denna pluginen &Help &Hjälp Effect Effect enabled Wet/Dry mix Gate Decay EffectChain Effects enabled EffectRackView EFFECTS CHAIN Add effect EffectSelectDialog Add effect Plugin description EffectView Toggles the effect on or off. On/Off På/Av W/D Wet Level: The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output. DECAY Time: Tid: The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects. GATE Gate: The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals. Controls Kontroller Effect plugins function as a chained series of effects where the signal will be processed from top to bottom. The On/Off switch allows you to bypass a given plugin at any point in time. The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects. The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays. The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob. The Controls button opens a dialog for editing the effect's parameters. Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether. Move &up Flytta &up Move &down Flytta &ner &Remove this plugin &Ta bort denna pluginen &Help &Hjälp EnvelopeAndLfoParameters Predelay Attack Hold Decay Sustain Release Modulation LFO Predelay LFO Attack LFO speed LFO Modulation LFO Wave Shape Freq x 100 Modulate Env-Amount EnvelopeAndLfoView DEL Predelay: Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope. ATT Attack: Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings. HOLD Hold: Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level. DEC Decay: Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos. SUST Sustain: Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero. REL Release: Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings. AMT Modulation amount: Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope. LFO predelay: Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate. LFO- attack: Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum. SPD LFO speed: Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect. Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave for current. Click here for a square-wave. Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph. FREQ x 100 Click here if the frequency of this LFO should be multiplied by 100. multiply LFO-frequency by 100 MODULATE ENV-AMOUNT Click here to make the envelope-amount controlled by this LFO. control envelope-amount by this LFO ms/LFO: Hint Ledtråd Drag a sample from somewhere and drop it in this window. ExportProjectDialog Export project Output File format: Samplerate: 44100 Hz 48000 Hz 88200 Hz 96000 Hz 192000 Hz Bitrate: 64 KBit/s 128 KBit/s 160 KBit/s 192 KBit/s 256 KBit/s 320 KBit/s Depth: 16 Bit Integer 32 Bit Float Please note that not all of the parameters above apply for all file formats. Quality settings Interpolation: Zero Order Hold Sinc Fastest Sinc Medium (recommended) Sinc Best (very slow!) Oversampling (use with care!): 1x (None) 2x 4x 8x Sample-exact controllers Alias-free oscillators Start Cancel Avbryt Export as loop (remove end silence) FxMixer Master FX %1 FxMixerView Rename FX channel Enter the new name for this FX channel FX-Mixer FX Fader %1 Mute Mute this FX channel InstrumentFunctionArpeggio Arpeggio Arpeggio type Arpeggio range Arpeggio time Arpeggio gate Arpeggio direction Arpeggio mode Up Down Up and down Random Free Fritt Sort Sortera Sync InstrumentFunctionArpeggioView ARPEGGIO An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select. RANGE OMRÅDE Arpeggio range: octave(s) oktav(er) Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves. TIME TID Arpeggio time: ms Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played. GATE Arpeggio gate: % % Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios. Chord: Direction: Riktning: Mode: Läge: InstrumentFunctionNoteStacking octave oktav Major dur Majb5 minor moln minb5 sus2 sus4 aug augsus4 tri 6 6sus4 6add9 m6 m6add9 7 7sus4 7#5 7b5 7#9 7b9 7#5#9 7#5b9 7b5b9 7add11 7add13 7#11 Maj7 Maj7b5 Maj7#5 Maj7#11 Maj7add13 m7 m7b5 m7b9 m7add11 m7add13 m-Maj7 m-Maj7add11 m-Maj7add13 9 9sus4 add9 9#5 9b5 9#11 9b13 Maj9 Maj9sus4 Maj9#5 Maj9#11 m9 madd9 m9b5 m9-Maj7 11 11b9 Maj11 m11 m-Maj11 13 13#9 13b9 13b5b9 Maj13 m13 m-Maj13 Harmonic minor Melodic minor Whole tone helnot Diminished Major pentatonic Minor pentatonic Jap in sen Major bebop Dominant bebop Blues Blues Arabic Arabisk Enigmatic Neopolitan Neopolitan minor Hungarian minor Dorian Phrygolydian Lydian Mixolydian Aeolian Locrian Chords Chord type ackordtyp Chord range Minor InstrumentFunctionNoteStackingView RANGE OMRÅDE Chord range: octave(s) oktav(er) Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves. STACKING Chord: InstrumentMidiIOView ENABLE MIDI INPUT CHANNEL KANAL VELOCITY ENABLE MIDI OUTPUT PROGRAM MIDI devices to receive MIDI events from MIDI devices to send MIDI events to NOTE InstrumentSoundShaping VOLUME VOLYM Volume Volym CUTOFF Cutoff frequency RESO Resonance Envelopes/LFOs Filter type Filtertyp Q/Resonance LowPass HiPass BandPass csg BandPass czpg Notch Allpass Moog 2x LowPass RC LowPass 12dB RC BandPass 12dB RC HighPass 12dB RC LowPass 24dB RC BandPass 24dB RC HighPass 24dB Vocal Formant Filter InstrumentSoundShapingView TARGET MÅL These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! FILTER FILTER Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound. Hz Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on... RESO Resonance: Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency. FREQ cutoff frequency: InstrumentTrack unnamed_track Volume Volym Panning Pitch FX channel Default preset With this knob you can set the volume of the opened channel. Base note Pitch range InstrumentTrackView Volume Volym Volume: Volym: VOL VOL Panning Panning: PAN MIDI MIDI Input Output InstrumentTrackWindow GENERAL SETTINGS Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser. Instrument volume Volume: Volym: VOL VOL Panning Panning: PAN Pitch Pitch: cents PITCH FX channel ENV/LFO FUNC FX MIDI MIDI Save preset XML preset file (*.xpf) PLUGIN PLUGIN Save current channel settings in a preset-file Pitch range (semitones) RANGE OMRÅDE LadspaControl Link channels LadspaControlDialog Link Channels Channel Kanaler LadspaControlView Link channels Value: Värde: Sorry, no help available. Tyvärr, ingen hjälp är tillgänglig. LadspaEffect Effect Unknown LADSPA plugin %1 requested. LfoController LFO Controller Base value Oscillator speed Oscillator amount Oscillator phase Oscillator waveform Frequency Multiplier LfoControllerDialog LFO LFO Controller BASE Base amount: todo SPD LFO-speed: Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect. AMT Modulation amount: Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO. PHS Phase offset: degrees With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Click here for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for a a moog saw-wave. Click here for an exponential wave. Click here for white-noise. Click here for a user-defined shape. Double click to pick a file. MainWindow Working directory The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings. Could not save config-file Kunde inte spara konfigurationsfil Could not save configuration file %1. You're probably not permitted to write to this file. Please make sure you have write-access to the file and try again. &Project &Projekt &New &Ny &Open... &Öppna... Recently opened projects &Save &Spara Save &As... Spara &Som... Import... E&xport... &Quit &Avsluta &Edit &Redigera Settings &Tools &Help &Hjälp Online help Help Hjälp What's this? Vad är detta? About Om Create new project Skapa nytt projekt Create new project from template Open existing project Öppna existerande projekt Recently opened project Save current project Spara aktuellt projekt Export current project Exportera aktuellt projekt Show/hide Song-Editor Visa/göm Sång-Editor By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist. Show/hide Beat+Bassline Editor By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that. Show/hide Piano-Roll Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way. Show/hide Automation Editor Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way. Show/hide FX Mixer Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels. Show/hide project notes Visa/göm projektanteckningar Click here to show or hide the project notes window. In this window you can put down your project notes. Show/hide controller rack Untitled LMMS %1 LMMS %1 Project not saved The current project was modified since last saving. Do you want to save it now? Open project Öppna projekt Save project Spara projekt Help not available Hjälp inte tillgänglig Currently there's no help available in LMMS. Please visit http://lmms.sf.net/wiki for documentation on LMMS. My projects My samples My presets My home My computer Root directory Save as new &version E&xport tracks... LMMS (*.mmp *.mmpz) LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt) Version %1 Project recovery It looks like the last session did not end properly. Do you want to recover the project of this session? Configuration file Error while parsing configuration file at line %1:%2: %3 MeterDialog Meter Numerator Meter Denominator TIME SIG MeterModel Numerator Denominator MidiAlsaRaw::setupWidget DEVICE ENHET MidiAlsaSeq::setupWidget DEVICE ENHET MidiController MIDI Controller unnamed_midi_controller MidiImport Setup incomplete You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again. You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file. MidiOss::setupWidget DEVICE ENHET MidiPort Input channel Output channel Input controller Output controller Fixed input velocity Fixed output velocity Output MIDI program Receive MIDI-events Send MIDI-events Sänd MIDI-händelser Fixed output note OscillatorObject Osc %1 volume Osc %1 panning Osc %1 coarse detuning Osc %1 fine detuning left Osc %1 fine detuning right Osc %1 phase-offset Osc %1 stereo phase-detuning Osc %1 wave shape Modulation type %1 Osc %1 waveform PatmanView Open other patch Click here to open another patch-file. Loop and Tune settings are not reset. Loop Loop mode Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file. Tune Tune mode Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency. No file selected Open patch file Patch-Files (*.pat) PeakController Peak Controller Peak Controller Bug Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused. PeakControllerDialog PEAK LFO Controller PeakControllerEffectControlDialog BASE Base amount: Modulation amount: Attack: Release: AMNT MULT Amount Multiplicator: ATCK DCAY PeakControllerEffectControls Base value Modulation amount Mute output Attack Release Abs Value Amount Multiplicator PianoView Base note Plugin Plugin not found Plugin hittades inte The plugin "%1" wasn't found or could not be loaded! Reason: "%2" Error while loading plugin Fel vid inläsning av plugin Failed to load plugin "%1"! ProjectRenderer WAV-File (*.wav) Compressed OGG-File (*.ogg) Komprimerad OGG-Fil (*.ogg) QObject C Note name Db Note name C# Note name D Note name Eb Note name D# Note name E Note name Fb Note name Gb Note name F# Note name G Note name Ab Note name G# Note name A Note name Bb Note name A# Note name B Note name QWidget Name: Name: Maker: Skapare: Copyright: Requires Real Time: Yes Ja No Real Time Capable: In Place Broken: Channels In: Channels Out: File: SampleBuffer Open audio file Öppna ljudfil All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3) Wave-Files (*.wav) Wave-Filer (*.wav) OGG-Files (*.ogg) OGG-Filer (*.ogg) DrumSynth-Files (*.ds) FLAC-Files (*.flac) FLAC-Filer (*.flac) SPEEX-Files (*.spx) MP3-Files (*.mp3) VOC-Files (*.voc) VOC-Filer (*.voc) AIFF-Files (*.aif *.aiff) AIFF-Filer (*.aif *.aiff) AU-Files (*.au) AU-Filer (*.au) RAW-Files (*.raw) RAW-Filer (*.raw) SampleTCOView double-click to select sample Dubbelklicka för att välja spår Delete (middle mousebutton) Ta bort (musens mittenknapp) Cut Klipp ut Copy Kopiera Paste Klistra in Mute/unmute (<Ctrl> + middle click) Set/clear record SampleTrack Sample track Volume Volym SampleTrackView Track volume Channel volume: VOL VOL TempoSyncKnob Tempo Sync No Sync Eight beats Whole note Half note Halvnoter Quarter note 8th note 16th note 32nd note Custom... &Help &Hjälp Custom Synced to Eight Beats Synced to Whole Note Synced to Half Note Synced to Quarter Note Synced to 8th Note Synced to 16th Note Synced to 32nd Note TimeDisplayWidget click to change time units TrackContainer Couldn't import file Kunde inte importera fil Couldn't find a filter for importing file %1. You should convert this file into a format supported by LMMS using another software. Kunde inte hitta ett filter för att importera filen %1. Du bör konvertera filen till ett format som stöd av lLMMS genom att använda ett annat program. Couldn't open file Kunde inte öppna filen Couldn't open file %1 for reading. Please make sure you have read-permission to the file and the directory containing the file and try again! Kunde inte öppna filen %1 för läsning. Se till att du har läsningsrättigheter för filen och katalogen som innehåller filen och försök igen! Loading project... Läser in projekt... Cancel Avbryt Please wait... Vänta... Importing MIDI-file... Importerar MIDI-file... Importing FLP-file... Importerar FLP-file... TripleOscillatorView Use phase modulation for modulating oscillator 2 with oscillator 1 Use amplitude modulation for modulating oscillator 2 with oscillator 1 Mix output of oscillator 1 & 2 Synchronize oscillator 1 with oscillator 2 Use frequency modulation for modulating oscillator 2 with oscillator 1 Use phase modulation for modulating oscillator 3 with oscillator 2 Use amplitude modulation for modulating oscillator 3 with oscillator 2 Mix output of oscillator 2 & 3 Synchronize oscillator 2 with oscillator 3 Use frequency modulation for modulating oscillator 3 with oscillator 2 Osc %1 volume: With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here. Osc %1 panning: With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right. Osc %1 coarse detuning: semitones With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord. Osc %1 fine detuning left: cents With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 fine detuning right: With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds. Osc %1 phase-offset: degrees With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave. Osc %1 stereo phase-detuning: With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds. Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use a moog-like saw-wave for current oscillator. Use an exponential wave for current oscillator. Use white-noise for current oscillator. Use a user-defined waveform for current oscillator. Ui Contributors ordered by number of commits: Involved VersionedSaveDialog Increment version number Decrement version number VestigeInstrumentView Open other VST-plugin Öppna andra VST-plugin Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file. Show/hide GUI Click here to show or hide the graphical user interface (GUI) of your VST-plugin. Turn off all notes Open VST-plugin Öppna VST-plugin DLL-files (*.dll) DLL-filer (*.dll) EXE-files (*.exe) EXE-filer (*.exe) No VST-plugin loaded Inget VST-plugin inläst Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Save preset Click here, if you want to save current VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Preset by - VST plugin control VstEffectControlDialog Show/hide Control VST-plugin from LMMS host Click here, if you want to control VST-plugin from host. Open VST-plugin preset Click here, if you want to open another *.fxp, *.fxb VST-plugin preset. Previous (-) Click here, if you want to switch to another VST-plugin preset program. Next (+) Click here to select presets that are currently loaded in VST. Save preset Click here, if you want to save current VST-plugin preset program. Effect by: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br /> VstPlugin Loading plugin Laddar plugin Please wait while loading VST-plugin... Vänta medans VST-plugin läses in... Failed loading VST-plugin Misslyckades med att läsa in VST_plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! Open Preset Vst Plugin Preset (*.fxp *.fxb) : default " ' Save Preset .fxp .FXP .FXB .fxb ZynAddSubFxInstrument Portamento Filter Frequency Filter Resonance Bandwidth FM Gain Resonance Center Frequency Resonance Bandwidth Forward MIDI Control Change Events ZynAddSubFxView Show GUI Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX. Portamento: PORT Filter Frequency: FREQ Filter Resonance: RES Bandwidth: BW FM Gain: FM GAIN Resonance center frequency: RES CF Resonance bandwidth: RES BW Forward MIDI Control Changes audioFileProcessor Reverse sample Amplify Start of sample End of sample Loop Stutter bassBoosterControlDialog FREQ Frequency: GAIN Gain: RATIO Ratio: bassBoosterControls Frequency Gain Ratio bbEditor Beat+Bassline Editor Play/pause current beat/bassline (Space) Add beat/bassline Add automation-track Stop playback of current beat/bassline (Space) Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached. Click here to stop playing of current beat/bassline. Remove steps Add steps bbTCOView Open in Beat+Bassline-Editor Reset name Nollställ namn Change name Byt namn Change color Byt färg bbTrack Beat/Bassline %1 Clone of %1 bitInvader Samplelength bitInvaderView Sample Length Sine wave Sinusvåg Triangle wave triganelvåg Saw wave Square wave Fyrkantsvåg White noise wave User defined wave Smooth Click here to smooth waveform. Interpolation Normalize Normalisera Draw your own waveform here by dragging your mouse on this graph. Click for a sine-wave. Click here for a triangle-wave. Click here for a saw-wave. Click here for a square-wave. Click here for white-noise. Click here for a user-defined shape. exportProjectDialog Could not open file kunde inte öppna fil Could not open file %1 for writing. Please make sure you have write-permission to the file and the directory containing the file and try again! Error Error while determining file-encoder device. Please try to choose a different output format. Rendering: %1% Export project to %1 Exportera projekt till %1 fader Please enter a new value between %1 and %2: SKriv ett nytt värde mellan %1 och %2: fileBrowser Browser fileBrowserTreeWidget Send to active instrument-track Open in new instrument-track/Song-Editor Open in new instrument-track/B+B Editor Loading sample Please wait, loading sample for preview... --- Factory files --- graphModel Graph kickerInstrument Start frequency End frequency Decay Distortion Gain kickerInstrumentView Start frequency: End frequency: Decay: Distortion: Gain: knob &Help &Hjälp Please enter a new value between %1 and %2: SKriv ett nytt värde mellan %1 och %2: Please enter a new value between -96.0 dBV and 6.0 dBV: Skriv in ett nytt värde mellan -96.0 dBV och 6.0 dBV: ladspaBrowserView Available Effects Tillgängliga Effekter Unavailable Effects Icke Tillgängliga Effekter Instruments Instrument Analysis Tools Don't know Vet inte This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names. Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable. Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable. Instruments are plugins for which only output channels were identified. Analysis Tools are plugins for which only input channels were identified. Don't Knows are plugins for which no input or output channels were identified. Double clicking any of the plugins will bring up information on the ports. Type: Typ: ladspaDescription Plugins Plugin Description Beskrivning ladspaPortDialog Name Namn Rate Direction Riktning Type Typ Min < Default < Max Logarithmic Logaritmisk SR Dependent Audio Ljud Control Kontroll Input Output Toggled Integer Heltal Float Flyttal Yes Ja Ports Portar lb302Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb302SynthView Cutoff Freq: Resonance: Env Mod: Decay: 303-es-que, 24dB/octave, 3 pole filter Slide Decay: DIST: Saw wave Click here for a saw-wave. Triangle wave triganelvåg Click here for a triangle-wave. Square wave Fyrkantsvåg Click here for a square-wave. Rounded square wave Click here for a square-wave with a rounded end. Moog wave Click here for a moog-like wave. Sine wave Sinusvåg Click for a sine-wave. White noise wave Click here for an exponential wave. Click here for white-noise. lb303Synth VCF Cutoff Frequency VCF Resonance VCF Envelope Mod VCF Envelope Decay Distortion Waveform Slide Decay Slide Accent Dead 24dB/oct Filter lb303SynthView Cutoff Freq: CUT Resonance: RES Env Mod: ENV MOD Decay: DEC 303-es-que, 24dB/octave, 3 pole filter Slide Decay: SLIDE DIST: DIST WAVE: WAVE malletsInstrument Hardness Position Vibrato Gain Vibrato Freq Stick Mix Modulator Crossfade LFO Speed LFO Depth ADSR Pressure Motion Speed Bowed Spread Marimba Vibraphone Agogo Wood1 Reso Wood2 Beats Two Fixed Clump Tubular Bells Uniform Bar Tuned Bar Glass Tibetan Bowl Missing files Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed! malletsInstrumentView Instrument Spread Spread: Hardness Hardness: Position Position: Vib Gain Vib Gain: Vib Freq Vib Freq: Stick Mix Stick Mix: Modulator Modulator: Crossfade Crossfade: LFO Speed LFO Speed: LFO Depth LFO Depth: ADSR ADSR: Bowed Pressure Pressure: Motion Motion: Speed Speed: Vibrato Vibrato: manageVSTEffectView - VST parameter control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST effect knob-controller window. manageVestigeInstrumentView - VST plugin control VST Sync Click here if you want to synchronize all parameters with VST plugin. Automated Click here if you want to display automated parameters only. Close Close VST plugin knob-controller window. nineButtonSelector &Help &Hjälp opl2instrument Patch Op 1 Attack Op 1 Decay Op 1 Sustain Op 1 Release Op 1 Level Op 1 Level Scaling Op 1 Frequency Multiple Op 1 Feedback Op 1 Key Scaling Rate Op 1 Percussive Envelope Op 1 Tremolo Op 1 Vibrato Op 1 Waveform Op 2 Attack Op 2 Decay Op 2 Sustain Op 2 Release Op 2 Level Op 2 Level Scaling Op 2 Frequency Multiple Op 2 Key Scaling Rate Op 2 Percussive Envelope Op 2 Tremolo Op 2 Vibrato Op 2 Waveform FM Vibrato Depth Tremolo Depth organicInstrument Distortion Volume Volym organicInstrumentView Distortion: Volume: Volym: Randomise Osc %1 waveform: Osc %1 volume: Osc %1 panning: Osc %1 fine detuning left: cents papuInstrument Sweep time Sweep direction Sweep RtShift amount Wave Pattern Duty Channel 1 volume Volume sweep direction Length of each step in sweep Channel 2 volume Channel 3 volume Channel 4 volume Right Output level Left Output level Channel 1 to SO2 (Left) Channel 2 to SO2 (Left) Channel 3 to SO2 (Left) Channel 4 to SO2 (Left) Channel 1 to SO1 (Right) Channel 2 to SO1 (Right) Channel 3 to SO1 (Right) Channel 4 to SO1 (Right) Treble Bass Shift Register width papuInstrumentView Sweep Time: Sweep Time Sweep RtShift amount: Sweep RtShift amount Wave pattern duty: Wave Pattern Duty Square Channel 1 Volume: Length of each step in sweep: Length of each step in sweep Wave pattern duty Square Channel 2 Volume: Square Channel 2 Volume Wave Channel Volume: Wave Channel Volume Noise Channel Volume: Noise Channel Volume SO1 Volume (Right): SO1 Volume (Right) SO2 Volume (Left): SO2 Volume (Left) Treble: Treble Bass: Bass Sweep Direction Volume Sweep Direction Shift Register Width Channel1 to SO1 (Right) Channel2 to SO1 (Right) Channel3 to SO1 (Right) Channel4 to SO1 (Right) Channel1 to SO2 (Left) Channel2 to SO2 (Left) Channel3 to SO2 (Left) Channel4 to SO2 (Left) Wave Pattern The amount of increase or decrease in frequency The rate at which increase or decrease in frequency occurs The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal. Square Channel 1 Volume The delay between step change Draw the wave here pattern Cannot freeze pattern Kunde inte frysa mönstret The pattern currently cannot be freezed because you're in play-mode. Please stop and try again! patternFreezeStatusDialog Freezing pattern... Lås mönster... Cancel Avbryt patternView double-click to open this pattern in piano-roll use mouse wheel to set volume of a step Open in piano-roll Clear all notes Reset name Nollställ namn Change name Byt namn Refreeze Freeze Unfreeze Add steps Remove steps PianoRoll Play/pause current pattern (Space) Spela/pausa aktuellt mönster (mellanslag) Record notes from MIDI-device/channel-piano Stop playing of current pattern (Space) Sluta spela aktuellt mönster (mellanslag) Draw mode (Shift+D) Erase mode (Shift+E) Select mode (Shift+S) Markeringsläge (shift+s) Cut selected notes (Ctrl+X) Klipp ut valda noter(Ctrl+X) Copy selected notes (Ctrl+C) Paste notes from clipboard (Ctrl+V) Last note Senaste noten Piano-Roll - no pattern Piano-Roll - %1 Please open a pattern by double-clicking on it! Record notes from MIDI-device/channel-piano while playing song or BB track Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards. Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background. Click here to stop playback of current pattern. Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button. Click here and the notes from the clipboard will be pasted at the first visible measure. Note lock Note Volume Note Panning Detune mode (Shift+T) Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode. Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode. Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode. Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode. Mark/unmark current semitone Mark current scale Mark current chord Unmark all No scale No chord pluginBrowser no description ingen beskrivning Instrument plugins Instrument plugin simple sampler with various settings for using samples (e.g. drums) in an instrument-track Filter for importing FL Studio projects into LMMS Filter för att importera FL Studio projekt till LMMS Filter for importing MIDI-files into LMMS Additive Synthesizer for organ-like sounds three powerful oscillators you can modulate in several ways VST-host for using VST(i)-plugins within LMMS Vibrating string modeler Incomplete monophonic imitation tb303 Plugin for freely manipulating stereo output Plugin for controlling knobs with sound peaks Plugin for enhancing stereo separation of a stereo input file List installed LADSPA plugins versatile kick- & bassdrum-synthesizer GUS-compatible patch instrument plugin for using arbitrary VST-effects inside LMMS. plugin for boosting bass Tuneful things to bang on plugin for using arbitrary LADSPA-effects inside LMMS. Instrument browser Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track. Emulation of the MOS6581 and MOS8580 SID. This chip was used in the Commodore 64 computer. Player for SoundFont files Emulation of GameBoy (TM) APU Customizable wavetable synthesizer Embedded ZynAddSubFX 2-operator FM Synth Filter for importing Hydrogen files into LMMS LMMS port of sfxr projectNotes Project notes Projekt anteckningar Put down your project notes here. Skriv ner dina projekt anteckningar här. Edit Actions Editera händelser &Undo &Ångra Ctrl+Z Ctrl+Z &Redo &Återställ Ctrl+Y Ctrl+Y &Copy &Kopiera Ctrl+C Ctrl+C Cu&t Klipp& ut Ctrl+X Ctrl+X &Paste &Klistra in Ctrl+V Ctrl+V Format Actions &Bold &Fet Ctrl+B Ctrl+B &Italic &Kursiv Ctrl+I Ctrl+I &Underline &Understruken Ctrl+U Ctrl+U &Left &Vänster Ctrl+L Ctrl+L C&enter C&entrera Ctrl+E Ctrl+E &Right &Höger Ctrl+R Ctrl+R &Justify Ctrl+J Ctrl+J &Color... &Färger... renameDialog Rename... Byt namn... setupDialog Setup LMMS Ställ in LMMS General settings BUFFER SIZE Reset to default-value MISC Display volume as dBV Visa volym i dBV LMMS working directory LMMS arbetskatalog VST-plugin directory Artwork directory FL Studio installation directory Performance settings UI effects vs. performance Audio settings Ljudinställningar AUDIO INTERFACE MIDI settings MIDI inställningar MIDI INTERFACE OK Cancel Avbryt Restart LMMS starta om LMMS Please note that most changes won't take effect until you restart LMMS! Frames: %1 Latency: %2 ms Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel. Choose LMMS working directory Choose your VST-plugin directory Choose artwork-theme directory Choose FL Studio installation directory Choose LADSPA plugin directory Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface. Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface. Enable tooltips Show restart warning after changing settings Compress project files per default HQ-mode for output audio-device STK rawwave directory Choose STK rawwave directory Paths LADSPA plugin paths Default Soundfont File Background artwork Choose default SoundFont Choose background artwork One instrument track window mode Compact track buttons Sync VST plugins to host playback Enable note labels in piano roll Enable waveform display by default Smooth scroll in Song Editor Enable auto save feature Show playback cursor in AudioFileProcessor sf2Instrument Bank Patch Gain Reverb Reverb Roomsize Reverb Damping Reverb Width Reverb Level Chorus Chorus Lines Chorus Level Chorus Speed Chorus Depth sf2InstrumentView Open other SoundFont file Click here to open another SF2 file Choose the patch Gain Apply reverb (if supported) This button enables the reverb effect. This is useful for cool effects, but only works on files that support it. Reverb Roomsize: Reverb Damping: Reverb Width: Reverb Level: Apply chorus (if supported) This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it. Chorus Lines: Chorus Level: Chorus Speed: Chorus Depth: Open SoundFont file SoundFont2 Files (*.sf2) sfxrInstrument Wave Form sidInstrument Cutoff Resonance Filter type Filtertyp Voice 3 off Volume Volym Chip model sidInstrumentView Volume: Volym: Resonance: Cutoff frequency: High-Pass filter Band-Pass filter Low-Pass filter Voice3 Off MOS6581 SID MOS8580 SID Attack: Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude. Decay: Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level. Sustain: Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held. Release: The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate. Pulse Width: The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect. Coarse: The Coarse detuning allows to detune Voice %1 one octave up or down. Pulse Wave Triangle Wave SawTooth Noise Sync Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects. Ring-Mod Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2. Filtered When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it. Test Test, when set, resets and locks Oscillator %1 at zero until Test is turned off. song Tempo Tempo Master volume Huvudvolym Master pitch Project saved Projekt sparad The project %1 is now saved. Projektet %1 är nu sparad. Project NOT saved. Projekt INTE sparat. The project %1 was not saved! Projektet %1 sparades inte! Import file Importera fil untitled namnlös Select file for project-export... Empty project This project is empty so exporting makes no sense. Please put some items into Song Editor first! MIDI sequences FL Studio projects All file types Hydrogen projects Select directory for writing exported tracks... SongEditor Song-Editor Sång-Editor Play song (Space) Spela sång (mellanslag) Stop song (Space) Add beat/bassline Add sample-track Draw mode Edit mode (select and move) Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing. Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song. Could not open file kunde inte öppna fil Could not write file Add automation-track Record samples from Audio-device Record samples from Audio-device while playing song or BB track Could not open file %1. You probably have no permissions to read this file. Please make sure to have at least read permissions to the file and try again. Error in file The file %1 seems to contain errors and therefore can't be loaded. Tempo Tempo TEMPO/BPM TEMPO/BPM tempo of song Sångtempo The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes). High quality mode Master volume Huvudvolym master volume huvudvolym Master pitch master pitch Value: %1% Value: %1 semitones Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again. spectrumAnalyzerControlDialog Linear spectrum Linear Y axis spectrumAnalyzerControls Linear spectrum Linear Y-axis Channel mode stereoEnhancerControlDialog WIDE Width: stereoEnhancerControls Width stereoMatrixControlDialog Left to Left Vol: Left to Right Vol: Right to Left Vol: Right to Right Vol: stereoMatrixControls Left to Left Left to Right Right to Left Right to Right timeLine Enable/disable auto-scrolling Enable/disable loop-points After stopping go back to begin Efter att ha stoppat gå tillbaka till början After stopping go back to position at which playing was started After stopping keep position Hint Ledtråd Press <Ctrl> to disable magnetic loop points. Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points. track Muted Solo trackContentObject Muted trackContentObjectView Current position Aktuell position Hint Ledtråd Press <Ctrl> and drag to make a copy. Current length Aktuell längd Press <Ctrl> for free resizing. %1:%2 (%3:%4 to %5:%6) %1:%2 (%3:%4 to %5:%6) Delete (middle mousebutton) Ta bort (musens mittenknapp) Cut Klipp ut Copy Kopiera Paste Klistra in Mute/unmute (<Ctrl> + middle click) trackOperationsWidget Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action. Actions for this track Mute Clone this track Klona detta spåret Remove this track Ta bort detta spåret Mute this track Solo vestigeInstrument Loading plugin Laddar plugin Please wait while loading VST-plugin... Vänta medans VST-plugin läses in... Failed loading VST-plugin Misslyckades med att läsa in VST_plugin The VST-plugin %1 could not be loaded for some reason. If it runs with other VST-software under Linux, please contact an LMMS-developer! vibed String %1 volume String %1 stiffness Pick %1 position Pickup %1 position Pan %1 Detune %1 Fuzziness %1 Length %1 Impulse %1 Octave %1 vibedView Volume: Volym: The 'V' knob sets the volume of the selected string. String stiffness: The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring. Pick position: Välj position: The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge. Pickup position: The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge. Pan: The Pan knob determines the location of the selected string in the stereo field. Detune: The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp. Fuzziness: The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'. Length: Längd: The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles. Impulse or initial state The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string. Octave The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental. Impulse Editor The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded. The waveform can also be drawn in the graph. The 'S' button will smooth the waveform. The 'N' button will normalize the waveform. Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at. The graph allows you to control the initial state or impulse used to set the string in motion. The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position. 'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string. The 'Length' knob controls the length of the string. The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument. Enable waveform Click here to enable/disable waveform. String The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Sine wave Sinusvåg Triangle wave triganelvåg Saw wave Square wave Fyrkantsvåg White noise wave User defined wave Smooth Click here to smooth waveform. Normalize Normalisera Click here to normalize waveform. &Help &Hjälp Use a sine-wave for current oscillator. Use a triangle-wave for current oscillator. Use a saw-wave for current oscillator. Use a square-wave for current oscillator. Use white-noise for current oscillator. 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Μ\|6 #U5c gA?@@C3-:;^Tfs翌,t/֡vB~_7N(~sfG׮,X&]ɟ_vq+'G+ceV0Xd-=?ga ݒm#m a5rP =\8"qE+ai?).jm=AEB#BE-Nn].Sj,CXFo`bњpr^0H/7 r\98> < "lC]'SBDY~:!gMZf#E,|@kŕfv16tߓ^,H'Ki.QT[&ٕ=.&ZCA\PB0&JT4alXG%DX. * X> $(%Wv8(F,SPIt)v>7B`[* !8A|;yX(5X9 qhQ,?`#m 0VYdO .a7+N8pz}3_P>{YPFR}J+^R&"r,1$J+"/$?)R|\ʒRhQ"'oqH>!nn %N*&S^dR'OgR %a*r蜙Nxޖ3rwe:kZ_{U^Opk;dˤp++G~r  pn_υzzܑQ;įRy|~E˾|> ZXyfjyӁ;rVn{"flʯA `k[@5+0qM;uSsvRV=?9z%G݃F}ѭgB#mz4un2rI{=mX[=Binrk|8{䏋[{%xqϾ|}%׆(i5ش?cGk{bl$>9m !6l>/ذuhjt_y cy4NOhR>+^l")q7^X(aҨ{fly@]7^d!b).p<] {>^ްؖ2q 6x5O)$ŋdDNsI R Zʭtي*_R1\8 gpU2ޠrF}繙M&9qk\2syI"LE"V!GWrPMY~nĄ( $,G)KY*`?'590HI}{5]zc0gk RfmkCUd8^DlLi,kAb #!J9\%"&R*q'mq)Yng89( |J=D"7EH~nntR!F!3Pœ$^ .|E r"2'8zϽ l`Q¶ĸ3-KB>rE@m]Oӑ؁Ql~c_GMn*PsQEA?aLIô%(ɺѬz> !^ KEga0C\2e/G& ;,g$=4ˑ=<\9\,լc0N @M3} ;jb /YF线gYQyZ~8_g]TF͊u>>bНc~(f_XQGz`P2Iߨ'!caiV̄9B:狒;_OGdlw گi(Q it$ a >-^#)6SVF3 q~lffF=f9D|ەҜ_<,@z#SǘFd<%(O@} 0jd2N"Bޜ%ZmBӔ~XBjPsidk߳lMY* WiBŋmk. *)+,X ϕ 5$4U6۴zvoAa*aZU’}Ï3, :L\;S,)M2fD%{}L 㐕dy_X ÔI ĥ6|NdTawx̛2ҢbV6.F>M(IVֲ s-[uWWūr!TT16s~%o4:/߫Ŕn}bFɳ\e>&ajA:YZ)ۖM+y|-B}r[WC&3~-ǘٿ5,5~-ïf|݄uKMXkj5~M#ף} |_W?+g??dZk_a :VT++jkVKkPIk`ݗfi .^g`;5URA `kKF@ vn hۺ ,mv:|/`9NϚ}G;nny+tqe/R tK.nʱmq&ٍs&*&[ssƹWܫD8gvN3\ XmѬXZ9"3ϕ5B% Ҁ}yiOxK6(.DJׄ/(:L @e[Ֆ8iwxiޖ]2-Waq!"gMfz[ hUQy(2Ljfh U4@6X*B2l٫uoLĕ,KEˣ4; :Hlmms-1.0.0+bzr2569/data/presets/ZynAddSubFX/Strings/0003-Saw Strings 3.xiz0000644000000000000000000000375611172205155023472 0ustar 00000000000000\[s8~ނIagلdtQlbMJ"Hr ii㧦ѱtnI㣿g ]w|6KQ ՠ~Nmt3 =Җ쓓MIL6[FS%KII71|N ] J%@t_/ @hıƛ Ysji4&WxF:ev̂)v06f*E:YQ }fX^J6+RX8%sF{1 {Rtl.u,7Țhf_xnS@ ݒ7L^ *Q+;ȡ,>G b( "G)ZF2Mpx~dz?5 HXgxus9ݞ!\ + V8h=Ud:^At(i,k8 DFdaj+x°ziDrO2LUpMR1@G~xp~@Gz%N, =d_^E#B'B =yef":N2p[`fҐ!.Ȓ=&0:%zY(xC*݅;BgNħC!+9OjNtݛZmfΫu@Kuûo `H:!b l촬!|B[dRBQؔ)Vyç au)DgֵRw{=Q^c4pX6ZVn2btI7 >R0,h7J #s9j4t^ ` s.& Ӌ;__~/lbuwa Mya>tk\ؔJ L4l0GIbOף3{Ms龟?4=qv+L0v<+JǩUfthh mV8V+}5\ZgKi)>/GwtCt;+VQbR$z%p]1u`a`J)[{nR+̃<1rYd`C r(ev0)w*jdFi&^QV1BY0bBĀEo┿Z%DޜZEEs/y``EލWhIU٥ڭ6܂iSZNǣ3Fo"IAVfa=ͼ2>IWB:ЙJS@ &}%F\ΔU\QX12Ǵa?2}6C 5C:kln[>4R]iP%ߛ[Jǯy}Ct&WOpk r7k9ʰ҈jjBσgV{7_CIUyZW n5} ;t!{ t'5~'5~}3k_-ȧiFU kʩvM{Ϝ\-XC Z:5b?xKG5TP\[k,~@C: ݱTR5.Jsgu:ּTKv;Ɋ?!P;-(uXJ.R/h͊XUw k>P*\v?UX4Wi%dw.Ἓ]B}7h7̓L/~Yta|A[/˥ryh\"ZDA{Aٗx>_m(灩D>AȈwq !nuqկeiV?#_8 )Llmms-1.0.0+bzr2569/data/presets/ZynAddSubFX/Strings/0004-Saw Strings 4.xiz0000644000000000000000000000421711172205155023465 0ustar 00000000000000\s8_񞂁I2e.^4-[9$?HZƐMژZ/vHq9~W];=˚WY8Nᣔs=ʵʞN? qa$}dd.>lFL - (KT%uGML@"o*ȱe{tmƬkt|wNe蒩$4Q=dدNk1$U]=t$}I?XH&:fb,_hlTk,D,"3L7:#L!#*ʼn0Yl˜ N@DߍFO .gOن ss67 "dd3co:(5FhC= e{(ZN$\4$/:@< ل"CξyQLB /V.E5b&}ÞTպ0S`QZ k&1/^)6QuYuW#701jѰ7Pd0_LQ?hp9. s <vLeP 7m$BIfmT&sLDl![42s5%lˤF_ 5bp- Y:ň& hFݨI TQ9.>#b/ >ԭ ه[xo/wvuw#'|;0Z'uFwQƞأ1}Q->P=CQxzC%K%II1mtJ 'P$J^:"҈c׍A2G>TuC5`8oᄾ n?tt21 Lim׬F U2̎$(Y/iw>?-?taK*pS( f475< (!~Xw55/QZ@JmY􍬁Id[.JB3RuƢ.Lc_^i  CoKc> jv]=KP,BKֈ=%{U:̒ˍX :M}OD*T%פ-3j8sP7h8/ܰ}}{gd > ._jtڹ7 *"8Owt.5-^tY$Cg9Jr.΍Ջi4;_.dKYV;.)Et b=>s'ȸË/&dIqBAkة&ޅa:sßdz8QE0W~%YLۖĞo;0\bpGjlA^6e/J 9J fi@7H F PaL/J"|33GdllGG'_t`Z0u%L#˘FAD2)Ҡ523.f$f&'=ւ9B|\{W΅?iz#mK0v<BE.]8LZ-[zcrOÙKSbp-- Rdzb4@4,㯌U$8dr(erV ,ˊ cSfODE͚5kmZb\dGeʂ XbR+}ꔅ`Ņ A(heIYFb+%0{aхCH Qķ!pZ S@ޔZvEES/y 4.^&,В(JKح&sߛb\Ȃr:PTcUFw&Df>(hRtc"-cE Wo,Y%crLK fC^ܞ('M\_4L:p?J3ӖGg|fߛVɻ~njɻ{c[i5/vCo ! *ۈ|b| **_*¯|l;XU5?v:-ؽFmsV 9 n6gCͬ>뛡_+ B+UϓW_=ٯg~5nf@SN 5߷.ZbxK[Tdž K'{vd KTXRAX`zҤ:h:X T0O~?Xfd˜ hTTuAv (]gкQրCKPXsC=eN>a˰i.Ӽ7~q4w4^L3z~^. Cz@Vʠ:}ue_Lد6灩DnшOw'vzWō7]xEմl=_[\,Llmms-1.0.0+bzr2569/data/presets/ZynAddSubFX/Strings/0006-Saw Strings 6.xiz0000644000000000000000000000403011172205155023462 0ustar 00000000000000\[s8~`yO!!0&f@:}(n IG4OMcwQ{"~xn|<<ۡiStoף;ϊl{=>q/?G#|Ο84}Alp?µ'u0Ʒ`4d[b=xޢFK.w`E9bEĞR` ｉzޭ95ǓTY/ulGaVdE7'DNH-~ VklF, '0K^:"҈cN-9CMU7T# N3gؐYd=Q$yT_<7d Ip뇫%Y[8XK )olD͜(eQ$kFy[sq@ a!86^j՚5>7 հѡYh36 =! Ruiǂw}&_?\5dJn`z]Oނ%ۺY h)eh{" rbCD.eD9b#19 W46#⚔b=h=nSNO >m( [UZ$[tb<ٓ/J!yr)pXÀO5--,Be|Eoœ56Rf}ÞNiUI #v /4ɰg۪&Գ 0dW#7K0hh^ip(yq]XP> <]hd ,#0I*Q ;BLYƖK΂ R VcKhr5&jŏЌ-vcp!)I_#2'Z`I7uE Ąe#*YsfuSsY`IAKd)QJu9΂tɔ; 5OXQʒ1S(!V-K8ﭥ3٢|jܙqDKȲho*aq7ZREiv)z ᄦۣuc+ -.z=D"NB_2i4omX4oӼKj.).Ἓ]B}7͝h77~>x,4. CLd>fo^MS(S!L]=c.NZI4v>.M~K#kP/6<Mlmms-1.0.0+bzr2569/data/presets/ZynAddSubFX/Strings/0007-Saw Strings 7.xiz0000644000000000000000000000367511172205155023502 0ustar 00000000000000\s8~_CBL8s%$sb˜mߟHZK?%c֫'D 臦 \>~hOz͏ޝvy{1|g7YѾ뎗W8L߁!O<ʟ6YcG{b }g{أ8b|[fKȋ G8\形U 2GzÑL% c MgN ;qъ3xCMTt' NX`xu! 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]]> lmms-1.0.0+bzr2569/data/projects/OldStuff/Chris-HorizonRemix.mmp0000644000000000000000000026263211603573245022454 0ustar 00000000000000